#I should really write this idk

[galacticspaceguy]

I’ve been having THOUGHTS.

I had an idea for a Pixar cars fanfic (yes I know cars, but look at me and tell me this wasn’t expected) ANYWAYS, it was like a human AU and it’s post cars 3, and Lightning takes all the rookies out on a totally family friendly road trip to regain a new spark for racing by checking up on a bunch of older racers (cause everyone thought it would be great to make him a teacher)

Anyways past that, Jackson Storm had tagged along- and I had an idea, and it went something like this:

Storm: why would I ever hang out with them (referring to the other rookies), they’re the competition!

Lightning: who the hell gave you that idea?

Storm: well my agent, Harv-

Lightning: your agent who-what-now?

DO YOU SEE ME VISION??

Harv moves on from lightning to storm after lightning fires his ass- and then lightning has a MOMENT. Lightning ends up taking Storm under his wing, because at this point he’s already adopted half the rookies- and because old racers taking in cocky rookies seems to be a tradition ‘round these parts.

And then Lightning is like:

“CRUZ, CALL MY LAWER!”

“DON’T YOU MEAN YOUR WIFE?” -Cruz

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[lily-claw]

got inspiration from @marronje 's art and also from these ones

[superfruitland]

happy valentine's everyone

[hirschkuh-traumvoll]

♡♡♡

alastor kisses slowly, almost chastely in the beginning, but gradually his kiss becomes bolder. his long tongue embraces yours and then delves forward, brushing against your palate, making you shiver in his arms as he explores you deeper and deeper until you begin to suffocate. his sharp claws are barely pressed to your jaw, keeping your face lifted up to him, while his thumbs gently caress your cheek in a circular motion. butterflies in your stomach flutter, and you feel hot. he keeps your jaw cupped in his palms and as his kiss becomes stronger they slide lower to your neck. his long sharp-clawed fingers are wrapped around your fragile neck, whilst his thumbs leisurely caress your adam's apple up and down. his fingers move with the same pace as his tongue in your mouth, it's intoxicating and dangerous, passionate and dark.

alastor parts his lips from you for merely a second for you to take a quick breath in before he covers your lips with his again. he doesn't hasten, he devours you slowly, he's savouring you, enjoying every flavour of you, which he finds in your taste, in your moans, in your trembling, in your touch to his chest.

you are a meal for him he could never get enough of. he gorges on you with the unsatisfied gluttony as a wendigo he is.

←♡ precursor

consequences ♡→

[ganondoodle]

botw2 (totk rewritten) ganondorf design post 2.0

(the better, less rambly one, bc i shouldnt be allowed to write when its past midnight- not deleting the other one bc i am a little whimp and am getting so bad decision paralysis over it its made me cry, this one is more heavy on design and the basic plot of the game)

Basic plot summary (shorter version- longer version at the end):

sheikah in service of the ancient queen discover remnants of the past while excavating for luminous stones, these remnants were being defended/kept safe by the sonau (engl. zonai) little shy cave dwellers who have kept these last ruins save but secret bc they thought it could lead to disaster seemingly aware of the ever repeating cycle and believing it to be not divine but a self perpetuated one built on the one sided history of the past, which is a threat to hyrule and its golden legacy; these ruins speak of a world threatening evil being born as the king of the gerudo, the ancient queen thus plans to lure him into a trap to seal him away before he can realize his destiny, he learns of it however and is forced to confront the queen through breaking into the castle, she sees that as a confirmation of her fears and it escalates into a battle between them that kills everyone that was in the throne room except the young princess- the queen sealing ganondorf as the room and parts of the castle is destroyed and buried beneath the ground. (the game largely revolves around finding clues about it, especially in sealed off caves of the now long extinct sonau)

except for the scene in the throne room nothing is clearly shown of the past, but it is the background behind everything

(zeldas main struggle in this game will be having to come to terms with her families legacy, what she thought and was taught not being true, the dark secrets buried everywhere, and perhaps trying to be better, now that all of hyrules been destroyed and the lands and people yet survived)

Mummy version:

what you discover beneath hyrule castle after going to investigate the failing of shiekah tech all around, it is a clearly shiekah made system all around, though the chamber you find him in was built around him after the sealing, it being implied they used his spiritual power as the main energy source for all future tech, once disturbed the seal breaks and fuses to zelda (similar to the og trailer with link) he wakes up, the shock of suddendly being back in this broken body leading him to rather viciously attack them, the mastersword breaks and link loses his arm, the cave crumbles and zelda flees as she drags link behind her- the cataclysm happens and links gets his shiekah tech arm.

