#but i think it works if the writers could have done something with that

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[jacketpotatoo]

Initial Thoughts on Arcane S2 (spoilers)

I think season 1 was far stronger because it told a much more focused story and centred its themes on the relationships of the characters. What I love about s1 is that you could pick two characters from anywhere in the show, and they'd be foils of some kind, or parallel each other, etc. We don't get enough time with characters talking to each other for that in s2. In s1, so much of the insight we gain from characters is through their conversations with each other - this is effective because they're there and reacting to each other, so you get the deeping of their relationships alongside development of the plot. I think this is why people resonate so strongly with Ep7 - it's so contained. The expanded cast of characters and expanded plotlines mean that at times, it feels like they're checking off plot beats rather than letting the story develop as its characters do. But this is also why I find the jayvik storyline to be the most compelling part of s2 - it's this beautiful medley of greater themes and personal ambition wrapped around inextricably in the other. I found the show's thesis on healing and destruction and the cycles of human violence compelling, and I liked that magic was a sort of tech/industrialisation stand in. Viktor had some GREAT lines that I need to spend some more time unpacking. Cosmic yaoi soulmatism is beautiful. Also speaking of episode 7, I also thought Ekko's arc was incredible and the best and he's the best and I love him.

That being said, I definitely think the ball was dropped on the class commentary. The writers simply took on too much - just trying to explore the class tensions between Zaun and Piltover is enough to take up the entire season. And it's so deeply integral to the politics of the season, and to the balance of the relationships of various characters, that it's just a bit. sigh. Especially when nearly all the new characters introduced get killed off. And we don't get much focus at all on Sevika, who's one of the only main characters involved in revolution. I love Isha, but she felt so much to me like a plot device to me that i find it hard to reconcile. And the lack of class-commentary sours their portrayal of Caitvi alot for me. I personally think Cait's revenge to reconciliation arc was handled fine, and that a verbal apology wouldn't mean as much to vi as the action of freeing her sister did, but the last line of the show is hard for me. "I'm the dirt under your nails." I get that it can be interpreted multiple ways (see: non-problematically), but that had to have crossed the writers' minds. Is it intentional then? A reminder of Vi's insecurities, simply glossed over by Caitlyn? Does it just draw attention to the inequality of their relationship, indicate that there's further work to be done between them and individually? Honestly I feel the same way about where Zaun/Piltover is left off politically. This sort of ambivalent state that isn't endorsed (the sneers the council throws at Sevika are intentional), but is unfortunately realistic. I don't think the ending is a happy one at all. Ambivalent really is the word I'd use to describe it.

I also figure that I need to rewatch the show in full, including season 1. Thoughts might change! I'm still working things out in the brain. I do still think Arcane is a fucking beast and a triumph, and I will forever be inspired by it. I love these characters. every shipper won something and I think that's beautiful. Fortiche's animation is revolutionary.

[d3lly1000]

About Sonic and the others forgetting the events of Sonic '06 + The Twitter Takeovers are semi-canons

Okay, here we go... I saw some people mention this answer about Sonic forgetting Elise and being upset about it, and thankful that the Takeovers are "not canon", so I'll share my point of view on that and talk about why the Takeovers are semi-canon! (oh boy a long post-) ~~~~

To start: "But Sonic forgetting Elise is absurd! He was the one who put out the flame with Elise, they both should have known about each other." No. They shouldn't have. From the moment the flame went out, everything was reset and started at the point where Sonic was going through the festival. There was no invasion by Eggman at that moment, Elise was not kidnapped, there were no Events of 2006 EVEN though the game is canon. THIS has ALWAYS been a fact since the game's release. And it keeps gaining strength with new media (Sonic x Shadow Generations and mentions that Sonic make in external media).

And I dare even more, not even Silver should know about the events. But if he knows, it's only him and Mephiles, who was ERASED from existence and ended up in WhiteSpace, the Limbo of Sonic's Universe. (As for Silver, he constantly travels through time, he could be the only one who remembers, but I doubt it a little) But the point here is: The representation of the flame going out at the end of 06 is that everything was rewritten in a new way. Things didn't happen that way and that's it.

"But it's absurd. Sonic would never forget Elise, they liked each other!"

I know that in some way there are fans of Sonelise, but I don't think it's right to support their romance so much when it was rushed and totally done in a hurry to make us get some kind of "emotional attachment" to Elise. Elise was the one who showed the most interest in Sonic, even kissing him (geez...), while Sonic, even choosing Elise in the "Trial Of Love", sometimes the game still throws you to Amy's option in a strange glitch. Which doesn't make much sense since theoretically he "would be in love with Elise."

Elise had the potential to be an excellent character and I still believe in that! She was introduced in an obscure game (just like Silver) and we can't deny that fact. She always couldn't cry because she had sealed the Iblis Trigger in herself, she lost her father and had no mother and yet she was the governess of the kingdom of Soleanna. Have you ever thought how much she could have stood out by working on this issue of pressure that she suffers in a deeper way? Instead of Sonic's entire campaign revolving around a somewhat embarrassing romance, have you ever thought how incredible it would be if it focused on how far the line of our responsibilities goes and the fear of failing everyone? Elise could potentially even be an incredible parallel for Blaze being what she is, even if indirectly! There's the other idea of ​​Sonic and Elise being a parallel of sisterhood like Shadow is with Maria, and that's much more captivating than a romance, and I'm sure we'd get much more attached to her knowing that!

Sonic 2006 and plot holes...

Sonic's campaign is the weakest;

Elise is a character who has potential for much more than what we were given;

the time travel issue has many holes like the Blue Chaos Emerald being with Elise the whole time;

Blaze is in the game and we don't even have an explanation for it;

We're very vague about Silver and his future; So, the fact that Sonic and the others "forget" the events is something canonical since the end of the game and has always remained that way.

