#but i just like how drumming singers are like extremely good music people because drumming is already hard. and singing too???

[keirientez]

band au rahhhhhhhhhhh

[potatounicoorn]

Teen titans band AU expect they are a metal band and still superheroes

It starts when they end up out of money and they need to get some new gear (dont ask how they are out of money)

So logically the teenagers they are, they end up figuring out that a great way for getting lots of money would be a music career

Because what teenager group hasnt formed a band at one point or another?

And while they examine what music they could do Donna has the brightest idea

She had been on a mission with Diana and somehow at some point they end up in a heavy metal concert crowd

Donna got some dudes beer dunked on her, she ended up in a middle of a moshpit and more fun

And later she is cleaning herself up in the bathroom and this set of the coolest girls she has seen come and congratulate her on her metal concert baptism

So now the fab five end up forming a metal band

And like your average metal band, Donna ends up being the singer

(Turns out amazonian war cry's make great music with some intrumentals)

Shes your average "you hear a great song with amazing growling, and then your dad drops some band lore and oh the singer is a woman what, tahts cool af"

She can switch suprisingly great with the growling, screaming and singing with the voice of angel in your local childrens church choir

Wally can hit drums like no other (superspeed lets goo)

Garth ends up with a guitar and Roy with a bass

And Dick is one of the "I know how to play the most random set of instruments known to man" aka he plays everything from cello to bag pipe and chruch organ to kantele

Most of their songs end up being nonsense sentences in ancient amazonian, atlantean and anything thats not english and propably not known by your average guy

At first their band doesnt really hit off, they get a few tiny gigs here and there and most of their listeners are their friends and family

And then they end up crashing in some no where town in North Finland during peak winter low degrees

And they need someplace for warmth and food so they end up at some local pub

Turns out the pub was supposed to host a concert but the artist never showed up so now they have a house full of disappointed metal heads

So the titans take their chance because "hey they give us free food for performing! And a gig is a gig!! :D"

And it goes fairly good! People are enjoying the music and mostly people are having fun, maybe some people even take up their band name for later listening

Until Roy notices a tracker device or smth in Donna's neck, and "oh shit it must be the bad guys from the earlier fight shit shit"

So he just swooshes the bass with full force at Donna, because the tracker needs to break and Donna can handle it she got amazonian strenght and all that

Expect they are not, you know, actually in their hero outfits at the moment but instead in some random clothes they found at lost item box because identity and all that

And the crowd just stares in horror as the random basist just smashes the bass at the poor singer

Like that much force will kill anyone!!

And

She just

Keeps singing?

Wtf

They quickly end the song and reasure the crowd and fly off

But some dude got it all on video

So next morning they wake up, and oh would you look at that! Our band is a massive hit!

Turns our doing insane stuff is the key to charm an audience!

And now they get concerts everywhere and a large insanely fast growing fan base

Because their band end up being the most mystical thing known to man

They keep the putfits they got from the lost box

Add some sick ass prosthetics masks whoch decipt some unnamed horror creatures (inspired by some villains they fought (look up Lordi for example))

Their music videos are the ultimate metal stereotype of "go into the woods and you will find a metal band there every other meter" expect the extreme version

Because they got missions all over and end up in the most random places

So all their music videos are homemade with a phonecamera while they are in the middle of Siperia or amazon rainforest, Sahara desert, himalaya, a volcano, a Thailand cave system, every single world wonder and so on

Not to even speak of their concerts

They are one of the few bands who can truly say they did a world tour

Because sometimes they do one in NYC and the next day they are at some unmapped island near New zealand

And the insanity of their concerts do not end with the smashed bass at Donnas neck no

There are even more smashed instruments at Donna, lots of things on fire, a world record at fastest drumming, Batman in a corner, dude who seems like he is flying doing flips and tricks of the hall roof, the bassist throwing all sort of stuff with insane accuraty, the guitarist crowd surfing once when it rained expect he was standing??, and so on and on

Sometimes the bassist also ends up playing for Black canary

They have no social media, no nothing, they just drop their music and appear in random places to have a concert

Sometimes the band is months without doing anything and just seemingly disappear from the face of Earth completely

And suddenly there are four new peiple joining the band, who is apparently anm extra choir

And seemingly no one in the band even knows who plays what where and how because why do the band members seem to keep changing???

