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rivalsforlife · 3 years ago

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Phoenix Wright: The Truth Reborn: Oh No We’re Doing This Again

hi.

Nearly two months ago, I wrote an essay summarizing and making very wild conclusions about the second Takarazuka Musical. I did this about two and a half years after watching the first Takarazuka musical. As such I did not have the full context for many things from the musical and was relying mostly on my memory, which blocked many things from this musical for my own safety. However, just this week, I decided to rewatch it, because I enjoy tormenting myself. I said I wouldn’t write anything on it. Here I am writing something on it.

Here’s the youtube thumbnail so that you know what you’re getting yourself into. And here, of course, is the link. This is the HD version which may be slightly more pleasant to watch. Maybe.

It was not quite as cringe in a funny way as the second musical to me, and therefore this essay may be less funny, but I feel like I’m doing a disservice to people by providing a summary of the second musical while completely neglecting the first. Quite possibly doing this is even more of a disservice. I just eagerly await the day that the third musical is translated because *that* will be the day that I finally shuffle off this mortal coil. Either way, I want to write this stuff down so that I never have to watch the musical again out of curiosity.

The following essay will contain major spoilers for both the first and second Phoenix Wright Takarazuka musicals, as I will be using many points from this musical to argue my thesis of the second musical. ... like you were going to watch them anyways.

This one broke 8k. I’m dead inside.

Introducing The Director

Again another disclaimer that I don’t have anything against the actresses or the theatre troupe. I DO have something against Suzuki Kei, who I recently learned is the writer and director of all three of the Ace Attorney Takarazuka musicals, and is quite possibly my mortal nemesis.

This man is the one who brought this monstrosity into the world.

This man, allegedly, cleared the first four ace attorney games *seven times* before sitting down to write these musicals. He played these goddamn games seven times and did not take in a single word. The man clicked through them mindlessly while watching a badly written legal romance drama in the background and got them completely confused. I genuinely have no idea how this man could have played these games more times than even me and yet managed to get so many characters (MAYA!!!!) completely and utterly wrong. This haunts me every day, truly.

This man played Phoenix Wright: Ace Attorney, Phoenix Wright: Ace Attorney - Justice for All, Phoenix Wright: Ace Attorney - Trials and Tribulations, and Apollo Justice: Ace Attorney seven times. SEVEN TIMES EACH!! and was told to create a musical based on the series. He played these games seven times each and you know what he said?? You know what he said?? “This sucks, I’m getting rid of all of Phoenix’s backstory, butchering half the characters, and writing Phoenix/Lana fanfiction, but also rewriting all of Lana’s backstory so that she was Phoenix’s childhood friend, and you know what, I’m changing her name for good measure.”

I think this man played the games seven times each and then hated it so much and was so sick of it he tried to write something that destroyed as much of the series as possible while still being vaguely recognizable. And then somehow it became a massive hit because people like me see this and go “what the actual hell” and watch it, or people who haven’t played the games see this and go “wow what a great musical!” and then he wrote TWO MORE, destroying EVEN MORE every time in his wake, until finally, finally, he stopped after making Edgeworth straight and time traveling into the past to face off against a corrupt Gregory. I guess that was the last straw.

I have to issue a disclaimer here that for legal reasons this is a joke. I don’t actually hate this man and would not punch him in the face if I met him because that would be rude, and he is entitled to his wrong interpretation of the games. I don’t know what his thought process was. But allegedly he did play the games seven times according to the wiki. This whole essay here is satire and not slander and I don’t want to offend this guy if he somehow stumbles across my nonsense tumblr post. At the same time: Suzuki Kei blink twice if you need help.

Anyways half the reason that I’m making this essay is because I want to share my fake ao3 page for this musical. The other half will become apparent later.

Sorry if that’s illegible because of tumblr quality it’s not really important. All you really need to know is that it’s a fake ao3 screenshot for the musical. Also in the author’s note I said he played the games four times but it was actually seven I just remembered wrong because I didn’t want to believe it.

at this point you may be like “Grace shut up and get to the actual musical” and okay, fine, let’s start this nonsense. Also note that I may be referencing things from my essay on the second musical very frequently; I’m not going to force you to go read that though because the fact that you’re reading this is enough of a torment already.

The Musical Begins

Unlike the second musical, this one opens with some narration from Phoenix.

Transcript:

Phoenix: I’m reviewing a particular case at the moment. To me, this case... is one I’ll never forget.

Immediately I think this is important because it establishes that this whole musical takes place in a flashback that Phoenix is reflecting on. Why is this important? Because we know, by the time of the second musical which takes place three years later, Leona is dead.

Knowing that Leona is inherently doomed to die of her Sad Woman Disease paints this whole musical in a different light. It’s not Phoenix reflecting on how he got back together with his lover; it’s Phoenix dwelling on their past together, and the opportunities they had, before her life was so cruelly and inexplicably taken away. We don’t know if Phoenix’s reminiscing takes place before or after Leona’s death... but I wouldn’t be surprised if it was after.

Phoenix, still in the present, starts to sing. “A wave appears on the horizon like a mirage, it trembles, then vanishes. Your voice, carried upon the waves, fades upon the shore, erasing the splendor of the past.”

This line actually shows up in the second musical, sung by Lucia about her imprisoned fiance quite possibly. It’s kind of hard to tell what the meaning of these songs even are. They’re too abstract for me I think. But this line appears very frequently in the first musical when Phoenix is thinking about Leona.

Then we enter the flashback time.

Phoenix inexplicably yells at a newspaper saleswoman. This is not relevant to anything whatsoever. Then Larry barges in to the office, looking for Maya. Phoenix describes him as “A real trouble maker, but you just can’t hate the guy”, the latter part of which I think many people would disagree with.

Well, afterwards, Maya comes in. Phoenix describes her like this while making exaggerated “can you believe this shit” gestures.

Transcript:

Phoenix: She’s as ditzy as they come. Oh, and about the outfit... Apparently she comes from a family of spirit mediums. Try not to make fun of her, okay?

Suzuki Kei personally has it out for Maya and I can never forgive him for it. Maya in these musicals is here for pure comedic relief but it’s not even comedic because I just get so angry. How can you play the trilogy seven times and think this about her?? The girl who figured out DL-6?? The girl who told Phoenix to sacrifice her life in order to find the truth?? The girl who put on a brave smile in order to try and cheer up her younger cousin even after she saw her own mother murdered right in front of her eyes?? That Maya Fey?? Ditzy as they come??????

Ugh. Moving on.

Maya and Larry run off, leaving Phoenix to watch the American Broadcast.

Important things to note here are the Godot mug, the little line up of what I think are the messed up little ace attorney figurines beneath the screen, and the fact that while this broadcast is supposedly from and to America the screen is actually not at all showing America. Like literally almost everywhere in the world except North and South America.

The broadcast says that Leona Clyde, age 24, was arrested for murdering the senator Robert Cole! Leona Clyde -- that’s Phoenix’s ex-girlfriend! He runs off to the detention center.

She is not happy to see him.

Leona: Mr. Wright... I’m not the woman you once knew.

Let’s Play A Matching Game

Sorry for the abundance of screenshots that are going to be throughout this section. Phoenix convinces Leona to let him defend her. Some of the conversation seems... familiar.

Leona: No one would defend someone who admits to killing a senator. I’m waiting for a court-appointed attorney.

Edgeworth: Every defense attorney I’ve talked to has turned me down.

Phoenix: In that case, let me defend you.

Game Phoenix: Let me defend you.

Leona: Don’t be ridiculous!

Edgeworth: Don’t be ridiculous.

Phoenix: I’ll never accept that you’re a murderer. Let me prove your innocence!

Game Phoenix: Huh? Isn’t it obvious? I’m going to prove that Miles Edgeworth is innocent.

Leona: I’ve already confessed my guilt.

Gumshoe: He confessed that he did it! In court!

Leona: It’s foolish to think you can win this case.

Edgeworth: My case is near hopeless, Wright.

Leona: (in response to phoenix offering to defend her) No you won’t! Don’t ever come here again.

Edgeworth: Look, just go away, and leave me alone!

Phoenix: You of all people should know. Once I decide to do something, I see it through to the end.

Edgeworth: Once you start on something, you always see it through, don’t you?

Leona: I never thought that you’d be representing me.

Phoenix: Ah, who could have guessed this day would come?

Edgeworth: Not me.

Phoenix: You believed in me. You saved me. And this time, I swear... I swear I’ll save you!

Game Phoenix: Edgeworth believed in me, and I believe in him. I’m the only one who knows the real Edgeworth. I’m the only one who can help him.

I could’ve done a few more, but tumblr is already threatening to murder my laptop.

So long story short, Phoenix manages to convince his lover to let him be the defense on the case. Then immediately after swearing to save Leona, he starts singing a song, which I’m not screencapping because this is enough:

“As long as there are people in this world, there’s only one path I will follow! As long as there is love in this world, there’s only one path I will believe in!”

Edgeworth sings this in the second musical after saying that he returned to California because of Phoenix. Phoenix sings it now after swearing to defend Leona. You draw your own conclusions.

And then we finally get the opening credits. Eleven minutes in.

Just Pretend This Is Narumitsu Fanfiction

Following the credits, we see a beautiful beach. Couples (exclusively heterosexual, of course,) dance and embrace in the background for some time, before revealing Phoenix and Leona, in the Even Further Past, before the LSATs or whatever the ace attorney universe’s excuse for law school exams are.

Phoenix establishes his absolute hatred of change, an important characterization moment.

Phoenix: The view here never changes, huh?

Phoenix reminisces on when they were kids. Leona’s parents were both lawyers (they’re both lawyers) and sometimes they would be like lawyers with her when she was a kid. This inspired her to also become a lawyer after their tragic death of Sickness. They never specify what the sickness is that caused two people who must be relatively young to die while Leona was in her early twenties at the latest. It may be whatever sickness claimed Leona’s life later. Sad Woman Disease. (Sad Man Disease for her father, I guess?)

Phoenix also talks about why he’s becoming a lawyer.

Phoenix: Watching you chase your dream inspired me to become a lawyer too.

So, it’s not “my childhood friend looked sad in a newspaper” because I guess that makes no sense or is too gay or something. But this is another important piece of Phoenix characterization. His entire life so far has been focused around Leona. They’ve been friends since they were kids, and then Phoenix decided to become a lawyer solely because Leona was becoming a lawyer. Not even to try and get back into contact with her after she moved away or anything; just because he’s so obsessed with her that he wants to have the same career as her, then they can run a Mom & Pop Law Firm or something, years in the future, after years of happy marriage and a few children or like whatever the hell.

Well, there’s a few steps they’ll need to get to that. At this point Phoenix still hasn’t confessed his feelings for Leona. He does so here, on this beach.

Leona tries to protest.

Leona: But I’m pushy, selfish, and only care about my goals... You’d get fed up with me.

Phoenix: That’s what I’ve always admired about you. That’s who I’ve been chasing all these years. That’s the only person... I love.

Sooo, Phoenix, your type is pushy selfish people who only care about their goals...? In the first, older lower-quality video translation it was “only care about my work”, too. Hm. Things to think about.

They sing a little duet together. Then we go back to present-day of what’s technically still a flashback. Whatever. Murder is happening.

Back To The Murder

So some plot things to establish: Leona is the legal counsel of Governor Miller, who is running for president in the AMERICAN PRESIDENTIAL ELECTION. After the flashback so that Phoenix has some time to change clothes, they show an interview of him talking about the murder.

Governor Miller: I vow to forge a peaceful country with my own two hands, and to prepare myself for whatever may lie ahead.

Reporters: Through thick and thin, he’s a friend of the people!

The Takarazuka musicals are not very good at hiding their killers.

Phoenix: Oh yeah... It’s almost time for the presidential election, isn’t it?

NEVER FORGET, WRIGHT. THIS IS AMERICA. LAND OF THE FREE! god what even was that line.

Anyways, we meet Gumshoe, who is incompetent once again. Maya runs around the crime scene, picks up the murder weapon, puts her fingerprints all over everything, moves things around, all while Phoenix is like “lol get a load of the world’s stupidest girl” or whatever. But who cares about that.

It’s time to get to the only valid part of this musical.

Edgeworth’s Gay Little Villain Solo

You may have seen this one before.

Edgeworth arrives, but not really. It’s like Phoenix heard Edgeworth was prosecuting and immediately entered a dream-like state, where Edgeworth is heralded by the sound of trumpets in Great Revival. He’s played by a different actress than in the other two musicals, since I think she retired in between the six or so months from this musical to the second. She still plays the role well, though, or as well as can be when you’re written in an ace attorney Takarazuka musical.

Shrouded in scarlet solitude... it’s Edgeworth.

Yes, those are six Edgeworths. Yes, they pick Phoenix up and carry him around and dance with him. Yes, it was probably not meant to be at all homoerotic.

He sings a song that’s called “My rule”. I only figured this out later, but it’s loosely based on a “catchphrase” of his in the Japanese version - in game 1 he says something along the lines of “All I can do is get every defendant declared guilty! So I make that my policy.” In DD in his dramatic anime introduction before the trial, he says “I intend to question the defendant with all I have. For that is a part of my creed.” “So I make that my policy” and “For that is a part of my creed”, to my understanding, are both translated from the same line, which I think is like, “sore ga watashi no ruru”, “That is my rule.” (If I’m wrong, please correct me.) In this song he sings about how he’ll reduce all criminals to ash and such, basically talks about his game 1 prosecuting strategy as “my rule”.

It’s very fun and probably if you want to only watch one number of this musical, it can be this one. It starts about 26:10 in the video I linked.

Once the musical number is done, Phoenix and Edgeworth stare at each other, and the background fades into the courtroom, so court begins. I feel like I should note that Phoenix has not picked up any evidence or talked to any witnesses in this investigation except for Gumshoe, since Maya just moved some things around and then Phoenix had some weird fever dream about Edgeworth which presumably took up the rest of the day.

The Trial, Day 1

Edgeworth: Consider it a prelude to the poignant Greek tragedy that’s about to unfold.

Maya: The real tragedy’s your pompous attitude!