(in the little sketch there is a very roughly approximation to where ganondorf is located at the start and mid game fight, the arena you fought calamity ganon in is in reality a sphere with the lower half being an energy reserve for the royal family and further down the mechanism for the rising pillars from botw, its located between the castle and ganondorfs chamber, to quickly react when the malice build up has reached a critical point to detect immediately and start the defense programm- its all broken but still explorable after the mid point)

ganondorfs body is very damanged, the hole in his chest from the seal leads into an empty cavity, the ribs broken and bent in a swirling pattern like a gravitational pull, his right arm was desolved over time as he defensively grabbed the queens arm in his last moments; the face is more bone and there are no eyes, he does not move his jaw to speak, his hair is more like smoke after a certain amount of progression in the game the castle that fell into the underground (current hyrule castle) bc of the cataclysm is made accessible, as you venture in link is grabbed and pulled further in, seperated from zelda, she later rejoins you in the dungeon, acting all normal unless you are observant and see her using her left arm only and walking past things she normally wouldnt- at a certain point once the camera is not watching her, she suddendly starts to attack you viciously, as it was ganondorf in disguise- after the second half the real zelda breaks into the room with your friends in tow (yunobo, teba+tulin, riju, sidon) and he drops the disguise, the rest of the fight is against his mummy form, at the end of which is the cutscene of the confrontation with the queen, it is the only time you are given a direct window into the past. (plus its shown in that cutscene he has the ability to disguise himself as others, but only AFTER you have encountered it as to not ruin that moment..)

post revival/restored: this is how he appears at the end of the game, the last dungeon is within the forgotten plateau, there is a longer cutscene of zelda and him talking while tension builds until the fight begins once your friends arrive (sidenote, this is also only unlocked with more progression, including the koga and deku dungeon and the master sword restoration quest)

this design isnt fully how he was in the past but fit to the circumstances now, but restored to the best of his abilities; he is older (50+) with greying hair; i wanted to make him look both strong and a little worn out, but with a vibe of incredible power he is well aware of as well as warmth the outfit is elaborate but mostly aimed to be practical, its easy to see he used to be a proud king, and still is, even if no one remembers him anymore; he wears a little armguard on the left to for deflecting purposes, his belt is also switched around to how it was originally to make drawing his sword easier with the left arm; a little wooden boar figurine carved from the wood of long extinct trees hangs on his belt, a gift from one of his daughters perhaps he wields magic with ease and his moveset makes it clear just how good of a fighter he is, even after thousands and thousands of years without motion, his moves are controlled and practiced- the magic is also NOT just based on malice, malice might be what keeps him alive now but its not all he is, he wields lightning and simpler moves with other elements, perhaps implying that magic was more widely spread back in his day .. or he has learned to wield it in part to the repeated interactions with the other races (both in the past, and as calamity ganon- it is made clear that whatever the malice eyes saw he saw as well, (also explaining how he can speak their languages) though it is also implied that the calamity as such is not fully his own making, but something familiar reaching out to try and help him break free -NOT anythign demise related, leave the guy alone- but going with the idea of the calamity having been what remained of oot ganondorf after degrading over all this time- a kindred spirit reaching out to take revenge together in a way

Beast Ganon(dorf), normal

Beast Ganon(dorf), charging magic

phase 3 of the end fight, after phase two he takes out all your friends and tranforms, chasing you (link and zelda) through the ground until breaking through to the surface of the plateau where this battle takes place.

his design is loosely inspired by the smoke version of calamity ganon and twilight princess beast ganon, his face and teeth mostly from the calamity- his back is split open with a shiekah tech spine, given his connection to it via being its power source as well as overtaking it in botw, reddish smoke eminating from it, hes has 5 limbs as he is still missing his right arm, the big dark arms are made of malice and in phase 2 he takes one of those big arms to 'rebuild' his missing one, though it is not as well usable like a real one, his braids carry over thoguh now dark black, when charging magic it lights up in waves; the tail is flat and he moves not all that beast like, more draconic really, able to float for short periods of time and 'swim' through the ground reminiscent of moldoras his attack pattern is changed to fit this appearance, but he still uses magic in varying ways, thouhg swiping and biting after you as well, he will sometimes go for zelda directly but she will usually protect herself in a bubble of light- typical weak point is within the mouth though he makes sure to not give you alot of opportunities, typical staggers migth include destroying a front leg (since those are all made of goo)

my aim with this was to create a beast version both familiar and very different, with the vibe of, this is still him, just another appearance, though angered and more agressive he has not lost himself, perhaps even enjoying it a little, feeling a little more alive again, though he does not care for this world, he is a stranger here, this isnt his time and all that ever mattered to him is long gone, destroyed or forgotten, now all that matters to him is to end zeldas rotten family

