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seowoobins · 6 months ago
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240623 : twt update
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egophiliac · 19 days ago
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I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?
I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.
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kenjakusbraincum · 1 year ago
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Heey, I LOVE your writings on soft sukuna, you write so beautifully🩷 please can you do one where he is jealous (fluff)😭🩷
Thank you sm for the kind words!!! Here's my best attempt at doing your idea justice <3
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Sukuna has no real reason to be jealous. He practically owns you, controls every aspect of your life, who or what could he possibly be jealous of? Every servant who dared approach you in an inappropriate way would be dealt with swiftly. And you're a good pet, who has eyes for no one other than your master. You really don't give him a reason.
But there's this one thing... Since you've been so good and obedient, Sukuna has allowed you many liberties. You're permitted to skip around the mansion, watch Uraume cook, even enjoy little hobbies. You've tried many before you found that crocheting particularly piqued your interest. Ever since you've learned the basics, you've been spending hours working on perfecting your skills. At first it was cute, watching you squint in concentration as you move the hook. But then the math became really simple - having this hobby to keep you busy meant you approached Sukuna out of boredom a lot less. And he noticed it. It irked him, but you're not technically doing anything wrong. You were still as happy to serve him as ever, he just had to ask. But why would he have to ask? You should be all over him on your own. He should have to push you away, not beg you to give him attention. He didn't like this disturbance in your master and pet balance that this little hobby of yours caused.
He stands at the door now. You're crocheting again. You and your favorite servant laugh at your failed creation so sweetly, you don't even notice he's waiting. He clicks his tongue to establish his presence, and your servant falls to her knees immediately. You however, are not held to that high of a standard anymore.
"Master!", you call him, and hop up to greet him with a deep bow. Before he can say anything, you've picked up the piece of fabric you've been working on and ran into his arms to show him.
He looks at the ugly form and scoffs. "This is what I'm sponsoring?", he says and pulls a loose piece of yarn, making your little creation fall apart. He always was a bully, but you note his bad mood.
"I'm only a beginner...", you sulk.
"That much is obvious.", he flicks the yarn away and it falls onto the floor. Before you can bend to pick it up, he seizes your wrist and pulls you back. "Aren't you a little young to waste time with hobbies for the elderly?", he asks. You look at him with your cutest, practiced doe eyes, but it doesn't work.
"Come, pet. I know an activity more suitable for your age.", he says when you don't respond, and steps out of the room. You hop after him, unaffected by his condescending comments. You know that they're just for show. If he really thought you were a hag, you would've been gone a long time ago.
"Sitting at your throne all day?", you tease innocently and join him at his side, sliding your arm underneath one of his. You hope your playfulness will distract him from whatever is bothering him. "Or in a bath?" His lower set of eyes peeks at you and smirks, noticing that you're feeling particularly daring today. He's not sure how he feels about that. "Or in your bed." He rolls his eyes gently and opens the door to his chambers.
"At least then you'd be serving your purpose and actually spending time with your master.", he comments and shuts the door. His comment catches you a bit off guard and you stop in front of his bed. He makes his way towards you, and you look up at him with an insulted expression.
"Master, are you jealous of a ball of yarn?", you ask playfully, and squeal when he suddenly pushes you down to sit on the bed. Now you're at eye level... with his crotch.
"You've got quite a big mouth today. Put it to good use for a change, will you?", he runs his hand from the crown of your head to the back of your neck. You seem to have struck a nerve, so it really is the ball of yarn. Is it possible that Sukuna is this clingy?
"Will you?", he repeats and tugs on your hair and narrows his eyes. You smile obediently and reach behind him to untie his obi.
"Yes Master."
-
You try your best to manage the time you spend crocheting from then on, working on productivity in the hours that you dedicate to developing this skill. And it helps that you have a specific goal in mind now: helping Sukuna realize that this hobby is a friend, not an enemy. He still catches you engaging in it sometimes, and gives you a dirty look, but you're as quick as ever to drop what you're doing and join him. That seems to satisfy him.
