#I like art about the characters just hanging out and having a good time

[maleyanderecafe]

Locked Out (Kinetic Novel)

Created by: SlowlyTee 🍓

Genre: Horror/Romance

This is a short but complete kinetic novel about a girl named Sallie who gets locked out of her apartment and has to wait it out in her neighbor Kien's apartment until she can get the locksmith to come. It has a very nice art style and a bit of a twist near the end, even if it does feel like it ends in a cliff hanger. You can find more at @slowlytee.

The story starts out with Sallie coming back home from her work after a snowstorm only to find that she had accidentally locked her keys inside of her apartment. She finds that there's nobody she can turn to and instead calls a locksmith to help her get back in. Because of the snow storm, the company estimates that it will take them about an hour and a half to the apartment, meaning that Sallie will have to either stand outside in the cold or find a place to stay. While contemplating on the nearby places and how creepy that one guy at the mall was, her new neighbor Kien comes by and offers for her to stay at his place to wait. Having no real other option, she agrees and hangs out at his place to talk. We find out the reason why Kien is out so late is because of his insomnia and he talks about how he manages it, letting himself work on various projects to tire himself out. As a freelance editor, he is able to work on many projects on his own time. Sallie also talks about her job as a bartender and her desire to be a journalist, even if she knows her family doesn't really support her on this decision. Kien offers her a drink and suggests drinking some wild berry tea which Sallie agrees to. After variously talking for a bit, Kien heads to the bathroom and Sallie ends up passing out on the couch. Upon waking up, she finds that she missed the locksmith by two hours, causing her to panic. Kien comes in to tell her that he decided to pay for the fees and got her door unlocked while she was asleep. When asked to pay him back, Kien instead asks for her to go on a coffee date with him which she agrees to. After being given some wild berry tea leaves, Sallie returns back to her apartment. She decides before sleeping to call the company and figure out how much she owns Kien, however, upon calling, she finds that Kien actually cancelled the service stating that he was Sallie's boyfriend and simply unlocked it for her, leading the caller to get annoyed and scold her a bit for wasting her time. Immediately afterwards, Sallie goes to Kien's house and pins him against the wall angry. She more or less curses at Kien and tells him to not mess with her before he laughs stating that her reaction was very interesting.

First things first, I really like this artstyle in this game-it reminds me of an artist that I follow on instagram though it's not the same person. I think that the snowy atmosphere really brings a very good feeling to everything, not only the coldness that Sallie feels but also the contrasting warmness of when she goes into Kien's apartment. All in all, I honestly just really like the art style for this game. Another thing I like is how generally grounded this game is, as everything that happened is something that could feasibly happen in real life, which I think is always a fun thing to see in these types of kinetic novels. Despite how short it is, it's able to showcase both of the character personalities- even certain things like Sallie turning on Kien at the end by coming to his apartment and pushing him against the wall are also foreshadowed in her conversations with Kien.

Sallie initially comes off as a bit more aloof and reserved towards others, though it's completely understandable given that she's locked herself out of her apartment during a snowstorm. She doesn't actually ask Kien initially when she sees him to perhaps let her stay in his apartment until tlhe snowstorm starts, out of both politeness and out of awkwardness. We see this too when she stays in his apartment at least until Kien makes her more comfortable and insists on paying back Kien even after Kien tells her its okay, going so far as to call on the same day to figure out the pricing. At the same time though, we see that her job wasn't supported by her parents and thus she has to fund her own college classes through bartending. There's a sense of not wanting to have to be in debt in others no matter the cost, so I can see where she might have a kind of turn like this near the end. There are definitely bits of personality that shine through from what initially seems like a more polite and passive protagonist.

Kien, until the reveal at the end, is pretty good at hiding his yandere intentions. It's likely that he has been watching Sallie for a while, either because of his insomnia that allows him to watch over her at various times, or if he was lying just to make conversation with her. It also makes you wonder whether or not Kien himself was the one who locked Sallie's apartment door or if she did honestly forget and he took advantage of the situation. I think the most obvious thing he does is drug the tea that Sallie had- I honestly thought he was going to kidnap her after this instance, but instead he just goes out to unlock her door. Honestly, if Sallie had not decided to call the place to figure out how much she owed Kien, she probably wouldn't have found out that he was doing all of these things, like calling her his girlfriend or unlocking the door himself. I actually like this approach since there are a lot of little subtle hints into what's going on and then an ultimate confirmation at the end to see what he actually did. I am curious about his reaction though since he seems pretty smug for someone who was caught stalking and making a copy of her keys.

The game ends pretty abruptly on a cliff hanger. I think that while it could have made a more clean cut ending, the way that the cliff hanger ends give a sense of intrigue for what is to come. However, I can see why people would not like it since it is very abrupt and seemingly comes out of nowhere. Still, I think that it's a fun short game with a yandere in it with a good art style. Try it out if you haven't.

[trashisstillhere]

Guess whose parents I have just designed? (And didn’t feel like cleaning up, do better line art and colouring along with shading for yet?)

Yeah that’s right, it’s New Ninja’s!!! Meet their big workaholics yet loving mother and father!!

I still am trynna work on some stuff, I’m even planning on redesign Randy’s parents in my headcanon as we speak, also gonna do my own version of First Ninja’s family too, like I think of them alot in my head but barely drawn anything out so I wanna do that too really much hehe- yeah I got a lot to do.

Aaanywaysss. Let me tell y’all a bit about these two!

-NN’s parents are often really busy at their jobs so they can barely get to hang out with their child because of it, the only times they kinda get to interact more often are in the weekends but other then that, NN is often left home alone.

