#I know it was a throwaway line in the books

[wanderingmind867]

Okay, I need a fanfic about the time Jason (back before the lost hero) met Aeolus while hunting a Sea Monster. Aeolus brings it up, and now I need to see that in a short story format. Besides, we need more of jason and we definitely need more of aeolus. Aeolus is great, and I even made another note today discussing how I almost want a book all about him. I also would love a book about the titan war from Camp Jupiter's perspective, too. There's a lot of ideas in my mind, and they go nowhere because I can't write for my life. But i have the gift of thinking up like 50 million ideas about different things.

[bottomofthebellcurve]

I love and am really impressed by the Disney+ Percy Jackson series, it just felt right, the world, characters and casting, meshed so well with my memories of the books.

BUT one line really pissed me off, in the final? episode it is mentioned that the last time the gods went to war it caused a world war, fuck off, no. I try to stay optimistic in my views of humanity, that good and kindness are natural to us but evil and cruelty are human too, to deny that or to attribute it to some supernatural or godly influence is wrong. It is important to understand and recognise that it was humans who did colonialism and genocide and war and rape and murder and slavery. We can be so so awful, and we must be vigilant, these deeds are not inevitabilities, out of our control, something beyond us didn't cause it, we did.

Every time one of these acts gets attributed to someone other than us, we slip ever closer to it happening again.

[terriblelizbians]

reading one of those silly little queer romcom books bc sometimes im tired and need to read something light and easy but this one in particular is like, very obvious serial-numbers-filed-off bon appetit fanfiction with the names (and genders) changed. not only that but it’s specifically brad and claire. head in hands. i can’t do this i can’t read this

[reddy-reads]

a snuffle of criticism

Finished rereading Snuff by Terry Pratchett.

It was great (as usual, once I made a tier-list of Discworld books and it was super unhelpful because I basically only used ranks S, A, and B, haha)

However, I think it was a mistake to indulge in the temptation to... make up a lot of fake Chinese names for things? (Example: “And you know how to do that: use the old Bang Suck Cling Buck on them, eh?” “Yes, sir, that’s a recipe for shoe polish, sir, but I’ll bear it in mind.”) Sir Terry... Please refrain.

I’m sure that, if he had been granted the time, he’d have stopped doing that, but... it’s too bad he didn’t have the time.

Anyway! On to my Tiffany Aching reread

[snowangeldotmp3]

hopefully finishing the hobbit today!! and then it’s onto fellowship of the ring 😤

[dark-night-star-light]

I think @bayofwolves is doing something super, super similar! Not a bond token, but if I'm not wrong, she's planning on incorporating the legend into her rewrite.

Petition to make an AU where Stetriol has its own bond token and we get to see the original water-holding frog/toad legend.

[fingertipsmp3]

No because insane yet subtle foreshadowing super early on in a book makes me scream. Noah Czerny’s “I’ve been dead for seven years” and then he actually had been. “Lazlo could no sooner change the colour of his skin than ask a pretty girl out” and then he fucking does both of those things and you don’t even expect it or suspect the significance because it seems like such a throwaway line

[camgoloud]

in my entire life to date i have seen only one (1) scorsese movie… am i about to make it two by impulse-watching goodfellas, solely because colin hughes mentioned that it was his favorite one back in the first season? perhaps

[beauspot]

Good Omens Is a Big Deal

With everything going on I haven’t acknowledged how grateful I am for what Neil (and John) did this season. I always saw Good Omens as a romantic story and everyone involved seemed to be super supportive of that. To actually see a follow through on those themes was wonderful though. To see Aziraphale continue to look at Crowley like he’s the earth, the moon, and the stars. To see Crowley continue to save his angel not because he needs them to, but because they love him.

To see them have their dinners, and give the other access to their prized possessions. To see them dance. They love each other. They are in love with each other and it’s not implied or a throwaway line that can be edited out.

It’s the beating heart at the center of the story.

And they weren’t meant to be. Neil himself will tell you when he and Terry wrote the book Aziraphale and Crowley were meant to be friends and that’s it. Over time their relationship evolved and where a lot of writers would simply ignore that and keep pushing forward Neil pivoted and said “you know what? let’s see where this goes.” The last time I can remember something like this happening was with Hannibal years ago, it’s so rare with queer pairings.