When you're finally happy with the result of your creation, you look for Sukuna around the mansion. It's not really that hard to find him, as he frequents three places most of all: the dining room, his bedroom and his throne room. This time, he's sitting on his throne, and a small line of people wait for their turn to be gifted his attention. You on the other hand, don't have to wait in line to get it. His lower set of eyes spots you the moment you enter the chamber. You're allowed to roam the mansion, but barging in unannounced is not standard even for you.
Still, Sukuna has learned that you usually only feel daring enough to cross boundaries when you're sure he'll like what you have in mind. So for now, he will let this slide. He's bored as hell anyways. The people are dismissed and you pass by them on your way to his throne, nestled on a pile of bones. You stop in front of it and greet him with a bow.
"Master, I come to you with a humble offering.", you say with your hands on your thighs and your eyes fixated on the ground.
"Show me.", he says simply, but you recognize entertainment in his voice. You climb up the bones and feel his stare scan you from head to toe, before you sit on his knee.
"May I ask you to close your eyes?", you ask and flutter your lashes. Oh the way you seduce him. Who else could ask Sukuna to do something as dangerous as close his eyes? Give his opponent valuable time to land an attack. Who else could dare? And who else would he ever listen to and really close his eyes? Really do as he's told? Oh how safe he feels with you.
You take one of his large hands into yours, and gently pry his long fingers away to open his palm. He has beautiful hands. The only ones you've ever known, but you're sure they're the most beautiful hands in the world. So dangerous, so elegant. You want to press a kiss to his palm, but you hope your gift will have the same, maybe even more profound effect.
Something soft touches his skin, and then you speak, as politely as before. "You may look.", in your softest voice. And when he opens his eyes, he finds himself looking at you first. You're an offering on your own.
Then he looks at his hand. Two crocheted plush figures resembling him and yourself lay flat on his palm, connected through their holding hands. At first glance, it looks like they're two separate creations. In a sense, they are, but... He tries to part them.
"We're sewn together.", you explain. He hums in amusement and inspects your gift more closely. His plush is bigger, recognizable by the pink hair and four buttons for eyes. It's even wearing his favorite kimono. Yours is smaller and less detailed. You look like any other human when placed next to him, insignificant. But in a sea of pets, entertainers and lovers he's had in the past, he would never fail to recognize it as you.
He's spent so long looking at it with that face of his that you just can't read. You're starting to grow restless in his lap, and he feels your eyes dwell into his soul. When he looks back at you with one pair of eyes, your brows are furrowed in worry and you're fiddling your hands in your lap. He pats you on the head and pulls you closer, so you have no choice but to lean on his frame.
"It's beautiful, darling.", his fingers run through your hair, scraping your scalp softly. "No loose threads either.", he looks at you with all four eyes now, and you feel so small in his arms. You're not used to receiving this many compliments from Sukuna at once. Not ones that weren't directed at your body or performance. Especially not when he's looking at you so tenderly, when every word sounds so loving and genuine. "You've improved so much.", his hand is on your face now, and you catch him glancing at your lips. You part them to start thanking him, but you already know how much he hates listening to that.
You stay quiet instead, and lean closer, letting him take you. And he kisses you so softly, fingertips light against your heated skin. You feel like you're floating, like a lily pad in a warm pond. The littlest gesture of his affection has you melting in his embrace. The power he has over you... and how wonderful it is to surrender yourself to it.
None of the liberties and privileges you've been awarded with compare to this. You know that many pets have walked these halls before you. Many warmed his bed and claimed the title of his favorite. But how many loved him like this? Enough to dedicate time of their day to making intricate gifts. How many could say Sukuna kissed them lovingly, for no other reason than to show gratitude and affection?
You're flushed completely red by the time his lips leave yours. You can't hold the intensity of his gaze, as he stares at you in adoration. "I'm happ.. I'm glad you l-like it...", you stumble through the words and win a giggle out of him. You are just so cute. Like a pet should be. He rubs your head again and pushes you away lightly.
"Go now, the people await me.", he says with a benevolent smile gracing his face. "I'll see you tonight."
You bow to him and leave.