Now, about the Twitter Takeovers:

The Takeovers are silly and focused on humor, but that doesn't mean there aren't writers behind them!

(Social Media Manager for Sonic's official Twitter account.) This same script is thought by the entire team, since the company's characters are acting! There is a lot of work behind it, which must be recognized! In other words, the information becomes "canonical", since it covers and gives us answers about things that we don't have in the games yet. It's an expansion of the characters, the universe and the story that hasn't been told or fully explored yet, and that's fantastic! The questions are selected based on what they can probably tell us. Whether it's just about Sonic's fur or Shadow's taste for coffee, or even about the Super Transformations and the relationships between the characters. They are Semi-Canons. They are information that adds to our knowledge as fans, but they are not necessarily real, like Sonic breaking the fourth wall. As a fandom, we have to know how to separate some things! That's what makes the Sonic universe unique. Everything can be considered more clues to add to the franchise, but we need to know how to understand the reasons and whys behind it!

Conclusion

I still hope that if Sonic '06 gets a remake, they'll do a good redemption of it, because it deserves it! And who knows, maybe we'll see more of it in the future?

If you want to comment, feel free, this is an open field for that discussion. Just keep it respectful and friendly! I'd love to read and participate too!

Thank you very much for reading! Sorry for the bad English... Stay determined! 🤍

[spiritussancto1]

lawyer Regulus Black?

writers i gift unto you this idea. someone who knows something about the law please write this cause i don't know shit and i really don't want to do the research, i'll end up studying for the bar. the adhd is WILD.

Regulus "law is a gentleman's profession" Black. Lawyer Regulus Black with a fantastic excuse to wear very expensive perfectly tailored suits every day. who definitely came from money and took advantage with the best schools, a comfortable home etc, but now takes pride in NOT living off the Black fortune, thank you very much. he's still working through some of his privilege.

Regulus Black as a prosecutor who is absolutely out for blood against anyone hurting the vulnerable. he could be rather disapproving of his wild older sibling's best friend. he knows Siri is the more reckless of that pair but they egg each other on! they're going to get into real trouble one day...

Divorce lawyer Regulus Black who is so comforting and kind and thoughtful behind closed doors and absolutely terrifying in the courtroom.

Autistic lawyer Regulus Black who loves the order and rules of the court, and that (hopefully, maybe, generally) we're trying to do the right thing. it doesn't always work but it's all we have, really. lawyer Regulus Black who was raised to work within the system. with some pretty grey morals that he works on over time.

Defense lawyer Regulus Black who really does think everyone deserves a fair trial and representation. one of the few who still say that with real sincerity. he could meet the rest of the skittles more easily that way, be they other lawyers or defendants.

Slightly corrupt lawyer Regulus Black? perhaps finding his way back to being a good person or perhaps pushed into the corruption? AU with the black family having their fingers in the muggle world and its political powers and courts. pick any country you like for this really

Trans Regulus Black who took the education and ran away now that he could take care of himself. transitioning away from his parents and living totally separately, meeting up years later for some legal matter and they don't recognize him at all. but now he's done the therapy work and isn't scared of them any more. Regulus telling the court officer to please make sure Walburga and Orion aren't regularly interacting with any children because he is a mandatory reporter isn't he? "you see now she's scared. cause I know everything about you and I don't owe you loyalty any more"

please take this idea and run with it. i'm already a reggie kinnie but my anxiety is too high and my adhd too bad to end up studying law and that's how i research as a writier

[taebaelee]

Posted this on a small subreddit, but wanted to post here as well. For the new game, while part of me enjoyed playing some of it, I do really think it's such a disservice to be able to really call it a Dragon Age game when the writers stripped away any nuances by trying to make everything black or white; everything feels very basic and borderline cartoonish at points.

Anything morally gray is non-existent and you have no real influence in the game. No matter what you do, you are forced as the player to play a super friendly (or chaotic-good) at best protagonist with no opinions on the world of Thedas. This is what makes this not feel like a Dragon Age game to me.

This isn't super long, but there are spoilers under the cut as to why I feel this way. I do speak very critically about the new game, so please do not read if you think it may offend you as that is not my intention; this is more of a therapeutic rant for me and fellow DA lovers who feel disappointed about the writing.

While people can argue on how the previous games handle the situations involving anti/pro mages, templars, elves, the chantry, etc-- you can't even talk/argue about literally ANYTHING in the world with anyone as these ideas simply do not exist in the game OR are introduced but with a narrative already framed around it by the writers ideals.

- Factions/groups you work with are too virtuous. We could have had such deep and complex dynamics with the factions and how their backgrounds change your relationship with the characters in the world, or how the party members interacted with each other. Instead, none of it really matters as the game sanitizes the world around the groups to make the party members and factions palatable to the masses. A literal criminal organization, the Threads, is shown in a more positive light because while they commit other crimes, they don't deal in slavery? The Lords of Fortune (who are mainly mercenaries) would return cultural artifacts to the ethnic group they belong to-- they loot and steal, but are morally conscious enough to not steal from other cultures? The Antivan Crows who canonly bought and enslaved children, who made said children prove themselves through gruesome tests that sometimes included killing their own peers, are now played out like they're justice fighters. The the closet the game gets to showing any of the truth is small party banter you may miss with Lucanis saying his training was like torture, but it is to never be discussed again.