Phase 2 and Phase 4 (out of order bc big boar lad wouldnt fit on here)

in phase 2 he 'rebuilds' his missing arm with one taken from the boar form, as it appears afterwards, he changes his sword into a larger one during the second half and can change its hilt length on the fly, making it both a big sword and a spear- the malice arm will be used to mimic some of links abilities, like the hookshot, grabbing onto you from afar, pulling you closer or flinging you around, while still being largely a swordfight with magic- he can aim lightning directly at you just as you can via the shiekah arm and rijus ability, if you are quick enough you can activate it at the same time as he does and catch the charge instead, either refilling your magic meter or deflecting it back at him (like the god ol back and forth)

phase 4 is the final phase after beast (phase 3) his design is a mix of all forms, he is larger than in 1 and 2, furry all over and although much more human again his hair is all smoke like, the armguard fused to his arm like golden scales and the wound in the chest now broken open again with malice eyes staring from within

after phase 3 it seems like the battle is over and zelda steps up to do just as she did at botw end, but before she can finish it a swordslash cuts off half her right hand, as ganondorf isnt done yet and changed from phase 3 to 4; zelda is then disabled for this last fight (no fighting support and repairing weapons), shes been taken to safety by your friends, who finally managed to follow you up here, and you, link, are now the last one standing- his moveset is a mix of it all, quickly changing between swordplay and swipes, magical abilities and grab attacks, it is faster than the previous ones and he dodges much more as well, its meant to really be a challenge

(also heres a sketch of his swords?)

Long plot summary: the shiekah in the service of the ancient queen of hyrule discovered ancient remnants of times long past (aka the old titles, long forgotten) while excavating for luminous stones (as they were developing their tech and needed something to fuel it) that speak of a world threatening evil born as the king of the gerudo, which the queen takes as a warning of the past, and as there currently is a ganondorf as the gerudos king who refuse to unite under her banner but are otherwise on neutral terms she plans to imprison him in a stasis between life and death before he can become that world threatening evil she now believes he is destined to be in order to save everyone and delay it from returning as long as possible (assuming there will be no other male gerudo born while the current one is technically still alive)

(the discovery of said remnants of the past also involves the shiekah persecuting the sonau (zonai), little shy cave dwellers who keep their distance from everyone and have kept these last ruins save but secret bc they thought it could lead to disaster seemingly aware of the ever repeating cycle and believing it to be not divine but a self perpetuated one built on the one sided history of the past, self fullfilling prophecies, which is a threat to hyrule and its golden legacy)

its a plan enacted over years, including secretly manipulating things to make the gerudo farmlands wield bad harvests (NOT in a 'desert was green and lush uwu' way, but they have had their techniques to thrive), forcing them to trade with hyrule and starting to depend on it- the goal being to put ganondorf under so much pressure until he is willing to let go of their sovereignity for the sake of his people or otherwise willing to talk, the meeting with the queen however would be to lure him into a trap and enact the seal

ganondorf here is a new one, he is named so in honor of old myths and legends, he is older (50+) and has two daughters, a proud king and firm in his stance to not bow to anyone yet wanting to avoid conflict for the sake of his people and family; he learns of the scheme before its fully realized, including that the many years of failing crops and dying animals might not be a play of nature after all (through hyrule soldiers talking too much after a having a few too many drinks? something something about their view of the gerudo, since thats always in the games, lets make use of it no?) he sends messengers and messages to the queen, requesting an audience, but she rejects all of it and refuses to talk with him, as the plan isnt fully prepared yet and she has become fearful of him over the years of obsessing over the warnings of the past and the worlds fate, as she sees it, depending on her and the success of it

at some point he has had enough of it and disguises himself and his two most trusted advisors/warriors (potentially his mothers?) as the shiekahs leader and two underlings to finally get to the queen, aiming to confront her about everything- it works and they are let into the castle, overwhelm the guards locking the doors so its only him, his advisors and the royal family with a few taken out guards etc. the queen sees this as a confirmation of his true nature coming through though- he can see there is nothing he could do to convince her he is not what she thinks he is, he attempts to be diplomatic but she is unwavering in her faith

she gives him a choice, to be sealed willingly so he can be remembered as a noble king who gave his life for the world before he became the beast that would threaten to destroy it all, or refuse and risk war and defamation. he refuses of course and a fight ensues, escalating to the point of the throne room itself being send below the earth and the death of everyone within it, with the exception of the young princess of hyrule (who will go on to keep this secret safe and spin the story her way)

it is implied that ganondorf had not told alot of people about hyrules schemes, wanting to deescalate the situation and it ending in a way no one anticipated, but theres remnants of old gerudo villages hidden away as some stayed loyal to him, likely of one of his daughters, as the world turned his legacy into a frightful tale and the gerudo falling under hyrules rule, one chose to resist as the other chose to bow

( .. i hoped to strike a balance between what i like and what zelda stories usually amount to while leaning much more clearly into a hyrule critical lense .. without, hopefully, being too overtly so)

(i thought about making the mid game cutscene into a rough comic or storyboard but im honestly very unsure about it all again q-q)

(i hope this version is better, i will never post these drawing again i swear im done with this part ..)