And when you visit him that night, he is as gentle as he was when he kissed you earlier, still in a good mood after your gift. Caressing your hair, shoulders and back, as you lay comfortably with your head on his chest. Keeping you warm in his embrace. You're trying your best to follow the conversation, but sleep is slowly taking over you. Sukuna notices and plants a kiss to your forehead, wishing you goodnight. The last thing you see before your eyes close, is your handcrafted plushies sitting on his nightstand.
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catocappuccino · 1 year ago
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Hehe
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unproduciblesmackdown · 2 years ago
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Lackadaisy Enrichment
#in our enclosures!!#video linked as source; which i'm glad to see already has a million views and is trending. That's Right#lackadaisy#WHICH i have been reading since at least '07 when i was thirteen my god b/c this animation is based on the ongoing webcomic#like does its influence show up Directly in some Discrete way i can point to in my art? not very easily probably. And Yet.#the inspiration....i wasn't able to be Regularly Only for at least another year / art done Nonprofessionally Online was novel to me#like wow ppl can make & post fanart of w/e they love huh....didn't know webcomics were a thing & i never really read that many since but.#good god the quality of Lackadaisy at its onset is like this is superb?? this person putting in all their talent and effort???#and Then you get years & years more art and i don't even know what superlatives to throw out abt its quality as it evolves. obsessed w/it..#if i see a new lackadaisy comic page i Will be acting out. obviously this animation is a delight & also stunning. and fascinating to also#juxtapose as a Translation / Interpretation of the comic in a different medium & standalone snippet of Story#and that we're not even quite there in the comic timeline; Taking Notes abt character info we get distilledly here....genuinely love like#take it back to '07 i'm like oh boy can't wait for the dream team to assemble. then a decade later when it did? Oh Boy. that is payoff lol#namely hooray for stitches and mudbug at the field office for every passing gangster. killing one marigold associate but not the other#which seems like a promising start to shootouts w/the other dream team triumvirate. i adore that in canon so far mordecai freckle & rocky#have met but only over a nice brunch. re: all intentions anyways. anyways i'm like Gifs Must Be Made while i'm also so riled afresh abt the#comic that i've been sooo hype for for over fifteen yrs now babeyyy Deservedly. i've done a couple of rereads & ought to do another....#For Interest it'd probably take a few sittings to catch up from the start but there is much to be engaged over....this ongoing story that's#historical fiction prohibition bootlegging cats with plenty of focus on characters & several Mysteries. which i'm better at parsing now lol#like one of the more recent rereads like Oh Of Course x (probably) accidentally killed his y & z took the fall & that's a binding secret...#Not [oh of course] abt the circumstances surrounding a's death & how b & c were involved. nor the ''what's marigold's damage'' mystery#which is great. love to not know things. love that we can readily follow all the emergent drama everyone's wading in nowadays. hell yeah#anyways admire my organized approach to gifs here. four shots each Expressions Atmosphere Action Groupshots#sure might've muddled through gifmaking for this anyways but fr being a huge lackadaisy comic enjoyer for now most of my life helps#and its very Overall Inspiration like. just really getting the [you can really just draw stuff out here] going. fr the art's detail & skill#and that enrichment like i'm gonna have a great time following this. And I Have#you don't expect a crowdfunded indie animation in the mix back then but hell yeah fellas#SIGH ok removing a 4th gif that's broken / not displayed despite reuploading then entirely remaking it. if it's a bug i'll try again later
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thesummerstorms · 5 days ago
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The gingerwort truffle tea hits Rook a lot harder as soon as it has time to enter her blood stream. Around the time she starts humming some Marcher drinking song in Assan's direction, Davrin ends up cutting the picnic short and taking her back to the Lighthouse.
He's a little guilty, sure. He'd meant to give Rook an opportunity to relax, not to put her out of her mind with a hallucinogenic tea. Still, he can't help but laugh a little, especially as Rook keeps trying to have friendly conversations with Assan and the passing Crossroads spirits the whole way home. Her words are growing more slurred, though, so he's glad they don't accidentally stumble on any Venatori or Antaam on the way.
Lucanis walks in to the library just as Davrin is trying to get Arsinoë to settle down on the library couch. He's dressed for a trip - back to Treviso maybe, Bellara had made a comment about spices that morning- but as soon as he spots Arsinoë, his steps falter.
