#I think it's a really interesting topic

[magicinverse]

I saw Slime with his Duolingo streak and it made me think about the og parent duos

Since we know they were made on porpouse, why do you think that was? Like I keep thinking about how Slime and Mariana, Jaiden and Roier, Foolish and Vegetta are literally matches made in heaven.

Maybe Fit and Spreen could have been great, i can see the logic behind that decision but Spreen is such a wild card it was really a 50/50 chance (Maybe is a me thing but I think bbh and Spreen could have work as a team)

I won´t talk about Dan cause i dont know a lot about him and Max

Luzu and Quackity are Luzu and Quackity, we already know they are amazing together, so that one is kinda obvious

Out of all pairs thou I think the most easy one to make was Fooligetta, they had chemistry, and they were both builders

Slime and Mariana are the same but in different language now this is a couple i don’t think they made thinking “they are going to be such good parents and a team” cause they are not, but comedic and chemistry wise? They knew they were going to be great! And they are

Jaiden and Roier we know they work, they are perfect for eachother, but what was the logic behind it? By the time the couples were made we didnt knew that, Roier can be a good match with everyone so maybe it was just the two of them left but I don't know

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[canisalbus]

I work with horses for a living and I’d like to hop on the bandwagon and suggest some breeds. I can’t remember if your beans are Italian, but that’s the assumption I’ve been going with so I apologize if I’m wrong!

Machete: Sardinian Anglo-Arab or Cavallino di Monterufoli

Vasco: Salernitano or Lipizzano (they come in colors that aren’t grey)

I have other recs if they aren’t Italian. I would add Neapolitan to Vasco, but you won’t find many (if any) photos of them. It went extinct in the 50s as its own unique breed. The Lipizzano is a descendant.

[jessmalia]

stiles and malia playlist: my boy only breaks his favorite toys by taylor swift

there was a litany of reasons why we could've playеd for keeps this time i know i'm just repeating myself put me back on my shelf but first, pull the string and i'll tell you that he runs because he loves me (he loves me) cause you should've seen him when he first saw me

[finemealprompt]

DP x DC Prompt #55

Barbara didn't know she had a brother. Well, okay she knew she had younger brothers, but not an older brother. She didn't know about Danny.

Not until she started looking into her own family and found some discrepancies in the paperwork.

[qiu-yan]

sensitive topic incoming

not a haterpost i promise.

sect leader yao is not a reliable source

further explanation/hypothesizing:

it happened exactly as sect leader yao said: self-explanatory. the version of events preferred by jiggy antis

he mercy-killed rusong: maybe rusong was already showing signs of a life-altering disorder as a result of the incest. or maybe jiggy just felt that, if the incest information ever came out, rusong would be doomed to a life of suffering in a heavily prejudiced society. jiggy himself had spent his entire life suffering and getting kicked around due to his own proximity to society's pariahs/taboos, so perhaps he felt that he could not subject his son to the same miserable existence. thus, jiggy gave rusong a more peaceful end, before (in jiggy's mind) society could force rusong to suffer.

he allowed rusong to die through inaction: this is really only a "kill" under a utilitarian moral framework. by this explanation, maybe jiggy found out in advance that someone was planning to kill rusong; however, for any of the other reasons listed here, jiggy decided to do nothing and allow the assassination to happen. thus jiggy would consider himself guilty of allowing rusong's death to happen through inaction.

he did it to justify eliminating an opponent of the watchtowers: maybe the advancement of the watchtower project, which jiggy knew would make society a safer place, had hit a deadlock because of a particularly stubborn opponent. so jiggy killed rusong and framed the opponent in order to engineer a situation in which his annihilation of the opponent would be entirely socially sanctioned.

and here is where the utilitarian arguments come in. perhaps jiggy knew that the watchtower project would improve the lives of millions of people and would make society as a whole safer. and he saw that one political opponent as the final major barrier. and jiggy could think of no other way to get rid of this guy. so jiggy weighed the lives of those millions of people against his one son, and concluded those millions of strangers were weightier; his son became his iphigenia.

of course, this is still a rather unhinged plan to just come up with on your own, so perhaps a better explanation of events is this reasoning paired with the "he allowed rusong to die through inaction" series of events.

rusong was killed by political opponents and jiggy blamed himself: now we reach the "he didn't do it" section of the potential explanations. jiggy has a habit of claiming kills he didn't strictly perform himself; so long as the chain of cause and effect can somehow be traced to somewhere near him eventually, jiggy will claim credit for someone's death. this is how jiggy takes credit for the death of jin zixuan: even though [novel canon] no one forced wei wuxian to lose control of wen ning and no one forced wen ning to attack jin zixuan, jiggy still acts as if he can call himself jin zixuan's killer, simply because he sent jin zixuan to wei wuxian's location.

