#I still would not acknowledge it because fandom has made me hate it so much and as for a hot take

[buttercupshands]

Playing through Red&Yellow 2.0 undertale mod and let's just say

I haven't been this inspired to draw something undertale related *specifically* from Undertale itself in years

Also play it if you haven't and you have undertale on pc, it's extremely worth it

[awesomestarfighter]

#there's not even any CANON evidence that any of the trainers were mando #nor any canon evidence that jango actually had any kind of interactions with the clones #esp none that had anything to do with passing on mando culture #hell BOBA FETT HIMSELF says in the mandalorian that he does not consider himself to be mando #he wears the armor because it belonged to his father #and it's sentimental that way #but he doesn't count himself as a mando or ever have any interest in taking part in that culture #so if jango never bothered passing on that culture to the person he considered his son #why does anyone think he'd have done so for the ones he rejected?? #makes no sense y'all

I really don't get it when authors write clones as Mandalorians who are super attached to their culture and language. I mean, yeah, I get that Jango Fett was a Mandalorian (and so many people are so ridiculously horny for Mandalore, but that's for another day) but they explicitly say - several times - that their home planet is Kamino.

Maybe their training had some Mandalore influence, but we also see that a lot of their trainers are bounty hunters from loads of places as well as having Shaak Ti supervising.

They develop their own culture and traditions - like how they decorate their armour or earn their names - which may start out from Mandalorian roots but are obviously influenced by the war, their jedi leaders, and Kamino more than anything.

I just don't get the vibe from the shows and movies that Mandalore is that important to the clones apart from in that distant way people talk about where their ancestors came from. Whenever they talk about 'home' planet, its Kamino. Jango Fett is just their sperm donor bio-dad who they ignore the existence of most of the time.

[deebris]

The Misteryous Visitor 4

Batfamily x batsis (platonic!)

Synopsis: Bruce finally confronts Damian, and hates how tonight's events seemed to turn out just to remind him what a terrible father he is. He felt like he didn't deserve you, and he wanted at all costs to avenge the injustice Talia committed with you two.

Warnings: Family discussion; maternal overprotection; Bruce has psychiatric problems and is mentally unstable, besides being very angry; mentions depression, post-traumatic stress and the like.

Word count: 3.7k

Note: I apologize for taking so long to post the fourth part. I was looking for inspiration to continue in other fandoms. Now I feel engaged again to continue posting

Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 6

"She is not a secret." Damian tried to sound firm, looking Bruce in the eyes to avoid suspicion. But no matter what he did or how long he tried to maintain the lie, his father had already decided what to think about this enigmatic and strange situation.

"Hmm..." He let out a disheartened murmur, and the boy never thought something like this would happen, but he frowned with worry as he saw Bruce pour another drink. It wasn't like his father to act this way.

When Damian first met him in person at ten years old, he could have sworn Bruce and Talia were somewhat enjoying themselves that day, even with the barbs hidden in some exchanged sentences. Or maybe he was mistaken; after all, it had been so long. Perhaps he had preserved a false memory.

"How much have you drunk?" The boy asked with a disdainful voice, trying to hide that he was truly concerned.

"Why have you never talked about her? She is your sister, Damian." Bruce ignored the question but in a kind of silent acknowledgment, he rested the glass on the side table, preventing himself from getting drunk.

"Why are you acting like this? As if it's a big deal." He made a face of confusion. "Why do you care so much about this? She isn't even your problem. I won't stay here being interrogated because of her." Damian got up, taking hurried steps to the front door. He was running away, and he knew it.

"Where are you going?" Bruce stood to follow him, finally showing some kind of emotion beyond stoicism since they had been alone in the room.

"I'm going to wait for my mother outside. And when she appears, I'll come back to fetch Y/n. Then you won't have to see her anymore, ever again." Damian said, and although Bruce didn't know if in the last part his son was referring to you or Talia, he didn't dare ask for the detail.

"Why didn't you ask any of us for help when you found out she was missing? If she is someone so close to you, you could have talked to us." Bruce was speaking in that strange way again, like when he found out Jason was the Red Hood. He was hurt, and as if a whistle had snapped in his mind, Damian understood that his father was like this because of him. It wasn't Talia or how she always ended up causing problems; it was him. "You hid from me that you were still talking to your mother."

"And did I need to inform you that I talk to my mother?" The boy tried to maintain a haughty tone, repressing the urge to shout so that Bruce wouldn't see his conflicting feelings.

The truth is that it hurt to lie like this. It hurt even more to lie to you. Damian didn't show or openly say what he felt; his mother once told him that was weakness, but honestly, now he was disgusted with himself.

"You didn't need to inform me, but you made an effort to hide it!" Bruce didn't shout. His voice was grave, authoritative, and deep down had a tone of betrayal that had twice the impact of a shout. He seemed to reflect on something, and patiently Damian awaited a lamentable outburst, but just as he himself would do, Bruce was avoiding becoming emotional.

"I don't understand why, but you came to live with me and seemed to exclude her from your life because of us. She is your sister and didn't even know I am your father! You sent letters, which I'm sure you hid not just from me but from her too. And she ended up here in the middle of the night like a fugitive. Will you tell me again that all this has no reason?"

"Even if there were a reason, it wouldn't be your business." The young man replied harshly, and once again: it was a lie. It was his business. Seeing Bruce's angry scowl turn into a defeated look made one of his fingers tremble. Realizing only after saying something that what he did was wrong made a panic arise in his chest.

Bruce sat back in the armchair, giving up on the discussion once and for all. He felt so stupid for thinking he was succeeding in freeing his son from the League of Assassins' clutches, that he was doing a good job showing him he didn't need the blind loyalty Talia taught him to have. He feared that Damian would succumb to a villain's life, exactly as Ra's al Ghul wanted Bruce to be: cruel and ruthless.

Talia stirred bad reactions in him, and his sense of justice hammered in his head. How could he simply hand you back into her hands after you came here tonight? That woman was a bad influence on anyone, and it didn't matter if you were her daughter; you were a child. And wasn't that what he did with all his children? Took them from the streets and bad parents?

He wanted to vomit at the idea of allowing you to continue being raised by someone like her, among those people, but if he couldn't even change Damian, what could he do for you? Bruce couldn't force you to stay, but at the same time, he grappled with the internal conflict of corroborating that one day you would become like they. He is Batman, his duty is to protect. He should protect you too.

Bruce rubbed his eyes, feeling an intense headache and he day was already dawning again"Your mother isn't coming, Damian." He asserted, noticing that a long time had passed since they started waiting, getting up to return to his own room.

"You said we had a lot to talk about." Suddenly, the boy felt the need to prolong the conversation, if this could even be considered a conversation. It was as if they would never speak again if he allowed his father to leave.

"We don't anymore." Was cold, and that made the boy swallow hard. Bruce knew he would regret being so harsh, but at that moment, he wasn't thinking straight. The rational part of his brain was being dominated by his impulsive side.

Bruce opened his bedroom door with unusual violence. Lately, these episodes of anger were frequent, perhaps due to interrupted sleep; this damned insomnia was worse than in the last months. Alfred had already suggested he see a psychiatrist, but Bruce was sure he would leave there with a worse diagnosis than expected, so he avoided it as much as possible.

The butler once dared to mention that he might have some type of post-traumatic stress, but Bruce was stubborn and that led to an argument. He was a controlled man, but that day he shouted. The reaction was not unexpected, considering the tension from the chaos Scarecrow was causing in the city at the time, but Alfred was observant and knew the problems went beyond that.

The death of his parents was a delicate subject, and combined with the pressure of being Batman, Alfred saw Bruce become more obsessive, anxious, and even depressed over the years. Fortunately, the emergence of Dick was a break in the sad loneliness for him. And then came Jason, Tim, Damian, and things improved for a while, but the relapses still existed.

Bruce sighed as he admired his bed, wishing he could sleep again, but knowing he wouldn't be able to without taking another dose of pills, which certainly wasn't an option. Then he noticed your coat there. The garment had been left in his room, carefully placed on the arm of the room's couch.

He walked over and picked up the coat, rubbing the soft fabric with melancholy and noting how well-kept the garment was. It would probably be a good idea to return it to you; Would also be an opportunity to check if you were well accommodated.

Cautiously, he walked to the guest wing. Bruce thought he would need to check the rooms one by one to discover where Alfred had placed you, but a beam of light leaking from one of the doors indicated which one. He hesitated to turn the knob; it felt too intrusive. So, he knocked: three soft taps on the wood. He waited a few seconds, but you didn't come to open it, and he gave in to the act of opening it himself.

In slow movements, he leaned to look inside the room, without entering yet and checking if everything was okay. He saw your figure well wrapped in the covers, eyes closed and breathing in a consistent rhythm. You were sleeping, and the light he saw was the bedside lamp.

He entered, doing everything to control his steps, going to a chair to place the coat there. He felt the need to be gentle with the garment for some reason, handling the coat with such care, as if holding you in his hands.

He was envious of how pleasant your sleep seemed, wishing he could sleep like that too. He thought of turning off the lamp, but regretted it when he saw that his act interrupted your sleep. As soon as everything went dark, he heard the rustle of the covers, signaling that you had woken up. You stayed still for a while, staring at the shadow in front of you, knowing someone was there but too embarrassed to ask who it was, until the light was turned back on and you saw Mr. Wayne.

