#I may break it up more but this is possibly the first two scenes of 2/3

[cissa-calls]

Foreword to Agatha All Along

After years of waiting, tomorrow witches, marks the anticipated start to Agatha All Along! But, before the first two episodes stream, it's time to take one last crack at discussing some possible theories (and hopes) for the series:

Akin to how Wandavision was an exploration of American Television sitcoms, this series is partially an exploration of depictions of witchcraft and referential to horror in pop culture (the Witched Witch and Glinda from the Wizard of Oz).

Is Rio dead? How does she seem to emerge from the ground on the side of the witches road? Did she and Agatha try to walk it long ago, and Rio perished, thus she is now trapped there forever?

At some point, Agatha will end up alone. She will be walking alone because either everyone has died, or those remaining leave. This however will not be indefinite.

Conversely, it could also recall the beginning when it was just her and the teen, but just the two of them make it out.

I keep thinking of that scene with her and the teen in the metal room, where they both appear to be in patient gowns. Are they in facilities at S.W.O.R.D.? Is the teen crying because Agatha is making him walk through memories and realize his identity?

Agatha's knowledge of the road is either from the Darkhold or what Evanora taught (or rather tried to keep from her daughter).

As a green witch, Rio is connected to plants. Her costume quite literally looks like vines and roots growing are forming the bodice. Are plants relevant in the sense of bloom and regeneration? Or rather decay and withering?

Using, dismantling, subverting, or cannonizing of symbols or tools of witchcraft. From kitschy to terrifying.

The hooded figures who appear in front of the teen, is there one for each member of the coven? Is it a haunted form of themselves, or a twisted appartion assigned to capture each?

Part of this story is found family, and Agatha's fear of comraderie. Built off a lifetime of distrust, backstabbing, and taking, Agatha has to learn to trust. In a similar vein, Agatha has no sense of comfort or home.

The scene where Agatha's face is covered in small cuts or splatters of blood. Either that is the cataylst to a glorifying rise near the end of the show, or a horrifying turn of seemingly irredemtion.

Rio was once Agatha's companion, her only companion. A betrayal between the two sent Agatha into permanent solitude.

I sincerely hope this show explores horror and gives into the darkness that Multiverse of Madness teased. Comic relief is a needed presence, but the tone is overall geared towards darker themes and storylines

Speaking of darkness - night! The majority of this series will take place at night! At least the juicy and important scenes.

DOES AGATHA POSSESS THE DARKHOLD AGAIN OR WAS ITS APPEARANCE IN A FLASHBACK

When Agatha was young and on the run, she was targeted for possessing the Darkhold.

Rio and Agatha...history may call them the best of friends.

The Ballad of the Witche's Road might be sung in several versions/genre's (we've already heard two)

More lyrics of the ballad will be revealed and sung as the story progresses.

The Witches Road may be terrible, but it is a unifying force as it welcomes everyone. Remember the lyrics: "Seekest thou the road, all that's foul and fair," the road is a living thing, inviting everyone but casting judgement on those who can achieve

I will cry at some point. I am certain this will break me just as Wandavision broke me.

The glowing tree in the middle of the Witch's Road has something hidden beneath and growing within the roots. (Is it the heart of the Road, because it is a living legend?)

Each of the witches will have to confront their greatest fears manifested as scenes, memories, or landscapes of their personal hells. Only when they begin to trust each other or confront/admit their weakness can their proceed. Agatha would obviously have the final and hardest challenge.

Without her magic, such a core tenant of her identity and confidence, Agatha will be even more combatative and threatening (borne entirely out of insecurity).

Agatha's cameo, and the lock of hair in it, is a reminder of her humanity and connection.

At some point, Agatha will break, spilling out centuries worth of every held back, messy emotion (and Kathryn Hahn will SERVE).

Perhaps it is based on the obvious Eve allegory, but there will be more biblical allegories or subversions. Is Agatha being born anew?

Teen and Señor Scratchy bond. It is likely a trauma bond. (The rabbit may also gain a more horrifying form or eat an entire monster/adversary)

Elaborate outfit reveal. ELABORATE FINALE COSTUME OUTFIT REVEAL! AGATHA ACHIEVES ENLIGHTMENT AND HER MOST POWERFUL FORM WHEN SHE FINALLY RECLAIMS HER MAGIC...possibly foiling Wanda when she became the Scarlet Witch.

This is not an exhaustive list, but it will be interesting to compare these ideas to how the show actually plays out. In all of this excitement, there is still a touch of trepidation. After pouring so much love into counting down the days to release and yielding art, writing, research, and costumes for this character, Agatha has remained a fun force of exploration and expression for me. However, the excitement over seeing where Kathryn Hahn takes the character next assuages any and all fears, as we finally will confront who exactly Agatha was all along.

Get ready witches, it's time to walk the road.

[astarion-obsessions]

I think not enough people understand that Astarion doesn't want you to be his main or only source of blood. This even stands in direct contrast to what he really wants to achieve with biting Tav. Let me explain.

Why Astarion doesn't want you to be his blood bag

Let me start with explaining how I approached this topic. First of all, when I triggered the bite scene in my playthrough, I obviously let Astarion drink from my Tav. But then I got curious. What happens when I don't stop him? He's said I could trust him just a moment ago, didn't he? So I did just that, I trusted him literally with my life. 

Aaaand... he killed me. Well. What did I expect from a vampire, really. But that he actually drained me dry broke my heart. I really wanted to trust him, to reach out and show him that I didn't judge him for what he was and so on. I was really disappointed in him and couldn't quite grasp why he would do this. Was it a conscious decision? Did he lose control? Surely he would apologise and explain everything to me once someone resurrected me, returning the trust I was giving him the night prior, right?... right?

Of course not. The dialogue after him killing Tav was... at least as disappointing as him killing Tav in the first place. He shows his usual attitude, apologises half-heartedly and then just keeps going on with talking about draining the occasional bandit. He even snaps when you mention the topic of him feeding after that with something like "I already apologised, what more do you want?".

There's no real regret, no emotions. He simply doesn't care.

We know that he didn't care in the beginning, he tells us as much when he confesses his unwanted, growing feelings towards Tav in act 2. But still the whole bite scene didn't sit right with me until…

The Nightmare 

I randomly stumbled upon a clip of Astarion having a nightmare, so I researched about it and even started an Astarion run to experience it myself. So, if you play as Astarion, at the second long rest of act 1 he has a nightmare about Cazador, in which he recites the rules that defined how Astarion and the other spawn had to live:

First, thou shalt not drink of the blood of thinking creatures. 

Second, thou shalt obey me in all things. 

Third, thou shalt not leave my side unless directed. 

Fourth, thou shalt know that thou art mine. 

However Astarion reacts to this dream, he jolts awake afterwards and instinctively panics that he needs to find a way back to his master as soon as possible. His eyes set on his companions, who are sleeping / meditating peacefully around the fire, and then a thought passes his mind.

He could try to break one of Cazador's rules right then and there. He's able to stand in the sun, to bathe in running water, so maybe…

And that's why he decides to bite a companion. Astarion wakes up utterly terrified of what his master will do to him if he doesn't return to him in an instant - and he knows all too well what kind of horrors would await him if he so much as dares to think about rebelling again (read about that here) - so he is in desperate need of confirmation that he is now able to withstand and actively break the rules that have dominated his life for two centuries.

He needs to know that he is able to drink the blood of a thinking creature. And there they are. His clueless companions served on a silver platter. It's like an invitation to him, to test his boundaries. And who would be more fitting than the good hearted leader of the party Astarion wanted to (or already has) seduce(d) anyway?

This piece of information shed a whole new light on the bite scene. But let's look a bit closer at that. 

The Bite Night 

The very first thing Tav registers about what's going on with Astarion that night is him baring his fangs right above us, about to sink them into our flesh. He pulls back as soon as we open our eyes, retreating immediately until there's a safe distance between him and Tav. 

This may be the first time Tav gets to know that Astarion is a vampire, so he gets defensive and tells us that he's never killed a person for food, only animals. But then, instead of letting the idea of feeding on Tav go, he insists that animals aren't enough. 

But it's not enough. Not if I have to fight. I feel so weak. 

If I just had a little blood, I could think clearer. Fight better. Please. 

Then he goes on, literally pleading to get what he wants while putting on a sad expression in the end, even averting his gaze. 

And if we now have in mind that he just woke up from a nightmare about Cazador, feeling powerless and in desperate need of even a glimpse of hope that he might escape Cazador's cruel grip, his lines make a lot of sense. He's veiling the truth, of course, but not all of what he says is a lie. 

He indeed feels weak - powerless in fact - so drinking Tav's blood (the blood of a thinking creature) could prove that he may have regained a bit of power over himself, which had been exclusively reserved for Cazador the last 200 years. This would absolutely make him feel stronger, more confident than he's felt for a long, long time. 

And he indeed could think clearer after tasting Tav's blood, because this would bring clarity to the question if he is now able to break Cazador's rules on purpose and therefore give him information to work with when he needs to think about what to do next. 

Right after this, we get the chance to push into Astarion's mind, and if we do this, we can see what he thinks about. 

His mind opens up, revealing cracked and quivering memories. At their heart, you see dark eyes, commanding you to feed. 

You open your mouth and bite down. Not into a tender neck, but in the twisting body of a rat - the only thing your master lets you eat. 

He recalls the memory of how his master used to force him to eat disgusting vermin. As his memory is told, we can clearly see how deeply this affects him, for he can't keep up his walls of defensiveness and detachment. They just crack, crumble and reveal his misery clearly for Tav to observe. When we ask him about it directly afterwards, he first seems to search for a way out - a witty remark, anything - but gives up almost immediately. And he looks and sounds just completely defeated and tired, confirming what Tav just saw in his mind. 

He goes on with talking about trust. I think here he's seeing a chance to gain Tav's sympathy. If he already reveals such delicate information about his past, he can as well make use of it. So he appeals to Tav's understanding, offering us that this past is the reason for him only trusting Tav slowly. But then he immediately adds that now he trusts Tav, and that in return Tav can trust him, too. 

What he does here is displaying himself as pitiful, gaining Tav's sympathy, then seemingly going out of his way and saying that despite all he does trust Tav, which puts Tav in the position to follow suit with returning the trust… which Astarion definitely lied about on his part. But that's what he does. Manipulating. 

If we then respond with "You tried to bite me. How can I trust you?" instead of assuring us of his trustworthiness with more manipulation, he gets frustrated. 

Because we don't have a choice! Not if we're going to save ourselves from these worms. 

But he goes on with masking his reasons, even if he gave us a hint right in the beginning of act 1 when we picked him up, where he said that he would rather control the tadpole instead of removing it. If we play as Astarion, it gets clear pretty fast that he holds onto the tadpole, because it seems to be the only thing that had been able to "save" him from Cazador whilst no one and nothing else even attempted to help him for two centuries. Of course he would not want to get rid of the tadpole just like that. But he says so nonetheless to align with Tav's goals and display himself as useful. 

And then he does something interesting. 

I need you alive. You need me strong. 

Please. Only be a taste, I swear. I'll be well, you'll be fine, and everything can go back to normal. 

In the beginning of this conversation he mentioned he needed the blood to fight better. Now he takes up on this by saying that Tav needs him strong, hinting on him getting stronger after having a taste of Tav's blood. And then he promises that after this "everything can go back to normal", which right now means Astarion feeding on animals again. 

A few things about this are odd. 

Firstly, "only be a taste". Everyone, literally everyone has heard about the insatiable hunger of vampires. So how is it supposed to work that Astarion gets stronger from just a taste of Tav's blood? For how long? A few hours? Not nearly long enough to pose a real advantage, eh? For me this makes no sense. And if we think about his true intentions - wanting to find out if he can break Cazador's rule - just a taste would be absolutely enough. (And after he bites Tav without killing them, he even says that he needs something more filling!) 

Secondly, if Astarion really wanted to become stronger with the help of Tav's blood, why would he promise to go back to normal afterwards? He just offered Tav a stronger companion but then immediately nullified this argument by literally saying that this will be a one time arrangement. 

Thirdly, he subtly offers a bargain. "You give me your blood, I will be a stronger fighter for you." He did so in the beginning as well, repeating it with different words. And it fits his character very well to do so, because for all he knows everything comes with a price. He almost gets beaten to death and Cazador mercifully comes to his rescue? The price is a never ending life of torment and abuse. Astarion helps a potential victim for Cazador to flee? The price is a year of starvation, locked up in a dusty and dark tomb without knowing if it will ever find an end. Mindflayers rescued him from Cazador, (passively) granting him to possibly be free of him at last? The price is becoming a tentacled monster in the end. 

If we then allow him to bite us, he's visibly surprised about our graciousness, but of course doesn't let this chance slip and suggests getting comfortable instantly. Then he finally gets to sink his teeth into Tav's neck. This part of the scene can more or less be viewed from both sides - Astarion's and Tav's. 

He begins to feed on Tav and after a bit we can decide to interrupt him, but have to pass an ability check first. This repeats a second time when playing Tav, and even if it's only one AC when we play Astarion and decide to bite a companion, it still aligns, showing that Astarion seemingly loses himself in the taste of Tav's blood - which is very likely because (as he later tells us) we were the first humanoid he's ever fed on, so it's imaginable that Tav's blood must be tasting almost divine to him. 

This theory is supported by his actions after we fail the first AC or just let him continue. He grabs the back of Tav's head to pull them towards himself, emphasising on how greedy he is sucking the blood out of Tav. The camera even uses the exact same angles before failing or skipping the first AC and after, so the comparison is easy and the difference is clear:

If we then fail or skip the next AC, Astarion just drains us dry… And it gets even better after the bite night. 

The Morning After 

When Tav gets revived and then talks to Astarion, he is visibly surprised to see us, after he left the dead body of Tav behind with saying "Oh no, something terrible has happened". Sure Astarion, something… 

All of this happens when Astarion still doesn't care for Tav. He reacts with panic when we confront him with the fact that he literally killed us, and just manages to get his expression under control after a few seconds. I mean, just look at him:

'Killed' feels like a strong word. Not many corpses have your vigour. 

He definitely knows what he's done, and that 'killed' is indeed the right word for it, he is just very very bad at coping with guilt (which is amazingly analysed by thelikesoffinn - definitely read this, you'll understand Astarion so much better after this). 

He instantly lays the focus on our codependency again, that we need each other and so on. If we question why we should keep him around, he answers with:

A strong, well-fed vampire? I'm a powerful weapon - you'd be a fool to toss me aside now. 

With mentioning this, he wants to make sure that Tav will let him stay by their side and therefore grant him protection. 

But more importantly he continues:

Anyway, last night was an aberration. It will never happen again. 

He doesn't even start with something like "Next time I'll be more careful" or anything similar. He straight up says that it will never happen again. Period. If we then ask who he will feed on next time he gets hungry, he presents the idea of feeding on villains and bandits "who need killing anyway". And this is exactly what he wants. This even shows in his reaction to Tav's response to his suggestion.

If we agree and therefore allow him to feed on our enemies ("Sounds good. Glad we could agree"), this is how he reacts:

As am I. I'm starting to feel a little peckish already. 

This itself doesn't sound all too enthusiastic, but we get his approval up, which definitely shows that he very much likes that Tav agreed. 

On the contrary, if we suggest he can feed on Tav, ignoring his will wish to feed on villains ("Look, I'm not against you feeding on me, but only if we talk about it first"), this is his reaction:

Of course! This sounds eminently reasonable. 

I shall wait patiently until you suggest we… dine together. 

Doesn't sound too bad either, eh? But we don't get his approval. He doesn't disapprove, of course, because this is still a thousand times better than what he had until then, but still not what he really wants… 

So, what does all of this mean for the initial question? 

