#I just hate these kind of expectations

[chiefguideandcentre]

I might sound like a jerk for saying this but I hate when you get mandatorily volunteered to bring some food dish to some event. Like (for my situation) a couple is moving into a new house- so I was already gonna make a candle for them (bc I make candles and I’m not very creative beyond that but it still would have been very nice of me thank you very much) but no, now someone else is all “oh! wouldn’t it be a great idea if everybody made some kind of dish for them!!” Oh great, thanks for volunteering everybody for that, so now you have to make some kind of food or risk being the only one that doesn’t and looking like an a-hole. “Oh but you don’t have to if you don’t want to!” Like no that’s a lie, that’s a set up, bc everybody will be looking down on you if you don’t do this thing. I don’t fucking cook, I don’t bake, I hate doing it, but now I’ve gotta make something or be the a-hole

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[poorly-drawn-mdzs]

Started a new book series, and has been a journey...an Odyssey, if you will.

[egophiliac]

I have never been more concerned for a JP update from your art than I am seeing a Cheka knowing the context of Leona’s dream.

My bois ok right?????? My sweet nephews ok right??????

well

uhhhh

I'm sure the real one is fine :)

[knifearo]

i hate the concept of platonic and romantic as a binary i hate the concept of platonic and romantic as a sliding scale of "less" to "more" i hate the concept of platonic and romantic as the only two options i hate the concept of platonic and romantic as significantly different things i hate the concept of platonic and romantic as all encompassing i hate the concept of platonic and romantic as the two halves of a shallow concept of love that doesn't actually encompass anything at all i think we need to overhaul every popular conception about "types" of love so we can talk about things that are real and true for once

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[kittyscabin]

it was important that i draw them in these tshirts, for some reason

[seriousbrat]

Why do people like Lily? From what we've seen of her in the books she seems like a charming and good hearted person but also someone who is shallow, judgemental, a social climber, a classist and immature. Why do people make her out to be this feminist, kind hearted role model that is always morally above others and everyone likes her because she is oh so kind and great? It makes me cringe. From the text we can see that she had a black and white thinking, was shallow and probably self righeous, always thinking she's right and not being able to see the perspective of others. (We can see this in her interactions with Snape) So why do people love her? Do people really need a 'girl boss' in every fandom? There always seems to be one that's just made up by the fans. It looks like people just need a character they can point at and say "see we care about female characters, this one is oh so great, she can't do no wrong, worship her please." 🙄

Look, no offence, but... what? 'Shallow, classist, judgmental, social climber' what? Where are you getting this? Because she stopped being friends with a boy who literally called her a slur? Because she criticised that boy for defending and befriending people who were bigoted against people like herself? Like sorry but I think I'm entirely the wrong person to come to with this kind of thing. I fully disagree. I could not disagree more.

Black and white thinking? The opposite. Lily remained friends with someone who espoused the exact opposite of her beliefs for way too long. Not just her beliefs, but her right to exist. She tolerated Snape (and I do love him as a character, but still) way more than she should have, objectively speaking. That's the opposite of black and white. She was way too understanding, way too empathetic with him. She didn't judge Snape hard enough, in my opinion.

Nah, look idk what you were hoping with this ask but I'm sorry, I'm generally a staunch Lily defender and I heavily disagree with what you're saying. It's not that I think she's a perfect person, she certainly has her flaws like anyone. I don't think that she should be idealised, I think she should be given complexity like any character, but neither do I think she's classist (esp since she's meant to be working class) nor particularly judgmental nor shallow nor immature. I love Snape but he was terrible to her. He befriended people who wanted her dead. Lily didn't owe him anything, and her """righteousness""" as you say is not only entirely justified, but objectively speaking she should have dropped that bitch way earlier.

Why do people (including myself) love Lily? Because she was a good person. Because she was brave and decent and kind. She remained friends with Sev for years despite peer pressure and common sense and she defended him without hesitation. She dedicated her life to fighting for what was right. Lily is a good person. She's not inherently, morally above others, she's not perfect but she was a good, kind person, the way her son is a good, kind person.

Not that difficult to understand imo, unless you have way higher standards for male characters than female characters. Not everyone has to like or be interested in Lily but pretending she's somehow worse/less worthy of interest than Snape, James, Sirius, Regulus, etc (and I imagine you've got to be a fan of some of these marauders era characters if you're reading my blog) because she dropped a guy who wanted to join a fascist group that wanted her dead is absolutely ridiculous.

Lily is so kind and great. Her act of bravery and sacrifice is what kickstarts the entire HP series. Sorry. Like absolutely not, I completely disagree with you about Lily's character. People liking a female character doesn't mean that they have a shallow 'girl boss' approach to that character, and I find that a condescending explanation for why people like myself might be fans of Lily Evans. Maybe, and you perhaps should consider this, us fans of Lily just enjoy and are interested in female characters the exact same way we might be interested in male ones.

Look I don't want to be mean, but can't you tell from my icon, which is clearly supposed to be Lily, that I love Lily? Lily is one of my favourite HP characters. I really don't want to be rude but I'm absolutely the last person who'd share this viewpoint.

[sukibenders]

Not people talking bad about my girl Helaena just to support Aemond. Like, she had a right to ask him if what he did was worth it because, even if Aegon is atrocious, Aemond is the reason that her son was killed in front of her, the reason that she had to choose which of her children dies, and is the reason why she has to live with that now. While other characters played a part in that, without Aemond killing Luke, Jaehaerys would probably still be there or wouldn't have died in such a cruel way. B&C are sent there to kill Aemond, and when they can't find him they follow through with their next order of "a son for a son". And while Aemond may be smarter and more strategic (and not a disgusting man like Aegon) as prince regent, he is still, as Alicent called out, volatile and brewing with unchecked anger. I wouldn't feel safe having him on the throne just as much as Aegon, but because he served face and is the lesser evil I'm supposed to be okay with it? No, Helaena can question this man as much as she likes, for the rest of her life given what she has to go through. (Also, she literally just asked him a valuable question that deeply needs to be considered, so why are people mad at her?)

[lovesickeros]

☆ love; heretical and divine

{☆} characters tsaritsa {☆} notes cult au, yandere, drabble, gender neutral reader {☆} warnings blood {☆} word count 0.8k

To love a God is heretical. It is an act of blasphemy– it is to drag them down from their throne of hollow gold, to topple the pedestal the worshipers uphold on their shoulders like lambs at the herders heel. It is the act of forcing them to their knees and ripping that beating heart of glorious gold and beautiful, cruel divinity from their chest, so pure it burns.

To love a God is to make them sin. To make them painfully, horribly human.

To love a God is to sin.

The love of a worshiper is no love at all, brilliant in its raw purity, untainted by sin. It is fear and obedience masked by adoration so overpowering it corrupts. It makes the lamb so unquestioning in it's faith it will never question the knife that cuts, the teeth that rip, the claws that tear. If the Creator deemed them unworthy of the very life crafted by their hands, then they must have committed a sin so grave there lay no salvation for their horrid soul.

But she is no worshiper– her lips speak of heresy as easily as she breathes, her words nothing but lies, cold and cruel like the ice that crawls along her skin like webs.

She loves a God like a lover should.

A damned sinner reaching longingly for the heavens.

She loves a God in the subtle brush of their lips, their muffled voices behind closed doors as they indulge in curiosity untamed. She is a sinner through and through, but she feels herself fall further with every brush of her hand across their cheeks, every touch she bestows upon them like a lover. She memorizes the imperfections of their body like memorizing a map– every scar, every mark, every line drawn on their body like a canvas, her touch the brush that stains the pristine white.

No devoted lamb shall ever see the painting they create in these stolen moments– it is for the eyes of a heretic so vile it makes them shudder, their body dirtied by the love of a woman so vile even their divinity is obscured by the ice.

The lambs may be satisfied with fleeting glimpses of gold and empty words from lips that guide them to the jaws of the wolves, but she is not. Her hands crave them like a starving hound, aching to touch that imperfect skin hidden by the veil of gold that obscures the painfully human body beneath. She longs to free them from the golden cage that binds them– to see their wings blot out the sky, their divinity tainted by sin and making them all the more beautiful for it.

It is a longing that leaves a festering wound that cannot heal, will not heal. Even if it could, she would not let it.

For as much as she tries, deny it as she may, she is no better then the blind lambs following the herder who holds a blade in their hand, glittering like gold in the sun, stained by dull red.

She is a fool, and what a fool they make of her with the touch of their hands against her skin– so cold it leaves frost on their fingertips. Yet they do not fear the cold, mapping out every inch of her imperfections, carved into her body by her own hands.

She has always been a heretic, cursing the divine until she could speak no more, but if divinity can be found in them – in this love that consumes, that burns her hands and her lips – then she is a Saint, praying at the altar until her throat bled.

But in the end, she has and will always be a cold woman with hands stained with blood. Until it is all she can taste, until it is all she can smell, until it is all she can feel. These hands of hers, heretical and divine, will bleed the God from their veins– she will become the wolf to their lamb until the rivers of Teyvat run gold with their ichor, until the gold bleeds into red, the taste of their divinity on her tongue.

Until she drags a God from their lofty throne and makes of them a monster.

There is no greater triumph to the heretic then to love a God into sin. To make a God sin to love.

To love is to be human, and they are no God.

Even if she must tear the gold from their very being until all that's left is something human. Even if Teyvat crumbles and decays, even if it begins over and over again..

She will do it again and again, until the gold can bleed no longer. Until her sins grow too great for Teyvat to contain.

To love a God is to devour, and be devoured. An endless cycle of sin that dulls the glow of gold into something new– something horrifying and divine, in it's own right. Something just as horrid as her, just as divinely corrupted by the sins she carries on her shoulders like a trophy, as gold as the sun and as cold as ice.

Divinity, carved into something human by love all consuming, until it all bleeds away and they begin their dance anew, for as many cycles as it takes.

An eternity, if she must, of dooming this world of theirs to fire and decay for a glimpse of the being snared by their golden shackles.

[freakinator]

thinking about kab and the thing about her i think is she knows just enough to keep herself safe Generally but not enough to really predict what would happen should something more... complicated??? unforeseen??? idk whats the right word to use but something not covered by someones reputation and/or vids happen, believe it or not this also affects her view of clownpierce (we'll get to that)

for example, mapicc has a reputation for being an violent, angry, & impulsive guy and nothing else which makes sense but is incredibly surface level and something that only really works if you dont have a lot of experience working with him

another is reddoons, his betrayal after the base incident while shocking is not unforeseen but his reputation as being a guy whos seen as being a reasonable person whos fairly loyal to his team made it seem like something he wouldnt do even tho it absolutely is

regarding how it affects her view of clown, since he isnt perfectly aligned with his reputation she instead pivots in the complete opposite direction and forgiving basically every crime he does even tho hes something much more mild and complicated than either his reputation or her view of him will ever be (think madonna-whore complex which is especially obvious when it comes to kabs vs woogies view of him)

another side effect of this Just Enough amount of knowledge aside from being blinded by her own expectations is that it frustrates ppl who think shes oversimplificating things (like me and seemingly several other tumblr users as well) especially when she claims that shes objectively correct and the smartest in the room at any given moment

how this roughness in her analysis affects her in the server still has yet to be fully seen but we do still have at least a couple months until the end but 'til then shes just gonna keep stumbling as more and more complicated situations pop up as is typical in lifesteal to happen and eventually shes gonna have to learn to adapt or else she'll be suffering the consequences one way or another

[septimusmoonlight]

You doing ok?

hi

[sideprince]

I resent getting dragged into the discourse but it's wild to me that there are people out there who read the HP books and laud Harry for being brave and having a big heart and redeeming the wizarding world with his unusually great ability to love, yet can't comprehend how he could learn to appreciate Snape's sacrifice.

I'm very specifically thinking of the fact that Harry watches Snape die. Snape, who is lying on the floor, gripping Harry's robes, and whose eyes Harry is looking into and seeing the life leave. I don't understand how people can humanize some fictional characters and treat them as if they were real and completely dehumanize another. Not even for Snape's sake, but for Harry's sake, do these people not understand what it is to watch someone die? What's the expectation, that the Capacity For Love Posterchild protagonist steps out of character and doesn't care about the guy he watches bleed out and die suffering because you, as a reader, don't like him?

Which is it? Does Harry have a huge capacity to love or not? Pick a lane. Either you value this character trait in Harry or you don't. But you have to take or leave everything it comes with, otherwise you're a hypocrite. Or maybe illiterate.

I just don't GET it.

[bearofohu]

sorry for doing this again but how are ppl seriously claiming that rin and haru werent written with the subtext of having any romantic tension……… what the fuck do you think the association with sakura trees means in japan???? the power of friendship??? commodore between men?? it means gay sex fall in love. like come the fuck on

[keirientez]

band au rahhhhhhhhhhh

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.