#I like art about the characters just hanging out and having a good time

[sapphiresaphics]

Probably because those arguments are… wrong?

Like I mentioned already in another post, someone on here was complaining they didn’t understand why Victor was flying through space. And I had to explain to him he’s not LITERALLY flying through space. The space backgrounds are symbolic of him being ethereal and unteathered to reality. He’s not literally flying through space like a human space ship. And he blocked me for pointing that out.

Like that’s just someone being flat out WRONG in their interpretation of what’s happening. Viktor isn’t a space ship. He’s not literally flying through the cosmos.

My issue is less about people understanding the themes properly (it’s a work of art, and art is subjective most of the time) but rather this bizarre hypocritical attitude towards the show for being “too fast paced” while m the show is spending a lot of time focusing on the issues they seem to be missing. Like how did Vi and Jinx just flip back into sister mode? Gee I dunno.. wish there was a whole 40 min episode dedicated to seeing them work out their issues on screen… oh wait there was!

Also news flash, not all criticism is valid.

Some is just BAD. Bad criticism doesn’t deserve to be treated with the same respect as good faith criticism. If you say “X didn’t happen” and I point out in the episode where it very literally did happen… your original criticism is invalid.

I don’t think that the writers all always right. There are plenty of valid criticisms you can lobby against the show. Absolutely. But when you intentionally misunderstand the themes, or ignore them all together, or whine that character X serves no purpose because you’re ignoring half the plot.. that’s on YOU. Not the writers. If you willingly ignore what the show is telling you, you only have yourself to blame for that.

For example, calling Caitlyn a dictator. She’s not a dictator. The show doesn’t think she’s a dictator. She doesn’t say or do the things a dictator does. So when you criticize Caitlyn for being a dictator and get confused when she doesn’t do a dictator thing, that’s on YOU for using the wrong terminology to describe her actions and her character. And if you KEEP DOING IT, that’s again on you for not allowing yourself the ability to look at things from a different perspective.

As to the ideological stuff… that’s mostly because you WANT it to be about classism and oppression through power. And while that definitely is a running THEME of the show… I don’t think it’s the MAIN theme. I think the main theme is about family bonds and how all actions we take for them can have amazing and disastrous consequences. Viktor himself basically sums up the thesis of the show in his latest episode.

So when you look at the show from THAT perspective a lot of the weird hang ups you guys have start to make sense. Vi says Jinx is not her sister anymore and that Powder is gone. This is not true. Jinx says Jinx is gone, that is not true. Vander’s death broke the family apart. Vander being alive brings them back together. Caitlyn loves Vi. She’s done terrible terrible things out of the misguided attempt to protect the people around her, which sadly includes hurting Vi. Just like Vander and Silco did. Jayce and Viktor work towards saving humanity, but they are always on polar ends of the spectrum. Family is super important to Ambessa, which is why she’s working so hard to secure HexTech so she can protect her family (and Mel) from the Black Rose. And it causes her to do terrible terrible things. Every single plot point in this show is about FAMILY. And that’s going to matter when the Arcane rears its ugly head. The Arcane is going to try and break up the familiar bonds. It’s going to challenge and test those boundaries like it’s already doing with Jayce and Victor.

Class and oppression and systemic issues help explain WHY characters do what they do… but they’re not the main cause of things. Silco would’ve tried to kill Vander without Jayce’s Hex Tech interference after all. Jinx and Vi would’ve come to blows one way or another without the Arcane core going wild. The classism and systemic oppression is background noise. It’s there to set the scene. The REAL problem they have to face is the Arcane and what it’s going to do to try and separate everyone. To take away their individuality and choices (good and bad) that make them who they are.

So yeah, when you complain that you thought this show was about fixing Piltover and Zaun and you’re mad that “lore” is coming in… that’s why I think you’re wrong. Because the Arcane is going to challenge the bonds that unite everyone together. And the systemic issues are background dressing to set up the ultimate conflict of pure unchecked evil.

Happy?

I find it hilarious when the show called ARCANE starts talking about the ARCANE and the ARCANE starts having a more prominent role in the trajectory of the show named ARCANE that people are only now complaining about “lore” being added to the show.

Like, my dudes… the show was about the ARCANE. Now that it’s reacting and developing and becoming the big thing the whole show is heading towards… NOW you’re worried about the “lore” messing things up??!

Hahah

Sorry guys. I know we started with class inequality, and that’s definitely a theme of the show… but the TRUE star has ALWAYS been the ARCANE and how it reacts to the events around it.

They wouldn’t have named the show ARCANE if they weren’t going to address the ARCANE.

[welcometogrouchland]

ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)

[cerealmonster15]

i want jamiazu + idikei to go on a double date so badly i think the vibes would be So Very Turbulent

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[ismyteadoneyet]

~ " Even my attacker's eyes shine with the flames of my ancestors.

[...]

' So it's true. ' The stranger's r rolls lightly. Scottish maybe? ' What they say about yer aether. ' " ~

ʙʟᴏᴏᴅᴍᴀʀᴋᴇᴅ ʙʏ ᴛʀᴀᴄʏ ᴅᴇᴏɴɴ - ᴘᴀɢᴇ 31

Larkin Douglas my beloved <333

[randomminty]

I wanted to draw misakis funny shirt so so so badly but i couldnt draw her hat for the life of me :,,,,(

[kubota-crackhead]

brainrot

[bbeelzemon]

yknow, i think going just by sheer numbers, i have probably drawn humanoid characters with a fat body type more times than ive drawn literally any other body type combined

[weaselle]

i want to talk about real life villains

Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.

Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.

I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"

I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.

And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.

He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.

John Hammond.

probably one of the most realistic bad guys ever written.

If you've only ever seen the movie, this will need some explaining.

Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.

book spoilers below.

In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.

He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.

In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.

THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.

I think he's possibly one of the most important villains ever written in popular fiction.

In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.

I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.

Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.

And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.

I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.

Sweet old man though. Everyone loved him.

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[akamitrani]

omg i just read your dht fanfic and it was so good!! if your taking requests could i request that reader is married to david and she was with him on the set if terrifier (2024) and reader asks him to make love to her with his Art costume still on? Thanks!’ (sorry if this makes no sense lmao)

— The After-Hours Act —

David Howard Thornton x Fem!Reader

Warnings: Smut, established relationship, costume kink, roleplay (?), kissing, pining, choking, rough sex, public sex (well, kind of).