- The characters all get along way too well. Rook can't ask a character's opinion on the other factions, races, classes, religions, etc-- let alone reply back with their own thoughts that may go against the members views as we don’t really even get to see their opinions on them. Whenever the disapproval bubble pops up, which it rarely does, it does not change anything and it is not brought up again. There seems to be no consequences with your party members based on your choices, which makes the characters likeness towards you feel unearned as they seem to have no agency of their own. In DAI, if Cassandra has low approval then you can get a scene where you call her pathetic as she's stumbling over drunk and yells at you for ‘coddling mages’ or in high approval she can have a scene where she says something along the line 'while she doesn’t agree with everything you have done, she admires you.’ or in DAO Zevran can either betray you and go back with Taliesen/Crows or he can tell Taliesen he is not going back. Even something as small as the characters greetings change based on approval status when you visit them at skyhold. There are tons of examples I could give from previous games, but not a single cut scene seems to change with your companions outside of the final decision you make for them at the end of their companion quests. And to add on top of this, the party members all get along perfectly. If they disagree it is quickly resolved and moved on. Where are my Fenris and Anders fights or Vivienne and Solas sassy quips towards one another?

- No religious themes in the new game feels so out of place as this game literally changes the fundamentals of religious beliefs in the world of Thedas and could cause for a complete uproar with those that believe in the Maker and Chantry. The first game opens with an excerpt from the Chant of Light explaining the origins of the Blight and the Chantrys version of the truth and the whole mage/templar battle which is such a major theme (especially in DA2) in this series is due to the Chantry and this new info shows that the Chantry is wrong (or partially) and this can actually be completely missed behind a side-quest? Also, are we supposed to believe that all the Dalish just know Solas is better than Elgar'nan now? Strife say something along the lines that while Solas may be a bastard he is better than the other Evunaris" WHEN WAS THIS ESTABLISHED? Solas directly talks about how when he tried to tell the Dalish his identity they either didn't believe him or attacked him for being the God of Lies and Trickery. Yes, it has been a few years, and more may know the truth now... but how many as according to the old games the Dalish WORSHIPPED the ground Elgar'nan walked. If so many like Solas now from knowing the truth suddenly, where are all the followers for the Dreadwolf? Not only do we not have any missions regarding the agents of Fen'harel, we don't run into any at all.

- This sounds bad out of context, but where is the slavery/racism? I know a lot of people wanted them to tone some of it down, but for it to be completely removed just does no feel right when Tevinter is canonly known to be the worst place for slavery when it is openly practiced and legal... Also, playing as an elf feels very out of place during an undercover quest with the Venatori, but they already had them working for Elgar'nan which doesn't really add up either; so I guess they are just fine with Evles now after thousands of years...

- None of the previous games matter. While fundamentally, each game has their own story, I liked seeing the cameos of characters reflect past choices. One, of many examples, would be that we got to see Alistair either become a drunk in DA2 and forgotten by the narrative; or have him become a King or Grey Warden in DAI where you can even ask him about the Hero of Ferelden and his answers are different depending on how you played the game! Now we have some characters return but as a blank slate as the writers did not want to invalidate previous choices, but essentially let the characters' cameos fall flat because of this. What is the point of a character returning if they don’t reflect the character I know and helped them become what they are today through my choices?

I know I have a lot of negatives even when I said I liked part of the game, but it is a huge disappointment as the reasons above are what made me LOVE the series with it being so enriched with its environment and now it feels like a hollow shell of itself.

[raina-at]

Fic writer meme

Thank you so much for tagging me @discordantwords.

How many works do you have on ao3? 34. 6 SPN RPF (J2), 1 Supernatural (Wincest - if you have opinions about this, I don't want to hear them), and 27 for BBC Sherlock. I feel compelled to add though that my fandom history predates AO3 by about ten years, and that most of the fics I wrote during that time aren't on AO3. All of my TPM fics, all of my HP fics and most of my Supernatural fics are in fact not on Ao3. So I actually have no idea how many fics I've written since I started in 2001.

What’s your total word count? 585,261 words.

What are your top 5 fics by kudos? Don't Read the Last Page, Bakers with Benefits, Running Obliquely, Guess Who's Coming to Christmas Dinner and All I Want for Christmas (is Proof) (you guys really like my Christmas fics :-))

Do you respond to comments? Why/why not?

Yes, I love comments, and I love getting into dialogue with readers about their interpretation of the characters and canon! I try to answer everyone, if I ever forget to answer, I'm really sorry!

What's the fic you've written with the angstiest ending?

Um... None?

Of the ones on AO3 that is. I once wrote a Supernatural fic where Sam was a ghost and Dean had to exorcise him and it was heavily implied that Dean would commit suicide as soon as that was done, so that was pretty dark. And I wrote 2 Supernatural post Apocalypse fics that end well but the setting is very bleak.

But all my new stuff, especially all my Johnlock stuff, has happy endings.

What's the fic you've written with the happiest ending?

Probably Bakers with Benefits. Sherlock gets everything he wants, including John, and they basically live happily ever after. But like I said, all my fics end happily.

Do you write crossovers?

I haven't yet, but that doesn't mean I won't, one of these days. I wrote a Bake Off Sherlock AU, but crossovers means having characters from both canons, and I re-cast both hosts and jurors, so it probably doesn't count.

Have you ever received hate on a fic?

No, thankfully not. I've received a few odd comments here and there, but I never had the feeling that they were mailcious, just tone deaf.

Do you write smut? If so, what kind?

Yes, I do. Mostly of the vanilla kind, I'm not super kinky, and I'm not much for writing PWPs these days, but I like a good, spicy sex scene that shows you something about the characters and their dynamic. And sometimes it's just hawt. Which is also fine.

Have you ever had a fic stolen?

I heard a story once that someone stole one of my J2 fics and turned into a Het Degrassi fic, but I could never verify this claim because the fic got deleted. Other than that, not that I know of.

Have you ever had a fic translated?

Yes, several, and it's a great honour.

Have you ever co-written a fic before?

Yes, mostly with my wife @nuttersinc, we co-wrote an entire fic series and some other, smaller fics, and we once at a Boondock Saints RPG (I know. I know.) I haven't co-written with anyone in ages, and I'm not sure how good I would be at it these days, since I'm a pantser and don't have very much time, so I think I'd drive anyone with a regular writing schedule bananas. But I'm open to try.

