#I may break it up more but this is possibly the first two scenes of 2/3

[atlabeth]

(please) spare me indignity

pt 3

pairing: spencer reid x fem gideon!reader

summary: you and spencer spend more time together. it's bad, then it's good, then it's something else altogether.

a/n: continuing the gideon!reader series! a whole lot of this is arguing because they love each other fr. sorry this took so long, for some reason i had a really hard time finding my footing here but i hope you enjoy!! reader is a victim of the sassy man apocalypse bc this may be s1/2 spencer but he is not going to not be standing up for himself!! have this new banner that i made to try and help with my inspiration. title is from nothing new by rio romero

wc: 5k

warning(s): r and spence argue some more. angst, hurt w/o comfort, then hurt with comfort! idk theyre kinda sweet

You and Spencer spend the next six and a half hours watching movies. 

You make it through Goodfellas and you only tell him to be quiet twelve times. You take a break to get water and make popcorn, which was so generously provided in your grocery supply, and while you’re doing it, Spencer insists on picking the next one. You end up watching Psycho, and you don’t think he lets a single scene go by without explaining the meaning behind it. 

You choose Notting Hill after, and he knows just as much. He picks Halloween—it doesn’t really help your stalker anxieties, and Spencer apologizes profusely when you bring it up, but you still end up finishing it. Next you go for Pointe Grosse Blank, then Spencer picks Kolya, a Russian film that he specifically put into the box. 

There are subtitles, but he spends half the time translating for you anyway—apparently there are nuances to the script that an English translation doesn’t get compared to the original Russian, and that would be a tragedy. 

He’s in the middle of his third rant going on seven minutes when you finally break. 

“Okay,” you say as you reach for the remote, “I can’t do this anymore.”

You do a double take when your hand meets another instead of hard plastic, and you see Spencer beat you to it. You pull your hand away as soon as possible, feeling your face heat from annoyance.

“What are you doing?”

“What are you doing?” he echoes. “The movie’s not over yet.”

“I can’t take any more of your rambling,” you say. “I’m cutting you off.”

He frowns. “We have to finish the movie first.” 

“What are you, a broken record?”

“I couldn’t be a broken record because I said two different things,” he protests. “Besides, what else are you going to do?” 

“Unpack my things? Read a book? Sit in silence staring at the wall in my room?” You shrug as you stand up and walk over to the kitchen. “I’ve got a lot of options.” 

“Gideon told me not to let you out of my sight,” Spencer says, standing up as well. 

“You can see me pretty well from there,” you say. “You don’t have to invade every bit of my privacy.” 

“I— I kind of do,” he says. “The whole point of a safe house is to keep you safe. If you’re off doing your own thing, it’s not really safe.”

“It’s not like I’m leaving!” You throw up your hands in exasperation. “What, are you going to sleep with me too? Make sure I don’t go anywhere in the middle of the night?” 

It’s almost funny how fast his face flushes bright red. You’ve got a feeling he doesn’t have a lot of experience with this sort of thing. 

“That’s what I thought,” you say. “Keep watching your movie if you want. Just leave me alone.” 

You feel his eyes on your back as you storm off to your room. The childish part of you wants to slam the door, but you decide to throw Spencer the smallest bone and leave it open. 

It’s not his fault that you hate him, and that just makes you hate him even more. He gets to come out of this the bigger person, a saint for putting up with your various deficiencies while keeping you safe from a stalker. You’re just the difficult, ungrateful, estranged bastard daughter of the most deified man in the Behavioral Analysis Unit who can’t set her personal grudges aside for her own good. 

You shove your duffel bag into the bed with a little too much force. You unzip it, deciding to try and occupy yourself with unpacking. You’re here for the indefinite future, so you might as well make yourself at home. 

You can’t help the dry laugh that comes at the thought. You don’t know if you’ve ever felt at home anywhere. 

This might be the worst thing about this whole situation. You’ve got a stalker out there, and it’s making you do all this bullshit introspection against your will. It’s got you thinking about your dad and your relationship with him, and thinking about Spencer Reid and how he’s replaced you in your father’s life without even really knowing about it because he didn’t know about you until he walked into your dad’s office a month ago.

Ten minutes pass in a blur before you’re knocked out of it by a rapping on your door. You turn to see Spencer standing in the doorway, expression unreadable.

“What?” you ask.

“You’ve been quiet,” he says. “I’m just checking in.”

“I’m still alive,” you say. “Nothing exciting happened in the five seconds I was gone.”

“It was ten minutes and thirty two seconds, actually,” he says. “But— but good.”

Again, more silence passes between you. You look up at him from your pile of clothes after thirty seconds. 

“Are you just going to stand there?”

“I— I don’t know what else to do,” he stammers.

“Didn’t you say you did something like this before?” you ask. “Guarded some girl from her stalker?”

Spencer nods. “She was a lot easier to get along with.”

You roll your eyes. “Somebody out there wants to kill me to get back at my dad. Sorry that I’m not the pinnacle of happiness.” You make a point to avoid his gaze. “But what I’m trying to say is that you’ve done this all before. You should have some kind of idea of what to do besides bothering me.”

“How am I bothering you?” Spencer asks in exasperation. “I’ve said three sentences to you!”

“Everything you do bothers me, boy genius,” you say. “I thought you would have figured that out by now.” 

“I—” He looks like he wants to say more, but instead he just clamps his mouth shut and shakes his head before he walks away. 

You stare down at your pile of clothes, largely unfolded and scattered around the bed. The silence doesn’t give you the satisfaction you thought it would. 

It only lasts for all of thirty seconds though, and you don’t have time to linger in the discomfort—you hear footsteps, heavier ones this time, and you look up to see Spencer round the corner once again. 

“What is your problem with me?” he blurts out. 

You frown. “Excuse me?” 

“You heard me,” Spencer nods. “You hate your dad, fine— but he’s not here for you to fight with, so you’re taking it out on me. It’s classic displacement, and you don’t get to take it out on me.”

“Why not?” you ask. 

“Because it— it’s not fair!” he sputters. “I didn’t do anything to you— I didn’t even know you existed until a month ago!” 

“Well, gosh, boy genius,” you say, “I’m sure you’re smart enough to figure it out yourself.”

“Stop calling me boy genius!” he exclaims. “We’re the same age!”

“Then stop acting like one,” you retort. “I know you’ve got a psychology degree, but you don’t need to use them on me whenever you can.” 

He frowns, his mouth opening for a second before he closes it. 

“Were you going to ask how I knew that before you realized the obvious answer?” you ask. 

“No,” he says. 

“Yes, you were.” You continue folding your clothes. “You went to Caltech, MIT, and Yale, even though it was your safety school. You’ve got three PhDs, two BAs, and you’re working on a philosophy degree, but you’re not done with it yet.” You shrug. “A little difficult to make it to classes with all the FBI stuff.” 

“…Does he really talk about me that much?” Spencer’s voice is quieter than it was before. 

“Oh, yeah,” you say. You set a finished pair of jeans to the side then look at him. “I graduated from college too. Granted, it was a couple years ago, not when I was 17, but I think it still warrants a little support.”

“You went to George Mason,” Spencer says. 

Your movements stutter. You weren’t expecting him to actually know.

“Yeah,” you say. Your heart skips a beat. “How do you know?”

Has he talked about you to the team before? Sure, they didn’t know you existed before you showed up out of the blue, but maybe he showed them a picture after it happened. Your mom carries one of you in your cap and gown in her wallet—maybe he got a hold of one and Spencer caught a glimpse of that. Maybe you just missed it and he does have a picture of you on his desk. Maybe—

“You have a sweatshirt for it,” he says with a gesture. You look where his finger is pointing, and sure enough, your GMU sweatshirt is tangled up with a couple of other crewnecks.

“…Of course,” you say. You don’t know why you even dared to hope. “Because it’s more likely that you’d notice something like that than it is for my dad to talk about me.”

Spencer says your name, and you hate the sympathy in it. 

“No.” You cut him off before he can get any further. “Don’t try to defend him. You know,” you huff a cold, humorless laugh, “he missed my graduation, too. Two separate dates for commencement and my actual school’s ceremony, one 45 minute car ride, and he couldn’t make it to either one.”

“You don’t know how busy we are,” Spencer tries again. “We work weekends and holidays and around the clock— sometimes we get called in at 3am to stay in some random town for weeks at a time, and there’s nothing we can do about it! I— I mean, we’ve had three days off in the past 47 days and—”

“That’s why I have a problem with you!” you cry out, throwing the shirt in your hand onto your bed as you turn to face him. “Because I’m twenty-four years old, and I’ve lived an hour away from my dad for the past six years, but his team that he spends all his time with didn’t even know I existed until I showed up at your office.” You take a step forward, anger resurging inside of you. “Because I threw away a chance at an Ivy to get to see him more, just to deal with the same bullshit as usual. Because I worry about him dying every single day he’s in the field, and he can’t even give me a phone call at the end of it all—” another step forward— “and even in the middle of this shitshow, you think you have a right to defend him— to- to tell me how to feel about him!”

You move even closer, close enough to see his wrinkled button-up is partially untucked, his lips are slightly parted, and his stupid doe eyes—that haven’t left yours—with his stupid dilated pupils, and you jab your finger in his chest. 

“Because all I ever wanted is my father’s affection,” your voice breaks, and you hate the way it makes you feel, “and he’d rather build an entirely new life with an entirely new kid than give it to me.” 

You push your way past him, making sure to shoulder-check him on your way out. You don’t look back as you forge your way to the bathroom (that you unfortunately have to share), even though his gaze burns into your back. 

You close and lock the door. It’s childish, you know, but you need to be alone right now. You can’t stand to be around him.

Spencer just— he irritates you in a way that no one else ever has. He’s your age and more accomplished than you could ever dream to be, with almost six times the degrees and a much better job, and probably a family that loves him. Who wouldn’t love him with everything he’s done?

You, apparently.  

You plant your hands on the countertop as you stare into the mirror. Your usual dark circles have become more pronounced over the past month, and you can’t help a wry laugh at the thought. All that trouble sleeping and it was for the wrong damn reason. 

If you knew someone was watching you, you would have moved out of Virginia months ago. But maybe this bastard would have found you anyway. If Spencer’s profiling is right and he’s going after you because of your dad, you don’t think much could really dissuade him. 

Tears pool at your waterline, and you wipe them away with a rough hand before they can manifest into something more. You slump back against the opposing wall as you continue to stare at yourself. 

You’re pathetic and you can’t even find it in yourself to care. 

You hear the sound of footsteps once more and you wrap your arms around your midsection. This chill won’t go away. 

“…Are you still alive?” a hesitant voice calls. 

You bite back a remark. “I’m fine.”

“You’re sure?” 

“No.” You don’t know what makes you answer honestly. 

A beat of silence passes. You really do feel like a kid. You’re talking to him through the door because you just yelled at him and Spencer is still being the bigger person. 

“Can I help at all?”

This answer comes a little quicker. “No.”

Again, more silence.

“Okay.” Spencer pauses, and the footsteps start again. His voice is a little closer the next time he speaks. “Just… let me know when you’re turning in. So I know you’re still alive.”

You huff. He can’t even stick to his guns and hate you like you hate him for ten minutes. “I don’t think I’ll be dying anytime soon.”

“You never know,” he says. “Spontaneous human combustion might not be proven beyond pseudoscientific concepts, but there’s a first time for everything.”

The laugh that comes out of you is unexpected, both in its lightness and occurrence at all. “Keep an ear out for the smoke alarm, then.”

“If you smell anything burning, stop, drop and roll,” he says. “Make sure you don’t run. All it’ll do is add to the oxygen and feed the fire.”

“Okay,” you say. “…I still don’t like you.”

You swear you can hear the smile in his words. “I know.” 

-

You wake up when the smoke alarm goes off. 

It’s a very rude awakening. It jolts you out of your very uneasy sleep to unfamiliar surroundings—in your disoriented state, you almost forget where you are. 

Right. You’re in a safe house in the middle of nowhere because someone is stalking you. How could you possibly forget?

You stumble out of bed, rubbing your eyes to try and assuage some of your exhaustion as you leave your room. 

“Is the place on fire?” you ask through a yawn. 

“No!” Spencer exclaims, sounding more panicked than usual. That straightens your back and speeds your pace. “No, everything’s fine—” 

You smell smoke, and as you come around the corner, you see him waving his hands overtop the toaster trying to dispel said smoke. You can’t help but laugh, and you actually smile when he gives you the most helpless look. 

“I’m so good at so many other things.”

“What are you trying to do?” you ask wryly. “Burn this house down to try and get a better one?” 

