I don’t want to speak out of turn here but the specific way in which Rowena was pushed at Gabriel and then Ketch felt really like. Demeaning? In a frankly sexist way. Did anyone else think that because idk it felt like the writers still really could not think of a way to incorporate this brilliant female character (even in all her post-Funeralia glory) into a scene without romantically/sexually involving her with some horrible man who should be WELL below her standards btw. And I mean even before that they’d been pushing her at Lucifer and Chuck, and having her put up with those awful boring rich guys for their money (when.. I mean she definitely already has money). Idk it’s just the way that 1. it’s fairly constant even when we get precious glimpses of her outside the Winchester bubble and 2. it feels like we very much are supposed to laugh or roll our eyes at her for it and 3. it is narratively wholly unnecessary and adds nothing to her actual character. I just think Rowena deserved so much better than bearing the near ceaseless brunt of this trope especially when there is just. SO MUCH to her. So much to her that is literally underexplored.
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Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!
(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)
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HOLY CRAP
YALL
LOOK AT HOW MUCH ANGEL LIGHTS UP NOW JUST BY HUSK TALKING TO HIM
QUITE LITERALLY ALL HUSK SAID WAS “hey” AND HE JUST-
HIS WHOLE FACE, HIS ENTIRE DEMEANOR JUST BRIGHTENS AND LIGHTS UP
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As a writer, I love going back through the comments I've gotten on AO3. I promise that the minute you take of your time has been appreciated for hours/months/years
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"Like stuff. Don't be someone that doesn't like stuff, and if you don't like stuff, don't be a dick about it."
- David Jenkins
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not normal about orpheus and eurydice. you loved someone so much it opened the stones of the underworld. so much that death had to listen. so much that everything stopped for your love. so much that you turned around. so much that even when you did wrong. she forgave you.
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The aromantic version of the “am I gay?” quiz is reading articles about how to tell if you have a crush.
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Her Astrophel and Sterling
hmmm
Hmmmmmmmm
You know what.
You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.
Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.
DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!
YES.
Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.
"Ellie! I thought I said do not answer the door my Sterling."
"But Daddy, yous was busy fighting the hotdoggys!"
Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.
and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."
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