"Sorry, I think I woke you," he said softly, genuinely feeling guilty. "I brought your coat. I left it to dry better; it's still a bit wet," he continued, gesturing towards the chair.

"Thank you, Mr. Wayne," you replied groggily due to the minutes you spent sleeping. Thinking he would leave, you clasped your hands as if praying and placed them under your cheek on the pillow. A common but funny position.

"Call me just Bruce," he sat on the edge of the bed, looking at your face. He had a question stuck in his throat and thought it would be a good idea to start a conversation. "Are you okay?"

"I am. Thank you for letting me sleep at your house." you answered serenely, and he nodded in agreement. "And you?" You asked back. Bruce blinked, surprised by your question, realizing that your eyes were shining. The truth is he couldn't say how he felt, so he said what anyone would say: 

"Yes, I'm okay," he said, more focused on your face, knowing you might be uncomfortable with that but wanting to see you better. 

“Can I ask you something?” He seemed anxious, and you waited expectantly in silence, which he took as a yes. “Why did your mother separate you two like that? Why didn’t she tell you anything?”

You stared at a random spot on the mattress, feeling a pang in your chest at the memory. “She did, in a way. Mom doesn’t like you very much, Mr. Wayne. I think that’s why,” you said, looking back at him, seeing him raise his eyebrows in amusement; you corrected yourself with a gasp: “Bruce.”

“Did she speak badly of me to you?” Bruce was curious like a silly child, even though a serious scowl was etched on his face.

“Not exactly about you. Mom and Grandpa hate Batman.” By this point, you had already figured it out. It wasn’t hard to connect the dots between your family and Robin with him after a few minutes of reflection. “It’s you, isn’t it?”

Bruce let out a dry laugh, caught off guard. “Yes, it’s me,” he confirmed, and you shifted to sit more upright on the bed, excited.

“Is it true that you killed the Joker?” Your question made Bruce’s scowl turn puzzled. So that was the kind of rumor circulating.

“No, I didn’t kill him. He just... disappeared one day,” the same day Bruce thought he had lost Jason, and although deep down he wanted very much to have done it, he didn’t find it appropriate to admit that to you.

“I’m confused,” your voice became more relaxed, he thought it was due to the casual tone the conversation was taking. “If Damian is Robin now, what happened to the other one? He didn’t die, did he?” You asked the last question in a whisper, fearing it was true.

Bruce laughed at this. He had never thought about how people assumed Robin was a single person all these years. “No, he’s fine. You’d be surprised if I told you five different people have been Robin.”

Your eyes widened, and suddenly you remembered a detail: “There was a girl, wasn’t there? I remember seeing some photos in an old newspaper.”

Bruce was perplexed at how much you seemed to know about him, but in a good way. “Yes, there was a girl. She’s Batgirl now,” when he said that, your smile widened even more. It seemed like you were a secret fan, he would say, since in your own words: "Talia hates him" and Bruce knows she would hardly allow you to have such admiration.

But your smile faded, and that worried him for a moment until you spoke: “I didn’t know that man was Hugo Strange,” you looked at him with regret. “If I had known, I would have caught him for you.”

“Would you?” He asked, doubting you really could.

“Well... I would have tried,” you defended yourself, shrugging your shoulders.

“Very brave. But it’s good you didn’t do anything,” he said playfully, stopping to think for a moment. “Y/n, what did he tell you?”

He saw you wrinkle your nose in a grimace before answering. “I thought we met by chance. I was walking and saw a man smoking a cigarette on a corner. I was going to walk past, but then he asked if I needed help.”

“Which corner?”

“I don’t know, but it wasn’t far from home. I was trying to figure out the street on a map I found in the municipal library’s phone book,” you sighed, frustrated at not being able to give the information. “I ignored him, but he followed me. I got scared and started running, but he said he was a cop, so I trusted him.”

“Did he have a police car nearby?”

“He said he was undercover. But I don’t know what that means; I thought it was the same as being off duty.”

“It could mean that too.” Bruce saw your guilty expression, your lip trembling and your hands nervous.

“You don’t need to feel bad for believing him,” his larger hand enveloped both of yours like they were nothing. Were warm, and it was comforting. “I know Damian said horrible things, but he speaks in the heat of the moment.”

“It was not in the heat of the moment... He never just speaks,” your voice dropped so low it was almost inaudible. Your eyes burned, but there were no tears. Crying for your brother would be the last thing you would do again. “What was in the box?”

“What box?” He was confused by your sudden change of subject.

“Didn’t Dick give it to you?” You asked, feeling his hand move away from yours and touch his left pocket. What Dick had given him was a card and not a box. Maybe he had taken what was inside. “I guess he forgot.”

“No. He didn’t forget,” he quickly responded, snapping out of a stupor. A curiosity grew in his chest, a need to know what was in that card.

Bruce fumbled in the pocket where the card still was and pulled it out. He quickly examined the paper, turning it over to check the back for anything. For a long time, his voice was muffled, and Bruce could only hear a buzzing in his ear. It was impossible for those words to have any real meaning. His breathing became loud and shaky, as if he were in the cold, and you were startled to see his eyes blinking frantically.

“Are you okay?” You moved to approach him, seeing moisture suddenly form on his forehead. It was cold sweat.

“How is this possible?” You heard him ask himself, bringing his fingertips to his eyes, rubbing them to make sure he was really seeing. That card had left him unsettled, you realized, and hesitantly, you tried to take it from his hands to remove it from him, but his grip tightened at the feel of your fingers, so tight that it completely crumpled the paper. “Sorry. It’s nothing,” he stammered, seeing that the abrupt movement had scared you.

He got up from the bed, completely oblivious to you or anything else now. He staggered before reaching the door, very disturbed and seeming out of it. Maybe it was you who did something wrong and didn’t realize it?

He didn’t seem fit to walk, so you quickly removed the covers from your legs and went to him, supporting and guiding him to the chair where he had left his coat. He was very heavy, but he was so disoriented that he went limp. He seemed so shaken that he didn’t protest and simply sat there. You stood in front of him for a few seconds, not knowing what else to do to help him.

“Shouldn’t I call someone?” You asked.

“Dick,” he mumbled without looking at you, and that worried. It seemed intentional, as if it was too difficult to face you.

“Where do I find him?”

He closed his eyes for a moment, thinking of something, but Damian’s voice on the other side of the door caught his attention:

“Y/n, open the door.” You stood still, recognizing your brother’s voice, until he continued: “Mom is here. She’s going to take you home,” he said as a warning, opening the door after a moment without even asking. “Come on. Why are you standing there like a statue?”

He was perplexed when you didn’t respond, and then he noticed his father sitting beside you in terror.

“Dad?” He approached, kneeling to assess the severity. He was having another episode. Lately, Bruce had only been getting worse every day and still refused to ask for help.

“What happened?” Your brother turned to you, but your face already showed that you had no idea.

Damian tried to place his hand on his shoulder, but Bruce pushed it away aggressively. Your father would never act like this just because of the argument they had before, much less give him a venomous look as he did now, but beneath it all, there was hurt. He had found out about you, somehow.

He should have felt bad about how the news seemed to have been revealed, but he was relieved not to have to lie anymore. At the same time, he regretted choosing to cater to his mother’s whims once again, deceiving his father this way. But the omission had grown so much over the years he spent in the mansion and, after so long, it didn’t matter when he told him, the damage was already done.

Bruce wasn’t in a perfect mental state. He wouldn’t react like this normally, and knowing that, the man felt pathetic in front of the two of you.

“He asked for Dick,” you said to Damian, giving him space to breathe by stepping back.

“Forget Dick,” Bruce replied firmly, surprising. In an instant, he had a fit, and as quickly as he entered this state, he left it. Now, he seemed furious. “Where is she?”

This was a ploy by Talia and Strange. They were planning this together to hit him, a way to weaken him. It could only be that. It was too much of a coincidence Strange had found you just that night; nothing made sense. When had he and Talia gotten involved again after that day that led to Damian? He couldn’t remember and wasn’t good at recalling such old things. Maybe that wasn't even true. It was as if there was a big blank page in his mind.

“Get out,” Talia’s silhouette appeared at the door where she was leaning. Like most times when referring to the children, her voice was imposing, leaving no room for contestation. “Both of you.”

“You were supposed to wait downstairs,” your brother tried to contradict her. Despite everything he did for your mother, unlike you, he was the only one who had the courage to face her.

Her frown deepened at Damian’s defiance, but her stern expression softened at your trembling voice: ‘Mom...’ She sighed and opened her arms to you, casting a challenging look at Bruce, who returned it with an even harsher one, as she wrapped your smaller body than hers in a tight hug.

She knelt to your level, her hands gently brushing your cheeks and hair, noting how frizzy and messy it was. ‘Look at you. Your hair is all disheveled.’ She ran a finger down to your lip, grimacing at the cut there.

‘I’m sorry.’ Although less anxious now that you knew she wasn’t angry, you still regretted disobeying her.

‘My sweet girl,’ she said in a soft, genuinely affectionate voice. She kissed your cheek, casting that same malicious glance at Bruce again, as if provoking him. He felt a wave of nausea seeing her use you as a pawn just to taunt him. ‘Let the adults talk,’ she ordered, standing up and regaining her authoritative tone.