-just like everyone else, they don’t know that NN’s the ninja. And they don’t know about their relationship with Randy as their mentor and good friend either.

-just like their kid, they don’t have any names neither yet lol. Coming up with names one of the hardest parts of making ocs. For now, let’s just call them NM (new mom) and ND (new dad). Yeah I know it’s a little bit weird but until I finally can think of something for them, these will have to do.

-NM is a Japanese woman with sectoral heterochromia who works as a therapist! If you’re wondering what kind of therapy she does, it’s mostly behavioural. She’s almost very soft spoken, genuine and really wants to do her best to help people with their issues, including her own kid. However, she barely knows much about the shit her poor child goes through right now with their current life, she doesn’t know about NN being the ninja after all.

Most of the time, the people she work with in therapy sessions are usually normal but there are times that she has met some who seemed to struggle after being STANKED. Yes you heard right, some of her patients are stanked victims! A few past ones during Randy’s time as the ninja and now a lot more in the current time with NN now being the current one, those kinds of patients are kinda a whole other story.

-ND is an American man who works as a doctor! He is pretty skilled in a lot of things at his job, surgery is one of them. He’s more calm, serious and strict. His voice is kinda like monotone and very deep, a lot of people who sees him at first glance and hear his voice might think he’s quite cold but that’s far from the truth. He’s just a man who takes his job seriously, he also has a soft spot, mostly for his wife and child.

Like NM, he also has no clue about the struggles NN has right now. However, he did have his suspicions. He couldn’t talk much about it due to being so busy in job tho but whenever he has time, he’ll always make sure to tell the kid that if they ever need someone to talk to, they can talk to him.

-now back in their high school days together before NN was even born, they didn’t really know that much people other then themselves. They were high school sweethearts.. however, ND did actually know one guy the whole year. They weren’t like bffs but they did know each other very well so they were close and even now as adults in the present, they still interact sometimes, maybe even get some tea or coffee if they have time and aren’t busy. They went to different universities back then but that did nothing to their pretty nice bond.

You’re probably wondering who this ‘guy’ is and if he’s even important or just a random oc I made up…well he’s actually a canon character from Rc9gn. Yes, he is actually in the show. So who is it??…

……Willem Viceroy III.

HeheheheheHEHEHEHE- no I am not explaining this, ya gotta figure out yourself! What I will say tho is that yes, this will have an effect in NN’s story. 😏

——

And that’s about it!

[welcometogrouchland]

ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[ismyteadoneyet]

~ " Even my attacker's eyes shine with the flames of my ancestors.

[...]

' So it's true. ' The stranger's r rolls lightly. Scottish maybe? ' What they say about yer aether. ' " ~

ʙʟᴏᴏᴅᴍᴀʀᴋᴇᴅ ʙʏ ᴛʀᴀᴄʏ ᴅᴇᴏɴɴ - ᴘᴀɢᴇ 31

Larkin Douglas my beloved <333

[bacchuschucklefuck]

as an artist who just wants to get to drawing the pretty clothes and is terrible at posing i am forever enamoured by your poses..... they have so much energy and movement!!!

was this via art study, a general knack for anatomy or do you just enjoy posing specifically? and do you have any tips?

(i was just wondering bc your pose work is always so dynamic :D (your lighting also slaps /pos))

this is one case where it's a secret fourth thing lol. I have never successfully studied a single thing in my life, I am not at all a naturally "gifted" artist (and as well I reject the idea altogether), and posing has never jumped out to me as its own task in drawing at all! the way I do anything art-related, and posing specifically, is a lot more mechanistic than how it's perceived I think; I've just assumed this came as a function of how narrative-forward I see art, and how much I focus on comic work.

what folks talk about as "posing" I usually think of in two terms: composition and character acting. composition is how the figures fit into the intended frame, and character acting is the actual motion that'll be portrayed. you can see how that logically works itself out! there are more words than stars in the sky written about composition already, I honestly don't think there's anything I can say that'd be more useful than words from artists like thomas romain. character acting is itself more a matter of writing than visual art to me; you've got a guy and they probably do things, you draw them do those things, that's really it. the rest of it is just, figuring out weights and accenting in a scene, shape language, line flow, discipline-specific stuff like that; since no matter what I'm drawing I always mentally think of it as a comic thing, I usually try to insist on the strong points of that medium, one of which is colloquializing shapes to imply the entirety of a movement through a single panel. I don't always succeed at this! I hope to do better in the future. but it's how I approach this matter.

I think sitting down with your art to think about like, how you're approaching it and what you're in it for would help with troubleshooting a lot of the times. it's helped me before! I'm a completely hedonistic artist, I don't draw what I don't want to draw. what is it exactly about posing that's giving you a hard time? is it something you can do without? usually it is. if it's the thinking up a pose part, you can copy poses from high fashion magazines and sewing pattern models and just photos you find. if it's the fitting a pose into a nice looking complete picture part, don't make it a nice looking complete picture, do it sketchbook style, collage a buncha stuff together. if you never want to think about posing ever again, that's what stock bases are for! make urself some or get some from an artist and just draw the nice clothes.

if ur committed to figuring out posing and wanna ease urself into it, I find prompt lists are pretty good for giving ur brain a ground to build on top of and start asking questions. it's also a good exercise to sit down before drawing a thing to ask urself what u want it to be like, genre-wise: is it gonna be a comic cover, or a family photo, or a professional photoshoot, etc. these things have their own visual languages, and keeping that in mind will direct u on how to frame and choose the movements for ur piece. or, if that's overwhelming, drawing characters running is always good! there's plenty of character acting involved in there, it shows off the physicality of the clothes nicely, and it's decently easy to frame.

