#I just started a new fic about
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orangeflowerpetals · 2 years ago
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I only got 4 hours of sleep no one let me write today
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in-my-loki-feels · 11 months ago
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I can't stop thinking about pairing this guy:
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with this guy:
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Just something about the absolute goofball energy of the first, running into the megalomaniac energy of the second. I feel like President Loki would be all "I am here to rule and nothing's going to stop me!" and the Mobius variant would be confused but on board and also distracted by a dish on another table: "Oh yeah? Cool, cool, tell me more. Hey, are you going to eat that?"
ETA: I ended up writing a short thing for this idea. Adding a link here in case the one in the reblogs isn't obvious.
There is now a 4+1 expanded version up on AO3!
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johnslittlespoon · 6 months ago
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all the dog coded bucky stuff is the light of my life, cannot get enough of it (obviously), but hear me out: what about a buckbucky oneshot with the opposite– cat coded gale? i have many Thoughts and would love to hear further ones and as much as i think he fits both dog and cat traits well, it would be fun to flip the dog motifs and do something cat related for him <3
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wikiangela · 7 months ago
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thinking about buck and Tommy showing up to some firefam dinner/barbecue/some family event, someone notices a hickey peeking out from under Tommy's collar (or maybe there's one in a very visible, impossible to cover up with clothes place), someone makes some teasing joke/comment, buck goes all red but smiles proudly when Tommy grins and says 'yeah, someone got a little carried away last night' with a soft and playful look at buck, and Buck shrugs, says 'gotta make sure people know you're mine' and he leans in to kiss Tommy, just a chaste peck, and someone's like 'ew, get a room' and Buck chuckles and he's so happy to be able to just joke with his family and his boyfriend, and be so open and free about how in love he is, and Tommy's right next to him with his hand on Buck's knee under the table, and he's never been happier
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ossidae-passeridae · 1 year ago
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4. What’s the worst part of fanon? 😈
Question from here
That'd be the implicit racism thanks for asking!
A non snappy response, aka to explain what I mean by that:
A lot of fanon tropes implicitly reinforce a very white, America-centric POV, and in a universe like the GFFA which lies somewhere between heavily Asian-inspired and gloriously multicultural, that really rubs me the wrong way. (To clarify upfront: it is not racist or whatever to enjoy these tropes or to write them, but it worries me when people don't even seem to realise it)
An obvious, innocuous-seeming example is the tendency to use 'Ben' instead of Obi-Wan's actual name in AUs — especially when others' names (Anakin, Mace, Cody, etc) aren't changed as well. The biggest difference between those names and Obi-Wan's is that Obi-Wan's is obviously Asian inspired, and theirs aren't. It's not something I expect most people even think about! But it always leaves a sinking feeling in my chest.
(Obviously if, like in canon, Obi-Wan is using Ben as a pseudonym while in hiding that's a very different kettle of fish.)
A larger example is how incredibly common it is to cast the Jedi as space-Christians — some common examples being focus on tenets (the Jedi Code, which is a meditation mantra, not a rulebook), the pervasive Catholic Guilt which is very explicitly Christian in nature, the emphasis on worship as ritual rather than a state to work towards, the generalised "all organised religion must be Bad" sentiments that feel very specifically ex-Christian in nature.
Thinking about one's own religion and expressing thoughts through fiction/art isn't an issue in and of itself.
The thing is, the Jedi are explicitly based on Asian Buddhists. Not just in set dressing, but from the ground up, from their beliefs and the way they act, to their clothing to the structure of their temple — to strip that away is to remove what makes the Jedi the Jedi. It's to remove the Asian-ness and replace it with something predominantly white. It implies that Asian influence shouldn't or can't exist in the GFFA, or that there's something inferior or wrong about Buddhism that needs to be "fixed".
Again this isn't something where I think that fan authors are sitting there going "muhahaha I'm going to be RACIST today", I know that's not what's happening. But when so much Jedi-centric content being produced minimises the Asian influence and pushes a western one, it starts to say "there's something wrong with this group, we're trying to erase it because there shouldn't be representation at all" — an issue of scale, at its core.