‘I’m staying,’ Damian protested. Leaving his father alone with her in his vulnerable state was a mistake.

‘Go and stay with your sister, Damian,’ Bruce was as harsh as Talia, but unlike her, he was seething with anger.

The boy closed his eyes in frustration but gave in, knowing it was useless to argue. He glanced at you, who had already walked out of the room and into the hallway. Damian was about to follow, but his father’s voice stopped him again:

‘She’s not leaving the house, Damian,’ his firm tone carried the weight of undeniable authority, with bitterness seeping through. The coldness in his voice left no room for warmth; it was distant. Bruce had finally gotten the push he needed. The possibility of you being his daughter gave him a sense of entitlement, and it made Talia’s arrogant expression falter for a moment; she looked apprehensive. ‘Do you understand?’ It was a question directed at both his son and Talia.

‘Yes,’ the young man replied simply, avoiding eye contact with his mother as he left. Damian paused in front of the door before fully departing, and his mother slammed it shut in his face.

He resisted the urge to eavesdrop and turned to look for you in the hallway, but you had vanished.

‘I deserve this,’ he muttered impatiently. You were avoiding him, and Damian couldn’t help but feel irritated at how childish that was. But he was one of the villains here; he was the one who lied, insulted, and rejected you. Realizing this filled him with shame, and unlike the first time, he repeated the words, this time with a tone of regret: ‘Yes, I deserve this.’"

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[vamphorica]

Because I hate being happy for more than two hours at a time, I've been considering to what extent Matt knew that Takada's kidnapping was a suicide mission.

I've been looking at this screenshot while I've been using it as a reference for a drawing and given that the poor boy is only designated sixty-nine seconds of screentime in the anime, I think it is interesting that there's a substantial pause on this specific frame. Matt is surrounded by Takada's bodyguards, unable to get out of the predicament he has found himself in. At this point, he believes there are two possible outcomes: he will either be arrested, or shot dead. You could interpret his expression here as apathetic, as that is how he tends to be characterised, but he sits in his car and looks out towards the row of headlights for about seven seconds. He considers his situation, acknowledging the number of men pointing their guns at him, and then he leaves his car.

The question is, did it occur to him then, or had he known beforehand, that his death was inevitable? Remember – Matt is one of a few characters in Death Note to be killed 'traditionally'. Should we take the Shinigami Eyes into consideration here, we have to assume that Matt is fated to die at this exact moment in time, regardless of circumstance. There is nothing that would have saved him from his demise that day.

However, I do wonder if, at nineteen years old, he is truly apathetic about his own life. I genuinely believe Mello sees his own death as an inevitable sacrifice, but I am not so convinced that Matt actually cares enough about defeating Kira to lay his life down for the cause alone. The manga suggests he leaves his car almost immediately upon being caught, and his final words, sadly, suggest a lack of foresight about the gravity of danger he is in.

Kira's world is not one in which justice prevails as Light envisioned, but rather it is an autocratic reign of terror. There is absolutely no chance in which Matt would be detained in a society in which death is considered the appropriate solution to crime. He is a Wammy's boy, but even if he had not have been associated with the House, Matt would have still been aware that his risk of death is heightened exponentially through his association with Mello alone.

In the anime, when Matt looks out the window of his car, we hear his inner monologue. Nonchalant, there is no fear to be heard in Drew Nelson's performance of the lines, and Matt's awareness of his impending death is presented as being limited. Is it an act? Or is Matt portrayed as lacking self awareness to such an extreme extent? Perhaps to 'justify' Matt's position as the third successor to L, Ohba felt the need to present Matt as ignoring the inevitable, but at least to me, this feels like it greatly undermines his intelligence. He may not be competing against Mello and Near, but that does not negate the fact he was still raised in the same institution that they were. All the children are freakishly smart, that is the whole point.

Did Mello propose the plan to kidnap Takada to Matt with the acknowledgement that they were both likely to be killed? Mello's final thoughts in the manga and anime are asking Matt for forgiveness, his death apparently unanticipated by the former, which feels like a failure in writing the deaths of these two in a manner that reflected who they were.

Matt is, by all accounts, a fandom project rather than a fully developed character within the Death Note canonical universe, but we are aware that Matt was created for Mello. I hardly expect Death Note to explore the intricacies of such themes in the series (particularly given, as much as I hate to admit it, Mello and Matt are not the main characters within the franchise). However, even with the rather minimal source material provided to us by both manga and anime, we are made aware that the two have a very unique relationship. They know each other intimately, and Matt does not fear Mello as many of the other characters in the series do.

Mello does not want Matt to die. He values Matt and while one could attribute the gratitude for him to the popular fan narrative that Matt is the one to look after Mello after the explosion, or indeed the idea that the two are in a relationship, their interactions with one another already set up their alliance as one that appears to transcend the regular boundaries of friendship. Again, I'm pulling a lot from fanon here, I know. Take it up with Ohba.

Narratively, if Mello has to die, so too does Matt. Ohba could not foresee this character that is so dependent on another to live beyond him. Yet I simply refuse to believe that Mello would have placed someone so important to him in a compromising position where the likelihood that he will be killed is almost certain. As much as I believe that Mello's final thoughts being directly addressed to the deceased Matt demonstrates an important ode to their relationship, I cannot understand how Mello would have been shocked to hear of Matt's death, given the risk.

We know Mello was fully aware that he was going to die that night. If he did not die, Near would have, and I think to Mello that would have been the greatest loss he could have suffered in their ongoing conflict. Regardless of whether you believe Mello cared about Near to any extent or not, I genuinely cannot imagine Mello would have been happy to succeed as L had it been attained through Near's 'sacrifice'. I am actually exploring an AU of this very idea in a fanfiction I intend to publish early next year, in case you're interested, haha.

This returns to the question as to when Matt realises he is not surviving this mission. Presumably Mello asked for his cooperation, and in doing so, he would have had to explain the plan to Matt which, quite frankly, reveals Mello's intent to die as soon as it is advantageous to do so. Given that Mello did not want Matt to be killed, did Mello reassure Matt that he had created the plan to guarantee his safety? Did Matt believe him? Was Mello deliberately vague, only telling Matt that he needed to set off the smoke gun, then hit the gas and get away from Takada's security team?

As far as I can tell, there is no reason as to why Mello would have been dishonest with Matt, explaining what he was planning to do and why. Perhaps he even suggested to Matt that he could find someone else to take on his position, given the danger he anticipated they would be in. Matt is, as I think the series makes clear, very loyal to Mello, and so I doubt such a proposal was even considered, but I think it is safe to assume that if Mello knew how this plan would end, so too would Matt, whether Mello explicitly told him or not. He would have figured it out.

When Matt and Mello part ways for the final time, not shown to us in either the manga or the anime, they both know that they are saying their last goodbye to one another. I think Mello hopes that Matt will survive somehow, experience a Kira-free world and move on with his life, but I believe Matt knows, well before he got caught, that there is no escape from the inevitability of his death.

Maybe, when he steps out of the car, confronted by the 'big guns', he holds out a little faith that at least he might see Mello again soon.

[gayhorrorsans]

CW alot of swearing, if that triggers you at all

And I'll probably re do this but more professionally when I'm less mad.

-------------

The whole 'I hate sans centered AU's' and 'The fandom was ruined by AU's' pisses me OFF.

Let me explain it to you like you're five.

So, when a character is popular... yes?

People like that character more than others... yes?

So when people make fanart... yes?

They make it of that character more often than others... yes?

Therefore since the character is more popular and more known. The character has more fan works. Therefore has more AU's.

The fact people define this shit too pisses me off. I've seen people call Horrortale and Underfell sans centered AU's. I'm sorry what? If you said Dusttale sure. Something New (Killer Sans), sure I can't exactly argue. But calling Horrortale and especially UNDERFELL sans centered? Wild.

I assure you you will live if an artist wants to make an Au centered around sans. You also forget he's typically a simple character to draw compared to the rest. So beginner artists can attempt him easier. Also he was by far the most popular character in the fandom in its infancy, and still is the most popular. LOOK I GET that some AU's are sans centered. But the way you treat them makes you look pathetic or uneducated.

Put it this way, people often see videos saying 'Sans centered AU's bad' and reply 'I'm working on an Au where <insert really uninteresting thing>' and look this is Fine. Be creative, in fact I encourage it. However there's a reason these sans centered AU's are popular. They're creative. They were also made when the fandom had enormous communities on platforms like amino. AU's SPREAD. Plus, if your AU was just writing, no art, it's heavily likely you would be ignored or your au would fade out quickly. These are the principles of the Internet. To stay relevant you need to produce new media that people can consume quickly. Art or animation.

Popular AU's made recently(ish) so past the initial craze of dreamtale,Dusttale and so on. Undertale Last Breath, IDUTSHANE and so on. They have to utilise new ideas or new takes on pre existing ideas. It's hard to make a new original idea that is both good, and fits in with the dynamic. These aus are only popular for a while, then fade into irrelevancy. I would love to see some new popular AU's, but however if you make them without sans in them, or as a background character, just know it's likely your au won't have much of a chance.

There's an oversupply of sans au content because there's an extreme demand for it. It's like complaining that a store sells too much monster energy drink and not enough red bull, when that store sells maybe 5 cans of red bull a year, and 50 thousand cans of monster a year.