(I am similarly mechanistic about pretty much every other aspect of drawing lol, lighting/shading included. fully a case of "if it looks alright I put it in, if it doesn't I don't do it". I still struggle with it every time I do colors, but what can ya do. if the piece asks for it that's what it'll get. thank you very much for the nice ask!)

[randomminty]

I wanted to draw misakis funny shirt so so so badly but i couldnt draw her hat for the life of me :,,,,(

[kubota-crackhead]

brainrot

[bbeelzemon]

yknow, i think going just by sheer numbers, i have probably drawn humanoid characters with a fat body type more times than ive drawn literally any other body type combined

[weaselle]

i want to talk about real life villains

Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.

Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.

I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"

I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.

And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.

He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.

John Hammond.

probably one of the most realistic bad guys ever written.

If you've only ever seen the movie, this will need some explaining.

Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.

book spoilers below.

In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.

He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.

In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.

THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.

I think he's possibly one of the most important villains ever written in popular fiction.

In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.

I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.

Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.

And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.

I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.

Sweet old man though. Everyone loved him.

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[conchfritters]

head in my hands tears in my eyes yeah. Yeah in game collei is not what i wanted when i was excited for sumeru! the questionably accurate metaphor that I use for how I view genshin’s writing is like if we had a charcuterie board with meat, cheese and crackers on it. you can pick what you want off it, like all of them stacked or maybe just some meat or maybe just crackers etc. And then they get rid of the meat and cheese but they keep calling it and acting like it’s a full charcuterie board. the only people who are happy now are the people who only wanted the crackers, but they were already happy, because the crackers were still there. the only thing that has been accomplished is that people who liked all the flavors together think this sucks, and people who only wanted the meat or the cheese think this sucks, and people who wanted any combination of two of the options think this sucks. hang on this needs a read more i got carried away

it's taking every character they have and sanding them down into the most trope-friendly version of themself, at the cost of personality details, at the cost of relationships, at the cost of characters around them, at the cost of them feeling connected with the world and consequently of the world feeling more alive, in favor of appealing to ships or found family* or fandom in jokes** (things that, if left alone, develop naturally. in contrast to this weird manufactured fandomization that hoyo pulls that winds up just being bad writing, see charcuterie board metaphor) *particularly the "and these are the parents and these are the kids" or "siblings (but without any particular details or focus on either as an individual and how that effects a sibling dynamic)" type of found family. the very structured nuclear family kind **amber has a meta joke in her tcg dialogue. Fun fact that i hate.

so kaeya winds up a Found Family Brother (and also exemplifies their other running trend of linking characters to 5-stars. interesting advertising choice that i don't like) who Teases People (but only in a nice silly way! don't read his character story 2) and also is Sad (but only in a nice, easy on the details way. don't think about the whole diluc and kaeya's fight, which is the second attempted murder involving kaeya that hoyo refuses to elaborate on, or the whole khaenri'ah conflict thing)

and then you end up with things like collei's about kaeya line saying that she's sooo shy and nervous that he's gonna tease her. and because interpersonal relationships mean nothing here, collei's suddenly best friends with mondstadt as a whole. the simulanka event retconned has her greeting klee and klee saying it's been ages (they never met?) she asks how jean is despite not talking to jean once except to lie to get into the library. her reuniting with amber is done off-screen, their dynamic is simplified into Shy Cheerful Collei wants to be Not Shy Cheerful Amber (except amber can't be TOO not shy. all that being headstrong and blunt in 1.0 and the webcomic got taken away from her when she became Half Of a Ship with her designated 5-star). suddenly the whole "mondstadt was a last ditch effort to not die" and the "collei killed two people in cold blood" and the "she was willing to lie her way through for survival" bits are gone. collei's new conflict is that she's shy. she's shy and struggling in school and so found family daughter, by the way. is this shyness her struggling to adjust to living among people after a whole childhood as a human experiment on the run? never going to come up! that's a big scary plotline for a character here to slot into found family archetypes. and of course to remind you of eula's heart of gold, because in inheriting amber's new flanderized personality she also had to inherit the torch of standing next to eula and going hey guys don't forget to pull our 5 stars (something that also never does any favors to the 5-stars, who also have their personalities watered down, but i digress)

and again with my charcuterie board metaphor because i'm trying to keep this tangent from being Too incoherent. kaeya and diluc/klee interacting would be perfectly fine and even good If it wasn't the Only interaction they were allowed to have (except klee who is the only mondstadt character who exists in hoyo's eyes). when characters exist OUTSIDE of each other it makes them MORE interesting together. kaeya's lines about missing childhood during the 1.6 event and the way he takes care of klee are super interesting! the one scene of him in the simulanka event where he's telling those guys off for arguing in front of klee was a highlight of the event! but unfortunately their refusal to actually use their characters made it the only highlight of an hours long event with a full cast, and rather than make me like kaeya as klee's babysitter more, it just made me want to see more of kaeya on his own. "kaeya never saw himself as a child" is such a good interpretation i wish someone at hoyoverse would come to it to