Crows are a paranoid bunch, so Davrin is ready for questioning. Rook and Lucanis are both professional assassins. He knew as soon as he realized what was happening that he'd probably have to talk someone down, reassure them of his intent.
In fact , the general plan had been to find either Neve or Lucanis, explain what happened and throw Rook at them, then find a seat where he would still be able to watch out for her and make sure there weren't complications, but where he was also well out of "clinging" range. Rook's arm had been thrown around his shoulder a little more closely than necessary on the walk back.
What Davrin is not prepared for is how Rook's eyes go wide when she sees Lucanis. The way she immediately stops trying to baby-talk Assan and grows pale and quiet. The crack in her voice when she blurts out- "Please don't tell Viago. Lucanis, please."
Davrin has seen frozen rivers warmer than the sensation that shoots down his spine. Rook's tone... This isn't some recruit embarrassed about being scolded. Her shoulders shake slightly beneath Davrin's hand. Assan lets out a little distressed chirp and rubs against her leg, but for once Arsinoë doesn't respond.
"I knew what was in the cup before I drank it, I promise. Don't tell Viago."
Lucanis's face has twisted up and, really, it isn't exactly a secret that he's sweet on Rook. Davrin is expecting to see his own horror mirrored back at him. A snarl, maybe, if anger draws Spite too close to the surface.
Instead Lucanis sighs. Not a flash of violet or a hostile glare thrown Davrin's way or a flinch away from Rook's pleading expression. Just a sigh.
Resignation, Davrin realizes.
Lucanis moves forward, crouching beside the sofa and ignoring Davrin entirely now as he speaks softly in Antivan. Davrin doesn't catch any of it except for "de Riva" but Rook is arguing back in the same language, so it doesn't seem to be having much effect. She keeps repeating herself - "por favor", he knows that one too- and if he were a betting man Davrin would put money on it being more or less the same refrain as what she said in Trade.
Rook leans forward earnestly, big grey eyes and too wide pupils. Lucanis asks her a question, his tone gone coaxing, and she shakes her head. Then he stands up and Rook puts her head in her hands.
"Hey, listen-" Davrin says tamping down the nervous twitch in his hand before he can reach before his sword. He steps in front of Lucanis instead, because whatever Rook is so worried about, he was the one who thought this whole mess would be a good idea. "Lucanis, it was just a tea. Rook's just having a bad reaction. Why does she keep asking –"
"Not now," Lucanis growls, gesturing with a short jut of his chin back in Rook's direction. "Ask later. Not now."
And okay, Davrin can understand that. If Arsinoë is this freaked out, no point in spooking her further. But he still doesn't understand why Lucanis is leaving, walking out the double doors of the main building and back out into the courtyard. Davrin trusts himself, sure, but Lucanis doesn't feel the same way, historically speaking. Yet he's walking away?
Arsinoë doesn't notice, all her earlier mirth evaporated like the morning dew. Assan is still making little worried squawks, looking back and forth from Rook to Davrin as if he has picked up on her distress and is demanding Davrin fix it.
Except Davrin doesn't know how because he still doesn't get why Arsinoë is so suddenly upset. He doesn't think it's just the tea, or surely she wouldn't have been so cheerful on the way back from Arlathan.
"This is some weird Crow shit, isn't it?" he says, mostly to himself since Arsinoë is too out of it to respond, "What the fuck." Then, he raises his voice a little. "Rook? You okay? Arsinoë."
At the sound of her name, her actual name, Arsinoë flinches.
What the fuck.
The doors creak open again. He hears the distinctive thunk of Neve's prosthetic against the stone floors followed by a sharp inhale as she catches sight of Arsinoë
"What's going on here?" Neve demands. Her reaction Davrin understands; immediately, she's at Rook's side, hands already starting to glow faintly with what is likely healing magic. "I thought you were headed to Arlathan. Was there trouble?"
"Not exactly," Davrin grimaces, watching as Rook (predictably) lifts her head a little at that last word, the one they all like to pretend he doesn't know Neve has taken to using as some sort of pet name for their glorious leader. Normally that would be his cue to take Assan and flee, but now he's just glad the Rook is reacting to something.