Those are the only screenshots I took of this trial day. Here’s a summary, though:

The trial starts off with Leona confessing, Phoenix says “no I think she’s innocent”, and since ace attorney doesn’t care about the defendant’s wishes he’s allowed to proceed. For some reason Leona lets him do this without complaint.

Gumshoe is the first witness, he claims to have caught Leona red-handed at the scene of the crime, standing over the corpse. Phoenix tries to claim that since Gumshoe didn’t see Leona committing the crime, he didn’t actually catch her red-handed, to which Edgeworth responds “What do you think being caught red-handed means?”

Once Gumshoe is dismissed, Lotta takes the stand. She has a photo of the actual moment of the crime, where Leona is holding a knife in the air in front of the victim.

The Takarazuka musicals like to do this thing where the image is blurry and zoomed out, but then Phoenix will go “I’VE NOTICED A CONTRADICTION” and it zooms in really far as the resolution increases drastically in order to show you the contradiction that is impossible to spot for yourself, because they don’t want people figuring out the mystery in this musical based off of a video game where you have to solve the mystery yourself. Anyways Phoenix zooms in on this photo and sees that there’s blood on Leona’s hand, presumably before she stabbed the victim. How did it get there?

Edgeworth suggests the victim was stabbed multiple times. Phoenix says the autopsy report contradicts that. Edgeworth, uncharacteristically, does not update it to suit his argument.

Phoenix concludes that this photo is not showing the moment Leona stabbed the victim, but the moment Leona removed the knife! ... Which somehow casts doubt on her having been the one to stab the victim. Because as everyone knows, anyone wanting to kill someone would never remove a knife, it’s not like they’d bleed out faster that way, or anything.

And this whole contradiction is confusing because presumably if the victim was stabbed and then the knife was removed, they’d know that happened, because then the knife would not be found stuck in the victim’s body, since the victim was only stabbed once. So this shouldn’t be news to the prosecution that someone removed the knife after stabbing. But the investigation was headed by the most incompetent version of Gumshoe ever, so. sure. I guess no one knew.

That at least manages to extend the trial another day.

This Totally Has To Be Illegal

After the trial, Phoenix goes to talk to Governor Miller, aka Mr. Totally The Real Killer. Phoenix asks him why he decided to hire Leona as his legal advisor.

Basically, it’s because her parents were both renowned lawyers. Her father was a Chief Prosecutor, and her mother was a defense attorney. ... a prosecutor and a defense attorney couple... who does that remind us of...

Phoenix points out that just because her parents were good lawyers, it doesn’t mean she’d necessarily be one. Miller says that, sure, but she is actually really talented, and her law school marks were spectacular. Phoenix says “WHY WERE YOU LOOKING AT HER LAW SCHOOL MARKS”, like it’s somehow? suspicious? for a government official hiring legal counsel to look at their law school marks?

Apparently it IS suspicious because Governor Miller freaks out and asks if this is an interrogation. Before Phoenix can press much further, he gets a phone call, and leaves Phoenix alone in a big room.

So naturally Phoenix behaves like a fully grown adult running a law firm.

If all he did was sit in the chair, lift up a desk lamp, and poke his finger on a pen, that’s one thing. But then he leans over, OPENS THE GOVERNOR’S DESK DRAWER, and finds a knife that’s just sitting there casually. It looks like a butter knife. It’s not anything major. Maybe the dude just wanted to butter his toast?

I mean I know Phoenix will dig around in stuff whenever in the games, but he has no reason to suspect Governor Miller at all, much less dig through his drawer probably full of confidential government documents to lift up a knife that he thinks is suspicious. It’s not even covered in blood or anything?

Naturally Governor Miller’s assistant comes in just then, and Phoenix puts the knife. in his breast pocket.

bud. It may look like a butter knife, but putting knives up against your chest is not a great idea. Much less stealing a knife from a governor?

Well, in his panic, he accidentally knocks over a bunch of books on the desk. The governor’s assistant helps him pick them up, and they find a photo. Look a little familiar?

The photo has the assistant, the victim Robert Cole, Governor Miller, and the victim’s brother who died in an incident two years ago. He’s the “Neil Marshall” of this musical, and he died in what was essentially the SL-9 incident. Same general premise, except it occurred in the courthouse, and the names are different.

AND FINALLY WE REACH THE END OF ACT 1. They do a musical number here which is a weird sort of mashup of the main opening credits song, Edgeworth’s Villain Solo, and the love duet between Phoenix and Leona. They are all such different songs that it sounds a little weird.

ACT 2, FINALLY

The act begins on a sour note with Maya playing with the knife and showing off her characterization, which is one of the most infuriating Maya characterizations you’ll sometimes see around the fandom by people who don’t like Maya.

Maya: Let me whip up my special spirit channeler hamburgers!

sigh.

But then we’re saved (?) by the arrival of EDGEWORTH, who is presumably just here to chat. He asks Phoenix if he’s defending Leona in hopes of winning her back, then says to keep out of it, since it’s a very important case and he can’t understand the gravity of it.

Then Phoenix says this.

Phoenix: Would you be saying that if you were the one on trial? The defendant is in a dark prison, reaching out for hope... Can you imagine the loneliness and sorrow of being ostracized?

CAN YOU IMAGINE IT, EDGEWORTH? CAN YOU IMAGINE IF YOU WERE ON TRIAL AND I WAS THE ONLY ONE WHO WOULD DEFEND YOU AND BELIEVED IN YOUR INNOCENCE??

Edgeworth responds to this by essentially rehashing his speech in Turnabout Sisters about how he needs to find all defendants guilty because he can’t guarantee their innocence and all that. Maya gets upset and leaves so that Phoenix and Edgeworth can talk about their childhood in private.

Phoenix once again complains about how people change since nine years old.

Phoenix then says that he has something Edgeworth doesn’t: the POWER TO BELIEVE! Then Maya comes in and tries to spike Edgeworth’s coffee, so he leaves.

The Class Trial

Phoenix explains a bit about Edgeworth and his backstory to Maya. Namely, the class trial. Phoenix was accused of stealing lunch money, Edgeworth stood up for him, but instead of Larry, Leona stood up for him. I guess Suzuki Kei thought “oh the class trial, if Leona stood up for him, it would be so romantic, because she’s a woman, and he’s a man”, or something like that.

Edgeworth wanted to become a Great Lawyer Like His Father! But then he turned cold as ice.

Phoenix: His father got too deeply involved in a case... and paid for it with his life. Edgeworth saw him murdered. He was never the same again. I bet he couldn’t forgive the criminal.

Yeah I bet he couldn’t ever forgive the person he thought killed his father all these years, Phoenix. I bet he really hates that person, Phoenix. I bet he has nightmares about that person killing his father or something, Phoenix.

Phoenix: He vanished, then returned without his mercy or compassion. He had become a monster. When he lost his father, he also lost the ability to believe in others.

So like... one of the most chilling things about this musical is that they never actually solve DL-6. This probably roughly takes place 15 years after DL-6, since they were about the same age when the class trial started, and at least Leona is 24 now. The next musical takes place three years from now, and in it, Edgeworth refers to von Karma as his mentor, implying he’s still around and doing things.

So, in addition to everything else going wrong with this musical, DL-6 still happens, but von Karma never frames Edgeworth for it fifteen years later. The statute of limitations runs out, and von Karma forever gets away with his crime. And Edgeworth has no idea.

What changes did they make to DL-6, though, you may ask? I’m desperate to know as well. In the third musical, which I’ve watched because I hate myself but am unable to fully understand because I don’t know much Japanese, there is a scene where Miles flashbacks to DL-6. It’s abstract, but he makes gun-throwing motions at Gregory, followed by a gunshot sound.

Therefore, in this musical’s internal canon, either Miles Edgeworth shot his father, or he believes he did for the rest of his life.

... moving on.

Phoenix: But he still has his humanity. It’s still there, deep down inside!

At least, if nothing else, Phoenix still believes in him. Even this Takarazuka Musical couldn’t touch that.

The Feenie Sweater

Right after this, Larry barges in, and Phoenix leaves him alone with Maya. The musical tries teasing Larry/Maya, but fortunately, Maya’s having none of it.

Maya: You’re barking up the wrong tree.

Props to this musical for not being as bad as it could have been.

After this, the two sit down on the couch, and Maya asks for more gossip on Phoenix and Leona. Larry launches into a story, which turns into a flashback that ends up being narrated by Phoenix halfway through. This one’s about Phoenix and Leona’s relationship.

This is an interesting line in here, “I’ll guide you to the future”, for it loosely referencing the sort of love ballad Phoenix sings with Lucia in the second musical which is about “I’ll take you to that radiant future”, and he later sings to the memory of Leona right around the time of his big spiral into despair.

I’m sorry if you haven’t read my other essay and just said “wait what” to what I just typed.

Leona was getting ready to move to New York to defend the weak “in the big city”. This is rather strange wording because it implies that California does not in fact have a big city. She says some things in her conversation with Phoenix that probably plant some of his later issues.

Leona: This is the first time we’ll be apart since we were kids.

Leona: We promised we’d always be together.

Leona: I’ll be waiting. Waiting for you to come to me.

Haha. Sure would be a shame... if something were to happen... and they wouldn’t be able to be together anymore...

So some dancers wearing black come in and take off their outer jackets, to symbolize the passage of time. They circle around Phoenix and Leona. In this, you can just barely see, Phoenix is wearing a pink sweater beneath his jacket.

“Oh,” I think to myself, “Is that the Feenie sweater? Are they including it here as a reference to the games?”

Then the dancers keep moving.

THAT IS NOT THE FEENIE SWEATER. That is a pink sweater with a sexily drawn woman on it.

This is the other half of the reason why I decided to go through with making this essay.

This is so incredibly funny to me. Suzuki Kei Who Has Played The Games Seven Times has seen the hand-knit bright pink sweater with a giant red heart on it seven times. The sweater Iris, Phoenix’s girlfriend, lovingly knit for him that he wears all the time even though it is one of the tackiest, cheesiest items of clothing to ever exist. And so, when the costume designers were designing the clothes for College Phoenix Wright, they asked themselves: “Should we include the Feenie sweater?”

and “NO,” someone must have shouted, “NO, we can NOT include the Feenie sweater, it is PINK and it has a HEART on it and it’s TOO GIRLY. Phoenix Wright is a MANLY MAN. He would not EVER wear something PINK with a HEART on it.”

“BUT,” someone else said, “it’s a REFERENCE to the original games, where he DID wear a pink sweater with a heart on it! We MUST include it to pander to the fans!”

“WAIT,” a third person interjected. “I have a BRILLIANT IDEA. We can keep the pink... But to make it VERY CLEAR he is a heterosexual, masculine male... we put a sexy woman on it.”

And Person Three Got A Raise.

Thank god we’re finally halfway done this musical.

We Just Have To Go On With Our Lives Now

There’s plot or something happening. Leona breaks up with Phoenix inexplicably over the phone. Probably because of that freaking sweater. Imagine wearing that. God.

Eventually we go back to Phoenix talking to Leona, and he asks about the Jack Lyon case, which is the rip-off version of the Joe Darke case. Leona is pretty cagey about it, but Phoenix proves that she was there in the gallery that day. Leona refuses to answer, claims again that she killed the victim in her case, and leaves.

This makes Phoenix sad, so he starts singing.

Phoenix: I want to bring you back! I believe in you.

If this sounds familiar, it’s the part where I started absolutely losing my mind in the second musical because this line had never shown up before then, I’d forgotten it was in this musical, and Phoenix was screaming it alone in a red room, so I thought he was like desperately resorting to a necromancy ritual in hopes of bringing Leona back to life.

Instead, this line actually has CONTEXT, though it does just end up enforcing my theory. This is Phoenix mourning what he used to have with Leona, wanting to bring the “old her” back, because he’s devastated that people sometimes change. There are several flashbacks of their college days where he’s wearing his Sexy Woman Sweater. He does succeed in winning her back at the end of this musical. Before she dies, of course.

Phoenix in musical 2 still believes that he can bring back what he used to have with Leona... even beyond death. That’s something affirmed by this musical. I’m very grateful to it for somehow managing to enforce my nonsensical theory.

Doctor Ema

After this, Phoenix returns to his office, and meets with someone new.

That’s right! Only now, halfway through the musical, do we actually get to meet the Ema-equivalent to Leona’s Lana-equivalent. Her name is Monica Clyde. She has little rainbow heart stickers on her briefcase, which is the closest thing this musical has to acknowledging that gay people exist.

But what does this little briefcase contain, you may ask? Scientific investigation tools? No.

A full surgical toolset. Because you never know when someone’ll get sick, or when someone will need an entire operation in front of you. I guess.

So yes, Monica Clyde is not a forensic scientist in training, but a doctor! She decided to become a doctor because of her parents, who passed away of The Sickness, and so became a doctor in order to save lives like theirs.

Once more this has much darker and deeper implications than the musical is even aware of, because Monica is so anxious about treating sick people that she carries a full surgical toolset around with her at all times, scared to lose someone like she lost her parents... and then sometime in the next three years, Leona, her big sister, is going to die.

Of what? The strange Sickness that claimed her parents? A car accident? A botched spur-of-the-moment surgery? Whatever it is, Monica was unable to save her, even when she’d been training her entire life for it.

Monica is not mentioned at all throughout the second musical. It’s as if she does not exist.

Because unlike Ema of Rise From The Ashes, Monica is not at the heart of this story. She is, primarily, a plot device here to make Leona not trust Phoenix so that he can angst about their relationship.

What a mess this world is.

The Trial, Part 2

Rather than try to prove Leona’s innocence, Phoenix wants to link the current case to not-SL-9, the Jack Lyon case. He does this by showing this picture.

Senator Cole, the victim, is in this picture. His younger brother whose name I’ve forgotten, the victim of not-SL-9, is also in this picture. They are brothers. It is apparently novel that they are in the same picture, and somehow makes their cases linked.

As well, Governor Miller is in the picture. I guess you could say like... Governor Miller’s legal counsel is the defendant, so that’s another link? Even though the Governor would presumably know a Senator, so this isn’t an unusual group. Right now Phoenix has absolutely nothing to prove that these two cases are linked other than “hey, these two victims are brothers”, but apparently it works. So they spend a lot of time talking about not-SL-9, since Leona has confessed to the murder on day 1 and there is absolutely nothing indicating that she can’t be immediately declared guilty.