(Then ofc there's all the "the Jedi steal babies" and "the Jedi ban emotions" and "the Jedi need to be destroyed" which, entirely separate from the above, if you replace 'Jedi' with 'Buddhists' I'm kind of starting to wonder why you hate Asian people/Asian religions, you know?)
I won't even get into the fanon surrounding the clones, because that'd require me to talk about KT far more than I'd like to on any day, but especially today 🤣
(All opinions expressed above are solely those of pass e. ridae and do not express the views or opinions of any affiliates or associates, passerine or otherwise)
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jaynovz · 1 year ago
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In discussions about the finale of Black Sails, one of the things I often see is folks hard-focusing on Flint's fate, in an either-or binary fashion, usually presented as "Which do you believe-- that Silver killed him? or sent him to the plantation?"
Now, for posterity's sake, gonna mention a few things-- first off, that's simply not thinking broadly enough. There are farrrr more than two options here and I've come up with my share of the reallyyyyy bad ones for sure. Whatever your mind chooses, none of those are happy endings anyway, there are bittersweet, bad, and worse endings all the way down. (They are paused, they are in a time loop, and also all endings and no endings are happening simultaneously)
But also, the more cogent point is that, it doesn't actually matter what happened *to Flint* The story is... not actually about him at that point. We have transitioned from Flint as protag to Silver as protag, setting up for (the fanfiction that Black Sails has ended up making of, ugh, king shit) Treasure Island.
And so, I just, don't find it to be of particular interest exploring what we think Flint is actually doing or if he's alive for real. What is EXTREMELY interesting to explore though is how Silver's speech at the end to Madi is sort of giving Thomas back to Flint as a pacifier/comfort object, but how... Silver is giving Flint that thing in his own mind as his own type of pacifier/comfort object.
That's the REALLY chewy bit. What actually happens to Flint is not the purpose of that scene for me, of Silver's recounting of events to Madi. It's more about... projection. It's about how Silver is dealing with whatever happened to Flint/whatever he did.
And I just feel like it's missing the point to focus so hard on if Flint is alive or not.
He is the ghost of the story regardless, that's what's important. He's going to haunt the narrative for the rest of everyone's lives. No one has been untouched or unscarred by coming into contact with Captain Flint; he has a forever legacy. I'm not the first to call him this, but he's Schrödinger's Flint and he's staying that way.
But this?
"No. I did not kill Captain Flint. I unmade him. The man you know could never let go of his war. For if he were to exclude it from himself, he would not be able to understand himself. So I had to return him to an earlier state of being. One in which he could function without the war. Without the violence. Without us. Captain Flint was born out of great tragedy. I found a way to reach into the past... and undo it. There is a place near Savannah... where men unjustly imprisoned in England are sent in secret. An internment far more humane, but no less secure. Men who enter these gates never leave them. To the rest of the world, they simply cease to be. He resisted... at first. But then I told him what else I had heard about this place. I was told prominent families amongst London society made use of it. I was told the governor in Carolina made use of it. So I sent a man to find out if they'd used it to hide away one particular prisoner. He returned with news. Thomas Hamilton was there. He disbelieved me. He continued to resist. And corralling him took great effort. But the closer we got to Savannah, his resistance began to diminish. I couldn't say why. I wasn't expecting it. Perhaps he'd finally reached the limits of his physical ability to fight. Or perhaps as the promise of seeing Thomas got closer... he grew more comfortable letting go of this man he created in response to his loss. The man whose mind I had come to know so well... whose mind I'd in some ways incorporated into my own. It was a strange experience to see something from it... so unexpected. I choose to believe it... because it wasn't the man I had come to know at all... but one who existed beforehand... waking from a long... and terrible nightmare. Reorienting to the daylight... and the world as it existed before he first closed his eyes... letting the memory of the nightmare fade away. You may think what you want of me. I will draw comfort in the knowledge that you're alive to think it. But I'm not the villain you fear I am. I'm not him."
This is the speech of a man who is self-soothing, who is spinning himself a tale, who is projecting, who is coping.
and THAT is just, way chewier, innit?
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marragurl · 7 months ago
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Not the first to say it, but damn can’t believe Galladay really went from toxic yaoi to doomed tragic yaoi.