Conclusion 

The crucial point here is what it means for Astarion to feed on Tav. The only things he remembers since Cazador turned him, are being relentlessly dominated and horrifyingly abused. The things Astarion wants the most are to be safe and to finally have control over himself again. 

He bit Tav for the sole purpose of finding out if he can be free of Cazador's rules. So why would he jump right into being dependent on Tav? He suggests to feed on villains, because then he is free of anyone's mercy. He doesn't need to rely on Tav to graciously allow him to get a drop of blood. He can do this himself now. 

This is such an important step for his character growth, to find the way to his autonomy again, so if we only allow him to feed on Tav, it instantly sets him back into old habits of bowing to his masters words - or in this case Tav's. Because it's all hes been doing for the last two centuries of his life. 

So, as much as the thought of the self-sacrificing offer to be his personal blood bag may seem romantic or whatever, it's actually the exact opposite, trapping Astarion in what he desperately tries to escape from. The restrictions that come with someone dominating him mentally and physically. And as I mentioned earlier, he doesn't believe in the goodness of people. For him every "kind" act has a price and he likes to know what he has to pay, so he wouldn't even want to just drink Tav's blood without Tav getting anything out of it. He would most certainly expect Tav one day to come around with something he doesn't want to give or do, so he wants to control such situations beforehand. 

All he wants is to make his own decisions and be free in every way possible… 

So please just let him drain some bandits, will ya? 

[ivybucky]

First Time - b.b. x gn!reader

Summary: You have a habit of calling people by cute nicknames or monikers, and Bucky isn't sure why it made him feel so good.

a/n: I'm breaking my hiatus finally!!! this is just a cute lil fic somewhat based on first time by hozier without the thought-provoking underlying angst. 1.9k

Content/Warnings: tfaws!Bucky, fluff, pining, tfaws fight scenes, zemo mention, multiple Sam appearances, references to fights/violence, use of y/n, use of the nickname doll when referring to the reader, friends to lovers? (let me know if i'm forgetting anything)

Masterlist

Believe it or not, Bucky Barnes tried to not think about his past. 

Though his efforts to make amends were a work-in-progress, and his name was brought up in the press more often than he preferred, Bucky Barnes tried to think about his past as little as possible. 

The first time you called him James was the first time he had liked the way it sounded. You had smiled at him, sweet and welcoming, as Sam introduced the two of you.

“It’s nice to meet you, James.” God, did it fall off your tongue in the nicest way. “Thank you for looking after birdbrain over here.” You giggled at Sam’s distant-sounding protest.

Bucky cracked a sideways smile, not being able to stop himself. “You can call me Bucky, doll.”

Your smile morphed into a sort of smirk, cheeks warming at the nickname he gave you. “Is that what you prefer?”

He hadn’t given it much thought anymore. He knew James as the person who enlisted in the military, the person who fell from the train following Captain America into the throws of war. James was the person who was Hydra’s plaything, the assassin, the monster he was so desperate to forget. Bucky was the charmer, the best friend of Steve Rogers, the swing dancer who had a habit of punching bullies(justified obviously). 

Now, he didn’t feel like either. Going by Bucky was the easiest option, since it was the part of him he was desperate to gain back. Talking to you however, he didn’t think he cared what he was called anymore. 

He gave you a soft grin, one that may have held a bit more meaning than flirtation. “I don’t mind either, you can call me whatever you want.”

—

The first time you called him by any kind of nickname was the day they went to Madripoor.

“Sammy! Buck!” You called their names as you waved big at them from the small airport hangar. 

Bucky tried to slow his heart as the pair walked closer to you. Sam let out a chuckle next to him, a teasing smile thrown his way. “Hope you don’t mind the extra company, Buck.”

With a frown and a grumble, Bucky widened his gait, the toe of his shoe catching on Sam’s, causing him to trip up momentarily. “Don’t call me that.”

He reached you first, allowing his smile wider further than before. “Hi Y/N, what’re you doin’ here?”

You placed a gentle hand on his left shoulder, rubbing back and forth. “It’s good to see you too,” you chuckled. “Sam told me what you guys are doing with Zemo. He thought I might be able to provide some kind of help, right Sam?”

Sam walked up with somehow both a smirk and scowl on his face and pulled you into a quick hug. “That’s right, though I might’ve invited you along so that I’m not the only one putting up with his old ass.”

Bucky scoffed, trying to ignore the lack of warmth from your otherwise occupied hands. “Are you sure about this, doll? This is probably gonna end with all of us on a watch list.”

You nudged his shoulder, your own smirk gracing your features. “As if I wasn’t on one already.”

The boys both chuckled, before Sam spoke up. “Speaking of watchlists, he’s here.”

Boarding the private jet that Zemo just happened to have, Bucky tried to keep his eyes on you the whole time, even as you sat in the leather seat between him and the window. 

“I’m sorry, I’m just fascinated by this - I don’t know what to call it,” your brows furrowed at the sentence, at the faint smirk that rested on Zemo’s face. “But this part seems important. Who is Nakajima?”

Bucky was out of his seat in an instant, metal fingers gripped tightly around his throat. Zemo’s face wiped itself of any amusement. Bucky spoke into his ear low and gruff, but it could easily be heard throughout the plane cabin. “You touch that again and I’ll kill you.” 

He snatched the notebook back into his and heavily sat back down into his seat, hand wound tight around the small journal

Your fingers reached across his lap and wrapped around his clenched metal fist, thumb rubbing soothingly over the back of his hand. “Just ignore him, sweetheart. You and I both know nothing that man says is worth anything.” 

Bucky looked down at your joined hands, then glanced up at you with a small smile. He gave your hand a couple of squeezes, and tried to focus back on the words being said throughout the rest of the plane ride. 

—

The first time you called him “baby” was during their fight with John Walker. 

Madripoor and Latvia had been filled with silent stares, small smiles, and soft words . Fleeting “friendly” touches ensued as well - Bucky’s hand on your back drawing small circles, your gentle grasp of his hand or arm when he clenched his fist.

Bucky talked to you about Yori, about his too soft mattress, about his too shitty of a therapist, his want to get a cat. You told him about meeting Sam, your agency background, your agreement that he should totally get a cat. And now, you just wished you could have that again.

Walker was too strong, landing solid hits on both Sam and Bucky that could easily start slowing them down. He had lifted the shield over their bodies too many times, clearly holding on to the same psychotic fury he had when he killed the Flagsmasher.

To this point, you stood frozen in watch. You weren’t there when the fight started, and between Sam and John’s current focus on Bucky, you weren’t sure which side needed the most aid.

John had flung Bucky into a nearby metal utility pole for Christ’s sake, and a cry wretched itself from your lips. You ran to his side as he laid on the ground unconscious, metal arm cackling with untamed electricity. 

“Bucky,” you murmured as you checked his spine for any breaks. You could hear his breath, as shuddered as it was after an impact like that. You moved him to lay on his back, palm pressed to his cheek. “Bucky, honey, come on, wake up.”

You tapped his cheek a couple of times in slight panic, other hand unconsciously combing his hair back. A couple of moments passed before he groaned and huffed out a cough. “Bucky,” you sighed a breath of relief, eyes near tearing up as the tension left your body. “Are you hurt, baby?”

He sat up with a grimace, another groan leaving his lips. “What the fuck?”

“He took the serum,” your hands had yet to leave his face. “Are you sure you’re okay?”

He looked up at you with a wincing smile, still bright enough to make your heart stutter. “I’m okay, sweetheart.” The red gracing your cheeks could be easily based on the intensity of the fight, but it was unsaid knowledge that wasn’t the case. He touched the hand holding his cheek as you swept a thumb back and forth. A grunt from the fight crashed them both back to reality. “He’s gonna kill Sam.”

You stood up, pulling him with you by his metal arm. Bucky swung his arm around to recalibrate before jogging forward. “We gotta get the shield. Be careful, don’t let him pin you.”

____

The first time you kissed him was in Louisiana. 

You giggled from the picnic table as you watched Bucky dodge Sam’s nephews, cake in hand, as they tried to tackle him for his arm, as well as when several of the children pleading to hang off of it.

He sat next to you on the bench of the table, shoulder pressing into yours as you basked in Sam and Sarah’s storytelling. Bucky shared some bittersweet stories about Steve, drawing smiles from everyone listening. Each laugh had you leaning into him a bit more, but a complaint could not be heard, especially when your hands brushed under the table.

The evening continued on like that into the early night. Bucky entertained the masses, looking a lot like the charmer he used to be. Sam reminisced with his community, taking many photos with his local family. 

You sat on the pier, leaning back against the wooden bench as the sun set over the water’s horizon. You could faintly hear laughter behind you on the dock mixed with the sound of the stereo’s music drifting over. A smile grew on your face as a presence made its way towards you, shoes scuffing against the wooden slats. A soft hand rested on your shoulder and sent warmth through your body. “Care for some company, doll?”

You flashed Bucky a smile that had him weak as you turned back to him and patted the space next to him. He sat down close, thigh pressed against yours, shoulder to shoulder yet again. 

“What’re you gonna do now, Buck? You think you’re gonna stick around?” 

He sighed, staring down at his metal hand in contempt. “I don’t know,” his hand clenched in his lap. “I’ve been following orders for a long time now. Might be good for me to work with someone, not for. Even if birdbrain has a habit of getting on my nerves.”

You reached across his lap and gently unfurled his fingers. He wished the pressure he felt against the metal was more tangible for once, more definitive. “You should do whatever makes you feel the most free, sweetheart.” You slipped both of your hands around his, rubbing small circles with your thumb. “Whether that be with Sam or doing something else. You deserve it.”

Bucky’s eyes drifted over your face and observed its features - the small smile that curled around your lips, the kindness in your eyes. “And what about you?” he spoke softly. “Will you stay?”

You looked up to him and searched his eyes with a hopeful grin. “Are you asking?” you chuckled, using one of your hands to comb his hair back behind his ear, thumb resting on his cheek. “If I’m needed, I’ll stay.”

Bucky puffed out a breath that he didn’t realize he was holding. “Well ya know,” he threw a bright smile in your direction. “Sam’s gonna need you here so he doesn’t lose his mind.”

You chuckled, leaning a little bit closer.  “And you? Do you need me?”

Bucky took in the space between you, the way your breaths mingled, foreheads near touching. “Yeah, baby,” he allowed himself to fully lean in. “I need you.”

You kissing him was like coming up for air, or finding water in the middle of the desert. It was salvation, it was required for him to have in order to survive. Your lips were soft, tasting faintly of the beer you had earlier. His mouth moved against yours like a magnet following them wherever they went. His hand drifted to your waist, moving you somewhat into his lap as you both smiled into the kiss. When you finally broke apart, it was only for the need for oxygen to fill your lungs. 

You giggled from above him, heads pressed together. Your hands locked themselves around his shoulders in an embrace that forced him to stay where he could feel the pant of your breath across his skin, not that he was complaining. “I guess I’ll stay then.”

Please reblog and comment! It's my first fic in *two fucking years* and i need to know that this is still good lol

[percheduphere]

LET'S TALK ABOUT "HE'LL MAKE IT BACK"

Special thank you to @mmobiuses, @starrose17, and @stevenrogered whose gifs make-up the lion's share of this post. Thank you to all the other amazing gif artists as well, without you, my metas won't be possible.

This might come as a surprise to a lot of people, but I actually wasn't big on Lokius until Season 2. I thought Loki and Mobius made a cute ship in Season 1, but that was the extent of it. In truth, I lost interest in the Loki series by the S1 finale and had 0 interest in watching S2. I didn't give the series another try until I saw positive reviews on Tumblr. I therefore started watching S2 when S2E4 dropped.

LOKI SEASON 1

Enjoying the potential love story between two characters is a deeply personal and subjective experience. So take what I say as my personal experience observing Loki and Mobius's relationship.

I fully believed Mobius loved Loki in S1 in the platonic sense. Tom Hiddleston has given a few interviews on Loki's and Mobius's relationship and seems to believe in this sentiment as well [see 5:30-7:30 and 10:57-11:00]).

That is to say, in S1, I didn't feel, "Oh, my god ... he loves him." It was more, "Yes, he loves him", there is no question, his actions prove it.

There is wiggle-room for unrequited love in the S1E4 interrogation scene, but the jealousy Mobius exhibited could have just as easily been a combination of anger on behalf of his murdered colleagues and platonic jealousy.

However, I felt the first hint of unrequited love from Mobius occurred during his goodbye scene with Loki in S1E5. Specifically, this look:

I had no expectations for that look to pay off in any way. Season 2 surprised me.

LOKI SEASON 2

S2E1 is amazing episode because, through subtext, it reframes how Mobius's S1 emotions may be interpreted with stronger evidence for romantic motivation. In this episode, there appears to be a subtle, gradual build-up to the moment that Mobius's love for Loki may be viewed as fully romantic. Let's break down the episode and look at the progression:

First, learning that Loki is at the TVA: *sigh* I can't find the "Loki's here?" gif.

Second, and perhaps the most infamous, the reunion and whole-body support Mobius provides Loki in the TVA War Room (physical comfort):

Third, Mobius bringing Loki somewhere safe and quiet, assuring him that "it's okay" (emotional comfort):

Fourth, Mobius insisting that Loki's condition must be fixed, not once but twice, in two different scenes. A third (writer's magic 3s!) instance occurs in the Heart of the TVA, just before the gangway scene (prioritizing the other):

Fifth, Mobius's admission that Loki's timeslipping looks horrible, and he can't look at it anymore. He repeatedly stresses to Loki how serious this is (emotional and physical empathy):

Sixth, Mobius taking Loki to exact right person who can help. This is particularly significant, because Mobius is the only person in MCU canon who has verbally expressed concern for Loki's physical well-being and took immediate action to stop the pain (act of service):

Seventh, the third time Mobius prioritizes Loki's wellbeing. He scolds Loki and reminds him they have only one shot at getting his timeslipping corrected before the temporal radiation becomes too high (prioritizing the other):

Eighth, Mobius interrupting Loki, insisting that he will make it back. The subtext here is that no other outcome is acceptable or thinkable for Mobius (emotional comfort):

Finally, Ninth, the clincher: "He'll make it back." (self-comfort)

This scene is everything to me. Moments 1 through 8 build-up to this singular moment. Let's do a micro-analysis on it.

After Loki timeslips, the camera stays on Mobius. It tracks him as he kneels down to pick-up the time sick, the last thing Loki touched. The camera then pans up as Mobius rises.

@stevenrogered, THANK YOU for this gifset. It's literally the only one I could find that captures the camera tracking Mobius after Loki disappears, and this is my all-time favorite Mobius scene.

Mobius stands for a moment, motionless, and the camera holds on his facial expression. He's staring at where Loki WAS for extended period of time (keep this in mind for later). He's holding his breath. He's worried, scared, and hopeful, not for himself and the danger he faces on the gangway, but for Loki.

Finally, he exhales as he says to himself, "He'll make it back".

This entire sequence--particularly the moment when Mobius picks-up the time stick and holds it in silence--made me feel, "Oh ... Oh ... he loves him."

The camera stays with Mobius, capturing his reaction to this high-stakes situation for a significant amount of time (@loki-us, maybe you can get this timed starting from the moment Loki disappears and Mobius starts to kneel to pick-up the time stick?). Cinematographers don't do this type of hold unless they want to illicit a strong emotion from the audience regarding the character we are focusing on in the moment.

My insides swooped, which rarely ever happens when I view film or television.

And this camera hold, this pregnant pause, is mirrored by Loki's stare in S2E5:

[thissccounthatesfascists]

TL asleep? cool.