They hid the fact that Monica was a hostage in this not-SL-9, meaning that some of the case records were forged. Here’s Edgeworth’s reaction when this comes out.

Edgeworth: This is an outrage! I’m the most influential prosecutor in America! There’s nothing I don’t know!

In RFTA, when Edgeworth learns he’d been using forged evidence to give a man the death penalty, he is devastated, his entire worldview is shaken, he sees himself as a monster who could end up becoming horribly corrupt if he isn’t stopped.

Musical Edgeworth goes “I DIDN’T KNOW SOMETHING???”

It’s certainly strange characterization, but I guess Edgeworth is further behind in his character arc than in RFTA, so... ugh. Fine.

Phoenix calls Monica out as a witness to prove she was involved in the case. This causes Leona to panic, and try to dismiss Phoenix as her attorney, like Lana in RFTA, but Edgeworth interjects to call Monica in anyways. He and Phoenix have a little moment.

Edgeworth: You said to believe in others. I suppose I’ll try believing in you. Try to keep up.

Phoenix: Edgeworth!

So Monica comes to the stand to testify. We get to see this picture of Monica being held hostage, and not-Joe-Darke’s incredible eyeliner.

Lots of it is very similar to the actual RFTA, except instead of the victim being stabbed on the knight with the giant knife, he’s instead stabbed with a regular old knife. Leona still refuses to admit to what really happened, until Edgeworth convinces her to believe in Phoenix.

Edgeworth: Your attorney is a runaway train with a one-track mind. Yet he placed all of his faith in you. Believe in him. You owe him that much.

Leona testifies, and says that when she found the victim, he was stabbed with a scalpel.

Here is where things get weird.

Scalpels Can’t Kill People

So basically earlier in this trial, they talk about how Leona knew that the knife that stabbed the victim was double-edged despite being buried in his chest. The judge questions if this means Leona killed him, but Phoenix is quick to say no, she was searched when she entered the courthouse and couldn’t have concealed a knife.

Yet, Monica was able to bring in her surgical toolkit which contains several sharp knives, scalpels, scissors, etc.

This is the first major contradiction.

Leona continues to say that when she found Monica, and the scalpel stabbed in the victim, she also ran into Governor Miller, who if you haven’t been able to tell yet is the Gant-equivalent of this musical. He offered to help her with the cover-up, etc.

The next bit goes a lot like RFTA. Phoenix accuses Governor Miller, who barges in, says Phoenix has the decisive evidence in his pocket. This is the “butter knife” that Phoenix took from his office when he dug around in confidential documents and stole it for no particular reason. It has Monica’s fingerprints on it! ... And Phoenix’s and Maya’s too probably because they were handling it without gloves, but they don’t mention that part.

Leona cries about how she shouldn’t have trusted Phoenix because he was apparently now blaming Monica, Monica looks terrified, she and Leona have some good sister moments but it’s not as good as it could be if the story was actually about Leona and Monica like how RFTA was about Lana and Ema. But Phoenix has the decisive piece of evidence that can turn this around.

It is this:

Phoenix: Scalpels are made for medical incisions, not stabbings. So how did it stab the victim?

...

... What?

So like. Yes, scalpels are made for medical incisions. Medical incisions often involve cutting through flesh, very easily. As a result, they are sharp. Extremely sharp. As in: their purpose is literally to stab people, very specifically.

Yes, they’re easier to control, so that surgeons don’t regularly stab people how they’re not supposed to be stabbed, but it’s not like, impossible to stab someone in a killing way with a scalpel? Admittedly, I have never tried to kill someone using a scalpel. And I do not have experience using a scalpel for surgeries because I am not a surgeon. But I’m pretty sure, if you take a sharp scalpel, and you stab someone in the chest with it with a reasonable amount of force... they die.

Like, is this a particular kind of scalpel that is not very sharp? Is the problem that the blade doesn’t match up with the initial wound? But even then, we don’t have the original unforged autopsy report or even a picture, so how would Phoenix know what the original wound looked like to say it didn’t match up? And even then why wouldn’t Phoenix say that instead of SCALPELS CAN’T STAB PEOPLE???

This is his decisive contradiction and it makes ABSOLUTELY NO SENSE TO ME!!!

Well Darn I Guess Scalpels Can’t Kill People

This is such a decisive piece of evidence, that scalpels can’t kill people, coming from the man who thought “caught red-handed” does not involve being caught standing over a corpse with blood on your hands, that it causes Governor Miller to confess.

Unlike Gant, who created the murder with Neil Marshall both to ensure that there was decisive evidence to convict Joe Darke, a serial killer who had not left any decisive evidence behind, and gain control over the prosecutor’s office in order to pull similar stunts to get criminals convicted using false evidence, Governor Miller does not have that as his motive. After all, he’s not a police officer. Instead, he ended up accidentally killing not-Joe-Darke, and then set up the incident in order to get Leona on his side. As her parents were both influential lawyers and very respectable, having her and her parents’ reputation on his side could help him become President of America Where This Takes Place.

So, let’s just take a moment to run over some of the things that made the original Rise From The Ashes great, in my opinion. Just for fun.

1 - The heart of the story between the Skye sisters. Lana closing off to protect Ema, Ema wanting to get through to her sister and get back to the way things used to be. Phoenix, in this story, is more of a bystander to this plotline rather than in the heart of it himself.

2 - Edgeworth’s Character Development. Basically RFTA creates an interesting transition between Turnabout Goodbyes and JFA. It causes Edgeworth to re-evaluate everything he knows about being a prosecutor. So quickly on the heels of Turnabout Goodbyes, it crushes the last bit of hope in him. It compares him to Gant, who also hates criminals, and forces him to wonder if his hatred of crime will one day lead to him being a criminal himself. He’s already convicted one person on forged evidence; how many others could there be?

3 - The Ends Justify The Means. ... wait come back, don’t leave. What I found neat about this case was also Gant’s motive. At one point he was presumably an honest person who hated crime and wanted to stop criminals. But over time in the police force, he became corrupted. He wanted to have all criminals convicted. So what do you do when you don’t have the evidence to convict them? Joe Darke was a serial killer who has killed several people and may have killed more if he’d gone free. The only way to stop and convict him was by using forged evidence. Other criminals could hide evidence to get away with their crimes, so people like Gant would make it up to catch them; but then when do you stop? What happens if there’s no evidence because someone is truly innocent? When does the line between “this person is a criminal and I want to stop them” and “I just want to convict everyone I’m dealing with” become blurred? This is also something he shares with Edgeworth and helps to advance his character.

All three of these things are either lessened or outright ignored in this musical. Leona and Monica’s story takes a backseat to Phoenix and Leona’s Love Story, with Monica only showing up halfway through, and mainly as an excuse as to why Leona is withdrawn. Edgeworth doesn’t seem to blame himself for the forged evidence he used, and doesn’t have a crisis questioning his morality over it. And Governor Miller’s motive is purely power. Unlike Gant, who would have become Chief of Police whether he solved SL-9 or not, Miller needed Leona to win the presidency. And instead of asking her to help him with his campaign like a normal person, he just blackmailed her instead.

... How do you play the games seven times and miss this much?

The Case Finally Ends

god. we’re almost there.

The case ends, Leona is declared not guilty but will still face trial for covering up murders and such. Probably less of a sentence than Lana because she was not involved in ongoing police corruption? Either way she’s dead in three years, so she’s got something a bit more concerning coming up.

She’s led away. Phoenix sings a bit about Leona before being interrupted by Edgeworth... who has something important to tell him.

Edgeworth: You awakened within me those once-cherished emotions I had discarded. I see visions of a distant, nostalgic past.

So basically this is the unnecessary feelings of the musical. Something along the lines of “seeing you again and fighting for my former ideals is making me question many things about myself.”

How does Phoenix respond?

Phoenix: Edgeworth... Try talking normally for a chance.

Sure, we were all thinking it, but that’s a little cold, Phoenix.

Edgeworth tries a smooth recovery.

Edgeworth: I don’t do... idle chit-chat.

This doesn’t accomplish much. So he leaves to allow Leona to visit with Phoenix alone. He’s got to go change for something more important coming up.

Leona and Phoenix decide that they’re going to get back together once Leona is done her sentence! They make a promise that is very funny if you know she’ll be dead in three years.

Phoenix: I’ll be waiting. For you.

There are a lot of hugs here, I’m not screencapping them all. There are also several moments where their faces get very close together and like, their nose brushes the other’s cheek or something, but they never actually kiss. Is it because the actresses weren’t comfortable with it (valid), or they thought kissing would be too much for the musical (sure, whatever), or since both characters are played by women the show staff did not want two women kissing on stage (probably the real answer)? I don’t like watching kisses, but I kept bracing myself for one and then it never happened, so.

Phoenix ends the main part of the musical with one last musical number starring my personal favourite piece:

Phoenix: I want to bring you back! I believe in you.

I like to think that at this point, this is present-day Phoenix, after finishing his reminiscing, still desperately wishing he could bring Leona back from death.

But alas, he cannot. And so, after one last daydream of them dancing together on the beaches of California, singing about their love, the musical ends.

Dance Time!

This starts at exactly the two hour mark, if you’re interested in watching what is, once again, one of the only fun parts of this musical.

Seriously, Edgeworth’s actress kills it here, when I first saw this I went “oh, this is why I saw so many people being gay for her on twitter.”

Edgeworth’s song is an encore of “My Rule”, so it’s lots of fun. Afterwards Phoenix gets another fun piece.

Then we get to the love ballad part, which I can probably overanalyze, I feel like I haven’t done enough ridiculous over-analyzing in this essay in comparison to the other.

Uhhh so the fog represents how Phoenix feels lost in this world without Leona. You can see it in the second screenshot separating the two of them, representing the barrier of death between the two of them. Idk it’s midnight I’m getting worn out from having to think about this musical for so long.

But his mourning over Leona’s death becomes even more apparent in the credits, where Phoenix sings that one line again:

Phoenix: I want to bring you back! I believe in you.

I’m not fixing that screenshot, I think it’s oddly fitting, in a way. That’s me right now.

Then at the very end, he sings this song.

Phoenix: I’ll spend... this eternal life... soaring through... the heavens!

Technically, this refers to his name Phoenix, but let’s dig a little deeper. He spends the rest of his life soaring through the heavens... the heavens that Leona went to after her untimely death, perhaps?

Overall, the musical becomes much more interesting when you just see it as a prequel to the second musical. This musical establishes many core concepts of Phoenix’s character: his refusal to believe in the concept of things changing, for one, and also his extreme dependency on Leona who he was never separated from since they were kids and where he based his entire life around her dreams and ideals. All he can think about is her. And in the end, he promises to wait for her in California.

Yet, to paraphrase Miles Edgeworth, all that is waiting for him is her death. Their dream of opening up a Mom & Pop Law Firm will never come true.

Thanks again for bearing with me even though this wasn’t as funny!

#ace attorney #phoenix wright the truth reborn #idk maybe someone wanted to know what the first musical was like without actually watching it?#my essays #my posts #i'm TIRED i'm going to BED goodNIGHT #this is less funny jokes and more actually criticizing the musical #because so much of this is like. wow. you really thought that was a good idea huh #just skip to the feenie sweater part honestly that's the funniest part of this musical

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the-shelfish-reader · 3 years ago

Text

LIVE FROM NEW YORK

AN UNCENSORED HISTORY OF SATURDAY NIGHT LIVE AS TOLD BY ITS STARS, WRITERS, & GUESTS

by Tom Shales and James Andrew Miller

It’s a uniquely difficult task to write a review of a book that’s an oral history told by many disparate voices about a TV show that, when this book was published, was 26 years old. Also, it’s a monster of a book, coming in at nearly 600 pages (!). But it’s such a pleasure to read what luminaries of the comedy world remember about their time on a show that, as Dan Aykroyd put it, was like “the Master’s Program in comedy.” Every single person interviewed for this book, without exception, REVERES the show. And they look back with so much love and gratitude for having had the opportunity to be a part of it, while also recalling hurt feelings, power struggles, experiences of misogyny and racism, 18-hour days (some cocaine-fueled, others not), but still, a time they all remember as the greatest days of their lives.

But it’s also hard because this book contains interview snippets with, like, 150 different people involved in the show who shared their memories. That’s a lot of different, contradictory, FUNNY viewpoints.

When SNL premiered on October 11, 1975, I was 16. I saw that first show live. There wasn’t much else to do at that age, television had always been my friend/teacher, and there were only three channels available back then (and sometimes, if you were lucky, a PBS station). I had no idea WHAT this weird new show was about, but I will never forget seeing the very first cold open: John Belushi and Michael O’Donoghue (head writer) do a sketch titled simply, “Wolverines.” If you haven’t seen it, you should, because none of us, nobody, had ever seen anything like it on TV or anywhere else:

youtube

Delightful, strange, and HILARIOUS. The show has changed in many ways since those days, but the premise and the format have basically stayed the same, and well past the publication of this book, up to and including last Saturday’s 47th season opener. This show has been on the air, performed the same way as the first show, for FORTY-SEVEN YEARS straight. Just think about that. How is it possible? This particular oral history strongly suggests that the main reason for its longevity is one man: Lorne Michaels.

Lorne is the rock of SNL. He liked to hire unknowns—potential comedic geniuses who were crushing it in the comedy clubs of Chicago, L.A., and New York, then throw them together in a high-pressure environment and see what resulted. The performers, writers, and writer-performers (almost all performers had to write for themselves and castmates, too) are LEGENDARY. I’m going to give you a PARTIAL list of the comedians who passed through SNL in some capacity at some point in their careers:

John Belushi

Gilda Radner

Dan Aykroyd

Garrett Morris

Chevy Chase

Jane Curtin

Bill Murray

Al Franken

Eddie Murphy

Joe Piscopo

Julia Louis-Dreyfus

Billy Crystal

Martin Short

Christopher Guest

Robert Downey, Jr. (True! For one forgettable season in 1980.)