I know everyone was excited about the kiss and it is refreshing to see queer people actually get to kiss, it’s still not something that happens all the time, but that’s not what made them canonically queer to me. If they remained completely asexual and never kissed or showed interest in kissing one another I’d feel the same. While I always felt they were queer what sealed it for me were 3 things:

1. Nina and Maggie, a romantic pairing that parallel our angel and demon break down to Crowley how she and Aziraphale are partners (and it’s clear they don’t mean business partners, does Crowley look like he runs a bookshop?) but they never say what they’re really thinking. They go on to state how that’s all they needed, the obvious implication here being that Nina and Maggie shared their romantic feelings with one another and that Crowley and Aziraphale need to do the same. Upon hearing this Crowley takes that as a sign to confess his feelings.

2. Gabriel and Beelzebub, another pairing that parallels Crowley and Aziraphale who are also clearly in love with one another is something Crowley references while he is confessing his feelings. “If those two lovestruck idiots can go off together, so can we. Because I love you.”

3. Crowley and Aziraphale express plainly to each other that they need the other. Crowley says to Aziraphale he wants to stop pretending they aren’t a team, a group, a them.

Aziraphale says verbatim “We can be together.” and “I need you.” He doesn’t say “We can work together” or “I need you to help me” or some other cop out that a lot of other shows or movies might come up with to continue to bait their fans, while having plausible deniability.

They love each other and it’s not platonic.

To me, the kiss serves as a way to seal the deal for people who only understand queer love when it’s punching them in the face. That’s not to say queer people can’t like the kiss, it’s one of my favorite scenes in the show simply because of how heartbreaking it is, but they were a couple to me long before that. And to add onto that by making every other important pairing in the show queer as well? Nina and Maggie being happy sapphics who don’t die at the end. They’re not together, but the implication is that one day they will be. Two non-binary beings—Gabriel and Beelzebub—falling in love and choosing to be with one another forever. The angels and demons are all genderless and no one misgenders them and no one gives a FUCK.

That means so much to me and I genuinely cannot express how thankful I am that this show and this season were made. The only thing I can say is thank you for standing for something, because not everyone does.

[antimony-medusa]

Anyways, prompted by nothing in particular (lies, prompted by a scroll through the tag this morning, that was bracing), I think it might be good to remember the things we like about other people in the community.

For example:

BBH fans are some of the most consistently hilarious posters on this sight. Absolutely fantastic mpreg posting, and the art is incredible with your guy on the whole spectrum from creechur to in drag. He has the range. I hope your guy gets pregnant in canon for you, you deserve it.

Tubblings, you post some of the most interesting meta concepts out of moments I have sometimes been in stream for and entirely missed. You are always watching and always ready to take a throwaway line and go "let's unpack that" and bring something heartbreaking out of it. I love getting out of stream and checking up on what Tubbo is up to and finding a) hilarious clips of the creator being out of pocket, b) some new analysis of a tubbo moment that turns me into the crycat meme.

Wilburians, your ability to take like nine streams and *continue to make content out of it* is inspiring. Your guy may not stream, but by god you are keeping the flame alive and you will be ready when he comes back. Please come back, Wilbur, there are so many men you could flirt with here. Leave New York alone, Wilbur, come back and talk to your daughter.

Mariana fans, not only do you have simply fantastic photos to share of your guy looking like a butch lesbian, those enrich my dash every time, but also I have laughed at jokes in a language I don't speak because your guy is so funny and the clips you are make and share are so good. The "mariana unpacks period products" is sincerely one of the funniest things I've ever seen, thank you so much for sharing it.

Etoiles fans, your art is SO GOOD. Like oh my god the Etoiles art is like 100% a banger EVERY TIME. Which is as it should be, your guy simply is that cool, but oh my god, the art is so good. I don't have more words here I am just flailing at the camera. The art is SO GOOD.

Bagi posters, your cubito is one of the most compelling actors on the server, for real, and you are so generous with translating whole speeches done in languages I don't speak. I sat just transfixed during that whole conversation with Cellbit after they discovered their relationship, because the emotion in the argument was so real, and then I scrolled down and found a whole translation and went oh thank you, now I know what people were saying. I'm sorry Empanada lost a life, but your creator's response to it was one for the record books in terms of emotional reaction, and I have seen some fully incredible animations made of it. You take amazing content and make something even cooler out of it, and I'm always so impressed but what you're up to.

Now you go. Tell me something you appreciate about another sub-community.