"Neve?" Rook asks, shifting in her seat, then gently pushing at Assan to make room for Neve to settle beside her. "Neve, you shouldn't drink the tea."
"The tea?" Neve asks, reaching up to brush a stray curl out of Arsinoë's face, "What tea?"
"Mmm. The tea. Ask Assan. My head is starting to hurt."
"Ask... Assan?" Predictably, Neve places the back of her hand against Arsinoë's forehead, a slight chill creeping into the air. Even more predictably, she looks back sharply at Davrin.
"Look, in my defense, Emmrich said it was fine. I drank the tea. I'm fine. But Rook..."
What Neve would have said to that, Davrin will never know because the doors open again. Lucanis strides in, too rushed to walk carefully and silence the clinking of his weapons. In his hands, he holds a clay pitcher and one of his own favorite cups, one of the ones from that fancy tea set.
Lucanis hesitates briefly, staring openly at the way Arsinoë pressing her face into Neve's hand, the way Neve is pulling Arsinoë closer, bracing her. His expression goes dark and yet when Neve catches his eye he nods, seeming... grateful?
Weird Crow shit.
"Arsinoë, you need to drink this. Hopefully it will help." Rook shudders against Neve, but Lucanis persists. "Viago is back in Treviso, I promise. He needs to know nothing, but you need water."
"Wait, Viago?" Neve asks, "The Fifth Talon? What does he have to do with this?"
"That's what I want to know," Davrin agrees. It's not like he ever though the Crows were great people, but it doesn't explain why Rook is reacting like this just from seeing Lucanis, why she keeps begging that no one tell the man who is supposed to be her mentor that she... what, accidentally been drugged? That doesn't seem like something a thirty year old assassin should be afraid of, much less to this extent.
Maybe it is the tea. It has to be the tea. Because why else would Rook be acting this way about Lucanis? Normally she's the first to reassure him, to seek him out and assure him that the demon shoved inside his skull doesn't scare her, but now she's refusing to take a cup because he poured it.
Lucanis looks wounded at that, brown eyes gone unreasonably soft and sad. Finally, he hands the cup off to Neve and unbuttons his Crow-purple cape, shrugging it off to the floor. Rook's shoulders slump a little at that, and Lucanis must take it as a sign because the next thing Davrin knows, the man is putting a hand on Rook's knee.
(It occurs to him again that maybe he shouldn't be here, but worry roots Davrin in his spot.)
"Rook, it's just water. I promise, cara. If Emmrich wants to give you a potion, I promise to check it first, but this is just water. I give you my word."
It's probably a sign of trust that despite the fact Rook gets somehow paler at the mention of "potions", ultimately she caves and lets Neve help her raise the cup to her lips. Lucanis reaches for the pitcher again, and she lets him pour more into the cup before her head slumps against Neve's shoulder.
For a moment, the three of them who are sober sit (or crouch or stand) locked in a moment of awkward silence. Arsinoë is never this touchy, at least not when Davrin's around. And even if it's different when she's in private with Neve and Lucanis, it doesn't make her behavior less strange.
"Lucanis," Neve asks finally, when Arsinoë seems to show no further reaction, "What is going on?"
"Rook is House de Riva," the Crow replies as if that answers everything somehow, then adds "They're famous for their poisons, at least since Viago became Talon."
"Esma too," Rook mutters from Neve's shoulder without opening her eyes.
"And the Talon before Viago had a knack for them as well," Lucanis agrees, hand back to hovering over Rook's knee as if he's still uncertain his touch will be welcome. "Though not as much as Viago."
"She said something about daily doses of venoms at the breakfast table," Neve remembers. She looks about as happy about that as Davrin feels.
It takes effort not to turn that discomfort back on Lucanis, but it wouldn't be fair to snap at the man when he's looking at Rook like that. "So what... Rook was more sensitive to the tea because she grew up being poisoned? Is this some kind of bad interaction or-"
"No." Lucanis replies, the reconsiders. "Well, some of it, maybe. But that's not why she was asking about Viago."