Anthony Michael Hall

Damon Wayans

Jon Lovitz

Dana Carvey

Dennis Miller

Kevin Nealon

Conan O’Brien

Larry David

Bob Odenkirk

Phil Hartman

Chris Farley

Mike Myers

Adam Sandler

David Spade

Chris Rock

Rob Schneider

Norm Macdonald

Will Ferrell

Jimmy Fallon

Colin Quinn

Tina Fey

Tracy Morgan

Molly Shannon

Maya Rudolph

Chris Kattan

Rachel Dratch

Every person on this list still living at the time gave extensive interviews for this book. There are segments from guest hosts like Steve Martin, Alec Baldwin, John Goodman, Lily Tomlin, and Robin Williams. Executives behind the curtain, producers, casting agents, and actual titans of the entertainment industry also contributed excellent background on the “suits” and the power they had (or didn’t!) over the show’s content, personnel, and format.

I mean, that is a mindblowing list, and again, this is only up to roughly 2001! None of these people are still there now, but their influence is everywhere. I feel it every time I watch. I’m a comedy person. I LOVE to laugh. I’m definitely the target audience, so I bought this book when it was first published in hardback, and have hung onto it through several major book downsizes I’ve done over the years. I remember my first read as just an immensely enjoyable experience—an epic dive into all this fascinating background minutiae. And just exactly how do they write and perform these 90 minutes, every Saturday night from 30 Rock, at 11:30pm, live without a net, year after year? The answer to that is in these pages, and it’s a process of extraordinarily hard work done by all these talented people, week after week.

Nobody remembers the name Charles Rocket, but he was a main cast member in the 1980-81 season. He said “fuck” on air, the censors didn’t catch it in time, and the then-executive producer, Jean Doumanian, was fired as a result. She took over from Lorne after the first five, magical, original-cast years. She lasted 10 whole months, and was replaced by the network suit who’d gotten SNL on the air, together with Lorne, in the beginning. His name was Dick Ebersol, and he lasted four years. The show was in a grave decline in the early eighties. Everyone left when Lorne did—all the brilliant, iconoclastic, talented writers who were tuned into the specific tone SNL had maintained for its first five years were gone. Lorne returned in 1985, did the work, and turned the course of the show around. In later years, they kind of had a revolving door policy: you might have quit, you might have been fired, but if you bided your time and did good work somewhere else, you could always ask to come back (even if only for one show).

This is a recurring cycle in this show’s history—there’s an upward trend of “oh, everybody watches this show and it’s funny and relevant and irreverent simultaneously” followed by years when the quality declined so much the media started referring to the show as “Saturday Night Dead.” Then the evolution begins anew as changes are made/happen. Cast members and writers come and go (in many cases, fired outright), and so the phoenix rises. Again.

The huge tragedies the show has survived are detailed extensively, and the quotes and interview segments used are very emotional. The death of John Belushi from an overdose at age 33, in 1982, devastated everyone who knew him. His death left an enduring legacy on the 17th floor at 30 Rock, the show’s home since day one—no more drug use at work. At least not openly. And if that seems really weird from a 2021 perspective, I’m telling you—the seventies were different. People quoted in this book who were there for those first five seasons tell of a pervasive smell of weed emanating from the offices. Coke was ubiquitous. Nobody knew Belushi used heroin, and generally, people simply didn’t know such a new and “innocuous” drug like cocaine could, in fact, kill you. And after John died, drugs vanished from the offices, studios, and sets. Gilda Radner’s death of ovarian cancer in 1989 was a similar shock. But it was the accidental overdose of Chris Farley in 1997, from the same drug combination that killed his idol, Belushi, and at the same age of 33, that was maybe more personally devastating to the cast. Farley, Adam Sandler, David Spade, and Chris Rock were an extremely close-knit group who had all come onto the show together and subsequently had become lifelong friends, and they’d also done some of their best work of their careers together. Chris died mid-season, and the heartbreak wouldn’t end there, because five months later, in May of 1998, the world learned that former cast member Phil Hartman, considered the “glue” of the show during his years in the cast, had been shot and killed by his wife, who then shot and killed herself.

The book doesn’t linger on the worst times, however, and there are plenty of wonderful stories and funny anecdotes. The majority of people who worked on the show describe it as exhilarating. It’s a purely joyful thing when a group of highly motivated people produce a finished product that is also a quality product. The barometer of quality with this group is simple: to KILL. To leave the audience laughing. In the earliest days, the prevailing attitude was, “WE think this is funny, and if you don’t, you’re WRONG!” I got the impression that while they loved to make themselves laugh, they were acutely aware that their humor needed to translate to an audience. Everyone ever involved has been so, so good at that, and Lorne, with his incomparable instinct, has always had the final cut.

Notable Quotes:

On Belushi:

Lorne Michaels: “In the beginning, there were two things John didn’t do: he wouldn’t do drag, because it didn’t fit his description of what he should be doing. And he didn’t do pieces that Anne [Beatty, a writer) or Rosie [Shuster, Lorne’s wife and writer] wrote. So somebody would have to say a guy had written it. Yet he was very attached to Gilda and Laraine [Newman, original cast member.]”

On the show’s youthful appeal:

Steve Martin: “When you’re young, you have way fewer taboo topics, and then as you go through life and you have experiences with people getting cancer and dying and all the things you would have made fun of, then you don’t make fun of them anymore. So rebelliousness really is the province of young people—that kind of iconoclasm.”

On writing with drugs:

Tim Kazurinsky (writer, cast): “Having grown up in the sixties, I was kind of done with my drugs by the seventies. And so here it was the eighties, and I particularly hated cocaine. And whenever a new shipment arrived on the floor, I would come in and see everybody grinding their teeth. I came in one day, and pretty much the whole floor was just craving it heavily, and I went, ‘Oh, this is not good. I’m going to write at home.’ Because everybody was running into my office with giant pupils and grinding teeth saying, ‘I’ve got an idea!’ And you know, I’ve always found that cocaine causes constipation of the brain and diarrhea of the mouth. In the time it would take to sit and listen to people’s ideas while they were coked up to the tits, I could get more work done at home.”

On the long hours in enclosed spaces:

Lorne Michaels: “I used to say that you only get so many hours that you can be with someone for a lifetime, and you can kind of use it all up in a very intense four or five years, or you can spread it over a lifetime. Friendship really needs distance and space. Not that we’re overcrowding like rats. But the schedule is built so that after three shows in a row, when people are really getting on each other’s nerves, there’s a hiatus and you get some distance from it, and you appreciate what a good place it is to work.”

On Lorne:

Tracy Morgan: “It’s like Luke Skywalker and Obi-Wan Kenobi. Whenever Luke was in trouble, Obi-Wan would come out of nowhere. That’s who Lorne Michaels is; he’s Obi-Wan. That’s what I call him. Everybody has their little nicknames for him. Chris Farley used to call him the Chief. Some people just call him boss. And some people call him Daddy. I call him Obi-Wan.”

2021 gave me new perspectives on events discussed in these pages, and it was both more fun and more time-consuming. This time, I could find and watch important moments as they occurred, via YouTube. Wikipedia helped me with individuals’ background details that weren’t familiar to me. I had many laughs and a lot of fun doing extra research. Just before I started reading, Norm Macdonald died of leukemia he’d been fighting for nine years. Nobody knew. Even Conan, arguably the closest to Norm, didn’t know he was sick. Norm got to do the popular “Weekend Update” segment after Kevin Nealon left, and he was able to snag a writer “held in awe” at the show, Jim Downey, to co-write and produce his weekly segment.

Jim and Norm decided to do “Update” with Norm giving a deadpan delivery of fake “news” one-liners as savage as they were funny. Sometimes, the audiences didn’t seem to get it. Other times, the jokes would kill. Hilariously, they started writing O.J. Simpson fake news pieces, containing jokes whose punchline invariably outright called him a murderer. O.J. had been acquitted, but that didn’t make any difference to them. Unfortunately, Don Ohlmeyer, at that time head of NBC west coast programming, was a longtime friend of O.J.’s, and he didn’t think any of it was funny. He waged an all-out assault against Jim and Norm, which eventually resulted in Norm being fired from the show. To paraphrase Norm, Ohlmeyer thought every single joke in “Update” should elicit a strong response, like laughter, cheers, and applause. Jim and Norm didn’t care if a joke didn’t get a laugh. They only cared that the jokes were good, even if most of them flew over the audience’s heads.

Re-reading this book was an immersive and highly enjoyable experience for me. I would recommend it to comedy fans, SNL fans, and fans of the talented comedians who have been a part of this extraordinary TV show. I do wish there was another book, done in the same oral-history style, covering the last 20 years. Still, I loved the experience, and it was good to spend some time with people whose work I love and admire.

#book report #LIVE FROM NEW YORK #Tom Shales #James Andrew Miller #Saturday Night Live #8.5/10 stars #John Belushi #Gilda Radner #Chevy Chase #Bill Murray #hilarious #fascinating #funny #I remain in awe of the talent

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wildfey · 4 years ago

Photo

some outfit changes from my aai backstory swap au where mvk is the one who gets caught on the scene and has to flee and change his identity, whereas callisto yew is the one who doesn’t get caught and adopts the kid of the guy she murdered

more nonsense au stuff under cut

- So when I was talking about this au before, I said that I’m not sure which side of the bench Edgeworth is on - well I’ve made up my mind, he’s a prosecutor, but instead of his mentor being mvk, it’s the far preferable Byrne Faraday

- Faraday sr. was 30 at the time of dl-6, and being a honourable kind of guy, I can’t imagine he’d have liked Von Karma much. as such, I think he ends up on the case to track the guy down and that’s how he ends up meeting Miles. Kay’s estimated birth year is 2002, dl-6 is late 2001, so I like to imagine that Faraday is kind of at the point of the pregnancy where he’s carrying around the ultrasound images of his soon to be daughter, and then suddenly he meets this kid whose dad has just been killed and is like... holy shit this kid needs a hug or 10, and makes a promise to Miles that he will do whatever he can to help bring mvk down

- I also think Miles reacts very well to this, and Faraday does end up helping him a lot in the early stages of grief. unfortunately he never does manage to catch mvk, which I think ends up being one of the factors that leads him to form the Yatagarasu later.

- Nevertheless, I think once Edgeworth grows up, he ends up in contact with Faraday again, who helps him reopen the case and start searching for mvk. As a result of this, he ends up becoming a prosecutor so they can work together.

- Edgeworth in this au is very much in a vengeance mindset (at least, until he meets phoenix again and manages to decide that he’s going to catch mvk fairly and without harming others) so I think becoming a prosecutor very much ties into that.

- The funny aspect is if Faraday leaves some Yatagarasu stuff for Edgeworth as a successor and Edgeworth is like... no I don’t think I’m going to do that, thank you, and puts it all back in the box and doesn’t mention it to anyone (for the sake of Faraday’s reputation) until the events of aai

- This means that Kay remembers Edgeworth much better in this au than in canon, as he was her fathers mentee and was around a lot. She resents him a little for never finding her dad’s killer, but has mostly forgiven it by the time they meet again

- Though I do think one aspect that comes from this is that later on it would be relatively easy for Yew to frame Edgeworth for Faraday’s murder - he was at the scene, and if he was investigating could have covered up evidence - and I think that working out that Yew is lying about this is one of the first clues that Kay gets to the fact that she’s not what she seems.

- Also I think I’ve decided that Franziska is a detective in this, and although she’s still a genius prodigy, she actually got a childhood. Gumshoe is theoretically mentoring her, but because it’s Franziska she immediately asserted dominance and has essentially assumed his role of senior detective at 19. RIP Gumshoe. I think Franziska also helps eventually catch mvk because it’s what she deserves.

- uhhhh on the other side we have Mia and Phoenix who are in this au because I want them to be

- Like I said in the other post, I think Mia still becomes a defence attorney, even though Misty remains the master. This is because a) she doesn’t want a power struggle with Maya and b) I do think Mia genuinely does have a calling in that direction (becoming a prosecutor, for example, in canon, would have made her more able to search for her mother. but she still became an defence attorney - why? because it’s what she truly wants to do)

- Her relationship with her family is much better though, so I think in this version of canon Mia does a lot of the master training, and becomes extremely good at channelling, essentially becoming a sub-master or something similar. (I think part of this is insulating her sister and mother from Kurain politics - if Mia is the third in line, anyone wanting to usurp Misty or Maya would have to also reach her, outside of Kurain)

- And this means - psychic defence attorney Mia Fey! Her firm specialises in the weird cases, and it’s relatively common knowledge that she uses ‘spiritual powers’ to defend her clients - whether people believe that depends on the person (though the Kurain school was never discredited in this au, so she’s actually relatively prestigious)

- I know I said before that Phoenix is still a lawyer but I’ve changed my mind.

- Phoenix was going to be a lawyer, to the point of working for Mia Fey (who hires him because he’s remarkably good at rolling with weird stuff,). I think he meets Edgeworth again way earlier, and ends up not fully passing the bar in favour of instead having some spiritual training of his own to assist Mia. he’s not exactly powerful in the same way as the Fey’s, but I think he has some abilities, because even in canon, Phoenix is a magnet for weird magic.

#ace attorney #kay faraday #franziska von karma #mia fey #phoenix wright #miles edgeworth #god i need a name for this au #my folder for it is just called kayswap #aai spoilers #ace attorney au #my post #my art

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graedari · 4 years ago

Note

Also for the character thing!! Either Maya or Godot?

Okay so!!!! (this is going under a read more since I'm gonna do both!)

Maya:

First impression

She is such a cute and lovable character! I honestly was super excited to learn about her powers and I just love her interactions with Phoenix in the trilogy. Honestly felt like she was truly a younger sister to me while I played TTwTT

Impression now

GOD I LOVE HER. She has so much depth and she's been through so much. Gosh!!!!

Favorite moment

Okay- you haven't gotten here yet Lav, since this scene is from Spirit of Justice, but I just love her talk with Rayfa about responsibility and roles you are born into and how you choose to fulfill them and make a point to do it right by your way! it just really hit me, but I also really loved Rayfa and know she needs a good role model like Maya who experienced similar stresses and expectations over being the Master of Kurain village!