What's your all-time favourite ship?

All time.... omg... Ok, so mirroring @discordantwords here, I adore Mulder and Scully still. They're the OG ship for me, they were the first pairing I read fanfic for. They'e such a good example of The Dynamic (repressed bisexual disguising as the "normal" one when they're just a more adapted sort of crazy and socially awkward genius crazy himbo the normal one has to save all the time). Scully especially owns my heart, I love her, and Gillian Anderson is, like. So. Hot.

But Sherlock and John... they're just... so GOOD. You can do anything with them. You can put them in any scenario, any time, any space, and they're just so magnetically drawn to each other, they complement each other so well and they're so bad and so good for each other... I love them. So much.

What's a WIP that you want to finish but don't think you ever will?

Oh, quite a few. The one where John is Sherlock's neighbour and they have this 'we're just friends' dynamic and everyone thinks they should just get married, including Rosie, who's a sassy teen in this fic. It's got a lot of potential but I don't think I'll ever finish it.

What are your writing strengths?

I think I'm good at dialogue and character dynamics. I think I'm also good at building character arcs, and I think I'm good at setting scenes and making oblivious idiots fall in love.

What are your writing weaknesses?

I'm not the greates plot writer in the world. It takes me much more effort than writing a fic where, say, Sherlock and John have breakfast and talk, to pick a random example. I tend to lose the thread of the plot because I start writing the vibe before I have everything figured out, so I tend to get 'stranded' at some point. That's why my WIP folder looks the way it does.

What are your thoughts on writing dialogue in other languages in a fic?

I don't attempt it if I don't have a native speaker to look it over and tell me if it's correct. (if the other language isn't German, which is my native language).

What was the first fandom you wrote for?

Roswell (the one from the early 2000s, not Roswell New Mexico. Yes, I'm a Fandom Old.)

What's a fandom/ship you haven't written for yet but want to?

None, honestly. If I wanted to write for a fandom or ship, I would.

What's your favourite fic you've written?

Oh my god I'm not sure I can answer that. I really like all of my fics, and I love most of them still. Some were such fun to write, some harder but the hardship made them more beloved.

I'll probably have to go for Bakers with Benefits, though, because I still like to re-visit that 'verse and I just LOVE these two.

That was fun! I'm tagging anyone who wants to do this, but especially @jrow @meetinginsamarra @lisbeth-kk and @thetimemoves

[sword-fern-rants]

why I think "pretend like its the first time" is one of if not the best arcane episode

personally I'm a sucker for "what could have been" so this is all my opinion, but episode 7 was amazing, heartwarming and above all SAD. (I am ashamed to admit I cried) but the point is this episode was beautifully done to show us what would happen if powder had never been jinx.

from the beginning of the series we could all tell powder was smart, like she could build these inventions, they might not always work, but it was obvious she would improve with time. then when we see jinx in the initial time skip, she's gotten so much better with all her inventions, in "pretend like its the first time" we see what would happen if jinx's power was used for good.

also it was really wholesome to see vander and silco as friends again, the undercity and piltover connected, milo and claggor well. and ekko reiuniting with benny (albeit for a short time) was one of the saddest moments in my opinion.

now with my opinions on jinx/powder and ekko. powder and ekko's relationship was always interesting to me. in the first 3 episodes they didn't interact a lot, but they were the same age where there wasn't a lot of kids, and in the "enemy" music video we got to see more of their friendship dynamic, (if you haven't seen it I highly recommend it) also, in an interview one of the writers I think was telling the interviewer about a deleted scene where young ekko tries to "save" jinx from silco, but jinx lashes out at him, so that plants the seeds of their rivalry in season one. but in "pretend like its the first time" ekko originally thought jinx/powder was bad and would always be bad, but we see him realize, that with everything that's happened to her its reasonable that powder would become jinx, and while he's in the alternate dimension he really savors the time he had with her.

now the jinx/powder x ekko ship was always cute in my opinion, and from what we saw in their fight scene on the bridge in season one, as ekko was about to kill her he hesitated, why? because he still saw the girl he had grown up with, and I think jinx saw something similar.

but anyways from his experiences in the alternate dimension ekko realizes that circumstances made jinx and that powder wasn't truly gone, which is why he stops her from trying to kill herself, AND SHE LISTENS. this is crazy to me because kind doesn't listen to anyone, if vi was there she wouldn't have listened and she would have died anyways, and the probably the same would happen with ANY OTHER CHARACTER. but EKKO managed to get past all that, and convince her to live, so in conclusion they truly were in love. and even if jinx isn't dead (see one of my previous posts) she probably wants to stay away from everyone, and if she isn't dead ekko is still alone. but it still gives me comfort to know in tat alternate reality, powder and ekko can still be happy.

he truly loved her

THE END

[ir-abelas-vhenan]

Losing my Mind over Veilguard 4/??

I think what's killing me the most is this "have your cake and eat it, too" mentality EA-as-Bioware has ushered in with this game.

To try and perfectly walk the line of giving old fans what they wanted/deserved and new fans something to just jump into was a tall fucking order given that they fired so many writers, and I personally feel like they fell way short.

Part of that, I think, comes from the fact that while it's certainly helpful to play Origins and then DA2 before you reach Inquisition (I'm speaking as someone who played the games backwards), I don't think Inquisition left off as a complete story the way the first two did. We had a world on the brink and pieces on the board that had so much personal stake in staying on it until Solas was handled. We had, whether the head devs wants to accept their failures regarding it or not, an entire Keep of previous choices that could have and should have informed the world going forward. I'm not saying it was sustainable to keep raising the stakes on those choices. I am saying, however, that with the time it took to get this game to us, more than three sanitized choices deserved to matter before Bioware closed the chapter on its strongest line of storytelling and moved on to RPG Lite. To give that up, to choose a new and uncertain fan base over an already dedicated one, is disappointing.