jiggy, in pursuing the watchtower project, aroused a lot of public anger. jiggy made himself, and by extension his wife and his child, the political enemies of many, and thus political targets as well. thus, if an enemy targets the life of jin rusong because they are jiggy's enemy, jiggy is entirely justified in feeling as if rusong's death is his fault. after all, if he hadn't pursued the watchtower project, then maybe rusong would still be alive.

jiggy said "he had to die" as a Cope: losing your son sucks. perhaps jiggy, in the despair following his son's death, tried to cope with the new reality by telling himself that rusong would have had to die anyways, because he was an incest baby. if rusong was always slated to die, then the fact that rusong is now dead can now be survived. thus, "rusong had to die" becomes an emotional coping mechanism for jiggy.

no, jiggy himself is uncertain if he allowed rusong to die through inaction: this one is a a bit fanciful but bear with me here. on one hand, jiggy loves his wife and son. on the other hand, jiggy is horrified by his marriage with his wife and by the existence of his son, because his wife is also his sister and his son is the product of incest. jiggy lives with not only this horror but also the constant fear of exposure, because if this information ever got out, the lives of himself, his wife, and his son would all be over.

rusong's growth thus becomes a source of dread, not hope: every day lived brings the possibility of rusong developing some disorder or condition that eventually proves the incest. is it not possible that jiggy, living every day under such fear, might come to believe that things would be better if rusong stopped growing older? if rusong died--then gone too would be the evidence of the incest, would it not?

now along comes the political opponent who assassinates rusong. jiggy does not see it coming and jiggy is thus unable to stop it. but afterwards, upon beholding the corpse of his son, what does jiggy feel? rage? despair? no--relief! he feels relief! though he also grieves, the constant fear shrouding his entire life has, for once, lifted!

but if jiggy is relieved by the death of his son, what does this imply? can jiggy truly say, with full confidence, that he did not see the assassination coming? can he really say, with heaven and earth as his witnesses, that his failure to stop the assassination was not to some degree a choice? is there truly no small part of him that did in fact see the assassination coming--yet, knowing it would be so relieving for him, simply chose to do nothing?

but if jiggy did not see the assassination coming at all--if rusong's death truly cannot be pinned on jiggy at all--then what does that say about jiggy's power? about jiggy's safety? jiggy being innocent of killing through inaction means that jinlintai really is somewhere assassins can penetrate into. then jiggy's son really was killed by a force jiggy had no way of stopping. then, in this situation, jiggy really was powerless.

you can remove the ambiguity and argue the case either way: jiggy knew about the assassination and let it happen, jiggy legitimately knew nothing and could not have stopped the assassination. but the ambiguity makes this scenario more interesting to me. jiggy lives for the rest of his days uncertain if he chose to allow his son to die through inaction, or if he really was just weak enough to fail to protect his son. maybe jiggy's memories of the incident even manage to start distorting after a while, implying either one or the other depending on jiggy's own mental situation.

thus, when jiggy says "rusong had to die," he's uncertain if he's justifying his actions or delusionally coping with a reality he had no hand in making. when jiggy says "i killed my son," he's uncertain if he's even telling the truth or not.

ah well. this is basically original fiction at this point. it's just a potential scenario.

anyways, these are just a few scenarios based on various meta and fanfics of this subject ive read over the past few months. you can probably come up with all sorts of explanations. whatever you come up with, though, should be better than just blindly taking sect leader yao at his word.

[lesbian-rook]

could you draw ragatha comforting an abstracting pomni? like ragatha calms her down enough to make the abstraction go away! thanks :3

🎶When darkness is all you see This is our Sweet Blasphemy🎵

[puppyeared]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[bmpmp3]

sorry to be a bit of a hater but i do wish youtubers weren't so scared of making their videos just like, "reviews", whys everything gotta be a "video essay" all the time. every day my recommendations are filled with 40 minute videos titled "_____: An Underrated Masterpiece" where the first like five minutes are reading the wikipedia definition of "masterpiece" in a somber voice with dramatic themed text on screen. please just tell me how good or bad you think something is and use the rest of the runtime to explain why. you dont need to put on all these airs

[aloeverified]

daring being the equivalent to a pg-13 fuckboy was really funny, but i think it would've been so sad and compelling if he geniuely was in love with apple.

they know they're destined to be together, they grew up together and have talked about their relationship many times. they agreed to not date until their destiny takes its course, as apple is paranoid about messing with their story and doing anything ahead of time.

daring sees how hard she works and how far she goes to strive for perfection; following ever task her mother gives her, always being ontop of her studies, never missing a chance to be kind and help others. she inspires him to do the same; topping his sword-fighting classes, using his strength and athletic skills to help others, always seizing the chance to save the day and protect others.

daring falls more and more in love with her each passing year, whereas apple just keeps waiting for the feeling to come to her. she reasons that she doesn't feel anything for daring because he hasn't awoken her from her coma and swallow her worries.

