#I love it when fics explore both of their traumas and both of their characters

[valewritessss]

Why is it that most of the time they either make Annabeth seem like Percy’s mother or they make her a tool for him to be more angsty and dark and disregard all of her character and trauma? Can we normalize making them equals

[etanow]

MASTER POST

The Experimental Monster Laboratory, or Monster Labs, is a TADC AU where the cast is in the physical world! Sorta..

C&A Research Facilities is one of the cornerstones of the science and medical worlds! They do everything; funding research, manufacturing equipment, and research into the known and unknown in an effort to understand everything. To the public, that is.

They experiment heavily in everything, from hiring literal Gods on earth to manage the more ..sensitive divisions; mixing machine and magic, technology and the supernatural, genetic experimentation, you name it, they’ve probably done it! The world outside may not know anything of the advancements they’re researching but there is little C&A Labs won’t allow in the name of progress in understanding and cataloging everything in their universe. Our story takes place in one of the more private residencies deep in C&A, belonging to Caine; a minor God with mysterious origins, unknown limitations, and boundless enthusiasm for learning everything he can about his little science friends.

╰┈➤ Content

╚═ Unnamed fic (Coming soon...) ╚═ Bubble can cook?? .

╰┈➤ Asks

╚═ Does Pomni act like a zombie? ╚═ Is Zooble's Demon Snake Leg happy? ╚═ Gangle is in a Situation.png ╚═ Gangle's temperament ╚═ Has Ragatha ever shocked anyone? ╚═ Gangle love RAAAH ╚═ Do Caine and Ragatha fight over Pomni? ╚═ Why did Gangle summon a demon? ╚═ Why does Pomni wear a bell collar? ╚═ Kinger's eye ╚═ What if there was a baby crying? ╚═ Death trauma [Gangle and Pomni] ╚═ Kinger has ONE hobby outside of Bugs ╚═ Is Zooble protective of Gangle? ╚═ What happens when you touch Pomni's brain? ╚═ JAX DATED SOMEONE?? ╚═ What does Jax do? .

╰┈➤ References

╚═ Intro Cards ╚═ Height Chart Lineup ╚═ Zooble Demon Snake Leg Intro Card /j ╚═ Queenie ╚═ Gummigoo ╚═ The Sun Room ╚═ Logo .

╰┈➤ Arts

╚═ First ML AU Post ╚═ Second, exploring outfits ╚═ Design sketches part 2 ╚═ Pomni + flower language ╚═ Showtime + Ragapom doodles ╚═ Jax not practicing lab safety ╚═ Abstragedy cuddles ╚═ Raga doodle ╚═ Ragapom doodle ╚═ Jax and Meadowsweet ╚═ Pomni staring out a fake window.png ╚═ [Gives pomni flowers] ╚═ more doodles ig

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╰┈➤ Misc.

╚═ Caine Lemon Rant [Animatic] ╚═ Zodiac signs?? ╚═ Caine gets called a Tumblr Sexyman and cries ╚═ Bubble Looksmaxxing ╚═ Jax wants to take ketamine with you (Romantically) ╚═ Caine eats a lemon [Animatic] ╚═ BUNNYSUITSSS ╚═ Magma doodles ╚═ Magma doodles part 2

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╰┈➤ Pomniverse

╚═ Wonderland and Zombni are friends :D

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╰┈➤ Boundaries / Q&A

╚═ Any story plans? I'm not sure yet, currently writing a fic and several comics on the way.

╚═ Any boundaries? None, so go crazy! I am OK with gore, NSFW, angst, violence, etc, just be sure it is tagged/TW'd appropriately as not everyone is OK with that content. I'd also like to see please LOL

╚═ Can we create fanart/fics/content? Can we dub or fancam? Yes of course!! Please tag me, I'd love to see all of it! I'm tracking the tag #TADC Monster Labs AU for other's content

╚═ Is NSFW allowed? Yes, both art and fic, so long as it's marked appropriately I'd very much love to see!

╚═ Can I ship the characters, self-ships, or OC x Canon? Yes, ship away! Just be aware the only au-canon ships are Caine/Pomni, Ragatha/Pomni, Gangle/Zooble, and PAST Ragatha/Jax.

╚═ Can we make OCs? Go on ahead! Here is a PSD file for the blank template and the PNG can be found here.

╚═ Who are you?

✦✧ Hi I'm Audi! 26, she/they. Full-time office worker, I do art in my free time. ✦ My current interests are TADC, RWBY, Looney Tunes, and Trolls. ✧ I draw using a custom PC, a Huion Kamvas 16 (2.5K), and Adobe Photoshop. Currently learning to use Procreate. ✦ I do not RP and this isn't an ask blog, asks interacting directly with characters will probably not be answered. ✧ Asks are not guaranteed to be answered, sorry if yours isn't but please don't spam/send multiple times! ✦ Commissions and requests are not open at this time, thank you. ✧ My main tumblr is Audi-art. My Twitter is Hammerspaced.

[ironunderstands]

I’m having some Aventio thoughts.. :3

Possessive Aventurine urghhh Aventurine who won’t let Ratio out of his sight for more than 10 minutes when they are out together out of fear, Aventurine who is terrified he will lose someone else he loves and will hold Ratio’s hand at any opportunity he gets, Aventurine who mildly and vaguely threatens anyone who so much as looks at Ratio badly…. AAAAAAAAA

Like usually I don’t enjoy the “you’re mine” kinda trope/mindset, but Aventurine has lost practically everything and everyone close to him so I can see him being extremely, well, possessive, of Ratio. However he would still obviously respect the others boundaries (especially due to his trauma), it’s just I can see him keeping Ratio as close as he possibly can.

I think that’s why I like writing fics where Aventurine is rescuing/saving/protecting/etc Ratio because he needs the ability to care for someone like that just as much as Ratio needs the ability to just let go and be vulnerable

Like Ratio already spends all his time trying to help others so having someone else do it for him is a welcome change, and Aventurine constantly has all eyes on him, so not having to be the center of attention for once is freeing..

..which is also why I probably prefer dom aven/sub ratio when it comes to nsfw/suggestive content of them. It’s more interesting than the alternatives to me because it’s a dynamic that would benefit both of them and help work out their issues in canon. Not saying it’s some magic fix it or something but yeah I think Ratio needs to give up his control sometimes and Aventurine needs to gain some. I feel like people downplay how sex can be used to explore character dynamics and I know this is kinda off course for what I usually write/talk about but I just haven’t seen anyone discuss it so I thought it was worth mentioning.

Moving onwards, I really love writing Ratio when he’s not in a normal state of mind. Drunk, injured, sleepy, a fucking owl (IM WORKING ON THE FIC THANK YOU @aurae-rori FOR HELPING ME BETA ITS AT 6.3/~10k WORDS IM GONNA TRY AND FINISH IT SOON I PROMISE), etc.

Whatever one of these you decide to inflict upon Ratio allows for some really interesting characterization to be enabled, because well, the man’s a tsundere, and it’s kinda hard for him to keep that up when he doesn’t have the capacity to. Honestly I view his tsundere-ness as being half voluntary/a choice and half just the way he is because he’s not very good at expressing his emotions or dealing with other people’s emotions.

However if I were to say, make him drunk, a good portion of that barrier breaks and Ratio’s true self gets exposed, and he nor Aventurine nor anyone really know how to deal with that. It’s so much fun to just put a character out of their element and see what they do next, and I think messing with Ratio’s mental state is the epitome of that, because now he has to confront the fact that he IS hiding parts of himself, and that’s scary (in a good way).

I also think Aventurine dealing with the fact that someone just genuinely lives him but is too afraid to really show it would be compelling. Would he blame himself? Would he dig into it and accidentally cross Ratio’s boundaries, then feel horrible about it? Would he doubt that it’s really real until it becomes transparently clear that Ratio does love him? Oh the possibilities..

Would he see Ratio being kind to someone in a similar way that Ratio is to him and get jealous? Would he worry that maybe he isn’t special to him and is just selfishly imagining everything?

They make me insane.

[aerialflight]

fic rec list (in other words, i need a list for my neurotic brain and its obsessions, f me)

Yeah, everything said above. also, the deadpool and wolverine brainrot is real. i only watched it a week ago. nfeiwofpewafe.