[magicandmundane]

Something something Clone Force 99 breaking binders in every season finale

[lycandrophile]

it's silly but the biggest reason why im not into t yet is bc im so afraid of losing my hair. do you have any solutions/tips for it?

first of all, i don’t think it’s silly — it’s natural to be worried when hair loss is talked about by so many people as like…one of the worst results of aging for men. listening to my dad talk about how much he hates balding definitely did not make me feel particularly good about the knowledge that i may very well be joining him someday. i’m not saying the fear is right, because i don’t think hair loss is something awful that we should avoid at all costs, but it’s an understandable fear given the beauty standards we’re working with, and it’s one that a lot of us (myself included) feel.

one thing that’s helped me is just…paying more attention to the guys that i interact with on a daily basis. i’ve learned two things from it: 1) hair loss is super fucking common. i’d say it’s much harder to find an adult man who isn’t balding at all than it is to find one who’s completely bald. and 2) if you forget everything you’ve been told about how bad hair loss is, you’ll realize that quite frankly, every single one of those guys looks totally fucking fine. it doesn’t ruin their appearance and make them ugly, it looks totally natural and isn’t really even something you’d notice if you weren’t looking for it. we put so much weight on it but it’s really just not that big of a deal. i’ll hear my parents talk shit about men in my family who are losing their hair when i didn’t even notice a difference last time i saw them. it’s one of those things (like so many other appearance-related things) that you really only notice at all because you’ve been taught that you’re supposed to care about it.

this isn’t something i’ve done personally, but if you really want to desensitize yourself to the idea of it, embrace the time-honored queer tradition of just shaving your whole damn head! find out what you’d look like without hair, find out how you feel about it and what you can do that makes you feel good about your appearance without hair, test the waters while it’s still a temporary change and not something permanent. that way, it won’t feel like this big scary unknown, and you’ll actually have a frame of reference for your feelings about how you look without hair rather than accepting the societal assumption that you’ll inevitably hate it. if you don’t want to actually shave your head, you could also just fuck around with bald filters or photoshop and see what happens.

oh, and if you’re attracted to men, keep an eye out for guys who are bald or balding and also hot as fuck. in my experience, there’s no insecurity or potential future insecurity that being gay for other men hasn’t helped me with. just off the top of my head, i can think of a couple actors who i think are absolutely fucking gorgeous who have helped me get over my fears about losing my hair. despite what our anti-aging-obsessed world might want you to think, there is no such thing as a physical feature that automatically makes someone less attractive, and while making attractiveness less of a priority in your life is good, it can’t hurt to also give yourself some proof that actually, you might lose your hair and look hot as hell doing it.

basically, entertain the possibility that it won’t be a bad thing at all! whether that’s just because it turns out to be a neutral thing for you or because you end up actually liking it, it’s not an inherently bad thing. i’ve ended up liking a lot of things that were “supposed to” be bad effects of t — i love the weight i’ve gained and the new shape it gives my body, i get a lot of gender euphoria from the fact that my acne is now on parts of my face that i saw a lot of guys in high school get it and i’m not complaining about the scars i get from it either because i’ve always liked the added texture that acne scars give my skin, and so on. i think there’s a lot of joy to be had in the changes we’re taught to fear, once we look past that conditioning and actually explore how we feel about it.

but if it’s something you really don’t want and you just want to improve your chances of not having to deal with it, it’s not like there’s nothing you can do! products like finasteride (oral) and minoxidil (usually topical but i think there might also be oral versions) are pretty commonly used among trans guys, for the purpose of avoiding hair loss and for other reasons, and there are plenty of other anti-hair loss products out there (though i don’t know how effective any one of them might be). if it’s a big enough deal for you, you can just decide that you’ll go off of t if/when you start noticing signs of it, since no longer having higher t levels would stop the process in its tracks. and if you don’t find prevention options that work for you so it ends up happening, you can always explore different hair styles (judging by the pattern of hair loss i see in my family, i suspect that keeping my hair long would make it less obvious if i started losing mine), find your preferred method of covering it when you don’t feel good about it (personally i love a good beanie generally and would probably wear them a lot more if i didn’t have hair to worry about because my main complaint is the way they press my hair onto my neck), or just shave it all off if you don’t like the look of the partial balding but don’t mind a shaved head. the point being — you have options!