[secriden]

so i'm rewatching the love sea special episode and there's a moment i really want to talk about that happens right after mahasamut's surprise cruise/dinner on the boat.

they're walking back, tongrak is excitedly chattering about how much he loved the date and mahasamut suddenly gets serious and asks if tongrak's really happy. he mentions someone booking out an entire hotel/restaurant and says what he just did was "just a simple boat ride". the almost subdued, defeated tone fort uses to say this line makes mahasamut sound so small and uncertain and says, "how can i be certain you're impressed?"

and the thing that really caught my attention the first watch was tongrak's response! it just... it has me screaming inside because his instant reaction is "mut, don't say that" (but honestly the tone - and the finger - he uses is more like don't you dare talk about yourself that way).

and then he just goes on to affirm and affirm both mahasamut's place in his heart but also the value of the gifts he gives tongrak. these intangible, wonderful experiences which tongrak treasures because it's time and experiences with mahasamut.

peat's expression here is so soft. like the concern and earnest worry because he recognises that mahasamut is expressing a need here, in the relationship, to be reassured that he's doing something right; that he's doing right by tongrak. that although he can't afford to buy out an entire building, the things he can offer are worthy of the love they share.

we didn't get as much of tongrak carrying the emotional weight of the relationship in the series (for very valid reasons given all he had to work through), but i love love love that we got this moment in the special episode because it shows why their love stood the test of time and social difference. tongrak and mahasamut come from such wildly different backgrounds, environments, and contexts (hell, to some extent even culture) that it would be easy for their wires to get crossed/bypass each other but they've worked on their communication so much so that mahasamut feels confident enough to just ask if tongrak is genuinely happy. and not just in the moment, but in the context of his other experiences/other lovers. remember, mahasamut doesn't care what others think except the people he cares about - so now he needs this reassurance from tongrak to know that yes, he is measuring up to the standards tongrak's other lovers have set before.

and i love that they let the moment breathe too. that tongrak gets to explain not only that the experience itself was amazing (dining on the ocean IS better than dining in a building) but also that mahasamut is what makes it so special to tongrak (you're my boyfriend, that was just some random dude; but also, what matters most is who I spend my time with). it isn't a flippant throwaway one-second moment; it's an entire sequence giving us a glimpse into the dynamics of communication that encapsulates a relationship built on mutual care, love, and devotion. the quiet way peat delivers that last line just really conveys how important it is to tongrak that mahasamut hears and knows that he's doing so, so well.

(and fort goes through a series of expressions as tongrak speaks that is just... gorgeous to watch <3)

and just the way mahasamut looks at tongrak after he says this!! he's so happy but its also tender. there's so much love here and so much joy. it's so beautiful. and we got to see that. ;w; <3

[sic-vita]

Good Omens final fifteen + Clues

my thoughts under the cut:

I finally finished ep 6 and while picking up the pieces of my broken heart, these are what I think are Clues (Aziraphale's voice):

"give me coffee or give me death" - there's such significance to the way Metatron asked the question, it simply cannot be a throwaway line, especially when he later asks Aziraphale "will you take it?" when handing him the coffee cup. He doesn't say "take it" or simply shoves it at him which would be typical of heaven, but he gives Aziraphale a choice (coffee or death) - in other words, Aziraphale makes the choice but under the threat of death (something Metatron knew he would do, because Nina says "they never choose death" and he says "how predictable" ie. he knew exactly how this would go down)

prior to this Aziraphale has never drunk coffee, only tea and alcohol. He doesn't understand why Crowley would drink coffee when he's already stressed. In other words, the coffee itself is forced on Aziraphale - it seems that he has a choice ("will you take it?") but is it really a choice if his other option is death?

At no point does Aziraphale say "yes" - even when he's walking back to Crowley he says "I don't know what to say" - he's nowhere as excited as he pretends to be the moment he enters the bookshop. In fact, the entire walk over (with the Metatron watching him carefully), he's pensive and deeply troubled, almost like walking to his doom (which clashes with the cheery, almost romantic music that plays here, which adds subtext to the situation, that all is not what it seems to be)

Aziraphale's expression the moment the Metatron brings Crowley up and issues his subtle threat ("irregular"); the way his lips thin and he swallows and he instantly knows what this is all about ("give me coffee OR give me death")

Aziraphale's many many looks out of the window after Crowley has left and his repressed grief and outrage that he quickly masks everytime he looks back at the Metatron. I don't think it's just heartbreak and wanting to go after Crowley - I think something else is going on

tldr: Aziraphale chose the coffee Metatron presented to him because the alternative was death (for him and/or Crowley) and he is furious. Aziraphale's comments on heaven and it being good etc. are not because he's still fixated on that ideology, but it's the only way Aziraphale saw them being safe and together (the other option: death). The tragedy is that Crowley saw Aziraphale making an active choice to take heaven over them being together - but he didn't see why Aziraphale was making that choice (and if it was a choice at all). Earlier, Crowley said "What does your exactly mean? I feel like your exactly and my exactly are different exactlys" - the way they have failed to communicate throughout the millennial (as pointed out by Nina and Maggie) comes to a head here - in this situation with the Metatron watching, Aziraphale can't communicate exactly what's going on, and Crowley doesn't understand what he means because they have not properly communicated before what their "together" means - "run off together" vs "we can be together, angels" are not afterall, different togethers - once again, they're trying to save each other so they can be together, but the methods are different and the perspectives are different (ie. Crowley knows about the book of life threat vs Aziraphale knows about the Metatron "irregular" threat and neither knows what the other fears)

[thebeesareback]

I just finished the audio book for Donna Tartt's novel The Secret History, so naturally I had to have a lil scroll to see what everyone thought on Tumblr. To add to the discourse: (spoilers, obviously)

Also trigger warning: incest, abuse, murder, alcoholism

Why is Tumblr so in love with Henry Winter?! He murders the farmer, Bunny, and possibly tries to kill Charles. He's manipulative and may well try to make Richard take the fall (har har) for Bunny's death. In the garden scene, he admits to being a psychopath/sociopath. Oh, and he's unbelievably pretentious

Also, why are there so many cute pictures of the twins hanging out? Their relationship was strained, incestuous, co-dependent, abusive. The whole uwu thing baffles me

Richard has a very obvious foot fetish and nobody is talking about it

The novel is quite funny, and I wish more people picked up on that. Most of the humour comes from Francis - the pinz nez stays ON during sex; no, Bunny's parents weren't very upset when one of their grandchildren ruined Francis' scarf, they were preoccupied by their missing son; and there's a throwaway line where the art students eat sushi with paintbrushes instead of chopsticks. I also liked when the twins panicked after Bunny's murder and decided to start repotting tulips

The farmer is referred to by name twice. Once in a newspaper, once by Bunny. Strange to think that he's the person in the squad who might actually have a conscience. Incidentally, Milo, the golden retriever who finds Bunny's body, has his name mentioned more frequently.

Richard is a smelly, badly dressed misanthrope. As is Henry, and Charles towards the end. Francis, Camilla and Hampden itself provide the (admittedly gorgeous) dark academia aesthetic, but if you want to end that dream, remember how terrible everything would have smelled. I guess the difference between appearance and reality is a pretty big theme

Julian is very creepy, obviously, but I was surprised that he wasn't more involved in the plot. He seems like exactly the sort of person to start a cult. I'd also like to know if he and Henry were in a sexual relationship, because we see them kiss once and then it's never mentioned again

Foreshadowing is done EXCELLENTLY through the book. There were a few characters who were described as ghostly at the start, and I THINK they're the ones who survive. Also, Tartt loves her pathetic fallacy (not phallusy).

Time is very strange. If you bothered to plot out all of the events, I don't think it quite makes sense. Term starts in September, say Richard joins Julian's classes in early October? That means all the picnics, the Sunday walks with Bunny, the trips to Francis' house, all happen over about five weeks, leading to the 12th November when Charles, Henry and Francis kill the farmer. Unreliable narrator, I guess

A lot of things about Richard's character make more sense when you realise the abuse he grew up experiencing and witnessing. Poor Ms Papen. Odd that Richard's parents don't visit him when he's in hospital

Funny that everyone is surprised when the twins' incest comes out. Like, they had an orgy at the start of the baccanal. Call me a prude, but I wouldn't attend an orgy with a family member

I would go for girls' night with Judy Poovey

Also, the book was published in 1992. Does anyone know when Prince Charles and Camila Parker Bowles went public with their relationship? Seems like an unbelievable coincidence otherwise

If anyone has an actual criteria for identifying alcohol abuse/alcoholism, please lmk if any of the main six characters AREN'T alcoholics. I'm pretty sure I got liver cirrhosis and lung cancer just from reading this book

[a-a-a-anon]

absolutely fascinated by young dee who is criminally under-discussed so here is my dissertation on what happened in her college years (ft. dr. gainer, setting her roommate on fire, being institutionalized)/my idea for a fic that I will almost certainly never write/my way too serious take on a few throwaway dee lore lines

timeline background: we know that dee majored in psychology ('charlie got molested') and got "three fourths" of the way in (meanwhile dennis finished his psych minor.) assuming this was a four year program, I'm gonna guess that in her third year she got institutionalized and most likely had to drop out ('gun fever too: still hot'.) we also know that she had her back brace until she was twenty ('underage drinking'), so I'm guessing that means she got her back brace off in her third year.

we know that dennis fancied himself a psychologist since he was young, but I think dee did too. in particular I think she was wary and interested in her brother's psychology; she seems very aware of his psychopathy and bpd in 'making dennis reynolds a murderer' and 'psycho pete returns.' in my head she's been interested in dennis' psychology since they were kids and she saw him snapping crows necks. so instead of forcing her way into acting school, she studied psychology to better understand her brother (and also deep down, herself, who is very much the other side of the same fucked up coin.) it also meant she could tell herself she could study her characters even better when she became an actress.

i think she put in (her version of) genuine academic effort to get in, fuelled kind of by spite (remember the way she studied that thick medical book in 'hero or hate crime' or her very quick math in 'boggs: ladies reboot'). she studies books and gets cricket to quiz her and she still fails to get into penn. but frank always pitied her (i think she was his favorite of the twins-remember "let your sister into the gang", "that's my girl!", "i'm sorry the grift didn't work out, sweetie") so he shells out cash to get her in, but also to get her away from home so he has to deal with her even less.

dennis wants to do anything dee does but better and he wants to keep her close by (to watch her crash and burn, and also because he's weirdly possessive-see 'the gang broke dee' "i'm your select!"). and obviously he's barbara's favorite. so barbara gives him money to get in too. she also gets him into a frat and pays for his classes and his rent and everything he needs. dee has to live in a dumpy dorm with a female roommate.

but college presents dee a chance to moult her previous place in life where she was known as a monster (remember how insistent she was that "people can change!" in 'franks pretty woman'. I think dees always wanted to believe she can shed that feeling she's inferior, but she never has). in my head her female roommate is basically normal-has real friends of her own, mentally stable, attractive-which is exactly what dee craves. dee wants to be popular and well liked and she wants to infiltrate her roommates life, imitate her, be in the Cool group. and she places all her hopes on a friendship with the roommate but dee has never navigated real female friendships before, not with someone like her. deep down she also wishes she found what dennis found in mac, whatever it was, because ever since dennis met mac he's never been as close to her. and i do think dee is some flavor of queer. and the roommate is well liked in the way that dee admires and envies. so there is that blurriness between wanting to be her and wanting to be with her. in my head her roommate looks like the woman from dee's fantasy in 'the gang saves the day' (and they both represent that promise of escape from dee's shitty life).

dee is so desperate for the roommates approval and her love and her life that she goes insane, copying and flattering and competing with her. ever the shitty actress, she tries to emulate her, but comes off as manic and creepy. and maybe her roommate is nice enough to not completely shun her, recognizing that she's struggling. maybe in dees mind they actually are becoming friends when her roommate asks things like "are you okay?"

and dee has to talk about her plan with dennis because he's the only person who would Get It. and she makes it sound like it's almost working. dennis feels jealous and worried and threatened that maybe dee might actually be seen as normal, especially when she gets her back brace off in the third year. so dennis fucks her roommate, more of a show that he owns and controls each and every pathetic part of dee’s life than anything else. and so that dee knows she'll never be as good as him, she'll never as easily charm people as dennis does. (or at least he tells her he does).

to prove that To Someone dee is Good Enough, and so desperate for attention, dee (who's been groomed all this time) enters a sexual relationship with her professor dr. gainer. she tells herself she has the power in it, that she seduced him ("he didn't molest me. i had sex with him 'cause i wanted to.") and she has a mental break, because the thing she told herself held her back from being loved (her back brace) is finally gone by now and yet she still feels like a monster, and the only scrap of "love" she can get is from her professor.

and then she can't take the fact that she can steal her roommates clothes, can emulate her sexual prowess (in dee's own fucked up, delusional way), and still neither be well liked like her nor be loved by her. so maybe dee will always be a monster. so dee tried to burn her roommate in her bed, because she represented the promise of change and popularity, and that promise was a lie and dee's effort was for nothing. and she's institutionalized.

and i think there was kind of a falling out between the twins and their parents, because barbara wants to abandon dee but dennis can't help but visit her. and frank doesn't even step foot in a place that reminds him of his traumatic childhood, and avoids dee even more than he used to because she is his childhood mirror image. so the family becomes even more fractured and estranged.

and maybe dee becomes medicated and slowly crawls her way halfway to normal by the first season (her acting classes are so well-adjusted, taking part in healthy hobbies of her!). until her father comes back into her life and everything falls apart <3

side note, even though dee is crushingly lonely-"I just got a cat 'cause I wanted something to hang out with. I don't have, you know, a roommate or anything, and I don't really have anyone to talk to..."-AND she struggles to pay rent whenever frank cuts her off, i hc that she refused to ever get a roommate in particular female roommate again after this because both her internalized misogyny got worse and she was afraid of what would happen (what she would do) again.