Summary: It's late at night, filming is practically done. Your husband, David, gives his final performance of the day.

[A/N: Omg hi, yes I accept requests! Thank you so much for liking my last fic 🤍 Hope you enjoy this one too, it's my first time doing smut. I absolutely loved the idea and probably had way too much fun with it lol.]

The set was alive with chaos. Flickering lights casting long, jagged shadows against the cracked walls, making the abandoned warehouse look even more sinister. Fake blood is pooled on the concrete floor and the air is thick with the smell of sweat, latex and the metallic tang of stage blood.

In the middle of it all stood David, fully transformed into the unnervingly silent and grotesque Art the Clown. His smile stretched wide under the white mask, black lips curling into a grimace that was equal parts amusing and horrifying.

You watched from the shadows just beyond the set, your eyes never leaving him. David had always been able to command a room and, as Art the Clown, he held a power that drew you in no matter how many times you had seen him in character.

The director yelled “Let's wrap it up!” and the tense energy of the set dissipated like smoke. David instantly broke character, his terrifying expression melting into his usual boyish grin as he exchanged a few words with the crew. His eyes flicked over to you and he gave you a subtle wink.

Your heart skipped a beat as he made his way toward you, still in full costume. The other crew members busied themselves with cleanup, leaving you and David in a pocket of relative privacy.

“Enjoy the show?” – he teased, voice low and familiar despite the eerie costume.

You couldn’t help but smile, mix of nerves and excitement – “You were terrifying, as always. But...” – you replied, eyes lingering on the smeared makeup around his lips – “I have a little request tonight”

David’s brow quirked in curiosity, he stayed silent, slipping back into Art’s mute persona for a moment. You took a deep breath, stepping closer so only he could hear your words...

“Can you stay in costume... For a little playtime, with me?” you whispered getting closer to him, a blush creeping up your cheeks.

For a split second you saw a flicker of surprise in his eyes, it was quickly replaced by a mischievous glimmer... He understood the idea. He nodded slowly, slipping fully back into character, his smile turning wickedly playful. Stepping back, he walked towards the door of the warehouse, locking it.

You felt a thrill shoot down your spine, you were completely alone with him now – No crew, no distractions. He moved closer to you, his movements slow and deliberate, like a predator toying with its prey. The game had begun.

David – or rather, Art – stopped just inches away, tilting his head in that unnerving, silent way.

“Are you sure about this?” – he whispered, the question hanging in the air like a dare. You could see it in his eyes, he was more than ready to play along. You wanted to see just how far he would take it, how much you could handle... You nodded.

Without warning, he lunges forwards, pining you against a cold concrete wall. A gasp escapes your lips as his gloved hand wrapped around your throat, not tight enough to hurt but enough to send a wave of adrenaline through your body.

The pressure of his hand on your throat sends waves of heat between your legs, your breath coming out in short gasps. He leaned in closer, his painted lips brushing your ear, he remained silent, true to Art's unsettling nature.

You whimpered softly, feeling the undeniable desire. David's grin widened and he pushed you harder against the wall, his free hand slipping to your waist, pulling you closer. You could feel his growing bulge against your thigh, his gloves rough against your skin. His eyes bored into yours demanding submission.

You gave in willingly, letting him take control over you. The grip on your throat tightened just slightly, enough to make you even more wet.

“David...” – You breathed his name. A futile attempt to break the spell of Art's menacing silence.

But he wasn't ready to break character yet. Instead, he released his hold on your throat and captured your lips in a messy kiss, taste of makeup and sweat mixing between you two.

He pulled back, just enough to look at you. For a moment you thought he might speak, but instead he let out that eerie silent laugh, his shoulders shaking as he looked at you with a mocking expression.

“You really are good at this...” – You said, voice husky with arousal and fear.

He flashed that terrifying grin again and in a heartbeat lifted you up in his arms. You look at him with a surprised look as he carries you to the prop bed in the set and carefully throws you in it. He hovers on top of you, grabbing your waist and pulling you closer to him. This time you completely feel his hard cock pressing against your thigh, making you moan – “Hmm yes...”

David's hands start to wander around your body, you're completely under him, completely at his mercy. His fingers slid under your dress pushing it up, revealing your black lacy set of lingerie. He pulled back and paused for a moment, he had an idea, suddenly getting out of bed – you look at him confused.

"David? What happened?" – You asked, afraid you did something wrong. He doesn't speak, instead he silently laughs gesturing for you to wait with an excited expression.

You watch him happily reach for Art's infamous black trash bag that was in a corner, open it dramatically and start looking for something inside of it. You were about to say something, but before you could do that he threw the bag away, in his hand is a black knife with fake blood still on it. He smiles devilishly pointing to the knife... then you. You freeze, feeling genuine horror with his actions now.

David senses your growing tension and gestures with both hands as what can be understood as 'relax, I'm not going to hurt you... probably'. What an imp. He starts crawling on top of the bed towards you with a hungry look, reaching your legs. He signals for you to open them and you gladly do so, without asking questions. He pauses for a moment as if savoring the situation, the position you're in – He gives you his trademark creepy smirk.

He reaches for your panties, his finger lifted one of the side edges and in a swift motion he uses the knife to slash it, removing it and revealing your throbbing cunt – now on full display for him. You inhale sharply, the cold air making you shiver. He throws away the knife and your undies somewhere around the set.

He pulls you towards him roughly, demanding, pushing your legs more far apart. You notice his bulge is very prominent now, poking through his clown costume. David hovers above you, one hand beside your head and the other ghostly stroking your sensitive bud making you moan. You don't want to wait, can't handle teasing now – you shift slightly as a form of protest.

“Fuck me now” – You breathlessly groan

He stopped in his tracks and looked you dead in the face, up until now he has been real soft with you, taking things slowly... But if you're such a needy bitch with no patience then he will give you exactly what you want.

David pulls back slightly and gathers your legs in front of him, pushing you to the side forcing you to change positions. Your back now is exposed to him, your ass completely tilted up, he uses his knee to once more spread your legs. You tried to look back at him but he shoved your head down in the bed and unspokenly demanded you to stay this way. Not wanting to defy him again you accept his command.