many people still fall for daring, but he tells them his heart is taken and his destiny is sealed: apple white is the only girl for him, and it's his duty to stay loyal to his future wife.

perhaps apple even visits the charming kingdom often, under the guise of spending time with her future in-laws to get away from the heavy pressure she faces at home. she grows closer with darling during these times, who admires apple and her ability to be satisfied with the royal life and expectations she has as a princess.

i think daring could still have a few small and tender moments with other girls, such as his admiration for cerise — but he does his best to push those feelings aside, maybe even feels guilty for them.

it's only after he fails to awaken apple in dragon games, where he is able to start his process on moving on. he agonizes over not being her prince, as it changes everything he knows: his destiny, his true love, and even the fact that he would participate in an out of destiny romance (something so taboo to a royal such as himself).

when finally given the chance to do so, daring asks apple if she loves him — if she ever had or ever could, in the same way he loves her. they have a long conversation, one that ends with both of them in tears. apple does daring, but she's not in love with him. she's always known there was something different about her when she didn't long for her prince charming like other princesses did, and now thanks to darling, she knows why.

daring learns how to move on. it's a tedious process, and one that hurts, but he moves on. and so does apple. he still loves her, and she still loves him. only now, they also love themselves.

[mourn-and-watch]

i know that aveline's condolences scene is supposed to be about understanding of other's grief but oh boy does it feel completely utterly wrong when you remember how she has treated the white lillies killer situation at the beginning of act 2 and how she just. never mentiones it if hawke doesn't call her out. and if they do her only response is "well people always blame the guard".

i believe she's genuine when she tries to comfort hawke by relating to their pain and telling about her father and how he died and how she'll miss leandra too but. the thing is. she knew about these murders as the captain of the guard and even asked hawke to help her with this. by shutting the guy who tried to investigate it up. because he talked nonsense. or did he.

hawke feels like shit and is consumed by guilt because they couldn't save their mother but aveline kinda should share the sentiment. there was a serial killer in the city and she did absolutely nothing to stop him and gave up on investigation because all of it seemed random and therefore couldn't be solved. it was literally her job but she decided not to act on it. consciously. so people died and if that wasn't enough, her friend's mother died, horribly too. is there really nothing to be said besides "well my father died too you know. it's okay to grieve. take your time" or "well the guard can't save everyone. blame the killer not me"

[ignatiusteto]

i think sacred music in the kryn dynasty would be very cyclical and repetitive in form to symbolize the idea that life is a continuous thing (at least those who are consecuted right right) and is a cycle across lifetimes and yeah

[canisalbus]

Hey, I’m new to Tumblr, but I’ve seen your characters around the internet and I love them so much!! Everyone has so much love for Machete and Vasco and your art is so cool to see! Do you have any tips for an aspiring artist and creative writer?

Hi! Welcome to tumblr! I'm glad to hear you like my dogs :]

I'm not really a writer, and I also completely lose my confidence when I'm trying to explain my art processes. So this is probably an obvious, unhelpful platitude at best, but one thing I've realized is that you should allow yourself to be self-indulgent. If you're the primary target audience of your own work, it generates passion and keeps you inspired and motivated. I like to believe that people who see your creations are more likely to respond to them positively if they can sense that you're putting your heart and soul to them.

[cookinguptales]

I was trying to learn more about Japan's parapsychology craze in the 80s and 90s and was having a surprisingly difficult time finding good sources on Google. So I kept trying different search terms and finally this comes up

cia??? freedom of information act???

Anyway!! I clicked on it and the page is "down for maintenance" and I have never been more consumed with curiosity lmao.

I had no idea that Google would search through FOIA documents...

[erstwhilesparrow]

to the surprise of approximately no one, i am thinking about video game mechanics and mcrp and c!owen and violence again. i am thinking about interesting accidental resonances and i am thinking about what someone's medium of choice makes it easy to tell stories about. the thing is, owen's pov of outsiders is a story that, despite being told almost exclusively in minecraft, really does not want to be a story set in minecraft.

what i mean by this is that cc!owen repeatedly and deliberately tries to prevent minecraft logic from existing in the story he is telling. according to him, things operate in the messy space of real-world physics, and the fundamental structure of the world aligns much more with our reality than with, i dunno, a series of 1s and 0s. of course they can't climb the vines to get to the top of the walls, they'd get tired well before the reach the top, never mind that minecraft doesn't have any mechanic in place to keep you from clinging to a vine for as long as you want. of course acho drowning during the underwater maze game could have been from something being wrong with the potions, never mind that minecraft potions come out the exact same way every time. of course it matters that owen punched mohwee for going into the maze, but only once, because he couldn't bring himself to do it again. never mind that a punch in minecraft rarely means much.