[turq-winters]

(Dr Who, Season 1, Episode 2, "The Devil's Chord) I know there's been most of a season since this and we've all moved on but I haven't. Sure it's probably meant as a throwaway gag but This Line Fucks. I Would Like to Know More. I want to see the scene when the Doctor first figured out that other people *couldn't* hear the background music. I want to know what else he knows. Does he have any sense of the camera? Does he know when he's in frame, does he intentionally move and pose for better shot composition? What about the separation between episodes? Does he know whether he's currently in an episode, or a special, or an audio production, or a book or a comic? Or a fanfic? Or some nerd's Tumblr post?

... Are gifs like some timeloop hell for him? Have I trapped the Doctor? Has anyone told the Master?

[elkian]

In Stars And Time (and its predecessor Start Again to a degree) did something really impressive in a video game: making a non-combatant child character not only likeable, but critical to the fabric of the story. Notably, the Kid is not a primary story character. They represent the common folk of the endangered fantasy land; someone whose home and family was taken by the Big Bad, leaving them stranded.

In the core party, we have the Housemaiden, blessed, immune to the worst status effect, bearing a unique elemental type, etc. It's actually very amusing that she is blatantly The Main Character of this story, because she isn't the POV character.

With her we have the Fighter, a good-hearted tank who worked as a Defender in the homeland of the first three; the Researcher, a foreigner traveling the land, who's book-smart and has a wide array of spells, the wizard type.

And then we have the POV character, Siffrin, a classic Improbably Good-Natured Wandering Rogue archetype. You know, the classic shifty thief-type and troublemaker who nonetheless aids the party without thought of reward and isn't actually a criminal despite the vibes? That kind of rogue.

The Kid isn't a playable character. They can contribute to combat, but it's randomized. The most you can do is equip them with gear and skills that affect the frequency of their input, and ask them to feed the party heals (and possibly feed the final boss a bomb).

What the Kid is, what they represent, is in many ways the emotional core of the party (as the party knows it; Siffrin might develop different ideas, but, notably, still cares deeply for the Kid's wellbeing).

The Kid provides snacks, which is partly about their heals-carrying role, but it has a broader application. Between each level in the main dungeon, there's a snack break with three options. As you play the game, looping over and over, choosing different snacks can be the most you can break out at times. Snacktime also creates a narrative and gameplay break, a time to chat with the party one-on-one.

The Kid is the moral support and backbone of the party; it's possible to tell this story without them, but it would, frankly speaking, be a less emotional, less interesting story, with lower stakes. The Kid is at risk when you fight; the adults team up and agree to protect them no matter the cost, and this is not a throwaway line. This has consequences. This creates texture.

Late in the game, Siffrin develops the option to do Party Member Personal Quests, and despite being a noncombatant, the Kid is one of them. All of these Quests are meaningful and important in their way, but the things we learn in the Kid's Quest are extremely important to understanding Siffrin. The other Quests have personal elements that Siffrin relates to, but this one is about him in a very specific way, that could not be fully replicated by mirroring the events referenced onto one of the adults. This Quest pans out the way it does because the Kid is a kid.

It's hard for me to put into exact words, especially when I don't want to spoil things, but there's even more specific details that make them important to the narrative progression, again, without being an "important" person in the context of the game world. By being important to Siffrin and the rest of the party, by having their narrative wound in with the others, the Kid is as integral to the story as any other character.

Kid characters like this in video games aren't often well-respected, and that tends to be for good reason - they tend to represent ludonarrative dissonance, be annoying, or be the product of overcompensation and have their importance rubbed into the player's face. Many of them could be extracted from the narrative without having a significant effect on the outcome, or would destroy the narrative because they're the focus character, borderline Morality Pets for protagonists. The Kid in ISAT and SA fascinates me, because I came to care about them in a very natural manner, not just because their personality and interactions are endearing, but because the way they and the other party members relate to each other has a tangible impact on the story and emotional core of the game.