(honorary mention to collei's one "she's like a wilted mushroom!" "collei that's so morbid?" bit, which was the only collei scene i liked. not a great sign either. i wish she stayed at least a little mean)

so you could have jean and kaeya or jean and amber or jean and diluc or jean at all developed. but jean isn't half of a ship (not with an event exclusive 5 star anyway) or found family, nor is she the lucky winner of whatever random number generator they use to decide who shows up in events (why was kokomi there when she had no interaction or chemistry with any other character involved? Because she may as well be)

they'll have the hidden strife letters which were good. they had all of the little 1.x lines and interactions that were subtle that came together to flesh things out ex. jean and diluc's pet turtle conversation, kaeya's whole pirate thing, his appearance in venti's story quest, everyone during the first summer event honestly (i miss jean so bad). and then they'll drop another 3-4 hour long festival/fairy tale/hexenzirkel/We Wanna Be 1.6 So Bad event with a cast that never makes it past "hi nice to meet you" where nothing happens and you get mediocre furniture. and then they'll throw in kaeya's whole scene in the theater in his hangout and show that they still can write characters. and then they'll drop him in sumeru to go Yeah i'm from khaenri'ah. Later! and leave

kaeya and collei's underwhelming in game dynamic are shaking hands with amber being written out of a scene entirely in shadows amidst snowstorms just so she wouldn't be the one to sniff out fakebedo in my head. i'd say we're due for a lisa blunder to finish the starter trio but that would involve them having lisa show up for more than 2 seconds

like i don't expect them to address the stabbing a 12 year old thing, but there are ways that they could have fleshed out kaeya & collei without outright saying that he stabbed a 12 year old. make amber and kaeya contrast, with amber having trusted collei and kaeya having not. collei looks up to and wants to be like amber but she is at the end of the day more like kaeya. i think that they could understand each other in a way and there are so many different ways that could be written. like it's very relevant to Me that kaeya was trying to kill collei in front of amber. he says she arrived just in time for the finale so he either didn't care that she'd shown up or wanted her to. he says he's going to "rip that deceptive mask right back off [collei]" and taunts her by asking what her friends would think of her now. was he trying to teach amber a lesson about trusting a threat to mondstadt? he calls her an entertaining exemplar of justice in the beginning, was he trying to throw her trusting people back in her face? teach her a lesson by it? something that would make his and diluc's relationship more interesting by proxy, because you know who else wears a deceptive mask? you know what other pyro user felt betrayed? and then by continuation there's the "diluc tried to stab kaeya vs. amber flew collei out of there and asked for her reasoning" paralell that makes amber and diluc have an interesting dynamic without having ever interacted. when you build webs like this things flow so much better than sectioning characters off into little groups that they aren't allowed out of

and that makes diluc showing up at the end of the barnabas fight more interesting. it makes amber being called a true child of freedom BY VENTI during the archon quest more interesting. the fan translation of the last webtoon chapters (because hoyo fucking hates that webtoon so bad i guess) has amber respond to barnabas saying that humans are weak with "but we are still alive by our own strength", and saying that collei can deny the glory of barbatos but she'll show her the beauty of mondstadt. kaeya and his whole khaenri'ah thing. there is so much meat there to chew on.

but the problem with a lot of the in game writing (but not all of it because hoyo jumps from highs to lows like its a sport to them) is that it isn't enough for them to take away a characters fangs. they leave them all with gums. it isn't enough for kaeya's questionable methods to suddenly disappear, they've gotta throw his passive aggressive jabs at diluc out, they've gotta throw his actual teasing out, they've gotta throw it all.

it wasn't enough that amber was already a nice character. she was described first and foremost as passionate, and they wanted her cheerful instead. so you don't get her being suspicious of anyone, or her being more dry (in terms of tone, not writing quality) like in razor's story quest (with her 'don't do anything stupid', her accusing paimon of getting into weird mushrooms, etc.). now it's just Baron Bunny Good Hunter My Friend Eula Good Hunter Sticky Honey Roast from Good Hunter Baron Bunny Heehee I'm so glad we met! Ignore my line about wanting to see how far the rabbit hole goes with you i'm only here for Good Hunter. hoyo's characters were made of their details and those details are gone

her defining character conflict is gone because suddenly her grandpa is eula's mentor. because she needs to be linked to a 5-star inextricably. sure, eula could've been the last one looking for her grandpa without having ever met him just because it means something to amber, something that would've actually shown her heart of gold rather than having amber or collei tell us about it, and also would've added a layer to their dynamic. but that would've left it as a conflict with amber's character. and there cannot be a character outside of the hoyoverse assigned Duo

she was there for the entirety of razor's story quest and invites him to stay in the city at the end, but when they needed a knight of favonious to give razor a gift during weinlessefest...sucrose and noelle. and amber's only appearance was an optional one where she was of course very mellow, and flustered over eula paying for her meal.

i mentioned her being written out of a scene in shadows amidst snowstorms. during the beginning joel (the kid) is left with amber, running off to i think climb a tree. the traveler leaves to fuck around with albedo. the cave scene. eula shows up to confront albedo about leading joel into the ice wastes. there is no mention of amber having passed joel off to anyone, there is no mention of joel having wandered off and amber somehow not caring, there is no amber noticing something's up with evilbedo and telling eula about it (again: something that would actually make them interact). amber's next appearance is showing up with bennett in the next quest. there is no mention of having been with joel. she continues not noticing anything wrong despite the favonious warbow description claiming outriders are trained to sense and notice danger. this is not mentioned as a "woah, fakebedo sure was a good fake!" either. they talk about how often her and eula eat at good hunter together. eula protects her during the avalanche and makes the group stop so she can rest. she goes "wow that's crazy" after the reveal. they damsel in distressed her ass.