And to that end, even if we weren't going to get the Inquisitor again (which, at this point, I'm kind of thinking we should have, even if just for parts of it), I had near-constant exhaustion finding a shred of story that connected us to the previous games and then realizing it had been done in an unsatisfying way (hi, Dorian/Isabella/MORRIGAN).

I wouldn't have cared if this had been its own standalone game. There were parts of it I enjoyed, and I'm sure I'll be here shouting about those things too, soon enough. But the fact is that for every thing I appreciate about the game there are about ten more that make me mourn the nine years I spent eager to see what was coming next.

TLDR: You cannot show me a watered-down game that stands on the shoulders of stronger writing, plot, narrative, characters, etc. and the built world and depth of three previous games and multiple supplementary written works, and then expect me to be wholly accepting of the result. Veilguard gutted the rich body of work that came before it, threw enough bone shrapnel into the mix to keep people desperate to see a conclusion to events that had been building up for in-game years hanging on, and then discarded the rest with a casual sort of "deal with it, we're making way for the new" attitude.

Welcome to the new, I guess.

I intentionally waited a few days after finishing the game to sift through everything and not just rage-post immediately, so hopefully this comes across as relatable to those on a similar page and not as me telling you that you should hate the game too if you in fact are very happy with it. (Put another way: I'm not here to change minds, I'm here to scream into the ether)

[delusionalme8]

hey, i have been a fan yours since your Instagram and old tumblr days, so just wanted to pop in ask you how you've been doing? also asking for your hinny fic recs!

Hey, that's actually so cool!

It's been about three years since I stopped using that account. Unfortunately I had to study a lot to get into University and my free time has been greatly reduced. But all in all I'm fine now, thanks for asking. I hope you are too!

There are so many fics that I love that it's impossible to remember them all, so I'll try to fit some in here!

Consider that I like really everything from these authors, so I recommend you read their other fics in addition to the ones I suggest. It's totally worth it!

-Brumous by @seriouslysam8 and its prequels (my personal favourite is Backstabber). As far as I'm concerned, it's one of the best fics I've ever read and she's an amazing writer. She's on a break from Brumous at the moment, but is releasing Selcouth which is just as good in my opinion!

-7 Scandals and a Baby by @ginnyw-potter ! It's a story set during the Regency and has an incredible atmosphere around it! She's an incredible writer and has an insane creativity too. Think of any trope and 99% of the time she's already written about it lmao (if she hasn't already, she almost certainly will). Also, her Harry and Ginny are soo good. (Not a Done Deal is one of my favourites too!)

-These Cuts I Have by Melindaleo and its sequels. It's a trilogy set in the post-war period and it's a wonderful read. I just reread it for the third time and I love the way it deals with Harry's horrible childhood and the relationship he develops with the Weasleys! Read it!

-The Path From You by @takeariskao3 too! I feel stupid for only now discovering her work, but I'm spending my afternoons catching up on it all lol. It's a story full of angst and great tension building before Hinny arrives. But I love a good slow burn, I have to admit, and she wrote it so damn good! I really recommend reading it!

-An Hour of Wolves by @solvskrift ! This one is quite heavy and angsty because it deals with a particularly sensitive subject, but I think it's absolutely worth it. The worst thing is that it's about something that could have easily happened in the canon and it's horrible to think about. I love the way it is written and deals with such sensitive topics, as well as the wonderful characterization of the characters. It is a work in progress, but it is definitely worth reading because it is incredible!

These are just a few fics and I don't know how many more I'm missing, but feel free to recommend me some too!

[carus26]

A couple more points I'd like to discuss, given the opinions I sometimes come across x)

Yes, I've been doing *analysis* a lot lately

Just give me some time

I've been saving all this up since 2013 

And I won't rest until I say it all

In my personal blog lol

*Sulley cheated at games just for himself, It was a purely selfish act*.

No, not just for himself. Because before that he literally defended Mike in front of the dean, and sincerely believed in him, but after her words *do you really think he's scary?* he began to doubt. Yes, he did all this so that everyone could get into the scary program, including Mike. Yes, he did a bad thing (which he already regretted a thousand times), but he did it not only for himself, otherwise the scene between him and the dean would not have existed. If he didn't care, he wouldn't have protected Mike, or tried to train him, he would have just done what he did.

*That conversation between Mike and Sulley (lake scene) is meaningless because Sulley doesn't understand him*.

He honestly admitted that he doesn't understand him, and honestly responded to Mike's claims that *everything comes easy to monsters like you, no matter what you do, you always win*. As it turns out, no? Everyone needs to try to achieve something, even when you have talent. If Sulley didn't try himself, he would not have achieved anything. And he admitted that everything in his life goes wrong, only because of him, and nothing can just happen if you don't try. So the reproaches about this scene are pointless, they both expressed their point of view and both understood each other.

*After fear was replaced by laughter, employees are now working overtime, Sulley is a bad boss*.

I don't really agree. This is not the moment when you get a ready-made business and you just do exactly what was done before you, this is a business from scratch, there is a complete restructuring, and this takes time, besides, no one is forced to work here. Seriously, what can you expect in a situation like this, when you don't have enough workers, and the management demands FAST results. Especially when you were made a boss on someone's whim, and now you have to clean up all the mess. In the future working hours should return to normal. By the way, he also works overtime.

And also my personal opinions on why I didn't like some of the scenes from maw related to him:

1. That episode with baseball, I still honestly don't understand why everyone, including Sulley (who suggested it himself), got mad at Tylor, who literally did what he had to do. Some weird childish grievances, he suggested it himself, and he himself got offended.