at the end of the day, whether you go on t or not, you’re going to see your body change as you age in ways that aren’t always going to be attractive to others or aesthetically pleasing to you. that’s just the reality of having a body. even if you never went on t, you’d get older and you might see your hair thin out even if you don’t bald, you’ll see your skin start to wrinkle and sag in places that used to be smooth, your metabolism might slow or your body fat might start to gather in new places; hell, you might lose your hair for a totally different reason and end up in the same place but without the benefits of having been on t that whole time. life is full of bodily changes like that. transphobes will fearmonger about the permanent changes of testosterone all day long but the truth is, there is no escaping permanent bodily changes. whether or not you go on t, your body now isn’t the same as it will be in 1 or 5 or 10 or 20 or 50 years, just like it isn’t the same as it was at any point in your life before now. our bodies are never supposed to stop growing and aging and changing throughout our lives. there’s no guaranteeing that we’ll love every single change our bodies go through, but that’s okay! there are so many things in life that are more important than the way our bodies look. even if you go on t and lose your hair and don’t like how it looks, your life won’t be ruined; plenty of other things will bring you joy and more than make up for the insecurities.

just think about the gender euphoria and relief from dysphoria that t could give you. would losing your hair be bad enough to outweigh all of that? or is it just the pressure of a society that decided balding is bad that’s making you fear one single change despite how much joy you could have if you let that fear go? only you can decide if going on t is worth the potential downsides for you, but i suspect that for most of us, the benefits of going on t far outweigh the possibility of side effects like hair loss happening down the line.

[szaryherbatnik]

Uh oh pookie is a bit fucked up

[szynkaaa]

Mandatory relationship graph to get to know my ship(s) better. And yes, two graphs because I see DO and SWK as two different person and the dynamics would differ too.

Some thoughts

I have SWK listed up taller than DO - in my AU, the DO starts out being 160cm tall and then grows with each artifact he collects. It's also why in some of my art you can see DO being taller than Oz, or the same height as her.

By the time the journey comes to an end, Oz's hair has grown longer. She's still undecided about cutting it or not.

I don't think the DO has a high horny level, I think he is faaaar too focused on completing his quest of obtaining all the artifacts. But he does get flustered very easily when Oz sometimes grabs his hand or clings on to him cause something scared her, or when she compliments him.

DO does very easily get jealous though, he is a wee bit possessive. He does't like seeing other people or yaoguai get close to her, it makes him want to just wrap his arms around her and not let her go while glaring thousand daggers at the other person. He was not happy when Oz jokingly asked if the Yin Tiger is married and if not he would marry her.

DO and Oz switches between big and small spoon, although I think the taller DO grows the more he prefers to be the big spoon. SWK is the big spoon no questions asked ("You're such a koala sheesh." "I do not know what this koala you speak of is.")

With DO, Oz had lot's of different names to call him, mostly just to get his attention. "oi, you. Monkie. Kiwi. Peach. Luffy (kudos if you get the reference)".

With Su Wukong, it's mostly him that has the endearing nicknames for her, stuff like 樱花 (Yīnghuā, cherryblossom bc of her hair color), 心肝宝贝(heart and liver treasure), darling, princess, my queen.

I don't see Oz having a lot of nicknames for SWK though, she'll most likely refer to him with Wukong. If she is calling him The Great Sage, Your Highness, Your Majesty, she is being sarcastic.

There is no confession between DO and Oz, I think both are being far too busy trying to survive, with one trying to get all the artifacts and the other trying to go home. But there is no doubt that they care for each other and have become good friends.

SWK confesses first. My HC is that after the whole journey to the west + buddhahood + leaving buddhahood + gamble and plan his death + the experience and memories he gaines as DO traveling with Oz made him a lot more mature and appreciate the things he has in his long (immortal) life. And that includes Oz. Of course he still maintains a mischievious streak. He knows what he wants and he wants to be with her. He also knows that she has other shit to deal with, like the Celestial Court trying to put a leash on her now (because family history) and that she is still looking for a way back home, so he tell her how he feels, but that he understands she has other priorities at the moment, aaaand that he will continue to support her and be her friend, but also that he will wait for her because what is another 500 years of waiting ("yeah i don't think I'm gonna live that long.")

also also, SWK is definitely the hornier one. But he doesn't get jealous or possesive like DO does. He is very secure in himself and he trusts his partner. Ofc if someone is being pushy and makes Oz uncomfortable he will step in ASAP

I've also marked DO as having no relationship experience because I don't see him as having any, i feel like all his life he was preparing for this quest. But since he gets SWK memories after he finishes the quest, I do think that makes him having some experience? Especially since the game mentiones SWK and White Bone Demon were a thing, and he was im trever able to let her go and it was one of the reasons he left buddhahood. Idk about you but I do think that indicates a deep bond they had.

aaaaand that's it. Here is the empty template for those who also want to do it:

[im-kinno-hello]

and if i made a comic about them making a blog for the weird demon dog they found in the woods just because they are being brainwashed by it and it told them they need to spread the word of what word they don’t even fucking know?