Everyone is just holding their breaths following this absolute insanity of a band just waiting for the day they make a document of all the stuff thats happened in the background away from cameras

Its the most avaited lore drop of the century

But no, no one will ever just explain anything, they just go on and on, sometimes they disappear for years on time and appear with a new set of people

Sure why not

Its titled as the biggest mystery of the music industry

And so it remains

[taichissu]

17, 36, and 49 for the ask meme!

17. Favorite Harugumi Play

if there are a thousand clockwork's heartbeat fans i am one of them, if there are a hundred clockwork's heartbeat fans i am one of them, if there are ten clockwork's heartbeat fans i am one of them, if there are no clockwork's heartbeat fans i am dead

36. Favorite Doodle

genuinely lose my mind any time i see tsumugi's zabi or citron's fucking uyu creature (honrs)

49. Any favorite Quotes/Trivia?

this one got a bit long so under cut

i'm not actually sure how to answer this one bc there are so MANY trivia i love and i simply don't know how to choose a favorite

i guess some of my favorite trivia (most of it turned out to be akigumi-centered but don't judge me for it too much i just think about them a lot) + (most are pretty well-known, but there might also be some obscure ones, i have no way of knowing what's common knowledge in this fandom anymore):

according to itaru, chikage secretly owns like a shit ton of rabbit trinkets (his last name is a play on words btw, utsuki is written as 卯木 with 卯 meaning rabbit, and additionally it's very close to 嘘つき (usotsuki) which means liar)

my favorite personas the guys become when drunk: kazunari (becomes a formal-speaking senpai), homare (becomes an emotional crybaby (me too)), omi (becomes the mad wolf), banri (becomes a giggly mess, the social kinda drunk who thinks everything you say is the funniest thing in the whole world), juza (becomes extremely honest), the theater idiot trio (tsumugi, tasuku, and izumi; talk about nothing but theater lol)

kumon is a health nut, he's really into working out and eating properly (which is funny considering his brother probably tries to drink shampoo on a weekly basis)

itaru, kumon, hisoka, and homare are all left-handed

kumon is the only one in mankai who azami doesn't use an honorific for - this would be because they met before formally introducing themselves at mankai, so azami can't help but see kumon as younger than himself

according to drama cd, kumon has zero knowledge about cooking and is absolutely useless in the kitchen

it was said before that banri and his sister have very similar faces, but in the marie antoinette event, banri says that he thought he'd pass well as a girl because of that and yet he still looks like a man

banri's sister's favorite mankai members are omi and juza lol she seems to be into muscular guys

banri is the only member of akigumi who's the youngest sibling

that being said, azami is the only member of akigumi who's an only child (everyone else in akigumi is big brothers!)

juza used to be a member of shogi club when in o-high but he was a ghost member and we don't know if he can even play it lol

banri is lowkey obsessed with soy milk for whatever reason and drinks it everyday lol (is it bc of those 2cm juza holds over him?)

another one about juza; it was stated that out of everyone the dorms, he has the worst quality of sleep - this aligns with the fact that according to banri he snores and grinds his teeth in his sleep, which usually results in people sleeping badly

mi-chan's (taichi's little sister) favorite mankai member is azami, ma-kun's (taichi's little brother) is yuki - this makes taichi depressed that he's neither of their favorites

out of mankai: the best (?) singer is juza, and the worst singer is omi (at least based off karaoke score lol banri is still in denial about it)

additionally kumon said that his only good subjects in school were PE and music, so that would imply both of the hyodo brothers have natural musical talent

everyone in akigumi can play at least one musical instrument (first shown in the 2nd anniversary musical etude, later revisited in the rad red)

banri: guitar

juza: guitar / drums

taichi: keyboard / guitar

omi: drums

sakyo: bass

azami: guitar / bass

other than that, i believe yuki can also play the piano, and matsukawa is the MVP

taichi can draw well! (he's probably the only one in mankai who can draw despite not really having a reason to or showing any explicit interest in it (like kazu being an art student, yuki being a designer, muku liking manga))

in my worst wedding, olivia's heels are 5cm high, taichi couldn't move freely when he tried 6.5cm on, and since olivia had to move a lot during the final action scene, yuki settled for 5cm

speaking of my worst wedding, banri is the one helping taichi with the quick costume change before the finale (he got a private make-up training from azami himself to ensure he'd do it properly!)