Alright fellow Galladay trash, where’s the modern AU fix-it fics?
I need to see Gallagher single dad with Misha plus their dog/cat Sleepie falling for entertainment company CEO Sunday. Don’t ask me how they met, fuck it, throw in bodyguard AU Gallagher who works part-time at a bar, boom there that’s how they meet, idk I’m making this up on 3 hours of sleep.
You’ve heard of slow burns, now get ready for Galladay blaze it.
They’re speedrunning the relationship from hate -> annoyance -> mild disgruntlement -> weirdly vibing -> ok wow never knew I needed that in my life -> Sunday is way too ok with spoiling Misha -> ok so we got married -> alright we’re dismantling the government now -> Sunday went to jail for 5 minutes for attempting “peaceful” world domination, don’t worry we (Gallagher) forgave him -> Sunday’s stepping down as CEO to run a coffeeshop idk look someone get him some therapy -> Robin is president now while she still goes on tours -> Misha won an engineering competition while this was all going on
Bottom line: Robin is out living her best life while Sunday is in the back somehow having the most insane week of his life. I have no other notes for her here except that she is happy, and successful, and is Sunday’s last remaining brain cell. She and Misha are having some fun Aunt/Nephew bonding times while Galladay are accidentally-on-purpose committing multiple war crimes.
No, we don’t have time to unpack 2.2 and all its trauma, we cope with modern AU :)
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electric-plants · 11 months ago
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listen we can be boring and just take this to mean “always been” as in post the archon quests OR we can make a bunch of headcanons instead such as:
1) they all meet up so much it feels like they’ve been doing it forever
2) these two were just fucking pretending they don’t know each other throughout the entire archon quest
3) alhaitham was being pedantic with “at the akademia” and despite being personal friends they fully separate their working selves and consider each other strangers in work matters
4) they’ve been meeting up as part of the friend group for forever but never actually talked to each other until this moment making it Extra Awkward™️
and literally so many more like the pathways this has opened up in my brain ughhh
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marcelineuntitled · 5 months ago
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fanart for This Is Not The End by @kings-highway
potentially my favourite fic ever!! <3
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mrpenguinpants · 2 months ago
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Hypothetical question but are we still into windbreaker (nii satoru)? Y'all cool if I put my hyper fixation on center stage?
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lazuliquetzal · 1 year ago
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I keep on telling people you're the only one who knows how to plot. Can you teach all of us how to plot, please? I love you.
I AM SUMMONED? PLOT BRAIN SUMMONED?
I love plotting. It's my favorite part of the writing process. Plot is "things that happen" and the best part of writing is imagining things that happen. I'm going to assume that whoever may be reading this knows how to imagine The Happenings, so I'm gonna be talking more about structure, but in like, a kinda abstract sense.
A good plot is a little bit more than a string of events. Plot is like music: there's variation in rhythm and sound and melody, but ultimately there's cohesion, because it's all one song. You can have a bunch of wild things happening, but no matter how strange, there should be something that links them all together, because you're telling one story.
Plot structures are patterns in stories. I'm pretty sure most of them were developed as analysis tools (as in, story already exists > look! it follows this pattern) rather than as writing tools, but people use them as writing tools because it's a neat little way to organize the chaos that is "shit happens." Stories follow patterns for the same reasons music follows patterns: we enjoy the certainty of hitting certain beats. But we also like being surprised. A good pop song doesn't sound like a random collection of sounds, but it also doesn't sound like the middle slider of other songs.
There is this shared concept in both music and writing: the idea of tension and release. Basically, you're playing with reader expectation: there's an imbalance in the experience (tension), and we want to see that imbalance resolved (release). All the common plot structures deal with this basic pattern:
You set an expectation
There are complications to the expectation
You meet the expectation
And this rhythm is happening on multiple levels in writing. Scenes follow this structure (we're gonna get past that door, we're gonna find the murder weapon, we're gonna collaborate and come up with a plan) and all those scenes feed into the overarching expectation (we're gonna solve this murder!). I usually think of chapters as their own mini-story, part of the larger whole. And I think of scenes as their own mini-story, part of the larger chapter. I have engineer brain. I see the gears spinning in the clock. That's why all my chapters have at least One Important Thing happening, because that's that particular chapter's Step #3.