-

[Deadpool and Wolverine] (i'm still desperately searching for more. i just need a list for the ones that won't leave me alone fyufivuohbjl)

How To Pay For Rent 💸 by fictionfeast

Ship: Logan | Worst Wolverine/Wade Wilson (i still can't believe this is the ship name, they actually put worst wolverine as a specification. it's such a unique dynamic and relationship that we NEED that differentiation. amazing.)

To pay for rent, Logan and Wade take odd jobs on Craigslist.

(listen, LISTEN. just from the fact craiglist is involved, you KNOW it's gonna be off the walls crack and hilarity. i swear, this fic went in directions i never in a million years would've predicted, it's amazing. the voices for these characters are impeccable and i, too, would like to shake deadpool like a snowglobe so some goddamn honestly will barf out. logan, you have my sympathies. please read, i'm literally going insane.)

shattered glass by anarkissed

Ship: Logan | Worst Wolverine/Wade Wilson

At first, Wade is pretty sure it all starts with the bullet- the one Logan had held in his teeth and spit out like it was a prize. Or maybe it starts in the Honda Odyssey. Or maybe it had started way back with Logan's smile. That first sardonic one when they'd met. Or maybe it's the way Logan is always staring at him. Or maybe- "I think you're enjoying this too much." "Maybe you're not enjoying it enough." It’s more bite than kiss, more claim than caress, but it’s their mouths connecting all the same, and Wade gasps, hoarsely, as blood wells up from his lips and Logan tongues it away like it’s his god-given right. Oh, oh oh, oh- he’s crazy. He’s so crazy. Wade has never wanted anyone so badly in his entire life. Wade tries to figure out where whatever he has with Logan started. (And he's kind of hoping he never has to see how it ends.)

Part 1 of dying engine (poolverine/deadclaws)

(i'm not fucking kidding when i say this is my favorite d&w fic. i want to gnaw this in my mouth and develop vampire canines as i sharpen them every fucking reread. there are passages here that i reread like a fucking lunatic and i use the find in page option for the word 'crazy' just so i can go to my favorite part. and the fact there's a freaking part 2? that has logan's pov in it??? and it makes me feel just as unhinged??? it makes me want to go apeshit. please read. for the love of god.)

how easy you are to need by Patricia_Sage

Ship: Logan | Worst Wolverine/Wade Wilson

Wade smiles when the doctor opens the door. "Hi, we have a vet appointment at 2:00. Please tell me he doesn't have rabies because I have been scratched and bitten plenty." *** Logan gets treatment for adamantium poisoning. Wade helps.

Part 2 of he has risen, babygirl

(i fucking CACKLED reading this, omfg. also, wade's version of helping is both sweet and freaking hilarious, i love this idiot so much. and this fic! addresses the fact logan probably has ptsd medical trauma and i love that. it's hardly ever addressed and i appreciate how it's shown here. also, it's a series! part 1 is great too, you don't need to read it to understand part 2 though, dw.)

Void by RovingOtter

Ship: Logan | Worst Wolverine/Wade Wilson

After a week without contact, Logan leaves Wade a weird voicemail.

(i'm religiously checking in on this for updates. i know the summary doesn't say anything, so i'll say it here. logan becomes aware of the fourth wall and it's so fascinating??? a genuine look on what happens if the wolverine becomes aware that he's a fictional character and the exploration of that premise here is *chefs kiss* delicious. and how wade reacts to it and how they both deal with the aftermath of this development is so interesting and god, i NEED to know how this fic will go. genuinely one of those fics that have a premise i've never thought about before and it's GLORIOUS!)

where soul meets body by Edgebug

Ship: Logan | Worst Wolverine/Wade Wilson

"I'll probably see you around?" "Probably not," Logan says, something in his spine still shaking even now, and Wade looks at him with those huge dark eyes that look--hurt, maybe, heartbroken, and Logan knows he has to get up and leave before he can't. Each step is agony increasing, the thing in his spine trembling ever-harder and then Wade calls his name and he stops, turns, sees those eyes again; pleading, desperate. A rush of emotion slams into his hindbrain, it feels half foreign and half his own; don't do this can't do this without you please stay please stay stay stay stay let me stay stay stay "Come home with me," Wade blurts out, and Logan finds that he's taken steps toward Wade without realizing it, closing the yawning gap between them, and the thing in his spine relaxes just a little. "Okay," he says. (In which something very interesting happens underneath the Time Ripper, and Wade and Logan deal with the aftermath.)

(they vulcan mind melded and now can't live without the other. i just love this author's writing and i read every one of their d&w fics. i'm in love with their characterization of not just d&w but the rest of the cast as well! and the banter and genuinely fun interactions between d&w has me kicking my feet and giggling like a school girl. please read, i totally recommend this fic and the rest of the author's other fics XD)

your fool in this game for two by abillionstars

Ship: Logan | Worst Wolverine/Wade Wilson

“Have you ever lived with anyone before?” At Wade’s question, Logan pauses to think. Scratches his balls for a second, and says, “I lived at Xavier’s school for a while, before I left. Lived in a clapboard boarding house about seventy years back. A couple of times, I slept in a park with other people nearby. Do those count?” “That was a rhetorical question,” says Wade. “Some might even call it an accusatory one. Mostly because—dude. I’m a fucking mess. But you’re even worse.” (two loser loners, falling in love.)

(this is crack. the peak of romance, the very height of big squishy feelings. it's perfect. god, i am utterly trash for this fic, it's so fucking good fnewiofpew)

Love You All Over by FinelyDressedSpacemen

Ship: Logan | Worst Wolverine/Wade Wilson

The bad guys have love spells now, apparently. Logan gets nailed. Wade tries not to. With great power over your sexiest friend comes great emotional responsibility.

(where wade tries his best to respect logan and logan makes this, so freaking hard for him lmao. lovesick logan is truly the most flirty version of wolverine and it's incredible. it's like if hugh jackman himself is trying to romance the shit out of you. wade really is the stronger person, incredible. anyway, this was a joy to read and if you like musicals, this is definitely for you <3)

I'm the worst at what I do by Thestarvedghost

Ship: Logan | Worst Wolverine/Wade Wilson

Logan finds out from Wade after everything is said and done, universes saved and friends met, that most hims across the multiverse have some sort of memory issue, one way or another. Logan wishes he was that fucking lucky. He remembers it all.

Part 1 of No end and no beginning

(i recommend this entire series, the progression on d&w's relationship has me singing! it's so sweet and fluffy! well, as fluffy as 2 murderous, self-hating bastards can be anyway lol.)

-

[Dimension 20] (Fantasy High, A Court of Fey and Flowers, A Crown of Candy)

interchange by fangirl_squee

Fandom: Fantasy High

Oh, the Bad Kids? Yeah, in that group they have [checks notes] a pirate cleric, a goblin bard, a Helioic fighter, an elven barbarian, a tiefling rogue, and a half-orc wizard.

(it's so interesting how different yet the same the bad kids are even with their class changes. man, the idea of fabian being a freaking cleric still makes me want to cackle. he'd be so much more Exasperated by the bad kids, especially freshman fabian X'D. also barbarian adaine has my whole fucking heart.)

yeah you held me the whole way through, when i couldn’t say the words like you by zedif_y

Fandom: Fantasy High

Ship: Riz Gukgak/Fabian Aramais Seacaster

When Fabian is ten, his Papa tells him the story of how he married his mother. It’s a gory tale, one that involves a cut eye and bodies hitting the deck. He tells Fabian of a love that sent him to his knees, that leads a man like him– fearsome and powerful, the greatest pirate to ever live– to start a family. A love that gave him Fabian. --- A study on Fabian, grief, and, ultimately— love.

(an exploration on fabian's idea of what love is. god, it's so well written. i love this fic and absolutely recommend it! <3)

white knuckles by thathastu

Fandom: Fantasy High

Ships: Fabian/everyone (but all unrequited)

His ex-fling’s little sister. Two people in committed relationships who also happen to be in the same mega famous rock band. A heartbroken lesbian who doesn’t want to be involved with men in any way. And Riz fucking Gukgak. Fabian Aramais Seacaster, son of Bill Seacaster, finds himself falling for all of his friends.