of her few and far between, mostly optional windblume rerun appearances she is apart from eula for one brief one right at the beginning. her reunion with collei which is a handful of lines, unless the actual reunion was off-screen i cannot remember. collei spends the entire event bonding over being sooo shy with sucrose (who has a personality and lore all her own that would make for a great hangout so i'm not sure why hoyo only has her slot into the weirdest places) and then collei is redirected into being another eula hanger-on when she isn't the found family daughter of the sumeru crew. I also don't like what they did with collei & cyno's dynamic outside of their voicelines about each other/character stories. i also think they mangled cyno's personality badly. thoughts for a different post though

outside of those she has an appearance in the cat event which was. fine*. she has dialogue during the one tcg event (both optional. by the by.) which the wiki doesn't have but i DO (because i am NORMAL about that character) and it's only 5 lines but it's fine. she has a brief appearance in a picture event where she says she's SOOO embarassed about how she was suspicious of you at the beginning and a brief appearance in the food event where she's eating dinner in liyue with eula and talks about how she invited eula over for her grandpa's cooking all the time. there are three (i counted) lines where she mentions her and her grandpa without eula though which is the closest we get to a follow-up on anything about her. she also says it's like they're eating at good hunter. the fun thing about reducing a character to one trait is it has a way of making you dislike that trait. That restaurant is a plague to me. *another good hunter mention + sticky honey roast + they apparently forgot amber is canonically extremely bad at cooking because paimon celebrates amber saying she's gonna personally cook them sticky honey roast. but they actually reference the fact that she's employed as a scout and eula isn't there

and it's so annoying to see. because her personality and the personality that eula actually does have, in her voicelines, not that hoyo likes to show it either, would've made for a significantly better dynamic anyway. and amber being allowed to exist outside of that dynamic would have made it better anyway. and eula actually being worked into the mondstadt cast rather than just standing there while amber and her mini-me tell you about her heart of gold would have made for a better character. and an improvement to the character dynamic they are trying to force.

but you don't get amber anymore. you get half of a ship. you don't get kaeya, you get found family brother. you don't get collei, you get shy girl found family. because hoyoverse can let these characters exist outside of their boxes and everything will be better for it. but why do that when you can have kokomi show up in simulanka for no reason other than spitting in the face of the people holding out hope that her whole orobashi thing will be explained. isn't kaeya such a silly teasing brother. have some mediocre furniture Seriously if hoyo's gonna fuck my favorites over can i get better furniture out of it i'm sick of paper mache

at the end of the day. 1. in kaeya's inner dialogue during his whole stabbing a 12 year old thing he refers to amber as "our intuitive rabbit" and that is such an endearing thing to say when you are about to murder a 12 year old in front of said intuitive rabbit. he needs a level of therapy that teyvat hasn't invented yet. peak character and 2. one of amber's voicelines has her saying that she joined the knights because of her grandpa (also a point for the "She Could've Been A Diluc Paralell") and that she stayed because of jean. What do you mean stayed because of jean. Why is that never elaborated on.

last post complaining about genshin's writing for the month Anyway i think blorbofication happening in canon is the best way i could describe a lot of the problems i have with it ex. kaeya's relationship with diluc (or klee) is almost the only focus we get on him now, other than his brief appearance in the sumeru archon quest which was just saying his backstory basically with very little actual reaction or characterization on his part OR dainsleif's (also a problem i have in the albedo homunculus reveal in shadows amidst snowstorms). i haven't done his hangout because i. don't care enough to sit through an hour for each route with the quality of content hoyoverse puts out but looking at the ending options i feel like. they missed the opportunity to expand on things we already had for kaeya in favor of Oh he babysits klee! Oh albedo is here! Spend money to pull albedo!Venti cameo! What do you mean him and amber have a complicated dynamic. What do you mean he's apparently beloved by the elderly of mondstadt and the one who wraps up all the incidents there. What do you mean bennett trusts him as an omniscient big brother according to his official cn character profile. We made him talk to diluc again isn't that enough kaeya for you? and it sucks because kaeya feels like a rubik's cube with an onion's layers and like one of their best character personalities in content where he's actually kaeya and not just diluc's brother who is sad and also pretty! we never see anything about his relationship with jean, who he is the Most Trusted Aide of, or mondstadt at large! because every day we get closer to fanon kaeya being canon kaeya and it's just. You can have canon kaeya and fanon kaeya will follow but if fanon kaeya is at the forefront you're just immediately losing all that depth and it's going nowhere

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[akamitrani]

omg i just read your dht fanfic and it was so good!! if your taking requests could i request that reader is married to david and she was with him on the set if terrifier (2024) and reader asks him to make love to her with his Art costume still on? Thanks!’ (sorry if this makes no sense lmao)

— The After-Hours Act —

David Howard Thornton x Fem!Reader

Warnings: Smut, established relationship, costume kink, roleplay (?), kissing, pining, choking, rough sex, public sex (well, kind of).

Summary: It's late at night, filming is practically done. Your husband, David, gives his final performance of the day.

[A/N: Omg hi, yes I accept requests! Thank you so much for liking my last fic 🤍 Hope you enjoy this one too, it's my first time doing smut. I absolutely loved the idea and probably had way too much fun with it lol.]

The set was alive with chaos. Flickering lights casting long, jagged shadows against the cracked walls, making the abandoned warehouse look even more sinister. Fake blood is pooled on the concrete floor and the air is thick with the smell of sweat, latex and the metallic tang of stage blood.

In the middle of it all stood David, fully transformed into the unnervingly silent and grotesque Art the Clown. His smile stretched wide under the white mask, black lips curling into a grimace that was equal parts amusing and horrifying.

You watched from the shadows just beyond the set, your eyes never leaving him. David had always been able to command a room and, as Art the Clown, he held a power that drew you in no matter how many times you had seen him in character.

The director yelled “Let's wrap it up!” and the tense energy of the set dissipated like smoke. David instantly broke character, his terrifying expression melting into his usual boyish grin as he exchanged a few words with the crew. His eyes flicked over to you and he gave you a subtle wink.