[crows-of-buckets]

Anders doodle that I could have put more effort into but I got lazy :P

Anyways this specifically is meant to take place after he patches up Hawke after the Arishok fight. I was writing it last night and went "hm I should draw that"

Bonus, shitty sketch I did at 2am when I had this idea and the writing segment that inspired it. It's so funny I talk about my writing a lot but I never share it cause it scares me lmao

[myokk]

fast sketch of my one-shot with Ominis💓

legilimency

Word count: 1.700

Rating: M (language)

Ominis Gaunt is a lost case - lost to the whims of one very determined Gryffindor sitting at his side.

They sit in the back of the History of Magic classroom, the only two students not lulled to somnolence by their professor. He: trying his hardest to focus on Professor Binns’ droning (easier said than done). She: trying her hardest to distract Ominis while not being entirely sure of being successful or not (easier attempted than understood).

Professor Binns is completely insufferable, of course. Ominis wonders if the ghost is as blind as he is: Binns willfully ignores the fact that all of his students use his class as an excuse to get a nap in (maybe he simply doesn’t see them sleeping - only one of many reasons why Ominis has decided he could never be a professor), rambling on and on in the most boring way possible. As if he were trying to be as dull as possible (maybe he does it to avoid interacting with the students which…can’t be to blame). In a different life, Ominis could see himself quite liking the subject, but as things stand he despises it.

Especially now.

Ominis fervently wishes that he could fall asleep.

Then, he might avoid hearing her thoughts - they’re consuming him and he can’t ignore them as much as he would like to.

Normally, he loves this class - not the subject, obviously - but the class itself, for the sheer fact that it is the only time where he gets some peace and quiet. Everyone’s minds nice and quiet and shut off for the time being while they sleep. Although he has gotten used to ignoring the thoughts of everyone around him, their various voices mixing and mingling with each other into a dull thrum in the back of his mind, it is nice to have some quiet once in a while.

But right now, with everyone asleep except for the Gryffindor at his side, her thoughts are so loud it’s like she’s screaming at him.

So here he is, wishing he could fall asleep, leave the class, maybe turn off the infernal legilimency that has haunted him his whole life.

(His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

He is stuck listening to her.

It doesn’t help that she seems to have caught on to him - something he had managed to avoid until now. Nobody else, not even Sebastian or Anne, has ever suspected a thing. But, in all fairness, those two are extremely loud and say every single thought that passes through their minds out loud even when they should remain quiet, and nobody else has had the opportunity to spend enough time with Ominis to begin to suspect anything.

Until her.

He had to go and let that blasted girl worm her way into his life, not leaving him alone ever, always looking for excuses to talk and ask his opinion, and being so intelligent that he wanted to invite her to study with him and talk with him and…

Since it happened a few nights ago, he hasn’t stopped cursing himself for that stupid offhand comment he made. They had been studying in silence in the library together, by the history books where nobody else ever ventures (thank you, Professor Binns), and he could have sworn that she asked him if he was finally going to walk her back to her common room (he blames a lack of sleep and wishful thinking for this mishap). His traitorous face had flushed and he had jumped at the chance to escort her - maybe she would let him carry her bag, or… - only to feel his whole body go cold and his stomach drop when her response wasn’t what he’d expected.

A pause: then: a confused voice: ‘Ominis, I didn’t say anything.’

His Gryffindor wasn’t stupid like Gryffindors were normally wont to be. He knew her, and he knew that after his monumental mistake, the gears in her brain were turning and he was terrified that somehow she had figured it out.

(His Gryffindor?)

She had been unusually quiet around him since then, although he bitterly noticed that she was still acting normally with everyone else. Still finding every opportunity to punch Sebastian in the shoulder and laugh with Anne, still whispering with Natsai about Merlin knows what, still…

But she had been avoiding Ominis. He couldn’t stand it.

Well, avoiding him right until this stupid class, when she had to go and sit right next to him (ignoring the fact that she always sits next to him in History of Magic, that everyone already has and adheres to their unofficial seats), and he can’t ignore her.

She’s pretending to take studious notes, but he knows better. The scratching of her quill blending with the droning of Professor Binns’ voice but not drowning out her thoughts. They float above the other noises, her voice sweet and piercing. Ominis wonders vaguely what she’s actually writing, because he’s positive it isn’t notes.

Professor Binns looks so sexy right now with his medieval hat, talking about…whatever it is he’s passionate about. I wonder if he would let me talk to him after class without floating through me like he normally does…

Ominis is determined not to react. She’s obviously trying to bait him. But…what if she is attracted to Professor Binns? Is he an attractive man? At the thought, the fist that’s resting on top of his desk clenches, but he works to make sure his face remains impassive. Apart from a twitch of his lips, he thinks he’s been quite successful.

She: huffing and shifting in her chair, her robes rustling as she crosses her legs. He: keeping his head facing forward, steadfastly ignoring her.

She changes tactics.

Maybe she’s just as insufferable as the other Gryffindors, after all.