(seeing the bad kids through fabian's eyes made me realize why the bad kids would be considered attractive to people who know them! it's so sweet how much fabian cares and pays attention to them and the constant feeling of 'oh no oh no' both made me want to laugh and coo at him lmao)

life in a wallflower garden with my friends by sickoflosiingsoulmates for lesbiansweetflips

Fandom: Fantasy High

Ship: Ayda Aguefort/Figueroth Faeth

This is what Ayda has spent her entire life searching after. This is what she built the friendship section in the library in hopes of, what she spent long, lonely nights dreaming of. A night with a friend, a true friend, laughing and talking about nothing in particular. [or, ayda finds friends in the bad kids]

(ayda has friends! ayda has frieeenndss!! i'm so so in love with her and this fic is so fluffy and sweet! gah, instant shot of endorphins, guarantee!)

allies and fealty, or, on finding the first knight of the new Court of Craft by fangirl_squee

Fandom: A Court of Fey and Flowers

Ship: Binx Choppley/Captain K. P. Hob

The enemy of my enemy is kind of my friend. Or something.

(i'm always a sucker for rare pairs and man, this is something i didn't even know i wanted. i love how slowly and carefully they build trust in each other, especially binx who is so secretive and initiated this relationship in the first place. by the end, i completely bought this ship and the potential for it.)

I've walked a fragile line and I've fallen down by jadeandquartz

Fandom: A Crown of Candy

Anger is burning in Lapin’s chest. It is bitter, and it is bloody, and it shines brighter than any Bulb the church might care to invent. Normally, he leaves his emotions be. He cannot afford to let feelings drive him forwards. Remaining logical is the only safe way to play the game of politics - and if you do not play it safe, you die. And if you die, then what was the point? But nothing about their predicament is normal. So, fuck playing the game safely. Fuck that. The world will not play safe with the lives of those he loves. *** In which Belizabeth Brassica is looking for a heretic, and Lapin confesses to his apostasy to protect the House of Rocks.

(one of the first crown of candy fics i read and i never looked back. lapin survive stories makes me so feral and god i love this cantankerous bunny so so much fnewiofewp)

to leave this all behind (halo round his head) by grumpyhedgehogs

Fandom: A Crown of Candy

Lapin blinks slowly at Brassica as she steps up to the bars of his cell, the guards splitting around her like so much water over a stone. He inclines his head, trying for regal and probably failing. “Heretic.” Her voice grates against his eardrums. “You have awakened.” “Zealot. You haven’t killed me.” Lapin replies, dry.

(another, much longer fic where lapin survives and i'm so in love with how much detail and fantastic characterization this fic has, not just for lapin but for the whole cast! the day i stop loving the lapin survives trope is the day i die.)

-

[The Terror] (yeah, i know, extremely random, and yet here we are. it's due to this animatic here that i was introduced to this show in the first place. def recommend both the show and this artist *thumbs up*)

I'll be Homeward Bound in Time by clandestinegardenias

Ship: Francis Crozier/James Fitzjames

Back in the Arctic, stuffed two to a sleeping sack and trying to keep each other alert, he and James used to name every good type of thing they would eat when they got back, knowing–as they thought–the time would never come. 'Cream puffs', James had sighed one frigid night in a partial feverish delirium. Francis could hardly see him but for the lightest starlight, yet he had heard the smile evident in his voice all the same. That close, he had nearly felt it. --- Hailed as heroes on their miraculous return to England, Francis and James fail to cope, but nonetheless manage to fall together.

(i love how warm they are here, how clearly these two depend on one another and find joy despite the fact london is trying it's best to stamp out this closeness. post-rescue is always such an interesting time where they get to reflect and be traumatized by what happened in the arctic and the lack of understanding that is found when they go home. it's done so well here and man, i just love these two together. the ship that sails their ships lmao)

death is a sailing ship by Maleann

Ship: Francis Crozier/James Fitzjames

"James had died knowing that his heart, the core of his very being that no biographer would ever know, would carry on in Francis Crozier. Would be protected, cherished even, because Francis deemed him worthy of such care. Oh, how he had loved Francis then. He had been at peace with this being his last living thought. It’s his only thought now. In this undead life, his love has nowhere to go."  ___ James Fitzjames wakes up in the Afterlife. It looks strangely similar to his cabin on Erebus. (Updated with amazing artwork by Marella!)

(the fic is so!! kind!!! to all its characters! and fitzjames is in full form here, i love how it's him that's trying so hard to take care of his men, despite sir john and his lack of empathy. to have fitzjames damn what is proper and trying to do his best as always even in the freaking afterlife, god. you can just see how much fitzjames changed from the beginning of the show to his end in this fic. how all the characters changed, really. every character here is given room to heal and face the consequences of their actions and there were moments that it seriously made me cry. this is my fave fic in this entire list, it just does an amazing job of showing compassion to all its characters and i love it.)

there but for the grace of- by TheGoodDoctor

Ship: Francis Crozier/James Fitzjames

“I wish you would stop being such a martyr,” a languid voice says quietly, drawling as well as a man can with two missing molars and a glassy, bloodshot eye, leaking all the while from open chest wounds. Francis is rather impressed with his dedication to the role, somewhere under the roil of fury and exhaustion. “You know as well as I do that you could have this bed sometimes, if it didn’t suit you to stomp about with blacked eyes and a put-upon expression.” “And what should we do with you all the while, Commander,” he says, all on a great sigh, “wrap you in sailcloth already? Come, man, you’re either well enough to cease bleeding on my sheets or too ill to get out of them, you can’t have it both ways.” “Francis,” Ross began, “I did not undertake to accept the position of second on Franklin’s expedition for you, as you asked.”

(this fic scratched a brain itch i didn't even know i had. it's so interesting to think about, the idea of crozier not being on the expedition and instead being the person who rescues them instead. fitzjames and crozier actually developing a relationship based on this premise, without the shared trauma, is so so intriguing to me and i wish i had more of this. also, the fact crozier is so much more mentally healthier than canon due to ross makes me want to laugh and cry. god, if only.)

out of the sea came he, still hid in mist by dazydaisy for shortcrust

Ship: Francis Crozier/James Fitzjames

You make bargains you cannot keep. You make promises you plan to break. You give things that are not yours to give.

(a haunting, magical realism fic that feels like a gothic fairy tale. exactly my kind of fic! and if it's yours? definitely a good read *thumbs up*)

At Civil Twilight by lieutenant_iceberg

“Well,” said Francis. “Jopson, will you see what you can do with this three-year-old peace offering? A cup for each of us, and one for you.” “Sir,” said Jopson, collecting one of the bags. “You’ll be up all night if you take coffee now.” “I’ll be up all night anyway. Go, Jopson, go.” When he was gone, Francis got up from the table, and they stared into the depths of the bag together. Finally, Francis cleared his throat and said, “All right, then, James. How have you fared since I hit you?” A few days after Carnivale, Crozier and Fitzjames make a faltering attempt to talk things over.

Part 1 of Civil Twilight

(oooh, the very start of their friendship! how to make peace when their entire relationship is based on animosity and contempt! the dialogue and characterization of these two in this series is so good and i absolutely recommend!)

rebuilding by wildcard_47 for 20thcenturyvole

Ship: Francis Crozier/James Fitzjames

Once they stepped ashore, a fey dark-haired man burst through the crowd a few heads down from Jane Franklin. When Fitzjames saw his brother, he startled, and when Will surged forward in the first press of the crowds around the returned—elfin face wet with tears as he swept James into a fierce embrace—only then did Fitzjames release his grip on Francis’s arm. Only then did Francis feel as if he could step away at last. Written for the 2023 Fall Fitzier Exchange, for the prompt: "Post-canon AU where, once they get home, Crozier and Fitzjames are riddled with guilt and trauma, and deal with their feelings by throwing themselves into caring for the surviving men..."

(i'm always so fascinated by post-rescue stories that actually deal with the aftermath, the logistics of it all. how the characters struggle to handle their own traumas, how they help one another through their experiences, all of it. and how both crozier and fitzjames step up for their men even now, even when they're no longer captains in the arctic and have to deal with london and all it's trappings. this fic handles all that so very well, i love it <3)

As Bullet Speaks to Gun by pointyshades

Ship: Francis Crozier/James Fitzjames, Thomas Jopson/Edward Little

Against all odds, they are rescued. Cornelius Hickey is court-martialed for his mutiny, and the whole mess of the expedition is unfurled in front of the public. With their names being dragged through the mud, Francis Crozier and James Fitzjames reach out to each other. Meanwhile, Thomas Jopson seeks revenge for what he believes is his captain's betrayal, and Edward Little tries to come to terms with the truth.