And let's not even mention when an artist makes AU content that isn't sans centered, the same people who complain about it, just focus on the sanses themselves. Xtale is a huge example. Because of recent events it's fair to understand the limelight is on Cross (trans coded). But in general I never see anything on any OTHER Xtale characters, even from people I know hold the opinion that they want less sans centric aus.

Also the AU's in general keel the fandom afloat. Sure mischaracterisation is rife, but at some point we have to acknowledge the reality of it's damn near impossible to fix. Always stand up for what you believe in, but understand some times it's not worth the energy.

I'll probably re do this but more professional at some point. Sorry for being all over the place. I just wanted to post something and I was mad at this.

[margoshamangolord]

A BIG POST WHY TFA SENTINEL IS A GOOD CHARACTER WHILE STILL BEING A FUCKING PIECE OF SHIT

lots of thoughts under cut

I hated him like any tfa viewer is expected to, and i still do, because he's wrong oftenly and very fucking immature about his own actions, but it's just that fandom treats him like a simple flat cardboard designed for nagging the main characters, while he's not. Even people usually fond of discussing character depth just go "ew" at him, but i want to prove that he's not worse than even ratchet or bumblebee in terms of writing. His actions have depths, reasons and explanations. I do not want to excuse him in points where he actually fucked up, but i do want to remind that he's a character with a history and insecurities like others in tfa

I want to start off with the fact that while the hate he has inside the fandom is not really interesting, it is easily expected. He acts like a piece of shit and has a lot of negative traits (for example you have his attitude towards organics, and while you could kinda write it into being a reaction to Elita's 'death', it wouldn't be really valid, since Optimus was there too, he saw the same things as him, but he has no disgust towards humans)

The first thing i want to show would be this screenshot from the allspark almanac. It actually broke me when i saw it and prompted to write this because it brilliantly explains his whole character drama.

He feels guilty. He actually knows and admits he made a mistake and he is weighed down by it. He is fully and painfully aware of his stupidity in the situation.

But is he going to admit it? Is he going to apologise? Of course he's not. He cannot carry the weight of his guilt, but he cannot apologise and let himself be weak. So he made a vow.

He presses Optimus down and puts that weight on him because it's easier for him to stand straight reassuring himself that he's not at fault at all here. He feels that if he says sorry, then he'll be guilty forever and will never let go if he acknowledges it. He is guilty and he knows it, but he's immature and he does not want to think about it at all. He distracts himself with the rules and regulations.

"I did it, i fucked up trying to be something greater than i should, breaking rules. I'm never gonna wash it off, I'm guilty, but i must be better. If I don't make any more attempts at throwing over the rules, if I hold down others from doing so, i will be better, right?"

Rules are safety and comfort for him. Breaking rules and trying to be special is something he associates with Elita's death, and his thought process basically is "no rule breaking=no tragic accidents to be responsible for". He's confident that if he does everything by protocol, how he's told, then there will be no situation he would have to be blamed in. Of course he takes it to an extent. You oftenly see him obsessing over rules and regulations more oftenly than others — and now that makes sense.

The second thing would be his profile and Optimus's words about him. This text doesn't really serve us much important information, just a simple outside opinion on how he acts, except the first phrase.

"Sentinel means well, he really does."

As bizzare as it sounds, even Optimus, who he has a very sour relationship with, understands this. Sentinel actually means well — but it's just his experience and perception that really distort what comes out in the end. His "well" is very different from others' "well", but he definitely does not actually mean intentional harm in most occasions.

An unconcious goal that he most likely has is "do not let the elita incident happen again". It actually explains why he's trying to press down Optimus's ambitions and yells at young autobots about the importance of listening to the code. He may see himself in others.

Last is miscellaneous details. He actually covered Optimus and Elita when they were retreating — wouldn't do this if he was as selfish as creators want us to believe. He says he made a mistake in the almanac (when he was kinda being interviewed, he told the truth). Wouldn't really do that too. Most times he's been a dick to Optimus and his crew were him simply not believing immediate information without proof like he believes is the right way, like he's supposed to, and from his perspective he was genuinely sure he's doing the right thing

Conclusion

I would still slap him if i met him. But it doesn't mean that he should be rushed and avoided during discussion of character flaws and I'm tired of him just getting flatted down by the fandom as "mean and stupid do not touch". I want him to be taken seriously, and tbh finding out that he actually feels bad about archa seven is all it takes to be suddenly enlightened about the inner workings of his brain, because it connects all the dots.

And i would give all my money to see him canonically get a better development and more focus in the show. I would love if he accepted his wrongs, and if he had a genuinely honest conversation with Optimus. I really would.

[coolestzed]

Alright, I’ve been holding this inside for years but I’m finally gonna say it.

Misako haters are actually fucking annoying at this point.

They always were to me, but now, they’re just OBJECTIVELY an annoyance. And they need to STOP.

They take literally ANY chance to slander her, even when it’s completely unwarranted. Like, I’d just look at a picture of her on Pinterest, and there’d be multiple comments going "the world’s worst mother". Or I’d see content about Koko and there’d always be comments comparing her and Misako and going like "Koko way better fuck Misako".

I’d even see a fucking meme and people would slander Misako. Like they couldn’t resist.

And that’s not even mentioning his people constantly make her seem way worse than she actually is. Im not gonna quote everything, but basically they act like she never does good things for Lloyd. That she doesn’t care about him at all! And it’s just- so WILDY out of character!! And it’s the same vice versa! I saw a funny Ninjago video the other day with a "your mom" joke and someone in the comments was like "jokes on you, Lloyd would never call Misako mom". I’m just?????? Yes he DOES????? ALL THE TIME???

People just act like their relationship is nonexistent! Like they don’t care about each other, or that Misako doesn’t care about Lloyd! Which is OBVIOUSLY not true!

People claim that she disappears every other season but the only seasons she was absent in are 12 and 13. Also, she has a job. She goes on expeditions. Obviously she’s not there 100% of the time. And she and Lloyd clearly spend time together off screen.

People don’t even acknowledge the reason why she left in the first place. They act like she dropped him off at a boarding school and dipped to take a vaycay. She was literally trying to stop her husband and son from having to fight to the death. You ever think about that? You ever think about how SHE felt in the situation? With her husband being consumed by evil and later being banished, and learning that he and their son would have to fight each other? She was HORRIFIED and GRIEVING! Ultimately she did it to save her family. It doesn’t make leaving Lloyd right but it’s understandable.

But apparently not to almost all of the fandom.

Most of y’all, completely ignore that, and everything else that came after season 2.

Misako constantly being worried about Lloyd in Tournament of Elements and Possession.

Both of them spending Day of the Departed together.

Her getting/building the Destiny’s Shadow as a birthday gift for Lloyd.

How she supported, fought beside, and risked her life for Lloyd in Hunted.

How she wanted to stay and fight with him during MoTO but only went inside because Lloyd urged her to protect the civilians.

Not to mention just their general interactions. THEY’RE ALWAYS HAPPY TO SEE EACH OTHER!!! Do you know how many times they hug?!

And this dialogue here:

"Aren’t you going to kiss your mother goodbye?"

"Mooom, we've-we've talked about this-"

WHAT MORE PROOF DO YOU NEED?!

Lloyd and Misako have a good, healthy and loving relationship. Misako has long since made up for her mistake and they’ve moved on.

Yet THE FANDOM REFUSES TO!!!

EVERYONE, TO THIS DAY, STILL TREATS HER LIKE THE FUCKING DEVIL!!!

I CAN’T EVEN COUNT THE NUMBER OF TIMES PEOPLE HAVE HAD OVERDRAMATIC TANTRUMS FROM HER JUST EXISTING.

IT MAKES ME SO UNREASONABLY ANGRY.

AND THE FACT THAT I’VE SOMEHOW BEEN SEEING EVEN MORE MISAKO HATE DURING AND AFTER MOTHERS DAY IS ACTUALLY APPALLING.

NOT EVEN FUCKING ENDEAVOR FROM MHA GETS THIS MUCH HATE AND HE’S DONE MUCH WORSE TO HIS FAMILY.

IT. HAS. BEEN. OVER. 16. SEASONS. AND. A. MOVIE.

GET. OVER. IT.

*deep breath*

Look, she’s not perfect. Obviously. She fucked up. But who in this series hasn’t? She came back, and she’s made sure to be a better mother to Lloyd. He forgave her, and they have a good relationship now. They’re close.

She wouldn’t be as hated if the writers didn’t do her dirty. Her introduction wasn’t handled the best, and having her and Lloyd have a more in depth discussion would’ve made the reunion and forgiveness feel less rushed and forced. That love triangle with Wu and Garmadon certainly didn’t do her any favors either. 😑

Regardless, her character’s gotten better over the seasons. Again, she and Lloyd and close and have a good relationship.

But hardly anyone acknowledges that, almost everyone in the fandom hyper fixates on that one mistake from years ago. They don’t pay attention to anything else. Like how she’s a better mother, or how she’s just a generally good person.

You aren’t supposed to judge characters or irl people solely on their past mistakes. Especially when they’ve already made up for them. Thats why the "Misako’s a horrible mother" statement is always bullshit to me.