2. With all due respect to the scene with the *revelation* of Tylor in the eighth episode, it was very strange....

Everyone just went and believed that Tylor did all these crimes, and the company does not even have banal security cameras? Sulley just believed all the accusations and did not even think that they could be false? Considering that he KNOWS Tylor, and they have a good relationship in general.

But, you know, don't blame the character for a lazily written script... Everything happened so conveniently, just so that the script would work out as it should. It's a children's series, no one will ask questions, right? And this applies to ALL the characters in the series, which is why I sincerely hope for a sequel in the form of a full-length film, and not a continuation of the series.

At least with writers who care about how they portray the characters and the franchise.

🔹A few thoughts about Sulley, why i like his character and his relationship with Boo🔹

(personal opinion and views, I can say the most predictable basic things, and yet I want to express my personal feelings, it's corny but it's honest work)

(also a lot of words..and doodles)

I apologize in advance if I expressed myself in some way unclear or incorrectly and for grammatical mistakes, since I am not strong in english ")

Personality and appearances:

All of the Monsters Inc. characters have great designs that complement their personalities perfectly, and Sulley is no exception.

I LOVE how his design perfectly captures his character. He has soft and sharp features, just like he himself can be *soft and sharp* at the same time. He has a gentle nature, but under the right circumstances can become formidable and even dangerous. In other words, I like the fact that while he is calm, you may forget or even not know HOW scary he can be in the moment, that is, exactly until he HIMSELF shows it. A great way to show a character's kind nature without forgetting who they are and what status they have in their world.

I olso like that he is not a *perfect do-everything-right* protagonist. He is impulsive, he listens to himself and his opinion is based on his own considerations, often incorrect or risky. 

People can say that only at Monsters University Sulley is so *rebellious* and only does what he wants (hinting at how calm and humble he is in the first film as opposed to the prequel) and, based on my personal observations, I can say that he is ALWAYS like this, he acts for his own reasons, and yes, he acts from considerations of *do what is right*, but what is *right* everyone understands in their own way.

For example, like when he risked his and his best friend’s life/career for the sake of a human child whom he had known for a couple of days, or when he cheated at games and then goes to save Mike from the human world. Always impulsive decisions based on feelings and one’s own understanding of what is *right* at the moment.

He also thought that it would be right if he was in the company of high-status monsters and behaved the same way as them (because his family and those around him expect this from him, I believe), and he realized that he was wrong only when he understand (and saw) that he could be himself and that he can’t judge everyone by their appearance and *status* (specifically in that scene when Mike secretly brought everyone to the MI in order to show the uniqueness and dissimilarity of each monster) 

What I mean is that his worldview is always changing based on what he sees and feels, and he always acts based on his personal understanding of what is right and don't, which I find actually a very interesting character trait for a protagonist (not that it's super rare, but still).

Also how many different emotions he can express, from joy to rage, I always liked characters with a rich *baggage* of emotions, and who at the same time do not irritate, do not become hysterical with or without reason, and who simply use emotions at the right moments, not going too far, that is, not capricious and not *drama queens*. 

Another small detail I really like is the fact that Sulley is very aware of his physical strength and never brags or uses it unnecessarily. He is VERY strong, and somehow communicates and contacts with the smallest creatures without any problems, and does not even really use his full strength in a fight, only as self-defense or protection of another.

I also see a lot of different opinions about his prequel version, but honestly? I only started to like him more after university. He was shown from a completely different side, as was his development from who he was to who we know from the first movie. Showed what kind of character he is without Boo. What he thinks about, what he worries about, what kind of relationships he builds, his goals, what did it take for him to get to that point in his life that is shown in the first movie. Love how he went through his arc from "worst to best", how he accepted and realized his mistakes, and how he gradually became attached to those who are dear to him.

(the way he expressed himself to Mike at the end? Being the only one who told him the truth, while highlighting his virtues, thereby showing how attentive he is to those around him and how much he values ​​​​those who help him) 

Although I’m not really a big fan of the prequel, and I also think some scenes from there are little...questionable, and how Sulley turned out different from the version from inc, but in GENERAL I can connect these two images together, I can understand why Sulley behaves this way (given his problems with family and self-esteem), and how in fact it fits with him as an adult.

I can also say that in general I like the way he is written in Monsters at work, despite the fact that he and Mike don’t play a special role for the series, I’m just glad that he act's like himself and hasn’t been spoiled, he’s still trying to make the right choices in life, dealing with a situation that he never even thought about or was ever prepared for, and I just like the little funny moments with him.

Of course, you can't do without *questionable scenes* and sins (and animation ")), but overall I'm quite pleased.

(and I noticed that the writers kinda combined his images from mu and mi, big fan of this decision)

Overall, we have an interesting, well-written protagonist, with excellent design, a great movie as a solo film, and even prequel/series as a good bonus.

Why I think his relationship with Boo is so beautifully written:

First of all, I like the way they met for the first time.

Namely, HOW Sulley reacted, because we know that children are not only *toxic* for monsters, they are literally consumables for them, without feelings, without any rights, which means do with them what you want, your conscience will not torture you.

But Sulley never harmed her, although he could have used any means to get rid of her, because at that time he did not perceive her as a *person*, and still acted with caution. Tried to calm her down, cheer her up, and even sang her a song before bed, although he shouldn’t have even tried?

He understands that she is a living being after all.

And he actually care about this *creature*, he himself decided to bring her home, stayed up all night making a costume for her, he even realized that she is a girl and referred to her correctly all the time, and not as a *thing* (even worried that she was in the men's locker room? ")).

I just love the fact that he treats Boo well INITIALLY, he doesn’t hate her, he doesn’t think she’s a burden that needs to be gotten rid of.