(yes!! edward little my beloved gets to shine here! and jopson is so bitter and angry and messy, it's great! again, i love fics that tackle what would happen post-rescue and how london would react to it. the trials, both actual and mental, they have to face in order to move on and be happy (oh please oh please) is handled expertly and i love it! crozier/fitzjames ship is a little more background in this fic compared to jopson/little, but honestly? i'm so sucked into the latter ship that it doesn't matter. both ships are written very well here and again, my beloved edward little is glorious in this fic and i love it! you go edward! woohoo!!!)

Principles of Magnetism (a Comedy of Manners) by acaramelmacchiato

Ship: Francis Crozier/James Fitzjames

The one where they're married but it's still Victorian times and also it's an accident.

(you don't understand, this fic is so fucking funny. it's so goddamn victorian and sir john is so jane-austen-silly-characters coded. i want to both shake his hand for making this premise happen in the first place, and punch him in his punchable face. and crozier is perfectly characterized here, i can visually picture his disgruntled expressions so clearly in my mind, it's incredible.)

Thaw by orphan_account

Ship: Francis Crozier/James Fitzjames, Past Captain Francis Crozier/Sophia Cracroft

Courteous, charming Fitzjames, whittled down to maturity by the North, and being there, very obviously, not as Francis's right-hand man or as his comrade, but as his mate; a soulmate. Sophia had no need to look at Francis’s face, at the discoloration that would have turned one of his blue eyes into the good-coffee brown of Fitzjames's, to know it, so blatant and luminous a thing it was.

Part 1 of A Victorian Soulmate AU

(very interesting fic where one can choose their soulmates, choose who they want to bond with for life. and the fact it's sophia's pov and how she deals with this fact is handled so carefully and full of goodwill. it makes me want to applaud. i love how clear it is that they're grown ass adults willing to discuss and make peace with one another because they're all genuinely good people who want happiness both for others and themselves. this fic feels like a flower that you hold in your hands to admire it's beauty and delicacy.)

And It Is Now, And It Is Here by 20thcenturyvole, pointyshades

Ship: Francis Crozier/James Fitzjames

Before the ships are trapped in the ice, James Fitzjames sees a terrible vision of the future, a harbinger of his own death. Before the ships are trapped in the ice, Francis Crozier is visited by a tender apparition, an angel wearing James Fitzjames' face. They are both seeing the same vision. Whether they can heed its warning is another matter entirely.

(when the ghost of your future haunts you, you better believe it changes to the plot. i love the dichotomy of how crozier and fitzjames reacts to ghost fitzjames! it's so interesting and i was on the edge of my seat the entire time i read this. if you want to know how it all ends, please read! i promise this fic is a ride you want to get on.)

Waistcoats! or, Life Before the Passage by sadsparties

Ship: Francis Crozier/James Fitzjames, Lady Ann Ross/Sir James Clark Ross, Lt Henry T. D. Le Vesconte/Original Character

Commander James Fitzjames of the Royal Navy is the Best Man that a best friend could ever ask for. A chance meeting forces him to share his arctic expedition duties with one Captain Francis R. M. Crozier, and perhaps other duties as well.

(listen, the terror is a horror show and i both want and need lighthearted fics in order to deal with all the horrors lol. but seriously, this fic was genuinely just fun to read and i love the banter and slowly developing friendship and relationship between crozier and fitzjames! truly the romantic comedy fic in this fandom. XD)

[menaceoffandoms]

LMK analysis rant: Mei

I said I was gonna do this and I'm keeping to my word! The only thing that may stop me is my procrastinating... and the fic I'm slowly writing but uhhhhh-

ANYWAY- We're here to talk about Mei, our favourite white horse dragon pepper girl!

Mei stands out as the most different from her inspiration, something the writers perfectly portray in the yellow-robed demon episode of s4, which is likely to do with how little they had to go off of. Despite being one of the pilgrims in jttw, Ao Lie dose very little in the novel. His most notable chapters being when he's introduced and when the group faces the yellow-robed demon, which is why we met him in that memory in the scroll. Combined with my belief that Mei isn't a reincarnation of Ao Lie -- just his descendent -- means that Mei is one of the most unique characters in the entire show.

There's just less source material for her to draw from, it let's the writers have more fun and do more things. It's not that they don't make the others characters unique -- they like to play very fast and loose with things over all -- but Mei feel like her own complete and original character. She's inspired by Ao Lie in the same way Mk is inspired by Monkie King basically and she all the better for it.

Being the female lead (isn't it interesting how most of the female characters in this show are villans?), Mei is a refreshingly strong, confident girl who begins the show as the most powerful cast member. Being a descendent of the great dragon gives her amazing powers that no other cast members have, a birth right that leads to her being the most protective of her friends and the first to help out in any fight.

What she has in power, however, she lacks in experience. Mei has no mentor -- other than her parents, but I believe its safe to assume they weren't very focused on teaching her combat -- which leads her to trust her gut more, rush into things and learn through observation, like when she mimics what her great x1000 uncle did in s3.

Overall Mei is an excitable, energetic and loving person with a "You only live once" kinda attitude, for lack of a better explanation. Even still, she has her own insecurities and flaws which make her all the more interesting. Due to the shows run time, Mei and many of the other main characters don't really get explored as much as Mk, however what we do see of these struggles and fears is incredibly interesting even on a surface level.

Her tendency to rush head first into danger without first examining the situation or creating a plan, truthfully, tends to work out for her, but it can't always. It's something shown perfectly in s4, when Mei is the only member of the group to not get a star from Master Subohdi, however what a lot of people seem to miss is how Mei actually did earn that star eventually.

When they leave the temple and head to the celestial realm to try and stop Azure, Mei leads them there with no plan at all. As such, they fail and need to be saved by Mk. Faced with proof of Subohdi's criticism, Mei makes the more important amendment to Mk's plan in the s4 special. I don't think we've even seen Mei make a serious plan until this point, which feeds back in to another one of her flaws: being unable to take things seriously.

This isn't something I see said about Mei often, but when watching her character I think it's externally obvious. Don't get me wrong, Mei can be serious, but usually only in moments of vulnerability or high stress. For example: when talking with her pearents, after she gained the Samahdi fire and whilst imprisoned by the Yellow-robed demon.

I think this flaw is Mei's own version of Mk playing dumb. They both behave this way to lessen the emotional impact of serious things, to protect themselves and help those around them deal with trauma or difficult topics. Mei and Mk really are two sides of the same coin and I'd love for them to do more with that in the show.

Going back to Mei's parents, one of her biggest struggles is reconciling who she is with who she's meant to be. She is a noble dragon, a descendent of the great dragon of the West Sea and practically the successor to Ao Lie. It's a lot to live up to and -- evident in episode 3 of season 1; Welcome home -- she doesn't believe she dose.

Mei is confident in her abilities, she's sure of her strength and quick to help those around her, but in the face of her legacy she stands uncertain. It's another thing her and Mk have in common, though in vastly different flavours, and it's interesting how this legacy colours Mei as a character.

She wields the dragon blade, proving herself as a worthy part of her family and gaining the approval of her parents, however the stark difference between her and the rest of her clan is more blatant than ever. We see this perfectly in season 3 when they visit the great Dragon of the East Sea, Mei being put into fancy clothes she instantly ruins in order to have a place to hold her sword. She fights against her uncle, fights against her family, because she knows they'll never understand her. But even still, she knows she's still one of them and she's so proud to be.

Becoming the vessel of the Samahdi fire is only more proof of Mei's legacy and connection to her family. It gives her a moment of pure vulnerability where she vents her frustrations and fears before rushing away, wanting nothing more than to protect the people she cares about.

When Red Son finds her she's still serious, but even with just a basic understanding of the fire within her Mei falls back to her normal nature; a silly excitable girl not taking things seriously. We see this after Red Son attacks her with the spears and when she's eating later on, but even if her attitude doesn't show it, she's still listening and taking the training seriously. She just needs to be silly so she won't freak out again.

Since we're on the topic of the Samahdi fire, I think most people can agree that the way it was handled post s3 was very poor. With only one mention of it in s4, by Master Subohdi no less, I assumed that the fire had been resealed, this time correctly. Something that dangerous should be locked up, even if a capable wielder is around. It would also prevent power creep and stop the show from having another Wukong predicament, by which I mean a character so powerful they need to find a way to prevent them from trivialising whatever threat they have to face in the plot. Wukong will get his own post soon don't you worry...