(long post, strap in)

i wanna talk about colin's wet dream. that was the most demisexual shit i have EVER seen. there's not even any sex. its just a romanticized, elevated version of their first kiss. its colin's subconscious wanting to replay the moment he fell in love with his best friend in the Most way possible.

lets break it down:

we got the same location of their first kiss. Complete with mood lighting and a fog machine. It’s giving pride and prejudice 2005

Penelope comes out (looking gorgeous, of course) to their rendezvous spot, which has been previously agreed on.

colin thanks her for meeting him, she doesn't know why he's asked her to come

he confesses his feelings for her

she reciprocates (this is the important part of this to me. ) her wanting him, makes him want her more (do you see where the demisexual colin energy is coming from? do you understand?)

they make out

he kisses her neck as she pants his name over and over (see my point above re: her wanting him makes him want her more)

he wakes up, absolutely shook

this is an idealized reimagining for colin: during their first kiss he was basically in shock, his new personality chokes on the reality and vulnerability of the moment

in the book he talks about how he tries to think of something witty to say but finds that no words are necessary, and there's no combination of witty banter or suave bravado that could help in that moment. the rake persona that he has put on up to this point absolutely fails him. but here, in this dream, words are crucial, the declarations of love are why its sexy! (demi colin is canon idc idc)

and its so important that this wet dream, the idealized version of this scenario happens like this. because we've also seen colin having sex with sex workers (and luke newton has talked about this) but his energy in those scenes is very detached, very focused on him and his pleasure with zero connection to the women he's with. he has two different threesomes (if you can even call the second one that, he's barely even looking at them) with four different women and we know nothing about these girls. they don't even get names. they don't matter, and its simply not. as. good. as the feeling of kissing pen. there is no connection

which is, i think, why he taps out during the threesome in ep4. he tries to go back to the devil-may-care attitude toward sex and intimacy that he had before kissing pen, he tries to return to that mask he put on of "the rake" and it just doesn't work! he feels nothing! in fact he feels disdain for the position he's in and the choices he's made!

the threesome in ep4 mirrors the outburst he has later at the club really well. like he's so frustrated with this position he's put himself in, the men he's surrounded himself with. he literally says "none of you are gentlemen!" "you're actually gross and disrespectful!"

a line that i love is :

"... it is tiring, is it not? The necessity imposed on us to remain cavalier about the one thing in life that holds genuine meaning. Do you not find it lonely?"

and they laugh! in! his! face! because these are men that feel perfectly fine sleeping with strangers and bragging about their "conquests" to their buddies

but that is not who colin is! he's still very young. and his experience with marina (who tried to seduce him and it didn't work, imo bc he just didn't feel that passion, that love that makes his relationship with penelope so different) has left him jaded, but not nearly as jaded as he wants to believe. even if he wants to be casual about romance and sex, he just isn't. this man proposed to marina after knowing her for what? a couple weeks? He is an All or Nothing type of guy. He has that Bridgerton 'when i fall in love i will only ever talk about my spouse' Gene

Now: some costuming details that i love:

Her hair:

(i know this is a stretch but go with me here) her hair is in slightly tighter curls than we've seen this season, which to me seems like a nod to colin liking (or at least not minding) her hair the way it was in previous seasons and maybe not caring as much as we might think about her transformation. but its still down and flowy and in line with her new style

let's talk about this! dress! (it has genuinely been keeping me up at night)

the sleeves seem much more similar to the silhouettes of her costumes in previous seasons, not necessarily in shape but in style

the sleeves are bulkier, compared to this season's costumes, which while they might have been the same size and shape, they are made of much lighter material, giving the silhouette a softer, more mature feeling.

compare it to this dress from s3 ep2: it looks very similar with the sleeve shape and the floral appliqués, but in the dress in the image above, the appliqués are much more obvious, closer to penelope's style under her mother's tastes

the point i'm trying to make here will be made more clear in a sec. what I am NOT trying to say that colin prefers her in her little girl dresses with loud designs, bright colors, and silly hairdos. he just associates those bigger, brighter, louder style choices with penelope.

And he has always liked Penelope. Even when he didn’t take her seriously as a potential partner, he always saw her as an equal. He never made fun of her silly dresses and questionable hair choices.

This has nothing to do with Colin but i feel like i should point it out:

there is something to be said about how her muted pastel color palette along with the more demure style that she has adopted shows that she is trying to Show Up with this social season, but as a wallflower, she is shy. she's always hated those brightly colored dresses her mother put her in, because no matter how close to the wall she clung, she was always visible. she was always vulnerable to ridicule.

but i don't think colin knows or realizes this because why would he think critically about the specific style changes she's made. and he probably doesn't really make the connection of the influence her mother has on her clothing. and around him, pen has never seemed all that shy. she's been confident and witty. if you pair her personality that shines around colin with her louder outfits, it seems more congruous

(take the scene from season 2 where we get the line "My purpose shall set me free") this is a side of penelope that no one, not even eloise!, sees

what his subconscious knows is that he associates pen with vibrant, textured, and often 3-dimensional outfits, and his subconscious creates a dress that fits her new style, with a little more of that featherington flair thrown in.

the fucking tie in front: i feel like this is a very clear reference/ foreshadowing to the mirror scene

for those of you who haven't read the book, the mirror scene doesn't actually happen, but colin tells penelope about a fantasy he has about touching her in front of a mirror

this is a pretty small offhand comment made while they're having sex for the first time but amongst book fans the scene has become pretty fleshed out i think, with fanfics especially

because the idea that it touches on is colin fantasizing about penelope seeing herself the way he does, as sexy and desirable (he seriously cares about her pleasure so much its sickening, I'm actually sick)

and although Book Colin doesn't mention it, the idea of him undressing her in front of a mirror has become a popular story set-up

i think the tie in the front sort of plays on the time period sensibilities of propriety: this is a time where in "good" society an unmarried man and woman would never touch skin to skin, its why all the women wear gloves most of the time. its why the scenes in season 1 between daphne and simon play on the excitement of removing the gloves: its a taboo thing

this is unrelated to this post but i need an explanation as to why pen isn't wearing gloves in a lot of her scenes this season, like the scandal that that would cause??? I'm assuming its representative of her growing into her sexuality; and bridgerton is a fantasy, not a historical nonfiction, but like some consistency would be nice guys bc i was so confused abt all the skin-on-skin contact happening. even with Francesca and Lord Samadani WHEN HE KISSES HER BARE HAND I WAS SO UNCOMFORTABLE FOR HER. especially because of all the glove-related tension in s1. but i digress.

so the tie in front is sort of a dare. even though its clearly an addition, and untying wouldn't actually remove her dress, its her (colin's subconscious version of her anyway) way of saying: "you could untie this, you could undress me if you wanted to" "i love you" "i want you"

and i think that's beautiful. this season is great and i will die on this hill.

If you've made it this far, congrats! you're just as feral as me! come and gnaw on the drywall with me while i post fanfics inspired by this season: https://archiveofourown.org/works/55988977/chapters/142190584

chapters 1+2 of my new fic are up

photos are from : https://www.cap-that.com/bridgerton/302/index.php?image=bridgerton3x02_1502.jpg

[p1utofairy]

PAC: “one hit of your love addicted me. now i’m strung out on you, darlin’, can’t you see?” 🕊️🕰️✨📨

• what will your first love be like?

disclaimer ✩: take what resonates, leave what doesn't. i wanted to try something new by including edits but ofc tumblr is annoying and doesn’t let you post more than 1 video ugh. hope you all enjoy this though! love you much.

PILE ONE.

hey pile 1 🎀 right off the bat i gotta say…your person could possibly give anakin skywalker vibes visually lolololol very tall, handsome and broody. i'm also thinking of jon snow from ‘game of thrones’ hmmm i think this just ties into the fact that your person is in their bag a good 85% of the time! they analyze and process their thoughts & emotions a lot, and this won’t change especially when it comes to their love and devotion for you. they are very intense and purposeful when it comes to love — there’s no faking it or forcing it. they say what they mean, and mean what they say. they hold themselves to a very high standard so i think they’ll be in their head a lot when it comes down to approaching you/courting you. they want to make sure that they’re doing and saying the right things…they want to make sure that you’re comfortable. they will prioritize you and take the time out to really get to know you! they don’t want to do the whole cliché “wyd” texts or just take you out to the movies. no, they want to be able to take you to places you’ve never been before & treat you to beautiful experiences that will stay with you forever. that’s how highly they think of you, pile 1! they think you deserve the best of the best and they will do everything in their power to give you just that. this person has been through a lot in their life and they’ve felt so alone and misunderstood. 9x out of 10 if they just got out of a relationship, their ex didn’t understand them or couldn’t match them emotionally. your person is big on “everything happens for a reason” so when you come into their life they’re going to feel so much joy and relief, it’s like you’re their saving grace. it’s that energy of — where have you been all my life? that scene of anakin and padmé in ‘star wars: attack of the clones’ on the balcony is coming to mind…the longing in their eyes before they share their first kiss. a lot of people may talk about y'alls relationship/how y'all got together. it's nothing scandalous…i just see people being infatuated? i’m picking up a lot of outside influences/opinions so just be careful of that…don't have too many people in your business cause i’m picking up that some of these people don’t have the best intentions and are secretly jealous. it’s giving very much “fan behavior” hm they might keep tabs or ask lots of questions about you and your person’s relationship…it’s weird. i think for some of you, you’ve been single for a long time, so it’s going to be a shock to a lot of people when you pop out with this person. once your person comes into your life you may start to notice multiple people show romantic interest in you and you’ll be like??? where tf were y’all at when i was single for ____ years?! LMFAOOOOO that’s hilarious but back to your first love, it’ll be beautifully intense. i see you giggling a lot, staring at your person with big starry eyes and a lot of physical touch between you two. it may not even be in a flashy way? i can just see you coming up behind them and placing a hand on their back to make your presence known…i see a lot of moments of them holding you in their arms and resting their forehead against yours — they’re looking at you with so much intensity…deep concentration and passion etched across their face and you just break out into this bright smile and they just melt. you look so innocent compared to them like there’s this light in your eyes that’s left their own a long time ago, but they feel so safe…so free to be themselves when they’re with you. you’re their heart, pile 1. i’m hearing that scene from ‘the bear’ when carmy tells sydney “i couldn’t do it without you. i wouldn’t even want to do it without you…” AWWWWEEEEEE.

via tnqkins on tiktok

other channeled messages:

who's that girl? by eve, shravana moon/rising, doe eyes, baby pink, curly hair, strong arms, yin & yang energy, younger/age difference, vishaka scorpio moon, hypnotic gaze, 10:10, mirroring each other, distinct cologne

PILE TWO.

heyyy pile 2! you will NOT expect to fall in love with this person wow, your feelings for them will actually catch you off guard. this person is not your usual type and that's what's so intriguing about them…you’ll never know what to expect with them; they’ll keep you on your toes. i think that you keep repeating cycles or keep going back to someone who is no good for you, but once you meet this person there’s no going back. you’ll gravitate towards them like a month drawn to a flame lol you can’t fight these feelings even if you wanted to. you might meet this person through a mutual friend or meet them in a group setting, i see other people around you both as you talk and get to know each other. there’s so much warmth that this person radiates…they feel like home to you. a hug from them could fix your bad day, a kiss from them could make your heart skip a beat 🥹 and their smile?! to see them smile at you will give you an instant serotonin boost. this relationship feels divine…it feels fated. it’s giving “right person at the right time” like everything leading up to this connection will make so much sense once you’re actually together. some of you that chose this pile are quick to self-sabotage or cut off a relationship before you can get too emotionally invested. you’ve built these walls up because you’ve been through a lot of shit and you don’t want the extra baggage a relationship can sometimes bring, but it’s gonna be different with this person. you’re going to be so open to receiving their love and reciprocating it, there’s going to be such a healthy balance between you two. i’m hearing that this person is going to be a wish fulfillment, pile 2. this might be a long distance relationship at first — you might have to travel to see each other or you both will like to travel to different places together. they will value you so much! they will wine and dine you, surprise you with your favorite things and make sure you always have whatever your heart desires. they love you and they will have no problem showing that.

other channeled messages:

short king, sagittarius, bisexual, when harry met sally, opposites attract, capricorn man, matcha latte, boyfriend by big time rush, saturn dominant, west virgina, virgo/6H placements, ruby, freckles

PILE THREE.

pile 333 🦢 whoa i'm already picking up that this is a love that only grows stronger and better with time; it ages like fine wine. WOW WOW WOW. i'm ngl i feel like this person is your divine counterpart…when i say you two are a match made in heaven — i mean it. you complete each other in ways that other people will never truly understand. there’s this unspoken love and desire between you two initially; i see you both stealing a lot of glances at each other, waiting for the other to cave in and say something…anything. you both want to close that space between you but don’t know exactly how to. i don’t think either of you has ever felt this way before about anybody 😮‍💨 this love is strong AF. it’s never a dull moment between you two, there’s always that underlying passion and spark ready to consume you both. i’m picking up that either your ex or their ex is going to be very envious of this relationship. they almost feel blindsided in a sense…they thought you were going to come back to them and give them another chance, so it's going to make them feel some type of way when they see that you’ve moved on. please be cautious of this ex pile 3…they don’t have good intentions at all and i pick up an obsessive vibe from them. we are blocking that all the way out 🧿 anyways! your person’s love language is more than likely quality time…they loveeeeeee spending time with you and stepping out of their comfort zone to try things that you like. there’s a solid friendship at the root of this connection pile 3…like not only is this person your lover, but they’re also your best friend wrapped into one. you will give them the key to your heart and vice versa. any other options or third party situations will be cut off/left behind because all you both can see is each other! nothing and no one can tear this relationship down because it’s built on such a strong foundation, you can see yourself with this person years down the line from now and they feel the exact same way. you’re home to them. i know this is your first love pile 3 but i wouldn’t be surprised if they popped the question 💍 — i'm just sayinnnnnnnnnn!

other channeled messages:

feel it by jacquees ft. lloyd & rich homie quan, la perla lingerie, just left a toxic relationship, rock the boat by aaliyah, air sign placements, 26, 111, lemon drop, leo, jaded by drake

[gietterbug]

Spy x Family Code: White - Highlights

*This post contains spoilers. Scroll away if you still need to watch the movie. **Reposted because it didn't show in the tags.

Since the movie is out and has been circulating on the internet, I would like to talk one thing or two about it. I'm overjoyed about the release and have watched the movie numerous times. So here are some highlighted scenes, or at least the ones that have become my favorites and lingered in my mind for way too long.

━━━━━━━━━━━━━━━━━━━━━━━━━

First off, this scene. It's just a small gesture of Loid because apparently he's worried about Yor's mouth due to the "irritating" lipstick she's wearing.

But tell me, what kind of man would give a woman such a pleasant little gift if he did NOT love her. It's not like, "You're nothing to me. Here's a new lipstick for you!"

Loid is not going to declare "I LOVE YOU" explicitly; the hell is he going to, but we have eyes, and we see. Your small gesture and little gift say everything I need to hear, and I won't take your for the mission excuse anymore, Loid Forger.

━━━━━━━━━━━━━━━━━━━━━━━━━

I'm fully aware that the "Yor getting jealous" trope is becoming redundant nowadays. Some people say they're overdoing it and no longer find it interesting to talk about. But I beg to differ. I'm still on the Yor's jealousy bandwagon because it's become a crucial element in her and Loid's relationship. Yor does not necessarily have the right to get jealous and upset about the idea that there is someone else in Loid's heart. Heck, I dare say she can't pull out the "wifey" card because we know it's all fake.

But that's not that.

For me, to say that Yor is jealous there might be another woman in Loid's life is an understatement. It's not to say she is being greedy, but she does want Loid, and only him, not just because she's technically his wife—her genuine feelings for him are growing, and we can see that. She does not want to lose him, let alone to be out of the picture. It's Yor being true to herself. It's Yor fighting for her love and affection for Loid.

Extras:

Yor's heart is already shaken at the possibility of Loid cheating. And HE does not help by throwing such flattery and complimentary comments about his wife. This dense man…

━━━━━━━━━━━━━━━━━━━━━━━━━

I liked what Anya did in this scene.