“This wouldn’t have started a fire,” Spencer says. “Toaster fires usually spread because they’re below wooden cupboards, which catch easily and spread everywhere else.” He gestures at the toaster, which he has plugged in to an outlet on the side of the island. “No cupboards, no house fire.”

“You started this because you were making toast?” you ask. 

He flushes. “I’m used to the toaster I have at home. I have the settings worked out perfectly there. This one is all wrong.” 

You sigh and shake your head. “Just… hit the reset button, and open the door. It’ll be fine.” 

“I can’t open the door,” he says. “It goes against the safety thing.”

“Then open a window.”

“Making it easier to get in here in any way goes against the safety thing,” he says. 

“So we have to just deal with the smoke?” you ask in exasperation. 

Spencer hits the vent button on the microwave, and the fan whirs into action. “No?”

You shake your head in disbelief as he then reaches up to hit the button on the smoke alarm. His t-shirt lifts with the movement—your eyes drift to the bare strip of skin, and you immediately look away when you realize. 

“Where’s the coffee in here?” you ask, clearing your throat as you start sifting through drawers. “I’ll be even worse to deal with if I don’t have caffeine.” 

“I already brewed a fresh pot,” Spencer says, gesturing with his head. “Half and half is in the fridge, and sugar is in the cabinet.” 

“Oh,” you say. You stop what you’re doing, your hands lingering above the drawer handle. “You didn’t have to do that.” 

You see him shrug out of your peripherals. “Why wouldn’t I?”

Because I was a total asshole to you last night, you want to say. Because I’ve been awful to you since I met you and you refuse to fight back and give me a better reason to hate you. 

“Because you didn’t need to,” you finally say. Good one. 

“I did. So you’re going to have to deal with it.” Spencer takes the burnt toast out and throws them in the trash can, talking while he does it. “You know, it’s actually a rumor that burnt toast contains carcinogens and can increase the chance of cancer. Acrylamide forms when you burn food, but researchers haven’t found a link between starchy foods with high amounts of acrylamide and cancer.” 

You hum in some form of acknowledgement as you take a mug out of the cabinet and fill it from the pot. You take a sip and grimace—it’s not the best, but it’s caffeinated. After three years of shitty gas station coffee throughout college, you can deal with it. 

“How did you sleep?” Spencer asks. 

“Fine,” you say. 

He frowns. “Really?” 

“Yes,” you say, a little rougher. “The dark circles come with the model.” 

“There are a lot of causes other than sleep deprivation,” Spencer says. “Contact dermatitis, hyperpigmentation, dehydration, alcoholism, stress—” 

“Got plenty of that,” you interrupt. 

“Even genetics can play a part in it,” he says. 

You huff. “I think this is one thing I can’t blame my dad for. I haven’t slept since the nineties.”

“Well, you should try,” Spencer says. “The blood vessels around your eyes don’t constrict like they should when you’re sleep deprived, which means your blood vessels dilate, which increases blood in the area, and that gives you dark circles.”

“Wow,” you say wryly. “I really look that bad with them?” 

“I— that—” Spencer’s face flushes red as he stutters, and you hide the slightest smile with your mug— “that’s not what I mean! I’m just trying to give advice to help—” 

“I know.” You set your mug back down, not able to fully bite back your amusement. “I was joking, Spencer.” 

“Oh,” he says. “That’s… new.” 

“Am I not allowed to joke?” 

“It just doesn’t seem like you,” Spencer says. “Especially after last night.” 

“I’m too tired to fight with you right now,” you sigh. “Enjoy your break.” 

He clears his throat as he takes two fresh pieces of bread out, then looks at your mug. “You drink it black?” 

“It’s not coffee if you don’t,” you say. “It— it’s a sugary mess.” 

“It is not!” he exclaims. “It still has the same amount of caffeine, and it’s still coffee—” 

“No it isn’t!” you laugh, and you nod at his mug. “How much sugar did you put in there?” 

“A couple spoonfuls but—” 

“Spoonfuls?”

“But it’s how I like it!” Spencer defends. 

“Don’t you have some facts about how harmful excessive sugar consumption is?” you ask. 

“Of course I do,” he says. “I also have some about the benefits of black coffee, but I’m not going to tell you now.”

“Wow,” you say. “I’m so hurt.” 

He shakes his head as he slots two more pieces of bread into the toaster. “And to think, I was trying to make breakfast for you.” 

Again, that gives you pause. Why does he keep trying to do nice things for you?” 

“Don’t bother.” You pick up your mug and go into the living room. “I don’t really eat breakfast anyways.” 

“That’s not healthy,” he calls after you. 

“Most things I do aren’t,” you respond. “What’s on the agenda today?” 

“Skipping breakfast puts you at a higher chance of heart disease,” he says. 

“Then I guess we won’t have to worry about the spontaneous combustion, will we?” You look back at him. “What’s on the agenda?” 

Spencer sighs. He’s given up momentarily, it seems. “Gideon’s going to call me in thirty-two minutes for an update. The whole team has been focusing solely on your case.” 

You perk up. The coffee warms your hands through the mug but it doesn’t fully assuage the chill down your spine. 

“Do they have any leads?” 

“I don’t know,” Spencer says. “Gideon hasn’t called me yet.” 

You roll your eyes. “Do you think they have any leads?” 

“Maybe.” The toaster pops and he pulls the bread out, then starts buttering it—or trying to. His brow knots in annoyance at the stick of butter, still hard, and he pushes his glasses up with his free hand. You have to look away. “Like I said, Gideon helped start the BAU. He’s solved more cases than anyone else, and,” you feel his eyes on you, “it’s personal this time. He’s probably working around the clock.” 

“Just have to hope they get somewhere,” you murmur. Your coffee tastes even more bitter than  usual, but you drink it anyway. 

“They will,” Spencer says. “I promise.” 

“Y’know, people keep making promises they can’t keep,” you say. “I’m getting real tired of it.” 

“Well, I’m not leaving your side until they do,” he says. “And I’m going to keep you safe. So consider that promise kept.” 

“Great,” you say. “I’m stuck with you until I die or this is solved.” 

“You’re not going to die.” 

“You don’t have to take everything I say so seriously.” 

“Then don’t say everything so seriously.” 

You huff a laugh and shake your head. Spencer comes over with his plate of messily buttered toast—not very easy with fully solid sticks of butter—and sits down across from you. He holds the plate out. 

“Want one?” 

“I told you, I don’t eat breakfast.” 

“You should.” 

“Because one piece of toast will make so much of a difference,” you mock. 

“It will,” he says. “Maybe it’ll even make you happier.” 

You roll your eyes and drink more of your coffee. “Are you going to bother me all day like this?” 

Spencer took a bite of toast then shrugged. “If you’re this blase about everything relating to your health, then yes.” 

You groan as you stand up. “It’s too early to deal with you. See you in a few hours.” 

“And good morning to you too,” Spencer says wryly. You make a parting gesture with your hand in response. 

It’s been a day and a half, and not only have you argued with him twice, but he still refuses to give you anything to work with, still insists on trying to be there for you. It’s as infuriating as it is gratingly admirable. Anyone else probably would have tried to kill you by now. 

Well, you’ve already got a stalker trying to do that. 

You sigh and down half your coffee. You’ve got a long day ahead of you. 

-

Spencer doesn’t know why you not liking him bothers him so much. 

It’s illogical, but it makes sense for you. Your dad spends more time with him than he does with you, and you’re projecting your hatred for Gideon onto Spencer. Whatever. 

But it’s not just whatever, and that irks him. 

This is an assignment, simple as that. Gideon trusted him enough to put you under his protection, even if it’s for your mental health more so than your physical. It should be a point of pride, being chosen for something like this by someone like Gideon.

Spencer presses his fingers against his temple. You’re a lot, there’s no way around it. But you also claim to hate him, and he knows that’s not true. 

Yes, you argue with him. Yes, you’re short with him. Yes, he lost his temper momentarily because not even Spencer is capable of endless grace. 

But he also sees your moments of lightness throughout it all. Your brief smiles, the quips that lean towards jokes more than insults—and he notices your eyes, and the brightness that breaks through on occasion. 

He always notices your eyes.

Spencer’s phone rings in his pocket, jolting him out of whatever reverie he found himself in. He pulls it out and flips it open, then presses it to his ear. “Gideon?” 

“Reid,” he greets. “How are you doing?”

“Fine,” he says. “You’re calling twenty-four minutes early.”

“We just finished a briefing,” Gideon says. “I wanted to get word to you as soon as possible.” 

Spencer sits up. “What is it?” 

“Morgan, Hotch, and Garcia have been working together to comb through my past cases and see what they’re up to now. They finally found a potential unsub,” he says. “Someone I put away a decade ago was released last year, and recent records indicate he’s back in the area.” 

“Who is it?” he asks. 

“Adam Hernandez. Also known as—” 

“The Stafford Strangler,” Spencer finishes. “He killed three people in two weeks in the 90s—classic spree killer. You caught him with David Rossi’s help.” 

“Released on good behavior, despite the victims’ families campaigning against it,” Gideon says. “You know it?” 

“Obviously,” he says. “I’ve read all of your old case files.”

Gideon chuckles, and he can almost imagine him shaking his head. “Of course you have.”

“Do you think Hernandez is your guy?” Spencer asks. 

“I’m not sure yet,” Gideon says. “We applied for a warrant—as soon as we get it, Morgan and Elle are heading his way to ask a few questions.” 

“You think he’d do something like this?” Spencer shifts his position as he frowns. “Hernandez got fired, lost his house, then went off the deep end. He killed because he didn’t see any other solution. The guy going after your daughter is a lot more emotional about all this, and—” his throat feels dry all of a sudden— “and it’s like he’s got some kind of attraction to her.” 

“You don’t need to remind me,” Gideon says roughly. “We’re going for leads where we can, and we’re still working every other angle. It doesn’t end with Hernandez.”

“...Good,” Spencer says. “Let me know if there’s anything I can do to help from here.” 

“You’re already doing everything I need you to do.” Gideon pauses, and he hears the creak of the chair in his office as he adjusts how he’s sitting. “How is my daughter doing?” 

“I don’t know,” he answers honestly. “Her mood changes with the wind. One second she’s trying to start a fight with me, the next she’s trying to joke around with me. It— it’s a lot, I won’t lie.” 

“But how is she handling all of this?” he asks. “Staying in the safe house, dealing with a stalker, feeling like a sitting duck.”

“Very cynically,” Spencer says. “She keeps talking about dying or getting killed.”

Gideon sighs. “That sounds like her.” 

“She’s… she’s mad at you, mostly.” Spencer picks at a hangnail, ignoring the sharp, temporary pain. “Every time I bring you up, it lights a fuse. You’re the one thing she hates to talk about.” 

There’s nothing but silence on the other end. 

“Gideon?” he asks. “Did I lose—” 

“I’m here,” he interrupts. “Just… thinking.” 

“It’s not your fault,” Spencer says. “She’s—” 

“It is my fault,” Gideon interrupts again. “Has she told you much about her younger life?” 

“...Some,” Spencer says. 

“Like?” 

Spencer doesn’t really know what to say. He doesn’t want to just tell Gideon that you’ve told him he’s been an awful dad. That it’s really all you’ve told him. 

“You can say it, Reid,” Gideon says. “I won’t get mad.” 

“...She says you’ve missed out on her whole life,” Spencer finally says, notably quieter. “Her high school graduation, her college graduation— most of the stuff that happened in college, actually.” 

Gideon lets out a rough sigh. “I’ll always regret it.” 

“So it’s true?” Spencer asks. He’s surprised at the sharpness of his voice.  

“I don’t get to control when cases come in,” he says. 

“We’re a whole team of qualified agents,” Spencer says. “We— we always have been. Especially when you and Rossi were together. It was like the golden age of profilers.” 

“Spencer—” 

“You made it to my graduation!” he interrupts. “You were there for my chemistry PhD, and you said you would be there when I get my philosophy degree, but you couldn’t make it for your only child’s high school and college graduations?” 

“I already told you I regret it,” Gideon says. His voice is as calm as ever, and for some reason, that irks Spencer even more. “What more can I say? It’s in the past now. I can’t change what I did.”

Spencer stares at the wall. He doesn’t know why this is such a damning thing to him. 

His own dad has missed all of his graduations. He’s missed almost every part of his life. But his dad walked out—he wanted nothing to do with Spencer or his mom. 

Your dad is right here. Gideon is still around, working every day to save lives and change the world and take down monsters—but he’s still not there for you. 

He’s so close and yet he always steps out of your reach. 

“Spencer.” Gideon’s voice is tinny through the speaker, and he presses his phone back against his ear. 

“Call me back the second you get another lead,” Spencer mutters. 

He hangs up without another word. 