Instead, we learn in s5 that Mei still has the fire, she just kinda forgot? She learned to fully master it when breaking out of LBDs mech, so since the fire was no longer a raging uncontrollable inferno she just didn't realise it was still there... for an entire season. Yeah it feels lazy and honestly is probably the worse written choice the show has even made. Even still, it dose lead to a very interesting and in character moment for Mei.

When attempting to seal the willow wisp with Red Son, Mei loses her confidence, believing that she lost the Samahdi fire and thinking she's lacking. Mk getting Monkie Kings powers was one thing, but the rest of her friends now having cool weapons and magic? If their all so strong and only getting stronger, then what's the point in Mei? She was the strongest but now she might be the weakest, and that terrifies her cause if she's weak she can't protect people. How can she act when she's powerless to do so?

This dilemma is quickly resolved by Red Son telling her she's had the fire the whole time, amending it's use to Mei's lightning motif she's had since s1 -- I know fire benders in ATLA use lighting but come on -- and basically saying she's been using the fire the whole time. It takes away from Mei's whole struggle to be honest, but I do think there's potential for her to relearn this now tamed Samahdi fire so she can better use it. Just depends if the show wants to do that...

Moving on from my thinly veiled complaints about season 5 (I like it I swear but it is the weakest seasons to me so far), let's talk about Mei's role in the group a bit. Aside from being the token girl, she's also Mk's best friend and the only other character his age and acts around the same age as the shows target audience. Mk's the main character and leader, Tang is the lazy historian smart guy, Sandy the loveable giant, Pigsy the cynical brute and Mei's youthful and silly power house.

I would love to go into some narrative tropes, specifically the 5 man band since jttw is one of the primary bases of the trope, but I've realised I have far too many thoughts about that to fit here. This is the 21sh paragraph and I'm sure at least some of this is a mess, but I hope I'm getting my point across! Overall, Mei is an extremely compelling character how often gets side-lined due to run time and other stuff, but is honestly one of my favourite characters in the show.

[erisweekofficial]

Today we're highlighting @acourtofladydeath, creator and mastermind behind @polyacotarweek. She's written so many amazing pieces about Eris across multiple ships and genres. And if you find yourself wanting to explore other characters, she's got you covered with her masterlist of 30+ works on AO3.

🧡 Looking for something deeply emotional and poignant? Please start with LD's favorite fic, All Things End (Azris). 🎧 It even has a playlist. 🎧

🔥 If you're looking for a good horny time, try Welcome to the Family, which features Elain x Eris or Rules are Rules (Azris). You're in for a good time with those two. Especially if you like Beron.

Read on to learn more about LD's writing process + some advice for writing about Eris...

What themes do you like to explore in your work with Eris?

I really enjoy exploring the juxtaposition and depth of Eris. He needs to act a certain way to protect the people he loves and keep his place within the Autumn Court under his father. But does he want to act that way? How soft is he, or is he actually as mean as he seems? I like when he's a bit of both. I think he's a very protective person, and I enjoy exploring the different ways that manifests with different people. I also think he's experienced a lot of trauma in his life, and I'd be remiss if I didn't say I enjoy exploring that and how it influences both his external and internal persona.

What other characters do you enjoy writing about alongside Eris?

Three favorites, three different relationships: My favorite person to ship Eris with is Azriel, and I love writing different iterations of their relationship. Some are softer, others are spicier, and then there's the really sad takes. There's so much give and take with these two and it's so fascinating to play around with. I love writing Eris and Nesta as best friends. Their wit is so well matched, as is their lived experiences with their siblings and parents. They have so much overlap, and you can write them funny or feeling and any combination in betwell. Plus, who says friends can't fuck? Not me. The third person is Lucien. I really enjoy exploring their familial relationships. Were they close as kids? If they hate each other, have they always? How does this relate to their relationships with their parents and other brothers? There's so many different ways to skin this cat and I want to write them all.

What's your favorite piece you've created featuring Eris and why?

I hemmed and hawed over this question forever, but I think the fic that fits best is "All Things End." This fic is pure bittersweet angsty sadness. What if Beron's torture gave Eris incurable dementia? How would his mate, Azriel, their children, and Lucien handle the situation? CW for dementia, death, and grief. I created two playlists for this fic: one that's a direct accompaniment and another that's an extended cut. The direct playlist is timed to the reading length of the fic, and specific songs play during specific scenes to enhance the reader experience (AKA bring more tissues).

Do you have any advice for other creators wanting to make eris content?

Eris is a character that we don't know much about compared to others in the series. When I go to write him I start with what we do know: his father's abuse, he's a general, he protected Lucien, we don't have the whole story about the Mor situation. He's cunning, so you know that what you see isn't all there is. I like to build backward. What from canon do I want to focus on? How does canon tie into whatever type of fic I'm writing? Why does he act the way he acts, and how does that tie into his canon history and the plot/theme/characterization of my fic? This helps build up the layers that are so integral to who I think Eris is as a character. Complex, captivating, keeps you on your toes. And don't forget his gold jewelry.

[eddiediaaz]

hellooooo! i read a lot of buck/eddie fics, literally everyday, and earlier this december i thought "why not share some of my favorites that i have read this month?" so here we are! i couldn't include everything i've read and enjoyed, the list would be really long. but i've picked a few fanfics that i've read (for the first time) in december that were really huge favorites and stayed with me for a little while these past days/weeks. i will try to make these on a monthly basis, because fanfic authors deserve all of the recognition! oh, and happy new year!

both blades and branch by @cal-daisies-and-briars 62k | mature | canon divergence | completed: december 2023

The chances of being struck by lightning twice are incredibly minute, but Buck still manages to pull it off. During a double date with Marisol and Natalia, nonetheless. Eddie manages to resuscitate him, but as Buck recovers from yet another trauma, Eddie can’t help but notice there’s something very different about him. He’s not quite sure what version of Buck he got back.

this fic is absolutely incredible. i couldn't put it down once i started. it's extremely well written and brilliantly planned out. the angst is heavy but so is the reward: this is an amazing story. easily an all-time favorite!

my blood on your skin (my rose on your snow) by @letmetellyouaboutmyfeels 80k | explicit | alternate universe | posted: october 2023

When Eddie needs cash and fast to take care of Christopher, his LAFD Academy buddy suggests a job as a bouncer at Elysium - an exclusive sex club in downtown Los Angeles. Eddie doesn't care what goes on there, so long as he's paid, but he finds he cares a lot bout the club's enigmatic owner, Evan Buckley, and it's not long before the two of them are violating every boss-employee rule in the book. But there's something different about Buck and the club, something not quite... human. If Eddie wants to keep Buck, he's going to have to delve into the world of immortals, and all the risks that implies.

another exquisite fic from this author. they never miss!! this one explores a dynamic i don't read that often (sub eddie) but it works SO well here. extremely well done, as usual. i also absolutely love this buck here.

burn a bridge, learn how to swim [series] by watermelonshorts 34k | mature/explicit | canon verse | completed: july 2021

In which there is some unexpected making out, some pining, one third of an existential crisis and a lot of unhelpful advice. Not necessarily in that order.

they are GIANT disasters in here! really loved the humoristic tone of this whole thing. i just wanna shake them and yell learn how to communicate properly damn it!

dead reckoning by euadnes 28k | mature | canon verse | posted: december 2022

In which a tragedy on the edge of a firestorm leaves part of the 118 stranded and struggling to survive in the wilderness. Left entirely to their own devices, the survivors fight to come home, alive.

buck, eddie, and ravi survive a plane crash, and it's amazing. incredibly well written, i was hooked from the very start and couldn't put it down until i was done.

here comes the jackpot question in advance by @lamardeuse 4k | teen+ | canon verse | posted: december 2023

Buck is determined to start the new year right.

this is very very very cute!!! i always love a cute holiday themed get together story. as always, this author nailed the characterization!

being eddie by @cal-daisies-and-briars 79k | teen+ | canon divergence | completed: august 2023

When Eddie starts seeing a new therapist, he’s presented with the opportunity to revisit several days from his past and right regrets that still bother him. OR: Eddie goes through the time travel therapy process of the 2009 Canadian TV show Being Erica

incredible concept!!! all the moments chosen for eddie to revisit are perfect and make so much sense for his character. this was such a great read and an absolutely amazing character exploration fic.

a blaze in the dark by @woodchoc-magnum 117k | explicit | canon verse | published: december 2023

Set post-Season 6, where Buck has inadvertently sacrificed his friendship with Eddie in order to focus on his new relationship with Natalia, and is shocked when Eddie comes out to the team and subsequently reveals that he is dating a guy.

okay so i literally read this in one sitting and went to bed at 7am to finish it. i couldn't put it down. the angst is SO good and frustrating and delicious and painful. but the payoff is so worth it!! this is really really really good. i loved all the dynamics, especially eddie and karen's friendship.