I wonder what Ominis would say if he knew I woke up moaning today after a dream about him -

He shifts slightly in his seat, hoping that she’s so busy taking notes (who’s he kidding) that she won’t notice his discomfort as his trousers tighten -

…the girls in my dorm have been bothering me nonstop about who I’ve been mooning over but I don’t want them to…

His hand is in such a tight fist it’s a wonder he’s not breaking any fingers as he tries to remain as still as possible, but his traitorous arousal is making her thoughts harder and harder to ignore. Had he ever been able to ignore her?

…his tongue was deep inside me as I screamed his name…

He feels his face heat up at the thought - where had she learned such vulgar language? - and his whole body stiffens. He’s sure that she can feel the tension and warmth radiating off of him in waves but that…she…his insane little lion keeps shouting at him in the silence of the classroom. She’s now stopped all pretense of taking notes and is sitting stock still.

…his cock deep inside of me as…wait…what else did I hear Garreth say to Leander that night?…um… She shifts uncomfortably, her knee grazing Ominis’s as she moves to squeeze her legs together. It’s all he can do to not groan and remain impassive. Oh god…I…what’s that feeling? This was just supposed to get back at him for probably - maybe - reading my thoughts and I’m officially insane because how would he even be able to do that?…his ears turning red from embarrassment are so adorable and I can’t stand this anymore and…

Ominis tries his hardest not to move his head in her direction. His jaw flexes. Maybe he can drown her out if he starts reciting potions ingredients, or if he focuses on what Professor Binns is saying, but even he knows its futile. He’s hanging on to her every word - thought? - and his head slowly turns in her direction as she keeps going.

…does he know how much I think about him? Oh god, what if he dreams of me the same way I…

He slams the open book in front of him shut, the loud noise causing Sebastian to jerk awake and babble incoherently for a moment before slumping back over his desk, drooling and snoring lightly. Nobody else in the class seems to notice except her of course. Blissfully, she has stopped talking - thinking - and he can finally -

It’s no use. He needs to get out of there. She has invaded his mind and…What if she starts up again with her filthy thoughts that are bleeding into his own and -

Did he hear me? I didn’t actually think…oh god, can he hear me now? What have I done?

Ominis very slowly brings his hand over to where he knows hers is. The quill falls out of her hand and he hears a sharp intake of breath at their contact. His fingers trace her knuckles and then he slowly trails them up her arm. His fingertips are so sensitive that he could swear that he feels every thread that he passes, her skin warm and alive underneath the fabric. Then to her neck, her throat bobs and he feels her erratic heartbeat. Finally, he reaches her face. She remains very, very still as his fingers brush over her features for the first time.

He has never touched someone like this before.

Her skin is like velvet, soft everywhere he touches. Now that he knows what it feels like he’s not sure he can go back to before. His fingers trace the curve of her eyebrows - he finds that her nose is straight before it flares up a tiny bit at the tip - his fingers ghost over her impossibly soft lips. He drags his thumb across her bottom lip as her tongue darts out to wet them. It’s impossibly intimate and the world has melted away and it’s just the two of them in that moment.

He leans forward.

“Ominis, I…” she whispers, stricken.

His hand moves to tuck some of her loose hair away from her face - does she always wear it like this? - and his lips brush against her ear. He inhales deeply, her sweet smell invading his senses. She shivers under his touch and he breathes, “I heard everything.”

[atsuusaan]

my new little Sav sketch

i love this paint-like brush tbh!

+bonus fem!Sav a bit lower

(Jane is fem!Joe, btw i think fem!Sav would be called Richelle, but she would be still "Sav" cuz its a nickname)

[kenzan-brainrot-mp4]

The situation between Kiryu and Majima is mostly just really depressing. But I think you kinda got at a silver lining with Majima ending the game by talking to and spending time with Kiryu in a normal way.

Majima has done everything except be upfront with Kiryu about his feelings. Instead, he does a lot of self-destructive things for Kiryu’s sake that would only devastate Kiryu if he knew the extent of what’s been going on with him (thinking of Kiryu being a mess in 5 over Majima’s “death” and then Majima nearly actually dying for Kiryu’s sake).

Majima just spending time with Kiryu in the hospital and telling him about what he’s been up to probably goes a lot further in making Kiryu happy than if he had actually shown up with a immortal elixir that he put his life at risk to get.

Yeah, looking back I wish I'd taken more time to reflect on the new, more positive development between Majima and Kiryu at the end of the scene, because as depressing as their situation as a whole is, that silver lining is genuinely really significant. I believe it really does show that their relationship is not doomed to depressing hell forever, and that is largely in part to Majima's own growth in this game.

As I touched on in another post, Majima walking away from the viewer to Kiryu’s hospital room parallels very interestingly with how Yakuza 0 ended, when Majima walked away from Makoto. In y0 silences his feelings and walks away, choosing to maintain a physical And emotional distance between them that he carries all the way to yk2 (and that he Does Not Let Go Of, even In his saga in yk2), leaving all of the self-sacrificing and self-destructive gestures but none of the actual fulfillment of the ability to just. Enjoy each others' company when the danger has finally passed.