Your heart skipped a beat as he made his way toward you, still in full costume. The other crew members busied themselves with cleanup, leaving you and David in a pocket of relative privacy.

“Enjoy the show?” – he teased, voice low and familiar despite the eerie costume.

You couldn’t help but smile, mix of nerves and excitement – “You were terrifying, as always. But...” – you replied, eyes lingering on the smeared makeup around his lips – “I have a little request tonight”

David’s brow quirked in curiosity, he stayed silent, slipping back into Art’s mute persona for a moment. You took a deep breath, stepping closer so only he could hear your words...

“Can you stay in costume... For a little playtime, with me?” you whispered getting closer to him, a blush creeping up your cheeks.

For a split second you saw a flicker of surprise in his eyes, it was quickly replaced by a mischievous glimmer... He understood the idea. He nodded slowly, slipping fully back into character, his smile turning wickedly playful. Stepping back, he walked towards the door of the warehouse, locking it.

You felt a thrill shoot down your spine, you were completely alone with him now – No crew, no distractions. He moved closer to you, his movements slow and deliberate, like a predator toying with its prey. The game had begun.

David – or rather, Art – stopped just inches away, tilting his head in that unnerving, silent way.

“Are you sure about this?” – he whispered, the question hanging in the air like a dare. You could see it in his eyes, he was more than ready to play along. You wanted to see just how far he would take it, how much you could handle... You nodded.

Without warning, he lunges forwards, pining you against a cold concrete wall. A gasp escapes your lips as his gloved hand wrapped around your throat, not tight enough to hurt but enough to send a wave of adrenaline through your body.

The pressure of his hand on your throat sends waves of heat between your legs, your breath coming out in short gasps. He leaned in closer, his painted lips brushing your ear, he remained silent, true to Art's unsettling nature.

You whimpered softly, feeling the undeniable desire. David's grin widened and he pushed you harder against the wall, his free hand slipping to your waist, pulling you closer. You could feel his growing bulge against your thigh, his gloves rough against your skin. His eyes bored into yours demanding submission.

You gave in willingly, letting him take control over you. The grip on your throat tightened just slightly, enough to make you even more wet.

“David...” – You breathed his name. A futile attempt to break the spell of Art's menacing silence.

But he wasn't ready to break character yet. Instead, he released his hold on your throat and captured your lips in a messy kiss, taste of makeup and sweat mixing between you two.

He pulled back, just enough to look at you. For a moment you thought he might speak, but instead he let out that eerie silent laugh, his shoulders shaking as he looked at you with a mocking expression.

“You really are good at this...” – You said, voice husky with arousal and fear.

He flashed that terrifying grin again and in a heartbeat lifted you up in his arms. You look at him with a surprised look as he carries you to the prop bed in the set and carefully throws you in it. He hovers on top of you, grabbing your waist and pulling you closer to him. This time you completely feel his hard cock pressing against your thigh, making you moan – “Hmm yes...”

David's hands start to wander around your body, you're completely under him, completely at his mercy. His fingers slid under your dress pushing it up, revealing your black lacy set of lingerie. He pulled back and paused for a moment, he had an idea, suddenly getting out of bed – you look at him confused.

"David? What happened?" – You asked, afraid you did something wrong. He doesn't speak, instead he silently laughs gesturing for you to wait with an excited expression.

You watch him happily reach for Art's infamous black trash bag that was in a corner, open it dramatically and start looking for something inside of it. You were about to say something, but before you could do that he threw the bag away, in his hand is a black knife with fake blood still on it. He smiles devilishly pointing to the knife... then you. You freeze, feeling genuine horror with his actions now.

David senses your growing tension and gestures with both hands as what can be understood as 'relax, I'm not going to hurt you... probably'. What an imp. He starts crawling on top of the bed towards you with a hungry look, reaching your legs. He signals for you to open them and you gladly do so, without asking questions. He pauses for a moment as if savoring the situation, the position you're in – He gives you his trademark creepy smirk.

He reaches for your panties, his finger lifted one of the side edges and in a swift motion he uses the knife to slash it, removing it and revealing your throbbing cunt – now on full display for him. You inhale sharply, the cold air making you shiver. He throws away the knife and your undies somewhere around the set.

He pulls you towards him roughly, demanding, pushing your legs more far apart. You notice his bulge is very prominent now, poking through his clown costume. David hovers above you, one hand beside your head and the other ghostly stroking your sensitive bud making you moan. You don't want to wait, can't handle teasing now – you shift slightly as a form of protest.

“Fuck me now” – You breathlessly groan

He stopped in his tracks and looked you dead in the face, up until now he has been real soft with you, taking things slowly... But if you're such a needy bitch with no patience then he will give you exactly what you want.

David pulls back slightly and gathers your legs in front of him, pushing you to the side forcing you to change positions. Your back now is exposed to him, your ass completely tilted up, he uses his knee to once more spread your legs. You tried to look back at him but he shoved your head down in the bed and unspokenly demanded you to stay this way. Not wanting to defy him again you accept his command.

You stayed like this for a few seconds wondering why nothing has happened, you couldn't help but listen to your surroundings, especially behind you – focusing on any sound, any clue to what will happen. Unbeknownst to you, your husband – Art, at the moment – was dazed at the sight before him. Pussy swollen with desire and wetness threatening to drip down your groin, enough to make his dick beg to be released.

A sudden sharp noise of tearing cloth invaded your ears, making you jump a little bit. You were scared to look back but your curiosity was louder at the moment and you couldn't help but slightly glance to the source of the sound. David had torn his clown suit to free his dick, now holding his fully erect member in his hand leaking in precum, pumping it a few times.