Afraid of her family falling apart, she tried everything she could to prevent that, and that is... through her parents' flirting 😏

She's still a little kiddo, but being the telepath that she is, she still wants her family to stay intact. Anya pushing Loid and Yor together to have some kissy-kissy time never gets old, to be honest. I always enjoy it every time she does that. Anya recollecting what Becky said about divorce and the "supposedly" bloodbath also added some comedic sense to the scene.

━━━━━━━━━━━━━━━━━━━━━━━━━

This has got to be my #1 favorite.

The only physical intimacy in this scene is just Loid putting his hand on top of Yor's. Nothing more. Okay, we may have moved past that episode where LoidTwilight pulled a honeytrap on Yor, AND we can't dismiss the fact that maybe, there's a definite chance that he just used her.

But this time, he is determined to keep Yor around for real. He even restated his granade proposal to stick with each other—basically their wedding vows—and had no intention to break that promise. What's this smell? It's a whiff of peak romance.

━━━━━━━━━━━━━━━━━━━━━━━━━

This scene made me feel warm and fuzzy.

What came to my mind when I was watching this scene was that although Twilight is the best and most renowned spy there is, he's still lacking some things. One of them is, for sure, parenting, which we saw from the earlier episodes of the series, he picked it up from books.

Yor always plays along with Anya to keep her entertained, and it's also one of her ways of parenting that some people may have dismissed. Yor arguably does better in this field than Twilight from her own experiences, the big chunks of which were from when she raised little Yuri. This should eliminate the questionable discourse of Yor "unfitting" for the mother role.

This scene got extended to when Yor told Loid that it was a family trip, that Anya was looking forward to this trip, and that they all should go together.

━━━━━━━━━━━━━━━━━━━━━━━━━

This may be the last for now: the Forgers walking hand in hand at the end.

I couldn't imagine the hardships this family went through throughout this movie. (Ok, I know some were absurd, but let's move past them for the sake of this post.) Despite being a fake family, they still came as one and worked hard together to put things back in their place and resolve all the problems. Like... they didn't have to do that; their family is a pretend. But they did. They're complete, and it's so beautiful to see ❤

[emberuby]

in your arms forever — preview: chapter one. | p.js

pairing: park jongseong x reader (feat. ex. almost fiancé! park sunghoon)

a/n: here is a sneak peak of the first scene of chapter one <3 i've been writing a lot for the past few days but it's a slow process so i wanted to post a preview. however, i finally have a date for the release: june 14th woohoo! there will be 3 chapters and an epilogue. i have the entire story mapped out so i'm very excited!! if any of you have questions feel free to ask. ^^

warnings: the full chapter is pretty intense but the preview doesn't have many warnings, just isolation, slightly toxic! jay (may or may not get more toxic 🥹) and mentions of infidelity.

series taglist: @nshmrarki, @strxwbloody, @anittamaxwynnn, @heeheeyeoiizz01, @yohanabanana

wc: 980

It had been a week since you began living in Jongseong’s manor, a beautiful cage where your every move was monitored. You had an hour to spare before he came home, an hour to savour your solitude before the pretense of ignoring and dismissing him continued. Despite his attempts to break your shell and get closer to you, you maintained a cold distance.

Eva and Celia, Jongseong’s two corgis, laid beside you on the floor of Jongseong’s study as you read the books he left to keep you occupied, as if you were some helpless child. Your phone had been confiscated, leaving you with only the option to contact him through his servants. Any outing required a chaperone from his guards, who conveniently never allowed visits to your father, sister, not to mention Sunghoon. Gods, you missed Sunghoon. Your body ached to be held by him again, and your mind grieved at the thought of never seeing him again.

Time had frozen since you entered Jongseong’s home. You had been mostly alone with your thoughts, except for the corgis’ whines when they were hungry. The servants and guards barely acknowledged you unless it was to tell you not to do something. You kept wondering what your father could have possibly done to piss off the Parks and now owe something to them. This marriage, you were certain, was not about the flimsy excuse your father had told you but rather the Parks’ insatiable hunger for power. A part of you was grateful that all they demanded was a marriage, given they could easily kill you and your family with a snap of their fingers. You shivered at the thought.

“How are my sweet girls doing?” you heard from the door, and you sat up, surprised that your fiancé was back so early. Jongseong smiled widely and walked up to Eva and Celia to pet them. He began scratching Celia’s chin, followed by asking, “Has Y/N been treating you well? I’m sure she has; I know how much you love her.” He turned around to face you and continued, “I’m honestly quite jealous of how much time you spend with them. I think they’re starting to like you more than me,” he laughed to himself.

Your face remained unmoving; you didn’t know what to say back. You tried to stand up by yourself, but Jongseong grabbed your hand and gently pulled you up instead. You hated how your body reacted every time he touched you. Your body was hot whenever he was near, and your skin felt like it was on fire wherever he laid his hand. You would have been lying if you said he wasn’t attractive. He had the alluring look of his mother, magnificently beautiful. It was hard not to stare and admire him when he wasn’t looking. Then you remembered just how wrong this all was. You had the love of your life, and you were betraying him every time you leaned too far into Jongseong.

“Cat got your tongue, my love?” Your thoughts were interrupted by him again. The more you got to know him, the less he intimidated you. Honestly, you thought he was quite pathetic, constantly at the beck and call of his mother, desperate for her approval. You weren’t sure if he did anything without his mother knowing about it. It made you feel a bit brave.

Brave enough to point your chin towards him and glare at him, “I want you to let me go see Sunghoon.” He stood there in silence for about a minute, with a completely unreadable expression. You thought he may have not heard you until his menacing laughter broke the stillness. The way he was folded over, you’d think you were a comedian.

He finally calmed down and said, “That’s hilarious, Y/N. I know you’re not stupid. Tell me why the fuck I should let you go see your boy toy?”

“He’s not a boy toy,” you continued testing your luck, “and why not? It’s not like we’re in a real relationship. I don’t owe you anything and you don’t owe me—” he cut you off.

“Don’t fucking think about it. Our marriage is public news as of now. Why do you think I’m so scared of letting you out? The paparazzi are on our ass and they can’t find out that this is arranged,” he furrowed his eyebrows and scoffed, “Can’t have the press thinking I’m getting cuckolded by my wife with some nobody, now can I? Wouldn’t be good for my reputation.”

You clenched your fists, anger boiling inside you. “But I know this isn’t about your reputation. I know you and your mother are using me as a pawn. You’re probably out whoring yourself around with any girl that gives you attention, but gods forbid I go to see my boyfriend!” You yelled that last part and immediately regretted it when Eva began whining.

The fire in Jongseong’s eyes extinguished. “You are scaring the girls, Y/N,” Jongseong sighed and stepped closer, held your waist, and pressed a kiss to your temple. His eyes softened slightly, but his presence was still intimidating. “Don’t think so low of me, honey. I admit I’m a romantic, but I would never be unfaithful. You’re mine now, and I’m yours.”

Him standing so close reminded you just how much he towered over you. Half of you wanted to hit him in the chest and run in the other direction, while the other wanted to lean into his touch and let him hold you closer.

“Remember, Y/N, you are my wife. That little boyfriend of yours is someone you need to forget. You can keep fighting it, but it doesn’t change the facts,” then he whispered, “you belong to me.” He could feel you tremble in his arms, so he reached out for your hand and squeezed it.

[angelpuns]

Kid Leo Reunion Arc - Test Writing

As promised, here's the blurb I wrote to prepare for this arc! I may actually do this for the rest of the arc cause I don't like what I've sketched out for the end of it, as well as future arcs. It helped a lot with the pacing and making the scene as emotional as possible!

Raph was trying to pay attention to what Leo said, he really was - though a lot of it was just a nonsensical story about a dream he'd had. Half his mind was still cast on the issues from earlier. On how they just kept failing and failing. Meditating should have worked…it worked the first time they unlocked their ninpo and when they needed to break out of the cage and defeat Draxum…. 

So why couldn't Leo unlock his ninpo?

Was it the fact that he was just too little or that he couldn't meditate properly or that he just…still didn't trust them? But that couldn't be right, ‘cause he'd been acting like…well, like Leo around them again. He clung to all of them like the real- like Leo always had. 

Raph just wanted to scream and fight and hit something- but he didn't. He took a subtle breath in, held it, and let it out a few moments later. Calm down, Raph. You can hit something later. 

He didn't want to scare Leo, after all. 

He tuned back into the conversation, watching with faint amusement as Leo spoke animatedly about his dream, hands moving all over the place. 

He was saying something about ‘a purple Leo that was him but not him’ when he stopped, eyes wide. Raph noticed the staticky electric feeling before he turned and a bright purple light washed over the kitchen and all its inhabitants. 

For a brief moment nothing happened, everyone else turning in slow motion to see what was going on. 

Two figured emerged from the portal, the purple light blinding Raph so he could only see their silhouettes. One tall and one short. He recognized the short one in a second, and so did Leo, judging by the loud gasp and the clattering of his chair as he leapt down from the table and rushed over. 

Draxum's voice boomed over the kitchen, “ WHICH ONE OF YOU MISCREANTS SENT YOUR SICKLY FATHER TO BOTHER ME ON VACATION!?” 

It didn't seem to bother Leo, though, the boy rushing over to Splinter with a shout of “DADDY!” and leaping into their dad's arms. 

For a moment Raph was almost angry- Splinter didn't deserve a greeting like that after he'd ignored Leo during their last few phone calls. 

But he was jealous, too. He missed being small enough for Pops to hold like that. To hug like that. 

Splinter opened his arms and Leo ran into them, squeezing Splinter as tightly as he could manage. 

“ Oh, my little Blue….” Splinter sighed, voice nasally and exhausted, “ Were you good for your brothers?” 

Leo squeezed him tighter, tail wagging a mile a minute. He seemed to be so happy he couldn't contain it, little body trembling with the need to get the energy out. 

He barely moved out of the hug, shouting into Splinter's robe, “ I'VE BEEN SO SO GOOD AND I HOLDED MY SWORD TODAY ALL BY MYSELF AND STIRRED THE CURRY AND I MADE SURE TO-TO CLEAN UP ALL MY MESSES AND EV-EVERYTHING!” 

His voice shook as he yelled, stumbling over his words in his excitement. He couldn't seem to keep a happy chirp from leaving his throat either. the sound intermingled with his words. 

“And-and,” his little voice wobbled, no longer shouting, his claws gripping Splinter's sleeve tightly, “and I thought you got brainwashed and then I got s-sad and-”

Tears had begun forming, his beak trembling with the effort to keep them in, squeezing Splinter tightly. He didn't let them fall, though, claws shaking where he was trying to keep still. Like he didn't want anyone to worry that he was crying. Like he was afraid he'd make more of a mess of things. 

Then Splinter gently rubbed a hand over his shell and Leo burst into tears, pressing his face into Dad's robe and voice coming out in choked gasps. 

“ I WA-WAS SO SO SCARED!” He wailed, Splinter glancing up to give the rest of his children a concerned frown. 

“I WAS SCA-SCARED CAUSE YOU-CAUSE YOU- CAUSE WHO WAS GONNA TAKE CARE OF MIKEY AND RAPHIE AND DEE DEE IF YOU GOT BR-BRAINWASHED!?” 

Leo’s crying carried on, but his words were choked out by sobs. All he could do was let out a pitiful wail, even as Splinter tried to comfort him. He curled into Splinter's embrace, little body shaking with sobs the entire time. 

He rubbed Leo's shell and hugged him tighter, the little turtle only barely starting to calm down. He couldn't seem to keep the tears from coming now, his crying echoing throughout the kitchen. 

“It is okay, Leonardo, I am here now,” Splinter murmured, leaning in close so Leo could hear him, “ you were a very brave boy while I was gone, weren't you?” 

The wailing died down to a quiet sobbing, Leo sniffling and hiccuping in response. 

It was quiet, save for a few hiccups and gasps, before a wet chirp came from the turtle in response. It was muffled by Splinter's shoulder, but had most certainly come from the little turtle. 

Splinter sighed, still rubbing his shell, his voice softening, “ I am so very proud of you, my son. You did such a good job.”

A beat of silence, a hiccup, and then- 

Another chirp, this time with a sad, questioning tone to it. As if to say, ‘really?’ 

“ Yes. and I think your brothers are very proud of you as well,” He glanced up to his other children and beckoned them over. 

Mikey pushed his chair back with a screech and quickly joined the group hug, but Donnie and Raph didn't move just yet. 

Raph’s jaw was tight, his face a stony mask of barely concealed anger. His hands flexed open and closed, claws tapping against the table as if contemplating if he really should join. 

Raph was only thinking about how Splinter had spoken to him on those phone calls. How he'd wax poetic about Raph being the leader again. 

Leo didn't deserve that. He didn't deserve to be ignored by their dad when he was just trying t tell him about his days. About all the things he was doing. Leo sought his attention over everyone else, even when he wasn't here. 

And yet Splinter was here now acting like it had never happened. Like Leo hadn't had to fight for attention the entire time he was gone. 

The thought made Raph sick, but he joined the hug regardless. 

it didn't show as much on Donnie's face, but he seemed to be going through a similar revelation. He'd been hesitant to call Splinter and ask for his status at all. He doubted Splinter would even find Draxum, doubted that he was even trying. He had suspected their dad of just running away from The problem rather than seeking an actual solution. 

It wasn't as if Splinter had ever done anything like that for them when they were children, so why would Donnie give him the benefit of the doubt now. 

Sure, he'd left of his own volition and had done so promptly. But this was Splinter. Who raised them off of movies and as little information about their family and their origins as possible. Splinter who left Raph to do so much of the work that he'd- 

But this was different. Splinter was different. And Leo was- well Leo was still clinging to the idea that their dad would pay attention to him and kiss his booboos and tuck him in at night. Because at that age he still did. For a little bit, anyway. 

Donnie swallowed, tucking his phone into his pocket. He could think about all the ways Splinter had failed them in their childhood later. What mattered now was his twin. They couldn't go influencing how he felt about Dad, after all, there was no telling how it might affect the space-time continuum and all that. 

 Donnie’s eyes shone and he reluctantly joined the hug, trying to put all the feelings and concerns about Splinter out of his mind for now. 

Raph squeezed them all together, just like it should be, and rumbled that he was proud of Leo. For the record. He wondered to himself if maybe they should tell Big Leo that a bit more. Because maybe then he wouldn't go throwing himself into danger for them and maybe Raph wouldn't have to worry about him so much. 

And cause it was the truth. He really was proud of Leo. Both this version and the teenaged Leo. He wasn't sure if his opinion mattered much to either version, but he made a note in his mind to tell Leo when he got back. To make sure he got it through the kid's stubborn head. 

…if he ever got back. 

It was quiet for a bit.April joined the hug at some point, Casey Junior staying at the table and keeping his distance for now. 

( it might be cute if Leo was like 🥺 Casey hug too? ) 

Leo sniffled. He rubbed at his eyes under his glasses and glanced up at everyone, tears still dribbling down his cheeks, “ even though I didn't- I didn't get my superpowers back?”

Splinter seemed confused, so Mikey quickly cut in, “ It's okay, Lee! You've been trying your very best, haven't you?” 

They hugged him a little tighter at that, Leo letting out a weak, warbling chirp in response. 

[fan-goddess]

MY ANALYSIS OF THE SCENE BELOW

Gif and photo credit goes to @barbieaemond

A/N: First of all! I want to say these are personal opinions and ideas I have come up with and discussed further on! None of the things I will say are confirmed! I am merely speculating and debating theories! The start is less on topic but it gets more focused the more I talk.

I didn’t want to bother users by directly tagging but there users are there and in some cases links to their posts are added in bold. I also bolded certain quotes.