Idea for a story

I would love to see a story about her rebuilding her relationships in her family. Helping shape Pearl into the person she is when she helped raise her after Morgan got put in jail; finally getting closure over Mia's death and not forgetting her memory; getting some more closure over the whole Misty thing as well; building a relationship with Iris, whom deserves to have a chance at being a better person and rejoining the Fey family; etc!

Unpopular opinion

I don't know if this is really unpopular when a majority of the people in the fandom tend to ship Narumitsu, but like, I don't really like Narumayo? I much more see them as brother/sister relationship! (But also no hate if someone does ship it! Just not how I saw their relationship while playing! I know the devs hint towards it more often than not!)

Favorite relationship

Okay, romantic wise, I am a simp for FranMaya. God I love that ship. The dichotomy of their personalities BUT THE SYMBOLISMS OF EXPECTATIONS AND LEGACIES OF THEIR FAMILIES. CHEF KISS. PLEASE CAPCOM

But I also just love the little family she created for herself with the OG trilogy team of Mia, Pearl, Phoenix, Edgeworth, Fanziska, and Gumshoe! Always makes me smile :)

Favorite headcanon

I know it's sorta canon that both her and Miles are Steel Samurai fans, but I just love the idea that the fandom collectively shared in them becoming friends almost behind Phoenix's back and are always texting about Steel Samurai stuff and I just love the relationship of Miles and Maya as sibling bantering (ALSO I WILL SOMETIMES HOP ON THE MILES IS SOMEHOW A FEY HC THAT PEOPLE WILL THROW OUT SOMETIMES)

And now...

Godot:

First impression

I was /not/ a fan. I had really grown to like Fanziska and Miles and was disappointed that they didn't carry over into the next game. His mannerisms also kinda set me off, and I didn't really like him? Just kinda rubbed me the wrong way. I know that Miles and Franziska were also mean to Phoenix during cases, but like they were charming about it? And Godot just felt a little too mean for no reason?

Impression now

I love funny coffee man. He definitely grew on me after the first case. I also deeply love the interlocking backstory between Mia, Phoenix, Dahlia, and him. I really love how complex he is and that he recognizes by the end that he was much more deeply flawed and wrong about his intentions.

Favorite moment

Anytime he mentions how many coffees he's had. Shit cracks me up.

But in all honesty. I just love the scene he's confessing about how he realized his intentions to keep Maya safe were not truly his leading ones and that he reflected how his revenge for Mia had blinded him. It just really hit me and I'm like- damn. Okay. Cool. Now I actually feel bad for him.

Idea for a story

I would love to see him maybe out of prison at some point, rehabilitated, maybe running his own coffee shop that the other's frequent. Maybe even as just a background location. Him possibly seeking out Maya to patch things up between them and then maybe even seeking out to speak to Mia with her or another medium to get his own closure as well (maybe even ask to speak to Misty to apologize for murdering her despite it being a fail-safe for their plan)

Unpopular opinion

I do not like Miego. I thought it was kinda cute to begin with, but then I kinda died off on it... I mean- I can kinda see it sometimes, but like... Idk.. I changed my mind about it I guess.

Favorite relationship

Godot x Coffee

Favorite headcanon

This is 100% from the art that @/_julia_cheesecake_ has done, but it fucking sends me anytime they draw some of the killers in jail. But just Godot interacting with Kristoph there just fucking ends me. I think they only drew it once, but at least once a month, I like to imagine that Godot calls Kristoph a twink

#graedari answers #ask: noyin #ask game: character opinion #ace attorney #maya fey #diego armando #godot #long post #tw: swearing #tw: caps

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swansstuff · 4 years ago

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So uh, I've been thinking about a hypothetical Trucy Wright: Act Attorney and here is the very poorly written outline for it because yeah. No spoilers except the Apollo Trucy thing. Tw death, murder, blood and grieving so yeah.

Trucy's first case is literally her first ever case. This is a flashback case. We follow her as she wakes up, slightly stressed about today, Phoenix gives her cereal and a pep talk and a cryptic message. Trucy asks where Papa is, it is Miles, they are married. Phoenix is cryptic about that too. He stays behind as he "has to buy groceries" so Trucy heads into the office. Apollo greets her, it's clear they know they're siblings, and he hands her a case. Miles is prosecuting. She is fucking terrified. She goes to the crime scene, Gumshoe is the detective and he's educating his teenage sons, constant confusion of who's who, because they are twins and they look very like Gumshoe, it'll be kinda funny. Its a simple investigation. During the investigation, the player can check Trucy's profile and the profile system shows character's middle names now. We get some gems such as Klavier Hyacintha Gavin later on, the reasoning behind this is coz Trucy is nosy. The important one here is Trucy Mia Wright. She says something about how she chose her own middle name when Phoenix adopted her and she chose Mia after learning about her. Yada yada. Trucy wins the case. Edgeworth is very proud, Phoenix is in the gallery and there's a flash of him crying proud tears, Apollo hugs her afterwards, Athena congrats her.

Next case, flash forward three years later, we do not see Phoenix and nobody really mentions him. Thats because he's fucking dead but we don't know that yet. This case is a Fey case, we meet Maya who is married to Franziska and they're technically on honeymoon in Kurain and Pearl becomes the Maya to Trucy's Phoenix. Its another fey murder case. There are a few mentions of Trucy's admiration of Mia, mainly just a mirror of a few lines she's said and a conversation where her and Maya talk about her, Trucy says she would have loved to meet her and Maya explains how her spirit has been dormant for ages now and how she assumes she's moved on.

"If you want I can try and channel-"

"No no no no NO. Its ok!"

This is our first hint that Phoenix is no longer with us, but we don't know until later thats what she means. Sebastian is the prosecutor, the player finds out that Miles is taking a break from prosecuting work, Trucy already knew of course, and Sebastian is dubbed Chief until he comes back, Fran says

"It would've been me were I not on my literal honeymoon right now." We are not told why yet, but it is because of Phoenix. Kay Faraday is the detective, somebody murders someone and frames Maya, no-one is shocked by this. We also get an update on Iris, she's thriving. She wins yada yada.

Next case, a couple of months later, Trucy gets a call from a friend that the player can't identify at first. Its Katrielle Layton. She needs Trucy's legal knowledge because someone is sueing her detective agency because have you seen how they practice. This, of course, turns to murder and we get another surprise when we meet the prosecutor. Who probably has a licence to practise law in England? Simon Blackquill, he is British ok. Yeah, Trucy wins with Kat's help, we meet Ernest and Sherl and Alfendi and Flora if we have time. I miss them. Trucy and Kat have a conversation that cryptically addresses their fathers and their "whereabouts" and living up to their legacy. We see Trucy cry, but only a similar flash to AJ:AA and we do not know why. Yet.

Next case, flashback case. Trucy is the assistant on this case but we still play as her, even in the court sections since Phoenix is prepping her for the bar and getting her to give him the answers. The bar exam is only in three days. Klavier is prosecuting. The case somehow relates to Kristoph and there's the whole mirror dynamic thing of when Phoenix lost his badge. Kristoph is dead by now, but the whole thing is there was a plot inside prison to make Phoenix pay for putting a bunch of them in, Kristoph was the assumed ring leader until he died and the cops now dont know who's running it. Somebody (Godot? That would hurt big time) was their inside man, sent to figure that out, so when whoever it was turned up dead, the whole thing got exposed. We get a bit of a Mia moment in the trial where Trucy tells Phoenix to flip over the receipt (thats evidence for some reason). Phoenix says "I feel like that shouldn't be the second time someone has said that to me". The killer is found, by Phoenix, and put into isolation, as have most of the other participants. We then see Trucy get her badge. They have a conversation and Trucy says Phoenix basically forgot about it for a couple of months. The case closes with a foreboding "and I forgot about it too, until..."

Next case. Phoenix is fucking murdered. Trucy gets a phone call late at night, she hears laboured breathing on the other end and a "don't forget I love you" from Phoenix. Trucy pulls a simba and goes "dad? Dad?!!" And the line goes dead. The player is presented with a choice of who to call. They have two phone calls. Who they choose first makes no difference, but the second time they are forced to choose Ema who will trace Phoenix's phone call. They could call Apollo and he would comfort her, Miles would panic, Maya would say he was just messing around, Athena would sense her distress and say she's coming over etc. You could attempt to call Phoenix back but he would not answer and you would be allowed to call someone else. Ema then traces the phone call and we follow Trucy to the crime scene. We get a truly haunting cutscene where everything kinda goes blurry except Phoenix's face and the blood. Trucy doesn't cry. She stands there in shock. The WAA is there in various states of shock and upset. Return of grieving Apollo I guess. Miles turns up and the look on his face is haunting. Trucy and him make eye contact and they share the thought of something has to be done. And then. "The bar association took me off the case and Papa too, they said we were too close to it. As a result, we never found out who did it... Until now." And we see a determined Trucy face. We jump forward to where we last saw Trucy, she and Pearl are coming back from England and its a bit more cheery. Trucy sends Pearl on a train back to Kurain and heads on home. She enters the house and we see Miles pouring over Phoenix's case. He jumps up and runs towards her.

"Trucy! I think I have a lead, I-"

"Papa, you're tired, go to bed." (Or better dialogue along those lines)

Its clear he's been doing this sort of thing a lot.

"But I do! At least...I think I do..."

He trails off and rests his head in his hands.

"Do I? Or am I just a mess?"

Trucy gives him a sad smile.

"C'mon let's go to bed."

Miles returns the sad smile and fades out like all ace attorney characters do. The player is given the option to look around. There's probably some emotional dialogue and bits that give clues to how she and Miles have been fairing the past 3 years. Answer is, not very well. Examine the pile of papers on the table. Trucy will take a look and then realise her papa may have actually been onto something. Its a diagram of which prisoners knew each other, with an arrow from each leading to a defense attorney we have never met. Trucy is confused, but she calls for Miles anyway. He comes back downstairs and Trucy asks him about this lead he found.

"Well I realised all those prisoners would know this defense attorney (insert name?)"

"Why? And why would they be suspicious?'

"They (pronouns?) Were always the defense attorney who would take on the cases of those Wright had already accused. They gained a reputation of being the doomed defense attorney."

"So... They knew all the prisoners in the plot and they had a grudge against daddy... Papa I think you're onto something!"

And the case continues, since we already know who's been accused, it plays out more like an investigations game, Trucy has to prove it, with Miles' help of course, literally every other character we know and love plays a part in making sure this guy gets a guilty verdict. There is still a courtroom bit and a moment when all is looking dark, Trucy literally has a full on breakdown as the Judge threatens to remove her from the case again. Miles is by her side, they're both technically prosecution here i guess. Miles, however, is too deep in his own mental breakdown to help. Everyone else is in the gallery besides Pearl. Pearl channels Phoenix as a last hope sort of thing. Phoenix comforts her and tells her to keep fighting, he touches her badge and probably says some sort of bullshit about it. The Judge is about to bang the gavel when Trucy and Phoenix object at the same time. Miles looks up and realises whats going on and he objects too, a little later. The battle goes on until it finishes and the other attorney has a breakdown that steals little bits from every other murderer Phoenix has put behind bars.This is the one time seeing the word guilty on your screen feels good. There's a whole heartwarming celebration at the end, Phoenix sticks around for a little bit and everyone gets a bit of closure. Its assumed he's gone since Pearl passes out and Trucy dips out for a sec. She's away from the festivities, staring at the badge in her hand and we see someone coming up behind her. Maya is channelling Phoenix now. He gives Trucy a hug and utters the words "the only time a lawyer can cry is when its all over and, Trucy darling, my light, its over." Echoing both Diego and Mia.

And the screen fades to black with a final hug between father and daughter.

#ace attorney #my writing #trucy wright #miles edgeworth #phoenix wright #maya fey #franziska von karma #pearl fey #professor layton sorta #etc i cba to tag everyone #tw death #tw grieving #tw blood #tw murder #:)#wrightworth #franmaya

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girlbossfranziskavonkarma · 4 years ago

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Tell us your franziska thoughts on her relationship with Maya

hmm.. ok... ill tell u i dont have too much brainrot about franziska + maya so i dont think about them TOO much i just think theyre funny and the best pair for each other BUT.

i think their relationship wouldve be really interesting if they ever fleshed it out which they WONT ever do that but it wouldve been GREAT if they had more than 2 lines. but whatever. 3 points ill say are

age

legacy

their trauma shit idk

and how theyre both alike and different (also im just transporting it from my brain so it may not make that much sense but like u know)

theyre the same age. maya says some shit like wow...shes my age but shes so much more mature and strong. maya still feels like a teenager at 18, franziska feels as if she is an adult. maya had more leeway in this in fact i would say she is the opposite of franziska in this regard. maya was much more sheltered than franziska was. I mean, look at pearl. morgan is pearls mother yea but even so living in kurain heavily shelters you. really i doubt maya knew too much about the outside world until the time we meet her. shes immature. but so is franziska. franziska was simply forced to grow up too fast. she was constantly reminded she was too young and she learned to surpass that by acting older than she was. but we KNOW she is immature. she has outburts and she cant really control her temper. her best resort is..whipping people. theyre both immature teenagers who were simply raised in different environments. and maya doesnt seem to care much on how others perceive her. shes goofy, shes fun! shes not an old fart like phoenix. shes young and shes happy to be! franziska is the opposite. shes stern, shes serious. she despises people not taking her seriously. she wants them to think she is a mature adult just as her brother is and just as her father is. she wants to be older and so she tries to hide her immaturity!

they both have their legacies hanging over their heads. franziska constantly had the von karma name putting pressure on her. she had to be perfect like her father, and she had to work hard for it. anything other than perfection = not an option. she was essentially groomed from a young age to be the perfect prosecutor. maya constantly had the fey name putting pressure on her. she was the only member of the clan who could be master. this pressure amplified once mia had left. but for maya, she had plenty of time to .. live. she only really started her training at 17 years old, and only at 28 has she mastered it! maya never exactly had that pressure that franziska had for perfection... however both of them feared letting down their family name. also both their predecessors had died, leaving them to realize that their legacies really didnt mean anything anymore. they became what their legacy destined them to be (maya=master,fran=prosecutor) but... a little bit to the left. someone of their own. edgeworth as an example throughout all of aai2 wonders if he should go in his fathers footsteps. and he makes the decision to stay a prosecutor... and just be his own kind of prosecutor that finds the truth. this is basically the complete opposite of what fran and maya do. they DO follow in their parents footsteps. but they make it their own.

franziska and maya both have ... TRAUMA. the way they deal with it is very alike and very different. both of them bottle it up and try to stay strong. but when something happens to maya, she acts like its all chill. everythings ok. shes okay. she acts fun and upbeat so that nobody can see anything is wrong. she keeps it to herself. franziskas way of bottling it up is she hardens herself. she doesnt let anyone touch her or get through to her. she acts rude and abrasive so that nobody can see anything is wrong. she keeps it to herself. tho i would say maya is better at hiding her true emotions abt these things... as like i said franziska has many outbursts. also, franziska hasnt really had much of a support system. she has edgeworth, sure, but im sure as soon as she hit 12 years old her pride got too high to talk to him about anything like that. maya has usually had someone to depend on and talk to. she had mia, then mia died, but then she had phoenix and she has pearly and she has some of the individuals shes met on her escapades! she does have people to talk to... she just doesnt. but unlike franziska its not because of pride i think she just doesnt want others to worry for her

anyways yeah some of this might be heading into just hc territory but yah. there you go. some of this may not tie together at all but also im tired so um LOL there u go

#took me a bit 2 write this cuz like i said.. i havent thought too indepthly abt them before #usually its fran + edgeworth #realizing i may be mentally ill #catgirlzoe

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hotel-japanifornia · 5 years ago

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What’s your feelings on godot i do feel sorry for him and i don’t hate him but he was a huge prick to Phoenix

Godot is a rather complex character. I like him as a character in general, however the fandom does seem to misunderstand who he is and what his motives are, even his fans.