[ecoterrorist-katara]

love love love ur parentification analysis on sokka and katara especially katara’s section! it puzzles me so when KA’s say ZK’s do not understand the show nor katara when to me it’s so obvious we do 😭

thank you so much anon! I’m so happy that my post resonated with you!

A while back I saw a Tumblr survey about favourite characters and ships. It basically showed that for people whose favourite character is Katara, Zutara is the most popular ship. Obviously the Venn diagram between Zutara shippers and Katara fans isn’t a circle, but I think the overlap contributes to why so many ZKs are passionate about Katara. Also, ZKs who are Katara fans tend to be pretty flexible with Katara ships: many people like Harutara / Jiangtara / Yuetara / Sukitara / Azutara (though most shippers of Azutara tend to be Azula stans first and Katara stans second). What’s really funny and a little sad to me is that non-ZK Katara fans who dislike her canon arc get accused of being ZKs by antis (this happens weirdly often to @sapphic-agent). It’s like some antis can’t comprehend the idea that people might just love Katara without the ship war.

I generally like reading POVs from Katara fans of all ships, but I recently discovered that I tend to disagree with POVs from Zukka shippers. They often try to defend Katara’s “childhood” by pointing out that Katara sometimes goofs off and Sokka also takes responsibility, so she’s not just the “mom friend.” To be clear I’m not disagreeing with those points, but I don’t think downplaying her parentification trauma is defending her childhood, especially since goofing off & being impulsive make her parentification more realistic, not less. It feels kind of disingenuous to accuse the fandom of being the ones to parentify her when The Runaway exists, especially since they downplay Katara’s parentification in order to play up Sokka’s parentification. There’s nothing feminist about ignoring the invisible labour performed by a woman in a cartoon, not when brave women IRL have been agitating to recognize care work for literal decades. I wrote my undergrad thesis on invisible labour performed by women, especially women of colour, in radical activist spaces…so I feel really strongly about this.

I think it’s interesting that a lot of ATLA fans claim Katara shouldn’t be with Zuko on the grounds of her colonial trauma, but refuse to entertain the notion that maybe she shouldn’t be with Aang (a kid who evades responsibility) because of her parentification trauma. The murder of her mother stems from imperialist violence, but her subsequent parentification stems from patriarchal gender norms around divisions of labour and assignations of responsibility. The patriarchy is a thing in ATLA, and it’s canonically something that Katara hates almost as much as the Fire Nation (incidentally, reason 27363729 why the fic Southern Lights is so special to me is how it deftly explores both anger at a colonial apparatus & anger at your own people for their patriarchal oppression).

[thebibutterflyao3]

I always wonder why people think that James would choose Sirius over his partner. While canon is a literal dumpster fire, James cut ties with EVERYONE to keep Lily and Harry safe. We have zero reason to believe that he prioritised anyone over his partner, even his friends.

As someone with a lifelong best friend who is the other half of my soul and always will be, I would be devastated if she asked me to choose between her and my partner. It would be a betrayal of the trust and bond we have as friends. The relationships are different and both should be treated with respect.

If anyone understands that, I think it’s James Potter. He had a beautiful example of a strong, loving relationship in his parents and his son was definitely the center of his world. Protecting his relationship with his partner above his friends is a perfectly in character.

In most cases, this person chose to trust their partner with access to their mind, body, and heart, as well as their finances, personal effects, health, and safety. Life partners are not often someone you just sleep with.

James is an all or nothing character, he gives every piece of himself without hesitation to someone who needs help. With a partner, he would go further still, and if you’re devoting the entirety of your life to someone, your best friend would (or at least should) respect the depth of that relationship. Which is why it’s so devastating for James in StarChaser/Jegulus fics for Sirius to object.

I will add that I think it’s understandable for Sirius to object, given his history and his trauma. Especially when it’s Regulus. This push/pull of emotions and the exploration of relationships is what makes StarChaser so compelling for me. It is probably the biggest test of James and Sirius’s friendship, which we know was insanely close.

[sonnysonder]

(THIS POST IS PURELY ABOUT THE FICTIONAL QSMP CHARACTERS, NOT THE CREATORS WHO PLAY THEM. THIS IS ALSO MY OPINION WHICH I AM ALLOWED TO HAVE)

Can I be fr for a sec

I'm honestly more interested in who qFit and qPac are as individual characters than who they are as a couple.

And no, you can stop clutching your pearls. This is not me saying I hate Hideduo, or even FitPac. I really like them in fact! They have good chemistry, and they play off each other wonderfully.

But I just wish more people would see the two of them as their own seperate characters.

I think both qFit and qPac presently suffer EGREGIOUSLY from both mischaracterization, and just...people forgetting that there's more to the two of them then who they are as a couple.

I was SO excited when qFit lore really started taking off because I knew a whole lot of cool fan content to consume would come out of it, but I hardly see anything anymore. Ik q!Fit is one of the less popular characters, and it's occurred to me that a lot of people might only know his character through FitPac.

(Which leads to a ton of mischaracterization. Like people even throw out the whole slowburn thing and all the trauma stuff that MAKE them a slowburn but that's a gripe for another day)

But qPac REALLY gets the short end of the stick imo. I have seen MAYBE three works of art, fanfiction, or otherwise that delve into who he is outside of relationships (Fitpac or otherwise!!!) Which I think is SUCH a waste! The dude is an orphan! A skilled fighter! A loving father! A MASTER INVENTOR!! And I'm lucky if one these things are even MENTIONED in most fics I've read.

(Yes, qFit is my favorite character and the one I follow predominantly, but from what I've seen qPac is also portrayed extremely surface level in a lot of works which is a shame!)

Lemme see more qFit lore works, his friendships with other characters, badass stuff with him in 2b2t, heck, stuff with him and Ramon! They have a fascinating relationship!

Let me see stuff that really EXPLORES qPac. His guilt, his highs and lows, his backstory, his SKILLS! WHY HE DOES THE THINGS HE DOES!!!

Anyway this is not me saying not to make FitPac/Hideduo stuff. Make whatever the hell you want, I'm just saying there's a ton more to both characters that's super interesting and has tons of potential, you just gotta look a bit deeper!

PEOPLE SHOULD MAKE MORE STUFF ABOUT THE CHARACTERS QFIT AND QPAC ARE. AND FOR THEMSELVES, NOT JUST FOR EACH OTHER. THEY DESERVE BETTER THAN JJST BEING EXTENSIONS OF EACH OTHER.

Also this had nothing to do with qFit basically being confirmed queer!! That's great love that for him!! I've just had this on my mind for a while now!!

This is also not directed at anyone in particular!!

Thanks for listening to me gripe ig

[dinitride-art]

Au fics that i think are neat and that i want to compile into a list because im trying to figure out how to comment on a chapter of a fic but i need time to sort out my thoughts (usually for fic recs i try to rec fics with less kudos/engagement because reasons but im just gonna throw everything in this list. probably multiple fics by the same author in the same universe because thats the one im trying to sort out my thoughts on.)

the strawberries are dying by eggowlss - historical fiction and very interesting character relationships and also character exploration within the time period. I really like this one because the pacing and tone are very gentle. There’s a srt of ebb and flow to the story that makes both the time period and the characters really fit into it. idk how to describe it i just like it a lot.

in the quiet of the night (acswy ao3 series) - they’re putting those characters in situations. It’s a very good time. 10/10 do recommend. If you haven't heard of this one though, it’s basically a modern au where everyone works at a summer camp and Mike and Will cause problems for themselves, each other, and usually everyone else around them. 

si vis amari, ama by perexcri - demons and angels and heaven and hell and its honestly just one hell of a story. like ive got vivid images in my head of scenes i imagined when reading this. 

you start to kiss (and the record skips) by eclipseadventure - this is a band au with a side of a secret relationship and im a sucker for secret relationships. a bit of drama/high stakes in here too which is always pretty fun. 