Okay, first of all I want to discuss the words they had playing when they showed this scene before we look into the scene itself. When listening to the voiceover I couldn't tell who it was who was saying the quote, but after putting on the captions I found its Larys Strong which is interesting given his character is pretty much the master of whispers. He's the man who knows everything on everyone the man behind the curtains as shown in season 1 when he manipulated Alicent to make her believe she was responsible for Harrenhals fire and therefore make her guilty enough for her to feel the need to keep Larys in kingslanding where hes at his most powerful. Why go back to Harrenhal and trust his birdies to bring him the information while he sits back when he can do the dirty work himself? That is a key aspect of his character which is why it makes the quote so noteworthy.

The quote itself though is this: The enemy without may be fought with swords. The enemy within is more insidious. Even the use of camera shots which are placed while he's saying that have meaning, as when he says the enemy without its showing Rhaenyra who has lost her daughter, her son, her crown and her throne. And when he says may be fought with swords Aegon shows to be possibly mourning the loss of Jaehaerys, and it's known that after finding out about blood and cheese Aegon went on a rampage killing all ratcatchers in the city. This is showing the shots they’re showing in this line have meaning, meaning we need to take into consideration the scenes/words they show next.

The shot saying The enemy within shows Daemon walking down in a dimly torch lit tunnel somewhere underground with no real indication of where he is. Perhaps they'll play around with blood and cheese by having Daemon come with them to show them the tunnels needed to get to Helaenas chambers, but that would not make sense as it's been highly discussed how Dyana (A maid shown in season 1 who had been a victim of Aegon) would be a part of season 2 for a few episodes, so its much more likely she'll be the one guiding blood and cheese to Helaenas chambers. Though I must say I feel Dyana will most likely be punished and killed for this as she has affectively been part of a plot to kill the innocent son of Helaena. I suspect her guilt will show, and maybe Alicent or maybe even Aegon himself can see that she knows something and questions her, leading to Dyanas confession and death.

Though the scene with Aemond as Larys says is more insidious, that is what caught my eye and no doubt brought you here. We can still that the whole line as part of the reasoning for the use of that scene, as I have discussed with @/anjelicawrites and we have thought of the possibility on this being Aemond crumbling down from his usual, "Tis I the younger brother who studies history and philosophy, it is I who trains with the sword, who rides the largest dragon in the world. It is I who should be-" This is a new side of Aemond. A version of him which we beleive is him finally directly suffering for his actions in the war, AKA killing Luke and indirectly causing the death of Jaehaerys. He looks as though he is becoming something that even he said he would never become as he even says to Criston, as Anjelica mentioned to me, that the two of them were people with morals. It's honestly quite an interesting take as by having the usually stoic Aemond break down in front of this woman, the identity of whom I will talk further on later, shows even he is not safe and that no one is truly immune to the grief of war and that sacrifices must be made by all.

Now we do not know the setting in where the photo takes place but if this truly is a brothel then maybe Aemond went back to the place which truly psychologically hurt him in order to enact punishment on himself, as what punishment can really be done after what Aemond has had to go through. Torture is not an option especially since he's already had to suffer through the major damages of loosing an eye which has already permanently damaged not only Aemonds vision but his whole nervous system. There is a post where a lovely individual goes through the medical side of Aemonds injury which I shall link here for those who would like to take a further look. Going to the brothels as well could be a sign of him becoming what he hates most of all. Aegon. Aegon has always been Aemonds biggest jealousy as he has everything Aemond wants. Aegon has the title of first born son, two eyes, a valyrian wife, heirs, even an actual inheritance and yet he throws it all alway and very easily wanted to when Aegon tried to convince Aemond to allow him to board that boat to wherever he was planning to run off too (Probably Lys when you think about all the people there who have silver hair and the violet eyes.) To see Aemond slowly develop into Aegon would be almost strangely poetic to see as he becomes the epitome of what he hates and wanted most, especially when its just the worst side of Aegon he becomes and not the good parts.

Now onto the context of the scene! The way Aemond is laid on the women suggests intimacy, as he has his hair put down naturally, has his sapphire eye on pure display, and most noticeably of all is naked as the day he was born. He also has his back to the person, which to him especially given his lack of vision on his left side, means he trusts them enough to be vulnerable. People are heavily implying that Aemond is in a brothel, but when you think about how Aemond reacted to the brothel owner in the first season, who it turned out to be the woman who SA'd 10 year old him, I do not believe he would go back there willingly with that much sense of vulnerability around those sort of people. But when you think about the idea of him going back there to punish himself for his misdeeds then it cannot be ruled out as a possibility. Though someone mentioned it didn't seem right how Aemond was the one in the nude while the woman he is laying his head on is still fully dressed, which is certainly odd especially when you remember that when we got a first glimpse of the whores they pretty much walked around the room stark naked with very little clothing. Perhaps Aemond walked in with her naked and demanded she dress in clothing that was either laying about or even brought her clothes for her to wear (possibly Helaenas or even his mothers) we will not know until we watch the scene on screen.

When discussing the position Aemond is in with the woman too like I said earlier defenitely gives an idea on intimacy, possibly bordering on motherly. We know that when Aemond returns from storms end and tells his family of what he had done, 'Queen alicent went pale when she heard what he had done, crying "mother have mercy on us all." nor was ser otto pleased. "you only lost one eye" he is reported to have said. "how could you be so blind?" In the books it is said that since Aemond did kill Luke with intention to kill, he was expecting to revieve pretty much a heroes welcome. But since they changed that and make Lukes death accidently Aemond will no doubt go back to kingslanding feeling grief and regret, with maybe some happiness that he finally in his own way got revenge back for Luke taking his eye. Going back to the almost motherly seeming position he is in, I suggested that perhaps Aemond went to the brothel for a sort of motherly comfort for what he has done as Alicent almost certainly will not be giving it to him for what he has done. Perhaps he went there to get comfort from women but not in a sexual way but in an emotional way so he can feel less at fault for what he has done, even when the physical reminder haunts him daily.

Some people have suggested this to be Alicent who he is with, and whilst that makes sense given the intimacy of the position he's in it does not make much sense to me as why would he be naked with his mother. That to me is more of an Aegon move than an Aemond move. Though it was also brought up how she possibly came into his chambers at night whilst he sleeps nudes which very well could be a possibility so I've decided not to rule out that idea.

Another possible idea on who the woman is is the brothel lady from season 1 who I talked about earlier as being the one who SA’d Aemond when he was 10 years old. When looking at how other people have viewed the picture and came across a user named @/scaly-freaks who gave great insight on this topic which I shall leave a link for here. Firstly they mention how of course CSA is a sensitive topic, I want to mention that first. Though what they further talked about what how in some cases a victim can subconsciously find traits of their abusers in romantic partners (which thinking about it may be why he went for Alys given that she was a much older woman similarly to the brothel worker) or they can return to their abuser even at an older age. I won’t discuss these two points further as consideration for those who may feel triggered with this topic and so I will just say to click on the link for the post and read the rest there. Like I said about Alicent, I will not rule out this brothel woman as a possibility especially as it’s supposedly been confirm that she has filmed some nude scenes for season two. We do not know if she will be the woman in the scene, especially since in the picture the woman is seen wearing clothing, she may have filmed some general brothel scenes involving Aegon. I read another user @/lovelykhaleesiii theory about who the woman was and she said it was the brothel women and that it was her, as possibly Aegon may have taken him to the brothel to celebrate Luke’s death as we’re apparently getting scenes of Aegon at the whore house. This would make a lot of sense given the evidence shown and makes it a lot more believable as to why Aemond is in a brothel in the first place as like I had mentioned earlier it’s a more Aegon thing to do not really an Aemond act. Also a user named @/magnificentdelusionr has spoken out about how apparently the woman Aemond is with and the brothel lady share the same scar, so my belief in this being the woman has increased I’ll tell you that now. Though like I said, I will not rule her out as a possibility. The evidence for the brothel is bellow. I think this may be the most likely theory honestly given all the evidence that has been shown for her to be the one Aemond is with.

Now, this third possibility for who the woman is technically unknown as we do not know who she is. The actress from the scenes shown appears to be a dancer and the theory as it shows in the photo shown bellow is that she may have been sent by Mysaria as a distraction for Aemond. But looking at the scenes (pictures of which are shown in the twitter post down bellow) I don’t believe the scene in the top right is of Aemond and her, purely from the fact Aemond does not wear rings and the fact it looks very similar to Daemons ring. Furthermore the woman looks as though to be a younger Aemma purely from her face shape so that is why I’ve decided to rule out this theory. I will admit that it’s a high possibility that Aemond would be seduced by a dragonseed, as in my mind Aemond wants tradition of his culture. If he could’ve he would’ve married Helaena, as those are the ways of his people and the culture he cares for. He also, as was shown in the scene where Driftmarks inheritance was called into question, is seen to have a great admiration for Daemon who has married two women of Valyrian blood and has fathered technically 6 children (two of which did not survive past the womb). Aemond in my mind if the war never happened would’ve 100% been a sort of student under Daemons wing so in my mind it is not hard to imagine Aemond as wanting to mimic Daemon in his own way, that way being bedding a Valyrian woman. Yet even so when looking at the dragonseed people believe to be the woman Aemond was with I believe she plays a different part of season 2, my belief is that her role of season 2 is to be one of the dragonseeds team black or team green hunt down to try and recruit, as it was said team black went around Westeros finding anyone of dragon blood and offering them a chance of a dragon. So I do not think she is who Aemond is with.

Now the final idea on who the woman is is Alys Rivers. I have seen people freaking out over the idea of Alys changing her looks to seduce Daemon, and that is who we see in the scene shown at the top left of the twitter post screenshotted above. But that is not Alys style as there is honestly less of a chance she could get shit done with Daemon. What there is though is a chance she could use Aemond given he was younger, more naive and ultimately more emotional and needing an outlet she is happy to become to ensure her freedom. Though in context with the scene, when discussing the idea about Alys with @/anjelicawrites, she brought up the idea about Alys possibly visiting Aemond in a dream. This lead me to think about her doing this which would ultimately force Aemond to come to Harrenhal and fulfil his ‘duty’ of coming to Alys and giving her a son of pale hair. I spoke to her saying how I like the idea of Alys visiting Aemond in his dreams, as this would further the witch allegations. With the context of the scene though I believe she could put this image of a finally calm Aemond who is finally at peace with himself in his mind and make him crave that part of himself. This would ultimately force him to come to Harrenhal in the future. One thing I do want to bring up is this connection that was brought to my attention by user @/boundlessfantasy. They made the connection about Alys possibility being the woman holding Aemond in a dream since Ewan said in the interview with TGC where they discussed three scenes from season 1, that the process of killing Luke haunts his dreams possibly hinting at a dream aspect of the season. This may end up being just a sarcastic comment, but if this actually a hidden Easter egg then I must applaud Ewan for being so sneaky. There is a screenshot of the interview down bellow with the line also a link to the interview here.

We cannot see the woman’s face therefore we cannot be sure on this woman’s identity, but out of these four main theories on the woman’s identity I think this is most strongest in my opinion. Though us could very well be some random women we’ve never seen in the series before so I very much am not exoecting my theories or anyone else’s to be particularly right. I accept them all (pretty much) but am expecting pretty much for the unexpected.

Some other theories though I would like to take into consideration is the idea it’s Helaena in the picture. I do like that idea as it brings further this idea of Helaemond, a ship I do enjoy personally, especially as they hinted at the idea that Aemond was the father of Helaenas children. The clothing the woman is wearing by the looks of it does seem to be a similar shade of blue that Helaena is usually seen wearing, and there are seem similarities in the hands (this idea was brought to my attention by @/lady-phasma who has talked on this idea on their account) Though I do suggest you click on the photos bellow to see them much more up close as then it’ll be a clearer image. Helaena and Aemond have been shown to be close together so it’s no surprise if he’d want to break down and show weakness with her. It’s a very intimate position as his back is to her showing he in his own way trusts the woman, making it believable this woman could be Helaena. I haven’t made this a main theory as there are some more compelling evidence for the other cases but still I will say this theory is quite strong especially when looking at other theories like the idea the woman is Alicent.

And the final theory on who the person is which I would like to take into consideration is that the person Aemond is with is Aegon. Now I’m sorry to have to break it to the Aegmond shippers but I do believe out of all these 6 theories I’ve talked about this one is least likely. For one it’s clearly a woman who Aemond is with, given the way the body is shaped, even when we cannot see her breasts. I will admit I have seen people though speculating it’s Aegon which is why I’ve decided to mention it and discuss it. One user named @/cyeco13 has done some incredible art of what it would look like if Aegon was the person Aemond was with and I shall link it here for those who wish to go see it (I do recommend it!)

Okay, out of the six Ive decided to rank those that I believe are most believable to be the woman!

1) The brothel madam

2) Helaena + Alys (as I’m tied with these theories not gonna lie)

3) Alicent

4) The unnamed dancing dragonseed woman in the trailer

5) Aegon

This is all I really can say on the matter as there are constant new theories daily and sad to say I cannot directly talk about them all. Still send me your favourite theories I am interested in hearing and if people would like debating them with me.

[tipsyjaehyun]

I have seen a lot of people talking about how insane it would be if Vee turned out to not be the reincarnation of Vad and now I'm here to add my two cents.

(i'm gonna talk about a bts still which was released, so if you don't want to be spoiled, please skip ahead).

My theory - I do think that Vee is not Wad's reincarnation, and that there is a different reincarnated version of Wad in current timeline. And also that Vee (or rather a version of Vee) was there hundred years ago. Sounds crazy right? Let me explain.

San, being a man stuck in the past for a hundred years now, would have no scope to grow if he falls in love with his soulmate over again. He would always be living in nostalgia, trying to make up for a life he did not get to spend with Wad, and is now trying to make up for it with Vee.

Having the possibility that Vee may not be a reincarnation of Wad opens up so many plot devices, romantic, tragic, comedic, you name it. We need San to break out of the bubble of nostalgia he has locked himself in. Falling in love with a new person would allow him to realise that though he has been trapped in the body for a long time now, the world around him has moved on.

And then we have this still from bts of the show (thank you @singto-prachaya) where we see Vee and San in a somewhat familiar setting.

And this boggled my mind because here it is the scene where San met Wad for the first time but instead of Wad, we have Vee in a somewhat similar outfit.

That still leads to more questions. Is that San's imagination (or recollection) or was Vee somehow there hundred years ago as well? So, my theory is this -

Vee was the one who saved San all those years ago. But maybe because he was shot and was losing a lot of blood, he could not recall the face of his saviour. So later when he woke up and saw Wad there, his mind somehow played trick on him and made him think it was Wad who had saved him. As one of San's regrets was that he could not repay his saviour's debt that is why he has met Vee again to save his life and protect him from an impending doom to clear his dues.

And even though there exists a version of Wad in current timeline, who I'm pretty sure we're gonna meet soon, which would lead to more turmoil in the already terrible, horrible, no good, very bad situation for San, we're gonna see how it is Vee in the end who saves San from his continuous suffering and give him a chance to live a normal life with the love of his life.

[auras-moonstone]

hiiii idk if your taking requests but if u are can u please write like a heart breaking angst with jack and the reader but a sweet fluff at the end??? thank you so much <33333

i wrote this while i was on my period and i may have cried 🫣 hope you like it ! 💓

i know i miss you — jack champion

word count: 2,809

pairing: jack champion x fem!reader

summary: the relationship between y/n and jacks starts to fall apart, and y/n can’t take it anymore. when jack stands her up, she makes a decision.

WHEN Y/N FIRST MET JACK ON SET, she was very wary around him. He was charming, sweet, funny, caring—exactly the type she swore she would stay away from. Which is kind of ironic, isn’t it? Because those are qualities you usually look for in a person. But if there was something Y/N knew from working in Hollywood was: don’t fall for celebrities because they don’t have the best schedules for dating and you’ll get your heart broken. And Jack was exactly the type you couldn’t help falling for, so Y/N did her best to stay professional and have the least interaction possible. Did she succeed? Hell no. Jack Champion was the most social person Y/N has ever met.

“Jack, you need to stop talking. I can’t get your make-up done like this!” Y/N said, trying to sound annoyed but couldn’t help chuckling.

“Sorry. I’ll let you work” Jack apologised, his cheeks tinted a soft shade of red.

She melted at the sight. “You know I love talking to you. I didn’t mean it like that” she reassured him, not wanting him to get upset. “But they’re going to call you to do a scene and I’m going to get fired if you’re not ready”.

“Aren’t you being a little bit dramatic?” Jack laughed.

“Well, yeah, a little” she admitted. “And… done!”

“Thank you, you are the best!” he hugged her. “Are you ever going to get me fake blood or fake wounds?”.

“Are you subtly trying to get me to spill if you’re Ghostface or if you’re going to die?” Y/N crossed her arms in front of her chest.

“No! I would never use our friendship to do that!” he acted as if the accusation offended him.

“I’m really offended right now. Our friendship is over” she shook her head as she started cleaning the table.

“Let me buy you dinner tonight? You know, to win your affection back?” Jack spoke nervously, playing with his hands and looking at the back of her head.

Y/N froze. She knew they were walking on a fine line between friendly and flirting, and now he was crossing it. Her last relationship with an actor ended up badly—his interest to maintain their relationship deteriorated with the passing days until there was nothing she could do to save it. Y/N was left heartbroken and swore to herself she was never risking it again.

And then Jack came to her life with his cute dimples, bright eyes and dad jokes and completely swept her off her feet. Y/N fell for him in free fall—not being able to stop at all. And there she was now, unable to say no. Not wanting to say no. So she said yes.

And then one date turned into two, and then three and weeks later they became official. And everything felt perfect for the next few months, like they were inside of a romantic comedy. And life and fiction had one thing in common—the climax. And so the problems in their relationship appeared.

The filming of Scream 6 ended, which meant that Y/N and Jack could no longer see each other every day. They knew this would eventually happen, but they were positive they were going to be fine. Well, Jack was pretty positive, Y/N just hoped with all her heart her relationship with Jack wouldn’t meet the same ending than with her ex-boyfriend. Because she loved Jack with all of her heart, more than she had ever loved anyone else, and it scared her immensely.

The first punch in the heart came two months after they finished Scream 6: Y/N continued working as a make-up artist for movies and Jack had began filming Avatar 4, which required lots of time on set. She understood why his replies didn’t come as quick or why his texts weren’t long. He always made sure to add emojis and exclamation marks to let her know he wasn’t being dry, he just had short amount of time to talk to her—and she thought that was absolutely cute. They mostly face-timed or called each other, but as the production of Avatar continued, Jack grew restless; he arrived home very late and all he wanted to do was rest, so he started sending just texts.

And Y/N was very understanding, she knew how Hollywood worked. Not everything was going to be petals and pink all the time, they were going to have rough paths, especially because of work. What mattered is that both of them were trying their best to keep their relationship sane and intact. Until he stopped trying.

The calls were short and dry—she did most of the talking and he answered briefly. And texts? Well, she sent them but almost never got a reply.

“Y/N” he answered the called, lying on the couch of his trailer.

“Hey, babe! How are you?” she answered. Her phone was on speaker as she gathered her make-up stuff she had just used.

“I can’t really talk right now” he answered.

Y/N frowned “Oh, sorry. I thought you were on a break”

“I am, but you know… breaks are for taking breaks”

“Isn’t that what you are doing?” she asked confused, letting out a small laugh.

Jack sighed, Y/N could hear the irritation in his tone and she knew the fight was about to start “No, I’m not. I’m trying to rest but I know that if I don’t answer your call you’ll keep calling me and I’m tired”.

Y/N pressed her lips in a thin line, feeling like she had just been punched in the throat. “Right… sorry for bothering you. I’ll just… um- bye”.

She ended the call, and covered her head with her hands, letting the sobs escape from her mouth. Her chest felt like it was about to explode as she realized it was happening again.

Y/N left Jack alone for a couple of days, hoping that he would call her back and apologise, or at least be the one who texted first. But as it had been for a long time, Y/N was the one who took the first step.

hey love

hope you’re doing okay. sorry i didn’t text, been busy :(

our anniversary is tomorrow and i just wondered if maybe you’d like to come home to celebrate?

nothing fancy of course, maybe i can make dinner and watch a movie??

i love you 💖

He answered hours later.

hey babe🫶🏻!!

yeah, of course 💕

i’ll be there at 8, if that’s okay? i’ll bring dessert

i love you too💖!!!

Emojis. Exclamation marks. Hope filled her chest, maybe they were going to be alright. She went to bed with a smile on her face.

But the hope was short lived, because the following night, Y/N waited for three hours in the dimly lit kitchen, with dinner in front of her, the scent of the lavender candles surrounding her, with the red dress Jack loved so much on and the playlist they made together resonating in the room.

She checked her phone for the hundredth time, still no response to her texts. It was clear he had forgotten, so totally resigned, she blew the candles out, put the food back in the oven, put her pjs on and went to bed. The playlist—which now played love of my life by queen—still on as she cried herself to sleep. She decided then that it had been the last straw.

Jack arrived at her house at three in the morning. He entered the house, which was completely dark, and went to the kitchen. He stopped in his tracks, seeing the burnt out candles and a note lying in the middle of the table.

i don’t even know if you’re going to come

but the food is in the oven.

He cursed himself for having fallen asleep. The filming took longer than usual, and he just planned to take a thirty minute nap, which turned into five hours of sleeping. Jack’s intention had never been to stand his girlfriend up. In fact, he had prepared a whole speech apologising for having been the absolute worst boyfriend in the world. But he screwed everything up.

Jack walked upstairs carefully, and when he opened their bedroom door, his heart melted and broke at the sight of Y/N. She was sleeping with a frown on her face and dry tears on her cheeks—sign that she had cried herself to sleep, and that made Jack’s eyes water, as if her tears had ricocheted.

The tall boy sat next to her, caressing her cheeks softly while he tried to muffle his cries, but it was impossible. Y/N was the best girlfriend in the world: so patient, so caring, loving, understanding and sweet. And the only thing he had done was hurt her.

“Jack?” her sleepy voice interrupted his thoughts, and he tried to clean his tears fast. “What happened? Are you okay?” the worry in her voice was a punch in the gut. He had stood her up, on their anniversary, and there she was, kind as ever.

“I’m sorry” he sobbed “There’s no excuse, nothing happened to me, I just fell asleep for longer than I wanted. God, I’m sorry, love, I didn’t want this to happen” he grabbed her hand, squeezing it.

“Jack… I wish that I could say it’s okay… but it’s not. I have been so understanding, but clearly work is consuming you. It is your number one focus, and I get it, but that’s not what I need right now. I can’t do this again” her heart felt heavy in her chest, but she needed to do it. “I love you, more than I’ve ever loved anyone, but I think it’s best if we break up… I can’t go on like this”

Jack wanted to fight this decision, tell her how much he loved her, and that he got it now, that he was going to be a better boyfriend because he didn’t want to lose her. But he couldn’t be that selfish. “I understand. I just want you to know that I love you. And I’m really sorry for the hell I have been putting you through for the last few months, you deserve so much better. I loved you, I still do, please never doubt that”

“I know, Jack. Trust me, I do. But your work is important to you, more important than anything. And it’s okay” she tried to smile as she cleaned his tears.

“Can I, if it isn’t too much to ask, give you one last kiss?” he asked hopeful.

Y/N thought about it for a moment, and then nodded. Their last kiss was salty from their tears, and it expressed love, sadness, melancholy and regretfulness. Their fingertips explored everything one last time, trying to memorise the feeling of each other. And when they pulled away, they felt nothing but emptiness. That was it. They were over.

“Goodbye, Jack”

“Bye, Y/N/N”

Jack left the room and the bed that used to be theirs. They both broke down when the door closed, but they did their best to keep quiet so the other wouldn’t hear. This was supposed to be for the best, but it sure didn’t feel right.

Y/N THOUGHT SHE WOULD FEEL AT LEAST A BIT BETTER AFTER HAVING TALKED TO JACK. Spoiler alert, it felt quite the opposite. It hurt more every day. Literally everything reminded her of him. Two days after the breakup she saw the cup he used to drink coffee in and literally cried for thirty minutes straight. She couldn’t listen to music because she always had a way of relating every lyric to him. And sleeping on the bed? Big no. The other side of the bed was cold and it still smelled like him—she always fell asleep on the couch.

Jack wasn’t any better. He messed up his lines more than ever, the food wouldn’t go past his throat, he was always on his phone looking at pictures of Y/N and him or reading their old texts. He was miserable, and everyone noticed.

“How are you feeling, man?” his friend, Romeo, asked. He face-timed Jack every day ever since the break up, wanting to check on him.

Jack sighed, holding his phone “Still the same. Today I heard Last Kiss by Taylor Swift and cried like a baby for hours. That was her favorite song”

“Holy shit, man. I’m tired of seeing you like this. You know what you should do? Go apologise. You had to lose her to realize what a dick you were being, and it sucks, but now you know. Tell her how you really feel. After all, what’s the worst that could happen?”

“Um, her saying that she doesn’t want to see me ever again and that I’m a piece of shit?” Jack asked.

“First of all, Y/N would never say that to you because she loves you. Way too much. Second, you don’t even talk or see each other anymore so what if she says that? It can’t get worse than this, but it can get better”

Jack frowned “You know what? You’re right!”

“Ah, my favorite words” he smiled smugly.

“Yeah, yeah, whatever. I’m going to her house now” he said confident.

“Please shower first. I can smell you through the phone” Romeo said right before hanging up.

One hour later, Jack was standing on Y/N’s porche practising what he was going to say to her once he had the courage to ring the bell. He didn’t need to, through, because the door was opened by a very confused Y/N. “What are you doing here?”.

“Oh, hi. I though I didn’t press the bell” he said.

“You didn’t. I saw you through the security camera. Are you okay? You have been standing here talking to yourself for the past ten minutes”.

“You saw that?” Jack blushed from embarrassment. Y/N tried not to laugh as she nodded. “Shit”

Y/N took in his appearance. It had been almost three weeks since the last time they saw each other. His hair was longer, it didn’t have the shape of a mullet anymore but it still looked cute on him, he was as handsome as ever. But the bags under his eyes were very prominent.

“You look… good” Jack said, eyes taking her figure. She, just like him, had bags under her eyes, her hair was in a messy ponytail—which made her look adorable—, and her body was covered by a big cardigan. His heart stopped, it was his cardigan.

“You’re a liar, I look like shit” Y/N said.

“You still manage to look beautiful” he told her. “I’m surprised you aren’t kicking me out, so I’m just going to talk before you change your mind. Y/N, I know I have been the worst boyfriend ever. I didn’t take care of you like I should’ve, as you deserve. I’m sorry I put my work over you, I really regret it. Because, frankly, I miss you more than anything and these weeks have been the worst days of my life. I keep seeing you everywhere, everything reminds me of you. I have been a mess, and I know it’s my fault. But losing you is the worst thing that has ever happened to me. You are one of the most important people in my life, and I’m sorry my actions didn’t show you that. I love you, and I want to try again with you. I know our love is worth fighting for, and that’s why I’m here, I’m sorry I didn’t come sooner. In fact, I’m sorry I ever left”.

Y/N wrapped her arms around his waist and cried “I missed you so much. I should’ve said something, I should’ve told you how I felt, maybe we could’ve work it out”

“No, love. Don’t. It’s my fault” he rubbed her back softly, putting his cheek on top of her head.

“I want to try again with you. I do” she said against his chest.

“Really? Are you sure?” he asked surprised. It was more than he deserved, she was more than he deserved.

Y/N laughed “Yes, Jack. I’m very sure”

And so he grabbed her by the cheeks and pressed his lips against hers. They both almost cried at the feeling of the kiss, hours ago they thought they wouldn’t get to do that ever again. The consuming kiss, her palms against his cheeks, his fingers in the back of her neck, the heat of their bodies—it all felt like coming back home after being homesick. When they finally pulled away, they both smiled and pressed their foreheads together.

“Can we take a nap together? I have been having trouble sleeping without you” Jack said, blush coating his pale cheeks.

“Me too” she admitted. “Let’s go. The other side of the bed misses you”

[butterflydm]

more WoT s3 spec - what we know vs what we're guessing at

I've been poking at what we know about s3 vs what we can reasonably guess, so I wanted to break that down a bit.

So there are a few things we know just about the structure of how the show has worked so far: we know they shoot in blocks of two episodes each and that each of those blocks is going to have the same director for both episodes. Because of this info, we can make some guesses at where specific episodes may land. We also have some casting info (wotseries.com being a great resource here).

They tend to have a major reveal in the fourth episode - Nynaeve being incredibly powerful in the One Power in 1x04; Selene being Lanfear in 2x04.

What we know for certain:

Rhuidean & the Waste will appear (Rand & Egwene's storyline).

Tanchico will appear (Nynaeve & Elayne's storyline).

The Two Rivers will appear (Perrin's storyline).

Rand and Perrin will each get focus episodes akin to Nynaeve having "What Might Be" and Egwene having "Eyes Without Pity" in s2.

We have four episode titles: "To Race The Shadow"; "A Glimpse of Crimson"; "Goldeneyes"; and "He Who Comes With The Dawn".

Sea Folk are confirmed for S3.

Potential leaks include:

Mat, Min, and Thom all being part of Nynaeve & Elayne's storyline in Tanchico. Big change for Mat & Min, but matches canon for Thom. And since show-onlys have only seen Thom with Mat and Rand, it would make sense to use Mat to re-introduce us to him.

Reports of the actresses reported to be playing Morgase and Elaida seen at a castle which is almost certainly in Caemlyn (Andoran banners spotted), most likely for the first or second episode due to the timing.

An actress playing Maigran (one of the Aiel from the Rhuidean glass columns sequence) is listed under the director who is being used for eps 3 and 4.

An actress has been cast to play an older version of Latra and I really like @wheeloftimeofficial's idea that we'll see her as the ancient Aes Sedai who establishes Rhuidean in the glass column memories, especially since the younger actress also has s3 listed on her CV.

We have (unofficially) confirmed castings for Faile & Galad.

Hints we've gotten from interviews & bts info:

In an interview filmed before the actors' strike, Daniel mentions Lan having some really good relationship scenes with Nynaeve, so we know that there's interaction between those characters before their plotlines separate, implying that we will not begin with everyone already all off on their separate journeys, like they were in 2x01.

Also from Daniel, it's implied that there are training scenes between Lan and Rand (could happen at any point, since Lan is likely to be in Rand's storyline the entire season).

From what Josha has said, the show will be pivoting to a more familial relationship between Egwene and Rand next season (which matches the book timing).

Rafe made a point of mentioning that Elayne healing Rand was to flag to the audience that this was a relationship to pay attention to (which implies we'll get at least some movement on that relationship in s3).

Josha also says that there is "way more togetherness" for Two Rivers' characters in s3 than in s2.

In an unrelated interview on screenrant, Rima Te Waita (Sheriam) mentioned that she will not be in s3 but, if s4 is greenlit, she will be in s4.

Josha and Ayoola posted some cute instas of each other after finishing up the South Africa shooting stint near Cape Town, which might be a hint towards our potential AviRand interactions (could also just be the actors being cute!).

Guesses based on book & show knowledge:

It seems likely to me that Gawyn & Galad will be introduced in the same episode as Morgase and Elaida, which I am tentatively going to guess will be episode 2.

I think that Verin, Alanna & their Warders are going to be getting out of Cairhien as quickly as possible. And that they are pretty conveniently set up to head to their TSR storyline.

I am pretty torn about when the coup will happen! I feel like it happening this season feels pretty much a lock because there really isn't any more "White Tower storyline" until the coup happens, and they do already have the set made. But it could either happen pretty early on or fairly late in the season. Maybe episode five? That lets us meet Elaida in episode 2, gives her and possibly Gawyn & Galad time to get to the White Tower, maybe we get some scenes of her politicking in the WT in episode 4, with the trigger being pulled in episode 5 or 6. But another possibility is that the coup happens right away, while all those Sisters are still in Cairhien and we see Liandrin take the lead on something like stilling Siuan and Leane, which would put the White Tower in chaos before Elaida even arrives. There are at least two Black Ajah Sisters in Cairhien, after all, and Liandrin likes to act extra-judicially, and she might want to try to make sure that Siuan is taken care of before anyone has a chance to out her (Liandrin) as Black Ajah. But there is also a chance that it might happen in the finale, so that we can parallel Moiraine & Siuan's 'downfalls'. So really this one is a wildcard for me. It isn't really directly tied to any other specific events in TSR, so it can happen whenever.

We will get the glass columns in episode 3 or 4. In the books, it happened as soon as Rand landed in the Waste, basically, but the show could potentially do Cold Rocks Hold first, depending on how Rand is getting to the Waste. I used to lean towards it happening in ep3, but after learning the leak about Mat being in Tanchico, it made me wonder about ep4, maybe, as that could potentially lead to Mat going through the doorways (just speculation with zero leaks or spoilers to back it up but I like it a lot lol) from Tanchico to Rhuidean either at the end of ep4 or the start of ep5, leaving Nynaeve & Elayne's storyline and going to Rand & Egwene's.

I do keep thinking about Josha saying that the Two Rivers' kids would have "way more togetherness" than in s3, which seems difficult if they all separate by or after ep2 and then don't reunite the entire season. I guess technically it would be true because they don't reunite in s2 until the final moments of 2x08 but feels somewhat underwhelming to mention, lol.

I do still suspect that we're getting Lanfear & Moiraine with the doorway at the end of the season.

So, a tentative outline. Now we leave behind the more solid leaks and knowledge and enter into the wild speculations. Please check out @markantonys' recent post too, she's got some fun speculations!

3x01: To Race the Shadow

"Way more togetherness" between the Two Rivers group than in s2, so says Josha. This is also where we have to be getting the Lan & Nynaeve romantic scenes that Daniel keeps hyping up, lol.

Moiraine and Rand are going to be arguing about his next plans.

Something will happen that makes them realize that Something Is Up in Tanchico -- this might be a first Dream from Egwene that leads them in the direction of the museum? Which also leads to her talking to Amys, which is why she decides to go with Rand instead of going with Nynaeve & Elayne. The big question for me is if they are going to Tanchico because of Liandrin or if they go for other reasons and then run into Liandrin also being there to get the same thing that they're getting.

Now Mat may go into a doorway here as speculated by @markantonys (the room of curiosities) but for this specific outline, I'm going to say that he doesn't, and instead he chooses to go with Elayne & Nynaeve because he's running away from Rand (after the Stabbening). This pulls in something that Mat tries to do a lot in the books but gives him a new motivation that fits his show character.

I think Lanfear is going to warn Rand about the rest of the Forsaken being free but potentially also send Liandrin to Tanchico to try to get the, uh, plot token for her potential use in the future (a girl needs a back-up plan).

Lanfear talking to Rand might be another thing that Rand and Moiraine argue about.

Rand and Egwene are going to have their official 'break-up' and then we'll see their more platonic relationship develop over the course of the season. I also feel like we have to have at least a scene or two with Rand and Elayne to establish them feeling Some Kind of Way about each other, to build on that moment from 2x08.

3x02: A Glimpse of Crimson

Good episode title for a Red Ajah & Andor episode!

I'm going to guess that Rand & co are going to be stopping in Caemlyn (my feelings are similar to @markantonys about us potentially getting a garden introduction between Egwene & Gawyn here, and then having Rand & Egwene meet Elaida & Morgase (and Galad?). Elaida will have her Foretelling about Rand and freak herself out.

Our group hears the rumors about the Two Rivers, and Perrin decides to go investigate. The question is how is Rand going to get to the Waste from Caemlyn? I don't feel like they would introduce Portal Stones as a one-off if they haven't done it before, so I think there's a chance that Loial might go with Rand instead of Perrin, as Perrin doesn't need to go through the Ways to get to the Two Rivers (of course, then they would need to change how the battle resolves in 3x07).

(alternatively: there's always the Lanfear express, I guess, lol)

This could also be when Elayne, Nynaeve, & Mat arrive in Tanchico, and their introduction to the city is our B plot. I don't think they would throw all the plots at them at once and I feel like just introducing Thom first would be a good start for the first episodes in Tanchico.

3x03: Unknown

Rand & co arrive in the Waste, but I'm going to send them to Cold Rocks Hold for now, instead of straight to Rhuidean. This gives Rand and Aviendha time to bond, Rand and Moiraine time to fight, Rand and Lan time to train together, and gives the audience a chance to get to know the Aiel culture in a bit more of a relaxed setting. Then we get an attack by Shadowspawn and Rand gets the reminder that the other Forsaken have been let free and don't share Ishamael and Lanfear's feelings about him.

Another plot will be in Tanchico, involving Nynaeve, Elayne, and Mat investigating, running into Min and/or Egeanin or Tuon taking Egeanin's role. This may be where we get our early encounters with Moghedien (she Compels one or more of our characters to spill the beans to her about their plans) and potentially where she reveals herself to Liandrin & co as one of the Chosen and takes control of their group after playing servant for part of the episode.

We also have Perrin & co arriving in the Two Rivers and getting the lay of the land. This could be a fairly emotional episode for Perrin, due to memories of Laila's death. Maybe when Perrin says goodbye to Laila (putting his ring on her grave/memorial?) and potentially our first sighting of Faile.

3x04: Unknown

Rand goes to Rhuidean and into the glass columns. This is the main plot of the episode and Rand's focus episode of the season.

We get the history of the Aiel here, and learn about Rand's ancestors.

Subplot: Aviendha is told that she is destined to be a Wise One (maybe she accidentally channeled during the fight at Cold Rocks Hold?) and deals with idea that she has to leave behind being a Maiden.

Our Tanchico B-plot leads to Mat entering through the twisted doorway in the museum, For Reasons, and getting his prophecies. Maybe this same plotline leads to Elayne and Nynaeve finding dream ter'angreal, and to Tuon/Egeanin realizing that Elayne and Nynaeve are channelers, and potentially learns that all sul'dam are, and then leaves our main plotline at this time.

3x05: Unknown

When Rand leaves the glass columns, he finds Mat hanging on the tree outside, and saves his life (we've gotten a few different pieces of foreshadowing about Mat being hanged, so I feel like it will happen at some point). Mat says he was just in Tanchico.

We catch up with Perrin in the Two Rivers, with him learning to move past his grief as he gets to know Faile.

Because we've already done Cold Rocks Hold, this means that Rand & co can go straight to Alcair Dal at this point.

Aviendha and Rand bond over their lives being dictated by being able to use the One Power and not having any choices about their future.

On the way to Alcair Dal, we meet the traders, who are hiding Lanfear and Asmodean in their ranks, and Lanfear sees that Rand is getting closer to Aviendha and Does Not Approve.

Nynaeve and Elayne worry about where Mat has disappeared to and experiment with the dream ter'angreal that they recently discovered in the museum (might only be one: the twisted stone ring, so that channeling isn't needed for it), and run into Birgitte in the dream. She gives them a warning but they realize that this is the same place that Egwene was talking about in 3x01 and are excited that they might be able to communicate with her.

3x06: Unknown

Another journey into TAR for Nynaeve (maybe a successful contact with Egwene?), and she encounters Birgitte again, but Moghedien too, and this leads to Birgitte getting ripped out of TAR and bonded by Elayne to save her life.

Moiraine tells Rand that he needs to go to Tear, to fulfill more of the prophecies, but Rand is resistant.

The Two Rivers ramps up for the battle.

This would also be a good spot for the coup, imo.

3x07: Goldeneyes

The Battle of the Two Rivers. Potentially Perrin's focus episode as well, as he comes into his own as a leader. I think that it would be good to push any confirmed Perrin/Faile romance forward into the future, so they will still just have some vibes for now.

We get some pieces moving into place for the other storylines: Rand arrives at Alcair Dal; Nynaeve and Elayne make plans to return to the museum.

3x08: He Who Comes With The Dawn

Desperate to get through to Rand and worrying that he is focusing on the Aiel instead of being the Dragon Reborn, Moiraine went back to Rhuidean to try to use the doorway, as when Mat talked about his experiences there, she recognized what he was talking about and wants answers of her own.

Rand announces himself at Alcair Dal, drawing the attention of Lanfear, who makes her pitch to him that We Could Rule Together, worrying that she's losing her hold over him after seeing him getting closer to Aviendha. She tells him about Asmodean and about him potentially teaching Rand so that he can reach his potential.

Inside the doorway, Moiraine gets answers that she doesn't like about Rand and Lanfear (sort of merging her going into the doorway in Tear with her going into the silver rings).

On the Tanchico side of things, we have our big Tanchico encounter between Nynaeve and Moghedien, which results in Nynaeve breaking her block. Nynaeve and Elayne escape Tanchico on a Sea Folk ship, heading towards Tear, potentially bringing Min & Thom along with them.

After talking with Lanfear, Rand is let out of his 'bubble' at Alcair Dal as Couladin declares that HE is the Car'a'carn and he will prove it by leading the Aiel to conquer the wetlands (setting up s4 to be a combo of TFoH/LoC, with a hint of TDR with the destination being Tear instead of Cairhien). Rand realizes that the fake dragons on Couladin's arms were put there by Asmodean and goes after him -- Asmodean Skims back to Rhuidean and he and Rand battle, and Lanfear arrives, puts the block on Asmodean and offers him up as a teacher to Rand. Moiraine takes advantage of Lanfear's focus on Rand to yeet both of them into the doorway while channeling, based on the knowledge that she learned inside, melting the doorway. We see in the Tanchico storyline that the other doorway melts at the same time, leaving them no exit.

And I agree with @markantonys that possibly the most effective stinger would be the reveal that Tuon is the DotNM, but if there is no Tuon in this season, we could have it be a Forsaken (Sammael) setting up shop in Tear, to set the scene for the upcoming season.

It is a lot more cliffhanger-y than our previous season finales and I'm sure that my thoughts on it will change as we get closer and learn more spoilers, but that is my wild speculation for this specific week!

[xxsycamore]

❝ The Benefits of Having a Scientist Boyfriend ❞ (ISAAC X READER)

╰┈➤ 💝 Isaac surprises you with a loving gesture that will also greatly relieve your pain.

Isaac Newton x Menstruating!Reader • rating: G • tags: Menstruation; Period Cramps; Established Relationship; Fluff • wordcount: 965 • masterlist

a/n: The author is very bad at every field of science mentioned in this fic and still stubbornly made all of the needed research (plus historical research to see how possible it is for our Isaac to put this together in his current time era) while fighting cramps of her own..... Hope you enjoy and also I hope I didn't get my facts (too) wrong! If you happen to suffer from cramps and you want your favorite ikevamp suitor comforting you in their own unique way, may I also offer: Napoleon, Comte, Mozart, Theo, Leonardo, Sebastian, Arthur (NSFW), Vincent 💕(All fics in this series share the same opening scene!)

It’s another beautiful day at the mansion, and the sun is continuing to shine brightly outside as afternoon settles in. Your list of chores is more than halfway done now, the morning was a productive one and you pat yourself on the back for pushing through at your usual pace, even if your period surprised you early this morning. Sleeves rolled up and armed with a feather duster, you march towards the lounge room to take care of another chore.

Specks of dust dance in the afternoon sun, windows wide open, as you complete your task little by little. Soon the sections left to dust decrease and you start to tire - a minor pain in your tummy appears as well, as if to persuade you into taking a short break. You throw a look at the grandfather clock. You’ve been a busy bee; not even the distraction of dusting off some of Comte’s highly intriguing antiques couldn’t get you late on your own schedule.

You sit down at the spacious couch area, grab a throw pillow to hug, and fall on your side - shoe-covered feet juust hanging off the couch because it won’t be worth the effort of taking them off for just a minute or two of rest.

Uh-oh! The pain doesn’t go away and only gets worse instead. Suddenly, moving as much as a millimeter equals signing a death warrant.

“Help” You whisper to yourself, clutching onto the throw pillow.

***

You weren't aware that your inner cry for help was able to send telepathic signals to your boyfriend, but you witness the miracle of him entering through the door in the very next second.

"Isaac!" You rise to a seating position as the sight of him briefly distracts you from your pain - a big mistake on your part, but before you can ask him what brings him here, the next cramp stabs you in the guts and only a painted sound leaves your lips. "Oww…"

"Are you alright? You were curled up on the couch too."

You've already instinctively placed your hand on your lower belly and it doesn't escape Isaac's gaze, but you still pretend to be brave about it and refuse to bother him with such a minor inconvenience of yours…

"Maybe I just ate something funny at lunch? You know how it is with Sebas and his fusion cuisine, always trying to live up to everyone's taste, haha…"

Isaac stares blankly at you for a couple of seconds, then he averts his eyes.

"You can just tell me if your period came, you know…"

Was it that obvious?! Maybe Isaac just knows you well enough by now - the thought brings forth a certain warmth within you… no, that's just another cramp.

"Oww owww… fine, you guessed it… Don't scold me, I'll go look for some herbal tea in the kitchen or-"

"No, lie back down." Isaac's unexpected touch changes the focus of your sensory receptors again and your heart flutters by the simple action of him beckoning you to lie down. You oblige, looking at him with large eyes full of curiosity.

"I was just about to go out for today's école lessons but let me bring you something first. Just lie here and be patient, okay? It's going to feel better soon."

Your curiosity only grows as you watch Isaac's back until he fully disappears from sight.

***

When your boyfriend returns you're overcome with the need to sit up and see what he's carrying in his hands, but you follow his advice and remain patient.

"Some time ago when your cramps were bad like that I asked you how you dealt with them back in your era. Since then I have been, uh, working on something. I figured now would be a good time to try it out."

You blink in disbelief when Isaac hands you what looks like a… heating pad, the ones that are typically used as handwarmers in your time.

"You'll have to massage it in order for it to radiate heat, but I hope that still works for you."

"Isaac you- but how-"

"It's nothing too complex. When I heard your explanation I figured it must be caused by an exothermic reaction… I happen to be knowledgeable in thermodynamics too, you know. I just had to put a supersaturated solution of sodium acetate in water together with notched ferrous metal… Simply put, it crystalizes and radiates heat. I'm still catching up with chemistry after beginning my second life here but fortunately, it was easy enough."

Easy enough, he says…

You can't just lie still anymore, so you raise your upper half enough to wrap your arms around Isaac's shoulders… you didn't plan it out exactly like that, but the physicist ends up being dragged down on the couch with you, barely able to prop himself up on one elbow at the very last second. You keep sobbing into his neck.

"I'm sorry, I'm just so touched by your gesture! I've read about so many invitations that came out of love and-"

Isaac blushes, and he blushes badly. You see the color spreading on his cheeks when he withdraws just a tad more to leave you space to breathe, but he doesn't stand to his feet just yet.

"I guess you can call it that. I'll just be happy as long as it works for you."

Isaac punctuates his words with a chaste caress on the back of your hand which still holds the innovative heating pad. His own warmth leaves you too soon but the artificial one remains - and you find yourself wondering if you can treat it as a reminder of him, when you miss him. Maybe you should tell him that, next time you want to see his cheeks reddening like that again.