When we first meet Godot chronologically, we meet him as the defense lawyer, Diego Armando. Diego is honestly pretty charming, he’s smooth, he’s confident, he’s cool, and I like the way he plays off of Mia. I personally never found the “kitten” nickname sexist nor do I understand why it would even be considered that way. It’s never said once that Diego doesn’t think Mia is lesser for her gender. In fact, in their first conversation during the case, this is said:

Armando:No, no, no… You’ve got it all wrong! Today, YOU’RE the finest! After all, it took an amazing amount of guts to take this case! Imagine… An escaped death row convict for a first client!

If anything, I think the whole kitten thing is probably just his nickname for rookies in general, and not necessarily women. I’ve seen people think it’s his way of flirting with her, and that’s possible too, just not necessarily how I see it. Anyways, at the end of the case, Mia beats herself up because she thinks that she was the reason her client died and Diego gives her this piece of advice:

Armando:Don’t you get it? You can’t cry yet. The only time a lawyer can cry is when it’s all over.

Mia:M-Mr. Armando…

It’s honestly a good piece of advice, and I love how Mia takes inspiration from that quote and uses it towards Phoenix even if it’s said in a different way:

“The toughest of times are when lawyers have to put on their biggest smiles.”

It’s not exactly the same as what Diego said, sure, but it does have the same meaning. In that way at least, you can see the impact he must have left on Mia. Regarding the two’s relationship for a moment, I do think they had just started dating when Diego was poisoned. It does explain why Grossberg calls Diego Mia’s boyfriend, but I digress.

When we meet him in 3-2 and 3-3, it’s obvious he dislikes Phoenix but we don’t know why yet. Honestly, Godot is probably one of my favorite parts of 3-2: he’s mysterious and confident, but he also has some goofy moments like when he refers to himself as a legendary prosecutor because he’s never lost a case but he’s also never won one either. I don’t know that it was intended to be funny but it’s always made me snicker a little. He comes off as being a jerk sure but so did Edgeworth and Franziska, and like them, we learn more about Godot and his motivations later on.

Godot in 3-3 is why I can never agree that T&T has a filler case. For one, in 3-3, you learn about Godot’s inability to see red on white when he fails to notice the ketchup on Maggey’s apron. It’s an extremely subtle moment, but it’s given quite a bit of focus so the player could then assume that that unique feature will be important later on. Godot is still mysterious and a jerk but I love the way that he handles Furio and willingly admits to being the one who summoned him to court. Like Nick said after the fact:

(T… Too cool…)

Not only that, but he does manage to have a somewhat nice moment with Phoenix at the end of the case after throwing coffee at him:

Godot:Well done… Trite. I saved my 17th cup of coffee just for you. Savor it… While you watch your caged prey.

While we don’t learn that much more about Godot than we did in 3-2; what we do learn about him plays a very important role in a case later on. 3-3 isn’t directly involved with the Feys at all, but it does have some importance to the overall plot of the game.

We meet Armando in 3-4 which is the first playable case chronologically in the trilogy’s timeline. Right off the bat, we notice he looks similar to Godot, the two even have a similar suit to each other, just different colors and have a similar hairstyle. I’m not entirely sure how many people guessed that Godot and Diego Armando were the same person right away but I think people might have at least thought the two were related at least (I’ve even seen people think that Godot and Diego were identical twins!). As for me, I kinda had a feeling since the two look alike and have the same love for the hot, bitter lady known as coffee.

Godot is extremely important to 3-5. If it wasn’t for him forming a plan to save Maya with Misty and Iris, Maya would be dead. Thing is, I don’t agree that Godot is entirely to blame for not going to the police and bringing the plot to them or just burning the note the whole way through. If the latter had happened, Pearl would have told Morgan she couldn’t find it and Morgan would definitely suspect that something was going on and possibly even relay the plan to Pearl herself. The former happening is unlikely because of reasons that I will go into a bit deeper. Another problem lies in that Misty also shares some of the blame herself but this post isn’t about her so I won’t go deep into it.

We don’t see Godot until the second investigation period when Dusky Bridge has been rebuilt and Phoenix enters the Inner Temple, desperate to find Maya. It’s there that we learn why Godot hates Phoenix so much. Godot blames Phoenix for the murder of Mia Fey. He states that since Phoenix was there at the time, he should have protected her and by failing to do so, he in a sense, killed her. And because Maya is missing at the time, he goes further and says that Phoenix killed Maya indirectly by failing to protect her when she needed it most.

Personally, I find this conversation to be more Godot venting out his frustrations on Phoenix. Think about it, the guy spent 5 years in a coma because a psycho killer poisoned his coffee. He wakes up and he finds out that his girlfriend was murdered while he was in a coma. He feels mad at himself for not being able to protect Mia and thus sought to protect Maya as a way to make amends. While it seems like a weird conversation and just another example of Godot being a douche during one’s first time going through the case; a replay of the case after finishing it helps shed new light on the conversation the two have.

We also learn more about Godot’s inability to see red on white during that same encounter in greater detail. He says that his eyes are messed up and that mask is the only way he can see. Although it’s not much, it is something.

During the first trial portion of the last trial day, Godot starts acting rather strangely. When he learns that there was writing in red on the stone lantern in the Inner Temple Garden, he starts freaking out. Not only that but he actually helps calm Phoenix down when he freaks out over Dahlia’s suggestion that Maya jumped into the Eagle River from the Inner Temple side, and tells him that would be impossible to do.

Eventually, after Dahlia has been exorcised from Maya’s body, the Judge attempts to hand down his verdict. Godot immediately objects and says that they still don’t know who killed Misty, and the only person who can testify about that is Maya Fey. Some people have called this move callous and insensitive to the state that Maya is in, but it really isn’t. Godot could have simply let the Judge hand his verdict down and get away with his crime. But he doesn’t, he requests that they summon the one person that could incriminate him. Also, he does show a fair bit of empathy towards Maya in this exchange of dialogue towards her before her first testimony:

Godot:Straighten up this moment, young lady!

Maya:Huh…?

Godot:Pick your head up and speak clearly. There’s always time for crying later.

Maya:B-But I…

Godot:Your mother was killed right in front of your eyes! There’s nothing you can do to change that fact.

Maya:…!

Godot:But there’s something you can do… You can finish this. You’ve been watching the whole thing right? You’ve seen the witnesses come out and you’ve seen us squeeze the truth out of them. Now it’s your turn. …Let’s hear your testimony. On the night of the crime… what exactly did you see happen!?

It’s pretty obvious during Maya’s testimony that she’s willing to protect the identity of whoever killed her mother, even to the point that she begs Phoenix not to reveal his identity and even suggests that she thought it was a man for other reasons than the three red glowing lights. We also get to hear about this one cute little story about an interaction between him and Pearl in which he actually comforted her and gave her coffee. That’s pretty sweet…and kinda dangerous.

Still, it’s quite obvious upon cross-examining Maya that Godot is the killer, so why is she covering up for the man who killed her mother to the point that she’d be found guilty otherwise? Godot did save Maya’s life in the process of killing Misty who was channeling Dahlia at the time and would have killed her if Godot hadn’t intervened. Maya is plenty aware of this and it is in character for her to do something like that.

We also learn through Godot’s self-reflection that he knows that he could have killed Pearl instead of Misty that night and that Misty’s murder was out of a fit of rage against the ghost of the woman who ruined his life. He also goes on to say that he’s not really sure that him saving Maya’s life was out of a genuine will to protect her, and even tells her that if he genuinely wanted to help Maya, he should have gone to Phoenix instead. Despite this, Maya genuinely believes that he wanted to save her life and so does Phoenix even despite the way Godot had treated him up to that point.

Godot is an extremely gray character and it’s really interesting to study him as a character, who he is and what his intentions were. I don’t think he truthfully wanted to kill anyone that night in the Inner Temple Garden, all he wanted to do was protect Maya the way he wanted to protect Mia. He was never willing to actually kill anybody and even helped Phoenix catch him in the end. Iris and Misty both played a role in this plan too and made their own share of screw-ups so I don’t understand why people shift so much of the blame for it onto Godot?

Honestly though, I think that the whole black-white morality lens that people typically view characters through doesn’t really work with characters like Godot. Godot is not a good guy but he’s not a cookie cutter bad guy like some of the culprits in this series seem to be and that’s what makes him so intriguing to me. He’s not my favorite character, but I can see why someone may say he’s their favorite.

#ace attorney #godot #diego armando #ask

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marithlizard · 4 years ago

Text

Ace Attorney: Rise From the Ashes (part 1)

A couple of people expressed interest in a writeup as I play through the game, so I thought I’d give quasi-liveblogging a try. It might have come out to be too detailed - let me know if the result is amusing enough to go through the next part.

(I knew this already, but wow liveblogging is a lot of work. And it must take twice as much effort to do this for a show and to include screencaps.)

(I’ve tried three times now to put proper line breaks/spacing in, and they’re just not displaying, at least on desktop. I’m sorry.)

A brief, stylized opening designed not to give away much, except that a creepy-looking doll is involved.

Two months? Phoenix, you haven't taken a single client since Maya left? a) are you depressed, and b) how are you paying rent on the office?

Ookay, you're not going to tell us why you've been moping around. I don't think it's that you have a crush on Maya. Are you just not able to function without a partner? That's not great for your ability to survive, but I can sympathize.

New perky assistant, right on cue. (A partner who isn't a young girl would be a nice change now and then. (But not Larry. Anyone but Larry. In fact, I take it back, this girl with the pink sunglasses will do just fine.))

Oof, Phoenix still not being able to say out loud that Mia's dead.

In the first two minutes pink-glasses girl has asserted that he's his female boss, the coffee boy, and 'better than nothing'. Aha! The problem with all the clients he turned down was that they didn't insult him enough.

Kid, you can't be more than sixteen, and you have silly face buttons on your lab coat. You are about as much a scientific investigator as Photography Girl last episode was a journalist. ...But apparently you have a future job lined up in forensics, so you're more organized than she was. And this world certainly could use more competent crime scene analysis.

"I promised her I'd bring Mia Fey". Huh. Is Mia's murder not well-known to the public, then, even though the Edgeworth case apparently got famous enough to earn Phoenix a bit of a reputation?

A murder charge with an eyewitness, and an assistant who "kind of hates" her sister the defendant. Sounds hopeless, let's do it! Off to the Detention Center.

...Did we just overhear the defendant threatening their terrified guard with a pay freeze? Is she their boss? And if she's someone that high up, why doesn't she already have a better defense attorney?

I like Lana Skye's character design. She looks as though she should be starring in a Takurazuka revue show, swearing eternal star-crossed love to a princess.

She insists she did it. By genre convention we know that can't be the case; my first assumption is that she's being forced to cover for someone, blackmailed or coerced by someone higher up in the system. But it would certainly be interesting if it turned out she was covering for Ema.

Must....resist...plotbunnies...

Oookay. A prosecutor should certainly know ways to commit murder without getting caught, and this sounds like the opposite of those ways. WHY does she claim she did this? You're not even going to ask her, are you? *headdesk*

Ema: "Please ignore that totally gay statement by my sister, because I certainly plan to!"

Lana: "No don't help me, go away go away go away go away go awa-oh fine."

Hmmm. From Ema's description of the behavior change, Lana has been being blackmailed or coerced for a long time now.

Time to go investigate the underground parking garage.

Attorneys aren't supposed to examine crime scenes, and defense attorneys aren't entitled to a copy of the police investigation reports. What does a "normal" defense attorney in this world do for their clients then? Always assume a loss and try to negotiate a plea bargain? I wonder if we'll ever get to see one in action.

It's...a cop with a cowboy fetish? Do police not have dress codes here? Maybe they're waived above a certain level, and some people take pride in cultivating a unique style to show off that they can. It would explain Edgeworth.

You are dramatically pretending to shave in front of us. Also you just called Ema a baby cow. Although you know her and seem sympathetic - I guess Lana brought her little sister to the office sometimes? Not sure what I think of you, Jake Marshall.

I am revising my stance. Being Phoenix's partner on a case requires precise and narrow qualifications. Specifically, just enough sense to stop him from doing something breathtakingly stupid, but not enough sense to take the badge firmly away from him and do the job themselves. Ema fits the bill perfectly.