He caught you looking and in a futile attempt you tried to avert your gaze, too late now. He smiled wickedly and as punishment, he gave you an unexpected ruthless slap to your butt, making you hiss in both shock and pleasure. The stinging sensation only adding to your burning heat. He continued – two, three, four, five slaps – smacking until you were moaning for the pain, for him.

“Mmm-aah fuck” – you moaned – “fuck me, just fuc-”

Your phrase cut short when he entered your pussy, shoving his dick deep inside you then completely out in a excruciatingly slow speed. He was taunting you, giving you what you wanted but not in the way intended to.

“Mmmm Dave, please ah- please...” – You cried out. You could feel the clown smirking behind you.

David started picking up speed, pounding hard, grabbing your waist for stability. There will definitely be some purple digits engraved there tomorrow.

You can hear his ragged breath and occasional whimpers, you're surprised he could maintain Art's silent persona this far. David is usually quite vocal, he enjoys praising you during sex. The difference is noticeable, you're still unsure about it... On the other hand, his much more dominant demeanor when portraying Art makes up for it.

He takes his dick out and flips you on your back to face him again, he takes your legs and puts them on his shoulder. He promptly aligned his shaft with your entrance again, staring directly at you. David's half-lidded blue eyes peaking through the white mask, black lips slightly open indicating breathlessness. Pounding you, he pushed your bra out of the way, he loved the erotic sight of your tits bouncing just for him.

His cock deliciously hit your sweet spot with expertise – he just knows how to make you feel good – feeling the climax build up more and more on your stomach on each thrust he gives, you're almost there.

He leans in closer to you, one of his hands grabs your throat while the other stays at your waist, pining you completely onto the bed. He's choking you mercilessly, cutting your oxygen this time.

David picks up his speed really fast, making the prop bed creak loudly, the sound of rough slapping skin filling the set – Your orgasm threatening to crash down. The stimulation is overwhelming and you can't hold it anymore.

His dick hits hard and deep in your pussy – you deliciously cum, your juices spilling all over his shaft. He nods maniacally feeling your tightening warm cunt around his cock, it was all that he needed to reach his peak – closing his eyes and throwing his head back, he ejaculates inside you with one final thrust. He releases the hold on your neck allowing you to gasp for air.

You see his face contorting and you think he might break character now. Instead he opened his eyes and smiled at you while clapping his hands cheerfully. The way he stayed silent, embodying Art’s menacing playfulness, drove you to the edge.

He removes himself from you, sweating, panting. You suddenly feel the exhaustion and so does he – literally plopping himself on the bed, by your side.

“I love you so much, you know that?” – he finally spoke after some minutes, the real David finally breaking through.

It was such a relief to hear his voice again – “I love you too... Even when you're being a complete psycho” – you teased, still breathless.

David laughed, genuinely – “I hope I wasn't too rough” – he said, pressing his forehead against yours, his arms wrapping around your waist in a comforting embrace.

“Maybe a little” – you admitted, resting your hands against his chest – “But I like it when you surprise me”

David smiled, leaning in to kiss the top of your head, filled with all the tenderness you knew him for. It was just the two of you, sharing a quiet moment.

“Thank you” – he murmured – “For loving all sides of me... Even the creepy ones”

You laughed softly, running your fingers through his chest – “I wouldn’t have it any other way”

You knew this was a moment you’d cherish – a memory of the man you loved, both the sweet husband and domineering clown... And tonight, you have experienced both.

“Alright, alright. I think we've given Art enough playtime for one night.” - he murmured, gently caressing your back. He kissed you one last time before preparing to get out of bed.

“I think I'll have to buy another clown costume” – he joked, pointing at his groin area, where he had ripped the fabric.

“And new panties for me, ruined my favorite one” – you added with a fake pout pointing at the long gone undies, currently at the floor. (rip undies)

“Yeah, sorry about that... I- I don't know what I was doing honestly” – he said looking down

“No, no. None of that. I loved everything. All of it.” – You quickly replied, forcing him to look at you. You could swear you saw a faint blush creeping up his cheeks.

“C'mon, let's get out of here” – He said sweetly, slipping his hand into yours – “We've had enough fun for one night”

Some minutes later as you both walked out of the darkened set hand in hand, you realized what you had just experienced was a moment you'd never forget. Fear, love and desire collided in the most thrilling way.

[lemon-lime-behavior]

Do you have any tips for drawing noses? Sorry this is out of nowhere but I'm wanting to improve on my art, specifically the faces, and it's always the nose I find myself struggling most with.

I really struggle w making it fit the face if that makes sense? Every time I try to add it it just throws the whole face off, especially the eyes, not to mention how to make different nose types and the angles </33

I love your art style so bad, it's so smooth and satisfying to look at and the way you draw noses like it's nbd (and anatomy in general like damn) baffles me so I was just wondering if you maybe had any tricks or not, Ty either way for sharing your art in the first place <33

@extravagav Well I can try! First off thank you very much, I often feel like I still have a very long way to go in regards to proportions and anatomy so I really appreciate your kind words <3

Hokay, so, noses. I do love noses. To start off when it comes to drawing noses I'm afraid I'm going to have to give you the most annoying advice in the world which is just to practice a lot. Find a lot of pictures of noses in a bunch of different shapes from a bunch of different angles and just draw them until your brain melts out of your ears. Pay particular attention though to the nose as a 3D object!

It's of course trickier to do than I'm making it out to be but the more you practice at imagining the nose as a 3d physical form the easier it becomes to make a nose model in your mind that you can rotate like a microwave.