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[astarion-obsessions]

I think not enough people understand that Astarion doesn't want you to be his main or only source of blood. This even stands in direct contrast to what he really wants to achieve with biting Tav. Let me explain.

Why Astarion doesn't want you to be his blood bag

Let me start with explaining how I approached this topic. First of all, when I triggered the bite scene in my playthrough, I obviously let Astarion drink from my Tav. But then I got curious. What happens when I don't stop him? He's said I could trust him just a moment ago, didn't he? So I did just that, I trusted him literally with my life. 

Aaaand... he killed me. Well. What did I expect from a vampire, really. But that he actually drained me dry broke my heart. I really wanted to trust him, to reach out and show him that I didn't judge him for what he was and so on. I was really disappointed in him and couldn't quite grasp why he would do this. Was it a conscious decision? Did he lose control? Surely he would apologise and explain everything to me once someone resurrected me, returning the trust I was giving him the night prior, right?... right?

Of course not. The dialogue after him killing Tav was... at least as disappointing as him killing Tav in the first place. He shows his usual attitude, apologises half-heartedly and then just keeps going on with talking about draining the occasional bandit. He even snaps when you mention the topic of him feeding after that with something like "I already apologised, what more do you want?".

There's no real regret, no emotions. He simply doesn't care.

We know that he didn't care in the beginning, he tells us as much when he confesses his unwanted, growing feelings towards Tav in act 2. But still the whole bite scene didn't sit right with me until…

The Nightmare 

I randomly stumbled upon a clip of Astarion having a nightmare, so I researched about it and even started an Astarion run to experience it myself. So, if you play as Astarion, at the second long rest of act 1 he has a nightmare about Cazador, in which he recites the rules that defined how Astarion and the other spawn had to live:

First, thou shalt not drink of the blood of thinking creatures. 

Second, thou shalt obey me in all things. 

Third, thou shalt not leave my side unless directed. 

Fourth, thou shalt know that thou art mine. 

However Astarion reacts to this dream, he jolts awake afterwards and instinctively panics that he needs to find a way back to his master as soon as possible. His eyes set on his companions, who are sleeping / meditating peacefully around the fire, and then a thought passes his mind.

He could try to break one of Cazador's rules right then and there. He's able to stand in the sun, to bathe in running water, so maybe…

And that's why he decides to bite a companion. Astarion wakes up utterly terrified of what his master will do to him if he doesn't return to him in an instant - and he knows all too well what kind of horrors would await him if he so much as dares to think about rebelling again (read about that here) - so he is in desperate need of confirmation that he is now able to withstand and actively break the rules that have dominated his life for two centuries.

He needs to know that he is able to drink the blood of a thinking creature. And there they are. His clueless companions served on a silver platter. It's like an invitation to him, to test his boundaries. And who would be more fitting than the good hearted leader of the party Astarion wanted to (or already has) seduce(d) anyway?

This piece of information shed a whole new light on the bite scene. But let's look a bit closer at that. 

The Bite Night 

The very first thing Tav registers about what's going on with Astarion that night is him baring his fangs right above us, about to sink them into our flesh. He pulls back as soon as we open our eyes, retreating immediately until there's a safe distance between him and Tav. 

This may be the first time Tav gets to know that Astarion is a vampire, so he gets defensive and tells us that he's never killed a person for food, only animals. But then, instead of letting the idea of feeding on Tav go, he insists that animals aren't enough. 

But it's not enough. Not if I have to fight. I feel so weak. 

If I just had a little blood, I could think clearer. Fight better. Please. 

Then he goes on, literally pleading to get what he wants while putting on a sad expression in the end, even averting his gaze. 

And if we now have in mind that he just woke up from a nightmare about Cazador, feeling powerless and in desperate need of even a glimpse of hope that he might escape Cazador's cruel grip, his lines make a lot of sense. He's veiling the truth, of course, but not all of what he says is a lie. 

He indeed feels weak - powerless in fact - so drinking Tav's blood (the blood of a thinking creature) could prove that he may have regained a bit of power over himself, which had been exclusively reserved for Cazador the last 200 years. This would absolutely make him feel stronger, more confident than he's felt for a long, long time. 

And he indeed could think clearer after tasting Tav's blood, because this would bring clarity to the question if he is now able to break Cazador's rules on purpose and therefore give him information to work with when he needs to think about what to do next. 

Right after this, we get the chance to push into Astarion's mind, and if we do this, we can see what he thinks about. 

His mind opens up, revealing cracked and quivering memories. At their heart, you see dark eyes, commanding you to feed. 

You open your mouth and bite down. Not into a tender neck, but in the twisting body of a rat - the only thing your master lets you eat. 

He recalls the memory of how his master used to force him to eat disgusting vermin. As his memory is told, we can clearly see how deeply this affects him, for he can't keep up his walls of defensiveness and detachment. They just crack, crumble and reveal his misery clearly for Tav to observe. When we ask him about it directly afterwards, he first seems to search for a way out - a witty remark, anything - but gives up almost immediately. And he looks and sounds just completely defeated and tired, confirming what Tav just saw in his mind. 

He goes on with talking about trust. I think here he's seeing a chance to gain Tav's sympathy. If he already reveals such delicate information about his past, he can as well make use of it. So he appeals to Tav's understanding, offering us that this past is the reason for him only trusting Tav slowly. But then he immediately adds that now he trusts Tav, and that in return Tav can trust him, too. 

What he does here is displaying himself as pitiful, gaining Tav's sympathy, then seemingly going out of his way and saying that despite all he does trust Tav, which puts Tav in the position to follow suit with returning the trust… which Astarion definitely lied about on his part. But that's what he does. Manipulating. 

If we then respond with "You tried to bite me. How can I trust you?" instead of assuring us of his trustworthiness with more manipulation, he gets frustrated. 

Because we don't have a choice! Not if we're going to save ourselves from these worms. 

But he goes on with masking his reasons, even if he gave us a hint right in the beginning of act 1 when we picked him up, where he said that he would rather control the tadpole instead of removing it. If we play as Astarion, it gets clear pretty fast that he holds onto the tadpole, because it seems to be the only thing that had been able to "save" him from Cazador whilst no one and nothing else even attempted to help him for two centuries. Of course he would not want to get rid of the tadpole just like that. But he says so nonetheless to align with Tav's goals and display himself as useful. 

And then he does something interesting. 

I need you alive. You need me strong. 

Please. Only be a taste, I swear. I'll be well, you'll be fine, and everything can go back to normal. 

In the beginning of this conversation he mentioned he needed the blood to fight better. Now he takes up on this by saying that Tav needs him strong, hinting on him getting stronger after having a taste of Tav's blood. And then he promises that after this "everything can go back to normal", which right now means Astarion feeding on animals again. 

A few things about this are odd. 

Firstly, "only be a taste". Everyone, literally everyone has heard about the insatiable hunger of vampires. So how is it supposed to work that Astarion gets stronger from just a taste of Tav's blood? For how long? A few hours? Not nearly long enough to pose a real advantage, eh? For me this makes no sense. And if we think about his true intentions - wanting to find out if he can break Cazador's rule - just a taste would be absolutely enough. (And after he bites Tav without killing them, he even says that he needs something more filling!) 

Secondly, if Astarion really wanted to become stronger with the help of Tav's blood, why would he promise to go back to normal afterwards? He just offered Tav a stronger companion but then immediately nullified this argument by literally saying that this will be a one time arrangement. 

Thirdly, he subtly offers a bargain. "You give me your blood, I will be a stronger fighter for you." He did so in the beginning as well, repeating it with different words. And it fits his character very well to do so, because for all he knows everything comes with a price. He almost gets beaten to death and Cazador mercifully comes to his rescue? The price is a never ending life of torment and abuse. Astarion helps a potential victim for Cazador to flee? The price is a year of starvation, locked up in a dusty and dark tomb without knowing if it will ever find an end. Mindflayers rescued him from Cazador, (passively) granting him to possibly be free of him at last? The price is becoming a tentacled monster in the end. 

If we then allow him to bite us, he's visibly surprised about our graciousness, but of course doesn't let this chance slip and suggests getting comfortable instantly. Then he finally gets to sink his teeth into Tav's neck. This part of the scene can more or less be viewed from both sides - Astarion's and Tav's. 

He begins to feed on Tav and after a bit we can decide to interrupt him, but have to pass an ability check first. This repeats a second time when playing Tav, and even if it's only one AC when we play Astarion and decide to bite a companion, it still aligns, showing that Astarion seemingly loses himself in the taste of Tav's blood - which is very likely because (as he later tells us) we were the first humanoid he's ever fed on, so it's imaginable that Tav's blood must be tasting almost divine to him. 

This theory is supported by his actions after we fail the first AC or just let him continue. He grabs the back of Tav's head to pull them towards himself, emphasising on how greedy he is sucking the blood out of Tav. The camera even uses the exact same angles before failing or skipping the first AC and after, so the comparison is easy and the difference is clear:

If we then fail or skip the next AC, Astarion just drains us dry… And it gets even better after the bite night. 

The Morning After 

When Tav gets revived and then talks to Astarion, he is visibly surprised to see us, after he left the dead body of Tav behind with saying "Oh no, something terrible has happened". Sure Astarion, something… 

All of this happens when Astarion still doesn't care for Tav. He reacts with panic when we confront him with the fact that he literally killed us, and just manages to get his expression under control after a few seconds. I mean, just look at him:

'Killed' feels like a strong word. Not many corpses have your vigour. 

He definitely knows what he's done, and that 'killed' is indeed the right word for it, he is just very very bad at coping with guilt (which is amazingly analysed by thelikesoffinn - definitely read this, you'll understand Astarion so much better after this). 

He instantly lays the focus on our codependency again, that we need each other and so on. If we question why we should keep him around, he answers with:

A strong, well-fed vampire? I'm a powerful weapon - you'd be a fool to toss me aside now. 

With mentioning this, he wants to make sure that Tav will let him stay by their side and therefore grant him protection. 

But more importantly he continues:

Anyway, last night was an aberration. It will never happen again. 

He doesn't even start with something like "Next time I'll be more careful" or anything similar. He straight up says that it will never happen again. Period. If we then ask who he will feed on next time he gets hungry, he presents the idea of feeding on villains and bandits "who need killing anyway". And this is exactly what he wants. This even shows in his reaction to Tav's response to his suggestion.

If we agree and therefore allow him to feed on our enemies ("Sounds good. Glad we could agree"), this is how he reacts:

As am I. I'm starting to feel a little peckish already. 

This itself doesn't sound all too enthusiastic, but we get his approval up, which definitely shows that he very much likes that Tav agreed. 

On the contrary, if we suggest he can feed on Tav, ignoring his will wish to feed on villains ("Look, I'm not against you feeding on me, but only if we talk about it first"), this is his reaction:

Of course! This sounds eminently reasonable. 

I shall wait patiently until you suggest we… dine together. 

Doesn't sound too bad either, eh? But we don't get his approval. He doesn't disapprove, of course, because this is still a thousand times better than what he had until then, but still not what he really wants… 

So, what does all of this mean for the initial question? 

Conclusion 

The crucial point here is what it means for Astarion to feed on Tav. The only things he remembers since Cazador turned him, are being relentlessly dominated and horrifyingly abused. The things Astarion wants the most are to be safe and to finally have control over himself again. 

He bit Tav for the sole purpose of finding out if he can be free of Cazador's rules. So why would he jump right into being dependent on Tav? He suggests to feed on villains, because then he is free of anyone's mercy. He doesn't need to rely on Tav to graciously allow him to get a drop of blood. He can do this himself now. 

This is such an important step for his character growth, to find the way to his autonomy again, so if we only allow him to feed on Tav, it instantly sets him back into old habits of bowing to his masters words - or in this case Tav's. Because it's all hes been doing for the last two centuries of his life. 

So, as much as the thought of the self-sacrificing offer to be his personal blood bag may seem romantic or whatever, it's actually the exact opposite, trapping Astarion in what he desperately tries to escape from. The restrictions that come with someone dominating him mentally and physically. And as I mentioned earlier, he doesn't believe in the goodness of people. For him every "kind" act has a price and he likes to know what he has to pay, so he wouldn't even want to just drink Tav's blood without Tav getting anything out of it. He would most certainly expect Tav one day to come around with something he doesn't want to give or do, so he wants to control such situations beforehand. 

All he wants is to make his own decisions and be free in every way possible… 

So please just let him drain some bandits, will ya? 

[mosswiind]

RANKING THE VEILGUARD COMPANIONS AS SPICY PARTNERS

This is definitively correct and I will not be accepting feedback.

In seventh and last place, we have our sweet boy Lucanis.