Davrin's hands twitch with the need to grab Lucanis's overly decorative lapels and demand a clearer answer, but Neve-
"She's afraid of being punished. Her teacher is a poisoner, and she let herself drink from a tainted cup."
Neve's voice quavers on the word punished, unable to hide entirely behind her normal stoicism, but her eyes are hard, with a glint like steel. Davrin just feels cold again as Lucanis nods in confirmation.
"Yes. Crow houses do not all train their Fledglings the same, but none of them tolerate stupid mistakes. If a de Riva found themselves so easily poisoned, without even checking, I would not doubt that the next cup from their seniors would be punishment and lesson both."
"Bastards," Davrin bites out, thinking of Uncle Eldrin and the berries. The cramps and hallucinations had been the lesson, not the preface for more punishment to come. Intense punishment, if Rook's reaction isn't just the heightened emotions caused by the tea.
Lucanis is still looking at Rook with those wounded eyes, still not-quite-touching, even though she seemed to relax when he shed the cape. But the resignation has crept back into his voice like a weight, and he only shrugs at Davrin's swearing.
"Thus is the life of a Crow. We can't afford to make mistakes. Our teachers know this."
"You won't do it twice," Arsinoë agrees, sound almost like she's quoting something. "Because you remember." Sitting up just enough to sip at the cup again, she still hesitates, eyes fluttering as she glances at Lucanis, waiting for his nod of reassurance before drinking.
Davrin's gut churns at the careless way she says it, at Lucanis's total acceptance.
(He was the one who poured her the tea. It was his idea to ask Emmrich about the truffles.)
"Well." Neve says. "I dare say we've all learned some things today. No need to tell Viago. Or anyone else."
"No," Lucanis agrees.
Rook gives a little sigh at that before her hand darts out to catch Lucanis's. "My head still hurts," she complains.
Davrin turns towards the staircase immediately, suddenly sure he wanted to be far, far away from all this. "I'll go find Emmrich. Assan-"
But the griffon had dropped into what Davrin recognizes as a guarding stance, as if set to protect an injured member of the flock. Well, for once Davrin has no compunctions about leaving the feather brain behind with the Crows. And Neve, of course.
"Assan can stay here as chaperone."
He takes the stairs two at a time, all but bolting towards Emmrich's study. The last glance back before he darts into Emmrich's hallway, he sees Neve helping Arsinoë pull Lucanis out of his crouch and towards the little two seater.
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duskerot · 10 months ago
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i disappear inside myself / my friends don't know it can't be helped
[Pure You - Nothing But Thieves]
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gingermintpepper · 4 months ago
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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caeslxys · 8 months ago
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
#critical role#cr spoilers#bells hells#orym of the air ashari#cr meta#imogen temult#ashton greymoore#liliana temult#this is genuinely completely written in good faith as someone who loves orym#but is also about orym and so will inevitably end up being completely misconstrued and made into discourse. alas#I could talk about how Orym’s unwillingness to allow the hells to actually finish/come to a solid conclusion on Philosophy Talk#is directly connected to one of the largest criticisms of c3 (that they are constantly having these conversations)#all day. alas. engaging with orym’s flaws tends to make people upset#it is ESP prevelant when he walks off after exclaiming ‘they (vangaurd) are NOT right’#which was not only never said but wasn’t even what they were talking about#he even admits as much to imogen like ten minutes later! that he is incapable of viewing it objectively#which is 100% justifiable and understandable but simultaneously does not make his grief alone the most important perspective in the world#also bc i fear ppl will play semantics on my tags yes the line ‘i hope she’s right’ was said but it was from ASHTON#who does not believe they are at all and wasn’t saying they actively WERE right. orym just heard something to latch onto and ran with it#ultimately there is a reason orym only admitted that he was struggling when he had stepped away to talk to dorian#who has not been around and thusly has not changed once n orym's eyes#and it isn't that the hells never check in or care. they do. they have several times over#it is dishonest to say they haven't#the actual reason is that all of this is something He Is Aware Of. he doesn't mention it bc he KNOWS it's hypocritical and selfish#he says as much!#EXHALES. @ MY OWN BRAIN CAN WE THINK ABT MOG AGAIN. FYRA RAI EVEN. FOR ME.#posting this literally at 8 in the morning so I can get my thoughts out of my brain but also attempt to immediately make this post invisibl
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autisticrosewilson · 4 months ago
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So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.