This is my personal very very basic understanding of the nose's construction:

it's like three circles and a taco shell.

Okay so now that you've got a basic understanding of the nose's construction, how to put it in the middle of the god-dang face??

So the funky thing about noses is that they tend to change shape the least out of all our facial features when we're making expressions. Our eyes change shape, our mouths move, our eyebrows, our cheeks, our jaws, they all go all over the place. the nose, however, tends to be pretty stationary and doesn't deform much (save in one important way I'll get to later). So because of all this, and here's my biggest piece of advice when it comes to making the nose fit in the face, I like to draw the nose first! I do a very loose head construction, draw the nose, and then sort of "hang" the rest of the features off of it:

Two very different expressions, same nose!

Now when it comes to noses interacting specifically with the eyes the greatest thing to remember is that the part of the nose that sits between the eyes sticks out farther than you might think, and will likely be obscuring one of them, the extent of which depending a lot on the angle and how pronounced the nose bridge is.

for someone with a pretty flat nose bridge you'll be able to see most of the eye except in a more extreme angle, while someone with a protruding ridge might obscure the eye entirely. but the nose will likely be interacting with at least one eye if we're not facing the character head on. Really making your brain think in 3d is gonna most helpful here.

Finally! The nose being expressive! So the main way the nose plays in to expression is by wrinkling. the muscles that pull up your top lip and the muscles that pull down the middle of your forehead are almost all connected to the nose, so the nose tends to develop a lot of wrinkles whenever brows are furrowed or teeth are bared.

Adding those wrinkles can add a lot of impact in the expression! And not just angry ones neither:

Sooooooooooooooo yeah! noses! They're weird and they come in all sorts of shapes and sizes and they can do a lot to add character to a face and they can also make you want to tear your hair out in big clumps! I'm still learning myself when it comes to noses (and most other things) and I'm faaaar from a master at it, but I hope I've been able to provide at least a little bit of help. If you do use my advice going forward please let me know! Good luck!!!!! (And here's all my nose "headcanons" for the strawhats. The ones who actually have human noses, anyway):

[oh-no-its-bird]

Team 7 gets zapped into the warring states era but it's like, team 7 either mid or directly after wave-arc.

They're babies!! They're untrained little babies!!! None of them have gotten that good good character development yet!! Kakashi is still actively desperately wanting to not teach them!! (tho he may have just gotten his "ahh fuck. I actually have to teach them, huh." Moment)

Sasuke looks like a carbon copy of a younger Izuna and it's going to cause problems

Naruto thankfully doesn't look much like an Uzumaki, but his tendency to very loudly introduce himself is going to get him into trouble

Going w my usual flavor of "the Hatake are a very small but very famous clan known for being fucking insane", people are seeing Kakashi and going "oh god oh fuck what are one of THOSE guys doing here oh sage preserve us please don't eat me" as Kakashi just kinda stands there like 🧍‍♂️

Sakura is the only one safe from not being fucked up and over her clan, good for her!

-> back to the Hatake thing.

The kids still know virtually nothing about their sensei so they're learning all this stuff about his clan and believing every word of it, from the believable rumors to the insane.

Sakura, in a hushed, worried voice: "Sensei,, is it true ur clan eats people??"

Kakashi, who's father died before he could tell him almost anything about their clan and genuinely doesn't know but at this point is starting to get a little worried about it:

Kakashi, who also never passes up the opportunity to fuck with someone: "only stupid little students who ask stupid little questions <3"

Sakura and Sasuke: *worriedly look at a confused Naruto*

For convoluted reasons they run into the Hatake of the era and after introductions they look at the kids and are like,

"Oh!!! Ok, so this is your kid, right? :)" pointing at Sakura.

And Kakashi is like. ",,no."

"Ohhh, ok. So this one is your kid then?" *points at Naruto*

",,,,,,,,no."

They look at him confused then nod at Sasuke. "So then that one's your kid, right?"

"None of them are my children."

*visibly disapproving / disbelieving side eye*

One big difference between this and the team ro time travel one is how much less trustworthy Kakashi comes off to literally everyone who looks at him.

He's a trained adult shinobi, probable bloodline thief (with no way to prove his innocence), and he has 3 children from 3 different clans (2 of which are indirectly enemies bc the Uzumaki is a Senju ally) (1 of which might have a direct relation to the Uchiha main house) and comes from an infamously volatile "wild clan" from another country entirely (Iron country)

He is NOT getting out of this with talk no jutsu bullshit. He has a target on his back from day 1 and it will take a minor miracle to get even a single person hear him out

Anyways uhh—

Saying Tajima and Butsuma are still alive but due to die in some months (till team 7 accidentally interfere and somehow accidentally save Tajima, maybe also Butsuma but I'm more biased towards Tajima so I'm thinking just him actually)

Kakashi sees baby Kagami and feels like he's been hit by a truck bc he looks just like a miniature Shisui and he has hang-ups about his "suicide"

Half-Hatake Tobirama is catching HEAT from Kakashi's antics. Why does one of ur cousins have a sharingan. Where did he get those children. Do you know anything about this. Is it your duty to help hunt him down bc hes your blood. If not yours then it's definatley the Hatake's, call them immediately and tell them to clean up their mess.

Bloodline theft is like THE ultimate no-no for all shinobi, especially in this era. To the point that even ancient enemies will sometimes temporarily set aside grudges to kill bloodline theives. Kakashi is so fucked, someone get him out of there

Mmmm there are like still bits and pieces of thoughts floating around in my head for this but I can feel myself getting distracted and want to get back to art fight so I'll leave it here for now