He's so into you. Spite is at least the same amount of into you. Lucanis though, is wildly inexperienced. Dude blacked out seeing Rook of any gender without a top on. A single titty would put this man in the hospital.

As a person who has slept with a lot of people, enthusiasm does not always compensate for skill. Lucanis would be very sweet, and apologizing because this has literally never happened to him before.

In sixth, we have Bellara.

Bellara is wonderful! But, similar to Lucanis, she's pretty inexperienced, and not in a position to acquire more experience without Rook’s involvement. She did date Irelin, but Irelin also doesn't give "exciting spicy partner" vibes. I feel like she would be enthusiastic about figuring out what you both like! It would just take some time to get there. She would also be very open to using magical aids. Electrical magic? Hell yeah.

She's also absolutely a bottom and if that's a consideration for you, she would be very good at it.

In fifth, we have Harding.

Harding is one long conversation away from being down for some Actual Freak Shit. She's already down, she just doesn't know what to ask for.

HOWEVER. Harding has precisely zero game, so it may feel a little silly while y'all figure your stuff out.

It will be good, it will also be clumsy and sweet.

In fourth, Taash.

Taash is similar to Harding, but has more sexual experience. They are also a confirmed top. Those are rare! They are coded to feel like they're in their early twenties, and extremely athletic, so stamina would not at any point be an issue. I've seen some comments that their bluntness would be bad for dirty talk/having game - those people didn't have to take a minute to do some deep breathing after the Taamlok scene, and also do not have taste. Taash will break you in half in a good way. Taash is a capital T Top and honestly, I respect it.

In third, Davrin.

Davrin, in a different group, would be the top pick. He's cocky, confident, has game for days. He's not a snack, he's a meal, and he is very aware of that. In my experience, banging Extremely Hot Dudes can go one of two ways; it's either sex you will wake up thinking about ten years later, or it will be like, extremely mid. I have faith in his ability. He is also a top, but I feel like he would also be into another top so there's a Fight (America's Next Top Model theme plays).

Thrill of the chase, indeed.

In second, Emmrich.

I know Emmrich is a canonical sex god. I know a bunch of y'all are extremely horny for Dr. Hose Goat. He caught me on the back foot a couple of times.

I also understand that this is a community that is very into Hot Authority Figures Who Remind You To Drink Water. There's a top shortage. I know what you people are like. I get it.

In first, it's the internet's wife, Neve Gallus.

Neve reads people for a living. She's also hot, emotionally unavailable, and would rather make out than acknowledge she has Actual Human Feelings. She's so locked into everything going on around her that she knows what you want before you do.

She's also creative at problem solving - no good surface? No problem. Just...not her desk, probably. There's a lot of notes to get displaced, and she has a hard enough time with the wisps. She will not allow your dumb ass to be too horny for organization.

Also - frost magic for you sensory seekers, and the ability to slow down time. I feel like we're all on the same page about the possibilities.

Your brain will melt out of your ears. You will not be able to stand. For days, potentially.

She's also a switch, depending on the vibes presented.

Emotionally unavailable romantics will ruin your life.

[ivybucky]

First Time - b.b. x gn!reader

Summary: You have a habit of calling people by cute nicknames or monikers, and Bucky isn't sure why it made him feel so good.

a/n: I'm breaking my hiatus finally!!! this is just a cute lil fic somewhat based on first time by hozier without the thought-provoking underlying angst. 1.9k

Content/Warnings: tfaws!Bucky, fluff, pining, tfaws fight scenes, zemo mention, multiple Sam appearances, references to fights/violence, use of y/n, use of the nickname doll when referring to the reader, friends to lovers? (let me know if i'm forgetting anything)

Masterlist

Believe it or not, Bucky Barnes tried to not think about his past. 

Though his efforts to make amends were a work-in-progress, and his name was brought up in the press more often than he preferred, Bucky Barnes tried to think about his past as little as possible. 

The first time you called him James was the first time he had liked the way it sounded. You had smiled at him, sweet and welcoming, as Sam introduced the two of you.

“It’s nice to meet you, James.” God, did it fall off your tongue in the nicest way. “Thank you for looking after birdbrain over here.” You giggled at Sam’s distant-sounding protest.

Bucky cracked a sideways smile, not being able to stop himself. “You can call me Bucky, doll.”

Your smile morphed into a sort of smirk, cheeks warming at the nickname he gave you. “Is that what you prefer?”

He hadn’t given it much thought anymore. He knew James as the person who enlisted in the military, the person who fell from the train following Captain America into the throws of war. James was the person who was Hydra’s plaything, the assassin, the monster he was so desperate to forget. Bucky was the charmer, the best friend of Steve Rogers, the swing dancer who had a habit of punching bullies(justified obviously). 

Now, he didn’t feel like either. Going by Bucky was the easiest option, since it was the part of him he was desperate to gain back. Talking to you however, he didn’t think he cared what he was called anymore. 

He gave you a soft grin, one that may have held a bit more meaning than flirtation. “I don’t mind either, you can call me whatever you want.”

—

The first time you called him by any kind of nickname was the day they went to Madripoor.

“Sammy! Buck!” You called their names as you waved big at them from the small airport hangar. 

Bucky tried to slow his heart as the pair walked closer to you. Sam let out a chuckle next to him, a teasing smile thrown his way. “Hope you don’t mind the extra company, Buck.”

With a frown and a grumble, Bucky widened his gait, the toe of his shoe catching on Sam’s, causing him to trip up momentarily. “Don’t call me that.”

He reached you first, allowing his smile wider further than before. “Hi Y/N, what’re you doin’ here?”

You placed a gentle hand on his left shoulder, rubbing back and forth. “It’s good to see you too,” you chuckled. “Sam told me what you guys are doing with Zemo. He thought I might be able to provide some kind of help, right Sam?”

Sam walked up with somehow both a smirk and scowl on his face and pulled you into a quick hug. “That’s right, though I might’ve invited you along so that I’m not the only one putting up with his old ass.”

Bucky scoffed, trying to ignore the lack of warmth from your otherwise occupied hands. “Are you sure about this, doll? This is probably gonna end with all of us on a watch list.”

You nudged his shoulder, your own smirk gracing your features. “As if I wasn’t on one already.”

The boys both chuckled, before Sam spoke up. “Speaking of watchlists, he’s here.”

Boarding the private jet that Zemo just happened to have, Bucky tried to keep his eyes on you the whole time, even as you sat in the leather seat between him and the window. 

“I’m sorry, I’m just fascinated by this - I don’t know what to call it,” your brows furrowed at the sentence, at the faint smirk that rested on Zemo’s face. “But this part seems important. Who is Nakajima?”

Bucky was out of his seat in an instant, metal fingers gripped tightly around his throat. Zemo’s face wiped itself of any amusement. Bucky spoke into his ear low and gruff, but it could easily be heard throughout the plane cabin. “You touch that again and I’ll kill you.” 

He snatched the notebook back into his and heavily sat back down into his seat, hand wound tight around the small journal

Your fingers reached across his lap and wrapped around his clenched metal fist, thumb rubbing soothingly over the back of his hand. “Just ignore him, sweetheart. You and I both know nothing that man says is worth anything.” 

Bucky looked down at your joined hands, then glanced up at you with a small smile. He gave your hand a couple of squeezes, and tried to focus back on the words being said throughout the rest of the plane ride. 

—

The first time you called him “baby” was during their fight with John Walker. 

Madripoor and Latvia had been filled with silent stares, small smiles, and soft words . Fleeting “friendly” touches ensued as well - Bucky’s hand on your back drawing small circles, your gentle grasp of his hand or arm when he clenched his fist.

Bucky talked to you about Yori, about his too soft mattress, about his too shitty of a therapist, his want to get a cat. You told him about meeting Sam, your agency background, your agreement that he should totally get a cat. And now, you just wished you could have that again.

Walker was too strong, landing solid hits on both Sam and Bucky that could easily start slowing them down. He had lifted the shield over their bodies too many times, clearly holding on to the same psychotic fury he had when he killed the Flagsmasher.

To this point, you stood frozen in watch. You weren’t there when the fight started, and between Sam and John’s current focus on Bucky, you weren’t sure which side needed the most aid.

John had flung Bucky into a nearby metal utility pole for Christ’s sake, and a cry wretched itself from your lips. You ran to his side as he laid on the ground unconscious, metal arm cackling with untamed electricity. 

“Bucky,” you murmured as you checked his spine for any breaks. You could hear his breath, as shuddered as it was after an impact like that. You moved him to lay on his back, palm pressed to his cheek. “Bucky, honey, come on, wake up.”

You tapped his cheek a couple of times in slight panic, other hand unconsciously combing his hair back. A couple of moments passed before he groaned and huffed out a cough. “Bucky,” you sighed a breath of relief, eyes near tearing up as the tension left your body. “Are you hurt, baby?”

He sat up with a grimace, another groan leaving his lips. “What the fuck?”

“He took the serum,” your hands had yet to leave his face. “Are you sure you’re okay?”

He looked up at you with a wincing smile, still bright enough to make your heart stutter. “I’m okay, sweetheart.” The red gracing your cheeks could be easily based on the intensity of the fight, but it was unsaid knowledge that wasn’t the case. He touched the hand holding his cheek as you swept a thumb back and forth. A grunt from the fight crashed them both back to reality. “He’s gonna kill Sam.”

You stood up, pulling him with you by his metal arm. Bucky swung his arm around to recalibrate before jogging forward. “We gotta get the shield. Be careful, don’t let him pin you.”

____

The first time you kissed him was in Louisiana. 

You giggled from the picnic table as you watched Bucky dodge Sam’s nephews, cake in hand, as they tried to tackle him for his arm, as well as when several of the children pleading to hang off of it.

He sat next to you on the bench of the table, shoulder pressing into yours as you basked in Sam and Sarah’s storytelling. Bucky shared some bittersweet stories about Steve, drawing smiles from everyone listening. Each laugh had you leaning into him a bit more, but a complaint could not be heard, especially when your hands brushed under the table.

The evening continued on like that into the early night. Bucky entertained the masses, looking a lot like the charmer he used to be. Sam reminisced with his community, taking many photos with his local family. 

You sat on the pier, leaning back against the wooden bench as the sun set over the water’s horizon. You could faintly hear laughter behind you on the dock mixed with the sound of the stereo’s music drifting over. A smile grew on your face as a presence made its way towards you, shoes scuffing against the wooden slats. A soft hand rested on your shoulder and sent warmth through your body. “Care for some company, doll?”

You flashed Bucky a smile that had him weak as you turned back to him and patted the space next to him. He sat down close, thigh pressed against yours, shoulder to shoulder yet again. 

“What’re you gonna do now, Buck? You think you’re gonna stick around?” 

He sighed, staring down at his metal hand in contempt. “I don’t know,” his hand clenched in his lap. “I’ve been following orders for a long time now. Might be good for me to work with someone, not for. Even if birdbrain has a habit of getting on my nerves.”

You reached across his lap and gently unfurled his fingers. He wished the pressure he felt against the metal was more tangible for once, more definitive. “You should do whatever makes you feel the most free, sweetheart.” You slipped both of your hands around his, rubbing small circles with your thumb. “Whether that be with Sam or doing something else. You deserve it.”

Bucky’s eyes drifted over your face and observed its features - the small smile that curled around your lips, the kindness in your eyes. “And what about you?” he spoke softly. “Will you stay?”

You looked up to him and searched his eyes with a hopeful grin. “Are you asking?” you chuckled, using one of your hands to comb his hair back behind his ear, thumb resting on his cheek. “If I’m needed, I’ll stay.”

Bucky puffed out a breath that he didn’t realize he was holding. “Well ya know,” he threw a bright smile in your direction. “Sam’s gonna need you here so he doesn’t lose his mind.”

You chuckled, leaning a little bit closer.  “And you? Do you need me?”

Bucky took in the space between you, the way your breaths mingled, foreheads near touching. “Yeah, baby,” he allowed himself to fully lean in. “I need you.”

You kissing him was like coming up for air, or finding water in the middle of the desert. It was salvation, it was required for him to have in order to survive. Your lips were soft, tasting faintly of the beer you had earlier. His mouth moved against yours like a magnet following them wherever they went. His hand drifted to your waist, moving you somewhat into his lap as you both smiled into the kiss. When you finally broke apart, it was only for the need for oxygen to fill your lungs. 

You giggled from above him, heads pressed together. Your hands locked themselves around his shoulders in an embrace that forced him to stay where he could feel the pant of your breath across his skin, not that he was complaining. “I guess I’ll stay then.”

