#I promise it’s not all angst

[kittick-art]

Thought I’d share a tiny sneak peek of the royai project I’ve been working on! I’m hoping to have the full video out on YouTube about 2 weeks from now, so look forward to that :]

[silverstarfics]

being in hospital is giving me so many evil little ideas this is dangerous (for certain characters)

[charlietheepicwriter7]

G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̏̃n̵͙̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀Wa̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉

It was a simple mission. Damian was working with Father to confirm the existence of a Lazarus Pit below Gotham, as Ra's Al Ghul speculated. And they had found it, deep in the caves below Gotham. A Pit the size of an Olympic sized swimming pool, bubbling and steaming. He'd only looked away for a moment.

"Kin-slayer."

Standing waist deep in the water stood Damian's reflection. The hair might be white, and the eyes glowing with the waters, but it was his face. But not his face alone.

Danyal's ghost glared at him. "Get in the water."

Father threw a batarang at him, but the metal flew straight through his head like it was air. Danyal didn't even glance at him, his eyes fixed on Damian. "Get in the water," he ordered again. He stepped closer to the shore and the green water sloshed up the bank higher than it was before. "Or I'll raise the tide so high, all of Gotham will die. So get in the water."

Damian's heart jumped into throat. "Wait-"

"Get in the water."

Father shoved Damian behind him, as if it would protect him, as if he could stop Danyal. "Stop this, please-" If he could just explain-

Another step and the waters surged forward, nearly touching Father's boots. "I'll make whirlpools so profound, your entire family will drown," he promised.

"NO!" Not his brother, his kind brother-

"THEN GET IN THE WATER!" Danyal snarled, revealing monstrously sharp teeth and a black tongue from Damian's poison. "G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̟̰͙̏̃n̵͙̝̟̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀w̵̜͍̤̌a̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉͜!̷̡͔́̀̽" He lunged and Father pushed them back down the passage they'd come. "Don't mistake this for a bluff, brother. You've lived more than enough. Just get in the water." Damian swallowed, throat dry. Was this Danyal's revenge? Did he finally have to face what he had done?

"Robin, who is this?" Father snapped, trying to keep retreating down the cave. But Damian wouldn't let him; the waters, and Danyal with them, would only follow.

Danyal looked between them, scowling. "G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̟̰͙̏̃n̵͙̝̟̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀w̵̜͍̤̌a̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉͜!̷̡͔́̀̽" he snapped again. "I'll take your father and gouge out his eyes, unless you want to stop being a coward and choose to die. Now... get in the water."

[hinamie]

close again and closer still

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[homoesia]

visiting a grave [twilight goodbye]

[tobyisave]

It drove me nuts that Steven never tells Peridot what happened on the moon in Can't Go Back. Of course, I forgot that in canon it was daytime when he got back and she was already out of the house, so this scene isn't quite plausible. Oh well!

[dotted-clouds]

Replaced.

[psychotic-nonsense]

"I'm sorry."

It's the first thing Steve says after everything.

After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.

It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.

"Don't be."

Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.

Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.

Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.

"I miss you."

"...Why?"

Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.

"You were my friend."

Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.

Can't help but say it like he means it.

"I wish we could've had more time..."

Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.

The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...

But for once, his broken head overpowers his shattered heart.

"Maybe we did."

Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.

"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."

And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.

Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.

A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.

A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.

A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.

A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.

Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.

A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.

A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.

An eccentric king in an old coliseum, always choosing one particular warrior as his champion.

A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.

Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.

In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.

Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.

And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.

"Thank you... for everything, Eddie."

Thank you, Steve. For everything and more..."

--------------------

- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School

- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[5mary5]

WHAT THE SHIT?!

WHAT THE FUUUUUUCKK HOLY SHIT?! JDJEJXKSNDJD

[limonnitsa]

reciprocal gift | Ida's wand handle lore

Sebastian might not understand Ida's passion towards nature and it's aesthetic, but he is attentive enough to notice it.

And after Ida's gift - the music box that played the lullaby mother sang to Anne and Sebastian, he tried his best to make something equal despite the lack of money or time.

[levemetal]

Day 2: Timeloop / Xiao Qi and Jiu Ge

I am cringe and I am not even free

Feel free to reuse this idea but 24 hours are not enough for me to finish an entire comic. I could have taken the simpler prompt but nOOOOOO timeloop is too tempting. Past me why are we like this

[sillypenguinwitch]

okay so i'm not trying to make this a ~thing~ or a hot take or whatever, but can we talk about how all the hyped up queer shows still predominantly feature mlm couples? i'm not saying there aren't wlw shows/movies or the mlm-focused shows don't also feature wlw characters/couples, just... they either get nowhere near the same amount of hype, have some other main plot, end with at least one of them dying or experiencing something traumatic, get cancelled after one season in the middle of their arc, or they're not the main couple. And that's not to discount the representation you can get from secondary characters of course but just... ugh I want a heartstopper or rwrb or young royals or skam or love, simon or i don't even know... with girls. And I know I'm not the first person to bring this up and I know it's not that simple, but seeing all the hype for heartstopper and rwrb this week makes my heart ache a little bit so i needed to say this somewhere.

[myokk]

💘

[shearlin]

Hot take about Sky angst, regarding the curse of Demise, because I haven't seen anyone talking about this possibility in all those years I've been in LU fandom.

Guys...

Sky has no idea about the curse

Because think about it. Why would he know about it?

My man has been electrocuted multiple times, with magical - basically divine - lightnings in attempt to defeat Demise. All the while fighting for his life with a literal GOD OF EVIL, after spending an entire afternoon fighting an army of monsters and a Demon Lord/creepy ass Sword Spirit. Not even mentioning how worried sick he must have been that entire time, if this time he was also too late too save Zelda.

(always too late too slow not enough and late late late)

I don't know about you, but I don't think he was in any state of body or mind to listen to some dudes last words, when he had to focus on not passing out because he has to make sure Zelda/Sun is alright.

(It got a bit long so rest of the rant under the cut)

Fi gave him clear, that Demise received a mortal blow and that now it's only a matter of time until he dies and that was all Sky needed to stop paying any attention.

Just go through the motions. His vision is blurry, but that's alright just stay awake. Fi chimes to rise his sword. He does. There is some black smoke suddenly surrounding him, but Fi get's rid of it with her light so it's fine. It's probably why she asked him to rise her skyward. The last fifteen minutes he's been following her directions nearly blindly anyway, because his mind is still foggy, he's not sure where he is or what he is doing he just have to get to Zelda.

And then she's there. And everything is fine.

Impa fades, Fi sleeps and he finally rests. Or rather crashes as the exhaustion finally catches up to him.

But he recovers, as best as he can, and live on.

And then eight other heroes, just like him, appear and take him on a quest across the time. They become friends. Then brothers. Soon he feels like they knew each other their entire lives and can't imagine how he can move on after the inevitable goodbyes.

He is so happy that no matter what, there will always be someone among his people, someone from or even outside of Hyrule, to stand up against evil, no matter how many times it will try to show it's ugly face. He's a bit bummed that there even is a need for a hero to show up, but hey! He is not so naive to think people are and always will be only good. Things happen. Some people are just terrible, and some take it out on the entire world.

But somewhere along the line, he starts to notice... something weird.

They all fought that same guy (some of them even multiple times!) called Ganon or Ganondorf. And while he is overjoyed that none of them even heard the name of Demise, he feels kind of singled out. Few of them mentioned an idea of reincarnation. Mentioning Zeldas' connection through blood of the Goddess and their connection through a spirit.

A spirit of a hero.

He always though it was a figure of speech. A way to describe someone courageous who fulfills the quota of being a hero.

But it's not about a spirit of a hero.

No.

It's the Spirit of the Hero.

His Spirit.

An idea begins to form. A distant memory he didn't even knew he had. Maybe nightmares about that fateful fight starting to get clearer by night. Maybe he spends some time talking to Fi and he does not like the feeling he gets from her chimes, even if she can't really talk in her slumber. Maybe he even prays to Hylia in some distant era in an unfamiliar place, so she can deny or confirm his suspicions.

Goddesses, please, may he be wrong.

Because he loves them all like a family. Because they are family. Because he has seen their haunted expressions and blank eyes, he has heard their stories and horrors they went through and nearly all of them were so young, too young, and the thought that he was the direct cause of it-

Sky had no idea that Demise trapped his spirit in a cycle of reincarnation. He had no time to process it or find coping mechanisms before the adventure with the chain happened. He found out during it, slowly putting it together and coming apart at the seems before their eyes.

Sky didn't know about the curse.

And I say, it could be really interesting to watch Sky fall.

(And if anyone knows a fic exploring this idea please let me know! I searched but couldn't find any)