End Racism on the OTW! - you and me and the horrible teenaged ghost who keeps eviscerating himself in our apartment makes three by TheWrongKindOfPC - i am also a sucker for buzzfeed unsolved aus. buzzfeed unsolved, hauntings, ghosts, yknow the fun stuff. 

into the daylight by andiwriteordie - THIS IS NOT THE FIRST ONE, it’s just the first one that came up in my bookmarks. anyways, this is the second fic in a fantasy au series. The worldbuilding is really cool and there’s magic and history and politics and i like it a lot. the most recent chapter is spinning around in my mind.

the heartbreak prince by andiwriteordie - THIS IS THE FIRST ONE. 

beneath these boughs, my devotion blooms by perexcri - this is the fic that nearly killed me. i literally cant summarize it because im still recovering from what happened to me when i read it. Did i read it in april? Maybe. Listen, it had me asking questions about things i had never considered before. its 11k but im pretty sure it took me a good few hours to read because it made me think about it so much. again, ive got a bunch of visuals running through my head. its just... so much.

sweetheart, you're so cruel by perexcri - Mike’s in a band, Will’s a music snob, they’re both contemplating their life choices. very fun, very interesting, also made me think about some things. 

keep it hush by wiseatom - theres an amusement park and the horrors of customer service. and some other stuff but basically its pretty bright (the visuals of the fic in my head are bright- like sun glinting off metal- and idk how else to describe it)

the start of an age by delusionaltogether (Whyyyyy) - this ones funny and serious at times and its got Max in it. fantasy au with prince will and knight mike and a secret relationship and a small scheme between three parties that involves a fake (ish) marriage. 

superhero therapy by silverluminoqity - spiderman au with a side of trauma and healing? it’s complicated theres stuff happening, i had a good time reading it. 

you've got this spell on me by andiwriteordie - this one was really fun. basically its a fantasy au theres magic and mike gets himself hit with a spell that makes him fall in love with will and will freaks out about it for a while.

Daydream by disaster_energy - i really really liked this fic. its a fantasy au and its got gods and stuff and will gets chosen by the moon goddess because hes Will and everyone is like... woah.

takes one to know one by andiwriteordie - i also liked this one a lot, its a superhero au and its got ironic (like... dramatic irony- i think is what im talking about? maybe? but like fun irony) secret identities. 

Love goes 'round by evil_ontheinside - conversations in a laundry mat. mikes flopping (as in, flopping around like a fish) around a bit and this was pretty cute. 

my promise could be your fiend (could be the smallest of signs) by s0ld_it - spider man au, theres a bookstore involved and a lot of stuff. ive read this fic twice and greatly enjoyed it both times. 

Tip-toeing on Lily-pads by cherryisgone - very very fun, fantasy au and... mike gets cursed to be a frog. can only be un-cursed with a kiss. 

filling in the blanks as we go by delusionaltogether (Whyyyyy) - bookstore meetcute

there’s more but i spent all day painting my room and i am tired. Ive also got way too many bookmarks to go through and i have decided to stop here. still haven't figured out how to write that comment (but i am working on it because i love the fi(s) and ive been thinking about one specific thing that came up in a new chapter for so long). anyways, i hope someone enjoys this list of au fics from my bookmarks. 

[steddieunderdogfics]

This week’s writer spotlight feature is: @stevesbipanic! They have fourteen works under the Stranger Things tag and thirteen of those works are under the Steve Harrington/Eddie Munson tag over on Archive of our Own!!

Our anonymous nominator recommends the following of their works by stevesbipanic:

Stevie's Time Loop

Home For Christmas

Remember Me

The Clothes That Make Us

Boy for All Seasons

She's an amazing writer that's able to make you feel connected to the characters, especially Steve. She's able to make me both cry and laugh in the same fic which is a feat to do well. She's also an amazing friend. Stevie's Time Loop is one of my favourite as it's a really unique way of writing a timeloop with large time jumps and most loops focusing on Steve and his trauma rather than finding a solution. - anonymous

Below the cut, @stevesbipanic answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

Steddie was the first ship that ever drove me to write fanfiction. I think the fact that I see myself a lot in both of them, especially Steve makes them so enjoyable to write for me. I think they’re also such moldable characters that you can write them into a lot of different stories quite easily and I love exploring their personalities and dynamics.

What’s your favorite trope to READ?

Soulmate AUs because I’m a sucker for true love.

What’s your favorite trope to WRITE?

Angst with a happy ending, I love making both these boys and my readers cry but also want them to be happy and in love in the end.

What’s your favorite Steddie fic?

This is such a hard question, there are so many talented writers and amazing fics, but if I had to choose one I’d have to say “The One in Which a Time Loop is Fucking Exhausting” by badpancake, it was one of the first time loop fics I read and really inspired my own time loop fic.

Is there a trope you’re excited to explore in a future work but haven’t yet?

I’d love to explore a fantasy AU in the future, I know many talented authors writing dragon!eddie and King Steve or knight and bard steddie and it is one of my favourite genres of fics that are outside of Hawkins.

What is your writing process like?

A mess, most of my works on Tumblr are spur of the moment ideas that will come to me and I immediately need to write them down. It’s actually the longer slower projects that are hardest for me since they require a lot more planning and editing, I really admire the authors consistently putting out those big fics.

Do you have any writing quirks?

I’d say my most noticeable one is how I write dialogue, I really don’t like writing steve said eddie said etc etc. I usually write each thing said on it’s own line and it’s clear who’s speaking by what they say or how they say it, I think it breaks up the story nicely too since you feel you’re seeing the conversation rather than reading it.

Do you prefer posting when you’ve finished writing or on a schedule?

As soon as I finish writing I want people to see it, I kinda hate sometimes when I’m doing a project and have to wait for a specific time to post but the anticipation can be fun too.

Which fic are you most proud of?

Honestly, I’m most proud of my latest fic “Home for Christmas” it was the first time I’d ever participated in a bang and the project felt huge, it felt like a big achievement getting it all out in the end and it’s the longest fic I’ve ever written as a bonus.

How did you get the idea for Remember Me?

I think I’d been reading a fic where Steve got a concussion and had a bit of temporary memory loss and I just thought what if all those concussions had long lasting effects on Steve’s brain when he grew older. I’ve also experienced a love one going through long term memory loss and how hard it is to watch that.

When writing Stevie's Time Loop, what was something you didn’t expect?

I didn’t expect it to become a whole fic! It started off as one little off hand drabble I wrote that alluded to a lot of loops surrounding the scene of Steve and Robin discussing how Robin had a bad feeling about this and just thought well what if this is like time loop deja vu.

What inspired The Clothes That Make Us?

Exploring why Steve dresses how he does and how he likes the things he does and how there’s an emotional reason behind some of the fans favourite outfits was something I wanted to explore more and this was my very first fic I wrote for ao3 so it was a bit daunting but also very exciting.

What was your favorite part to write from Boy for All Seasons?

My favourite part was definitely thinking of all the silly costumes Eddie would come up with as well as flirty Steve is so fun to write.

How do/did you feel writing The Clothes That Make Us?

I felt nervous since it was the first fic I ever wrote but excited since I felt really proud writing something that long and the feedback I got was so heartwarming.

What was the most difficult part of writing Remember Me?

Omg just getting to the end without crying so hard, after I posted it so many people messaged me about how they cried through it, just know I was writing that through tears too!

Do you have a favorite scene and/or line from any of your fics?

"Thank you for giving me a life worth remembering.” in “Remember Me” makes me want to cry everytime and really shows what we want for our favourite characters is to have a happy life however long they get.

Do you have any upcoming projects or fics you’d like to share/promote?

I’ll be posting my fic in the upcoming Reverse Bang in March which is exciting and I’ve got a secret project coming up later this year that people can follow @steddielycrying.

Outside of these questions, Is there anything YOU would like to add?

I’d just like to thank everyone who’s supported me through writing, whether it be a random comment on a fic or my lovely mutuals that get me through hard days, this has been an amazing fandom to be apart of and I can’t wait to write more!

Thank you to our author, @stevesbipanic , and our nominator! See more of @stevesbipanic's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[shetolae]

azula in fanfiction

i really, deeply adore when fics explore azula after the war. when they give her the space to be different, to be messy and unhealed and traumatized. I really really love when writers give azula the space to be a multi-dimensional character who is not just a villain. when they decide: no, azula is not just a villain. she's not just mentally ill. she's not just her trauma. she is a multitude of things and I will now express that.

I think most notably of Once Around the Sun by eleventy7. The farewell to Azula in their fic (I promise, no serious spoilers) has stayed with me since I read it. I think about it, nearly, every day. The heart of that fic, honestly, is Azula to me. Without her, it wouldn't be the same story or have the same effect. I will always think about Akina. (read the fic, you'll get it).