Please reblog and comment! It's my first fic in *two fucking years* and i need to know that this is still good lol

[na0koz]

To off set the happiness I wanted to ask what would happen if reader got together with someone else, or showed more interest in them than Jinx. Even with Jinx trying to stop it

Or another thought would be what if reader liked Vi more than Jinx 🏃

wait ur lowk a genius nonnie. reader liking vi more than her would actually like set her off to 10000%. kinda stole that scene from season 1 episode 9 with jinx’s tea party lol.

toxic!jinx masterlist

VERY DARK!! just block me if you don’t like it.

cw: jinx breaking in, implied kidnapping, use of guns, jinx is just insane, f!reader

since you met jinx’s family, you’ve been round the family home for dinner a couple more times. in one of those times, vi managed to get your instagram. probably while jinx was out of the room to save her ripping vi’s arms off.

ever since that day, you’ve been messaging vi a lot on instagram. however, you were very careful not to have jinx find out. you knew she wouldn’t like it, but you can’t help it when vi just gets you.

a month or two passes, and you’ve grown close to vi. it’s probably not the best idea you’ve had, given how jinx acts about you getting close to people she doesn’t know. somehow you think she’d be even worse if she found out how close you had gotten to her sister.

one day, you’re not answering the stream of texts jinx has sent you. she may have only sent them a few minutes ago but over time you’ve become the fastest replier in the game. something was up. she instinctively checks your location. a bar? you don’t drink, what could you possibly be doing there? cheating, jinx thinks.

it’s not that she doesn’t trust you, she’s just paranoid. she needs you all to herself, completely.

she grabs a jacket and starts to head to the bar almost immediately.

she glances around once she’s inside, looking for any sign of you. it was simple. she just had to grab you and act like there was some sort of emergency and you had to leave, while simultaneously taking note of whoever you were with.

she finally notices you, and to jinx’s absolute horror, you’re standing suspiciously close to her dickhead of a sister. she knew vi was a piece of shit, a sleaze at best, especially after her and her ex broke things off, but this really takes the cake.

a surprise to everyone, you especially if you knew she was there, jinx leaves. she’s too angry to think straight but she knows one thing, she needs to be alone when she’s like this. for the benefit of anyone who might cross her.

the night lingers on and you continue having fun with vi, unbeknownst to both of you, jinx was crafting her cruelest plan yet.

-

jinx manages to act normal for the following couple of weeks, despite her literally wanting to kill her sister and have you watch.

until finally, it was time to make the both of you suffer the consequences of your actions.

the first step was breaking into your apartment, that was easy. she had the key she made herself a few months into your relationship and she was no stranger to popping by when you were asleep to check on you. she didn’t really class it as ‘breaking in’ though, since she has a key that unlocks the door. sometimes jinx wonders to herself if she is actually sick in the head, but she chalks up her actions to her love for you.

next, jinx had to set up for her plan. she dragged a chair from your dining table into the middle of your apartment, the open space between the kitchen and the living room. she laid out a couple of other items by the chair, but she’ll get to those later.

what’s left was done in a haze of anger. of revenge. now all she had to do was wait for you to come home.

she was sat on the counter, swinging her legs when she hears the lock click in your front door. here goes.

you see jinx first, setting your bag down and kicking off your shoes. “oh, hey baby.” you notice the glint in her eye, the one you see when she’s angry.

“are.. you okay?”

jinx says nothing, just glancing behind her to the chair she had setup earlier. you follow her gaze and gasp when you finally see what she’s done.

vi bound to the chair by the same turquoise rope jinx had used on you so many times, in situations you could say were the complete opposite to the one you had just got into.

instinctively, you start to rush towards vi, until you feel something cold on your arm stopping you. you look to jinx and see her arm outstretched in front of you. clutched in her hand was a gun.

your eyes widened. you knew she had knives but not a gun. when you thought about it though, it wasn’t too surprising. you realise how you’ve kind of just ignored how fucked up she is.

“jinx. it’s.. you need to calm down,” you try your best to hide the tremble in your voice. anything to try and spare your, vi’s, all of your lives.

jinx lowers her arm and hops off the counter. she paces slowly between you, rooted to the spot, and vi, breathing heavily in the chair she was tied to.

“i am calm. you guys are the ones that need to calm down.” she definitely does not sound calm. her eyes are wide and hands trembling, she’s manic.

vi makes eye contact with you, you can see she’s just as surprised as you. i mean, it’s probably a good thing this hasn’t happened before, right?

jinx stops in front of you and gently takes her hand. her hands are warm, soft. feels strange given the situation. she pulls you closer to vi, closer, closer, until the three of you can feel each other’s breath on your faces.

you see the glint of the gun in between your faces. your breath shakes as it sways towards you, to vi, to jinx.

“i wonder.. who deserves this the most?” jinx mused, as if she was talking to herself.

“you see, there’s one bullet in here, and i don’t know who’s gonna get it.”

tears fall from your eyes now. you regret dismissing how crazy jinx is, and roping vi, her own sister, into this mess.

the gun swings back to you and you hear jinx click off the safety, the metal grinding. her hands are trembling, from adrenaline no doubt. she’s enjoying this. her finger crawls its way to the trigger, and she pulls back, agonisingly slow.

your eyes squeeze shut, tears streaming down your cheeks as you sob. after what feels like hours, the trigger ticks. silence. are you dead? you can’t even hear vi’s breathing.

“ah.” jinx’s voice pierces your eardrums. you’re alive.

your knees buckle, but jinx doesn’t let you fall. she catches you and holds you up with surprising force. you glance at her and through the blur of your tears, she’s smiling.

“looks like it’s either me or you, sis,” she laughs while tapping vi on the chest with the barrel.

she turns to you. “who should go first? whoever you like the most, up to you.”

so that’s what this is about. jinx has got jealous before, never to this extent though.

you beg her to stop over and over, barely able to get your words out as tears fall down your cheeks. pleading, you reach up to jinx’s face with violently shaking hands, trying anything to get her to stop.

she swats your hand away with the gun, causing you to gasp and cry harder. you have to use every cell in your body not to scream.

“choose one of us,” she orders.

you literally cannot speak now, you’re hyperventilating while looking between the two sisters. vi looks equally as scared as you do. she hasn’t said a word.

“mkay. we’ll go with violet here since you like her so much.” the gun moves to vi’s jaw. jinx’s finger flexes on the trigger. she flashes a grin at you, she’s not done yet though.

the sound of the trigger being pulled rings through your apartment. nothing. vi is alive, letting out a loud breath and she slumps down in the chair, as much as the rope restraining her will allow.

“uh ohh..” jinx practically sings. “my turn. we all know what that means.”

she brings the gun under her own jaw. the truth is, there aren’t any bullets in the gun. she knows that. she just needs to scare both of you as much as she can. of course she doesn’t actually want to hurt you.

she pulls the trigger faster than expected. you cry out, this time jinx lets you fall to your knees.

again, nothing.

jinx lets her head flop down, looking between you and vi with low eyes.

“i was just messin’ with you guys! there ain’t any bullets in here. wouldn’t actually kill ya,” she’s laughing. after all this she’s laughing.

“you,” she prods vi in the chest with one pale finger. “you can stay away from her.”

she crouches to your level on the floor. “and you can stop givin’ me reasons to do shit like this. mkay baby?”

you weakly nod. you just need this to be over.

“great! see you later, love ya.” she pecks your forehead before skipping out of your apartment.

she leaves everything behind. the gun, vi still in the chair, you sobbing.

what. the. fuck.

[madlori]

Ok my fam, I think we all need a lil Come to Jesus moment. So let's talk about it.

"I'm disappointed Tommy wasn't in 8x02 and 8x03." That's ok! We'd all like to see him, and see our boys together. Going by precedent, we can probably expect to see him in 6-8 episodes this season (it could be more - Taylor had 13 episodes in season 5 - but we shouldn't count on it) and we've already burned one. I'd prefer not to have half of them during the opening disaster when SO MUCH ELSE is going on. I'd rather him appear in episodes when he's got a storyline with Buck, or even on his own, and especially at the midseason break or the end of the season when Relationship Events are more likely to happen.

"But the 217 engine!" I know. But as we sometimes like to say to other fans - we kind of baited ourselves with that. It was suggestive, sure. But the fact that production has MADE a 217 engine is also suggestive that we may see it again later, and they just put it in the hangar scene because they already had it and they had to fill up that hangar with as many vehicles as possible.

"An airplane disaster without using the pilot??" As others have pointed out, Tommy's not a jet pilot. And don't let anybody make you think you were nuts for thinking it was possible. It was definitely a reasonable theory, with supporting evidence, that he might be involved, but in the end, the big opening disaster is always going to be about our mains. As it should be. And honestly? It was great.

"But the whole point of bringing him back was to integrate him with the 118 more!" I'm sure that's still a goal they have, but it's probably easier said than done. Not just from a writing standpoint, but a contractual one, in that there's a limit to how often they can use him, so they have to pick and choose where.

"It's like they don't care about this relationship as much as we do." You're right. NOBODY will care about it as much as we do. They care about the main characters, about the show's actual premise (i.e. first responders encountering wild situations, secondarily the characters' personal lives). There is no universe in which ANY relationship in the show will be prioritized as much as we, the fandom, would like it to be. That's just life in the big city. But they do care, oh boy, they do. Enough to use BT scenes in off-season promo. Enough to write Tommy into a scene in the opening episode where, frankly, he didn't NEED to be. Also, consider this - to shoot that scene, Lou was probably on set a grand total of one day, MAYBE two. And they made sure to include him in the jokey "bee pickup lines" reel. You know what other relationship we haven't seen much? Buddie. They have not appeared together outside of work (and honestly, barely AT work either) except in the birthday party scene, and hey, did you notice that they do not interact at ALL in that scene? Buck spends that entire scene interacting only with Tommy. And that's a friendship featuring two mains that we know they value. That's not indicative of anything except the sheer scarcity of screentime.

"They should be promoting the queer relationship!" Should they? They've never really done that before, with the several pre-existing queer relationships. I have always sort of appreciated that they have not hung a neon sign on Buck and Tommy saying LOOK AT OUR NEW QUEER PAIRING. It's never gotten the Very Special Episode treatment - Buck never had gay panic, or much coming-out drama - and I like that. I like treating it no differently than other romantic pairings on the show. And they did actually promote it quite a bit when it happened. Now it would just feel kinda performative to me.

"Will he be in [whatever episode]?" Imma gently suggest we not do this every week. He'll be there or he won't. There'll be some we know he's in (I think 8x06 is a lock), some we won't know and will be pleasantly surprised, or unpleasantly surprised. I'd say odds for 8x04 are...20%, rising to at least 50% with 8x05 and 100% for 8x06.

And if you ever feel sad about it - go look at a still of Buck from any episode so far this season, and say to yourself, "This man is having heaps of amazing sex with his hot pilot boyfriend on the regular. Canonically."

I know a lot of us have encountered some pretty irritating gloating from people who hate this relationship (in a frankly weirdly obsessive way) about him being not there. Just remember - that's all they have to gloat about. The only "victory" they can claim is the absence of a character? Lame. And it's not even a victory, it's just the cost of doing business when your ship involves a recurring character. Sit back and enjoy your canon relationship between two men who've actually kissed on screen and ignore it. We can be generous about it.

So let's not talk ourselves off the deep end, shall we? I'd like to keep being a reasonable fandom.

[whatlurksbean]

Prefacing this with a note that WLB is absolutely one of my top two favorite comics (out of many) at the moment, and I look forward to every new page. There's just one thing that's been bugging me a lot.

Do the cats on the island not have a sense of smell, is there some other explanation, or is the fact that certain things are never noticed through smell an oversight? There are two major plot points that make me ask this.

The first is Thresher being poisoned. Lavender is one hell of a fragrant plant- my shitty human nose can pick it up easily just walking by it outside. The cats even remark on the smell of lavender in contexts aside from the Big One. If the lavender was straight up visible in Thresher's poisoned prey, surely someone would've noticed the smell? Especially Thresher himself with his nose right up in it.

The second is even bigger- Gull and the Family assuming Tusk ate her baby. Even assuming Tusk could somehow have eaten an entire infant child without getting blood on her face or the ground, surely the lack of the scent of fresh blood and gore would've been very obvious. Was this just Gull that nose-blinded by hate, and got everyone else to follow along, while Tusk's supporters were too panicked to think to point this out?

If it is an oversight, I can't blame you, I also write xenofiction and it's hard to consistently consider the physiological differences another species has from us. I just keep thinking about it and I'm really curious what the actual situation is.

There is logic to my choices, but i'm surely underestimating the power of the cat sniffer.

For Thresher, I don't think the family cats are well versed in plants from the forest. The do not have an official medic role, there is very little medical training around for them about plants. Sturgeon only knows lavender is poisonous from Petrel. Thresher may have noticed a smell, or even seen the plant, and he would have just brushed it off as something the bird / mouse ate or lived near before dying.