He truly begins to worry about her when he finally becomes attached, but even at the very beginning he treats her tenderly as possible. And it’s just very cute to watch how they gradually get closer and Sulley becomes more and more attached to her, which makes him openly ignore all the advices of his best friend, whom he listened to and supported unconditionally before. He begins to worry about her so much that he no longer pays attention to everything that happens around him, he doesn’t just want to get rid of her quickly, but wants to protect her and do everything possible so that she gets home safely, and does not end up in wrong hands. And this attachment became SO strong that he was ready to leave his friend alone in the human world, risk his life saving her, and he no longer cares about HIS position and condition, she became his number one priority, and this is very damn touching honesty.

And, of course, THAT ONE scene, key to Sulley's development as a character, a scene, where he accidentally scares Boo.

A moment, where his whole consciousness is turned upside down, all the experiences that he went through became meaningless, and the work to which he devoted his life turned out to be cruel exploitation, in addition, a huge feeling of guilt, which will be difficult to get rid of for a long time, and everything that was important in his life ceased to have value, everything except the safety of this one *thing*, the *thing* he shouldn't have felt anything for.

I really love this scene, it perfectly conveys the mood of what happened, when you feel pity, compassion and understanding for both sides.

(you'd think that Sulley stop scaring kids just because of this scene, but honestly? I’m more than sure that it would be difficult for him to do this after meeting Boo, after what he experienced with her, it would be difficult to continue working in this direction)

And one of the best details for me is the fact that this event does not remain without a trace for the characters, this experience has consequences, they don't just continue to live as if nothing happened, Sulley realize that people are also living individuals with feelings that should not suffer, as a result of which he not only changes himself, but also changes his environment for the better, considering that the majority simply will not understand him, he considers it his duty to do something to somehow change and influence the situation (even without the fact that the energy of laughter is stronger than scream), and never again connect his life with what he feels guilty about.

The final scene with them is also so touching. 

The way Sulley says goodbye to her, knowing that he will never see her again, everything he had to go through for one single moment.

Betrayal, discovery of a conspiracy, expulsion, a quarrel with a close friend, disappointment in himself and his life, he even almost lost his own life several times, and all this was experienced in order to bring home one little girl.

And I'm just sincerely glad that they didn't end there, all this time I wish I had seen at least a little short with them (because I just have to squeak with joy every time Boo is mentioned in the series :"))

I know that the first movie ended perfectly and there is no need for a sequel, but as a fan I’m too weak :)

Honestly, this is the shortest and most general “essay” I can write about him as a character, if I had my way (and enough strength/knowledge in english) I would describe every key scene with him.

So, that’s all, I'm glad I was able to express my thoughts about a character that is important to me, at least in this format, and if you read to the end, thank you for your attention! 💙💜

(still waiting for a full-fledged sequel from Pixar and hope that it will come out acceptable...)

[shaxza]

[poorly-drawn-mdzs]

The more I see your work and the more I see of poorly drawn scum villain, the more I'm tempted to do a poorly drawn tgcf 🥺 (I've only just started listening to it and I absolutely love it!!)

I just don't think I'm as funny as both of you and don't know if I could commit to uploading as regularly as you both do.

But oh! I am SO very tempted!! 😭

Working on an adaption of an existing media as a long form project is honestly my strongest recommendation for getting your creative brain going! Of course, there is still planning and hard work that goes into it, but the biggest creative pressures are much lower (And when anxiety brain is quiet, art brain thrives!)

That said, projects like this are a huge commitment, and I'm a bit of a freak case when it comes to the grind. PD-Scumvillian and I both put a lot of work behind the scenes to make it seem as effortless as it is. I'm wholeheartedly giving you my support should you go through with it; feel free to reach out and ask for tips and tricks!

[charlesreedscoolhat]

Charles: and how do I contact you in the future?

Johannes: you don't 🌟 bye you soggy bitch ✨️🕺✨️🕺🟨🟨🟨

[flythesail]

Yep I saw so much of that after the finale! For certain, at least some of the "Amandla can't act" was just racism. (I mean the instagram comments were horrible.) But there was also quite a number of people who seemed to genuinely not understand Osha either when she killed Sol or in her decision to join Qimir. Like you said, in their minds anger would be bold and loud. But I bet a lot of women watching would find her silence/seriousness on the outside with anger boiling beneath more relatable. That is what makes the acolyte important. It's an opportunity to connect with someone you might not "see" yourself as. Yet it's still star wars for everyone. That's the beauty of media but a lot of people are just not willing to interact with a character that isn't a carbon copy of themselves, despite the presence of so many universal themes. Family being a big one.

And agreed, the development of Osha and Mae was subtle and fantastically done. To me, that's the appeal of the show - it's really as deep as you want it to be. I can sit here and say, yeah the lightsaber fights were so fun and it was cool to see Osha turn evil. But I could also sit here and write a whole essay on themes of belonging/acceptance or the nuance of good and evil lol. The material is there and in some cases people do refuse to interact with it on a critical level - or beyond what's spoon fed - and that's where you get some of those odd takes where it's like, were you watching the story being told or the one you expected from *your* perspective?

As for ahsoka, I'm not all that opinionated on it but I will say I think it's another example of DLF digging themselves into a deeper hole. From the trend toward turning anything animated into live action, to the fact that it's just not... something you could watch without context (you'd at least need to watch rebels and the clones wars and maybeeee mando too). Yet they could also see it as a safe bet in that they're drawing on the nostalgia of other shows and relying on an existing fan base.

But! I also just read s2 of of ahsoka is being written to work as an ending because s3 isn't guaranteed. And it's just so odd because what is going on at DLF that they can't commit to anything anymore? The acolyte is a particularly crazy case because it's a new era and could have jumpstarted the next decade of content. We know there were talks of a writers room, a LOT of tie-in material for s1, and they were looking for s2 directors before they called it all off. So to hear ahsoka is up in the air too, it just has to be a mess behind closed doors. Even tying up mando with a movie is weird imo after the shakiness of s3.