Meanwhile in pyih you see him walking towards Kiryu in the final seconds of the game, confronting him head-on (with encouragement from Saejima), just to. Talk. No business, no "take care of x for me" no "I'm Depending on your for y", just having a normal conversation like they should've, could've done in yakuza 3, like they could've done in infinite wealth, what I wish they'd done in 5 and what they Definitely didn't do enough of in Gaiden. (And, just like what Majima and Makoto should've done too in yk2, if Majima had actually grown).

Its interesting because Majima, who's all about impulsive and grandiose gestures and actions and the need to die in a way that matters for someone else, technically didn't even "win" with his plans this time, like he did with Makoto. He didn't get to pull off his hundred-millionth self-sacrificing gesture for Kiryu. He didn't get to die valiantly fighting. A giant squid (lmao) or run back to Japan with the treasure that he dug up with his own blood sweat and tears. But he seems. Strangely okay with the aftermath, all things considered (I know I've been sticking to the word "resigned" when describing how he feels in this particular moment all this time but. What I'm getting at is that he's more okay than you may expect, considering the circumstances and the stakes at hand.)

(I want to (very abruptly lol) point out the fact that we've seen this kind of arc with Majima on a smaller scale before. Majima had a lot of the same deal in y0/4, where he pushed himself with the goal to die for Saejima for Years before his release from prison and was ready to go through with it the day of. However, this ended up being another situation where he "didn't win." What he got by the end of it wasn't Saejima claiming his title as new Tojo patriarch over his dead body, but rather (after a fight goaded on by Majima himself and some pushing by Saejima) they got to just. Talk things down. And just go back to being the bros they were before that whole mess. And Saejima's been able to be Majima's rock for the rest of the games since.

I just think someone would've benefited a Lot from taking notes. And that someone is Not Saejima.)

Like I kinda-did-kinda-didn't get to at the end of the whale post, I think the most important takeaway for Majima at the end of this game is him learning to not constantly throw himself into the fire for every person he wants to protect. Getting himself killed for Saejima and Kiryu wouldn't have made them happy. Keeping himself away from Makoto didn't make her happy, and now the ship of them being involved in each other's lives has long since sailed.

Keeping himself emotionally distant hasn't helped any of them Once, and this is why it's so important that he tries to cross some of that gap now with what is honestly his worst case of lifelong devotion yet (even if it's in a way that's small, in a way that's arguably insignificant for the emotional rift they have, even if it's just through telling some pirate tale, even if Kiryu might not know the true significance of it all even now. At least its Something. At least they just get to be. People, together. It's much more casual than anything they've had with each other for the past like 5 games, but strangely that casualness is arguably more intimate, after everything that's happened.)

Honestly this decision from Majima aligns perfectly with the admittedly cheesy (but I mean this in a loving way) ending of the main plot of pyih itself; by the end of the adventure Majima seeks not the grand impossible treasure he was originally chasing after but to rather cherish and enjoy the time he spent with the people he has come to care about over the course of the game (the photo). Such simple kinds of wishes are rare for Majima at best, but that's why it's so important he gives himself that now: the ability to just sit down and talk with the people he cherishes. That literally would've saved him so many damn times, I think. I think that's something he's desperately needed with Kiryu especially since Yakuza 3. And I think that those final moments in the last cutscene of pirate yakuza means he'll let himself indulge in it, just a little.

I really just hope that it'll be enough to give him and Kiryu some of that peace and closure that they seem to chronically lack, especially when it comes to each other. I hope it means they really can be happy with each other, just for a little while. Most of all I hope it means Majima can be at least some degree of upfront one day, before it's straight up too late 💥

(tl;dr Yeah, honestly, Majima just sitting down and talking with Kiryu for once means more for himself than killing himself over that eternal life elixir ever could have. He's an old ass man, he should learn to settle down a bit, you know?)

[burningcheese-merchant]

How dare you making me a fan of Burningcheese with your beautifuly written fanfics? Now it's the only thing I can think about. What have you done to me?

(English it's not my first language, so i'm very sorry for any grammar mistakes, also I just made my first account of Tumblr, so, yeah)

Everyone is always blaming me for everything smh. I am performing my sacred duty (spreading the BurningCheese gospel), that's all. Is that really so wrong? What crime have I committed? I always have people coming after me, telling me I ruined their lives by making them ship BurningCheese... Bitch I made your life BETTER!!! Stop crying!!! Embrace the ship as God and Devsisters intended!!! Hoes always mad at me for no reason :/

(seriously though, I'm glad you enjoy my fics so much! And I'm happy to introduce another member to the BurningCheese cult haha. Enjoy your stay, because you can't leave! 😘)