More recently, I really adored how @wewere-angels wrote Azula's change and healing in everything i am (sorry, i won't shut up about this fic). The way that instead of Azula being isolated both in-story and out; she is surrounded by her family and friends. She is allowed connections and to heal; to regress and progress again. She isn't on a linear track of one thing: healed or insane. And I love it. (Thank you).

[lizzybeth1986]

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

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Read on below to learn more about what drew them to Eris, their favorite fan theories and more! 🔥

What drew you to Eris Vanserra as a character?

I was drawn to Eris Vanserra because I relate deeply to his complex background and troubled past, which SJM only skims over in the narrative. I’m fascinated by how his difficult experiences and family dynamics have influenced his behavior and decisions. His character resonates with me on a personal level because I’ve encountered many individuals who, like Eris, have difficulty expressing their emotions. This struggle to show vulnerability and the resulting layers of hidden depth intrigue me. I find myself compelled by characters who, despite their emotional challenges, navigate their world in ways that reveal their true selves slowly, making them all the more captivating and relatable.

You have the opportunity to add three songs to Eris's daily spotify playlist. What songs would you choose and why?

For Eris Vanserra, these songs deeply resonate with different facets of his character: "Play with Fire" by Sam Tinnesz: This song perfectly captures Eris’s striking and intense personality as the heir of the Autumn Court. The lyrics and mood of the song reflect the dangerous allure and fierce presence he embodies, making it an ideal match for his complex and formidable nature. "I Wanna Be Yours" by Arctic Monkeys: Beneath Eris’s cold exterior, this song highlights his profound loneliness and longing for genuine connection. It speaks to his deep emotional scars and the void left by his stripped childhood, portraying his desire for a significant other who can understand and connect with him on a deeper level. "Daddy Issues" by The Neighbourhood: This track resonates strongly with Eris’s experiences of childhood trauma and the immense pressure from his father. The song’s exploration of fatherly expectations and emotional strain mirrors the intense challenges Eris faced growing up, providing insight into the burdens that shaped his character. These songs not only reflect Eris’s inner struggles and emotional depth but also enhance your understanding of his multifaceted personality.

When writing your fics, how do you choose which scenes or moments to focus on?

When writing my fics, I invest a lot of time in finding inspiration and exploring the uncharted aspects of Eris Vanserra’s love life. I’m particularly focused on crafting scenes where the female main character makes a genuine effort to understand him. I love delving into moments where she attempts to lift the heavy burdens he carries and uncover the cracks in his emotional armor. I often reflect on how Eris’s childhood might have reinforced the belief that "crying makes you weak," and I use this theme to add depth to his character. This belief, instilled by his past, has contributed to his emotional restraint and the mask he wears. Through my writing, I aim to show his struggle with these vulnerabilities and his deep-seated desire to be loved for who he truly is. My goal is to portray Eris not just as a complex figure, but as a human being yearning for genuine connection and acceptance.

What are some of your favorite fan theories about Eris

One of my favorite fan theories is the idea that Eris and Nesta could form a more powerful couple compared to Cassian and Nesta. As I delve deeper into this theory, I find it increasingly compelling, especially when considering their character traits and backgrounds. Eris’s intense and commanding personality, shaped by his experiences and the high expectations placed upon him as the heir of the Autumn Court, aligns intriguingly with Nesta’s fierce independence and strength. Both characters have endured significant emotional hardships and have developed strong defenses to protect themselves. This shared experience of struggle and emotional restraint could create a powerful dynamic between them. Eris’s ability to navigate his complex family dynamics and his hidden vulnerabilities might resonate deeply with Nesta, who also grapples with her own trauma and emotional walls. Their interactions could offer a unique blend of intensity and understanding, as each recognizes and relates to the other's hidden pain and strength. In contrast, while Cassian and Nesta share a strong bond, their relationship is characterized by more open confrontation and emotional rawness. Eris and Nesta’s potential pairing could introduce a different kind of depth, where their personal struggles and strengths complement each other in a more nuanced way. This dynamic could highlight a different kind of power and connection, making their relationship feel uniquely potent and compelling.

[aftgficrec]

ack finally caught you guys open <333 thanks for all your work! I was wondering if you have any newer longer fics with realistic characterisation and writing (similar to profenity’s works maybe?) and also any non-fox Neil/andrew fics? Thank you!And sorry for the tall order;;🙏

You’ll find an abundance of non-fox andreil in our recent Staff Recs: Writers post. On our tags page under AUs, explore the shops and jobs sections or other themes from fantasy to band aus.

Fandom writer profenity is known for long, meaty explorations of canon characters and themes. Their ongoing WIP ‘The Unkindness of Ravens’ has more than 380k words and 12k+ kudos! Find it in this Raven!Neil to Fox ask under former writing name crazy_like_a. The author interacts with fans on tumblr @hopingforcoordinates. 

We’ve featured or referred to profenity’s ‘Lessons in Cartography’ and sequel ‘The Cartographer and the World’ in many asks. I’m listing some as a doorway to similar works. For something newer, try the Kevin-centric ‘A Falling Star’ series, featured here. If this answer seems cobbled together — it is. This is my subjective, limited attempt at catching lightning in a bottle. -A

check out other works in these asks that feature profenity’s ‘Lessons’ series:

must read fandom classics here

post canon continuation of The King’s Men here

Neil fights with Jack here

andreil exploring feelings, intimacy and sexuality here

in character andreil smut here

small selection of ‘not new’ recs:

‘Hold me close, in fact bury me’ and ‘Trust Fall (And Welcoming Arms)’ here

‘Black As Is The Raven, He’ll Get A Partner’ here

‘progress comes in small steps’ series here

‘Inked Truths’ series here

‘Baltimore Blues’ here

long recs for a return to fandom here

A Falling Star series by NikNak22 [Rated M/E, 245011 words, 3 complete works, Updated Nov 2023]

NB: the author credits inspiration to ‘To Be Certain We'll Be Tall Again’ by fullyvisible, featured here, now complete.

Part 1: Dead of Night (E, 101589 words) It’s Kevin’s senior year at PSU, and things are…okay. But that changes when a single question from a nosy reporter sends his life spiraling. The descent is slow and maddening – memories and trauma from his past weave together to form the image of the man that stands there today. As Kevin begins to look around him with a new and critical eye, though, he’s no longer sure that man is who he wants to be. So the question is - when faced with the truth, is it a case of Kevin finally getting what he deserves? Or is it about time to prove a lot of people (including himself) wrong? Aka the fic that’s all about Kevin Day.

tw: torture, tw: abuse, tw: child abuse, tw: rape/noncon, tw: alcohol abuse, tw: psychological abuse, tw: depression, tw: self esteem issues, tw: body dysmorphia, tw: body shaming, tw: bullying, tw: assault, tw: homophobia, tw: racism,  tw: self harm

Part 2: Darkest Before Dawn (M, 52365) “This is finally it, isn’t it?” Jeremy whispers. “Oui,” Jean says softly on Kevin’s other side. “I believe it is.” And for a moment, they look so lost. Just two little boys about to go out and face the big, wide world. So Kevin searches until both of his hands find one of theirs. He doesn’t look at them, though he feels their gazes on him. He just breathes deeply and closes his eyes. Then he squeezes their hands as he tells them, “I can’t wait to see what you’ll do next.” AKA the highs and lows of Kevin’s life after graduation and into the Pros.

tw: self esteem issues, tw: panic attacks, tw: minor character death, tw: implied/referenced assault, tw: implied/referenced eating disorders

Part 3: In the Light of Day (E, 91057) It’s been almost five years since Kevin graduated from PSU. Five years that he's played Exy professionally. Five years since he’s learned to live on his own. Five years after discovering he’s in love with his best friends, former USC Trojans Jeremy Knox and Jean Moreau. Five years since he’s figured out, they will never love him back. So, when Jeremy and Jean invite him to their house for Christmas this year, he knows this is it. It’s the finale. The last hurrah. The swan song. The final act. It’s time he lets them go, lets this foolish, one-sided love go, once and for all. But he might find this is harder than he ever expected.

tw: depression, tw: bullying, tw: self esteem issues, tw: body dysmorphia, tw: imposter syndrome, tw: implied/referenced eating disorders, tw: gaslighting, tw: ptsd, tw: dissociation, tw: implied/referenced abuse