a single punch in minecraft doesn't mean anything. or it means almost everything, which is why it doesn't mean anything. but the outsiders, at least for a little while, make a world where a punch matters, where it's the kind of thing you go running to tell other people about because it means a real fight's brewing. mohwee punches graecie, and someone comes running to let owen know. we're meant to react to it the way we would if it happened irl. we're treating this seriously now!

except that's really hard to do in minecraft, because minecraft isn't a game that gives you many avenues for... body language. for the kind of nonverbal communication you do by touching someone gently. try as they might to pretend otherwise, it is built into the bones of any minecraft world that the only way you can touch another person for sure, in a way that the game has an obvious mechanical system in place to respond with, is by punching them. so two things here.

one is that yeah, the outsiders creators stop acting like a punch is a punch not super long into the series, because there is no vanilla mechanic for [grabbing you by the arm and dragging you away from the gates]; you have to use what you have at your disposal (such as the left-click button on your mouse) to gesture at the thing you actually mean. owen emulates the act of dragging someone around by punching magic at one point. nobody, in-universe or out, reacts like he was actually hitting her, and i'm not saying we should. but there is that disconnect between what the story is supposed to be (maybe owen pushes her away from the gates, maybe he's trying to pull her back), and what the game will allow them to do.

two: despite the ways that the game runs counter to the kind of story owen et al. are trying to tell, this limitation wrt punching still produces some really interesting resonances that require us to accept and pay attention to the fact that no matter what owen says, this is a story told through minecraft, inflected by its mechanics.

(side bar: i'm focusing on owen for this, but i think you can expand this idea to other characters, maybe the whole cast, by thinking about how both the story world and the game world are, on some fundamental level, set up to not allow for kind or gentle connections between people. you can't actually put your arm around someone else. you can't actually wipe away their tears or lean on their shoulder. the entire world the outsiders live inside of, both from a game perspective and a roleplay perspective, is designed to funnel them toward big dramatic gestures and cyclical violence. the easiest way to touch someone is violently. and still, there are the gestures of care, carved out of what the game will allow. sharing food. speaking softly to each other. opening the trapdoor to your bunker and letting the people behind you hurry down the ladder to hide. so you've never learned how to touch someone without violence. you can still know how to put your whole body between the person you care for and the danger. you can still die for them. isn't outsiders such a story of caring, despite, despite, despite?)

anyway. about c!owen. i think it's fair to say he's a character shaped by violence from the jump. he comes up the elevator and is almost instantly making and hoarding weapons. he tells himself he has to protect everyone, and the first two ways he decides to do this are by making a sparring ring where he intends to teach them to fight, and by threatening to break their legs. for the latter half of the series, he is literally sleeping on the edge of a sparring ring, all his personal effects literally pushed off to the side to leave room for this sand pit in the middle. even before he gets the memories of his time as a soldier back, we can see that this is how he interfaces with and understands the world. violence is in his bones.

as a result, i am kind of crazy about the fact that the literal game mechanics he engages with reinforce this image of him. there's this brief period of time really early on where i guess they haven't really got the prox chat range to yell to each other from a distance, and owen decides to take his weapon of choice and fire an arrow in the path of the person he's trying to talk to. (i know for sure he does this with rasbi and with at least one other person. forgive me, i don't recall who the other person was.) when you're getting shot at, yeah, you sure do generally want to look in the direction that arrow came from to see who's trying to shoot you! that'll get someone's attention! that is generally how people play the game!

at another point much later in his series, a group of outsiders find an enormous crane towering over a section of the maze, and owen pulls out a bow and aims it upward. it took me a second while watching to realize that it's because when you draw a bow in the game, you also zoom in on the thing you're aiming at. owen was trying to get a closer look at the crane, so he grabbed his weapon and used it to get a better understanding of the world.

more broadly, owen uses spears and arrows to point at things, to check distances and investigate stuff he doesn't want to or can't get close to. when he and magic first notice ash up on the walls, he fires arrows up at her, not really to hit but to see how she reacts. then he keeps firing them, having noticed the barrier blocks (in-fiction, the screen that makes up the false sky). later, while talking to chat in a high-up part of the maze, he demonstrates again that the sky is fake by hurling a spear into it.

out of character, these are just creative workarounds for the medium's limitations. in character, however, these instances make it clear that every single thing about the way owen interacts with his world is coloured by the fact that he has used weapons and will continue to use them, that his reaching for a bow right after waking up wasn't some fluke, that even with his memories wiped out he is a character who has been trained to reach for violence before anything else.

just by playing the game, cc!owen adds another dimension to this character, because he is playing a game where There Exist game mechanics meant to facilitate violence, and this is about the cycles of violence c!owen finds himself trapped in and perpetuating and it is also about how violence is so deeply ingrained in him that it is an inextricable part of his world.