And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.
Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.
#you can argue meta until you're blue in the face#but I can't ignore the ingerent abuse of Batman and Robin because DC is always drawing attention to it#Stephanie and Jason directly died because of Robin#Stephanie wanted to impress Bruce to live up to his idea of a sidekick and prove her worth#Sheila only sold Jason out when she found out he was Robin#Damians life certainly got worse when he became Robin/moved with Bruce#if you bring up racist retcons I'll kill you btw#how are we supposed to read children dying and being tortured and traumatized constantly#and just ignore that these are children#I can ignore the reality of child sidekicks in campy light hearted early comics#but if DC wants to deal with serious topic they're going to have to deal with some serious implications too#Also that post that's going around about “Bruce loves Jason and it's Jason who's causing all the animosity” is such bullshit#what the fuck are you even talking about#and let's not act like Jason is the ONLY one at fault and Bruce is just a poor loving father#is Bruce spreading that utter bullshit about Jason's death and who he was not an act of violence?#was he not the one to cast the first stone by disgracing Jason's legacy and using a version of him that never existed as a cautionary tale#and I know some of you are going to argue that with most of the kids there's nothing Bruce could have done to stop them#and this is the one time in which I will ignore all the very real ways that he could have#but I still think that in universe the characters have a right to be angry about it#Jason always since his debut as red hood been a vehicle for calling out Bruce#he's so heavily steeped in meta narrative because his run is when they started dealing with the real BAD cases#The Cult Garzonas onscreen murders were getting more common#AND NO ONE CAN CONVINCE ME THAT BEING ROBIN DIDN'T MAKE JASON'S LIFE WORSE#THERE WAS NO REASON TO MAKE HIM ROBIN HE COULD HAVE BEEN VERY HAPPY AS JUST A NORMAL KID#But Bruce made having a place in his home synonymous with being Robin because the narrative dictated it had to be#what was homeless orphan Jason going to do? say no?#it was basically coercion and it doomed him and he has every right to blame the adult that put him in that position#dc#bruce wayne critical#bat family
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averlym · 1 year ago
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litany of the martyrs (click for better resolution!)
#at some point i wanted to make an illustration for each character but in retrospect maybe each is multiple song-coded..#drew the sketch for a quincy thing after a chat with a mutual reminded me this song existed dfsghjkl and then spent weeks rendering this#quincy cynthius martin#adamandi#i'm finally done with this! the saints especially were joys to paint and the halo a menace.... this has been the most ambitious one so far.#but it also took quite long because i only worked on it <engages with quincy> when mentally okay to deal with the themes. i'm not religious#but i do identify with the irrational(?ish) guilt + family legacy + academic achievement + disregard for self. also more complex thoughts#about love [but depsite quincent being a large part of quincy's character this piece deals with mostly the Rest of it. so another time..]#anyways! in the original sketch- the saints had heads bent towards quincy so the halo spikes pointed at him. but this worked better! halos#of the saints implying/creating one for quincy was a concept from the start though. in the show they don't touch him directly here but#differences in mediums i think- i don't have time in an image to craft a narrative so everything has to be happening. also artistic liberty#misc inspiration for this includes stained glass windows. i might have maybe misinterpreted the saint costume but i think i logic-ed it out#as the cloth part following a nun's habit w the hood. and then halo above. the material is also more transparent originally but i had. um.#too much fun painting fabric folds.. if you look closely you can see the basis of faces though behind the cloth; but only the vague shapes#because smth obscurity + inhumanness// cassian is the only one i gave a mouth though. that stems from melliot's post about the saints and#st cassian as spokesperson (<- did research teehee!) that's also how i found out which costume = which saint. speaking of which.#left to right: 'st lucy take my hand' // 'st lawrence give me strength' (presses quincy forward; but hand on shoulder connotates guidance)#/'st cassian help me smile' (quincy's mouth is btwn a grimace and a smile; tilts up at side. also no direct touch bc added insidiousness.)