And One Last Important Thing:
In music, a delayed resolution is almost always more interesting than the standard resolution. In writing, that means you wanna drag out Step #2 for as long as you can. That's where the bulk of the story is happening, that's how you build tension, that's how you get people to turn the page.
So when you write a fake dating fic, those bitches better not get together until the very end. I came here for fake dating, not for real dating, damn it. If you resolve that expectation early on, you better replace it with a different expectation that's just as engaging.
But also don't drag it out for too long. Sorry. The hard part of writing is learning the difference between too short and too long. Writing is unfortunately a nuanced skill which is why my advice is like "do this but not too much teehee." But tension and resolution is just rhythm, you can build a sense for it if you engage with enough stories.
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akemiiya · 1 month ago
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i think a lot of the soulless clover revival fics that make them start to kill in the very first reset does not give clover (or flowey) nearly enough credit
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tavina-writes · 21 days ago
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feeling a lil uncharitable in this house tonight so simply going "a person who writes a silly story about their blorbo celebrating a holiday is not actively trying to perform a microaggression," to myself through gritted teeth. "someone trying to justify why they would write a silly story about blorbo is also not trying to be a fucking racist" I say to myself again.
But also what is with people trying to justify their Christmas AUs for Chinese characters. Do people think we have no real holidays of our own? Why do they think that. Can someone explain to me why, I'm waiting.
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reinedeslys-central · 8 months ago
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more!! again!! for the nico after blood of olympus fic!! actually I thought of this while writing the last one but I just finished it.
His elbows buckle and he lets himself fall into Will, snorting at his theatrical groan under the weight. They lay there for a second until Will shoves him gently, and Nico lets him manoeuvre them into a more comfortable position.
"Hi," he whispers, moving a curl away from his cheek. The greenish tint of the loft window casts a weird shadow over Will's face.
"Hey yourself," Will murmurs back, winking.
Nico rolls his eyes. "You look like Apollo when you do that. Please stop." Will squawks in protest.
"I do not! Also, since when do you remember what Apollo looks like? Actually, no, don't answer that, you can't bring up my dad while we're in bed, Nico, why would you do this to me?"
Now it's Nico's turn to sputter and whack Will in the chest - getting another dramatic oof and a laugh in return - before turning around to face Hazel's bed. He's not sure when he'll ever be able to sleep facing the wall. Will can't do it either.
As Will's arms curl around his waist and draw him back against him, just like they did back in the infirmary that one day, he thinks maybe he'd be okay trying that with him sometime. One day, in a house with gates, no longer wary of monsters.
Will noses the back of his neck, causing him to twitch. "What is it?"
Will's answering smile presses through the rough cotton of his t-shirt. "Nothing, sunshine."
Nico frowns under the covers. "Hey, what do you think of houses with gates?" He whispers.
"Gates? Well, it'd be safer, I guess, but we'd lose the neighbours coming over -"
"As if you want to see random people at the door anyway. What if they're monsters?"
"Oh, come on, darlin', I'm from Austin. Of course I gotta keep space for the neighbours to come knocking."
"…Fences? Actually, hey, why'd you assume I was talking about us? Obviously - Obviously I was talking about random. Random houses. For architecture reasons."
Will muffles his laugh into the back of his neck, again. "Oh, my bad. And I'm only here because you ripped a stitch on the lava wall yesterday."
Nico feels his ears warm.
"Shut up."
"I didn't say anything."
"..Still."
Will reels him in closer until his back hits his chest and he can press a soft peck to Nico's still-red ears. "I think a fence is a great idea, by the way. We could ask Hazel for help with some ward stones too, like you have in the cabin. Gotta make sure we've got at least one window and standing space in every direction, though, or at least in the east, because you know my dad would sulk if he didn't get to scream me awake in the morning."
Nico's blush gets worse.
"Now who's talking about your dad in bed?" He gives up on pretending. Will sees him through every time, anyway. "Also, shrines, obviously, and we need a spot to stargaze."
"Yeah, shrines, obviously. Maybe just yours, mine, and Lady Hestia's though, or else everyone else is gonna get pissy."