according to azami; azuma, yuki, and banri have the best skin condition in the dorms

taichi doesn't care to buy his own skincare products and steals banri's lol

tsumugi and chikage have a sort of tense relationship, since tsumugi is a pro at reading people and chikage will do anything not to be read lol

hisoka has heterochromia - he doesn't care to keep it a secret but sakyo made him ensure that he keep it that way to boost his popularity as ミステリアスな人 and keep people on their toes

homare is in great shape because of his experience with ballroom dancing which requires great stamina and core strength

here's the (possibly incomplete) list of characters who are confirmed to have been in relationships in the past: izumi, tsumugi, homare (seriously?? so few?? i must be missing things asklfjsalkf)

here's the list of mankai members who have numbers in their names: chikage (1000), misumi (3), kazunari (1), kumon (9), banri (10,000), juza (10), taichi (1), guy (100,000,000,000,000,000,000)

i was trying to keep this in some sort of order but i literally just started rambling off the top of my head and all the structure flew out the window </3 anyway, sorry for such a lengthy list, i have a hard time choosing a favorite so i just ended up talking about everything i like </33333

thank you for asking anyway!

[fnafcabinau]

Have a lil’ redesign of the whole gang! Everyone keeps their original names (Freddy, Bonnie, Chica, and Foxy) because they’re the originals! Headcanons and personalities under the cut!

Freddy: - I imagine Freddy as the leader of the group, taking initiative and being one of the first to start investigating the disappearances at their restaurant. He also handles the paperwork when the manager isn’t around.

- He’s an avid coffee-drinker and prefers his coffee black.

- His favorite type of music ranges from blues to country. He’ll delve into some rock when jamming out with Bonnie,

- Despite how logical he can act, he cares deeply about the others, and is a good shoulder to cry on if they need it.

- Don’t squeak his nose.

Bonnie:

- Bonnie is probably the most chill and laid back of the four, he tends to slack off on the job sometimes.

- He loves listening to music over the speaker system when they’re off duty, shredding along on his guitar. Careful, he might rope you into jamming with him if he catches you doing nothing.

- He’s always there to lighten the mood, being a lovable goofball with a goal of making his friends laugh.

- Despite him being a jokester he’s extremely perceptive, always noticing the small things about people, from their small quirks to changes in body language, he’s basically a living lie detector.

Chica:

- Chica is a stubborn one, she’s not afraid to tell things like they are, believing that honesty is the best policy.

- Her favorite hobby is cooking, she mainly makes pizzas for herself and the others but she’ll occasionally get her hands on some extra ingredients to make other things!

- She sometimes will star in some of the shows as the lead singer and can definitely carry a tune. When she’s not singing backup she’s keeping rhythm with a tambourine! They’ve tried a drum set, but once she gets on em’- it’s impossible to get her off!

- She can be forgetful sometimes, where the heck did she put the keys to the kitchen again?

Foxy:

- Foxy is a shy one, preferring to relax in his cove than come out during the night. Even the thought of being watched makes him freeze like a deer in headlights!

- The others tend to visit him often, whether it be to just hang out or try to coax him out of hiding to come jam with them. He doesn’t have the greatest of voices but he sure does have a crazy good sense of rhythm and rhyming, most of the songs the other’s sing are written or co-written by him!

- He has trouble seeing out of his left eye, the damaged lenses making it very light sensitive, especially to flickering lights.

- Despite his social anxiety and shyness, the other’s care about him all the same.

- When he’s out, he loves telling stories, whether they be made up, or embarrassing things he’s seen the other’s do during shows.

- Freddy tends to help him when he feels especially anxious and that being the main reason why he sees Freddy as the captain, going as far as to call him that like a term of endearment.

General headcanons:

- They all care about the children coming there dearly, finding all their personalities and stories from the outside world interesting. As much as they wish they could share some of their own, they’re required to act as lifeless as possible once free-roaming.

- To prevent said free-roaming during the day, they’re feet are magnetized to the floor, once it’s after hours and everyone goes home, they are disabled so they can move around!

- After being possessed, they don’t remember what happens after each night, why do guards keep going missing? What’s that smell coming from the back room? Chica being the first, notices something’s off first.

[withered-rose-unbreakable-lotus]

About Show's voice

Honestly it's a good thing I go to Jrock one only for news, otherwise I'd be arguing every damn day. I go back to comments on A9's and Kiryu's hiatus in case sb heard sth more, cause some of those fans do live in Japan, but when I see stupidity I can't deal.

I saw people claiming that Show isn't a good vocalist, that that takes from their songs lately and that there was more passion in older songs etc etc. