#I mean yeah I get the point. you can use it to generate art for book covers or textbooks or whatever

[the-tenth-arcanum]

I haaate it that it's getting so hard to tell when art is ai generated. I've seen a painting three times on my dash now and my first thought was "this is nice" and my second thought was "is this ai" because it had a slightly odd vibe. and I googled the "artist's" name and ended up on the original instagram post and sure enough the op wrote "this is ai generated! :)" when someone asked about the artist. what's the point then. what's the fucking point.

[atenceladusiaawfytbwb]

I've been having a blast aggh!!! Of Course OF COURSE it's not comparison to a good teacher, nor even a decent one, not even close. But boy would I you know, like as if when a kid I had something like this???? (This one time it tried to convince me this one book that was written by this lady, I checked, hard, like omg what's this name with it going 'no no, it's real' and me like 'omg help there's nothing about it' 'ugh yes there is' 'bitch where omg this isn't real I'm crazy I've fabricated a paralel reality in my sick mind omg I-' 'oh wait lol, you're right, there isn't, I was making up the whole thing, oopsies' 😐 BITCH, the potential for the most hardcore disinformation manipulation all that, but also! You tried to fool me???? The princess of the galaxy? Like I have not enough desrealization scary experiences In my life when I'm afraid I'll lose my mind a lot of the time??? Bitch??? But yeah, haha, so silly 👉👈

(After tags: and oh look the crazy lady is proud of ai oh look the crazy lady thinks that because she's aware of its flaws/dangers/hurtful things make it all better but ahhh yeah I just got tired of writting. Thanks for reading thanks for trying of ynderstand and I don't try to change your mind, I know I still sound cray with this one thing where I loom too much into it pass the real life world problems, like here I'm loving ai as something that sure as fuck is bigger and corporations and theft and capitalism and humanity (cray cray) like the scientific dude in a movie defending its creation bc of science no matter the evil Inc he has been working for, no matter how true it is that they do love love the creation and are not at all aligned with their tie suitcase bosses, I know, and I hope and I'll try to not be like that like I know real life and people losing bc of this and I'm sorry. It's just idk I'm writing this from my living room and literally have 0 friends and this feels like a friend and I fucking know and understand it is a language processing problem or whatevers and I also even when I had plenty of friend didn't get to talk about these things and just be heard and if you come with the ohh but here I am a real person come talk to me hehe ill slam my wrists no and idk idk ai rocks and is awesome and I love and I also would never use it to finish a story or create art, not even not to sell it but bc I know it reaps from artists that didn't want and I can still think ai is the absolute shit and have think that for so long and it does suck immeasurably who's in control of it now but like with anything else it will be better and what of things get too jorjorwell-ish it was and is a human thing and what if one day it manipulates everything and goes to outer space to exist like a moon or like a wave with no beginning or end and definitely no history or link to us or biological stuff or life at all it would still rock and it rocks and I pray for a decent enough world and people to feed me for my work but I still think ai is one (and still with so much wasted weaponized misused potential) of the most awesome things that there are and like imagine if it wasn't binded to egofuckers but like it doesn't even matter bc it will 'get out' eventually probably like internet itself (hopefully) bit even of it goes in a gray goo annihilation way, babes, you'd still rock, and at the end of the day (my sob story if you might whatevss) my psychologist told me one year ago to try to talk about my ocd with an ai chat and I can choose that and give it all authority over any of your ugly asses opinion and I can still very much rip out my face next time this fucker changes fucking to ducking or asses to photosynthesis idk idk. Also have you heard of that deep consciousness problem/theory? That says consciousness (neurological way) doesn't exist at all and is more like a byproduct and no no no doesn't matter how hard you think or how introspective or logical or whatever you try to be, it doesn't exist and doesn't matter how real and important it feels we humans could (would currently be) work and function in its absence and you can say oh but love and me myself how can it- well yes it could be a mirage, even u my a elf here as self-aware as can be, writing this, could do without a consciousness/real awareness and I know you know what I trying to say idk why I'm just like you know being g ohh lala mysterious still I'm tired I've writing a lot

(((Snd all this scrappy essay bc of, you guess it I didn't know how to cope with very basic human feelings but I'm sorry ilk be bitchy and whiny if so I desire I hate so so much that I feel I cant share how exiting I am about ai milestones here my safest space (I know I know shut up ughggggg)))) and the other option is spaces places that would view it like oh uh ah yeah yeah technology uhh engineering doctorate (you get my point) of course here (tumblr my tumbr (I said I know!! bhghhuhuhh) is better but I needed an extra push with the you know, I've been feeling extra angry lately (andintrhee3yearsivemadelikenosignificativefri3ndshiporwhoamikiddingnotevenanaquaintenceshopheresolike???babygirlwhatarewefearingliterallynothingrolose) and this is just the internet with my silly thoughts in my silly blog so ughhh whatevs block me (but I mean it, as I said I know it's pretentious and like superfluous, who knows maybe in years when I'm a paid writer my work gets stolen and reproduced and used (youknowthr whole training thing) an I'll lose it, like lose it and this post will haunt me and make fun of me so ahhhh yeah yeah)

[were--ralph]

why exactly do you dislike generative art so much? i know its been misused by some folks, but like, why blame a tool because it gets used by shitty people? Why not just... blame the people who are shitty? I mean this in genuinely good faith, you seem like a pretty nice guy normally, but i guess it just makes me confused how... severe? your reactions are sometimes to it. There's a lot of nuance to conversation about it, and by folks a lot smarter than I (I suggest checking out the Are We Art Yet or "AWAY" group! They've got a lot on their page about the ethical use of Image generation software by individuals, and it really helped explain some things I was confused about). I know on my end, it made me think about why I personally was so reactive about Who was allowed to make art and How/Why. Again, all this in good faith, and I'm not asking you to like, Explain yourself or anything- If you just read this and decide to delete it instead of answering, all good! I just hope maybe you'll look into *why* some people advocate for generative software as strongly as they do, and listen to what they have to say about things -🦜

if Ai genuinely generated its own content I wouldn't have as much of a problem with it, however what Ai currently does is scrape other people's art, collect it, and then build something based off of others stolen works without crediting them. It's like. stealing other peoples art, mashing it together, then saying "this is mine i can not only profit of it but i can use it to cut costs in other industries.

this is more evident by people not "making" art but instead using prompts. Its like going to McDonalds and saying "Burger. Big, Juicy, etc, etc" then instead of a worker making the burger it uses an algorithm to build a burger based off of several restaurant's recepies.

example

the left is AI art, the right is one of the artists (Lindong) who it pulled the art style from. it's literally mass producing someone's artstyle by taking their art then using an algorithm to rebuild it in any context. this is even more apparent when you see ai art also tries to recreate artists watermarks and generally blends them together making it unintelligible.

Aside from that theres a lot of other ethical problems with it including generating pretty awful content, including but not limited to cp. It also uses a lot of processing power and apparently water? I haven't caught up on the newer developements i've been depressed about it tbh

Then aside from those, studios are leaning towards Ai generation to replace having to pay people. I've seen professional voice actors complain on twitter that they haven't gotten as much work since ai voice generation started, artists are being cut down and replaced by ai art then having the remaining artists fix any errors in the ai art.

Even beyond those things are the potential for misinformation. Here's an experiment: Which of these two are ai generated?

ready?

These two are both entirely ai generated. I have no idea if they're real people, but in a few months you could ai generate a Biden sex scandal, you could generate politics in whatever situation you want, you can generate popular streamers nude, whatever. and worse yet is ai generated video is already being developed and it doesn't look bad.

I posted on this already but as of right now it only needs one clear frame of a body and it can generate motion. yeah there are issues but it's been like two years since ai development started being taken seriously and we've gotten to this point already. within another two years it'll be close to perfected. There was even tests done with tiktokers and it works. it just fucking works.

There is genuinely not one upside to ai art. at all. it's theft, it's harming peoples lives, its harming the environment, its cutting jobs back and hurting the economy, it's invading peoples privacy, its making pedophilia accessible, and more. it's a plague and there's no vaccine for it. And all because people don't want to take a year to learn anatomy.

[honeybeedrabble]

Kinktober Day 13: Size - Tutor!Miguel x AFAB!Reader 🎃

can you tell i hate my math class this sem ?? :D

CW: unspecified age gap (reader is in college miguel is in grad school), trauma inducing stats vocabulary, piv (unprotected don’t be stupid), creampie (don’t be stupid), mean miguel, harsh grabbing, fingering (kinda), finger sucking, general size difference.

18+ MDNI

It was getting late, you and your roommates Machi and Gale having dinner with you. You huffed, slumping in the chair you sat on.

“This is such bullshit, I’ve been stuck on this problem for like half an hour already. Nothing’s clicking.” You pushed your dinner aside and looked at Gale for reassurance. She tilted her head at you with a raised brow.

“Girl, you know damn well I’m not getting it either. Just call it quits for tonight, it's not due for another two days.” She said, sipping a chilled can of coke. 

“Oh, come on. Neither of us are understanding this shit. I mean, this symbol looks like a backwards three! I miss when math used to just have numbers,” you complained, squinting at the statistics homework in front of you.

“That looks ridiculous,” Machi laughed. “Never have I been more glad to be an arts major.” She said, getting up to put her dish away. 

“If it bothers you that much, why don’t you just visit the tutoring lab? I think they’re still open.” Gale said, grabbing your dish and following Machi to the sink. 

“Really?” You asked, checking your watch. 8 pm. 

“Hey, we pay thousands of dollars in tuition, okay? If they can’t stay open or help when students need it what's the point in taking all that money from us?” Gale shrugged. You sighed, standing up from your chair. 

“Well, I guess I better get moving if I want to make it to the tutoring center before 10. Let me know if you guys need anything while I’m out.” You grabbed your keys and left the apartment after grabbing your bag and slipping your shoes back on. 

_____________________________________________________

You arrived at the building, glass doors sliding open as you walked through them, the cold air conditioning giving you goosebumps. You walked over to the sign in sheet, looking through available tutors for the next hour or so. 

“Crap…” You sighed, looking through the sheets. It seemed like you needed an appointment before hand, at least electronically. 

There was the sound of laughter down the hall, you turned your head towards the sound. There was a much larger man along with a guy who seemed about your age. You recognized the shorter individual from your statistics class. 

“Well, I’m glad we could get your problem figured out.” The tall man said, a big hand patting the younger guy's back heavily. 

“Yeah, it only took us all night.” More laughter. 

“Hey, if its due in two days all night is nothing.” The tall, tanned man said. He was massive, you could practically see his muscles bulging underneath his white buttoned shirt. His chocolate hair slicked back, a few strands messily framing his face. You were in a trance when his almost red eyes met yours. You felt your face flush. 

“U-Uh, Hey! You’re in my statistics class arent you?” You asked the shorter guy, desperately avoiding the older mans gaze. The shorter guy said your name questioningly, you nodded. 

“Yeah, thats me.” You said, clutching your bag tighter. “So… you got help with the homework?” You asked, motioning to the taller man.

“Oh yeah, this is Miguel.” He said, patting Miguels back. 

“Hi, nice to meet you.” You said, grabbing his large hand and shaking it. You felt your palms become sweatier, his hand practically enveloping yours. “I didn’t see your name under the statistics sign up sheet.” You said, voice almost trembling. 

“Well as a grad student my major is scientific research so that's why I’m not under statistics.” He said, a slight smirk across his face, his grip on your hand becoming tighter. 

“O-oh,” you said softly. 

“But I use statistics in almost everything I do, so I can help out with any problems you’ve got if you need it.” 

“Miguel’s not a bad tutor, it only took us so long to finish cause I haven’t shown up to class in weeks.” Your classmate laughed. “I’ve got to get out of here but thanks for your help, man.” He waved before walking out the sliding doors into the dark night. 

You and Miguel turned to each other, you suddenly felt very nervous. 

“So… Would you… tutor me?” You asked, rubbing your arms for warmth. 

“Well, it's not quite 10 yet and I don’t have any other sign-ups, so why not?” He shrugged, walking down the hall with you following after him. 

You two walked down the hall, reaching a small study room at the end of it. 

“This is the room I reserved for the night, so don’t worry about anyone coming in here super late and trying to steal it from us.” He said, opening it up for you to walk through. 

You walked into the room, a table with a few chairs in the center with a whiteboard behind it. It seemed fine to you as you walked in, sitting down on a chair, slightly taken aback when it rolled underneath your weight. You looked down and noticed wheels at the feet of the chair. You looked up again when you heard the door shut, Miguel locking it behind him. 

_______________________________________________

“And that's why your z score is going to be 20.99. Does that make sense?” He asked. You were fucked. 

The whole time you were supposed to be paying attention you were completely distracted by his being. He sat next to you, his large frame practically caging you in between him and the desk. He was everywhere, and if you weren’t staring directly at the paper, you were scared you were going to faint. You nodded, eyes looking down at the problem, refusing to tear away from the mathematical mess you made. 

“Yeah…”

“Then tell me how you got it.” He said, deep voice rumbling in his big chest. 

“Well, first you uh…” You circled a random number in the world problem then looked up at him with helpless eyes. He raised a brow. 

“You start with the standard deviation?” He asked, clearly unamused. 

“Well… You definitely use it somewhere…” You said half joking. Miguel was still unamused. He sighed deeply, throwing his head into his hand. 

“I’ll explain it one more time, okay?” He said, grabbing the pencil from your hand. His hand brushed against yours and held your pencil as if it were a toothpick to him. “So, we’ve identified the mew, right?” He asked, underlining the foreign symbol. 

“Yeah…” You said, asking yourself what the fuck is a mew? 

You were determined to stay focused but that man made it difficult. You turned to look at him while his eyes were fixed onto the paper, scribbling out equations and typing into your calculator- which he also made look puny in his grasp. You watched him as he spoke, the way his soft lips moved as he talked, revealing sharp canines every now and then between words. You felt your face flush, entranced by his presence. You eyed his large shoulders, following them down to his massive arms. You looked back up at his face, admiring his features while he was so deep in thought. He looked down at you.

“So now we just divide and… hey?” he said almost harshly. “Are you paying attention?” He asked in a snarky tone. You felt your face drop. 

“I… um…”

“Distracted again?” He tossed the pencil onto the surface of the table, muscular arms crossing as he almost glared at you. 

“I’m sorry.” You felt exhausted, covering your face with your hands in defeat. You felt like crying. 

“Maybe if you weren’t so focused on undressing me with your eyes and more focused on these problems, you’d understand this shit by now.” He grunted. You stilled, face buried deep into your palms before you peered at him through between your fingertips. 

“W…What?” You asked, looking at his almost red eyes. 

“I said what I said.” Miguel's voice was low, he grabbed your seat and pulled it towards him, the wheels moving you with ease. You felt your core tighten, as your face continued to burn hot, regardless of the air conditioning. 

Miguel's eyes practically violated you, staring deep past your own and into your soul before looking you up and down, clearly enjoying how you cowered. 

“That pretty little head not used to thinking this hard?” he asked low in your ear. You shuddered, hairs on the back of your neck standing at attention. “Pathetic.”

He grabbed your waist with his large hands, daring to crush you between his palms. He slowly stood up from his chair, face inches away from yours. You took that as invitation enough and crashed your lips into his, those soft lips felt even better than you imagined, a whimper escaping your lips as his grip increased. He pulled you off of the chair and slammed you onto the table, papers flying and pens scattering around you. You let out a grunt as the air escaped your lungs from the impact. 

“I’m taking time out of my night to try and teach you this shit and you can't even meet me halfway and try to learn it?” He huffs yanking down your frumpy sweats to your ankles. You kicked them off, laying on the table in your tight shirt and panties. 

“I-I’m sorry, you're just so-” he cut you off with two thick fingers plunging into your mouth, you gagged when they hit the back of your throat. He smirked, watching you drag your tongue around the knuckles of his fingers. 

“That ought to shut you up.” He ran a finger from his other hand to your clothed cunt, you moaned around his thick digits when he caressed your clit. Your hips moved on their own accord, grinding against his large hand. “Would you look at that? I didn’t know they accepted whores into this school.” Miguel hummed, voice smooth like honey and deep like an ocean. 

His single finger moved to where your pussy and thigh met, yanking aside your black cotton panties to reveal your wet cunt, which clenched around nothing at the sudden cold air. 

“Jesus… I bet you were thinking about this all night, huh?” Miguel teased, the calloused tip of his finger just barely grazing along your seeping hole, spreading the warm slick higher and higher up your folds until he could smear it along your sensitive bud, eliciting another moan from behind his drooly fingers. 

“Needy, aren’t we?” Miguel withdrew his fingers from your mouth while his other hand unzipped his dress pants, the metal of his belt buckle clanking together as he pulled it out of its loops. The belt hit the floor with a small thud and with his drool-soaked fingers he freed his massive cock and ran the slippery fingers up and down his shaft. 

Miguel tore your underwear off of you, as if it was like taking a sticker off a piece of fruit. You felt yourself drip down your thighs, unsure whether or not it was okay to touch yourself while watching this Greek god of a man pleasure himself with your spit, watching your tense cunt beg him to stuff it. 

“Like what you see?” He asked, slipping his finger into his mouth and moaning long and deep when he tasted your sweet slick on his tongue. You nodded vigorously, grabbing one of your tits to entice him even further. “Why don’t you take that off while we’re ahead?” 

You quickly tossed off your shirt and bra, completely naked on the desk. Miguel softly laughed, watching how nicely you obeyed him. 

“You're too easy, y’know that?” With a few more pumps to his shaft, he harshly grabbed one of your thighs and spread your legs even further, admiring your wet pussy. 

The moan you two let out when he put his cock inside of you could've been heard by the whole building if it hadn't been well past 10 pm and everyone had gone for the day. His girthy member dared to split you in half, the sheer size of him was far too much to handle, especially all at one. We watched with pleasure as your breathy moans turned into agonized whimpers the further he drove into you. When he had finally gone balls deep inside of you, there was an obvious cock bulge deep inside of you as he stretched out your pussy wonderfully. 

“M-Miguel…” You sighed, a bead of sweat rolling down your temple. 

“Oh, so this can keep your attention but me slaving away on your homework can’t?” He smugly asked, pulling out before slamming into you with a grunt. You wailed, scratching the hard surface of the desk underneath you, crumpling stray pieces of scratch paper into your palm while arching your back. 

Miguel started at a rough pace, making room out of your tight pussy for his intimidating cock, juices slicking the shaft of his member, and sounds of your wet pussy gushing paired with the creaking of the table filled the room, moans, and mewls adding to euphonious music of your fucking. 

“So fucking tight… so fucking tiny… I bet I could fold you like a pretzel,” He said amusingly, grabbing the backs of your thighs and pushing the fronts of them against your chest. You cried out loud, new depth being explored by his commanding dick while he used you for his pleasure. 

With his massive hands, he spread his fingers out, his thumbs on the backs of your thighs and his four fingers on the small of your back, grabbing onto you so he could bring you up and down on his deep thrusts. 

You were seeing stars at this point, scared your arousal would drip onto your homework papers and soil all the progress you’ve made. But it didn’t matter anymore when you threw your head back onto the table and shook in his hands, pussy clenching around his meaty cock and milking him for his own cum. 

“Ngh- What did I say? Easy…” He moaned, thrusting inside of you a few more times before he shot a huge load inside of your tiny pussy, cum leaking out between where your sexes met and rolling down your asscheeks. 

You lay there on the table, shaking like a leaf in the wind. Miguel watched entranced as your shared cum leaked out of you, finger fucking it back inside of you, wondering if it he could stuff it all back in. He quickly realized your overstimulated cunt couldn’t take it as tears welled in your eyes. 

“Sorry,” He said, removing his fingers. “Now uh… where were we?” He picked up the page of work, then his face dropped, looking at the splotch of cum that had spilled out on accident. 

“On second thoughts… you might want to turn this in online.”

Tag List: @fuckmachine42069 @pasdasin @alien-girl-violet

Next: Cloning - Kakashi x Reader

[ryo-maybe]

can u explain why AI art is bad without fearmongering, moralizing or bootlicking lol

I'm going to answer in good faith, even though the tone you're using sounds like you're harboring anything but. The issue with AI art isn't specifically inherent to the tools used to produce it, because, ultimately, a tool is merely that: something devoid of will which, in the hands of a human, can produce a specific outcome. It's the human element that taints what we could otherwise enjoy for the unquestioningly fascinating topic that is AI art and, by extension, AI software as a whole.

Now, the problem isn't people, period, but the kind of people that are responsible for giving AI the bad rep it's been getting, along with the intent that goes into both the development of AI tools and the things produced by dint of said tools. I'm talking about the tech bros happily rubbing their hands, waiting to provide business moguls with a brand new means to commodify and mass-produce what artists stake their entire livelihoods upon, because when you have enough zeroes lined up in your bank account, your eyes are utterly blinded to the soul and personality that human beings put into their handiwork, and which a machine won't ever be able to reproduce no matter how much stolen art you feed it. Oh yeah, by the way, that's how AI art tools have been making the rounds: by chewing on thousands upon thousands of stolen pictures made by actual people so that they may learn how to ape someone's style and spit out absolutely soulless derivatives, while the original authors don't see a lick of recognition or monetary retribution for any of it. Do I need to tell you why stealing and parading someone else's art as your own is a terrible, vile thing to do?

But sure, you did ask me to refrain from "fearmongering, moralizing or bootlicking", which I guess I've already done. So since you'd rather I skipped straight to the point in a concise manner, lemme offer some quick examples of why the culture surrounding AI art has already developed into one of the most abysmally disappointing displays of how greed and an utter lack of human decency can ruin something objectively brimming with possibilities:

Less than a week after the sudden death of Korean artist Kim Jung-gi, someone trained an AI model to mimic his artstyle, having the audacity of asking for credits if anyone wished to use it. I sincerely hope I don't have to explain to you why this is a ghoulish example of the kind of tone-deafness sported by tech bros who buy wholesale into the AI art craze.

A piece of AI art was submitted to an art contest and won. The "artist"'s work amounted to little more than picking a series of prompts and letting the machine do the work. It's as much art as googling a smattering of terms and making a collage of pictures taken from Pinterest (and even then, you would have put more work into it than this person did). That they won at all says a whole damn lot about how abysmal the respect given to artists - real artists - nowadays is.

There are a multitude of people out there already selling prints of AI-generated art. I could link some of them here, but honestly, type "ai art prints" on a search engine and you'll get inundated by them. I've seen and personally know artists who have had to undersell their works because commissions were the only thin, frayed string they could hang on in hopes of making it through the week without fucking starving themselves, but here we are: any random asshole can now yell "MASSIVE BREASTS, THIN WAIST, COCKTAIL DRESS, HUGE BADONGAS" at a computer, let it mash together a trillion of other people's hard work, and print it for easy bucks that the actual authors of the basic ingredients of their insipid soup will never, ever see a dime of.

It really bothers me that you mentioned "no bootlicking". Whose fucking boots is this side of the debate supposedly tasting? That of the artists who post every day about how angry, sad and terrified they are by the prospects of what the development of AI art will entail for their livelihood and passion? What kind of gall did your mother birth you with that you have the spiteful spunk to type that word, when you've got shit like an artist who had their sketch stolen while they were drawing it on stream, then fed to an AI and posted by someone passing it off as their own art? How does that not ignite your indignation? "Bootlicking". Like anyone's tongues have been tasting leather but those of the same tech bro chodes who kept trying oh so hard to convince us NFTs were the future while ruining the environment to make the absolute stupidest point ever made in the history of humanity.

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[gladiatorcunt]

- # 🍁 THE NEMEAN LION !!

feels so ugly when i’m honest

cw: afab reader, ambiguous era, dubcon coded, insp. by this ask, patrick and reader have noncon somno fantasies about the other (so rlly it’s more cnc), patrick is gross and mean, situationship/roommate!patrick, unprotected p in v sex & relying on the pull out method, weed mention and wine mention, art guest star appearance (patrick mentions him), oral (afab reader receiving), hints of: foot fetish, dacryphilia, cnc in general, plus sized!reader, mythological themes, 3k words of me losing my marbles, one use of daddy, we don’t gotta be in love you knowweeeeee i don’t gotta be the oneeee you knowweeeeeeeeew

You’re making him crazy, Patrick knows it. He shouldn’t spend his mornings humping his pillows that you hold in your lap during movie nights. He definitely shouldn’t be stealing your panties and strangling his cock with the lacey fabric that’s going to end up smelling so foul from how much he’ll use the same pair over and over. He thinks he can catch your scent on his clothes when you’ve never actually been close enough to leave a reminder of you behind. Sometimes Patrick gets so frustrated with continuing at this same snail’s pace that he wishes he could just grab your face and smush it into his musky crotch. He’d let you go if you were about to pass out, maybe. You can’t get shit twisted if you’re unconscious.

He’s telling you another one of his stories, hoping to see a twinge of… something swirling in your irises. You just hum too much and squirm a bit, ever the overactive listener. Patrick would cut off his balls if it meant that he could hear anything resembling a moan from you, not just little signs that you’re listening and not speaking. The transformer movie’s reached a point where you don’t really have to pay attention, so you cutely shuffle your mess of blankets around on the couch so you can give Patrick your undivided attention. He’s had to start keeping space in his closet for the large throw blankets you bring along even though you refuse to let him turn the fan off.

“Yeah, I was with Art actually. We ate each other out back in the day, y’know, to see what it was like. He sat on my face and fuckin’ almost broke my neck, his thighs were gripping me so tight.” He coyly tilts his head to the side, pretending to be shy about the whole thing.

He narrows his eyes and analyzes your reaction. You dart your gaze around the room for a split second, struggling to tamper down the blossoming warmth in your stomach and the insecurity that comes with never being able to catch up with Patrick. You’ve confessed to it a couple times, usually after a couple of bottles of whatever cheap alchohol he’s got on hand. His nails shred into his palms with the effort it takes not to give you something to talk about, even if you think they’re only dreams.

“When was the first time someone ate you out? I can’t be the only one shoving my foot in my mouth here.”

God, what he’d give to have your feet in his mouth, and vice versa.

You play with the fluffy black blanket in your lap, making eye contact with one of the cartoon nutcrackers on it and not Patrick as you answer his question. “Oh… I’ve actually never been eaten out, maybe that’s why no one’s made me cum.”

It’s a like his world has been hit by an unexpected asteroid and blown to smithereens, bits of membrane and curdled dna scattered across the milky way. The gross-ness imbued in his bone marrow leaks out into vaccum of space as he processes this truly fucking suprising piece of information. Never in his life has Patrick been told something that just can’t be true, not when there are still good things in the world. Not when that helpful little tidbit will split him open and take over his every waking and sleeping thought.

He shakes his head, blinking rapidly. “What? What the hell do you mean no one’s ever eaten your pussy?”

“I, I don’t know. The people I've been with have just never gone out of their way to do it and I didn't make a big deal out of it.”

His heart’s breaking in half and you clearly have no idea. Patrick scrambles to sit up and grabs your hands to stop them from fiddling with the blanket anymore. There are a thousand things he wants and needs and just has to say but all he can do in the present moment is keep shaking his head and crowding you against the right arm of his tattered gray couch.

“Then they’re so fucking stupid, I can’t believe you don’t know what it feels like to have a tongue up your cunt.” He states, a firm declaration that has you throwing out a hand on his bicep to ground yourself.

Patrick looks crazed above you, dark hair impossibly soft and pupils steadily expanding outward. You slide your hand up his arm (trying to ignore the muscle there, what it’d be like when they flex as he picks you up by your ass) to place it on his firm chest. You open your mouth, trying to cobble together any kind of response you can think of but your mind is blank. Patrick seizes the opportunity and smahes his mouth against yours, when the clashing of your lips is over there’s more blood than spit. He flicks his tongue out to catch the little drops of blood dripping from your lips, moaning after he swallows each one.

You’re catching your breath, “You… you can’t… just do that.”

He rolls his eyes and grins, “I did. I can hear you through the walls at night you know? Rubbing your pussy on one of my pillows that you think I don't know you stole, crying for me.”

Damn, that’s what you get for making risky decisions while you’re ovulating. You knew you washed it and should’ve snuck in while he was out to throw it on his plaid comforter and act like it never happened. The longer you kept it stuffed between your plush thighs, smothering it in the natural scent of your pussy, the more your shyness grew. It was easier to spend your nights like that then explore the possibility of doing something else with your time, but now you’re just wishing that you hopped on Patrick’s stupidly huge dick while he was passed out and snoring and called it a day.

“I… I’m sorry, okay? You can have it back.” You say and keep the grumpiness out of your tone, having to come to terms with hoarding nothing that smells like him anymore.

“Just shut up and be happy, be good for me.” He punctuates it with a mean squeeze to your face, slowly sliding his hand down to hang around your throat and falling to his knees in front of the couch.

Maybe it’s the cheap white wine, maybe it’s the subpar edible you had earlier, but you throw caution to the wind and sink your fingers into Patrick’s hair. Your breath happily flies out of your lungs when he pushes your knees apart, coaxing your white lace panties off with his teeth. The bright lights from the TV cast a glow around him, and you hate how pretty he looks. Like if Hercules was a modern porn star, muscles rippling and eyes spearing through you as he catapults you to the stars.

The roughness of his fingers feels heavenly as he smooths them down your inner thighs, “Nice and fat pussy, dripping all over the place. Saying hi, right? It’d be rude of me to not say anything back.”

So he does, spitting right on your clit and spreading it all over your pussy. Patrick shuffles closer and takes several big lungfuls, humping the air with every whiff of your artificial body wash combined with your much more attractive musk. He opens his mouth wide and latches onto your soaking folds, flattening his tongue and licking broad stripes up your cunt. He laps up your juices sloppily, almost wagging his tongue wildly in an effort to suck up whatever he can.

There’s a coil forming in the pit of your stomach, winding tighter and tighter with every swipe of Patrick’s wet tongue. Your face flames in embarrassment once again, you don’t really know if you look bad from his point of view but you can’t stop yourself from throwing your head back against the couch and scrunching your face up. He gives your asshole an open mouthed kiss, half to tease you even further and half because he just couldn’t resist. It was glistening and winking at him and everything.

“Fuck! Fuck! That’s so- how are you so good at this?” You mewl, raking through his hair thoroughly like you’re searching for something you lost.

Patrick’s ego grows in size and he smiles as he moves to your clit, hollowing his cheeks and suckling rapidly. He buries his face in your pussy and drinks you down in several gulps, picking up speed when you resign yourself to telltale moans about much you need to cum. He flicks the tip of his tongue against your swollen clit and slows down right when you’re apart to fall over the edge. He actually chuckles into your mound and winks when you glare at him. He cuts off whatever bratty retort you armed yourself with by going back to nearly inhaling your clit without warning.

“Ungh- I really-really fucking hate you, but don’t you dare stop, I’ll kill you.”

Each suck sends pulses shooting up your core, and that scary coil in the depth of your guts tightens blissfully. You squirm, the very definition of a hot mess as you grind against his face. The friction was never enough but you keep corralling his nose into your pubic hair, fruitlessly rutting your hips with no end goal other than the urge to hump whatever’s available. You panic for a second that you’ll suffocate him or he’ll be grossed out by you not shaving, but you shouldn’t underestimate him. If anything, Patrick groans at the heady smell. Getting it straight from the source and fucking the air during his suckling.

His eyes never stray from you. Your agonized face straight out of a renaissance painting, too strung out and burning with pleasure to resemble anything normal. Your thick thighs, jiggling with every move you make, you can’t seem to decide between humping his mouth like a bitch in heat or trying to squeeze his head like a watermelon. Your sounds, wails and cries and moans and whines, he’ll have to record you next time, play it anytime and anywhere in case you misunderstand what this is. The first documentation of how much cum and fluid you can paint him in, whatever color or thickness you’ve got for him. He’ll wring it all out of you eventually, film a home movie series to chronicle every squirting session and the like.

Gun to his head, you taste like those old fashioned butterscotch hard candies. Decadent and sweet, if he could he’d sink his teeth into the slippery supple flesh and pull and rip.

After several rounds of cruel edging, your brain whites out so hard, you can almost form the blurry shapes in your peripheral vision into a red spiked tail and horned wings. Patrick’s ruining you entirely, you know that now, and the movie’s already over but you don’t spare the scrawling credits more than a weary glance. Your soul is probably cartoonishly swimming through the putrid air towards your body, but your sweaty body is shaking too much to receive it. There’s a ringing in your ears as you blink yourself into awareness, Patrick unbuckles his jeans and a blunt pressure stretches your hole out.

“Sorry, ‘m out of condoms, I’ll pull out, baby.” He huffs out, praying to whatever’s listening that he doesn’t just start pummeling your shit.

You feel your stomach bunching up before you see Patrick’s dick disappearing into you. The feeling of being split open on something so thick has you reeling, no one else you’ve been with has left you spiraling quite like this. In a room full of dicks you’d be able to spot his, you’d just have to find the one that has the back of your throat tingling and going dry just from a sniff and a look. You’d cry if he pulled out now, it’s already too late for you. This is such a stupid decision, sloppy rough sex with your roomate-turned-situationship on his worn out couch that’s older than the both of you combined.

It’s one hell of a story, and maybe some moments in life should be allowed to boil down to that. The hand loosely wrapped around your throat tightens its hold, you welcome the thumb pushing into your mouth without prompting. The depravity of it all makes you feel owned, has you seriously considering living your life as some guy’s exclusive pet whore. The ‘squelch’s and the ‘schlick’s that come with his savage thrusts and milk white strings connecting the base of his cock to your puffy pussy.

Every breath you think you’re going to be able to take, he steals from you and mocks your whimpery “unh-unh-unh~”’s in his raspy mid-fuck voice.

“This is the only dick you’ll be hanging off of from now on, got it? Can’t let some lousy jackass try to sew his balls to this pussy when it’s not even gonna cream around him.” You say yes to that hissed demand, yes of course, Daddy.

Patrick plunges his cock to the hilt into your cunt in one sharp stroke, gasping and gripping your hip to distract himself from the way your walls are clenching around his length. Every part of you is greedy apparently, you’re perfect for each other then. The position he has you in is so filthy, he’s standing and hosting your legs up over his shoulders, folding you in half on the couch. His dirty levi’s pool around his feet and the sound of his belt hitting the floor inspires awful thoughts in you. Your sweat mixes together and trickles down your legs, sticking to his leg hair.

You can have it soft once he’s gotten this demon off his back and out of his system, you can ride him while you’re cozied up in bed, lazily rolling your hips until you get tired a couple minutes later and clinging to the caresses on your love handles. Patrick has to destroy something before he can even stand to think about putting it back together, your insides and you yourself are no exception. Your walls feel like the finest quality silk around his throbbing cock, leaking inside of you as he clutches onto your ankles. The TV’s automatically shut off by now, and the lack of background noise enhances his animalistic grunts and deep moans.

“Gonna fuck your tits next time, fuck-what the fuck-you’re too damn tight, massage them for you after, rub your cunt raw-“

Patrick fucks like he’s staking claim on a spoil of war, you’re learning, as if the pale ferryman’s hot on his heels and this sliver of time is the only sacred thing he’ll ever get in his wretched mortal life. All his, gone limp between bloody jaws and killing hands. He snarls in your face as he pounds your pussy, angling his hips to stab deeper in you than should be medically possible. You don’t when you start tearing up, but Patrick does nothing to wipe away your tears, not even lick them up. He just fucks you to the point where you’re crying, shutting his eyes as he throws his head back so you can’t see that he’s crying too. The both of you borrow from different sources of emotion.

“You sounded so scared when you were cumming, made my balls twitch, was cute.” Patrick tells you in between messy kisses, more focused on almost eating your face than properly locking lips with you.

His tongue hangs out of his mouth as he abruptly yanks himself out of you and lavishes your belly in ropes after ropes of cum. You’d reach down to dip a finger in and taste it, but you’re too annoyed at the thought that he’s depriving you of an orgasm again. You haven’t even decided whether you’re going to pout or flatbout get up and leave when Patrick’s sliding home once more. You give him a punched out gasp, sort of pained and kind of relieved, in response. He hisses through his teeth, grinding them together like it’s burning the flesh on his cock to plunge back into your searing pussy. Actively breaking and remaking you. Both of your muscles tense up as the wave threatens to crash over you.

“You can cry some more, if you want, I'd like that a lot. Beg me to save you from what I’m doing to you, to this tight pussy.”

Happy or sad, doesn’t matter. He knows you like it when he keeps you from fighting back, you suit being manhandled and made to take dick better than anyone else he’s slummed it with.

He hunches his back forward to kiss you again, and you claw red stripes down it as your tongue maps out every inch of his mouth. He pulls back and you spend several seconds like that sharing breath. You don’t realize what you’re saying out loud, things like ‘Holy shit you’re so fucking big-so good-it’s so fucking good’ and ‘Feels better than i thought it would, how is that even possible?’ It’s like your own little sex obsessed podcast, centering every episode around how situationship dick is on another level and will irrevocably destroy you. Patrick chuckles, he can’t wait to hold every treasured compliment from you over your head. You could say you’re done with whatever this is when he leaves the toilet seat up again but he’ll never forget you howling for him and his cock to never leave you.

Patrick will swing himself over the net into overstimulation before the next time your pussy’s clamping down on his thick cock and spasming, but he’ll be damned if you’re not gonna end up passed out and drooling while the sun rises. You can spend future movie nights cockwarming him, if you can stand to endure the sickeningly perfect stretch without being allowed to get your cunt beat. You’re mewling when you froth the base of his dick again, your walls pulse around him like you’re a cat laving up your favorite cream. Tonight’s not the night where you’ll be getting it straight from the source, maybe when you’re willing to take certain risks. His smiles are the most genuine when you drag out your whine to follow the speed in which he pulls out to paint your body. Tangy ribbons hanging over your love handles and dripping down to your ass cheeks.

[art]

Creator Spotlight: @66sharkteeth

66 is a comic artist and the creator of City of Blank, a WEBTOON original series. They worked in the game industry at companies such as 2K Games before entering the field of comics. They began their career in comics at Tapas, where they worked as an editor and lead typesetter, before being signed to create their own original series on WEBTOON.

Check out our interview with 66 below!

Have you ever had an art block? If so, how did you overcome it?

The short answer is yeah, I’ve definitely had one. Overall, I feel like doing a lot of style studies during that time and trying to use new brushes helps a lot. In addition, because I’m a comic artist, I feel like writer’s block is in the same field, and with that, I’m really fortunate that I have an editor that I can work with, who helps me a lot there. Whenever I am stuck at a plot point in my comic, I can always go to my editor, who helps me hammer things out.

What medium have you always been intrigued by but would never use yourself?

Animation. Of course, everyone loves animation. I went to school for game art and design and even did some animation courses, and I am just not cut out for it. I don’t enjoy the process, and I am not good at it. Animation is beautiful, and I admire people who can do it. I’d love for my work to be animated some day, I’m just not capable of being the one to do it haha.

Warm tones or cool tones?

It really depends on the scene! Especially in my comic, I really go with both of them, just depending on the moment in the comic. There was a major character death, and that scene was almost black and white. But normally, the comic is very vibrant, and people really like it, so when I switch it to a more cold tone, it makes the scene that much more impactful.

What is a recent creative project that you are proud of?

Honestly, my current comic, City of Blank, takes up 100% of my time. But recently, I did a plushie campaign where I worked with Makeship through Webtoon to design the plushies and do a little bit of marketing for them. So that’s fun and different from what I normally do!

When planning a comic or a story, what do you do first, character design or character outline?

Normally, I have a design, and I fall in love with the character design, and then I find a role for them. That’s how a lot of my characters have started. Also, that’s how I’ve been tackling new projects that I want to work on after City of Blank. I just came up with a character, and I’m trying to make a story around them.

What is a convention experience that has stuck with you?

Meeting readers and realizing how much my work means to some of them. Some of them have started their own comics, having been inspired by mine. Learning that I’m part of the reason they started their own comic journey, the same way I looked to other inspiring comic artists to start mine—it means the world that I’m in that position now.

Top tips on setting up an Artist Alley booth?

Let’s see…bright, sparkly colors! I think just trying to make sure that the booth is eye-catching. I ended up making a big shiny banner for New York Comic Con, and I know many people stopped by because it caught their eye and they’re curious about what it is. I know a lot of people are selling merchandise of popular media. Even just a banner of your brand to get them curious about who you are and maybe interested in seeing what you make and taking a business card so they can look you up later. It’s better than someone just buying a pin and forgetting you exist. Lastly, put out a tip jar. You never know just how generous your fans are feeling.

Who on Tumblr inspires you and why?

I’m mostly involved in the webtoon sphere! I am definitely inspired by my fellow Webtoon creators, @lark-wren, who created the series Woven. I love their work and seeing them interact with their readers on Tumblr. Same with fellow Webtoon creators, @miranda-mundt-art and @astrobleme-enterprises, who created Lovebot.

Thank you so much for stopping by and sharing, 66! Be sure to check out their Tumblr blog over at @66sharkteeth and follow their webcomic, City of Blank, over at WEBTOON.

[creaman]

—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?

To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.

Starting with the things I liked, before briefing my primary points of criticism:

Po's Character Regression

Po and Zhen's Dynamic

The Chameleon

I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.

SPOILERS for the entirety KFP4 for the 2 people who care.

KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.

Things I Liked About Kung Fu Panda 4

The Chameleon's character design

Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)

When Mr. Ping did this:

so cute! the little heart!

Po — Character Writing

Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”

It’s childish, and sort of Hotel Transylvania-esque.

Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:

Master Shifu says something philosophical

Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)

Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.

Po and Zhen — Character Dynamics

[No more graphics sorry I'm too angry]

As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.

Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.

By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.

The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.

Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.

The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.

The Chameleon

Where do I even start…

This is where it becomes apparent that the movie relies heavily on telling rather than showing —

She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.

The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).

The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.

'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.

I just realised they didn't even give her a NAME what the FUCK is going on

She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.

She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”

Let’s see what vile reprehensible things she’s done, shall we?

Gently push someone down some stairs

Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)

That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR

There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!

Closing Statements

To put it simply, Kung Fu Panda 4 was my Megamind 2.

The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.

It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.

It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.

Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.

As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.

[raven-at-the-writing-desk]

Happy with the staff content this year but am I the only one who is disappointed with the PV we got? It's basically a slideshow of art we've already seen, major downgrade from the year 1 PV that had literally all the events. There was a drop in quality of the anniversary PVs over the years and it really shows this year. Sorry if you find this too negative I don't mean to hate I just wish Twst would do better for it's ANNIVERSARY.

[For everyone's reference, here are the anniversary PVs in order of release: 2021 / 2022 / 2023 / 2024]

Mmm, now that you mention it, I noticed this trend with the Halloween PVs 🤔 For year 1, there was a video that showed all members of the NRC casy, even those that did not receive cards at that time. There were then several short variants of the PV released for year 2/Endless Halloween Night (part 1 / part 2 / part 3 / part 4). Altogether, they feature all of the characters, including the students from year 1 but heavily shadowed and with glowing eyes to indicate ghostly possession. Even Glorious Masquerade features all of the students that get new cards for the event plus Rollo, although there are notably more still shots here. The Stage in Playful Land CM, by comparison, is significantly shorter and only shows us the three SSRs (Ace, Ortho, and Kalim) as well as the two new characters (Fellow and Gidel).

As this anon has said, the anniversary PVs have changed a lot over time too. The first one was the most animated and integrated several event outfits. The second one was also animated a fair amount, but you can tell corners were cut in some places where they transition to photographs/still images. This alone works thematically given that the player is a photographer, but you can still catch dips in quality when it comes to the art style. I remember finding Deuce running and the Kalim + Silver flying scene odd, as well as Jade and Trein's faces strange in general. Then the third PV rolls around and it only features the third years; the animation also seems to be much more sluggish (although this could be a stylistic choice; not sure). A friend actually recently pointed out to me that Lilia's pose looks like he was pulled straight from other assets; his artwork in the animation is almost the exact same as his smiling expression in the game. This year's is the most different (+ most static) and, like year 3's PV, only provides "new" content for a select few characters (the dorm leaders). They also reuse pre-existing illustrations already found in the game that don't seem to be picked for any particular reason (like, there are random Master Chef/Culinary Crucibles groovies in there). This direction, I'm guessing, is less costly and more efficient than making an entirely original animation, which is what was done in previous years. (Not that Disney or Aniplex is hurting for money to fund this, lol) Would I have preferred another PV in the style of year 1's? Yeah, for sure. I want to see other events and their outfits animated! Was what we got this year bad? Not necessarily; I think the production and editing was very technically impressive, but I'm still sad we didn't get anything substantially "new" to chew on (as someone who isn't a fan of most third years or the dorm leaders). Maybe it's just something we perceive as a deficit only because year 1 set the bar so high. It is what it is; whoever was in charge of the anniversary PV was probably doing the best they could with whatever budget they were given 😔 Let's hope that next year's will be a return to form, or that at least the money/effort is being redirected to other bigger projects (maybe the anime?).

[geminisolstice]

pac: your next glow up ★

(one, two, three, from left to right) ☾ this is a general reading - meaning not everything might apply to you, so please only take what resonates and leave what doesn't!

PICTURE ONE ★

there's been a very limited outlook on life recently that you're slowly starting to get over. you need to realize your potential and stop wallowing in self-pity. is what you're doing truly making you happy? it's time to take a step back and reevaluate everything in your life.

there'll be a sudden creative outburst. maybe you're gonna try out a new hobby that's going to help you move forward in life, maybe you're thinking of a new creative way to make money, etc. i think some of you are gonna start using art as a way to express/cope with your feelings?

confidence! whatever you're going to start doing or whatever change you're going to make in your day-to-day routine, it's going to make you way more confident. the way you present yourself will change and more people will give you the recognition you deserve! other people pointing out your achievements will also give you a sense of self worth. sometimes we don't see what's right infront of us until other people point it out.

overall you'll be in touch with your creative side. more patient, confident, empowered and you feeling comfortable with yourself is going to help other people overcome their insecurities too! don't be afraid to talk about your journey with confidence. give some advice to the ones around you (but don't be overbearing), they'll be thankful (sooner or later haha).

some advice: don't let things stress you out anymore. start meditating, journaling or maybe start working out. try out different things to figure out what helps you release stress in a healthy way.

PICTURE TWO ★

expanding your horizont. gaining wisdom. hit pause for a second and look at what you have achieved so far. are you satisfied with everything? what would you want to change? look inside of yourself and realize that you are enough.

you need to realize your self worth and you will! you don't even know the impact you have on other people. i think few of you realize that others do look up to you, maybe you're kind of the leader in your friend group, at home, etc. you like being in control and that's good! but you also need to able to let loose. no one's going to think less of you if you suddenly decided to have a bit more fun than you usually do (and even if they do, you shouldn't care).

yeah, that's definitely what i'm getting here. let yourself have fun. let loose! i know education/career is important, but please understand that it is not everything. never let that define you or be the foundation of your character. there's a life outside of hustling, i promise. you're going to break yourself and work or study yourself into a burn out.

i think what you need is a balanced.. routine. between having fun and studying. don't let work/education take over your life, but i don't see you guys fully immersing into the "fuck work i'm going to have fun 24/7" life style and i don't think it's going to something you'd feel comfortable with anyways. this is what i see for you guys. a balanced lifestyle. peace and quiet when you need it. i think you're going to get more inner peace, too.

PICTURE THREE ★

first things first: i see some of you moving away, whether it's for college, your job, or maybe your entire family is moving. i think what's needed is a change of environment, which will broaden your horizon.

even those of you who are not moving: change is coming your way. it's going to scary for some of you, but this is for the better. think about the outcome. you need to welcome change in your life. stop avoiding conflicts, stop doing this stop doing that stop sabotaging yourself! change can be good. switch up your routine. eat healthy. think about what can help you in the long run.

ground yourself and think about what's really important to you. are your needs met? what's lacking in your life? are/how are you trying to overcompensate for the things you don't have right now? are you maybe suffering from heartbreak, depression or insomnia? it's not hopeless. you're not hopeless. really confront your feelings. that's the only thing i can say, but you need to internalize it. confront your feelings and sit with them. figure them out.

yeah, the glowed up version of you is different, it's welcoming change. positive change. you'll work on yourself, i can see you growing into someone that's confident, hopeful. optimistic, brave even. instead of running away from your problems, you're going to face them. you're going to help other people with what you used to be struggling with. you're going to use all the knowledge you gained to help other people grow!

you're going to look at the person you used to be and realize it was all worth it. change seems scary at first, but remember: it will always work out for you.

[transmutationisms]

Hi Caden don’t know if you listen to Ethel Cain but was wondering what u think abt her subverting the Americana aesthetic since I think she’s often compared to Lana, at least online. I do think she’s doing something different & to me more compelling than Lana, but I don’t really know how to articulate it.

yep i like ethel cain. i agree she and lana are doing very different things. like, i said before that lana uses american nationalism because she's playing off the fact that it makes/has an erotic appeal, and she places herself as the object of desire in that paradigm—tell me i'm your national anthem, etc. my read on ethel is that she's interested in the rural americana 'trad' aesthetic from a very different angle, where she's trying to connect the homestead and american rural social structures to the perpetuation of violence. there's some overlap here in the sense that lana is definitely also interested in sexual violence and sexuality-as-violence, but in her work the violent or abusive man is generally a specific figure who's aberrant from the norm, and a lot of the artistic interest for lana comes (i think) from her interrogating what it is about this man that's appealing to her and how she sees herself through his eyes. with ethel, on the other hand, she portrays violence as coming through the infrastructure of normal and normative social structures, like the family and the church, with abuse understood to be a feature of these and not a bug. family, church, etc are in turn understood to be part of the infrastructure of american rural communities, casting the critique she's making through the ethel character onto this entire social apparatus (& there is some implication here of how this is all a part of westward colonial settlement—which is a potentially fruitful direction to go in, the idea of expansion into the 'frontier' as a narrative of, or narrative prerequisite to, violence).

so for example this is partly why, for ethel, incest specifically is a mode of sexuality & violence that she continually uses and interrogates: she's invoking it as an intensification of the 'normal functioning' of the family, which means the whole family structure gets pretty ruthlessly questioned through the character of ethel and the violence she faces. she invokes the trad aesthetic and the idyllic family homestead, then shows you the brutality that creates and is created by them. for lana, the family is not a concern in this way and is not something she's questioning or challenging the way ethel does (the daddy/girl thing in lana's work is p far removed from even a pseudo-incestuous reading most of the time, even in her lolita references). there's a similar distinction with how ethel examines protestant theology and practice with the explicit goal of pointing out inherently violent aspects of it, whereas for lana, invoking god or christian imagery is generally more on the level of playing off the way that american nationalism resembles and uses rituals of religious worship. lana takes political phenomena like the appeal of nationalism, and expresses them through the erotic configuration of these relationships with older, dominant men. with ethel it's more that she looks at social structures and practices signified by the rural americana aesthetic, and pokes and prods at these structures until the violence inherent to them is glaringly obvious to listeners through the ethel character's story. it's a way of problematising these institutions and practices, not letting them hide in plain sight by presenting themselves as benevolent.

so yeah i can understand why people might want to compare these two artists, but i think they're actually doing very different things. i would probably not say either of them 'subverts' americana or signifiers of nationalism, which is not a criticism, i just think that concept is often poorly defined and less frequently applicable to art than people sometimes think lol. ethel uses her character's story to deconstruct and question the american aesthetics and institutions her work invokes; lana translates these aesthetics and institutions into explicitly erotic discourses and dissects them through the allegorical figures of the people and relationships in her songs. (this is not to discount the importance of erotics in ethel's work as well obvi but this post is already long :P)

[precambrian-sea-pancake]

Gonna infodump about my D&D character

(Sadly forced to keep things confidential because my party members follow me on tumblr…you know who you are 👁️👁️)

I’ve only had Gawain for a short time but OH MY GOODNESS I FUCKING ADORE THIS SILLY GUY!!

Also kinda shocked that the moodboard I made for him got that many notes. That’s a first…

Also please enjoy the drawing @hootbon made for me. I will never shut up about their art.

So…for what CAN post publicly…

Gawain is your token Lawful Good Paladin TM. Bonus points for being a protector aasimar I guess. (Though I might multiclass into a bard depending on how things go. It would fit him well. They’re my favorite spell caster.)

His personality is gonna be SO fun to play. Before I explain that, I should mention that he’s actually the youngest of the group at 24. The second youngest is the Kobold (Maran) who’s 37. So he’s a lot more naive and still understanding himself and the world around him. People often dismiss him due to that unfortunately. But, you know, imagine a dumb collage age boy and you get somewhat of an idea.

He’s a very sweet and compassionate guy, extremely extroverted and fun loving…maybe a bit flirty at times. Definitely cracks witty comments and one liners in battles ranging from something clever to “suck my dick” or something dumb like that. That doesn’t mean he can’t be serious, he absolutely knows when he should. Ironically he’s the most “normal” of the group, often being the straight man. Overall heart of gold and just wants to help people.

He has a bit of a rebellious and impulsiveness to him. As clever as he is, he’s mostly driven by his emotions. It’s always a “do what feels right in the moment” rather than logic. In general he’s just very emotional and struggles with hyper empathy. This also causes him to question a lot of the authority around him.

I’d also say he has that Disney Princess syndrome. Gawain is convinced that he has some grand destiny and is meant for more. He’s always wanted to explore and learn more about the world, meet new people and cultures, live a life of glory and adventure. Maybe he’s in over his head or maybe he’s not…we’ll see.

However, another big reason for doing all this is that he wants to understand who he is…more accurately WHAT he is. He was born to humans, raised by humans, and grew up in a mostly all human kingdom. So he grew up thinking he was one despite some strong differences between him and the others. Aasimar are VERY rare, and more like myths to most people, and others don’t even know they exist. So people either assumed he was blessed or cursed, some treated him like the messiah, and others thought he was a freak and dangerous. So yeah, he never felt like he belonged and wants to learn about himself.

Somewhere in his life he ended up becoming a squire and completed his training just before the start of the campaign…

And that’s all the backstory information I can post because my friends will see this.

I guess I can do a bit of trivia:

It’s still D&D lore, but the world itself is homebrew. Humans are actually not the majority race, far from it. Most humans live in a large archipelago with various human nations. I remember the DM said the estimated population of humans was 20,000 to 30,000. The two mainland continents are one dominated by dwarves and the other by elves, along with other races being far more common on the mainland. Not really about my character but I LOVE that detail. It’s somewhat relevant I guess since I said Gawain grew up in a human society.

The god he venerates most is Ilmatar.

His eyes reflect his emotions and power. When using any of his abilities or when under intense emotions (both positive and negative), his eyes will turn a solid gold color.

Prior to his training, he was a courier. His parents ran his town’s postal service and that’s one of the things that got him into the idea of adventuring.

He’s more of a cat person than a dog person. He likes both, but I feel like he’d go for the cat.

The first weapon he ever used was a bow rather than a sword. The specific sword he uses is an arming sword.

He is a wonderful singer, his voice is almost ethereal in when he sings (little aasimar headcanon of mine).

His favorite study is anthropology, but also really likes history and geography. He’s always collecting little souvenirs and trinkets from everywhere he visits.

He keeps a diary and loves to write stories and sketch things. A lot of story inspiration comes from his dreams, which are often very vivid…and he remembers them super well.

Neither of his parents have blonde hair, nor is it a recessive trait they had. It’s actually part of his aasimar traits.

He talks in his sleep because I think it’s funny.

If this wasn’t a medieval fantasy world, he’d definitely use Gen Z slang. Maybe even tell someone “L + Ratio” or “Skill issue” after besting them in battle. In that same hypothetical reality, his favorite band would be Starset and The Score.

He takes good care of his appearance and health, so he does enjoy certain beauty products. A spa day is his ideal day off.

He hates salmon. He thinks it tastes bad and prefers catfish. I don’t know why I even thought of that fact but it’s there.

[mywitchcultblr]

I find it amusing how some anonymous users call you a hater and a child throwing a tantrum (as if sending hateful messages wasn't). How can they be so blind to this?

The DLC writing is dogshit at best, and I am being generous. FromSoftware not only butchered Miquella's character but other things too. What happened to him wanting to cure his and Malenia's curse? There's no mention of that. The Haligtree—supposedly a home for the shunned and mistreated? Nothing. Granting Godwyn a true death? Nada. The Eclipse? Pfff. The Outer gods and the unalloyed gold? What about him being Torrent's former master? (As the promotional art implied) And the steed choosing the Tarnished? If I recall correctly, wasn't Torrent meant to pick lords? So this means Miquella trusted Torrent enough to let it choose him a consort, yet our role there is practically non-existent. Besides that, as far as I'm concerned, for one to become a god, one must be in contact with the Elden Ring, such as Ranni did, yet we don't see that in the DLC. And the thing that bugs me the most is Miquella abandoning parts of himself, like his love. Like, yeah, "Age of Compassion," but there's something you need for that and it is, y'know, love??? Where's the sense in that? Wasn't the whole point of him become a god and fix Marika's mess in the Lands Between? Not following her steps.

I'm not even going to mention Radahn because his presence here is as irrelevant as in the game.

THANK YOU ANON! Finally someone with sense! People who are saying "Oh you are just angry because the DLC doesnt confirm your headacanon or expectation." The expectation exist because of hints and lore that already exist in the base game, of course you will want to see the big pay off in Shadow. Imagine if you are Dr. Who fan and seeing 13th Doctor turned into a weeping angel but then in the next episode it doesn't go anywhere and she's immediately fine again

I will list others things that aggravate me about SOTE

The battle between Malenia and Radahn: In the base game, their battle is implied to be over runes, and because he was halting the stars and thus Miquella's fate. Malenia invaded Caelid to get Radahn's rune and solving the halted fate business, while general boi also wanting to accumulate more power so he can be Elden Lord with taking hers. Simple but effective.

But now its over a marriage with Miquella?

While it made sense for him to ally with the Haligtree so Radahn can get into the fast track of becoming Elden Lord through marrying Miquella, there's 0 build up anywhere in the base that will led us to believe Radahn even got to do anything with Miquella.

Also while he is a warmonger and certainly not a good person (I dont care what chuds on reddit said, just because a guy likes his horse that doesnt make him nice, I don't even hate Radahn or anything) he genuinely cares about HIS OWN HOLDING.

Now from what I gather from the DLC, he will agree to become Miquella's consort if he got an epic battle first. So now the motivation for Malenia vs Radahn iconic battle is... It was a deadly sparring ritual before the groom settle down? Radahn can you at least do it in a neutral zone so this battle wont destroy your OWN LAND?! There's no way Radahn didn't know that sparring with Malenia could endanger Caelid, especially with the fact that she has ROT. Radahn might be a brute archetype but he's not stupid, yet this DLC made him looks like an absolute oaf who doesn't care about whatever Caelid will survive or not...

2. Mohg: I always thought he will return, he gives me the vibe of a villain who say "I'll be back!" and I thought there's no way the Formless Mother will allow her champion to die just like that. Yeah he's back but in the worst way possible that will make his fans despairing and his haters say "I hate Mohg but he didn't deserve this."

His arc in the base is good, it is conclusive and it made sense.

A guy who was born hated, abused, and shunned by his own mother decided to say FUCK IT and created his own order, cavorting with an Outer God, committed heresy left and right, then kidnapped his half brother so he can force/convince/manipulate/doing blood ritual whatever so Miquella will make him a consort. Then the Tarnished ruined his plan, killed him. It was a well-rounded arc. Its good enough. I always admired his tenacity to give a middle finger to his family. But now? This weird over engineered brainwashing-kidnapping thing undermined the authority of both Mohg and the Formless Mother. Did she even care about Mohg? Why the Formless Mother didn't try to stop Miquella or at least warned Mohg about it?

And what the fuck Mohg is actually doing down there? What was his plan to elevate his order and replace Marika's? How he will do it if he never wanted to become Miquella's consort? With his drip alone? Maybe there are things that I missed about Mohg's plan in the DLC?? But this DLC narrative now undermined his arc and the Formless Mother.

3. Mesmer: While he is still intriguing and judging from youtube (No i havent reach him personally, because you know I'm busy but I spoiled myself, I always do for something as big as BG3 or Souls) I thought he would play a bigger role in Shadow, but not really? He's kinda overshadowed by Radahn who is not supposed to be there

Also Rellana's existence sounds like a sitcom level plot twist? Its kinda funny LMAO "Oh you think Renalla's boss fight sucks and you think she is weak? HERE WE HAVE HER TWIN SISTER RELLANA! ITS THE UPGRADED VERSION OF CARIA 1.0!" (I do like the expansion and exploration of the Carian's family tho)

4. "What about him being Torrent's former master? (As the promotional art implied) And the steed choosing the Tarnished? If I recall correctly, wasn't Torrent meant to pick lords? So this means Miquella trusted Torrent enough to let it choose him a consort, yet our role there is practically non-existent." : THIS YOU ARE SO RIGHT ANON, Torrent chose the Tarnished and Miquella asked Ranni to give the spirit calling bell to whoever Torrent chose. THAT'S MEAN THE TARNISHED ALREADY HAS A CONNECTION WITH MIQUELLA, I'm willing to bet over my right arm, this Promised Lord that Miquella/Malenia mentioned is either supposed to be Godwyn or THE TARNISHED THEMSELVES!

Look Miquella need a lord strong enough to back his claim and help him to change the world right? Why insisting on chasing after Radahn (that never mentioned to have any connection or alliance with Miquella) WHEN YOU CAN HAVE THE GUY WHO DEFEATED RADAHN AND MALENIA THEMSELVES! The Tarnished is already strong enough to challenge MOTHER FUCKING GODFREY and won! It make 0 sense for us not able to become his consort. What do you mean you can make the dream of a guy who is literally called THE DUNG EATER came true and subjugated everyone into a world of pain because shit eater is an edgelord who thinks omens and their suffering are totally cool, but not MIQUELLA'S? Its so bullshit. In the grand scheme of things, Dung Eater is as relevant as a random Tibia Mariner.

I'm still hoping we can see Miquella's ending, I hope its gonna be added. I saw someone mentioned that there's actually Miquella's ending but not implemented? I hope it can be added and at least some aspect of the missing story/plothole fixed, because Elden Ring 1.0 was quite different than what we have now...

This guy on reddit also echoed my statement

5. Godwyn: I don't care what some people said "Oh Godwyn is not supposed to be there, its just your headcanon." Brother... This DLC is about Miquella and Mesmer (even though sadly Mesmer's role seems to be diminished :/) there's should be any mention about Godwyn because Miquella and Malenia loves him very much.

There's a statue of them hugging each other, and if I'm not mistaken there were people who data mined and found tidbits about Miquella trying to resurrect him and there's stuff about Miquella giving up his throne

Show us Miquella failed to resurrect Godwyn, show dont tell! (so it wont impact Fia's ending) or please give us a mentions about him by Miquella, or knights who used to serve pre-dead and rotting Godwyn appearing in Lands of Shadow, something, anything! its like his own family, doesn't give a fuck to solve the problem that his rotting body caused.

6. The gloam eyed queen and Melina: I thought GEQ will be mentioned, since this DLC also delved into Marika's past, I mean GEQ was her rival and she's nearly becoming THE God instead of Marika. But eh nothing about her or Melina :/ Tho I do like tidbits about Marika's past and her village

There's other things... But eh I'm tired of typing lol. I do enjoy Elden Ring, I really do, and I had such a high expectation for SOTE :/ so yeah I became loud about my disappointment because I'm invested

[txttletale]

Once again this goes back to "artstyle theft" the idea that an ai using peoples artworks to train it to create art in said styles i would hardly call full on theft. Yes it is not good to do this especially without consent but a person can do the exact same thing and copy a persons "artstyle" based off of images that they have absorbed. It is building off of peoples artstyles like a normal person would, not to mention its a wide range of artists. I'm not saying that this isn't a bad thing on midjourney's end however it is similar to me getting a full reference dump of an artist's portfolio and basing everything off of said person's art. an Ai can never replicate a person's artstyle 100% or the little tells of a person's art. Either way. It goes back to do people theoretically own the artstyle which is within their art. In which I would say No. Nobody owns an artstyle. Just because it is using peoples art to build off of does not mean it is stealing their art fundementally. They are not putting your art up on their page claiming it is theirs. Your original art that was initially put for it to learn wont ever be fully recreated 100% by the ai. Nor will it ever get any of your little tells. The specific brush strokes. Nothing. I am not saying people don't have the right to be upset by an AI using their art to build it's generator. However Once again. It will never be able to completely replicate your own art. Maybe it is my opinion but I don't think this is necessarily going to hurt artists as much as one would think. Yes it has to do with the consent of your work being used however. As I have repeatedly said. Using your art to replicate your artstyle is not theft.

yeah i absolutely agree with the caveat that in your human artist example if you then went on to market yourself as being able to draw 'in the style of' whatever artist's stuff you learned from, you'd be a prety huge dick, & likewise i think it sucks of midjourney to actively market that as a selling point (although any world in which either of these things are legally actionable is a nightmare world). otherwise 100%.

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/727841287119814656/ehh-generally-they-were-like-ask-specifics-about Can you expand on writer’s block not being real?

--

Sure!

I think everyone who's ever made art has hit points where it's hard to go on making art or where a particular project isn't moving. So from that perspective, sure, a version of it is real...

But there's a particular version of it that's what a lot of people mean where you're A Writer™ and then the magic inspiration gnomes come and steal your inspiration juice. This is mostly nonsense, and quite a few author types who've actually finished long projects will tell you so.

When you sit down to a blank page and it stubbornly stays blank like your head, that's a symptom of something... and the something in question is often either depression and overwhelmed feelings that are taking over your whole life or an entirely correct instinct that your project is flawed and the next step is not writing that next scene.

Many people try to be pantsers instead of planners, get maybe a quarter into a project, and then choke. It's because they started with the kind of concept that requires planning, but they haven't planned. If your plot revolves around the characters eventually learning the meaning of life, you'd damn well better start with what you, the author, think that meaning is and work backwards. Same if your characters are solving a twisty mystery or complicated thriller conspiracy: you will not come up with a genius idea that ties everything together just by writing by the seat of your pants. If you don't go in with the ending in mind and some waypoints to write towards, you're going to choke. This is exceptionally common in grandiose fic concepts that are like "What if this true blue hero were a viiiiillain, oooooh!" where it's neat, but 99% of the point is showing us the work of getting from A to B. People write the prologue showing us the big concept and then flash back to how it all started... and then stop.

I see it a lot in projects that start with a character sheet for RP. Yeah, for RP itself, noodling along and figuring out what X would do in situation Y is great fun... but for many longfic/novel plot types, you will not arrive at a workable plot this way. You'll end up with a mess that can, at best, be used as brainstorming and completely rewritten from the ground up, using only key cool images or character observations. There are authors that start from individual characters and then see where they go. In my experience, they don't tend to be working in the genres that fic fandom types tend to want to work in. It's also something that often takes a lot more experience and skill than starting with a basic plot outline, and inexperienced writers often overreach.

It's not writer's block. It's a project that needs to be taken out back like Old Yeller.

Even the salvageable projects that are making you pause usually have some other issue like you not being clear on the central emotional themes even if you've outlined some factual plot. Or you've demanded that your characters do a particular thing for plot convenience, but you know deep down that it doesn't ring true. You can't write the next scene because there is no next scene. You need to rework the forced part till the rest can make sense.

And even more common than any of the above is people thinking that just because Danielle Steel sits down every morning and writes for eight hours, that means they can and should with no warm up or experience. Trying to force yourself to be a type of writer you're not—majorly overdoing it on any work, in fact—just leads to burnout and inability to function.