Nico barks out a laugh like it's shocked out of him. "Pissy? Don't let them hear you say that."
Will holds him tighter and settles against the pillows. "Sure thing, sunshine. Now can we sleep?"
"Yeah, yeah."
It's not long after that that Will's breath evens out behind him, his muscles untensing. Nico knows he's got a few minutes yet, so he thinks.
Today was…. good.
Today was nice. Normal, even. Just a day of camp schedules, working in the infirmary, an admittedly short campfire, and this. No monsters, and no mistakes. No deaths, but..
Unbidden, the moments in the infirmary come to mind. He thinks of helping Will scrub in for his one surgery of the day, a kid that had gotten parts of an arrow stuck in their leg a week ago and hadn't noticed til yesterday. He thinks of yesterday during capture-the-flag, stepping in and desperately trying to copy what he'd watched Will do, because Lydia was hanging crooked from a tree and there was no one else around but him-
He thinks of Patroclus tying the straps of Achilles' armour, watching his lover sleep peacefully. He thinks of what Connor had told him about at the campfire weeks ago, of Silena Beauregard taking on a drakon when Clarisse declared the Ares Cabin wouldn't be fighting.
He thinks he might understand.
Lydia wasn't the same (thank the gods), but if there was something to be done that only Will could do right, yet couldn't, and the only way Nico could take up his mantle would be to die trying - then, yeah. He'd do whatever it would take for these kids. To do what Will would do. He's gone to Tartarus already, hasn't he? At worst, he'd try his best and greet his father early if he failed to survive. Nico could even give Charon a tip on the way in for the hell of it, why not?
If there is a luxury that comes from being a child of Hades, after all, it is that dying is not the thing that scares him.
There's a brazier still lit outside the window. Its glow falls in slits across their bed.
Will grumbles, pushing his feet forward until their ankles are wound together. The sheets shift.
Nico smiles into the dark, into the chirping of crickets and the soft glow of the fireflies out the window, and falls asleep.
more for this fic:
scene 0 - prologue-ish scene 1 - the library of social awkwardness or here (or in my heart, 'kidney function is not a right, it's a privilege' lol)
general writing directory
also lmk if you want more lore. I am so down to talk about this fic + the worldbuilding ideas I have for it in the notes it is unreal
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trappedinafantasy37 · 4 months ago
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I saw Minthara's abysmal fic numbers on AO3 and I am proud to have contributed to some of them numbers. But, there needs to be MOAR! I've already started my Shadowheart fic, but I'm gonna shift it up a gear so I can add more to the tag.
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crybaby-bkg · 2 years ago
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Arranged marriage AU with Barbarian Bakugou who is so daunting to be around at first. He’s all gruff curses and broad shoulders and scarred cheeks and neck and jaw. He scowls constantly, stares at you while your parents auction you off like some show pig, but doesn’t say much to you besides a grunt of his name. You’re terrified, thinking that he’ll be cruel to you, that you’re being set up for a life full of unhappiness and terror and regret.
But he’s the exact opposite. Bakugou is gentle in ways a man of his size typically wouldn’t be, but he shrinks himself for you. Not in a way that diminishes his status as the newly appointed king, but to respect you, show you that you’re beside him instead of behind him.
He picks you berries on his hunts because he knows the smell of a fresh kill brings nausea to your stomach. You find him along with the other maidens and helpers around his village, sitting beside them, big fingers holding tiny little flowers that he weaves into a crown for you. When he sets it on your head, he purses his lips, mutters something under his breath in his language that you’re still not too familiar with, but sure it means something along the lines of pretty and soft.
And when he finds you bathing in the river only few have access to, he’s sweet the whole time. Doesn’t make a spectacle of you being naked, and is relieved when you don’t instantly cower when he wades his way over to you. You try not to stare at the clawed scars that decorate his pec and jaw when he stands above you, and it helps when he suddenly dumps water all over your head. He shushes you when you splutter, continues on with cupping his hands and letting the water run off of your hair and down your shoulders, scrubbing at your skin until your flesh squeaks. He doesn’t expect you to do the same for him, but he hums in satisfaction when you push him down a little lower so you can wash the crown of his head.
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