You stayed like this for a few seconds wondering why nothing has happened, you couldn't help but listen to your surroundings, especially behind you – focusing on any sound, any clue to what will happen. Unbeknownst to you, your husband – Art, at the moment – was dazed at the sight before him. Pussy swollen with desire and wetness threatening to drip down your groin, enough to make his dick beg to be released.

A sudden sharp noise of tearing cloth invaded your ears, making you jump a little bit. You were scared to look back but your curiosity was louder at the moment and you couldn't help but slightly glance to the source of the sound. David had torn his clown suit to free his dick, now holding his fully erect member in his hand leaking in precum, pumping it a few times.

He caught you looking and in a futile attempt you tried to avert your gaze, too late now. He smiled wickedly and as punishment, he gave you an unexpected ruthless slap to your butt, making you hiss in both shock and pleasure. The stinging sensation only adding to your burning heat. He continued – two, three, four, five slaps – smacking until you were moaning for the pain, for him.

“Mmm-aah fuck” – you moaned – “fuck me, just fuc-”

Your phrase cut short when he entered your pussy, shoving his dick deep inside you then completely out in a excruciatingly slow speed. He was taunting you, giving you what you wanted but not in the way intended to.

“Mmmm Dave, please ah- please...” – You cried out. You could feel the clown smirking behind you.

David started picking up speed, pounding hard, grabbing your waist for stability. There will definitely be some purple digits engraved there tomorrow.

You can hear his ragged breath and occasional whimpers, you're surprised he could maintain Art's silent persona this far. David is usually quite vocal, he enjoys praising you during sex. The difference is noticeable, you're still unsure about it... On the other hand, his much more dominant demeanor when portraying Art makes up for it.

He takes his dick out and flips you on your back to face him again, he takes your legs and puts them on his shoulder. He promptly aligned his shaft with your entrance again, staring directly at you. David's half-lidded blue eyes peaking through the white mask, black lips slightly open indicating breathlessness. Pounding you, he pushed your bra out of the way, he loved the erotic sight of your tits bouncing just for him.

His cock deliciously hit your sweet spot with expertise – he just knows how to make you feel good – feeling the climax build up more and more on your stomach on each thrust he gives, you're almost there.

He leans in closer to you, one of his hands grabs your throat while the other stays at your waist, pining you completely onto the bed. He's choking you mercilessly, cutting your oxygen this time.

David picks up his speed really fast, making the prop bed creak loudly, the sound of rough slapping skin filling the set – Your orgasm threatening to crash down. The stimulation is overwhelming and you can't hold it anymore.

His dick hits hard and deep in your pussy – you deliciously cum, your juices spilling all over his shaft. He nods maniacally feeling your tightening warm cunt around his cock, it was all that he needed to reach his peak – closing his eyes and throwing his head back, he ejaculates inside you with one final thrust. He releases the hold on your neck allowing you to gasp for air.

You see his face contorting and you think he might break character now. Instead he opened his eyes and smiled at you while clapping his hands cheerfully. The way he stayed silent, embodying Art’s menacing playfulness, drove you to the edge.

He removes himself from you, sweating, panting. You suddenly feel the exhaustion and so does he – literally plopping himself on the bed, by your side.

“I love you so much, you know that?” – he finally spoke after some minutes, the real David finally breaking through.

It was such a relief to hear his voice again – “I love you too... Even when you're being a complete psycho” – you teased, still breathless.

David laughed, genuinely – “I hope I wasn't too rough” – he said, pressing his forehead against yours, his arms wrapping around your waist in a comforting embrace.

“Maybe a little” – you admitted, resting your hands against his chest – “But I like it when you surprise me”

David smiled, leaning in to kiss the top of your head, filled with all the tenderness you knew him for. It was just the two of you, sharing a quiet moment.

“Thank you” – he murmured – “For loving all sides of me... Even the creepy ones”

You laughed softly, running your fingers through his chest – “I wouldn’t have it any other way”

You knew this was a moment you’d cherish – a memory of the man you loved, both the sweet husband and domineering clown... And tonight, you have experienced both.

“Alright, alright. I think we've given Art enough playtime for one night.” - he murmured, gently caressing your back. He kissed you one last time before preparing to get out of bed.

“I think I'll have to buy another clown costume” – he joked, pointing at his groin area, where he had ripped the fabric.

“And new panties for me, ruined my favorite one” – you added with a fake pout pointing at the long gone undies, currently at the floor. (rip undies)

“Yeah, sorry about that... I- I don't know what I was doing honestly” – he said looking down

“No, no. None of that. I loved everything. All of it.” – You quickly replied, forcing him to look at you. You could swear you saw a faint blush creeping up his cheeks.

“C'mon, let's get out of here” – He said sweetly, slipping his hand into yours – “We've had enough fun for one night”

Some minutes later as you both walked out of the darkened set hand in hand, you realized what you had just experienced was a moment you'd never forget. Fear, love and desire collided in the most thrilling way.

[oh-no-its-bird]

Team 7 gets zapped into the warring states era but it's like, team 7 either mid or directly after wave-arc.

They're babies!! They're untrained little babies!!! None of them have gotten that good good character development yet!! Kakashi is still actively desperately wanting to not teach them!! (tho he may have just gotten his "ahh fuck. I actually have to teach them, huh." Moment)

Sasuke looks like a carbon copy of a younger Izuna and it's going to cause problems

Naruto thankfully doesn't look much like an Uzumaki, but his tendency to very loudly introduce himself is going to get him into trouble

Going w my usual flavor of "the Hatake are a very small but very famous clan known for being fucking insane", people are seeing Kakashi and going "oh god oh fuck what are one of THOSE guys doing here oh sage preserve us please don't eat me" as Kakashi just kinda stands there like 🧍‍♂️

Sakura is the only one safe from not being fucked up and over her clan, good for her!

-> back to the Hatake thing.

The kids still know virtually nothing about their sensei so they're learning all this stuff about his clan and believing every word of it, from the believable rumors to the insane.

Sakura, in a hushed, worried voice: "Sensei,, is it true ur clan eats people??"