Auklet only picked up on it being a problem because he is more perceptive to his brothers health. Initially I didn't have him say that he "noticed the lavender" but rather "I've seen plants in his food." but people were getting confused enough on what Sturgeon was doing, so I decided to clarify it better and just make Auklet a little smarter. Because I don't think he or thresher would really know what Lavender is. It doesnt grow on the beaches. But I will make that logic sacrifice for clarity.

As for Gull, I think she was already convinced by her own bigotry that Tusk was guilty, despite what logic pointed to. Tusk was alone with her deceased kitten for hours and hours, and then he disappears without a trace. And Tusk hasnt left the cave, and surely no one would help her break the law and bury ray, and hake was within her sights the whole time. There was only one option in Gulls mind, and no one else in the family cared enough to fact check her. Gull is an elder and has helped deliver most of their kittens in the family, why would she lie? Tusk must be the monster here.

And cats CAN cannibalize their newborn kittens, it does happen and it is absolutely possible for there to be nothing left. It especially tends to happen with stillborn or sickly kittens, like tusks.

The smell part is definitely an oversight on that part though, I don't think I even thought about it for that scene. I don't think about what my food smelled like after i've eaten it. But I think that even if this was brought up by Hake or whoever, Gull wouldn't be convinced she's wrong. And it's not like Tusk would offer them to smell her breath.

idk, there is logic to my choices but it is certainly not wholey realistic, and it never would be in a xenofiction story, so I am okay with that.

[txmxkis]

you're the best one

pairing. kuroo tetsurou x gn!reader

genre. fluff

wc. 1k+

summary. all you're trying to do is make kuroo's birthday cake, but things can never just be straightforward.

warnings. nothing, really, just tooth-rotting fluff. kuroo is a menace as usual. very selfship coded as always >.<

a/n. i actually managed to do it i hope you're proud of me hopefully it's good idk. happy birthday to the #1 husband <3

there is flour everywhere.

you shouldn’t have expected anything different to come of this, really.

every time kuroo helps you bake something, he feels some sort of uncontrollable urge to make a mess, and since today is his birthday, it seems as if he’s leaning even more into that “i can do whatever i want, and you can’t get upset with me for it” attitude.

you always start out with good intentions and a plan… actually, you’re usually fairly clean and organized in the kitchen.

that is, until he comes blowing through like a tall tornado, leaving you with debris scattered everywhere. he just makes it so easy to lose all sense of control and let go of any reservations you may have had.

this cake has taken twice as long to make with him around, but you can’t necessarily complain. about the mess, yes you could, but you do like spending time with him regardless. since it’s his day, you can even let the mess go.

after a number of detours incited by the birthday boy, you finally got the cake squared away in the oven and got started on the frosting.

he was practically panting watching you mix it up, waiting ever so impatiently for the moment he could finally steal a taste.

of course it had to be when your back was turned to check the oven. obviously with his finger instead of a spoon.

“uhh… why is this frosting… salty?”

“are you messing with me right now.”

“not this time, taste it.”

he holds out a finger full of frosting and you give him a skeptical look, licking it off after a moment of hesitation.

“ugh! what the hell? hold on, i can fix it.”

you spend the next ten minutes adding other ingredients, trying to balance them out and mellow the bitterness, cursing every time you stop to test it while he watches you intently.

“i don’t get it; i followed the recipe exactly… i’m so confused.”

he just stands there and stares at you for another moment, face morphing into a sly grin. you’re oblivious, so focused on figuring out where you could have possibly gone wrong, giving him ample opportunity to swipe his finger through the bowl again and smear a dollop of frosting directly on your nose.

“tetsurou! wh—”

“looked like you could use a break.”

shocked, you just stand there dumbly while he laughs at you, face smudged. finally, you snap out of it and shoot him a menacing glare—half playing around, half ready to enact revenge.

the urge for vengeance wins, and the thought of contributing to the kitchen’s disarray does not even matter to you anymore.

“ohhhh, you are so gonna get it.”

gathering two fingerfuls of frosting, you stalk towards him slowly, waiting for the right moment to pounce and make a mess of his face.

“really? seems like you’d have to catch me first.”

he feigns being lost in thought for a split second and then whoosh! he springs into action, using those stupidly long legs to his advantage.

you’re yelling at him to come back, or trying to yell through your barely contained laughter.

you start to chase after him, but, well, this is exactly the wrong moment to be wearing socks on hardwood floors.

suddenly you slip, and the floor is much closer to you than it was just a second ago. you’re fine, about to scramble back up and continue the hunt, but an idea strikes you.

surely he heard the crash of you hitting the floor from wherever he ran off to; surely he cares too much to not return to the scene and investigate, make sure you’re okay.

in fact, you don’t even have time to continue with your plotting before you hear him calling out to ask what that noise was, his voice getting louder as he reappears from around the corner.

you grin deviously. his weakness.

you decide to stay sitting on the floor where you fell, keeping your head down and your hair hanging over your eyes, waiting for him to get closer before enacting your plan.

“did you fall? are you alright?”

it takes everything in you not to giggle and give yourself away.

he finally gets to you and kneels down on the floor, putting a hand on your back and trying to get a glimpse of your face.

this is it.

you quickly reach over and push him down until he’s lying on the ground, moving to sit yourself directly on his middle.

“h-hey!”

“shouldn’t have let your guard down.”

“well, that was a terribly dirty trick.”

“just using the methods available to me.”

“doesn’t the fact that it’s my birthday mean that you should let me off the hook?”

you don’t speak immediately in response; just take the frosting that you’ve been so careful to preserve on your fingers and slowly smear it across his face in victory.

“nope.”

he puts a hand dramatically over his chest and sighs loudly.

“you’ve shown me your true colors.”

“horrifying aren’t they.”

you feel a hand on the back of your neck, and suddenly he’s pulling you down to kiss you, the taste of salt from the frosting that’s smeared across your faces intertwining with the taste of him.

“nope.”

heat rises to your face, the way he’s staring at you only aggravating it.

the timer for the oven promptly cuts through your moment, and you start to get up off him, only to be pulled back in for another kiss, this one slower and more languid than the last. pulling back, kuroo smirks at your slightly dazed expression.

“yum.”

you smack him on the chest, smiling shyly while rolling your eyes at his antics.

“shut up. let me up so that i can take care of the cake.”

“fineeee.”

the both of you get up off the floor, and you remove the cake from the oven to cool.

you give up on the frosting after trying it one last time, groaning in aggravation.

“we better at least make it look pretty, cause no one’s gonna want to eat it.”

he walks up and hugs you from behind, resting his chin on your shoulder.

“eh, it’s fine. makin’ it was the best part anyway.”

reblogs & interactions are appreciated! thank you for reading! <3 — txmxkis

[sadhornydemons]

The Other Possible Stepfather and Daughter

Because it may be awhile until we see Blitz and Via interacting, I wonder what (if any) relationship Loona and Stolas could develop, living under the same roof, working at the same job and basically being two of the most closest individuals in Blitz's life currently.

I've seen some harsh takes, some claiming that Stolas simply thought of Loona as Blitz's pet, not knowing she was his daughter until the hug moment in Mastermind, ect, ect.

The current storyline hasn't given us many clues or interactions, but here's what I've gathered and some of my own thoughts:

The first among the few times these two shared the screen was in Truth Seekers were they don't really interact but Loona manages to record Stolas in his full demon form as he possesses and terrorizes their captors.

She's among the group as Stolas scolds them for getting caught, but Blitz, Moxxie and Millie seemed to receive most of his focus for these few seconds.

Grimoire in hand, Loona leaves the portal before Stolas can pick up Blitz to have an exchange of words and tongues.

Seeing Stars is when Loona shines as the only one with the nose and social media skills to locate Stolas' runaway daughter. (Nevermind that she was the one who allowed Octavia to break in and steal the Grimoire, because Blitz is certainly not going to tell Stolas this.)

And despite being a low ranking demon by Hell's standards, she's the only one besides Stolas who can take on a human disguise.

(not that anyone comments on this in universe)

So yeah, until the group is separated, they share a few scenes, but no dialogue.

Later when Loona does finds Via, she defends Stolas a little, while also reflecting on her own relationship with Blitz.

"You know, your dad's really worried about you."

"..try to cut your dad some slack."

That said, Loona still decided her own father needed a nice kick to the groan to make things right upon seeing him next, something which seems to freaks Stolas out a bit:

But Loona seems to brighten upon seeing seeing Via, whom she recently bonded with, making peace with her dad.

In Western Energy, Stolas' kidnapping takes place the same time as Loona's hellbies shot appointment, which took Blitz 5 years to book. During their phone call, Blitz explains this, to which Stolas responses:

"Oh, ha, ha. Well, I do agree that is very important…But, I-" Before Striker takes his phone away.

Which, while not the best reaction, is pretty short to base a lot of opinions about. Does Stolas know what a hellbies shot is? I'd say definitely not. Does Stolas believe he's in real danger at this point? Seemingly not, since he utters "Oh, shit. Am I in danger right now?" in realization after Striker crushes his phone.

Full Moon opens with Loona waking up to her father making breakfast while singing about his "Nice arrangement," situationship with Stolas,

But upon hearing at work that Stolas been giving Blitz excuses to not see him, she brings up the idea that Stolas is getting bored of him.

Blitzo: "Whaaaat?"

Loona: "Yeah, man. If someone wants to see you less and less, big red flag. If they give you chances to ditch, they probably want out themselves. Just wanna be more passive aggressive about it. Dicks."

Later in the episode, Loona is seen with Moxxie and Millie, following Blitz, in which they encounter and fight the members of C.H.E.R.U.B.

Loona: "Find ya? We were already following our dumbass boss to make sure he doesn't fuck up and lose our meal ticket."

Unfortunately the falling out of that night leads to Blitz abandoning his job duties and spending all the company's money on frivolous purchases including 300 taxidermy owls that he makes Loona burn.

Blitz eventually is able to recover emotionally, but his involvement with the grimoire is used to bring him to trial, sentencing him to death until Stolas intercepts,

taking the blame and losing his power, title and home as a result.

Upon hearing that Stolas needed a place to live, Blitz walks him back to his and Loona's apartment.

Blitz is greeted with cheers from the crowd, while they throw things at Stolas. Loona, rather wisely, tries to step away from the two, less she gets pelted with anything herself.

But when they are back home, she takes the time to embrace the father she nearly lost:

"Hey, um. I'm so glad you're okay."

"I love you, Dad."

Already in a depressed state, Stolas is further reminded that he is separated from his own daughter and appears to shut down physically and mentally, resulting in Blitz helping him clean off in the bath. During that, he hears a knock.

Unprompted, Loona gives Blitz two pieces of her own clothes so that Stolas has something to change into, apart from his old stained royal attire. Stolas gets a lot of use out of this outfit until Blitz attempts to purchase him more (which instead turns into a theft).

Weeks pass, and when Sinsmas comes, Blitz brings Stolas into the office with him and Loona, with the intention of Stolas helping or learning Loona's job.

Stolas is none too pleased about going to work, but gives a nervous wave to the room when Blitz introduces him and a second wave to Loona when Blitz asks her to teach Stolas how to "secretate".

Loona: *sighs* "It's literally this: Ring, ring. 'Hello? I.M.P. Yeah, we can kill that asshole. Wanna schedule an appointment? Thursday cool? See you then, dipshit.' Click. It's easy as sin."

However, after being placed at the desk, Stolas manages to have a breakdown upon realizing that he no longer has any of his personal wealth. An action that doesn't go over well with his new coworkers, all whom are all among the lower or middle class money bracket:

After an aborted mission, the group return to find Stolas missing and discover he went back to his mansion in an attempt to see his daughter. However, in the process, he is captured by Andrealphus. Blitz instructs the group to separate before fighting and Loona makes the first attempt to free Stolas:

Andrealphus is ultimately defeated, by Stolas is left devastated by Octavia informing him that she no longer wants to see him.

Blitz, Loona and Stolas return home, where Loona announces plans for the rest of the holiday.

Loona: "Whew. That was intense. I'm gonna see if my friends can still come tonight. I need some drinks after what happened today."

Despite being preoccupied with Stolas once again shutting down, Blitz makes sure to give Loona the okay. Seemingly, he spends the rest of the evening with Stolas until the party starts. But someone does gradually put Sinsmas decorations throughout the apartment.

And we've reached our end.

So, Loona and Stolas. Not many interactions, but I don't see any bad blood between these two.

Loona appears to have some respect that Stolas tries to be a good father. And although Stolas' relationship with her own adopted father started out in a very messy transactional manner, their disastrous fallout following the Full Moon episode, and fomer's actions in Mastermind might have clued her in that from Blitz's perspective, Stolas had become more than the company's "meal ticket".