Seriously, Misako’s been a part of Lloyd’s life longer than she’s been absent from it at this point.

The amount of passionate, unforgiving hate she gets is so undeserved and over the top. Too many people are projecting their own issues onto her. Or just being plain hateful. It’s not fair to define her entire character on a single mistake that she’s long made up for.

And it’s definitely not fair to people that actually like Misako. Often times on the few positive posts about her, there’d be Misako haters in the notes or reblogs complaining about her or insulting her, or just stating they hate her but love the content. And that is completely uncool and rude. It’s so unnecessary. You don’t do that, that’s so shitty. The again Misako haters have a habit of spouting unnecessary hate. Like it’s a terminal condition they have.

So, please, for the love of god, COOL IT. Stop and think, try to ACTUALLY look at her character without the veil of blind hatred.

If you still dislike or hate her, fine! But if you’re gonna detest her, at least hate her as she is and don’t make her worse than she actually is to justify hating her more.

And PLEASE stop bashing her at every turn, it’s annoying, upsetting, unwarranted, unnecessary, and just not good.

Thank you for coming to my Ted Talk.

[pruneunfair]

Rating female leads in manhwa.

Navier

6/10, I absolutely hate her writting and has devolved into a mary sue who only reacts to everything around her while her mass of supporters never shut up about great she is. Her synopsis claiming her as someone who loves all her subjects gets contradicted when its shown she doesnt really care about the slaves.

BUT in season 1 she wasn't bad, I liked her resolve and it was when she actually cared for her people, I feel like if we got to see a clear backstory beyond "she wasn't allowed outside when she studied to be empress" I would understand her total apathy more.

Ariande

7/10, I adore villains, especially villainous protagonists and at first I liked the idea she wouldn't be any better than her family but still had a soft spot for Arabella, she loses a few points because it turns out she's excused for killing people before in the name of "love" and is viewed as someone who can do no wrong.

Adelaide

10/10, she's like Navier but better, she has more noticeable flaws and while she is a kick ass warrior during the tower arcs she still is human and can't always take it alone without consequences, she acknowledges Diane's struggles and makes an effort not to be her enemy and is proof that you dont need to make FL overpowered gods to be strong women. A beautifully made FL in a underrated story

Robellia

1/10, She doesn't divorce her husband despite the title literally being "I will divorce my tyrant husband." But that's more of a problem in most other manhwa. She's too much of a perfect epic goddess for me and most of all she does the whole "buying all the slaves but giving them a home." to make her look even better, what is with manhwa and inserting slavery for no other reason other than to make the FL look better?

Arianna

0/10, there is nothing good about her. Other than being a mary sue and a personality that only revolves around the latest sexy man, she legit forces another guy to join her haram by threatening diplomatic war on his kingdom and bodyshames her fiance but all of a sudden wants him more than ever when he loses weight, it took a random chick being inserted with a 🍇ist persona to make her look "better."

Yerenica

6/10, in any other story, this girl would've been despised by the fandom for being a homewreaker/pick me. She gives me so much second hand embarrassment but she's not terrible, I actually really like her design too. Not a fan of the kidnapper-hostage relationship she and the ML have though.

Pereshati

10/10, the best one here. She feels so much more human than the others on this list, she's got flaws, a relationship with the ML Therdeo that has both realistic progression, blunders, but overall healthy love, she also has relationships outside of her husband which I really love, I actually get scared for her when shes in danger instead of the usual "oh great, heres the typical kidnapping trope", a great motherly FL

Hestia

5/10 I will be easy on her since I just started reading my derelict favorite but I've only heard bad things about it through spoilers so I don't have much hope, also girl, please acknowledge that just because your favorite character did it for love doesn't mean he's absolved for murdering 2 people, thank you

Edith

9/10, my 3rd favorite on this list. You do not know how happy I was when instead of immediately viewing Rhyse as a rival to defeat, she was actually nice to her and the chapters of them were so sweet, she even acknowledges that it isn't anyone's fault for acting out but the author who is pulling the strings.

Layla

8/10, I feel so bad for this poor girl. For some reason I noticed on reddit and tiktok that she's getting hate for not standing up to herself or just not being the usual "girlboss" protagonist, did it not occur that she cant do much to a duke!? Layla deserves so much better and she needs to be far away from Matthias, I don't care if it's "dark romance" he is torturing her for his own pleasure.

[verdantwyrm]

So you can absolutely delete this if you wish but I'm being kinda pissy

I swear most of this fandom hates Curly because he is a male

If Curly was sa'd by Jimmy I would hope the fandom would have treated him kinder but with the way they treat his mental/emotional abuse I don't have hope

If Curly was a girl, I bet I would see people calling her a pick me girl despite that fact that'd she still have been emotionally abused by Jimmy. Just the fact she'd wasn't sa'd would make her a "lesser victim"

This is how I see the majority of the people in the main tag

I would love to hope that in those supposed worlds that Curly would be understood as a victim but they don't even acknowledge he is one in this world

Even if they do they still call him awful

You and a few others are such a breath of fresh air from a fandom that almost made me drop this game and story

No no, you are very correct, anon! Men don't usually get taken seriously when they come forward about abuse, even more so because a large percentage of abusers just happen to be men, it makes people think that they're incapable of being abused or raped.

I do absolutely think that has an impact on how people treat the idea of Curly being a victim, either intentionally or subconsciously. And you're especially correct about the comment of if Curly was a girl, she would be treated just as worse because he trauma wouldn't be "as bad" as Anya's (being raped/assaulted) as it happens literally all the time irl and I've even experienced it myself on both ends in multiple situations.

People do make every excuse to hate on Curly, and I've never said he is completely innocent because he isn't, but he is in no way as guilty or as responsible as Jimmy is, but people love trying to make it out to be that way.

Thank you so much and I'm so glad you're able to enjoy the game despite the fandom being very annoying sometimes, I'm honestly still reeling from how much attention my posts have gotten, and I treasure every ask I get! Happy to be a part of such a space where I can speak my thoughts as they are. ⸜( ´ ꒳ ` )⸝

[wellofdean]

Sorry ,for me personally, it has to be out loud acknowledge to even remotely make up for how badly they treated fans over the years, the out loud queerbaiting in one breath and mocking in the next. The in text gay jokes, sexism and homophobia. The digs at their own fans.

They want the credit without having to do it. Again. They want the pat on the back they need to earn it this time.

Years of baiting for views and profit needs a payoff imo. Sorry people downplaying how important the canonization of this ship in particular is just hurts to see over and over. Stop letting them off the hook please. You deserve more. We all do.

It’s important. It does matter.

The cas/destiel hope baiting continued with the Winchesters and that’s why I’m at a put up or shut up moment with Jensen and the writers. He and Danneel kept the hype up every week that the show was airing all the while knowing cas doesn’t even get a name drop. He’s not even hinted at. Mary/john paralleled destiel so many times yet refused to call it want it was.

They could have shut it down week one, they interacted on tweeter a lot during airing and knew what fans thought there was going to be an acknowledgment or hint that never happened. They are smart people, they saw the speculation and hype but didn’t step in with a gentle ‘sorry guys this is about the new crew’ they fanned the hope instead with ‘something big happens’ that was just dean meeting the new team.

Loved the Winchesters as a show, sad it got dropped cause I loved the new cast so much. That said the baiting hurt and wasn’t necessary, the show was good.

Everyone is looking back with rose colored glasses and rewriting history. But things were ugly with the spn team/cast/writers at times. The homophobia was pretty out loud in a way it was allowed to be in the early 00s. They’ve grown and that’s wonderful but it still happened.

They need to earn the praise they want imo. No hate! Glad you are happy! just feels a little unfair to say we should all let them off the hook again and be happy with nothing while praising the benevolent straights. Just my two cents 😅💚💙

I want to answer this sympathetically, because I know it's disappointing that no one has been willing to just say "Dean and Cas are gay for each other" out loud, and I don't think there are many people in this fandom who picked up what the narrative was putting down, and were not disappointed in the finale for LOADS of reasons, only one of them being that Dean never had the chance to acknowledge what Cas said to him. I understand your feelings, my anonymous friend, I really do. I too found the end of Supernatural deeply frustrating, because they managed to erase the meaningful journeys of every single character, not just Dean, though what they did with Dean was the worst. I completely understand wanting them to JUST FUCKING SAY IT. I do. I get you. I simply do not agree.

My argument, which I have made many, many times, is that what you want is THERE in the narrative. They made Cas Dean's ride or die, they made it obvious that Dean can't carry on without Cas -- that the loss of Cas means Dean loses his will to live. That was explicit. They made it clear that more than anyone else, EVEN Sam, Cas is essential to him. They structured the narrative around Dean and Cas's emotional beats. They let Cas say the obvious thing out loud, and then showed us Dean behaving exactly as Dean would in a situation like that -- in the midst of his existential crisis about who he is and whether he has ever had free will, and with the world falling around them -- they showed us Dean unable to speak, unable to respond but overwhelmed with emotion. Like, remember that when Mary died when Dean was four, he was unable to speak? Is it really so hard to imagine that he loves Cas with all his heart? To read love in Dean's watery eyes, and the way he chokes down his heart and begs Cas not to do this? Not to being saying goodbye? I mean... I CAN DO THAT MATH. Literally everything about the story supports it. IT IS THERE.

Fandom always argues: if Cas were a woman, we wouldn't have any questions, so what I am just wondering is, why do we have questions again? Is it because we (homophobically) can't just see it for what it is because it's gay? Because, when it's gay we lose our ability to interpret narrative, and we need to be told, like we are 5 years old, what's happening in a perfectly obvious story? Or, is it a skill issue? Is it because we need the creators of the story to affirm our interpretation? We need the actors to just TELL US what they meant when they did that thing with their faces? Do we need their permission to understand it for what it is?

I've said many times that calling what happened on Supernatural 'queerbaiting' because no one ever made out or fucked on the maps table is really offensive to me actually. Don't you know that there are queer people in this world who never get to live their truths? Who just ache and yearn and want, and never get to have? Like, that there are in fact queer people who are afraid to say what they feel, or who don't understand or embrace who they really are and what they really need until it's too late? Are those not QUEER EXPERIENCES? I love Dean and I love that story because it's queer as hell and it makes ME feel seen, because I am like him! I am a queer person of his age who didn't ask myself those questions seriously enough in time! My own queerness is very fucking real, and it is UNLIVED. That HAPPENS to actual queer humans, and like, it's not queerbaiting when it's just queer, but didn't tell you the queer story YOU wanted it to tell. You saw years of tease? I saw years of choices, and love, and accretion of deep wells of emotion. I saw a clear romance, and a character becoming. It was a story I needed, AS A QUEER PERSON.

And the Winchesters was just joyful if you went in with that understanding of the previous story. It was like getting an A+ in Supernatural week after week from Dean himself. I can accept that the stars didn't align for Cas/Misha to come back in the first season, accept that if he were coming back, it needed to be more than a cameo to make it right, and that it didn't work out. I am so sad it was cancelled, but I can accept that it was leading someplace it didn't get to go. That's not queerbaiting, either! It's telling a story that was aborted, and I think if you don't see that, then that is DEFINITELY a skill issue.

I'm not looking back with rose coloured glasses; Supernatural is fresh in my mind. I watched it again without the internal pressure of expectations that aren't going to be met, and let it tell me what it was really doing all along. I am happy. It's a really compelling, deeply romantic, deeply queer story. I don't need permission from anyone involved to think that, and I don't need it explained to me. I understand wanting it to just be fully explicit, but I would not trade the story it did tell for a simpler, less engaging one, that asked less of me. I love it very much AS IT IS.

And, please: point me to this fabled abuse of fans. I have never really seen an example of it that is not easily debunked with a little bit of context.

[bibibbon]

I made a huge mistake in going to the MHA subreddit. The braindead takes on 427 have me convinced I'm stuck in a parallel universe where we're reading a completely different story:

"It's great seeing Deku play therapist with the LOV, but all it seems to have done is make things worse!" A) Izuku shouldn't be having to play therapist to begin with, considering he's a 16 year old kid. B) most of the LOV don't see anything they did as wrong, so idk what the fuck Izuku can do about that. Also, WHY AREN'T PEOPLE HELPING IZUKU WITH HIS OWN GODDAMN FEELINGS?!

Apparently Bakugou killed Kurogiri, and there's absolutely ZERO reaction to it both in and out of universe. So of fucking course Izuku is a murderer, but not their precious Bakugou 🥱.

"I feel like Hori's really underrated as a writer!" Horikoshi doesn't know Show Don't Tell, how to actually develop characters, and how to craft actual stakes in the narrative from a hole in the ground. Also, MHA is one of the most popular mangas worldwide, so you're not even using underrated right.

"I feel like Horikoshi sees our discussions and then implements them in the story!" This I can kind of agree with, considering how much y'all hate Izuku and worship Bakugou. But on the other hand, I really doubt Horikoshi thinks the MHA subreddit is as important as you think it is.

"Bakugou's totally going to ask Izuku to start their own hero agency together at the end!" Jesus fucking Christ, just say you hate Izuku. How would that be a great ending for him? He not only has to see the source of his low self esteem and borderline suicidal feelings achieving the dream he'll now never have, but you want them to WORK together?!

@nutzgunray-lvt 👋

Well a lot of the time looking into Reddit is always a mistake unless you're asking a very niche question and you get an answer from 9 years ago or something.

I feel like a lot of people whether that be in universe or in fandom forget that izuku is a 16 year old child soldier. Izuku is more than a decade younger than a lot of the villains in the leauge. He is a child who has been exploited by the system and abused. We have seen in 425 izuku try and talk to someone but simply get brushed aside and while I don't blame shoto or ochako for doing that as they probably didn't mean it and are traumatised themselves it kinda of shows how much this has effected izuku. Also this doesn't help BECAUSE HORI GAVE US NO FLIPPING INTROPSECTION ON IZUKU'S BIT AGAIN!! Also Iam not sure if it's just me but Izuku's eye bags are heavily prominent in this chapter especially when he is talking to spinner.

The fandom especially the lov stans side of it love babayifying the actions of the leauge and hyper fixating on the humane soft side they may have while completely ignoring the horrible actions they commited. I talk about this better in one of @palesweetscherryblossom asks

I still can't believe that bk may of killed kurogiri. I don't even know when that happend and I checked the wiki but it says that kurogiris status is unconfirmed so I will be waiting until the last chapter to fully acknowledge if kurogiri is dead or not. However this brings up the point that the fandoms is being quite hypocritical if they're calling izuku a murder but not bakugo. They both killed people but for some reason it's izuku thats put into public light and bashing instead of all the other characters that have killed in the series including villains.

Yeah sometimes it feels like hori is looking at discussions of his series and implementing ideas but I think that goes more for his Japanese fans than us to be honest because after all they're his target demographic. I remember when I first joined Tumblr one of my earliest posts talked about how horikoshi's writing decisions were heavily influenced by his fans which may or may not be true.

At this point IAM convinced that izuku isn't getting a proper happy ending. Every time I think it can't get worse it does. Just by your comment of them starting an agency together haunts me just like the possibility that bk may become the number one hero

[mike-smh]

Chat, I have a lot of opinions on the hermitcraft fandom, specifically a lot of common headcanons or AU’s people have. So if you don’t wanna read them that’s fine this is just me rambling lol.

Grian

Grian is constantly portrayed as an innocent little guy who only ever did the bad things because he was possessed by watchers. I hate this because so many people infantilize him in order to make him look more innocent. He is a fully grown man with a wife. He is probably twice the age of the people who write him in this way.

I have three major issues with this. Firstly, he can’t be possessed by a watcher since within canon the watchers are just the audience. I know that in some people’s AU’s the watchers are godlike entities who can do possessions and control people. But if that’s true then why would they control Grian specifically and make just him innocent and make everyone else the bad guys.

Secondly, it’s unfair to ignore every single action he’s done that has hurt people. It’s unfair to force everyone to forgive him just because he “wasn’t in control”, possessed or not he still hurt people in so many ways. Everyone he hurt has a right to be angry with him even if he was possessed because he still hurt them.

Lastly, Grian absolutely knows what he’s doing, because he pulls pranks on hermitcraft that are a lot like the things he’s done in the life series. And canonically watchers aren’t on hermitcraft because they simply don’t exist there. People make AU’s where they do exist on hermitcraft which is whatever but still. Grian is still in control of himself when he does bad things, he is self aware and has made multiple points of being self aware when he has done harmful things to people.

Scar

I have so many complaints about fanon Scar. A lot of people also infantilize him and never acknowledge the fact he’s in fact manipulative, cunning, deceitful and a villian. People really only portray him as someone who’s in love with Grian and will just be a punching bag for the other life series members as if he doesn’t know how to stand up for himself.

I actually have five main points about Scar because although Fanon Grian is something I'm also passionate about, the fandom just does Scar dirty and completely changes him into someone unrecognizable.

So, firstly, I hate that the fandom makes Scar into a man who doesn’t know how to stand up for himself. They constantly portray him as someone who’s a people pleaser and just does whatever anyone wants. They turn him into a doormat and punching bag when in actuality he is very much the opposite. Scar is manipulative, he never says no to an idea if he doesn’t want to do it. He has many canon kills, there’s times where he’s killed people when he didn’t even need to, he did it just for fun. Or during 3rd life when he made Bdubs and Grian fight for their lives.

Many people make the excuse that he only did that because he was a red life but that doesn’t make sense because he’s done that on hermitcraft too. His persona Hotguy is literally a hero that kills whoever he wants, he just shoots people at any time and kills them. Also during season five, when Convex originated, he constantly killed others for his entertainment. And again, people make the excuse that he was controlled by the Vexes. Okay, that’s a valid argument, except when you remember he was a corrupt mayor in season seven. He was a swindler in season eight where he took everyone’s money so that they actually got a chance to live through the moon crashing and he helped King Ren in season nine.

Another point is that people make him way too forgiving. Especially towards Grian and everything Grian has done to him. When he has literally, on multiple occasions, referenced bitterly to all the things Grian’s done to him. He’s known to hold grudges against people in both hermitcraft and in the life series. It makes absolutely no sense to make him a constantly forgiving person, that is unless he is nothing but a love interest for Grian. So many people infantilize Scar just so that they can justify shipping Scarian, because they know that if they took all the canon information at face value that Scarian would never be a healthy relationship.