Kakashi, who's father died before he could tell him almost anything about their clan and genuinely doesn't know but at this point is starting to get a little worried about it:

Kakashi, who also never passes up the opportunity to fuck with someone: "only stupid little students who ask stupid little questions <3"

Sakura and Sasuke: *worriedly look at a confused Naruto*

For convoluted reasons they run into the Hatake of the era and after introductions they look at the kids and are like,

"Oh!!! Ok, so this is your kid, right? :)" pointing at Sakura.

And Kakashi is like. ",,no."

"Ohhh, ok. So this one is your kid then?" *points at Naruto*

",,,,,,,,no."

They look at him confused then nod at Sasuke. "So then that one's your kid, right?"

"None of them are my children."

*visibly disapproving / disbelieving side eye*

One big difference between this and the team ro time travel one is how much less trustworthy Kakashi comes off to literally everyone who looks at him.

He's a trained adult shinobi, probable bloodline thief (with no way to prove his innocence), and he has 3 children from 3 different clans (2 of which are indirectly enemies bc the Uzumaki is a Senju ally) (1 of which might have a direct relation to the Uchiha main house) and comes from an infamously volatile "wild clan" from another country entirely (Iron country)

He is NOT getting out of this with talk no jutsu bullshit. He has a target on his back from day 1 and it will take a minor miracle to get even a single person hear him out

Anyways uhh—

Saying Tajima and Butsuma are still alive but due to die in some months (till team 7 accidentally interfere and somehow accidentally save Tajima, maybe also Butsuma but I'm more biased towards Tajima so I'm thinking just him actually)

Kakashi sees baby Kagami and feels like he's been hit by a truck bc he looks just like a miniature Shisui and he has hang-ups about his "suicide"

Half-Hatake Tobirama is catching HEAT from Kakashi's antics. Why does one of ur cousins have a sharingan. Where did he get those children. Do you know anything about this. Is it your duty to help hunt him down bc hes your blood. If not yours then it's definatley the Hatake's, call them immediately and tell them to clean up their mess.

Bloodline theft is like THE ultimate no-no for all shinobi, especially in this era. To the point that even ancient enemies will sometimes temporarily set aside grudges to kill bloodline theives. Kakashi is so fucked, someone get him out of there

Mmmm there are like still bits and pieces of thoughts floating around in my head for this but I can feel myself getting distracted and want to get back to art fight so I'll leave it here for now

[lemon-lime-behavior]

Do you have any tips for drawing noses? Sorry this is out of nowhere but I'm wanting to improve on my art, specifically the faces, and it's always the nose I find myself struggling most with.

I really struggle w making it fit the face if that makes sense? Every time I try to add it it just throws the whole face off, especially the eyes, not to mention how to make different nose types and the angles </33

I love your art style so bad, it's so smooth and satisfying to look at and the way you draw noses like it's nbd (and anatomy in general like damn) baffles me so I was just wondering if you maybe had any tricks or not, Ty either way for sharing your art in the first place <33

@extravagav Well I can try! First off thank you very much, I often feel like I still have a very long way to go in regards to proportions and anatomy so I really appreciate your kind words <3

Hokay, so, noses. I do love noses. To start off when it comes to drawing noses I'm afraid I'm going to have to give you the most annoying advice in the world which is just to practice a lot. Find a lot of pictures of noses in a bunch of different shapes from a bunch of different angles and just draw them until your brain melts out of your ears. Pay particular attention though to the nose as a 3D object!

It's of course trickier to do than I'm making it out to be but the more you practice at imagining the nose as a 3d physical form the easier it becomes to make a nose model in your mind that you can rotate like a microwave.

This is my personal very very basic understanding of the nose's construction:

it's like three circles and a taco shell.

Okay so now that you've got a basic understanding of the nose's construction, how to put it in the middle of the god-dang face??

So the funky thing about noses is that they tend to change shape the least out of all our facial features when we're making expressions. Our eyes change shape, our mouths move, our eyebrows, our cheeks, our jaws, they all go all over the place. the nose, however, tends to be pretty stationary and doesn't deform much (save in one important way I'll get to later). So because of all this, and here's my biggest piece of advice when it comes to making the nose fit in the face, I like to draw the nose first! I do a very loose head construction, draw the nose, and then sort of "hang" the rest of the features off of it:

Two very different expressions, same nose!

Now when it comes to noses interacting specifically with the eyes the greatest thing to remember is that the part of the nose that sits between the eyes sticks out farther than you might think, and will likely be obscuring one of them, the extent of which depending a lot on the angle and how pronounced the nose bridge is.

for someone with a pretty flat nose bridge you'll be able to see most of the eye except in a more extreme angle, while someone with a protruding ridge might obscure the eye entirely. but the nose will likely be interacting with at least one eye if we're not facing the character head on. Really making your brain think in 3d is gonna most helpful here.

Finally! The nose being expressive! So the main way the nose plays in to expression is by wrinkling. the muscles that pull up your top lip and the muscles that pull down the middle of your forehead are almost all connected to the nose, so the nose tends to develop a lot of wrinkles whenever brows are furrowed or teeth are bared.

Adding those wrinkles can add a lot of impact in the expression! And not just angry ones neither:

Sooooooooooooooo yeah! noses! They're weird and they come in all sorts of shapes and sizes and they can do a lot to add character to a face and they can also make you want to tear your hair out in big clumps! I'm still learning myself when it comes to noses (and most other things) and I'm faaaar from a master at it, but I hope I've been able to provide at least a little bit of help. If you do use my advice going forward please let me know! Good luck!!!!! (And here's all my nose "headcanons" for the strawhats. The ones who actually have human noses, anyway):

[in-my-feels-probably]

Older Art spoiling his 20 something yo girlfriend that goes to Stanford. She looks up to him and listens to him and does whatever he says and basically lives for his praise.

I Feel So High School (Every Time I Look At You)

Request: Older Art spoiling his 20 something yo girlfriend that goes to Stanford. She looks up to him and listens to him and does whatever he says and basically lives for his praise.

and: art being 10ish years older than reader? that’s all i got. go crazy

Hi! Challengers has been on my mind literally since the day it came out, and I think I've read every single fic on here about it, so I figured I’d give it a shot writing one myself. First of all, I combined your requests, hope that’s ok. Second, this is my first time writing for Art, so please bear with me while I try and get the hang of writing his character. I haven’t written a fic in weeks, so my skills are definitely a little rusty. Please be kind! Anyways, I hope you like this. Let me know what you think, and thank you for the request :)

(Warnings: none? idk, maybe very vague mentions of sex, art is divorced, swearing, i guess the age gap taboo. let me know if i missed anything)

—

You should have known trying to explain your situation with Art to someone else would’ve been difficult, but finally telling your roommate everything was just as humiliating as you thought it would be. She always had a knack for nosing her way into your business, and not even you were immune to her federal level detective skills when it came to getting information out of someone. 