#//'st jude [...] i hope your causes burn' (jude's hand is in two places to show movement- nearing the flame and then snatching back; burnt)#other notes: at the midst of the flame the core is shaped like a human heart /the saints and their wax are all melting like the candle for#fun visual effect and also this way they are even less tangible <real>. perks of painting as a medium i guess. // also insp from icarus?#wax and burning imagery; looking at the halo and rays as parallel to sun that burns. too close to the sun; melting; hurting; hurtling //#candles at bottom are a nod to the frankly gorgeous set// also the entire composition kind of stems from the lyric <what use is a candle if#both ends aren't burning>; the two sides between the concepts of catholic guilt and academic perfection that spur quincy#the halo above (saints and guilt; litanyofthemartyrs) and the 'halo' below (academic papers; insp from choreo for perfect at school)#the papers were originally supposed to be more glowy. but i like the idea of it now being a reflection of how quincy's priorities shift#also of note is that <candle> in centre = quincy; w burning candle + aforementioned heart in flame -> most human; idea of love + passion#last thoughts: kneeling + hands close tgt = prayer //wax dripping onto the red As make an effect that looks like blood. because i like#hiding that within the adamandi pieces :OO continuity!! // i've run out of tags but yeah! had fun with this one! every so often i go a#little insane in making art and the final result astounds even me. ngl i'm quite proud of this one. pretty colours <3333
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napping-sapphic · 3 months ago
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Listen you gotta be healthy and take care of yourself and your chronic conditions but also sometimes i want to hold someone until my joints feel like they’ll explode, i want to place their hand on my chest to make my irregular heartbeat go even faster, i want to stay up talking to them just to fuck up my already poor sleep like i just kinda want to love someone so much that it doesn’t even cross my mind to worry about those things
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shaxza · 1 year ago
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sapphic--kiwi · 11 months ago
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redrew a screenshot from the episode brain drain of all the kids sick in bed (minus buford who is in his own words “just lazy” lmao) 💚
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yujeong · 5 months ago
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Back here again with my unpopular opinions (aka me being silly), but I don't see "love" being the main motivator for some of Vegas' or Pete's actions post-canon.
There's this trope in romance stories, as far as I can tell, of people committing heinous acts out of love for their partners, and I'm sure the VP fandom sees that as something VP would do - I've read fics with that concept, mostly either Pete or Vegas getting kidnapped and the other saving them, and I love some of them, I have no problem with the trope and it being applied to VP.
However
I believe the key motivator of VP protecting one another or, for lack of a better phrase, becoming monsters for the sake of the other is desperation, not love. Specifically, desperation to hold on to that fragile reality they built for themselves through literal blood, sweat and tears.
(Even during canon, like, Pete shooting the main family guard when he shot Vegas was, besides an act of fury, an act of desperation. He had *just* managed to save Vegas from death and suddenly, all his efforts were rendered useless.)
And it's funny to say that when Vegas kept insisting and will keep insisting Pete should leave him, but to me, what I said above applies here, too:
Pete is desperate to protect Vegas and their little family from everyone else. Vegas is desperate to protect Pete from himself.
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royalarchivist · 2 years ago
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Maxo: I haven't received an answer. Is there no one else on the island? Is it only us and The Federation?
How are we going to find answers about this mysterious island? This island, with a challenging but beautiful landscape, has pushed us to find out what hides in its depths.
With each sunrise our hopes to find life signs beyond our little community vanish... leaving a void in our souls. This is the story of people obligated to stay on an island looking for answers and a path or the truth... in the midst of an enigma that seems endless.
As days pass by, our courage and determination are being tested by the challenges of the island revealing secrets that threaten our view of reality.
The members of the Federation, an enigmatic and almighty organization, seem to be the only ones who possess any information about this place.
But their intentions and loyalty-
[Subscriber TTS plays]
Silence!
But their intentions and loyalty are questionable. Will they guide us to the truth? Or will they guide us further into the abyss of the unknown?
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