Loaning out her own clothes at the end of Mastermind, speaks volumes, even for someone like Loona who doesn't hesitate to speak her mind. Her father suddenly brings his complicated, homeless ex home to live with them, but Loona shows her support.

She keeps her space, living her own life, but still supports her father as he begins something new in his own.

Stolas seems nervous around Loona. I think, despite them living together, Loona may spend the majority of the time in her room, while Blitz is constantly keeping watch over Stolas. Blitz's affection for Loona as his daughter is quite obvious. Stolas was even witness to it as each ran to their daughters at the end of Seeing Stars, so I doubt he would be unaware of how important Loona is to Blitz. I think that that may be where some of the nervousness, which wasn't present in their early scenes, comes from.

Time will tell if these two will have reason to interact or work together in the coming seasons. Or if Loona's brief bonding with Stolas' daughter will come up again.

[karabell]

Color Theory in Cinderella Boy

There’s some silly stuff happening with colors, and in this probably brainrot post, I will be using my art brain to over analyze the heck outta this (for those who are interested, though I find it fascinating!)

**This post includes a scene from todays new ep (53), so make sure you read that first!**

So, I first stumbled upon this discovery sorta by accident. I use Clip Studio Paint for my artwork, and I often end up with an average to 30-50 layers per drawing, and thankfully Clip Studio has an option to color-code your layers to make things more manageable.

For my CB drawings, I defaulted to using green for Chase, purple for Buddy, and blue for Deacon. It made sense to me, because of the casts ‘default’ outfits feature these colors:

We can also see these colors in some book outfits:

Chase’s green outfit in We Need to Talk About Buddy, Deacons shirt in Beach Boys, and the blue accents in All That Glitters

What I noticed though, was that these aren’t the only colors they are seen in, and in fact, out of all the other colors, two in particular stand out

Specifically, pink for Chase, and orange for Deacon

Something to note is that these colors are nearly perfect complementary colors to each other. Even Prunella seems to have this theme, with her red hair and green shirt.

Now, it is generally good for character design for outfits to have good complementary colors to make them stand out, but me thinks that Punko went even further with this.

The thing is, Buddy really only has purple in his color scheme (unless out count every shade of gray and black).

We see him in some other colors, but mainly it’s purple:

Like, a lot of purple.

(Other examples include Toffee Break, Beach boys, Sick Day, etc)

Pretty much all but two of Buddy’s ten outfits have included some element of purple.

But then again, up until recently, he’s only been a villain. A foil to Chase. The black and purple suited him, for a while, because he was only ‘evil’. (This also leads me to believe that future Ex Libris members will also wear black in their outfits to fit on theme. In Dreams by Day, a presumably Ex Libris worker is wearing a black shirt).

But now? It’s Buddy’s story too. He is becoming a protagonist. And that means getting a new color, possibly one that compliments purple.

And what color flowers bloomed when Chase saved him?

Yellow.

This is leading me to believe that Buddy will have a major character shift at the end of season 1 / beginning of season 2, where yellow is included in his outfit colors. And maybe, S2 will feature Buddy’s story more as he becomes a protagonist ‘,:3

TL;DR: Colors are important to CB characters, and Buddy is gonna be a protagonist soon.

I’ve actually been forming this theory of mine since like, the beginning of October, and the amount of serotonin that filled my brain when I saw those flowers, and seeing that my theories may be true could literally flood a city.

Thank u for reading :D

[percheduphere]

LET'S TALK ABOUT "HE'LL MAKE IT BACK"

Special thank you to @mmobiuses, @starrose17, and @stevenrogered whose gifs make-up the lion's share of this post. Thank you to all the other amazing gif artists as well, without you, my metas won't be possible.

This might come as a surprise to a lot of people, but I actually wasn't big on Lokius until Season 2. I thought Loki and Mobius made a cute ship in Season 1, but that was the extent of it. In truth, I lost interest in the Loki series by the S1 finale and had 0 interest in watching S2. I didn't give the series another try until I saw positive reviews on Tumblr. I therefore started watching S2 when S2E4 dropped.

LOKI SEASON 1

Enjoying the potential love story between two characters is a deeply personal and subjective experience. So take what I say as my personal experience observing Loki and Mobius's relationship.

I fully believed Mobius loved Loki in S1 in the platonic sense. Tom Hiddleston has given a few interviews on Loki's and Mobius's relationship and seems to believe in this sentiment as well [see 5:30-7:30 and 10:57-11:00]).

That is to say, in S1, I didn't feel, "Oh, my god ... he loves him." It was more, "Yes, he loves him", there is no question, his actions prove it.

There is wiggle-room for unrequited love in the S1E4 interrogation scene, but the jealousy Mobius exhibited could have just as easily been a combination of anger on behalf of his murdered colleagues and platonic jealousy.

However, I felt the first hint of unrequited love from Mobius occurred during his goodbye scene with Loki in S1E5. Specifically, this look:

I had no expectations for that look to pay off in any way. Season 2 surprised me.

LOKI SEASON 2

S2E1 is amazing episode because, through subtext, it reframes how Mobius's S1 emotions may be interpreted with stronger evidence for romantic motivation. In this episode, there appears to be a subtle, gradual build-up to the moment that Mobius's love for Loki may be viewed as fully romantic. Let's break down the episode and look at the progression:

First, learning that Loki is at the TVA: *sigh* I can't find the "Loki's here?" gif.

Second, and perhaps the most infamous, the reunion and whole-body support Mobius provides Loki in the TVA War Room (physical comfort):

Third, Mobius bringing Loki somewhere safe and quiet, assuring him that "it's okay" (emotional comfort):

Fourth, Mobius insisting that Loki's condition must be fixed, not once but twice, in two different scenes. A third (writer's magic 3s!) instance occurs in the Heart of the TVA, just before the gangway scene (prioritizing the other):

Fifth, Mobius's admission that Loki's timeslipping looks horrible, and he can't look at it anymore. He repeatedly stresses to Loki how serious this is (emotional and physical empathy):

Sixth, Mobius taking Loki to exact right person who can help. This is particularly significant, because Mobius is the only person in MCU canon who has verbally expressed concern for Loki's physical well-being and took immediate action to stop the pain (act of service):

Seventh, the third time Mobius prioritizes Loki's wellbeing. He scolds Loki and reminds him they have only one shot at getting his timeslipping corrected before the temporal radiation becomes too high (prioritizing the other):

Eighth, Mobius interrupting Loki, insisting that he will make it back. The subtext here is that no other outcome is acceptable or thinkable for Mobius (emotional comfort):

Finally, Ninth, the clincher: "He'll make it back." (self-comfort)

This scene is everything to me. Moments 1 through 8 build-up to this singular moment. Let's do a micro-analysis on it.

After Loki timeslips, the camera stays on Mobius. It tracks him as he kneels down to pick-up the time sick, the last thing Loki touched. The camera then pans up as Mobius rises.

@stevenrogered, THANK YOU for this gifset. It's literally the only one I could find that captures the camera tracking Mobius after Loki disappears, and this is my all-time favorite Mobius scene.

Mobius stands for a moment, motionless, and the camera holds on his facial expression. He's staring at where Loki WAS for extended period of time (keep this in mind for later). He's holding his breath. He's worried, scared, and hopeful, not for himself and the danger he faces on the gangway, but for Loki.

Finally, he exhales as he says to himself, "He'll make it back".

This entire sequence--particularly the moment when Mobius picks-up the time stick and holds it in silence--made me feel, "Oh ... Oh ... he loves him."

The camera stays with Mobius, capturing his reaction to this high-stakes situation for a significant amount of time (@loki-us, maybe you can get this timed starting from the moment Loki disappears and Mobius starts to kneel to pick-up the time stick?). Cinematographers don't do this type of hold unless they want to illicit a strong emotion from the audience regarding the character we are focusing on in the moment.

My insides swooped, which rarely ever happens when I view film or television.

And this camera hold, this pregnant pause, is mirrored by Loki's stare in S2E5:

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[thissccounthatesfascists]

TL asleep? cool.

(long post, strap in)

i wanna talk about colin's wet dream. that was the most demisexual shit i have EVER seen. there's not even any sex. its just a romanticized, elevated version of their first kiss. its colin's subconscious wanting to replay the moment he fell in love with his best friend in the Most way possible.

lets break it down:

we got the same location of their first kiss. Complete with mood lighting and a fog machine. It’s giving pride and prejudice 2005

Penelope comes out (looking gorgeous, of course) to their rendezvous spot, which has been previously agreed on.

colin thanks her for meeting him, she doesn't know why he's asked her to come

he confesses his feelings for her

she reciprocates (this is the important part of this to me. ) her wanting him, makes him want her more (do you see where the demisexual colin energy is coming from? do you understand?)

they make out

he kisses her neck as she pants his name over and over (see my point above re: her wanting him makes him want her more)

he wakes up, absolutely shook

this is an idealized reimagining for colin: during their first kiss he was basically in shock, his new personality chokes on the reality and vulnerability of the moment

in the book he talks about how he tries to think of something witty to say but finds that no words are necessary, and there's no combination of witty banter or suave bravado that could help in that moment. the rake persona that he has put on up to this point absolutely fails him. but here, in this dream, words are crucial, the declarations of love are why its sexy! (demi colin is canon idc idc)

and its so important that this wet dream, the idealized version of this scenario happens like this. because we've also seen colin having sex with sex workers (and luke newton has talked about this) but his energy in those scenes is very detached, very focused on him and his pleasure with zero connection to the women he's with. he has two different threesomes (if you can even call the second one that, he's barely even looking at them) with four different women and we know nothing about these girls. they don't even get names. they don't matter, and its simply not. as. good. as the feeling of kissing pen. there is no connection

which is, i think, why he taps out during the threesome in ep4. he tries to go back to the devil-may-care attitude toward sex and intimacy that he had before kissing pen, he tries to return to that mask he put on of "the rake" and it just doesn't work! he feels nothing! in fact he feels disdain for the position he's in and the choices he's made!

the threesome in ep4 mirrors the outburst he has later at the club really well. like he's so frustrated with this position he's put himself in, the men he's surrounded himself with. he literally says "none of you are gentlemen!" "you're actually gross and disrespectful!"

a line that i love is :

"... it is tiring, is it not? The necessity imposed on us to remain cavalier about the one thing in life that holds genuine meaning. Do you not find it lonely?"

and they laugh! in! his! face! because these are men that feel perfectly fine sleeping with strangers and bragging about their "conquests" to their buddies

but that is not who colin is! he's still very young. and his experience with marina (who tried to seduce him and it didn't work, imo bc he just didn't feel that passion, that love that makes his relationship with penelope so different) has left him jaded, but not nearly as jaded as he wants to believe. even if he wants to be casual about romance and sex, he just isn't. this man proposed to marina after knowing her for what? a couple weeks? He is an All or Nothing type of guy. He has that Bridgerton 'when i fall in love i will only ever talk about my spouse' Gene

Now: some costuming details that i love:

Her hair:

(i know this is a stretch but go with me here) her hair is in slightly tighter curls than we've seen this season, which to me seems like a nod to colin liking (or at least not minding) her hair the way it was in previous seasons and maybe not caring as much as we might think about her transformation. but its still down and flowy and in line with her new style

let's talk about this! dress! (it has genuinely been keeping me up at night)

the sleeves seem much more similar to the silhouettes of her costumes in previous seasons, not necessarily in shape but in style

the sleeves are bulkier, compared to this season's costumes, which while they might have been the same size and shape, they are made of much lighter material, giving the silhouette a softer, more mature feeling.

compare it to this dress from s3 ep2: it looks very similar with the sleeve shape and the floral appliqués, but in the dress in the image above, the appliqués are much more obvious, closer to penelope's style under her mother's tastes

the point i'm trying to make here will be made more clear in a sec. what I am NOT trying to say that colin prefers her in her little girl dresses with loud designs, bright colors, and silly hairdos. he just associates those bigger, brighter, louder style choices with penelope.

And he has always liked Penelope. Even when he didn’t take her seriously as a potential partner, he always saw her as an equal. He never made fun of her silly dresses and questionable hair choices.