“And I’m seeing him today,” you finished your rant as you sucked in a breath, wincing as you waited for the bomb to drop.

But it didn’t. Your roommate just grinned, standing up and walking over to your closet. You watched with a confused look on your face until she turned to you, already elbow deep in your clothes.

“So…you have a sugar daddy?” your roommate asked, trying to stifle a laugh as she rifled through your closet to help you find an outfit. “No judgment, I’m honestly jealous.”

You picked a pillow up off your bed, launching it at her when she smirked as you flushed. “I don’t have a sugar daddy! I have a…well—ok, I don’t know what we are. But he’s not my sugar daddy.”

“No, he’s just an ex pro tennis player with a famous ex wife who was also a pro tennis player that he had a perfect little girl with, complete with a house in the Hamptons. Now, he’s…what, exactly? A coach? A commentator? Part of Stanford’s glorified alumni? No, I’ve got it! I know what he is — hot. In a beekeeping age, recently divorced, kind of way.”

You rolled your eyes, standing up to help her look through your closet. “He’s only in his thirties. You’re making him sound archaic and washed up.”

“Look at you, gushing over him,” she grinned as she finally landed on something for you to wear, quickly handing it to you. “At least he has good taste. You’re hot, too.”

Your roommate turned around while you quickly changed, sitting down at the foot of your bed. She talked over her shoulder as you got dressed, her voice full of curiosity.

“So, how did this all happen anyway?”

You sighed, shaking your head. “Remember alumni week with all the guest lectures and presentations a few months ago?”

“You met Art Donaldson during alumni week? What the fuck! Why didn’t you tell me? I wouldn’t have skipped all my classes that week if I thought I was gonna pick up a trophy husband instead of being forced to sit through a mind-numbingly boring presentation from some guy who used to go here that I’ve never heard of.”

“Sucks to suck, babe,” you grinned, finished getting dressed. “I’m good, you can turn around now.”

She quickly turned around, patting the spot on the bed next to her.

“How did this even happen? I’ve never seen you step foot on a tennis court in your life, and I know they wouldn’t have asked him to speak in a graduate lecture.”

You sat down next to her, nodding. “He did a seminar down at the courts for the kinesiology majors or something like that. They were learning about sports related injuries and how to treat them. He told them about how he hurt his shoulder a few years ago during a match, and he talked about all the physical therapy he had to do.”

“You’re telling me you sat through a kinesiology lecture? On a tennis court? When you don’t even study kinesiology?”

“Absolutely not,” you laughed, leaning back against the headboard. “He told me about it that first week while he was here.”

Your roommate giggled, grabbing your hand and squeezing it. “Oh my god! Okay, okay. Spill. Now. I want to know everything.”

You playfully rolled your eyes, but started ranting again anyway. 

—

In truth, you didn’t really know what your relationship with Art was. You’d met when returning alumni who’d gone on to excel in their fields came to campus for guest lectures and demonstrations.

In a total mortifying cliche, you ran into Art in a hallway while you were rushing to a lecture that had already started ten minutes earlier. You would have been on time, but your roommate accidentally locked herself out of your dorm, and the RA wasn’t answering their phone. She had an exam she needed to get to, which—in her own words—“trumps your boring book lecture.” You had no choice but to turn around and save her, making the trek back across campus to let her in. That’s how you ended up running face first into Art, your bag and all your things scattering across the floor. By some miracle, at least the halls were empty.

You quickly kneeled, scrambling to pick up all your things. “I’m so sorry, I wasn’t watching where I was going. I’m late for class.”

“Don’t worry about it,” he said, kneeling to help you.

It was then when you looked up, and you felt your heart jump into your throat. Art Donaldson—famous alumni and world renowned tennis player—was crouched right in front of you, handing you half empty tubes of chapstick, a pair of headphones, and a stray pack of gum. Oh god, you thought to yourself. Why me? Why today? You quickly cleared your throat, standing up.

“God, sorry. Thanks…Mr. Donaldson.”

You cringed as you said it, the title of Mr. feeling off as it rolled off your tongue.

“Mr. Donaldson?” he raised a brow, shaking his head. “No, just call me Art. Uh, you know who I am? Am I actually still recognizable here? I figured no one off of the courts would have any idea who I was.”

You glanced down at his shirt, pointing. “You’re wearing a name tag.”

Art paled, raising a hand to awkwardly scratch at the back of his neck. Good one, he thought to himself. Very humble. He cringed to himself as his cheeks flushed, a small smile on his face.

“Right. I knew that.”

You smiled, pulling your bag back over your shoulder as you let out a little chuckle. “I know who you are. Stanford never lets us forget about their prized students.”

“Ah,” he nodded, grinning. “In my day, it was Reese Witherspoon and Jennifer Connelly. Although, Reese dropped out halfway through her degree, so they don’t talk about her much—”

“And Jennifer left Yale to come study here,” you finished. “That’s one they do still brag about.”

Art smiled, leaning back against the wall as he looked at you. You suddenly became very aware of your situation, tearing your eyes away from him to look down the hall where your class was. Art’s eyes followed, and he straightened up, clearing his throat.

“Am I keeping you?”

“No!” you said all too quickly, biting your tongue for a second before you forced yourself to calm down and continue. “Uh, my class already started. It’s not really important, he doesn’t count attendance anyway. And, to be honest, he’s pretty dull. He managed to make Jane Austen boring.”

“Not Bazin’s class, is it?” Art asked, making you raise a brow.

“Yeah, it is. How’d you know that?”

Art smiled, letting out a little laugh. “That’s why I came this way, I wanted to see if Professor Bazin still taught English here. He was a dinosaur even when I graduated. I’m surprised they still let him teach.”

“If they actually read the end of term course evaluations they make us fill out, they wouldn’t,” you mused, making Art grin wider.

“I guess I should let you go then,” Art shrugged, glancing down the hall. “Wouldn’t want you to miss out on something you could use in your scathing evaluation.”