Taking that into account leads us to our next topic, people like to completely disregard any personality Scar has in favor of just making him into a shipping vessel for Scarian. Some people make his entire personality into just liking Grian. People like to make him forgive Grian for everything he’s done, even him cheating on Scar during Double Life, just because they like the ship. And honestly, it grosses me out. Seeing people completely disregard how toxic Grian and Scars relationship actually is and change them both into characters completely unrecognizable from canon just so they can have their ship.

I’m sure there’s so much more I can complain about when it comes to Fanon Scar but I’ll make just one last point. His disability. I’ve seen a lot of people make Scars personality revolve around his disability. People essentially making fun of him in a way, making him stutter every sentence, unable to read properly, constantly bringing up how he can’t walk, etc. Now, as a disabled person these inherently aren’t bad things, there’s nothing wrong with bringing these things up and talking about them. It’s just how you talk and bring them up is what’s important, some people talk about it in a way to mock him.

Making him the butt of the joke because he can’t pronounce somethings properly, mocking him because he struggles with reading. Which in my opinion, is disgusting. Yes the cc makes jokes like this with the other hermits, but the other hermits are his friends. You, as a viewer, are not his friend, you don’t know him and you don’t know if he’s hurt by random strangers making fun of him for things he cannot control and making his disabilities his entire personality.

Mumbo

Mumbo. My man, Mumbo K. Jumbo, the Redstone innovator, the man who made a house that can walk. What I’ve noticed about him is that he gets so watered down in Fanon, I swear people just don’t want to give him an ounce of personality. So I will be talking in detail about that.

First of all, people make his entire personality just being a silly guy, they give him no strengths, no weaknesses, they just make him an NPC I swear. They make him act all timid and clueless like he doesn’t know how to do anything at all, they make him helpless. When he literally isn’t, he’s just as villainous as anyone else. He does what he wants to, he kills who he wants to, he threatens people, he literally blew up his entire base just because he wanted to.

Second of all, I swear that it always somehow circles back to Grian, and I despise that. Because for some reason people again, forget everything toxic thing he and Grian have done and just ship them and make Mumbo into nothing but a love interest for Grian. It’s just so disappointing to see people give absolutely none of the other hermits any personality.

Third of all, Mumbo has pulled pranks with the intention of killing people. He constantly kills his friends or messes with them in ways to harm them or greatly annoy them. He constantly stands up for himself in situations and he manipulates people whenever he wants something. He is so much more than being a “spoon”, he is so much more than just being a silly guy who stresses over redstone. He’s not even just a redstoner, he’s a builder too but it seems that people also disregard that part of him as well because it just doesn’t fit into the vision of him being helpless.

So, in conclusion, people like making everything about Grian, people like making everything revolve around Grian. Scars personality? Changed and watered down so that people can have a “healthy” desert duo. Mumbo’s personality? Changed and watered down so Grian can have someone who supports him and constantly forgives him for all of the literal crimes he commits.

So, you might be asking, “Narrator, what’s the point of this? Why did you spend an hour writing about fully grown men who play Minecraft for a living?” Because I’m sick of seeing fully grown men being infantilized for a bunch of teens' enjoyment. Just so they can ship them together and make their favorite character (commonly Grian) be a better person and actually likable.

So what’s the point you ask? The point is that I fucking hate some of the hermitcraft fandom, specifically the people who don’t like people who don’t share the same opinions and or do any of the things I’ve listed. I’m not saying the people who do these things are bad people, just that I personally dislike them. In no way am I hating on the people, just the headcanons.

Okay yeah, I just realized I spent an entire hour of my life writing this and that’s an hour of my life I can never get back…

Also if I offended you, I don’t actually feel bad because I'm allowed to have opinions and so are you. By voicing your opinions you’re opening yourself up to criticism because not everyone agrees. And I know that, that’s why this is all in a first person perspective, these are my opinions and feel free to disagree all you want. I just don’t really care if you disagree lol

Anyway thanks for reading.

[cfr749]

Initial Thoughts on Chenford in 6x07

All right... I'm feeling... a lot at the moment, so just sharing my initial reactions before seeing anyone else's. I'm sure my feelings will evolve. Also this turned into a GD essay and I'm sorry.

The Good

Grey acknowledging that Lucy was going through a lot ABOVE & BEYOND the break up. I just wish he'd mentioned the shooting, too. Lucy deserves to be more than her relationship with Tim and I need to actually see that in the future.

Lucy laying out 2 key things in her conversation with Grey - how easily Tim walked away and that he had no right to make that decision for her

Prior to the last scene (see The Ugly below), I thought Tim's interactions with the therapist were reasonably well done; if only therapy was that easy in real life lol

"You've always got a home with me" - I loved this final scene between Lucy and Tamara. I don't really have feelings either way about Tamara at this point, and this still hit me right in the heart.

Smitty's poll made me laugh, but also another solid indicator that these writers / producers do in fact really enjoy laughing at the expense of the fandom and shippers (which, whatever, I don't care that they do, I'd prob do the same; but it does irk me when people act like these writers should be worshipped because of all the things they "give" us)

The Tim

"I'm not depressed. I broke up with her."

"I was her TO." Not her friend, cuz god knows Tim has yet to deal with the fact that he started banging his former Rookie I suppose.

I dunno whether to put this in The Good or The Bad at this point; it depends on where they take it, so instead Tim gets a section all about why he's a dick.

To be clear, I do not like that Tim is a dick. But I actually do kind of like that it is very clear TO THE AUDIENCE that Tim is being kind of a dick. Do I still think people will bend over backwards to defend him? Of course they will.

From my perspective, I love Tim, I understand that he thinks he's doing the right thing, and has lots and lots of trauma. I've never seen Tim as a character that magically healed at some point between Seasons 1 & 5 (please see his storyline with his dad, his ongoing issues with UC work and unwillingness to confront or deal with them, his feelings about therapy historically, his inability to dump Ashley, etc. etc.). He's never been perfect and he doesn't need to be.

All of those things are true. None of those things give him a free pass to be kind of a dick. He still has to take accountability for how he treated Lucy (which, to be clear, was like sh*t).

The Bad

Lucy being petty AF with the invites to Tamara's dinner - let her be ANGRY, but give me villain Lucy over this dumb sh*t.

Lucy having no one other than Grey to talk to.

Others acting like Lucy is actually kind of pathetic (why do these writers love sh*tting on her so much? girl could not be down and kicked any harder at this point) -- Celina / Nolan and the double dumping crap, Lucy thinking Grey paid actors and him telling her she was out of her damn mind

The last interaction between Lucy and Tim. I am so angry for her. I needed to see that from her, but instead it felt kind of like her being dumped / a kicked puppy all over again. We got it, thanks. What's next? Lucy being incredibly happy with the hottest man on earth? I'm here for it tbh. Lucy plotting Tim's murder? Also here for it at this point. LOL.

The Ugly

I could not hate the implication of that final scene with Tim and the therapist and the door shutting more. There was ZERO reason they couldn't have had him show up during the day, and it actually disgusts me that they are pushing this line again, but especially with Tim. I am literally NEVER this dramatic, but in this case I really hope they did that to just get a reaction, because if anything were to actually happen between Tim and the therapist, I'd be 100% done with this ship and show as would a whole lot of the audience (I think). If I kept watching, it would only be to see Lucy be absurdly happy without Tim.

Well, what'd I miss? What did y'all think?

[the-cookie-of-doom]

People are acting stupid in the KimChay tag, so let's spread a little love with another fic rec post! Here are a few of my favorite G/T rated stories, feel free to reblog and add your own!

Information Exchange by AirgiodSLV

This is one of the cutest fics I’ve ever read. Airgiod always has such great characterization, I can see this fitting in right alongside canon. You can feel how much all of the brother’s care about each other, even if they don’t show it in the same ways, and it makes my heart melt. 

Thin line (between love and hate) by Amuse_me

Okay so technically this one is very angsty, not fluffy, but it is rated T! Chay absolutely fails at becoming a Wik anti, and their interactions throughout the story as Kim continuously, and publicly, acknowledges that he hurt Chay, even while his fans are trying to discount him, hurts so good. 

Black scales, red heart by Frog_of_fandom

I have had a weakness for naga AUs since my very early fandom days, for like 10 years now. I cannot express how much I adore this fic. I would sell my kidney, my liver, and half of my soul for more fics exactly like this, because it is perfect. Just the way everything is described, and how Kim’s characterization is so reptilian yet still so warm, even while he has no idea what he’s doing-god, I love it. He’s trying so hard to do nice things for Chay but he keeps mucking it up, and he’s so cute when he’s getting nose scritches in his snake form 

The Soup Is Mad At Me by Kat8cha

Technically this is smutty, but it’s outweighed by the sick-fic fluff, so I’m counting it. What I can’t count is just how many times I’ve reread this fic. Occasionally I’ll get in the mood for some good old sickfic, and man, does this one deliver. Kim is so pitiful, but he’s choosing to be that way, bc this is the one time it’s safe for him to let his guard down and be taken care of, and it’s the best thing. 