Which just makes this all so frustrating as a fan. It's star wars and they have disney money. They could make shows or movies about literally anything. Instead, they throw away anything new and recycle the rest.

Okay last thing for now! But I did start rewatching the other day, and I wouldn't be surprised if a lot of people dropped the acolyte after episode 1 and 2 because they're slower. Yet I'm not sure... what you can do about that other than stick with it. Because more exciting episodes like 5 and 8 or even 6 won't be exciting without that intro. You can't start the show with everyone on khofar. And even when andor first premiered, remember what the #1 critique was??? It. Starts. Too. Slow. But now two years later, no one is saying that. Most people are looking back on andor like it's the best thing star wars has done. A lot of this probably is because of the streaming model. It creates a pressure to like a show from the very first second and to watch it as quickly as possible. (Idea being the quicker you like it, the quicker you finish, the quicker you move on to another show so these companies can sell you on the Next Big Thing.) It's just capitalism! But that means we also don't get to take our time with art as much because where's the profit in savoring. With the acolyte, people would have come around too, especially as the hate it got died down. But by canceling it so early on, you give people no reason to. It's like creating proof for a problem you created.

[aenslem]

he does look good on his knees 👀

[variousqueerthings]

@autistic-puffin i feel like i have nothing more to say about go2, like I excised my thoughts in one go 😭 especially considering it feels like so much meta/art has already been posted

(EDIT: AND THEN I WROTE THOUGHTS)

my main thoughts are also maybe a teensy bit hot take, because I'd assumed it was going to be a bit like certain narratives that are quite popular on here, but don't really do it so such for me, because they don't ground their queerness in anything substantial or they try to, but aren't informed enough to do it well (I admire the attempt and I have nothing against these pieces, I just don't personally enjoy them) and so it's more about the shipping or the memeable moments and that's not really what I get into things for

and it being disingenuous to fold it under narratives that are willing and fun enough, but ultimately made by people who haven't done toooo much work around queer themes before and fall (in my opinion) a bit for the simple narratives of "everything ultimately has to have stakes that aren't too high and play nice and don't distress their audience too much lest fragile LGBT+ people can't handle it" <- sweet narratives, easy to follow, a tad too candyfloss and ungrounded for my taste, often unbalanced in its comedy-to-drama scales and undermining sincerity by solving things too quickly and/or with too little delving into what these things mean

neil gaiman and john finnemore have been writing queer characters and themes for some time, and david tennant/michael sheen have played queer characters before (and heck, david tennant has at least one queer kid), it's not so surprising that this narrative actually isn't as mass-appeal as was assumed it was going to be before coming out (heh, coming out)

and by mass-appeal I don't mean that it doesn't have mainstream attention, but that there's seemingly confusion about what it's doing, when if you're into stories about non-conformity vs oppression (in this case mainly through a queer lens) it's pretty obvious, and I'm assuming very rewarding on subsequent watches

it's not fluff -- fluff works better for me in fanfiction than in original works, it's not aimless -- either in direction or in theme, it's not mainstream queerness -- although nina and maggie kind of have that "LGBT-unburdened-by-reality" kind of thing that I often don't vibe with, they're a part of three narratives about connection that ultimately ground queer non-conformity in action and feeling as explicitly dangerous to oppressive systems (in this case systems grounded in Christianity, which works very well)

there's a confusion in some reviews I've seen in the mainstream about why it matters that we follow these characters through thousands of years (well, millions technically, but the main thrust happens in the thousands), and coming to the conclusion that it's just because everyone's having a bit of fun, and then they're totally blindsided by the final 15mins and unable to place it in what they've watched previously

but it makes perfect narrative sense and I can pinpoint after one watch clues and foreshadowing leading to those final minutes, and why it matters that we follow the characters the way that we do, and (while I won't go too much into this because I think I'm late to the party and plenty of others have already spoken about it) threads that have been laid out that will clearly be picked up on in s3

I quite enjoy that this is a narrative about queerness that isn't so palatable to reviewers, and isn't for that matter so palatable to viewers who are used to measuring successful queer narrative via easy-to-follow tropes, I think that's one suggestion that it's done its job right in how it was constructed

I want especially straight mainstream reviewers to have to do the translation and if they can't, then it's not for them. that's a rarity in queer narrative that's released with so much attention and that also feels like part of the magic trick of the season -- am reminded of when black sails season 2 "revealed" that flint was queer and that this was a narrative centred around queer rage as an insight into other forms of oppression (which some things were done better than others of course, but that was the purpose, and madi really is that voice at the end!)

and how some straight dudebro fans felt cheated, while many queer viewers went... well yeah, obviously flint was queer, they signposted it (here I also note that some queer viewers didn't see it until that moment because we're also used to being signposted at and then not having follow-through because queercoding language is so ubiquitous to tv and film writing nowadays that many straight people don't know what it is or that they're doing it, or they went "hey we might do something queer winkwink" and then called fans disgusting for reading characters as queer ✌)

and that feeling is somewhat similar here in a way. "we thought we were in this for a bit of silly fluff, what's all this about themes? it's confusing, we don't like it, we're going to flatten it rather than acknowledge what is actually happening in the narrative, and then we're going to interact with that flattened version that we've created instead and call it self-indulgent and harmlessly silly."

so my hot take is that... it's not silly. well it is silly and fun and even at times indulgent, but it's also quite good at being a story that is Queer in ethos, and I prefer stories to be queer in ethos and not just have some ostensibly queer characters around saying the right words without knowing why or where those words originate

it's better than it's being given credit for, in ways it's not being given credit for, because it's not made palatable for a mainstream straight crowd or softened for fear of upsetting anyone