Taglist: @arsnovacadenza @kimi00twin @g-kleran @thesirenwashere @devonares @galaxyprison @sadshaxk @starshards26 @thewitchofbooks @acethephoenix256 @ikevamp-shrine-2 @nad-zeta @crystal13unny @lordsister @ikemen-banshou   @themysticalbeing @otome-scribbles @rhodolitesrose @coornn @kpop-and-otome @queen-dahlia @kisara-16 @chaosangel767 @ikemenlibrary @queengiuliettafirstlady @aurora-morning ​ @ikemenlover24 @mcofthemansion @joy-the-reader @katriniac @ikemen-writer @tele86 @lovely-bubb1es @aria-chikage @babyblue0t7 @rhodoliteschaos @shrimpy-kitsune @nightghoul381 @xbalayage @lucyw260 @kittygrimm88 @lokis-laugh @judejazza @natimiles @completelyshatteredbrokenmschf @groovylita Let me know if you want to be tagged/untagged!

[writingquestionsanswered]

How to avoid info dumping at the end of a story (with a huge world change) for a large cast of supporting characters in order to let readers know how these characters are getting on with their lives?

My first, second, third, etc. drafts of this climax and resolution chapter keep getting messier the more I try to make this information more organic and less boring. I can't seem to break out of telling this information to the reader when I know that showing works better.

There is an epilogue chapter which is dedicated to showing the lives of my two protagonists a few years after the story's resolution so I'm not worried about how that plays out.

Thank you for your time, and for this blog. I recently discovered it, and have sent it to my other writing friends.

Story Clunky with Supporting Characters' Resolutions

It sounds like you're trying to do way too much with your ending. :)

I like to think of story endings in three stages:

-- taking stock as the "dust settles" from the climax -- settling into the post-climax situation/world -- "sometime later" epilogue, if any at all

Taking Stock as the Dust Settles

Regardless of whether your story's climax is the final round of a cheer competition, a last-ditch effort to prevail upon a love interest not to leave, a courtroom battle with an innocent life on the line, or an epic showdown between good and evil, from the first second the climax is won or lost, a period of "dust settling" begins. This period can play out over minutes, hours, even a full day or two immediately following the climax. During this time, the protagonist/s and any main characters directly involved in the climax take stock of the impact of their win or loss by tending to any casualties, examining the consequences, and determining next steps. In story structure, this period is known as "falling action" because things are ramping down toward the ending.

Settling Into the Post-Climax World

Now we skip ahead to when the dust has settled. The casualties have already been tended to. The consequences have been examined and addressed. Next steps have been determined and taken. This is days later, possibly weeks, maybe even months. The protagonist/s have settled into their new, post-climax situation or world. If they won a cheer competition and the result of that was being accepted to a college dream team, they're packing up the car, ready to drive to their new college life. If they won a major court trial and the consequence was being able to retire with a clear conscience, they are cleaning out their office and daydreaming about sipping tropical drinks on a beach somewhere. If they overthrew an oppressive usurper and the consequence was being able to assume their rightful place on the throne, they are flanked by hopeful courtiers as they make their way into the castle for their coronation.

Sometime Later/Ever After Epilogue

Some stories skip ahead several months, a year, even a few years to show where things finally end up. The cheerleader may be performing during a college homecoming game. The lawyer may be drinking a mojito on a beach in Mazatlan. The queen may be watching a joust at the Queen's Tourney while the citizens of her happy, thriving kingdom enjoy the festival.

Where do main characters fit into all this? It's easier to address the main characters during the "dust settling" stage, because they were part of the climax. They're already there, already participating.

However, depending on what your protagonist/s "settling in" and "sometime later" stage looks like, the main characters who were involved in the climax may not even be present. They may be off doing their own thing by that point, and it may be tempting to leave the protagonist to go show what each of those characters are doing, but that's how you end up with an overblown, clunky ending.

If your characters are a part of the protagonist's "settling in" and "sometime later" stages, you can find a way to have them participate in the scene that is mainly highlighting what the protagonist is doing. For example, let's say the usurped heir has a bestie who is a knight-in-training, as the now queen is walking into the castle for her coronation, she might look at the flanks of hopeful courtiers and see her best friend in their shiny new Queen's Guard armor, and she might think about how she's excited to hug them during the knighting ceremony later that day. With just a few sentences, we've let the reader know that the knight-in-training has been inducted into the Queen's Guard and is going to be knighted. Then, if you choose to do an epilogue where the beloved queen is watching a joust during the Queen's Tourney, you could have her watching her bestie compete and win, illustrating that they're now a successful knight. And let's say there was a blooming relationship between this knight and another character... when the knight wins, they jump off their horse and embrace the loved one. Now the reader knows they're together and having their own little HEA. Again, just a few sentences, no big deal.

In other words, the point isn't to do a five paragraph dive into what each character's life is like now. You just find the most important element or two, then find a succinct way to illustrate it--showing, telling, both... whatever works. If a character wouldn't be present during either of these two stages, the narrator or protagonist can tell the reader (briefly) where they ended up. Or, maybe the protagonist gets a text message that hints at a few things, or maybe another character asks about them and the protagonist fills them in.

I think a really great example of this is in the movie version of The Mockingjay [spoilers for The Mockingjay, the movie in particular.] After the climax and the "dust settling" stage, Peeta reads a letter (from Annie, I think?) that updates him and Katniss on how she and some of the other characters are doing. We get one line about Gale, an important character and one of the most important people in Katniss's life, when we are told about his military appointment. But, that's all we need. We don't need to see him actually performing that role, or know where he's living or who he's loving or what he does in his spare time. We just need one point of reference that roots him in the space of the "ever after." Gale has been promoted to a captain in district two to help keep order and security. Boom. Done. End of story.

And there are many supporting characters whose endings we don't get to hear about. It's okay for us to wonder where this character or that character ended up.

So... be honest about who needs to be rooted in the "ever after" in some way. Who will the readers care about the most besides the protagonist/s? Rank the characters from one to whatever, and address only the top three to five. Find a way to work the characters naturally into the protagonist's "settling in" or "sometime later/ever after" epilogue so the reader can get a glimpse of them there. Or, if they are in another place at that time, find a way to have the protagonist/s learn of where the characters ended up so the reader can learn along with them.

It's going to make for a much less clunky, much smoother ending. :)

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[pascaloverx]

Moonlight

Summary: You and Edward Cullen used to have a romantic relationship. But fate seemed not to believe in the possibility of a vampire and a potential she-wolf being together. Years after your separation, you return to Forks. Edward is committed to Bella Swan, and Jacob Black has his own pack. What happens when, upon your return, you begin to transform into a she-wolf and both Edward and Jacob seem eager to revisit the past with you?

Author's Note: The characters in this fanfic do not belong to me but to Stephenie Meyer and the Twilight universe. The story blends events that happened in the Twilight saga movies with invented ones. Enjoy reading. This story will contain inappropriate language, a possible love triangle, scenes of violence, and romance.

TWO FOUR

THREE

The guilt of kissing Edward was eating away at you inside. You didn't know if you were feeling worse because of the kiss or because you enjoyed kissing him so much. The worst part was that you were starting to want to kiss him again. But that couldn't happen again. Not while he's dating someone else and you're staying at the house of his biggest enemy.

"You know your thoughts almost scream because they're so loud, right?" Billy Black comments as he walks through the door of his room. Well, his guest room. You realize you've been sitting on the bed, replaying every moment from last night. What could you have done to avoid feeling so burdened with guilt?

"Mr. Black, may I ask you a question?" You inquire as you snap back to reality. Billy Black was your father's best friend, which is why you grew up close to Jacob.

"No need for all that formality, Y/N. But go ahead and ask your question." Mr. Black enters the room, wheeling his wheelchair close to where you're sitting. You look at him, feeling a bit embarrassed about asking such a question.

"If you had made a mistake and your mind was punishing you with the heaviest burden of guilt, what would you do?" You ask, sounding quite dramatic, which makes him chuckle a bit.

"There are two ways to relieve the burden of guilt. The first, more complicated and less chosen: be honest and admit the mistake to everyone it may affect. Or you can take the other way: experience the guilt and let it go. Your father used to tell me that some mistakes are meant to live only in the deepest corners of our being. I hope I've helped." Mr. Black speaks calmly, as you find yourself thinking that perhaps this is a mistake you'd like to keep hidden in some corner of your being.

"You did help. I think I need to get some fresh air. If Jacob asks for me, tell him I'll be at the cliff." You say as you get up from the bed, and Mr. Black nods understandingly, acknowledging that you needed that time. The cliff was the place where all of you used to meet when you were younger. Jumping off it was your big adventure together. When you reach the top of the cliff, you feel the wind hitting your face strongly. It's liberating. You close your eyes, and for a moment, you feel nothing at all.

"Do you remember the last time we were here?" Edward appears behind you. You really didn't miss those surprise appearances of his.

"I remember a situation like this before. You showing up out of the blue and me trying to figure out what I've done to deserve the honor of having my private time invaded by Edward Cullen. But tell me, what do you want?" You speak almost harshly, clearly on the defensive, fearing a difficult conversation with Cullen. You don't even turn to look at Edward.

"If only back then I had left you alone. Maybe we wouldn't have broken up, and now we might be experiencing a different reality." Edward speaks as he approaches, and you can feel his presence getting closer to you.

"Stop with this talk. After what we did, reminiscing about the past is the last thing we should be doing. You should thank me for breaking up with you. You're in love with someone else. And you shouldn't even be here. There's more than one pack of wolves who jump off this cliff ready to take out any vampire." Looking into Edward's eyes as you say this makes everything more personal. Unfortunately, you can't help but worry about Cullen. Unfortunately, the kiss you shared proves that there are feelings between you.

"I want to talk about the kiss. You basically locked yourself in the Black house. I had to come here." Edward speaks as he approaches you, and you take a step back. Too much proximity might lead to repeating the mistake.

"I'll make it easy for you. The kiss meant nothing. We were foolish and let ourselves get carried away by silly sentimentality. We're not meant for each other. You're literally living your happily ever after. Overthinking that damn kiss will only hurt us. And hurt those around us." You say, feeling tears welling up in your eyes. Damn it, this conversation has barely begun and you already feel deeply affected by lying to Edward, especially because it's not true.

"It would be easier for me to move on if you told me why you broke up with me. Why you want to bury your feelings for me so deep in your heart that I hardly recognize the woman I fell in love with," Edward says, somewhat angrily, moving closer to you.

"My father found out about us the day before I broke up with you. I wanted to tell you, but he said he would kill every member of your family, that a war between the Cullens and the Quileutes would be on my hands. I feared for us. And for my tribe." As you explain to Edward something that remained unresolved between you, you feel like you're reopening a very painful wound by reliving the past.

"And you chose to be a coward and abandon me. Seems fair, a war doesn't seem fair when you can just end everything with the person you say you love and walk away," Edward responds, clearly hurt. As if he could judge you.

"First, I will not accept being called a coward for doing the right thing. Sure, I could have told you the truth years ago, but lying was the safest way to prevent you from doing something reckless. And I didn't just say I loved you, I actually loved you. I loved you so much that I can't let anyone find out we were together because any member of Sam's or Jacob's pack might believe you killed my parents. And I've done a very good job defending that none of you, Cullens, would ever do something like that." The words come out of your mouth more harshly than you intended. Edward looks perplexed, perhaps never realizing that if they found out about us, they would think he killed my parents to be with me. You know he didn't do it. But the others, they don't know him well enough.

"We could have faced this complicated situation together. Do you think I wouldn't have faced the accusations and the wolves' fury to have you by my side?" Edward's words, along with his closeness, almost made you wish you had never left.

"You're impulsive sometimes. We wouldn't have survived long together if we were responsible for the pain of the people we love. Not to mention that when you and I dated, I wasn't transforming. Maybe that's why I never felt it was wrong for us to be together, but now it's different." Your conversation has taken a deeply melancholic turn, something you didn't want. A relationship discussion is the last thing you planned when you came back to Forks.

"Whether you turn into a wolf or not wouldn't change how I feel about you. It never could. I thought you knew that." Your gaze meets Edward's. You always thought he would see you differently if you transformed into a wolf. Hearing him say otherwise makes you feel things you shouldn't. Feelings you should have abandoned a long time ago.

The rain starts to pour down on you both with force, as if the heavens are watching your argument from a front-row seat. You stare at Edward, trying to understand where discussing the past will lead you. Then, suddenly, your lips and Edward's meet. You don't notice who made the first move, who stepped towards the other first. You only feel the cold sensation of his lips on yours as you deepen the kiss. Your fingers grip Edward's hair tightly while his hands gently hold your waist. Then suddenly, Edward is pulled away from you. Jacob, in his wolf form, charges at him with all his strength. Edward's body falls near the edge of the cliff, which puts you on high alert. Seeing that Jacob is about to attack him again, you know what you have to do. Your body transforms into the wolf version as you run towards Jacob. Even though Edward was taken by surprise, he is recovering when you finish transforming fully into a wolf and attack Jacob. You don't want to hurt Jacob so you decide that instead of biting him or attacking him, you would push him to fall off the cliff with you. And that's what you do. You don't feel anything for a few seconds until the feeling of falling off the cliff is too sudden for you. You start to worry about Jacob when you can't find him. Still in your wolf form, you try to swim to see if you can identify Jacob. You smell him close to where he is and see that he is unconscious. You use your mouth to hold his wolf body until there is no more water.

"Jacob if you're listening to me, I'm sorry." You speak using telepathy. You don't even know if you're apologizing for pushing him off the cliff or for this part right now. You transform into a human again and like an instinct, Jacob's body seems to have realized that for you to provide first aid, it would be better for him to be in the human version as well. You give him mouth-to-mouth resuscitation while trying to get him to stay awake. A few minutes later, Jacob wakes up, releasing some water from his mouth. He looks at you, for a few seconds seeming grateful for your help. Until we both notice that we are inappropriate. In the next second, the two transform into wolves again.

"I can explain." You speak telepathically, while Jacob remains silent. You've been following him to his house since you got out of the water. He must be too angry to speak to you, which is killing you inside. You never wanted to hurt him.

"At home." That's all Jacob responds telepathically. He must be really mad. Damn Edward for showing up then. You arrive at the Black house a few minutes later. Jacob heads straight for the shower while you look for something to wear. You shower right after him, both of you in complete silence.

"When were you planning on filling me in about your little affair with Edward Cullen?" Jacob's first words to you once you both finish getting dressed. You try to suppress the part of you that wants to lash out at Jacob for speaking so coldly to you, as if you're Edward's lover.

"To be honest, never. Though I understand why you're angry with me, I'd like to remind you that I'm a single woman. I admit my mistake in kissing a vampire committed to someone else, but none of this has anything to do with you." You speak, trying to be as cold as Jacob.

"Your father would die again if he knew you'd become the kind of person who gets involved with a vampire," Jacob says, looking into your eyes with a seriousness that honestly upsets you. He's aiming to hurt you, perhaps for what you did with him at the cliff.

"Is that what you want to talk about? Not the fact that I threw both of us off a cliff to stop you from hurting Edward? Or that I seem to favor him over you?" You also know how to hurt feelings, or at least that's what you want to demonstrate. But the truth is, you hate hurting Jacob.

"Do you love him?" Jacob asks after several minutes of silence. You move closer to him, sitting beside him. Gently, you place your hand on his face.

"I don't love him like I love you. What I had with Edward is in the past. What you saw was just two people confusing what's already gone with their current moment. Trust me," you say, leaning closer to Jacob. Part of you believes your words, but another part wonders if you're being completely honest.

"Next time you use your wolf form to attack me, I won't go easy on you. Just so you know," Jacob says playfully. You lean in, planting a soft, brief kiss on his lips.

"I'll be eagerly anticipating that moment. And know that I won't go easy on you either," you say, and Jacob smiles, kissing you in response. After the kiss, you hug him tightly, hoping that the concern about how Edward is doing after the cliff incident leaves your mind.