Wikubus by AIrgiodSLV

This fic is one of the funniest things ever. Airgiod really took sex demon!Kim and made him into a marshmallow that I want to bundle up and protect. I’m with Chay: he deserves to be absolutely roasted for his “””signature move””” 

[galedekarios]

so, let me get this straight...

laiostoudenn aka wizardblood/lathanderr/spellbooking/the james somerton of the bg3 fandom instead of actually apologising and taking accountability for his repeated actions, now:

block evades, keeping his old blog up as an "archive" and making a new one, while, of course, not deleting any of the other sets he blatantly stole from others, including myself

lies and tries to change the narrative of what actually happened once again, while also conveniently not going into any details at all of what little he does admit, lest those who still believe him for some unfathomable reason look deeper

calls his stealing and constant plagiarism that has been going on for months "fandom drama" that is being "rehashed" constantly due to no fault of his own

still lies about not knowing these gifsets (or "a" gifset as he puts it) that he stole existed, while also saying at the same time yet again how it's just "gifing the same scenes" and that there would be "nothing" left to do if that isn't allowed, despite this still not being the issue and us showing ample evidence of what he is actually doing, i.e. him taking word for word captions, frame by frame sets, entire concepts down to a t, and him literally contacting us to "remake" these sets and not taking no for an answer, no matter in which way it was said to him, privately or publicly

feels he is being "villainised".......................... for plagiarising

claims we never gave him a chance to "right his wrongs"... as if he isn't 100% free still to do just that by say, deleting everything that was stolen and actually apologising, acknowledging what he did was wrong instead of lying about it, instead of whatever the fuck this manipulative collection of lies sprinkled with a pity party is...

and let me be clear: he claims he took accountability, but he doesn't like what taking accountability actually would look like in his case because he's been in this for internet clout and notefarming since day 1 & that's the only reason why he doesn't "right his wrongs"

claims he is being isolated and made to feel unwelcome in the fandom space, which i can't help but wonder.... might that perhaps be because he is plagiarising ppl, has taken back his initial damage control apology from march, while continuing to vague about the creators for months (ranging from accusation of transphobia, bullying, clique behaviour, etc) and now feels backed into a corner after it has come to light that he is still doing this and has now been blocked by various people who have been affected over a long time? might that be it?

is now further trying to victimise himself by saying he received homophobic messages, which... even IF true (and it's a big if solely based on just how much he lies and that he accused the initial person who spoke out against him of being transphobic), it still doesn't make it right that he stole despite being told to stop it multiple times. two things can be very, very wrong at the same time.

claims he did actually take accountability... which again, i can't help but wonder: was that by gleefully delighting in the fact he sees himself as the "top hated bg3 blog baybee"? that he is now in his "reputation era"? is that what taking accountability looks like for him?

still pretends he is a small blog bullied by bigger creators when his stolen sets made as many, or at times, even more notes than the ones he stole did, and as if his blog didn't grow big on the backs of actual original creators

and, finally: "And fair warning: If you do not stick to the status quo in this fandom, you will be eaten alive." like,,,, be so for fucking real right now, this is legitimately embarrassing

i thought this was finally finally over and done with, but no.

[umi-adxhira]

ᝰ.ᐟ SERENITY | 010

FANDOM: TWTPTFLOB

WARNINGS: Lante, Fontaine, lowkey Dion too

AUTHOR'S NOTES: These chapters are so short I'm sorry guys 😔. Maybe once I'm done I'll combine the chapters or something to make them longer and have fewer chapters because this is NOT it 💔

Also thank you to my lovely wife friend @orngbanana for telling me all the stuff for the side characters I forgot everything

◄ PREVIOUS CHAPTER NEXT CHAPTER ►

It has been a week since that shit-coloured hair ASSHOLE tried to assault you, though you’ve lost count of the days, each one blending into the next in an endless cycle. Now, you find yourself seated in an carriage, headed off to Yggdrasil. The rhythmic clatter of wheels against uneven terrain does little to ease your discomfort. You shift awkwardly in your seat, glancing across at Roxana, Dion, and Griselda. Unlike you, they seem composed, practiced in this environment. Meanwhile, you are forced to sit beside Lante, his presence a heavy weight pressing against you.

He leans in slightly, his voice smooth yet laced with underlying menace. “Keep your guard up and look pretty,” he instructs, his lips curling into a smirk. “I want them to focus on you. My new doll.” Doll. Ew.

The words, much to your dismay, send a shiver down your spine, but you suppress the urge to flinch. I know better than to show weakness before him. Lante watches you closely, his sharp eyes scanning your face for any sign of defiance. “If you screw up,” he continues, his voice lowering, “you’ll be punished.” I already know that. You don’t have to remind me. I wonder where he’ll send me. The illusion room?

You nod stiffly, your hands clenching into fists in your lap. The threat lingers in the air, heavy and suffocating. He’s not one to bluff, and you have no desire to find out what the punishment entails, thought you can probably guess based on his… history.

Out of the corner of your eye, you glance at Dion. He’s as composed as ever, his expression unreadable. Your thoughts drift, to the previous week - to Fontaine, his hands grabbing at you, the suffocating fear that had clawed at your throat. And then to Dion, stepping in between, his voice cold and steady as he metaphorically pried Fontaine away from you.

He even asked if I was okay. He could have just did what he needed to do and left it at that. But he asked… he never did that before. You remembered the way Fontaine sneered at you, as if blaming you for Dion’s interference. Maybe it was just convenience. Maybe he didn’t like Fontaine that much so he interfered.

But still, something about the way he had stepped in so swiftly, so decisively, made you wonder. There had been no hesitation, no calculation. Just action.

Lante leans back, seemingly satisfied, before shifting the conversation. “Have you attended events like this in your old world?”

You hesitate for a brief moment before shaking your head. “No,” you answer carefully. “I wasn’t invited to these kinds of gatherings.”

Lante raises an eyebrow, intrigued. “Oh? And why is that?”

You consider your response. The truth is something you refuse to share, not with him. “I was focused on my studies,” you say instead. “My family didn’t think it was necessary for me to attend. These events were more for my father.”

Not a complete lie, but not the truth either. It’s a partial truth, at least. I hope it’s enough to steer him away from further prying.

He acknowledges you for a moment before letting the topic drop. “Your world,” he mentions. “Tell me more about it.”

“It’s very modern,” you reply, grasping onto a safe topic. “The clothes are different. The buildings, the people - everything feels different compared to here.” And I miss it. Even the things I used to hate. Still… if I had a chance to go back home… would I take it?

Lante listens, though his interest seems fleeting. Soon enough, the carriage slows, signaling your arrival. You step outside, inhaling deeply to steady yourself. The towering grandeur of Yggdrasil stands before you, its looming presence both awe-inspiring and terrifying.

Roxana steps closer, her voice low as she reminds you, “Remember Griselda’s lessons.”

“I know,” you say, straightening your posture, perfecting your mannerisms. This isn’t your world, but you’ve had to adapt quickly. Any misstep could mean consequences far worse than embarrassment. Failure isn’t an option.

As you step inside, the lavish hall is filled with people, figures both familiar and distant. Your eyes scan the room, and your gaze locks onto three particular faces - Noel, Luzark, and Dante. Recognition strikes immediately.

Noel, the youngest leader of the Veritium house, sits idly, his expression one of lazy indifference. Yet you know better. Behind that flippant demeanor lies something much darker, something unhinged. He is detached in a way that makes your stomach churn. The memories of what he has done, what he is capable of, are vivid in your mind. The way he once lured Roxana to his mansion, calling her his Luna - it speaks volumes of his delusions.

How can someone so terrifying look so nonchalant and bored?

Your gaze shifts to Luzark, a man who carries an unspoken fear of women, a phobia never truly explained in the story you remember. His past is riddled with shadows - an absent father who exploited their wealth on drugs, a mother who drowns her burdens in alcohol, trying and failing to keep it from him. He stands rigid, his body tense despite the grandeur surrounding him. I wonder if he even notices how much he’s unraveling before everyone.

And then there is Dante. A presence that feels almost spectral despite his solid form. You know what fate awaits him. The tragic ending written into his story, a thread interwoven with death and betrayal. Does he sense it? Does he know what’s coming?

Before you can dwell further, Lante’s hand presses against the small of your back, ushering you forward. Keep your filthy hands off me you freak. Your breath catches as you are led toward the Pedelian family, and your eyes meet those of Cassis Pedelian.

The male lead.

He is as handsome as you remember - soft golden hair, sharp yet warm eyes, a natural charm radiating from him. Unlike the others in this hall, there’s an innocence to him, a gentleness in the way he regards you. He’s surprisingly cute… for a sixteen year old. He makes me want to stuff him in my pocket and ambush him with love and affection.

With perfect grace, he takes your hand in his and brings it to his lips, pressing a polite kiss against your knuckles. “It is a pleasure to meet you,” he says, his voice smooth and genuine.

You blink, momentarily thrown by the sincerity in his tone. This is real. This is happening. Wow, what a stark contrast to the Cassis we meet in the first Season of the manhwa. This was before the trauma, huh? What a gentleman.

Your heart pounds as Cassis’s gaze lingers on you, curiosity flickering in his expression. There is no hidden malice, no veiled threat - only polite interest.

Lante speaks first, exchanging pleasantries, his grip on your back a silent warning to behave. You offer a polite nod, careful not to meet Cassis’s eyes for too long. There is a tension here, an unspoken game of control and power, and you are just another pawn in their world.

I remember the story. I remember him. But he does not know me. Not yet, anyway.