This has nothing to do with Colin but i feel like i should point it out:

there is something to be said about how her muted pastel color palette along with the more demure style that she has adopted shows that she is trying to Show Up with this social season, but as a wallflower, she is shy. she's always hated those brightly colored dresses her mother put her in, because no matter how close to the wall she clung, she was always visible. she was always vulnerable to ridicule.

but i don't think colin knows or realizes this because why would he think critically about the specific style changes she's made. and he probably doesn't really make the connection of the influence her mother has on her clothing. and around him, pen has never seemed all that shy. she's been confident and witty. if you pair her personality that shines around colin with her louder outfits, it seems more congruous

(take the scene from season 2 where we get the line "My purpose shall set me free") this is a side of penelope that no one, not even eloise!, sees

what his subconscious knows is that he associates pen with vibrant, textured, and often 3-dimensional outfits, and his subconscious creates a dress that fits her new style, with a little more of that featherington flair thrown in.

the fucking tie in front: i feel like this is a very clear reference/ foreshadowing to the mirror scene

for those of you who haven't read the book, the mirror scene doesn't actually happen, but colin tells penelope about a fantasy he has about touching her in front of a mirror

this is a pretty small offhand comment made while they're having sex for the first time but amongst book fans the scene has become pretty fleshed out i think, with fanfics especially

because the idea that it touches on is colin fantasizing about penelope seeing herself the way he does, as sexy and desirable (he seriously cares about her pleasure so much its sickening, I'm actually sick)

and although Book Colin doesn't mention it, the idea of him undressing her in front of a mirror has become a popular story set-up

i think the tie in the front sort of plays on the time period sensibilities of propriety: this is a time where in "good" society an unmarried man and woman would never touch skin to skin, its why all the women wear gloves most of the time. its why the scenes in season 1 between daphne and simon play on the excitement of removing the gloves: its a taboo thing

this is unrelated to this post but i need an explanation as to why pen isn't wearing gloves in a lot of her scenes this season, like the scandal that that would cause??? I'm assuming its representative of her growing into her sexuality; and bridgerton is a fantasy, not a historical nonfiction, but like some consistency would be nice guys bc i was so confused abt all the skin-on-skin contact happening. even with Francesca and Lord Samadani WHEN HE KISSES HER BARE HAND I WAS SO UNCOMFORTABLE FOR HER. especially because of all the glove-related tension in s1. but i digress.

so the tie in front is sort of a dare. even though its clearly an addition, and untying wouldn't actually remove her dress, its her (colin's subconscious version of her anyway) way of saying: "you could untie this, you could undress me if you wanted to" "i love you" "i want you"

and i think that's beautiful. this season is great and i will die on this hill.

If you've made it this far, congrats! you're just as feral as me! come and gnaw on the drywall with me while i post fanfics inspired by this season: https://archiveofourown.org/works/55988977/chapters/142190584

chapters 1+2 of my new fic are up

photos are from : https://www.cap-that.com/bridgerton/302/index.php?image=bridgerton3x02_1502.jpg

[makaira-art]

13 Years Hard Time For Love - The Gavinners Lyrics

I translated/localized lyrics for “Guilty Love” and “13 Years Hard Time for Love” because I found the latter on Spotify (why isn’t anyone talking about it) and fit it back into the melody! And here is Klavier's VA singing it on YouTube:

1 2 3 4!

The dance floor where the rock’n’roll was playing Was the crime scene where I first met you I was taken prisoner by your heated eyes I fell in love, so! You have committed the perfect crime

Your gun loaded with magnum bullets shot me down Breaking my heart (bang bang) into pieces! That’s a criminal possession of firearms!

(Hard time for love, yeah) Now at last we find our sentence won’t be suspended So, lets jump right in To the prison of love that no key can open

(Hard time for love, yeah) Attempted? Accidental? Or willful negligence I can’t quit it now We’re model prisoners repeating our crimes

That rock ballad we used to play now haunts me At the crime scene where I lost you The tears that welled in your mischievous eyes told me Our love was over, so! Our perfect crime comes tumbling down

The hammer you brought down with all of your might Struck my poor heart (gang gang) into pieces! Isn’t that criminal property damage, though?

(Hard time for love, yeah) The statute of limitations have been abolished So, lets run away Using the jailbreak plans I made for us

(Hard time for love, yeah) Innocent or guilty? What to make of this love of mine? I’ve made up my mind We are accomplices racking up crimes

Ah, hate only the sin, not the sinner As for me, well… Just one more time, bitte Can’t you dismiss me of all charges?

[spoken] Let me just ask you one last time… Can’t you dismiss me of all charges?

(Hard time for love, yeah) Now at last we find our sentence won’t be suspended So, let’s jump right in To the prison of love that no key can open

(Hard time for love, yeah) Innocent or guilty? What to make of this love of mine? I’ve made up my mind! We are two accomplices racking up crimes

(Hard time for love, yeah) 13 years (Hard time for love, yeah) 13 years (Hard time for love, yeah) 13 years (Hard time for love, yeah) 13 years

--

And I'll post a fixed-up version of Guilty Love once I get the German ironed out (I don't speak German). More translators notes below! I may lose my mind!!

I kept everything as faithful as possible. Since it’s a song, I can’t fit the direct translation of the lyrics and opted to keep the meaning instead. I only had to change the meaning of one line in 13 Years:

絶対領域の恋さ

The love of "zettai ryouiki" — Which means, well, Google translate will tell you it means “absolute domain” which it does literally. However, it’s slang for the area of exposed thigh between skirt and stocking… what on earth is it doing in the middle of a Gavinners song, I have no idea. I guess Gavin is just into that kind of thing…? Admittedly he also sings about how the other person’s “sexy eyes captivated him across the dance floor” so the song is very different to Guilty Love, which is about blowing off your date to go to court with Apollo Justice.

--

So yeah translators notes: Klavier Gavin is a thighs guy and really into eyefucking, and I guess this is what I use my Japanese language education for? I have a whole list of notes about the song (Like, Genius Lyrics breakdown style) that I won't share here for the sake of brevity. Here are some of my preliminary comments:

[p1utofairy]

PAC: “one hit of your love addicted me. now i’m strung out on you, darlin’, can’t you see?” 🕊️🕰️✨📨

• what will your first love be like?

disclaimer ✩: take what resonates, leave what doesn't. i wanted to try something new by including edits but ofc tumblr is annoying and doesn’t let you post more than 1 video ugh. hope you all enjoy this though! love you much.

PILE ONE.

hey pile 1 🎀 right off the bat i gotta say…your person could possibly give anakin skywalker vibes visually lolololol very tall, handsome and broody. i'm also thinking of jon snow from ‘game of thrones’ hmmm i think this just ties into the fact that your person is in their bag a good 85% of the time! they analyze and process their thoughts & emotions a lot, and this won’t change especially when it comes to their love and devotion for you. they are very intense and purposeful when it comes to love — there’s no faking it or forcing it. they say what they mean, and mean what they say. they hold themselves to a very high standard so i think they’ll be in their head a lot when it comes down to approaching you/courting you. they want to make sure that they’re doing and saying the right things…they want to make sure that you’re comfortable. they will prioritize you and take the time out to really get to know you! they don’t want to do the whole cliché “wyd” texts or just take you out to the movies. no, they want to be able to take you to places you’ve never been before & treat you to beautiful experiences that will stay with you forever. that’s how highly they think of you, pile 1! they think you deserve the best of the best and they will do everything in their power to give you just that. this person has been through a lot in their life and they’ve felt so alone and misunderstood. 9x out of 10 if they just got out of a relationship, their ex didn’t understand them or couldn’t match them emotionally. your person is big on “everything happens for a reason” so when you come into their life they’re going to feel so much joy and relief, it’s like you’re their saving grace. it’s that energy of — where have you been all my life? that scene of anakin and padmé in ‘star wars: attack of the clones’ on the balcony is coming to mind…the longing in their eyes before they share their first kiss. a lot of people may talk about y'alls relationship/how y'all got together. it's nothing scandalous…i just see people being infatuated? i’m picking up a lot of outside influences/opinions so just be careful of that…don't have too many people in your business cause i’m picking up that some of these people don’t have the best intentions and are secretly jealous. it’s giving very much “fan behavior” hm they might keep tabs or ask lots of questions about you and your person’s relationship…it’s weird. i think for some of you, you’ve been single for a long time, so it’s going to be a shock to a lot of people when you pop out with this person. once your person comes into your life you may start to notice multiple people show romantic interest in you and you’ll be like??? where tf were y’all at when i was single for ____ years?! LMFAOOOOO that’s hilarious but back to your first love, it’ll be beautifully intense. i see you giggling a lot, staring at your person with big starry eyes and a lot of physical touch between you two. it may not even be in a flashy way? i can just see you coming up behind them and placing a hand on their back to make your presence known…i see a lot of moments of them holding you in their arms and resting their forehead against yours — they’re looking at you with so much intensity…deep concentration and passion etched across their face and you just break out into this bright smile and they just melt. you look so innocent compared to them like there’s this light in your eyes that’s left their own a long time ago, but they feel so safe…so free to be themselves when they’re with you. you’re their heart, pile 1. i’m hearing that scene from ‘the bear’ when carmy tells sydney “i couldn’t do it without you. i wouldn’t even want to do it without you…” AWWWWEEEEEE.

via tnqkins on tiktok

other channeled messages:

who's that girl? by eve, shravana moon/rising, doe eyes, baby pink, curly hair, strong arms, yin & yang energy, younger/age difference, vishaka scorpio moon, hypnotic gaze, 10:10, mirroring each other, distinct cologne

PILE TWO.

heyyy pile 2! you will NOT expect to fall in love with this person wow, your feelings for them will actually catch you off guard. this person is not your usual type and that's what's so intriguing about them…you’ll never know what to expect with them; they’ll keep you on your toes. i think that you keep repeating cycles or keep going back to someone who is no good for you, but once you meet this person there’s no going back. you’ll gravitate towards them like a month drawn to a flame lol you can’t fight these feelings even if you wanted to. you might meet this person through a mutual friend or meet them in a group setting, i see other people around you both as you talk and get to know each other. there’s so much warmth that this person radiates…they feel like home to you. a hug from them could fix your bad day, a kiss from them could make your heart skip a beat 🥹 and their smile?! to see them smile at you will give you an instant serotonin boost. this relationship feels divine…it feels fated. it’s giving “right person at the right time” like everything leading up to this connection will make so much sense once you’re actually together. some of you that chose this pile are quick to self-sabotage or cut off a relationship before you can get too emotionally invested. you’ve built these walls up because you’ve been through a lot of shit and you don’t want the extra baggage a relationship can sometimes bring, but it’s gonna be different with this person. you’re going to be so open to receiving their love and reciprocating it, there’s going to be such a healthy balance between you two. i’m hearing that this person is going to be a wish fulfillment, pile 2. this might be a long distance relationship at first — you might have to travel to see each other or you both will like to travel to different places together. they will value you so much! they will wine and dine you, surprise you with your favorite things and make sure you always have whatever your heart desires. they love you and they will have no problem showing that.

other channeled messages:

short king, sagittarius, bisexual, when harry met sally, opposites attract, capricorn man, matcha latte, boyfriend by big time rush, saturn dominant, west virgina, virgo/6H placements, ruby, freckles

PILE THREE.

pile 333 🦢 whoa i'm already picking up that this is a love that only grows stronger and better with time; it ages like fine wine. WOW WOW WOW. i'm ngl i feel like this person is your divine counterpart…when i say you two are a match made in heaven — i mean it. you complete each other in ways that other people will never truly understand. there’s this unspoken love and desire between you two initially; i see you both stealing a lot of glances at each other, waiting for the other to cave in and say something…anything. you both want to close that space between you but don’t know exactly how to. i don’t think either of you has ever felt this way before about anybody 😮‍💨 this love is strong AF. it’s never a dull moment between you two, there’s always that underlying passion and spark ready to consume you both. i’m picking up that either your ex or their ex is going to be very envious of this relationship. they almost feel blindsided in a sense…they thought you were going to come back to them and give them another chance, so it's going to make them feel some type of way when they see that you’ve moved on. please be cautious of this ex pile 3…they don’t have good intentions at all and i pick up an obsessive vibe from them. we are blocking that all the way out 🧿 anyways! your person’s love language is more than likely quality time…they loveeeeeee spending time with you and stepping out of their comfort zone to try things that you like. there’s a solid friendship at the root of this connection pile 3…like not only is this person your lover, but they’re also your best friend wrapped into one. you will give them the key to your heart and vice versa. any other options or third party situations will be cut off/left behind because all you both can see is each other! nothing and no one can tear this relationship down because it’s built on such a strong foundation, you can see yourself with this person years down the line from now and they feel the exact same way. you’re home to them. i know this is your first love pile 3 but i wouldn’t be surprised if they popped the question 💍 — i'm just sayinnnnnnnnnn!

other channeled messages:

feel it by jacquees ft. lloyd & rich homie quan, la perla lingerie, just left a toxic relationship, rock the boat by aaliyah, air sign placements, 26, 111, lemon drop, leo, jaded by drake