You glanced back down the hallway at your classroom, but you couldn’t get your feet to move. You weren’t sure why, but you didn’t want to go just yet. 

All you did at Stanford was go to and from class and stay on top of your studies. It was monotonous and boring, and you were always up to your neck in papers and projects. Other than your roommate, you hardly had any people left you talked to or hung out with. They all graduated with their undergrad degrees, and you moved on to your graduate studies. Your education was important to you, but it got lonely. You almost never took risks anymore. But as you glanced back at him, that’s what you did.

You took the risk.

“Or…you could save me from my misery?” you stuttered out, an awkward smile on your face.

Art looked at you with an amused expression, tilting his head as he waited for you to continue. You swallowed, fiddling with the strap of your bag.

“My classes are almost all entirely in this building. I’m sure you’re sick of talking about tennis, but between here and my dorm, I don’t think I see enough sunlight in a day to keep me going. Maybe you could walk with me somewhere that actually sees the sun? Doesn’t have to be the courts or anything, although I can say with full confidence that I’ve never actually seen that part of campus and I’m in my graduate studies. Uh, maybe you’ve got somewhere in mind? Or you could let me buy you a cup of shitty cafeteria coffee? I promise I’ll refrain from asking you about your career. But, as I’m sure you can tell just by looking at me, I don’t really know enough about tennis to ask anyway.”

As you rambled on, horrified by your own rambling but determined to put yourself out there, Art smiled. 

He’d met a lot of girls over the years. Some girls who had a genuine interest in him but didn’t last, and some who saw his fame and fortune as a one way ticket to an easy life. 

None of them mattered. 

He had married Tashi, head over heels from the first moment he saw her. He had a kid with her, a career with her, a seemingly picture perfect life with her. It didn’t even occur to him to look at other girls until his marriage started to strain under the weight of his career, and he’d almost forgotten what it was like to look at a girl for the first time and feel that sickening but addictive feeling of butterflies fluttering around in his stomach. After the divorce, it felt so foreign to him that he didn’t even try. He had resigned himself to being a single father who co-parents and lives the rest of his life comfortably and quietly.

But here you were, rambling on with flushed cheeks and bright eyes trying your hardest to ask him out, and he couldn’t be more captivated.

There was just something about you. You were pretty, obviously. Anyone with eyes would’ve been able to see that. But there was something else, too. You were still young and not entirely pessimistic yet, with your whole career ahead of you. Probably no more than a few heartbreaks under your belt, able to muster up some sort of courage to fight for what you wanted. He used to have that, and he missed it — admired it, even. As you finally cut yourself off and looked up at him with mortification written across your face, Art saved you from further embarrassment with a smile. 

“Um…coffee sounds good,” he said with a shy smile. “Not from the cafeteria, though. If it’s as bad as it was when I went here, I’m not gonna let you waste your meal card money on it. There’s a cart outside of the athletics center, I stopped by it this morning. It’s still good.”

Trying your best to mask the shock you were feeling by his answer, you quickly nodded. “Oh, okay. Sounds good.”

You spent the entire afternoon with him. Coffee turned into lunch, and lunch turned into a long walk. Although you both had things to do, neither of you wanted to say goodbye and go on with your day. You skipped the rest of your classes for the day, letting Art show you around campus. He took you to all the places you had never been, and you kept quiet and let him show you anyway when you passed somewhere you had already been a hundred times. He was polite and asked you about your major and career goals, even managing a graceful smile when it was his turn to tell you about his career and how it unfolded after he graduated. He was careful to leave out the end, but he found himself comfortable enough to tell you about the first few years. You asked what you could, but you really didn’t know enough about the sport to ask much of anything.

“I’m boring you to death, aren’t I?” he asked when there was a lapse in silence after you passed a poster with his face on it for a Wimbledon campaign.

“No, not at all!” you replied, tilting your head up towards the poster. “I’m just wondering how you managed it.”

Art cocked a brow, turning towards you. “Managed what?”

“Not becoming a complete asshole,” you shrugged, making him burst out laughing. “I’m serious! You’re not the first celebrity to come here during alumni week. The difference between you and them is that you didn’t show up and immediately start bragging about how successful you had become. As far as I can tell, you’re the same as when you graduated. That seems pretty rare.”

“There’s not much to brag about,” he shrugged, too humble for his own good.

“A career Grand Slam isn’t worth bragging about?” you asked, turning away from him when he gave you a confused look. “Okay, fine, I may or may not have Googled you back in the restaurant while you were in the bathroom. I was running out of things to ask you, and I figured I should know something about tennis. Anyway, I was impressed.”

Art just chuckled. “I’m flattered.”

After walking a few more minutes, the street lamps turned on. It had gotten late enough in the evening that they were starting to light up around the darker parts of the campus. It was your cue to stop walking and look around, both of you realizing how long it had been since you started talking.

“I guess I should be headed back to my dorm,” you said, a hint of disappointment in your voice. “My roommate is probably freaking out by now. She knows I never really go anywhere after class without her—and yes, I heard how pathetic that sounded as it came out. She’s probably gonna call campus security if I don’t show up soon.”

Art nodded, knowing you were right. And yet, his feet didn’t move. Neither of you made any attempt to leave, still standing under the soft light of the street lamps. Art looked at you with soft eyes, absentmindedly reaching to fiddle with his wedding ring with his thumb before he remembered it wasn’t there anymore. Finally, he cleared his throat. 

“Well…I guess this is the part where I ask you for your number.”

“It was nice meeting you, too—” you started, doing a double take once his words registered. “Wait, what?”

Art let out a nervous laugh, shrugging. “You bought me a coffee, it’s only fair that I do the same. I’m here all week. Maybe you’d want to do this again sometime?”

“Uh, yeah! Yeah, that sounds good,” you replied, trying your best and failing to sound as nonchalant as you could.

Art smiled and pulled out his phone, opening his contacts. He handed it over to you, watching as you typed in your number before handing his phone back to him. You fought the heat pooling in your cheeks, fiddling with the strap of your bag. Art grinned, breaking the silence. 

“Go find your roommate. Tell her to call off the search party.”

You chuckled, nodding. “I’m on it. Well…bye, Art.”