Ooh, new mechanic! And an ID card number for a Bruce Goodman who dresses like a white-hat agent in Spy vs Spy. (I was trained on games that would require you to write that number down and remember it later, but AA will certainly be more forgiving.)

Using the new mechanic on Phoenix's attorney badge, I deduce that at some point this game it will be stolen.

It doesn't explain Lana's supposed actions, but that red sports car does kind of scream "My owner is a jerk, stuff a body in my trunk." Instead of a chalk outline, they seem to have outlined the hanging body with string? Is that actually a technique, and how do they get the rope to stay put in precise outline?

And the cowboy gives them a hint. So he's on their side but constrained by rules?

Lady put the boobs away. Why are you selling sushi in a negligee under a fur coat, at a crime scene? And why would anyone trust food from someone whose nickname is "the Cough-Up Queen"?

Angel Starr, dominatrix lunch lady. It says something that this is not the weirdest witness in an AA game so far.

She hates prosecutors, and therefore especially Lana. Not a trustworthy witness. But it's probably no fun to cater for a group of (relatively) wealthy and powerful people you despise. Especially if they're smugly giving awards to each other as they eat lunches. (Eeeevil lunches. She probably coughs on them.)

"The rhythmic beat of Lana Skye's knife"... very poetic, but didn't Lana say the victim was stabbed only once?

We can't get back to the car, phooey, so up to the prosecutor's office we go.

Pink...everywhere...no question whose office this is, even if one of his outfits wasn't framed on the wall. (why do you frame an outfit?) I see a very ugly trophy on the sofa, so he's the one who won the award.

Ema: "this is the kind of room that just screams 'I can do the job'. Actually it screams 'I don't need to pretend to be heterosexual', but the two aren't unconnected.

Is it just me or is that trophy broken off at the top?

Edgeworth did you just roll with being insulted and make a joke about it? I'm so proud of you, you've clearly relaxed since your murder trial!

BWAHAHA of course it was Edgeworth's car.

Wendy the security guard from the Steel Samurai case is sending Edgeworth expensive presents?? a) that's both funny and a little sad, b) how can she afford it, and c) he keeps and displays them which is very courteous.

WAIT did you - did this game just heavily suggest Gumshoe hangs out in the office a lot? Twice, once when you look at the shelves and again when you look at the desk? I don't ship it, but this is the point where I start to see why people do.

Awwww he's embarrassed about the trophy, that's cute. So he's the one who "devours the evillest lunches of all", hmm? I wouldn't have thought the Cough-Up Queen's weird not-even-fresh lunches would appeal to Edgeworth's refined tastes.

Ema actually has a bit of a crush, from the way she's rhapsodizing about Edgeworth sleeping on the sofa. d'awww. And I definitely want to know the story behind the outfit. Made by his mom and too precious to wear?

Edgeworth, no one thinks you did it. Sheesh. He certainly doesn't sound happy about having to prosecute Lana, even though he believes she's guilty. His car, his knife... it almost seems like this is a plot aimed at him, or perhaps a plot against Lana with a healthy dose of fuck-you-too-Edgeworth to it.

Huh. Maybe it *is* aimed at him. I've been assuming all this time from his behavior on the stand that Edgeworth has indeed been messing with evidence to convict obviously innocent people, and also assuming that it's common practice in this corrupt justice system. (Much as it is in Japan and in the US). But the way he's talking about rumors right now, it sounds more like he's being slandered. And he thinks the award he was given was out of mockery. Ouch.

So yes, the trophy is broken. (In RWBY, you assume everything is a gun; in AA, you assume everything is a murder weapon. It probably broke when it was used to hit someone over the head.)

Evidence transferal day, huh? Was the murder timed to draw attention away from a case being closed? And Edgeworth parked his car only three minutes before Goodman was stabbed and thrown into its trunk? No way. He was there for the murder, or more likely that's not when the murder happened. (Is he being coerced like Lana? I don't think so, but it's possible.)

Enter an idiot mailman with a bandaged hand. And exit, with sniveling. What was that about?

And a hint to go investigate at the police station. Is Edgeworth being friendly, attempting to signal something, or merely aware that the most efficient way to get rid of Phoenix is to give him a clue to chase?

The police department entrance, with some sort of plywood jester figure in front of it. We're offhandedly informed that it took 30 minutes to get there from Edgeworth's office, which means that will be important later.

This is the creepy doll from the intro! It's clearly meant to be a mascot. Was it made by the sniveling mailman? There's a certain resemblance...

No, I should've guessed that Gumshoe made it. I mean ... mechanically it's pretty clever for someone who's not a craftsman or engineer? Moving articulated limbs and all. It's just the aesthetics and design he shouldn't have been allowed anywhere near.

Yes, yes it is odd that only the top-ranked people are being allowed to work on the case. Are they all in on it? A patrolman in charge of the crime scene instead of a detective - that suggests Marshall is part of the conspiracy. I'm thinking the dominatrix lunch lady is too.

Gumshoe is so happy about the prosecutor's award - Edgeworth probably didn't have the heart to say that for him it's a mockery. Daww. (Also there's something endearingly cheerful about his hopping-caterpillar eyebrows.) He's also being much more helpful than his superiors would want, probably just because he thinks of Phoenix as an ally in general now.

Back to the parking lot, with a letter of introduction in hand this time.

I genuinely can't tell if the lunch lady is a sex worker, if she actually has multiple boyfriends, or if that's code for her professional contacts in whatever she's really doing here. (And that's an interesting cultural bit, isn't it - any of those options seem possible, and I'm not expecting any of the characters to question her competence or morality because of it, not even in court. If this was a US-made game my expectations would be...different.)

"Good men always die young"...I see what you did there, Marshall.

Autopsy report confirms one stab wound. Lana and the victim worked together on "a case a few years back", ding ding ding. Someone didn't want the evidence for that case transferred. Or looked at.

Marshall used to be a detective but got demoted? And he's lying about why he was assigned to the crime scene, and telling us Gumshoe is off the case because he's friends with Edgeworth. The police chief, whoever he is, is now at the top of my suspect list.

Happily, the game will let me do dumbass things like show off Goodman's ID card without consequences. Marshall seems very uninterested in it and why it was found so far from the spot of the murder, which I take to mean "we have our official narrative, don't go messing it up with facts or evidence."

Finally we can examine the car! First up, Lana's cellphone. The whole business about hitting redial and somehow not knowing that Ema's phone rang was weird. Phoenix’s lie couldn't possibly have fooled Marshall, who is bizarrely claiming there's no way to know who the last call was made to. It's an odd thing to conceal, even given the “no facts please we have our narrative” stance. Maybe he's trying to protect Ema somehow?)

Marshall said the rumors about Edgeworth came from Lana. And we have a note found in the trunk: 6-7S 12/2, on a piece of Goodman's stationery.

Er, yeah, Ema, why didn't you mention your sister called you 3 minutes after the claimed murder time? If Lana hung up right away that's hardly incriminating for either of you.

End of Day One! We are, as usual, completely unprepared for tomorrow morning's trial.

#ace attorney #rise from the ashes #ace attorney spoilers

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snezfics-n-shit · 4 years ago

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Whumptober Day 26: Faint

Fandom: Ace Attorney

Characters: Godot, Phoenix Wright, Maya Fey, Franziska von Karma

Notes: Post-SoJ, Godot has recently been released from prison. Phoenix and Maya take him out for burgers and ketchup catching up. Human socialization? For Godot? He’ll take it. Too bad there’s someone who wants to ruin his fun.

“Don’t you think your first restaurant visit after prison should be something, I don’t know, nicer?” Phoenix stared at the Burger Barn menu. Was this really Godot’s idea? The coffee served there wasn’t even that good. “Miles offered us a reservation at a five star place downtown.” At least at somewhere more high end, the brand new suit Phoenix bought specifically for this event would have been appropriate. He still wore it, but it was definitely out of place.

“Are you saying this place isn’t nice, Nick?” Maya gaped in feigned hurt. “How could you!?”

“Yeah, how could you, Nick?” Hearing Godot call him ‘Nick’ made Phoenix uneasy. Maybe ‘Trite’ had a nice ring to it after all. “This isn’t for me, anyway. It’s for the Master.” Godot shot an affectionate smile at Maya. “Mia’s so proud of you. I promised we’d take you here once they released me.”

“Yeah, she didn’t want to ruin the surprise, but I got her to tell me!” Maya laughed. “Sorry Pearly couldn’t make it, by the way. She and Trucy are comparing admissions essays tonight.”

“Who?” Godot stared at the two. “I know Pearl, but who’s the other one?”

“Oh, Trucy? My daughter.” Phoenix presented Trucy’s senior photo he kept in his wallet. “She’s around Pearl’s age, actually.”

“What the hell!?” Godot raising his voice caught the attention of the other patrons in line. “Then why didn’t you drag her around and put her in harm’s way at Hazakura Temple?”

“She’s adopted.” Maya corrected him. “I made the same mistake, honestly.”

Did Phoenix even look old enough to have a biological daughter Trucy’s age? Who would be Trucy’s mother if she was his? He certainly wasn’t surrounded by women during the year Trucy was born.

“I think I’m going to pick out a place for us to sit.” Phoenix excused himself. “I don’t want anything, so you two can order without me.” Now that he had essentially been spoiled with home cooking, Phoenix had little interest in fast food. That, and he wanted Maya to understand how it felt to deal with a notorious fry thief.

He found a clean table next to the booths. There were four chairs, so he could use the extra one to hold coats unless someone from another table asked to use it. He couldn’t help but notice a familiar shade of blue in the corner of his eye and tried to pretend he wasn’t there.

“I know you can see me.” A woman in the booth next to him spoke. “How foolish to think you can call ducking your head ‘hiding.’”

“Oh, uh,” Phoenix laughed nervously, fully acknowledging the woman, “hi, Franziska.”

“You look frightened.” Franziska observed, not at all realizing that maybe, just maybe, it could be the whip sitting beside her. “You shouldn’t be,” she glared at Godot standing in line, “but he should.”

“Who? Godot?”

“He shouldn’t be here.” She stuck up her nose.

“Is he not actually released from prison?” Phoenix blinked a few times. “Did we accidentally help him escape?”

“No, he’s been released. He should be at home.”

“So, he’s on house arrest now?”

“No, he-” Franziska stopped herself and looked away as soon as Godot and Maya approached the table with their food; to put it more accurately, Maya’s food and Godot’s coffee cup.

Wait, was that some kind of string dangling around from the cup?

“Hi, Franziska!” Maya greeted her, completely blowing any attempt of cover. “Since when did you eat at Burger Barn?” She wasted no time after setting down the tray to start digging in.

“I don’t.” Franziska answered flatly. The bacon cheeseburger with the works, apple pie, and strawberry shake on her tray said otherwise. “I, um,” her ears looked red, “was told to order something if I wanted to sit here.”

“How’s Adrian doing?” Maya tilted her head before grabbing a handful of fries. “And why are you here ‘just to sit here?’”

“She is well, thank you.” Franziska took a sip of her shake. “She’s overseeing some renovations to our home right now. As for why I’m here, I have been tasked with monitoring Godot’s wellbeing until we’ve found someone suitable for helping him adjust to life out of prison.”

“You missed me that much, Princess?” Godot smirked. “After your chat with that author, you just had to see me again.” He took a brief sip from his cup, his hand obstructing Phoenix’s view of whatever was attached to the string.

“You really went through with that book deal?” Maya hummed. “Is that why you moved back here from Europe?”

“I did go through with it, yes. I left Godot’s apartment to discuss some things with that fool in the beret, but I told him I would only be out for a few hours.” Franziska took another, bigger sip of her shake. “I was on my way back to his apartment when I was informed he left home without my knowledge.” Franziska frowned at Godot, who was already confused why Phoenix was staring at him for so long. “Don’t even try to change the subject again, either. You know very well why you shouldn’t be here.”

“Doesn’t mean I care.” Godot shrugged and then directed his attention to Phoenix. “And what’s with you? I know you’ve seen a tea bag before.” His body swayed slightly in a way that didn’t look at all voluntary.

A tea bag? Wait.

“You should care.” Franziska stood up, preparing for what she saw coming a mile away. “You were explicitly instructed to stay home and monitor your temperature on an hourly basis.”

“We both know that’s overdoing it.” Godot leaned on the chair next to him.

“You were also told that if your fever went up, you would need to go to the hospital.”

“Are you sick, Godot?” Maya gently tapped Godot’s shoulder, causing him to lose some balance. “Why didn’t you tell us?”

“Yeah, but it’s not a big deal.” As if only to prove him wrong, a sensation crept up in Godot’s chest, prompting a barking cough that he had worked so hard to suppress; he had done such a good job doing so, too. “I was going to go home right after this.”

“Don’t listen to him.” Franziska commanded. She took a quick bite of her burger before she grabbed hold of Godot from under his arms. “He pulled this with Adrian when she checked in on him earlier. I refuse to allow a fool like him manipulate anyone with such lies, especially not my wife. I also will not stand for whatever foolish escape tactics he roped you two into employing.”

Phoenix reached for Maya’s fries while everyone was so caught up in the distraction, only to find she had managed to wolf down both her burger and all her fries while he wasn’t paying attention. With an inaudible sigh, he put on his coat, considering the group was likely going home soon.

“Actually, um,” Maya fidgeted with one of her hair beads, “we just picked him up like normal. We never would have guessed he wasn’t supposed to leave home.”

“Figures.” Franziska pursed her lips. “I’m going to hazard a guess that he’s been regularly dismissing himself to ‘watch videos of seals’ as well?”

“Hey! How did you know?” Maya looked surprised as if by the third time Godot was ‘sent a funny seal video,’ it wasn’t at all weird. “He said it was a habit he developed in prison.”

“So he was going to the bathroom just to cough?” Phoenix asked. “That’s actually better than what I was thinking.”

“You are disgusting! How foolish do you need to be to-” She suddenly felt Godot become much heavier in her arms. As she expected, his fever caused him to collapse. “Wright,” She hoisted an unconscious Godot over Phoenix’s shoulder, “you are to carry him to the limousine.”

“Why me?” Phoenix grunted as he carried Godot; just staying in place like this was doing a number on his back. Not only was Godot heavy, but there was no doubt his fever was high. Phoenix felt sweaty on every part of him that Godot touched.

“Because I said so, that’s why.” Franziska gave such a strong argument, no wonder she was considered a prodigy prosecutor early in her career. She must have attended the same law school as Phoenix’s mother. She huffed as she hurriedly put away the rest of her meal in the to-go bag, grumbling something when she heard Phoenix and Maya share a chuckle over her ‘required purchase’ story being a flat out lie. She pulled out her phone and tapped on a few touchscreen buttons. “Our ride will arrive shortly. We’re taking him to the hospital, so don’t expect a ride home so soon.”

“Wow, we’re going to the hospital in a limo!” Maya said as if this were some kind of amusement park attraction. “That’s so cool!”

“Maybe we, uh,” Phoenix adjusted Godot’s position over his shoulder, “should refrain from calling a trip to the hospital ‘cool.’”

“For one thing, at least, I agree with your foolish boss.” Franziska collected her things as she led the two conscious parties to the exit, paying no mind to the crowd of patrons who stared in fascination with the spectacle. “You do still assist him, yes?”

“Well, not really since I became the Master of Kurain, but it would be really fun to assist him again.”

“I see.” Franziska hailed the limousine that approached the parking lot. “If you should ever consider assisting me on an international case, Adrian and I would be more than happy to bring you along.”

Phoenix wasn’t allowed to open the door, as demonstrated by the driver stopping him before he could even try. When the driver at last allowed the group in the vehicle, Phoenix and Maya found themselves amazed by the spacious interior. It would be an understatement to say the back was just the right size for Godot to lie back in.

“I’ll consider your offer, but something’s been bothering me” Maya held her hand to her face.

“What? Besides Godot’s cough?” Phoenix didn’t bother pushing Godot off his shoulder as he felt the edge of Godot’s visor pressing against him. “Or how sweaty I’m going to be if he keeps radiating this much heat?”

“I just think Godot could have used a good whipping!” Maya declared, surprising Phoenix and making Franziska laugh until she snorted. “I mean it! That would have told him he should go home!”

“He could have, yes.” Franziska patted the feverish ex-convict on the back. “The whip is retired, though. I just take it around as a habit.”

“No way!” Maya’s volume was toeing the line of potentially waking Godot. “Maybe you’re sick, too.” She jokingly felt Franziska’s forehead. “You feel fine, but something’s up.”

“It just does not fit in where I want my life to be right now.” Franziska spoke matter-of-factly. “Am I not allowed to improve myself?”

“I never thought of it that way.” Something about what Franziska said felt familiar to Maya, but she couldn’t put her finger on it.

“Didn’t stop you from threatening me with it whenever I got out of bed.” Just as the conversation reached its softest point, it was too late to prevent Godot from regaining consciousness. “For a more pressing matter, why aren’t we at Burger Barn?”

“You collapsed!” Franziska raised her voice. If Godot was awake, why bother toning herself down? “We’re taking you to the hospital. You’ll likely need another breathing treatment and you are not making any excuses this time.”

“Do you think I can use the whip if he tries anything?” Maya grinned. “Why let it gather dust?”

“I’d like to see you try.” Godot laughed, but soon enough there was that cough again. “This cough makes me miss being unconscious.”

“I don’t blame you.” Phoenix looked out the window, watching the scenery move along and keeping an eye out for landmarks that could tell him how close they were to the hospital. “That cough is pretty bad. Never heard one quite like it.”

“You know what?” Godot leaned back into the position he was in before he came to. “I’m going to wait and see if I can pass out again.”

“Then Nick can carry you again!” Maya clapped her hands together.

Phoenix had one thing to say to that.

“Objection!”

#whumptober #whumptober 2020 #sickfic whumptober alt #snez attorney

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mikumutual · 5 years ago

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answers aa themed questions nobody asked because i’m cool and sexy

also i havent played the 5th or 6th games so

YOUR FAVOURITE…? 1. Favourite Ace Attorney game? honestly? phoenix wright ace attorney! everything’s fresh, there aren’t many weak characters, and the plot is remarkable (especially the fifth case). the whole trilogy is really good as one unit though 2. Favourite case? 1-4, 1-5, 2-4, and 3-5 are tied lol, i can’t make a decision to save my life. 2-1 is really really funny tho 3. Favourite defendant? as a defendant, lana skye. as a person, edgeworth 4. Favourite prosecutor? as a prosecutor, franziska von karma. as a person, edgeworth 5. Favourite ship? wrightworth obviously... ive probably put more thought into them over the last 3 years than any other ship 6. Favourite victim? probably mia fey or gregory edgeworth... but for non-relevant victims, neil marshall :( 7. Favourite murderer? shelly de killer, i LOVE that guy. but dee vasquez was very cool as well 8. Favourite assistant? maya fey!!!!!!!!!! but i like kay faraday a lot too (im so sorry ema) 9. Favourite witness? adrian andrews... or maybe iris? i mean i didn’t like iris but god what a person 10. Favourite quote? “It doesn't matter how many underhanded tricks a person uses... The truth will always find a way to make itself known. The only thing we can do is to fight with the knowledge we hold and everything we have. Erasing the paradoxes one by one... It's never easy... We claw and scratch for every inch. But we will always eventually reach that one single truth. This I promise you.” - Miles Edgeworth i made this one of my senior quotes :]

YOUR LEAST FAVOURITE…? 11. Least favourite Ace Attorney game? uh fucking apollo justice. literally what the hell was that 12. Least favourite case? turnabout visitor wasn’t very strong? i guess it’s fine as an intro, but it’s also wonky with the timeline of aai 13. Least favourite defendant? max galactica. he’s better in the anime though 14. Least favourite prosecutor? manfred von karma, obviously. i like every other prosecutor (who i know of) though, even winston payne is pretty funny in hindsight 15. Least favourite ship? “miles edgeworth/female oc”. there are a lot of bad ships though, mostly involving phoenix & his assistants. dont do that please 16. Least favourite victim? zak gramarye for kickstarting that shitty, shitty game 17. Least favourite murderer? again mvk... but also fucking frank sahwit LMAO 18. Least favourite assistant? i guess trucy 19. Least favourite witness? fuck everyone from turnabout big top unless it was the anime episode 20. Least favourite memory of Ace Attorney? repeatedly trying and failing to download the emulator for aai2 hbjsjhdb i eventually got it but someone had to send me the download fully pre-patched and i felt kinda useless DO YOU PREFER…? 21. Phoenix Wright or Apollo Justice? phoenix wright. fuck that “GOTCHA!” mechanic jesus christ 22. Maya Fey or Trucy Wright? maya fey. nothing personal against trucy but i just dont like aj hbjsdjhsdb also maya is really sweet and fun and she has the best sprites. she seems like she’d be a good friend, it’s too bad that she doesn’t have the time for them as a spirit medium and all :( if maya ema and kay got to hang out together itd be wild 23. Investigations or trials? trials are easier in my opinion because investigations have several things you could be doing without such a linear style, so if you miss something, you won’t really know until you wander around forever 24. College Phoenix or Hobo Phoenix? college feenie!!!!! he’s like trilogy feenie but more emotional and less witty. i like to pretend that hobo phoenix doesnt exist 25. Klavier Gavin or Kristoph Gavin? who would say kristoph 26. Ace Attorney or Ace Attorney Investigations? ace attorney but only because phoenix is in it lmao. im actually rewatching a playthrough of aai now, and playing aai2 at the same time, so while it is on the mind, i feel like the cases characters and mechanics - while loved - don’t hold up to the OGs 27. Apollo’s perceive, Phoenix’s magatama, or Athena’s Mood Matrix? i actually kinda like the mood matrix more than anything because it has a really good UI and the magatama is kinda grating. but FUCK the gotcha mechanic it is SO FUCKING STUPID and IMPOSSIBLE TO USE. where is logic chess 28. Ace Attorney trilogy or Apollo Justice and Dual Destinies? you already know my answer to this one 29. 3D models or sprites? i do like the 3d models a lot but i like the original sprites more! imo original pixel sprites > 3D models > HD sprites. mostly bc the hd sprites are garbage (see here, here, and here) 30. Ema Skye as she is in Rise from the Ashes or Ema Skye as she is in Apollo Justice? rfta !!!!!! shes actually really nice as an assistant, esp considering the fact that we actually see her interact with her sister, which is something maya didn’t have very often. also her random appearance in aai was well appreciated by me

MISCELLANEOUS 31. Did you like what they did to Phoenix in Apollo Justice?

NO I AM SO FUCKING MAD WHY WOULD THEY DO THAT TO HIM ISN’T HE A LAWYER WHY COULD HE NOT JUST DEFEND HIMSELF FROM THE FACT THAT HE “FORGED EVIDENCE” IT WASN’T EVEN HIS IN THE FIRST PLACE SOMEBODY ELSE FORGED IT AND HE DIDN’T KNOW THAT, MANFRED VON KARMA GOT AWAY WITH A FUCKLOAD OF NONSENSE AND SO DOES EVERY OTHER LAWYER SO WHY IS IT THAT PHOENIX CAN SURVIVE EATING A POISONED GLASS NECKLACE AND GETTING HIT OVER THE HEAD WITH A FIRE EXTINGUISHER AND FALLING FROM A BURNING BRIDGE INTO A RUSHING RAVINE AND BEING HIT BY A CAR BUT HE CAN’T FUCKING DEFEND HIMSELF LIKE HE DOES IN EVERY OTHER CASE BECAUSE THAT’S THE POINT OF THE GAME AND ALSO HIS ENTIRE CHARACTER

32. Your opinion on Dai Gyakuten Saiban? haven’t played it! it looks pretty cool though

33. Do you think Dai Gyakuten Saiban and/or Miles Edgeworth Investigations 2 will get localised to the West? doubt it, since the creators have said that it won’t be. but the fan translations are pretty good, so i think it’s okay

34. Do you think Miles Edgeworth should get another Investigation-game or do you think another character deserves a spin-off? i mean he already has two, so i guess he doesn’t need another? like i love edgeworth but he’s not as fun without phoenix around. ngl i would play a franziska game. or a maya game, or any spinoff revolving around a side character. hell i’d play hotti game if it meant it took place in the trilogy era

35. Opinion on the soundtrack of the Ace Attorney-franchise? REALLY good. really really good. i love how each game of the trilogy has different composers but each track has the same theme and feel!!!

36. Do you like where the franchise is heading or did you prefer the atmosphere in the original trilogy? seriously absolutely completely prefer the trilogy. i’m sorry but the rush of youth and trust is way, way more enjoyable than whatever “i’m 35 and therefore middle aged” nonsense is happening in the 2020s

37. Capcom suddenly announces that Phoenix will no longer appear in the Ace Attorney franchise! Your reaction? He’s been replaced by Penny Nichols. Fuck you.

38. Capcom suddenly announces that the Ace Attorney franchise has ended for good! Your reaction? it was me i ended it

39. Would you like there to be another Ace Attorney/Professor Layton crossover game? i didnt play it but i really like the idea!!!!!! aa crossover games are really funny to me, i mean have you seen edgeworth in project x zone 2, lmao

40. Would you like an Ace Attorney anime? we have one now! honestly i don’t think it did a very good job of representing the cases, but it did do a good character remix of turnabout big top so that they’re not creepy anymore. they also did a really good job with the anime-specific cases, like the one on the train! it feels a lot better paced when it’s intended for that medium rather than just adapted. also the childhood episodes made me cry

41. Opinion on anime cutscenes in Ace Attorney? like in 5 and 6? mm, the art style is kinda weird, and i don’t really like the voices, but i guess not everything can be pachinko and prozd

42. Would you want to play an Ace Attorney game where you take on the prosecutor’s role? YEAH ACTUALLY!!!!!! it might be kinda weird being on the right side of the screen though lmao

43. Do you like having DLC in Ace Attorney-games? uhhh i hate having to buy extra things, but i’ll admit that they are pretty funny

44. Opinion on Lamiroir’s storyline? i only played aj so if shes in other games idk but i thought she was fine

45. One thing you think the Ace Attorney games can improve on? stop having creepy characters please. also jesus christ if phoenix and edgeworth arent wearing rings in aa7 i will become the ceo of capcom myself

46. Capcom suddenly announces an Ace Attorney movie! Would you like it to be based on an already existing case or would you like an all new storyline? i mean the musical did a pretty good job of adapting existing cases, so it might as well be new. it would be kinda hard to balance the games’ timeline & character development without being repetitive or an au

47. Capcom suddenly announces an Ace Attorney movie! Would you prefer it being live-action, 3D animated or 2D animated? stylized 2D animation, probably? i would want it to feel more like into the spiderverse than an anime, though. in my dream ace attorney movie, they’d just need a high art budget, several plausible deniability wrightworth scenes, and prozd to voice edgeworth

48. If there could be an Ace Attorney crossover with whatever franchise you’d like, which one would you choose? (Does not need to be a video-game franchise) your turn to die is probably closest in characterization, although its premise is more “locked in a room” than the open-world investigation of aa

49. Opinion on recurring witnesses? (Wendy Oldbag, Lotta Hart, Larry Butz, etc.) honestly, i like them a lot! i don’t know why people hate them so much - i mean, i know lotta lied, and wendy is a horrible old flirt, and larry just kinda sucks all around. but they’re also pretty funny to have around! larry is a constant comic relief who reminds you how much better nick & edgey are in comparison, lotta is likeable as a general character (like in 2-4, although yeah, not remarkable), and wendy oldbag is really funny. she’s so fucking funny. none of you appreciate wendy oldbag’s quirks and you are SLEEPING ON IT!!!!!!!!!!!!

50. Do you think Dual Destinies deserved its M-rating? no idea, holy shit, it got an m-rating? i mean every game before it has had blood violence and very mild swearing, and since DD probably doesnt have anything too sexually risqué, i doubt it deserves a rating any harsher than the rest of the series

okay thanks thats all

#this was fun hbjsdsdj #yea i love the trilogy #also my theme makes all everything lowercase for some reason? so this is probably easier to read on mobile #ace attorney

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