#I must grow more powerful

[residentcelery]

I call myself a massive Zelda fan but I got self conscious that I was actually lying to everyone and myself. So I decided to think of Zelda questions to quiz myself. (Name 5 other bosses besides Ganondorf, name 3 other locations besides Hyrule etc) I have not gotten any wrong so far.

No one has accused me of this. I just naturally started doing it to myself in my head.

[gurinpotte]

Please more buff aang I'm thirsty 🏃🏽‍♀️🏃🏽‍♀️

well i hope these will quench ya....

i had wayyyy more fun with this than i should have had. i was giggling and kicking my feet nonny, it's my first time doing quenching drawings like that. i'm not that great with manly muscles so i'm sorry for the messyness and mistakes. thank you sm for this ask my dear thirsty anon! also sorry if the kataang wasn't that you expected but in this house we serve kataang at every chance

[aroaceleovaldez]

once again thinking about the worldbuilding in the riordanverse of "names are power" / "belief is power."

The Tri were only able to become immortal through convincing enough people to worship them that it became true. Monsters and immortals only exist through continued belief, and if enough people believe that they're dead or gone then it becomes true, like Pan. Their varied forms exist and manifest as they're believed in and called upon. Names call attention and epithets summon aspects. They're acknowledgement. Belief. Putting a name to a concept creates it as an individual.

And that's so fascinating when you start applying it to demigods. How much of their abilities are based on belief in themselves, in expectations of each other, in their parents' expectations of them? We've seen mortal figures who became immortal in some form or another because they were remembered. Even the lares - ancestral house gods, who persist because they're remembered. They have a legacy.

At what point does a demigod achieve that status? Rumors and whispers about them so persistent that they slowly become true. "I heard that Jason Grace is the son of two gods, does that make him a god?" "I heard Percy Jackson defeated a titan single-handedly. That he can create hurricanes without breaking a sweat. That he can control blood." After awhile, after enough rumors, does it become impossible to tell where they end and the legends begin? Isn't that what being a demigod is; half-legend?

[ananke-xiii]

Rowena and the thick, bloody umbilical cord between choices and faults.

In a previous post of mine I’ve explored a little bit how Mary and Kelly represent a sort of “missed opportunity” for, respectively, Sam and Jack.

At the beginning of s13 Sam resents the fact that he hasn’t been proactive in seeking to create a relationship with his mother and now that she’s (presumably) gone he doesn’t want to deal with that reality. He had wasted his second chance. Jack, on the other hand, never even had a first opportunity to begin with but, unlike Sam, has experienced a sense of unity with his mother so extreme that one of the first things that he tells Sam is that he was his mother(!!!).

S13 reinforces the Mother-Son symbolism because, after Jack’s birth, a rift is opened in space (apparently not in time?): Kelly stays (dead, rip girl I love you) on one side of it while Mary crosses it and finds herself in Apocalypse World. To make things even more clear, this is no random parallel universe: this is the alternate reality where Mary didn’t deal with Azazel. So mothers and their choices/faults are a central theme in this season. Or, well, more or less.

To complete the mothers’ trimurti or, better, tridevi we’re missing the final mother, the destroyer who is, of course, Rowena. It’s therefore quite apt that Rowena reaches her highest potential this season and even confronts Death. What motivates her in an interesting blend of (missing)love and (lacking)power. Lucifer is as part of her story as Kelly’s and Mary’s. Unlike these two, though, she doesn’t have a son who resurrects her, nor a turned-benefactor cosmic being who offers her resurrection as a gift to her son. Rowena has to resurrect herself. Not once but twice. She is, perhaps, the loneliest character in the whole series.

This is actually quite ironic because, if we look back on previous seasons, her “choice” to kill Oskar, her putative son, was what triggered the whole chain of events (the freeing of Amara first and Lucifer second) that directly link Rowena with Mary and Kelly.

It’s only natural, then, that s13 Rowena keeps representing the reversal of the Mary and Sam/ Kelly and Jack relationships because there is no son who’s looking for her, rather she is the mother who’s looking for her (dead) child. Like Sam, she also needs someone who can access another dimension to bring Crowley back but, unlike him, she’s not successful. Now, ngl, this pisses me off to no end, like of course I can understand the real reasons why Crowley couldn’t be brought back, still I kinda hate how it was narratively framed.

When, in "Funeralia", Rowena says that life is unfair she is right but not in the general, pessimistic sense of the phrase: she's right because in-universe some deaths are more important than others and people get back on board depending on whether or not they're still a role to play for them. Rowena's faith in magic is actually justified because magic is the only thing that can help her. And the tragic thing is that it's also what damns her in the process because it's the only form of power she can have access to. There are no angels or cosmic entities looking out for her. She's just... alone.

So, perhaps, it's not that I necessarily hate how her failure to bring Crowley back is described, I just see it as further proof that Rowena is the best example to show how in Supernatural the game is rigged from the beginning and we didn’t even need an interfering and pervy God to realize it. That's all we've been seeing it since S1. All those infinite, booooring talks about being good/evil or doing good/bad actually mean nothing because, at the end of the day, in this show what really matters is how useful you can be, to whom and why (and this is way less booooring, you learn a lot of interesting things about these characters if you go down this road, it's grim but it's more rewarding).

S13 is also when the final connection between Rowena and the Winchesters, Sam to be more precise, is established which is indicative of the fact that she will inevitably die. Before S13 her story was her own, after “Funeralia” it cannot be extricated from Sam’s. To some degree, it’s quite similar to what happened with Crowley and Dean. What’s more, just like Crowley’s powers and shrewdness are what really carry the plot from s6 to s12, magic and spells (and therefore Rowena’s role in the story) will be the key for many plot points from s13 to s15. But there is a big difference.

Both Crowley and Rowena’s sacrifices are described as heroic but, let’s be honest, only Rowena’s was. Crowley’s demise was a clean-up after his own mess at best. It also proved to be unnecessary. Rowena and that awful MBOL’s egg thingy would have managed to confine Lucifer, like, they actually did it. It was Crowley who perverted the spell for reasons that I personally find OOC. I would’ve liked the Crowley vs Lucifer power struggle but not the way it was done in s12 because it felt very nonsensical to me. As in: I can see you need a reason to keep Lucifer around and this is what you’ve come up with but it’s still quite illogical.

At its hidden and secret core S13 is the season of the “let’s reframe the sons’ stories and blame it on the mothers”. Just like Kelly is blamed for Castiel’s ideal vision of Jack and Mary’s "choice" is established as the most important point in the whole show, Rowena-as-Mother must face the same fate: it was her fault if Crowley, Fergus!, ended the way he ended. It’s a naaaaaaaaaaaaaah for me.

This is what we’re told in “Funeralia”:

Rowena: Oh, but it is. Death has something I want. Sam: What’s that? Rowena: My son. After you told me he was gone, how he died, I had an unexpected reaction. We had our differences, but it’s my fault he went down the path he did. I left him. Dean: We’re talking about Crowley-- demon, King of Hell? Rowena: We’re talking about Fergus-- a man abandoned and loveless, tricked by a demon, died in a gutter. He deserved better from the world. From me.

Now, just to be clear: yes, Rowena had the responsibility to do better; yes, she was the absolute worst; yes, she played no small role in her son’s story. However, I personally don’t like all these negative associations between “worlds” and “mothers” as if every fucking thing in the universe is dependent solely on them. How did we end up here? It’s almost as if absent fathers are, like, not THAT bad after all (and the show, as far as I'm concerned, ultimately approves of and absolves absent fathers). So I’m very suspicious of the way motherhood is portrayed specifically in s13 and Rowena’s attempt at redemption well demonstrates that there is reason to be so.

This dialogue in “Funeralia” confirms my gut feeling:

Sam: You know, what happened with Crowley? That wasn’t your fault. Rowena: He never had a chance. Dean: He made his choices, just like we all do. Look, every one of us has done something that we have to live with, that were trying to make up for. Every one of us. Sam: Even without all that extra juice, you’re still the deadliest witch around [Sam's flattering Rowena. He's gonna ask for her help in 3,2,1...]. Rowena: Flatterer. Sam: Yeah, well, we, um... we may need your help [Here we go!]. To save our family. To… hell, to save the world. Dean: You wanna be redeemed? This would be a pretty big step. Rowena: And do you think I still can be? Dean: Yeah, I do.

I mean, not to be rude, but who the fuck cares if Dean Winchester thinks that Rowena can be redeemed? Like, how is Rowena’s redemption (which is strictly connected to her being a bad mother and not, among other things, a zero-regret murderer, which she also happens to be, for instance) connected to saving the Winchester’s family? Don’t get me wrong, I understand that this is SPN and that Sam and Dean’s problems are Apocalypse-level problems (lol, they really did that, when I say that their story is like a cosmogony maybe I’m not that wrong) but, as I’ve said, I cannot help but notice the similarities between Rowena’s arc this season with Mary’s and Jack’s, i.e. you can be redeemed if you either do something useful for the Winchesters or... realize that it's not your "fault" that your sons suffered terribily because "choosing" to deal with Azazel was actually the right choice... for the world. How come fathers saving the world are framed as heroic while mothers actively creating worlds by making hard choices that benefit the greater good need redemption?

So to sum up: while fathers invade S13’s main storyline as solvers, restorers and fixers, mothers are the bones of the story, they carry its weight and its sins but get little if nothing in return: Kelly stays dead, Mary ends up helping out a world that absolves her of her Original Sin but that’s nevertheless a mess (you can never win lol) and Rowena can’t get her son back (but she can save Sam and Dean's family the world!). Looks good, right? Hurray mommy!

[frogonamelon]

It's that time of year again where it gets a little warmer and I remember that Amphibia is a show I very much enjoy thinking about. Have some Anne outfits, as a treat <3

If you would like to see what aspect of headcanon/ au worldbuilding had consumed my consciousness like a pestering maggot, feel free to continue below.

Hello! Welcome to I focus on researching one very specific detail until I burn out!

My entire day has been consumed by figuring out how Amphibia's farming works. Like... amphibians are carnivores why do they have farms?

Well, I'll tell you why! The Plantars grow animal feed for predominantly crickets but also others such as silkworms, spiders, snails, etc. They grow produce like cabbage, mushrooms, parsnips, potatoes, dandelions, and turnips as well as heartfruit, a fruit not found on Earth.

In the past, the original amphibian hunter/gatherer societies found that mealworms were attracted to fallen heartfruit, among others. They began to use this knowledge to make traps and eventually began both containing the worms as well as growing the fruit.

Despite mealworms historical prominence in the farming and feeding of Amphibia, crickets are more popular nowadays due to their higher levels of protein. They also began growing a larger variety of produce to further increase efficiency.

Heartfruit is a kind of tree grown fruit with the color of a raspberry, size of a kumquat, and shape of a peach (hence the name). The Plantar's orchard is the only producer of this fruit as its traditionally significant but not necessary for frog kind. They are Anne's personal favorite of the Plantar's produce, being chalk full of nutrients and somehow feels nostalgic to her.

Speaking of Anne, she survives mostly on the Plantar's produce along with cricket meat (knowing that she can at least eat crickets).

After discovering that the amphibians hibernate, she begins to plant pole beans, blueberries, elderberries, and other produce and herbs in her greenhouse to cultivate while she forages and stockpiles for winter. She preps and stores wild rice, pecans, and sunflower seeds (discovered through trial and error). She keeps spare root veggies and other product in the basement. The Plantars help her do this, once they understand the situation, drying heartfruit and salting and smoking fish as well as making jerky out of bugs that they know she can have.

Anne's gonna learn to survive, even if the first winter is especially hard.

[victorluvsalice]

Goo Goo Dolls - Fearless [Official Lyric Video] by Goo Goo Dolls

Another recent add to the list of songs that make me think of my Valicer In The Dark AU! Admittedly, I wasn't entirely sure why at first -- my brain just went "yes, this has the right vibes" one day. XD But after a few more listens, I've decided the lyrics DO fit the VITD crew rather well. Stuff like "Some days will be harder than others/so we gotta lean on each other" describes their dynamic well, while the pre-chorus "We're living in a world unfair/We're living in a world so scared" is an excellent description of Duskwall, and especially their adopted neighborhood of Six Towers (which is essentially a big old slum made out of abandoned rich people houses). And the chorus! Not only do you have to be fearless to be a scoundrel in Duskwall, it suits their own personal situations well -- conquering their personal demons and discovering how happy they can be together. :D Plus it's one of those songs where I can easily make up my own mental music video of the gang having adventures to the lyrics, so -- yeah. Good stuff all around, can recommend. :)

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[headspace-hotel]

How to begin a sustainable way of life

This is a draft of something I've been writing for a couple months. It is mainly focused on the culture of the USA. Feel free to repost or otherwise share, with or without credit.

Do not tell people what to do—help them do it! 

Give the gift of relief from being forced to engage in society’s unsustainable ways of life. 

“People need to eat more plant-based foods.” ->Talk about your favorite recipes, give others recipes, cook for them, and grow vegetables and plants in your garden and give them away as gifts. 

“People need to repair their clothes.” -> Offer to repair others’ clothes, and teach people how to repair their clothes. 

“People need to buy less clothes.” -> Give them old clothes that you don’t want, help them repair their clothes

“People need to buy less plastic stuff.” -> Learn to make things that can serve the same purpose, such as baskets, and give them as gifts. Let people borrow things you own so they don’t have to buy their own. 

“People need to stop using leafblowers and other gas-guzzling machinery.” -> Offer to rake the leaves. You can use them as compost in your own garden. 

“People need to be more educated about nature.”-> Learn about nature yourself. Tell people about nature. Be open about your love of creatures such as snakes, spiders, and frogs. Do not show awareness that this could be strange. You are not obligated to quiet down your enthusiasm for creepy crawlies to demonstrate awareness that it is weird. Point out at every opportunity how these animals are beneficial. 

“People need to use cars less.” -> Offer rides to others whenever you must go somewhere. Whenever you are about to go to the store, ask your neighbor or your friend who lives along the way, “Is there anything you need from the store?” 

You cannot control others’ behaviors, but you can free them from being controlled. 

If you think to yourself, “But this would be so difficult to do!” ask yourself WHY? Why does your society coerce you into less sustainable ways of living, forcing you to consume excessively? After thinking about this, consider that it is less simple and easy than you thought to make more sustainable choices, so why would you judge others for not doing it? 

Do not act alone—act with others! 

Environmentally friendly behaviors that can be done alone, without collaborating with or consulting another person, are the least powerful of all. Whenever an “environmentally friendly” behavior is suggested, figure out “How can I give this as a gift?” or “How can I make this possible on the level of a whole community?” 

“Personal choices” do not work because every single person has to make them individually. If you are focused on making your own personal choice, you are not focused on others. If you are not focused on others, you are not helping them. If nobody is helping each other, most people won’t be able to make the “personal choice.”

You inherently share an ecosystem with your neighbors  

            Start with your neighbors, the people physically close to you. You live on the same patch of land, containing roots from the same plants and trees. You can speak to them face to face without traveling, which means you can easily bring them physical things without using resources to travel. 

            Always talk to your neighbors and be friendly with them. Offer them favors unprompted and tell them about how your garden is doing. Do not be afraid to be annoying—a slightly annoying neighbor who is helpful, kind, and can be relied upon for a variety of favors or in times of need is a necessary and inevitable part of a good community. If you make the effort to be present in somebody’s life, they will have to put up with you on some occasions, but that is just life. We cannot rely on each other if we do not put up with each other. 

Simply spending time with someone influences them for good 

Every hour you spend outside with your neighbor is an hour your neighbor doesn’t spend watching Fox News. Every hour you spend talking with someone and interacting with them in the real world, eating real food and enjoying your real surroundings, is an hour you don’t spend only hearing a curated picture of what reality is like from social media. 

            Isolation makes it easy for people to become indoctrinated into extremist beliefs. When someone spends more time alone, watching TV, Youtube, or scrolling social media, than they do with others, their concept of what other people are like and what the world is like comes more from social media than real life. TV and online media are meant to influence you in a specific way. Simply restricting the access these influences have to yourself and others is helpful. 

A garden is the source of many gifts 

If you grow a garden, you can give your neighbors and friends the gift of food, plants, and crafted objects. This is one of the foundational ways to form community. When you give food, you provide support to others. When you give plants, you are encouraging and teaching about gardening. It is even better when you give recipes cooked from things you grew, or items crafted from things you grew. You can also give the gift of knowledge of how to grow these plants, cook these recipes, or craft these objects. 

More on gift-giving

            Some people are uncomfortable with receiving items or services as gifts. They want to feel like they are giving something back, instead of having obligation to return the favor hanging over them. 

            It can help to ask a simple favor that can be easily fulfilled. People generally like the feeling of helping someone else. 

When you give someone a gift, it can help to say something like “Oh, I have too many of this thing to take care of/store/eat myself! Do you think you could take some?” This makes your neighbor feel like they are helping you. 

When allowing others to borrow items, you might not get them back. Don’t worry about that. It just means the item found a place where it was needed the most. You can ask about the item if you think it might have been forgotten, and this can create an opportunity for a second meeting. But don’t press. 

If the person you give to insists upon some form of payment, this is a good opportunity to negotiate a trade. 

Ask to be given compostable or recyclable things 

Ask your neighbor to save compostable scraps, biodegradable cardboard and paper products, and any other items that might be put to use. Use them in your own compost pile. Or, start a compost pile at the edge of the yard where you both can add to it. Remember that “wet” compost like vegetable and fruit bits needs to be mixed with twice as much of “dry” and “woody” compost like cardboard, leaves, small twigs, paper and wood bits. 

Use the front yard for gardening

Overcome the cultural norm that the front yard is only decorative. Use the front yard for gardening so you can be seen by others enjoying your garden, and others can witness the demonstration of the possibilities of land. In the front yard, anything you do intentionally with your land can be witnessed. It also makes you a visible presence in your community. 

Grow staple foods 

Don’t just grow vegetables that cannot be the core component of a meal themselves. Grow potatoes, dry beans, black eyed peas and other nourishing, calorie-dense foods. Grow the ingredients of meals. You could even build a garden around a recipe.

Invite neighbors and friends over to eat food made from things you grew 

Be sure to send them home with leftovers.  

Grow plants for baskets 

Containers are one of the fundamental human needs. If we had more containers, we wouldn’t need plastic so much. You can learn to make baskets, and to grow plants that provide the raw materials for baskets. 

If someone rakes their leaves, ask to have the leaves  

If you see someone putting leaves in bags, don’t be afraid to ask if you can have the leaves. More likely than not they will be happy to agree. 

Collaborate with neighbors to plant things in the no-man’s-land of the property line 

In the border land between your neighbor’s yard and your yard, it is almost always just mowed grass because no one can plant anything without it affecting their neighbor. But these border lands add up to a lot of space. It would be much better if you talked to your neighbor about what would be nice to plant there, and together created a plan for that space. 

Give others the freedom to wander 

Make it clear that you will not get mad if the neighbor’s kids play in your yard or run across it. Invite the neighbors onto your land as much as possible. Tell them they are allowed to spend time in a favored spot whenever they would like.  

The power of the hand-made sign 

If there is a yard sale, you always know about it because of the hand-drawn signs placed around. Therefore, a cookout or unwanted item exchange can be announced the same way. In rural areas I have seen hand-made signs that say: FIREWOOD or WE BUY GOATS or EGGS. This is one of the few technologies of community that remain in the USA. If someone who looks to buy and sell can put up a hand-made sign, why shouldn’t you?  

Religious people or people with strong political opinions like to put signs everywhere. If they have the confidence and courage to do so, why shouldn’t you? 

So if there is a message you would like everyone to see, use the simple power of the hand-made sign. Proclaim “BEE FRIENDLY ZONE!” above your pollinator garden with all the confidence of a religious fundamentalist billboard. Announce to the world, “VEGETABLES FREE TO ALL—JUST ASK!” “WE TAKE LEAVES—NO PESTICIDES.” Instead of YARD SALE, or perhaps in conjunction with YARD SALE, you can write, PLANT EXCHANGE or SEED SWAP or CLOTHING SWAP. Who can stop you? 

Someone has to do it for society to change  

Some of these ideas might be eccentric, strange, or even socially unacceptable, but there is no way to change what is normal except to move against it. Someone has to be weird. It might as well be you. 

[shidoukanae]

Went and read the TME prologue on the official site to see if i could trigger something COME ON NOW and then-

"And that person that I wanted to change the most...who is also the most precious person...that person..."

*shows a picture of Helene*

THE ENGLISH TRANSLATED PROLOGUE CHEATED ME OF THESE LINES ARE YOU KIDDING ME

[crowdusk]

i am. obsessed with this.

au where zoro's swords are sentient in the way all well-loved things are and they like sanji. they think his kicks are strong and his battle prowess is amazing and he's a worthy rival for their master. more importantly, the cook makes their master happy and a happy master is a master that doesn't make stupid decisions. the only problem is that while their master be a genius in swordsmanship, he is, to put it gently, a fucking idiot in everything else. cue wado, kitetsu, shushui (while it was still around at least) and enma desperately trying to wingman zoro

[l1tw1ck]

Simeon's Devotion

Sub!Bottom!FTM!Priest Simeon x Dom!Top!AMAB!Holy Knight Reader

Word Count: 2,410

Reverend Simeon, plagued by sinful thoughts of a certain holy knight, is suddenly struck with a high fever and abandons his God

AFAB Language Used | 2K Anniversary Request: For a Simeon Fic | [Breaking the Thermostat]

CW: Non-Con, Heavy Religious Themes, Dom/Sub, Virginity Loss, Bleeding, Size Difference, Oral Sex, Cum Swallowing, Cunnilingus, Belly Bulge, Womb Fucking, Squirting, Creampie, Kidnapping

You knock loudly against Simeon’s doors, heavily injured. You hear the sound of shuffling and see the lights turn on inside. Moments later, he opens the door for you.

Simeon calls out your name in shock. “What happened to you?!” He helps you inside.

“Ran into some demons..” You murmur, sitting down on his couch. “Can you heal me?”

“Of course!” Simeon hastily removes your clothes, leaving you in just an undershirt and boxers. You're both already used to this. “How many this time?”

“I wanna say…30?” You watch him kneel down and use his divine powers on your wounds.

“30?! Did something attract them?”

“I’m not sure. I was on patrol and everything seemed normal. The monsters looked strange too. They all looked like distorted versions of God and they were muttering things like ‘sinner’ and ‘dirty’.” 

“That's strange..”

“Yeah, I’ve never seen anything like it before.” You reach to rub your temple but Simeon quickly heals your headache. “Could I have something to eat? I know you're probably tired so something like crackers would be fine.”

“You need to eat a real meal. I don't mind cooking for you. You can sleep over too, all your clothes are washed.” Simeon finishes your last wound and stands up. It's very common for you to sleep over at Simeon’s due to exhaustion since demons usually show up on the outskirts of town and you live a bit further away. “Think you can take a shower?”

You stand up and groan, the sound making Simeon twitch. “I think so. Thanks, Simeon.”

“God must be disappointed in you. So much for being a priest.” You say, staring at Simeon. He’s wearing sexy see through lingerie and an extravagant matching sheer silk robe. His legs are spread and he’s leaning against his bed frame. His tears are glistening against his cheeks, they’re shining like glitter. “You're nothing but a dirty sinner.” You move his panties aside.

Simeon looks at you, batting his eyelashes. Another tear falls down his cheek. “You’re my god now.”

“That’s right, baby. You’re mine.” You slowly begin to ease your cock inside him. “And I’m yours.” You press your hand against his pelvis, a pretty marking appearing on it.

Simeon suddenly wakes up moaning your name with his hand stuffed in his underwear. He gasps and yanks it out. He quickly wipes his hand on his clothes and begins to pray. “Please deliver me from temptation.” He repeats the same phrase over and over but as his body begins to grow hot, his prayer becomes strange.

“Please give me [Name]’s cock–” Simeon gasps and covers his mouth. “No…Forgive me— I need his co—” He covers his mouth again. He can't talk. He attempts to pray silently but that doesn't work either. It just makes him feel even more horny.

He begins to absentmindedly remove all of his clothes, his hands moving on their own to touch his wet pussy. He leans back, eyes out of focus, and begins to touch himself but he doesn't really know how. He just rubs his folds, which feel extremely sensitive. “I’m…I’m a sinner..” He mumbles, still out of it. “And a slut.”

“Only [Name] will accept me now.” Simeon brings his hand up to his tattoo and presses on it, a wave of pleasure flowing through him. 

He stumbles out of the bed and drunkenly walks to his guest room, where you’re sleeping. Knocking didn't cross his mind as he opened the door. 

“Si- Simeon?” You ask sleepily, sitting up. “Is something wrong?” You can't tell that he's naked. You move to sit on the side of the bed and squint at him.

“Yes..” He says quietly, stepping towards you. He kneels in between your legs. “I need you.”

“What?!” You recoil. “Are you okay? Are you drunk?”

“I’m not drunk.” Simeon presses kisses along your legs down to your feet. “I’ll do anything you want, [Name]. Anything.”

“I think you need to drink some water…you're not thinking straight.” You get off of the bed. As you try to head towards the door, Simeon stops you.

“I don’t need water, I need you.” He pulls you closer, he’s somehow stronger than before, and forces you into a kiss. It doesn't take long for him to pass on his ‘fever’ to you. Heat rushes through your body as your rational thoughts dispel like bubbles. He pulls away and looks at you lovingly. 

“Simeon...” You hold his chin, speaking with a loving tone. “How beautiful.” You mumble. He moans your name breathily.

“Kneel for me.” You order. Simeon kneels once again. You pull down your shorts and boxers at the same time. His eyes widen, hearts forming in them, when he sees your thick length. The process of becoming a Holy Knight can alter someone's body in major ways but he never knew it could change by this much. “Open your mouth.” You run your fingers through his hair.

Simeon opens his mouth and lets you slide your cock inside it. His mouth is unbelievably hot. He can feel the corners of his lips stretching to fit you. The thought of you stretching his pussy open next makes him moan. He stares into your eyes as you begin to thrust. You're sure they're glowing. 

“Your mouth feels amazing.” You moan. Simeon moans as well. “‘S perfect for me..” You speed up your thrusts. He happily allows you to fuck his mouth. He closes his eyes and focuses on your voice. He’s so aroused it's becoming painful.

You tighten your grip on his hair as your thrusts become unruly and desperate. He looks at you again, this time with tears in his eyes. But the tears aren't because he’s upset. “You look so pretty when you cry.” You groan as you come inside his mouth. You slowly pull away as Simeon swallows your seed without hesitation. You're still hard and you both want more. You pick him up and slam him onto the bed. Somehow, the both of you are able to see perfectly in the dark. Maybe it has something to do with the glow in your eyes.

You spread his legs and smile at how wet he is. The marking on his lower stomach glows faintly as you physically observe his pussy with your fingers. He squirms around cutely. You kneel in between his legs, mirroring what he did earlier, and bury your face into his pussy. Simeon moans. “Yes– oh- yes~!” He sucks in a breath. “[Name]~!” It's like he's ascended to heaven. 

You drag your tongue up to his clit and gently suck on it. It quickly and unnaturally swells in your mouth. It feels like he’s stuck on the edge of an orgasm, although it feels good nonetheless. You slip a finger into his hole and then another when you realize how easily it entered him, despite his tightness. “Ooh- oh, [Name]~” Simeon squeezes your fingers tightly as you attempt to finger him. The constant flexing of his walls make it difficult to move them but you don't mind. You’re more interested in how that’ll feel when you fuck him.

He can tell he's not going to come from this. He's not sure why, it feels like there's something blocking him from doing so. “Put…put your cock inside me, please~”

You smile and move away, standing back up. “Of course, my love.” You lick your lips and line up your cock with his pussy, slowly coating your tip with his slick. He bites down on his lip and uncontrollably twitches as you begin to sink into his sopping warmth. He throws his head back and grips the bed sheets while moaning shamelessly. You're barely inside him. His entire pussy is throbbing so heavily, it's almost like a second heartbeat. Blood soon spills from your penetration. 

The true representation of his sin.

He moans your name with his enchanting voice. Your cock ‘knocks’ on his cervix and strangely enough, it seems to be allowing your entrance. Like it wants you to enter his womb. You don't think about how that should be impossible and slide further inside him. “It feels– feels so—” He gasps, squirting. His eyelashes are fluttering rapidly.

“There you go, baby. Come for me.” You rub his clit with your thumb. He writhes around, no longer squirting but his cunt’s still squeezing you like crazy. He isn't able to think about anything at all, his brain is overloaded. The outline of his tattoo is becoming a bright blue. “Good boy…keep going.” You praise him.

Simeon wants to say your name again but he is completely unable to speak.

“Let’s make up for all your years of abstaining.” You start to thrust. He slowly comes back down to earth with each thrust you make. 

“Ah–” His eyes are sparkling with tears. “You’re so big…stretching me out~” 

“That’s right, I’m making your pussy fit the shape of my cock.” You slowly rub the bulge on his stomach, fucking him at a slow pace. “Your body’s gonna remember me and only me.”

“That's– that’s all I want~” Simeon moans. “Only you~”

“So pretty…” You brush his hair out of his face. He looks like a painting. You bring your hands to his waist and slowly build up to a faster pace. He reaches for you so you lean in. He wraps his arms around you.

“I love you.” He says in a shaky tone.

“I love you too.” You look into his eyes. For a brief moment, he realizes this isn't the real you, then he brushes it off. He feels strange. “My sweet Simeon.” You kiss him. The bed starts rocking due to your quickened thrusts. You separate from the kiss, some saliva dripping down his lip.

He looks down and notices the marking on his womb is glowing and the same color as his eyes. His desire has been satisfied. It’s all over. He looks up at you, suddenly shaking like a scared rabbit. The artificial light flickers out like a used lightbulb. He can't see you clearly anymore. The only lights are the glow in your eyes and the faint moonlight. “[Name]?” He asks.

“Hm?”

You're still…you’re not aware like he is. He suddenly feels disgusting. He forced you into this. Even if he wasn't completely conscious. He should tell you to stop, but he doesn't want to. Is it so wrong to want a little more? “I…I-” He stutters. “Come- come inside~” If he can't have you, maybe he can have a part of you.

You kiss his cheek. “Of course.” You come inside of him only moments later. It feels like he forced it out of you. You look at him with an exhausted but happy expression before passing out on top of him. He doesn't try to move you.

You slowly wake up. You look around the room and notice a stain on the floor that you didn't notice before. And your bedsheets seem to be different too. You also feel a little strange. Refreshed, but strange. You get up and leave the guest room. You can smell coffee so you go down to the kitchen. “You're up pretty early. Don't you usually sleep in on Tuesdays?”

Simeon shrugs, not looking at you. “I felt like getting up early today.”

“Well, I’m not doing anything today. Maybe I’ll make breakfast this time?”

“It's okay. I’ll make it.”

“If you insist.” You know you can't convince him otherwise. “I wanna do something for you though. You deserve a gift.”

“Protecting my town is more than enough.”

“You’ll never change, huh?” You chuckle. “You know, the bed sheets look different from last night. Am I crazy?”

Simeon breaks the mug in his hand. You shoot up from your chair and rush over to him.

“I- I’m okay.” Simeon heals himself. “There wasn't anything in it yet.” 

“Good. You…seem weird today.” You notice he's not making eye contact with you.

“I..” He presses his forehead onto your chest and frowns, tears forming in his eyes. “I did something horrible last night.”

“What do you mean?” You bring him into a hug and gently rub his back to comfort him.

“Please…please don't hate me.”

“How could I hate you?”

“Last night…something strange came over me. I wasn't fully in control of myself and I forced you to…to..” He begins to sob.

“Simeon?” You ask, concerned.

“I forced you to have intercourse with me!” He blurts out, pulling away from you. He turns around and doesn't look at you.

You pause. “It must’ve been the work of a demon. It's okay, it's not your fault. It wasn't my ‘first time’ but…was it yours?”

Simeon’s eyes widen. “That wasn't your first?”

“No.”

He bites down on his nail. “When?”

“Um…maybe a decade ago?”

“Before you became a knight? And you haven't since then?”

“...Yes.” You assume he's uncomfortable due to his beliefs.

Simeon sighs. You were ‘reborn’ during your ceremony so you’re technically a virgin but you still have the experience. “Are you going to remain celibate?”

“I…well, I hope to find someone in the future. To marry, of course.”

“Oh.” He clenches his fist. “Do you have anyone you’re interested in?”

“I suppose I’ve caught a liking to Solomon, he—”

Simeon whips his head around. The look in his eyes is scary. “No.” He grabs your shirt. “No. You can't. You can't leave me.”

“Simeon?” You look at him in disbelief.

“I…I’m not letting you leave.”

Simeon looks at you sleeping peacefully on his bed. He isn't sure how, but he caused you to pass out and he was able to carry you here. He didn't even break a sweat. Due to a holy knight’s ability to neutralize certain forms of demon magic, Simeon is sure he isn't using that as you would've been fine if he was. But that leaves more questions to be answered.

He slides his hand down to his lower stomach and touches the glowing blue mark on his womb. It hasn't gone away. What is it? If it's not demonic then is it holy? How could this be holy?

He gently caresses your face. “I’m sorry, but I can't allow you to leave.”

You’ll be missed in the order of the holy knights but no one will worry when Simeon tells everyone he has bigger plans for you.

[creepyscritches]

I read your post about open enrollment for the ACA and was hoping you might expand on why you believe it would take years to dismantle. I've been terrified that with a Republican house/senate, Trump could just snap his fingers and make it go away within months of taking office. I'd love some reassurance that that's not possible.

Hiya, sure I can share some thoughts on the matter! First, it's very important to understand the ACA is a huuuuuuuuuuuuge system with subject matter experts in dozens of places throughout the process. I'm one of those SMEs, but I am at the end of the process where the revenue is generated, so my insight is limited on the public facing pieces.

What this means is that I am professionally embedded in the ACA in a position that exists purely to show what conditions people are treated for and then generate that data into what's called a "risk score". There's about 6 pages I could write on it, but the takeaway is that the ACA is

1) intricately interwoven with the federal government

2) increasingly profitable, sustainable, and growing (it is STILL a for-profit system if you can believe it)

3) wholeheartedly invested in by the largest insurance companies in the country LARGELY due to the fact that they finally learned the rules of how to make the ACA a thriving center of business

4) since the big issuers are arm+leg invested in the ACA, there is a lot of resistance politically and on an industry level to leave it behind (think of the lobbyists, politicians, corporations that will fight tooth and nail to protect their profit + investment)

The process to calculate a risk score takes roughly 2 years. There is an audit for the concurrent year and then a vigorous retro audit for the prev year - - this is a rolling cycle every year. Medicare has a similar process. These are RVP + RADV audits if you would like the jargon.

Eliminating the ACA abruptly is as internally laughable as us finishing the RADV audit ahead of schedule. If Trump were to blow the ACA into smithereens on day 1, he would be drowning in issuer complaints and an economic health sector that is essentially bleeding out. You cut off the RVP early? We have half of next RADV stuck in the gears now. You cut off the RADV early? No issuer will get their "risk adjusted" payments for services rendered in the prev benefit year (to an extent, again very complex multi-process system).

The ACA is GREAT for the public and should be defended on that basis alone. However, the inner capitalistic nature of the ACA is a powerful armor that has conservatives + liberals defending it on a basis of capital + market growth. It's not sexy, but it makes too much money consistently for the system to be easily dismantled.

Or at least that's what I can tell you from the money center of the ACA. they don't bring us up in political conversation because we are confusing to seasoned professionals, boring to industry outsiders, and consistently we are anathema to the anti-ACA talking points.

I am already preparing for next year's RVP for this window of open enrollment. That RVP process will feed into the RADV in 2026. In 2025, we begin the RADV for 2024. If nothing else, the slow fucking gears of CMS will keep the ACA alive until we finish our work at the end of the process. I highly doubt that will be the only reason the ACA is safeguarded, but it is a powerful type of support to pair with people protecting the ACA for other reasons.

I work every day to show, defend, and educate on how many diagnoses are managed thru my company's ACA plans. My specialty is cancer and I see a lot of it. The revenue drive comes from the Medical Loss Ratio (MLR) rule stating only 20% MAX of profit may go to the issuer + the 80% at a minimum must go back to the customer or be invested in expanding benefits. The more people on the plan using it, the higher that 20% becomes for the issuer and the more impactful that 80% becomes for the next year of benefit growth. It is remarkably profitable once issuers stop seeking out "healthy populations". The ACA is a functional method for issuers to tap into a stable customer base (sick/chronic ill customers) that turns a profit, grows, and builds strong consumer bases in each state.

The industry can never walk away from this overnight - - this is the preferred investment for many big players. Changing the direction of those businesses will be a monumental effort that takes years (at least 2 with the audits). In the meantime, you still have benefits, you still have care, and you still have reason to sign up. Let us deal with the bureaucracy bullshit, go get your care and know you have benefits thru 2025 and we will be working to keep it that way for 2026 and forward. This is a wing of the federal government, it is not a jenga tower like Trump wishes.

[frailsituation]

Tips for writing internal conflict

1. Define the Core Dilemma

• Internal conflict occurs when a character faces a choice or emotional struggle within themselves. This dilemma should challenge their values or identity.

• How? The struggle should feel deeply personal and tied to the character’s motivations.

• Example: A character who values independence but must rely on others in a life-or-death situation.

2. Make it tied to their core values

• The conflict should challenge what the character holds dear—whether it’s their morals, desires, or goals.

• How? The inner conflict should push the character to re-evaluate their beliefs and priorities.

• Example: A soldier torn between duty and personal ethics, forced to choose between following orders and doing what’s right.

3. Amplify with external consequences

• Link internal conflict to external consequences that impact the character and those around them. The choices they face should have significant repercussions.

• How? Show how the character’s internal conflict influences their decisions in the real world.

• Example: A character haunted by guilt must choose whether to admit their past mistakes, risking their career and relationships.

4. Show the pressure building over time

• Internal conflict intensifies when it’s compounded by time, increasing stakes, or mounting external pressure.

• How? Create scenes where the character feels the weight of their choices growing heavier with every passing moment.

• Example: A character whose addiction threatens to ruin their life, struggling to break free but tempted by old habits every day.

5. Conflict arises from competing desires

• Internal conflict often stems from having two equally strong desires that cannot coexist.

• How? Put your character in situations where they must choose between these desires, both of which seem vital.

• Example: A character torn between pursuing their dream job across the country or staying to care for a dying parent.

6. Explore their fears and insecurities

• Internal conflict can also be driven by the character’s deepest fears or insecurities, which affect their actions and decisions.

• How? Fear of failure, rejection, or loss can prevent them from acting, making every decision feel like a battle.

• Example: A character who has been hurt before refuses to let anyone in, even though they deeply crave connection.

7. The power of self-sabotage

• Let the character’s internal conflict lead to self-sabotage. They may avoid decisions or create obstacles to protect themselves from facing their own feelings.

• How? Show how the character's fear or internal resistance undermines their progress.

• Example: A character constantly pushes away someone they care about because they fear their own vulnerability.

8. Use internal dialogue to show the battle

• Let readers hear the character’s internal struggle through thoughts, doubts, or justifications. Internal dialogue can make the conflict feel more immediate and real.

• How? Keep the internal dialogue sharp, reflective, and in line with the character’s voice.

• Example: “I want to tell them the truth, but what if they leave? Can I really risk that?”

9. Drive change through resolution

• The internal conflict should lead to growth or change in the character. They should evolve, learn, or make peace with their internal struggle.

• How? The resolution should feel earned and reflect the character’s journey.

• Example: A character who fears commitment learns to trust and embrace vulnerability in the face of love.

10. Let it affect the bigger picture

• The resolution of internal conflict should impact the story’s larger arc, showing how the character’s inner change leads to progress or a new direction.

• How? The resolution should tie back to the theme and forward momentum of the plot.

• Example: A character who learns to forgive themselves is able to take the final step in reconciling with a loved one, mending broken relationships.

Follow for more!

[glow-in-the-dark-death]

Him (Them)

( So I decided 'fuck it' pitch pearl babyyy, I've seen other people do this ship and decided well why the hell not right. Anyways have fun!)

~

Phantom and his council were finally in the end processes to a peace treaty with Earth,

As years went on from what was once only the USA with their Ecto-Acts got worse. The GIW began opening in other countries without them truly realizing what they were allowing, until the Infinity Realms were at the point of declaring war on all of Earth itself.

The only reason that managed not to happen was because of Phantom finally being able to contact the Justice League and sit them down to have an actual conversation about everything that was going on.

That's where they were right now the world leaders, the 3 founders of the JL , and High King Phantom with his council arguing back and forth the peace treaty.

Phantom turned as one of the men stood up

" And just how are we supposed to truly trust you and yours to not take over or cause harm to our people?"

Others began chiming in, arguing that there was no true guarantee in what Phantom was saying.

Until a voice towards the back called out an idea

" Marriage! To truly unite our worlds in peace King Phantom must marry one of our own!"

Phantom subtly tensed the idea of a loveless marriage to a complete stranger made his core tremble with rage.

He glanced around seeing the looks of the people around him, he saw their greed for his power and status, their point for the marriage would be to control him or at least give them an advantage.

Phantom tuned out the arguing between the JL and the rest.

Thinking of what to say to get out of this situation without risking the treaty.

Snapping back to attention holding back a sharp smirk.

" Gentlemen if what you fear is the safety of your people then do not fret I have protected and saved your people and world since my creation, as for your request of a marriage to unify our world then I have wonderful news for I am already married to one of your people and even have children with him."

Phantom looked at the shocked faces around him, a couple grimacing or frowning at their missed opportunity to have control and access to him by one of their chosen.

A rather stupid man for what else could he be with what he said next.

" Then divorce him and marry someone that we find more suitable!"

Phantom's form distorted around him as he processed what he had just heard.

" Divorce? You wish for me to Divorce my husband, the one who I cherish above all else, the one I have shared my core the very being of myself with. The one who I gave my very being and soul to create our children. The one who is half my being, the one who if not for him we wouldn't be speaking at this moment because it was only his word that kept me from declaring war on your world."

"Make no mistake I do wish for peace between our worlds, many of my people are from this world and would like to continue to stay or visit especially for their loved ones, and I would like that for them without the danger of being hunted and torn apart."

"For if I wished war your planet would not stand a chance for what is a few million of your soldiers compared to my infinite soldiers that only would continue to grow as yours died."

"For him I fought and won against the previous tyrant King for daring to to cause him pain, the very King who only was defeated previously by the combined efforts of the strongest in the Infinite Realms, The very same King I defeated alone."

"So please do continue talking against my husband."

"..."

"What is his name?"

"Danny Fenton."

~

Just an Idea

[yes-these-obsessions-are-healthy]

With his romance with Lavellan, Solas learned a horrific truth—that him simply as a humble man was enough to be lovable. He had been plied out of the Fade by Mythal because of her need for him, and out of devotion, he became something more and dreadful for himself, for her. And she never reciprocated that devotion with the same intensity. He spent millennia fighting for her as a thing he detested—a man of war and death, a being whose mortal body imbued him with innate qualities and emotions that would further twist his Wisdom nature. He was producing the very poisons that would normally corrupt a spirit by virtue of [Being a Person]. The external influences now harbored inside him.

But Lavellan showed him. That being you are, the one that wished to ponder and reminisce of spirits, who valued liberty and freedom and knowledge and the wry observation? That was enough. That was always enough. But he can’t accept it, because millennia of being Fen Harel, being devoted to Mythal and her cause.. to sunder it from himself would feel like a magnificent loss. He has been that for so long, is there anything yet truly left of the Wisdom spirit that once was?

Not only that, but given corporeality, Solas is compelled by the operant [If I can, I must]. He CAN do something about the Veil, so he will. If he doesn’t, then he is forsaking the memory of he destroyed with his choice. He is forsaking his own principles. To do nothing in the face of injustice and cruelty is a sin he cannot bear.

He comes to the Inquisition as a “humble apostate”, both as disguise and because in his de-powered state he is of little greater use (if he had greater power I’m certain he would have nudged the Inquisition toward their goals). This is a costume he is wearing, or so he tells himself. He exists to advise, to suggest, to subtly direct toward more peaceful and humanitarian and spirit-friendly directives. He operates as his former [Wisdom] spirit state.

And Lavellan grows to love it, to appreciate it. She grows to appreciate [Solas as Wisdom]. That part of him, the part of him that he has put aside for thousands upon thousands of years, though his nature craves to return to it. Without his ability to be Fen’Harel, it is pretty much all he has. And oh, this mayfly mortal born of a “forsaken ignorant people”, she is drawn to him, seeing him as a [man], seeing him at his (comparatively) weakest, most ineffectual state and finding it pleasing. Desirable. [Enough].

Enough. He is enough as Solas, simply Solas. But if it is enough for Lavellan, why was it not enough for Mythal? No, no, there was a reason. There was a war. War requires more of people. It requires limits to be broken and terrible mantles to be donned.

But Lavellan is fighting an existential war against Corypheus. And she does not demand more of him. She values what little he is able to provide—guidance, insight, his magic. It is [Enough].

We Solavellans have dissected and discussed at length about the nature of the relationship being one built on deceit, the moral and ethical quandary of love cultivated under a false identity. Veilguard has confirmed the existential struggle and quiet agony that Solas experienced by transitioning into [Being]. While Lavellan should of course had been informed of his ‘true identity’ before falling in love with him, an argument could still be made that Fen’Harel is not his true identity but a long-worn mask that he wishes he could ditch. The man Lavellan fell in love with is who he should be, who he wants to be. Far more underpowered than he’s comfortable with, sure, but the personality for certain. Just a person giving advice, discussing at length about topics he enioys, exploring memories and ruminating over them, smirking over small verbal sleights of hand and sly tricks, engaging in philosophical debates. All of that is already there, that is who he is in peacetime. The man has known war and conflict for so long that he has mentally split Solas and Fen’Harel as two people, because he needed to, but they are the same. Solas who wields the martial prowess of Fen’Harel. Fen’Harel who possesses the wry levity and artistic sentimentality of Solas. SOLAS YOU ARE BOTH AND MORE THAN THESE TWO HALVES.

[ozzgin]

"Platonic obsession,by your parents" BOY YOU BETTER WRITE ABOUT THAT,I'M GOBBLING IT UP!

It's also mentioned in Part 2 that Reader's parents are pretty much platonic yanderes.

One must wonder how Reader is so oblivious and clueless to all these acts of stalking; the simple answer is that they grew up with it. Their family dons an entire lineage of skilled yanderes, generations of flawless graduates. The fact that Reader turned out to be a Darling was an anomaly, a never-before-seen event in the household. It wasn't something shameful, mind you. It just happened to trigger a family-wide, overbearing need to look after little Reader, who could be adorably naïve in the face of this big world.

First day at school? Reader would giggle and wave at the parents, as they crouched behind the bushes with cameras and binoculars, sniffling and dabbing their eyes with a napkin. They hated to see their baby growing up so fast. A chick must eventually leave its nest, but that didn't mean they couldn't follow its every step outside.

Holidays and birthdays? Reader would clap in excitement, opening all the generous gifts from friends and relatives. Somehow, every year and without exception, everyone knew exactly what they wanted.

School trips and friend outings? Reader would always get a little homesick, so much they'd begin to see reminders of it scattered all over the place. "Oh, my grandma has the same van! Even the stickers...I must really miss my family, huh?"

Needles to say, Reader is very much used to whatever goes on in Yandere School.

Though if we are to take the Clumsy!Yandere crossover into consideration, I'd say Reader isn't necessarily devoid of yandere genes. In that case, it's more of an unconscious, dormant power which triggers whenever Reader's pathetic best friend is in need (so almost always).

[Yandere School Masterlist]