“Bye, Y/N. I’ll text you,” he replied, enjoying watching you shuffle back and forth on your heels. 

He made you nervous. And for some reason, he liked that. He’d spent practically the last decade of his life perpetually nervous. It was nice to know someone else felt the same way. 

He watched you go as you turned around and headed back to your dorm, a distant but still familiar warmth in his chest. He’d only known you for a few hours, but he could already tell he liked you. By the time you made it back to your dorm and managed to come up with an excuse for your roommate who immediately interrogated you the second you stepped through the door, your phone was ringing. You excused yourself to the bathroom with a bashful grin on your face, answering the call.

—

You spent the better part of a week with Art when you both had time between your classes and his seminars. 

It felt surprisingly easy and normal talking to him. Your small talk about your careers and plans turned into more personal topics, and then you were talking about anything and everything. You were fully aware of the age gap between you two, but it didn’t bother you nearly as much as you thought it would. If anything, it was part of the draw to him. He was also kind and friendly, with a surprisingly self deprecating sense of humor that made you laugh. Not to mention the fact that he was drop dead gorgeous. You had to actively make sure he didn’t catch you staring at him when his head was turned. He made you want to actually giggle out loud, which is something you never thought you’d do over a guy.

By the end of the week when it was time for him to leave and go back to New York, you both were dreading saying goodbye. 

It was late in the evening, about an hour before he had to leave to catch his flight. He’d finally taken you to the courts, once again only lit by the street lamps overhead. It was the first time all week he’d stepped onto the court and actually wanted to be there, not surrounded by onlookers who knew every nook and cranny of his life and career. Instead it was you, the sweet pretty girl who made him genuinely laugh when you asked him why the points system would ever use the term love to describe a lacking score. 

He fiddled around for a while, teaching you a few serves and how to hold the racquet to hit the ball. Eventually he was on the other side of the net, watching you giggle and chase after the few balls he’d softly serve your way. He could hear you panting and the sound of your shoes skidding across the court, but your laughter was too sweet to make him stop. 

Finally, you stopped to take a break, sitting down on the bench. “Don’t look at me, I might cough up a lung.”

“Very impressive,” he smiled, passing you his water.

“Thank you,” you grinned, motioning between him in the court. “Go on, let’s see what you’ve got. I’m down for the count, but I’m sure the ball machine will be more than happy to fill in for me.”

Art smiled, watching you grin at him with flushed cheeks and glowy skin. If anyone else was asking, he wouldn’t have done it. He wasn’t interested in showing off his skills, or lack thereof to put it more accurately as of late — he’d stopped training as intensely after the divorce, no new tournaments waiting for him to come and win. But the look on your face when you asked was just one he couldn’t say no to. Plus, your knowledge of the sport wasn’t that vast. You probably wouldn’t notice if he slipped up anyway. And if you did, you’d be too kind to make him feel bad about it.

“If you insist,” he groaned, but he was still smiling to himself as he moved to the other side of the court.

You watched him play for a few more minutes. He really was something to see. Every movement he made was smooth and graceful, a far cry from the stumbling around and huffing and puffing you had been doing. Every ball hit its target, every serve lining up exactly where he wanted it to. As silly as it sounded, you actually had to prevent yourself from clapping once he finally slowed down and turned the machine off.

“Look at you go,” you smiled from the bench, handing him back his water as he walked back over.

His cheeks flushed pink, and he was silently praying you couldn’t see it from under the low lights. He was too busy getting all flustered to reply to you, and it made you smile. It was silent for a long moment as you stared at each other, before he finally stood up. You followed him, a sinking feeling in your gut as you realized that it was probably time to say goodbye.

It had been a week you had never even dreamed would’ve happened to you, and yet it did. The one risk you decided to take had led to the most fun you’d had in your entire time at Stanford. You didn’t want to see him go.

As you looked up at him with soft eyes and a melancholy look on your face, like you were looking to him for all the answers, Art felt a sharp tug in his chest. He found himself immediately wanting to fix it, wanting to make you smile again — smile because of him. He’d have done anything in that moment to get you to laugh again.

So, against his better judgment, he leaned in and kissed you. 

It was a spur of the moment decision, one he almost immediately regretted. But then he felt you sink into the kiss, your hands coming up to his waist to steady yourself. He cupped your cheeks and pulled you into him, unable to stop the smile spreading across his lips. 

And that was all it took — he was falling, and falling hard. 

—

That was months ago now, and yet, Art still found reasons to visit you. 

When there was lapses in tours, or it was Tashi’s week with Lily, he always somehow found himself ending up coming right back to you. He’d pick you up from your dorm, and you’d spend the entire day with him. On weekends, you ended up in whatever hotel he was staying at, telling your roommate you were going back home for a few days. When you weren’t together, you were constantly texting or calling. He even sent a postcard once when the ATP took him to Europe. It was cheesy, but you couldn’t wipe the smile off your face all day when you got it in the mail. 

You hadn’t exactly put a label on the relationship, but it was clear to the both of you that you meant more to each other than either of you cared to admit out loud. Quite a bit more, actually.

And Art wasn’t stupid — he knew what your relationship looked like. 

Recently divorced, a younger woman by his side. If they knew, the media would paint him as one of two options: an easily manipulated victim of a gold digger, or a washed up athlete who split with his wife that was now taking what he could get, the younger and prettier the better. 

But that wasn’t it at all for Art.

It wasn’t just sex, or a new pretty face. You were something different. A breath of fresh air. Someone who didn’t care about his career or money or fame. You had no interest in what he could offer you, or what you could get out of him. You never made him feel pressured to do anything or talk about anything he didn’t want to. He’d spent so many years craving a sense of normalcy and peace. Time and time again, he’d wanted to go to Tashi and beg for a break in his routine. But, always too afraid to disappoint her and everyone else watching him, he stayed quiet. He never got a break. As odd as it was to say, that’s what you were to him when he met you — a break. A minute to breathe, a moment to relax. He always felt that way around you.

Simply put, he was head over heels for you. He didn’t think he’d feel like that for another woman after Tashi until he met you, and it shocked him how easily the feeling came to him.

And it wasn’t just him that had fallen. 

You practically hung on every word he said, and soaked up every ounce of praise he gave you. You had never been with someone like him before. Someone so experienced and sure of himself, but just as gentle and patient as he was sure. He made you laugh and smile, and he made you feel safe. For whatever reason he had taken interest in you, you didn’t care, you just didn’t want it to stop. You clung to it, enjoying it while it lasted.

And if either of you had anything to say about it, it would last.

—

By the time you finished explaining your relationship with Art to your roommate, she was already pushing you out the door. 

“Go, go, go,” she squealed, tossing you your keys. “Wait!”

She wrapped her hand around your wrist, stopping you in your tracks as she glanced down at the outfit she chose. “Is that a new dress? Did he buy you a dress? Oh my god, please tell me he has a brother.”

“Not sure,” you grinned, smoothing your hand down your front. “Show up to alumni week next time and find out.”

You were already pressing a kiss to her cheek and rushing down the hall before she could get out another word, giggling as you made your way to the stairs.

On the drive over to the hotel, the nerves in your stomach were making you nervously tap your fingers on the steering wheel. You must’ve got caught by every stop light, making the trip even longer. You were practically vibrating once you finally pulled into the parking lot, grabbing your bag and hurrying inside before your nerves got the better of you and made you stand like an idiot in the lobby, trying to muster up the courage to get in the elevator. You coasted on autopilot as you forced your feet to lead you upstairs to his floor, all the way down to his door. You only came back into your body when you raised a hand to knock on the door, pausing to take a deep breath.

Just knock, you thought to yourself. You’re a big girl. Just knock.

You had barely even knocked twice on the door before the door swung open, and you came face to face with Art. Your breath hitched in your throat, and you took a second to take him in. Still as pretty as you remembered, and every bit as alluring. You could feel yourself melting. 

The feeling was mutual. 

Art let out a sigh of relief, like it was the first good breath he had taken in weeks. A genuine smile crept onto his face as he reached for you, practically making grabby hands like a child. 

“Come here, pretty girl.”

You tried and failed to stifle a giggle, immediately burying yourself in his chest. You let out a hmph as you pressed your cheek against him, your arms wrapping tightly around his waist. You could feel his thumb running along the bare skin of your arm, his lips pressing a kiss to the top of your head. He nudged the door closed with his foot, tugging your bag from your shoulder and setting it on the floor without even letting you go. He was warm to the touch, and steady against you. He hummed into your hair, squeezing you tighter.

“There she is,” he murmured, letting out a small laugh. “My girl.”

“Hi, baby,” you giggled, the sound making his heart soar in his chest. 

He slowly walked you backwards to the bed, supporting most of your weight as you laid down. He was quick to follow, burying his face into the crook of your shoulder. His arms hooked lazily around your waist, his weight pressing you into the mattress.

This is what you both had been waiting for. This feeling, this moment. Just this.

“You look very pretty today,” he whispered into your skin, pressing a kiss where his lips rested. “All this for me?”

The humor in his voice made you grin, your fingers running through his hair. “Couldn’t let you be that pretty all by yourself.”

Art smiled, pressing his face further into your neck as he let out a breath. You tightened your grip around him, holding him close. You let your eyes close, resting your cheek against the top of his head. 

A comfortable silence fell over the both of you, as easy as it ever was.

—

A/N - Hi! So sorry this took so long to get out, thank you for your patience. I keep rereading this and editing it over and over, I’m not totally happy with it. But something is better than nothing, and I’m tired of staring at, so here you go! Hope this is ok, let me know what you think :)

[welcometohellfilm]

Congrats to everyone who has been working on W2H2! 🎉 If it's alright, I'd like to ask to ask 2 questions:

Is there by chance an official ref of colors for Debbie, or is it still up to interpretation at the moment?

Would you say that your personal, real life experiences within the 10 years moving from W2H to W2H2 shifted the tone/story of the series in some way? Something that I've always been fascinated with when I started looking more into W2H was the shift in Sock's character from the original comic -> first film -> second film, and Jonathan's character from the first film -> second film.

Thank you! ✨

I actually just made some 'official'-ish colors for Debbie! Her voice actor Kaitlyn wanted something to use on a banner for conventions haha... so here you go!

2. I'm not really sure how to answer this one, haha. I mean I've definitely changed as a person over the course of making each iteration of W2H. I started the comic while I was at community college, before I went to art school. I adapted it into an animation for my graduation project. And I started W2H2 a couple years after I graduated college. So there's a good 2-3 years between each attempt at W2H I've done, haha. I think a lot of my original ideas from the comic had to change because it needed to be condensed into a short film. I didn't even GET to Jonathan yet in the comic! Some things just didn't make sense to me anymore, like the idea of Sock already having a human body count. It'd just be absurd for him to be able to hide it for so long! Plus, if I made it so that Sock has only ever entertained the idea of murder, it makes his new job that much more appealing-- it's a chance for him to really lean in to this thing he's always had to hide. Between the first and second films though, I mean... I think there's been some tonal shift, for sure (I don't know about a character shift? We'll get to that haha) But basically, when I was first thinking about W2H2, my idea was "Sock and Jonathan hang out and attempt to figure out touch physics, also there's some drama about a journal Jonathan keeps." All of the hell stuff is something that came from bouncing ideas around with my friends, Michael and Neil. I was worried that sending Jonathan to hell would be too bonkers for a "2nd episode", but we all kinda agreed that enough time had passed that the fans would probably enjoy something higher stakes, so it would be fine. (I'll give everyone a moment to realize this conversation would've been happening in 2015-16... ha.)

We also kind of thought, y'know... I have no idea how many more of these there's even gonna' be, so why not go a little bigger with this one? W2H2 is a higher stakes story than what I set out to make in the beginning, that's for sure. It is interesting to compare all of them.. the employee handbook was actually from the comic and I cut that because it wasn't helpful for W2H... but then it became helpful for W2H2, so it came back! Haha. I'm curious to know in what ways people think the characters have changed though. (And is that a good thing or a bad thing?) Especially a character like Jonathan, no one's really even seen that much of him yet, I think most of the characterization comes from fandom, or like... art I've drawn, I guess? Haha... I'm not sure! I guess Sock's a little more confident and antagonistic in this one (though he'll have his moments of hesitation... we're only at Part 1 right now!), and Jonathan has had to become a more vocal/active character, just by nature of the kind of story it is, I suppose. But yeah, I'm not sure! Happy to hear your guys' thoughts though!

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough: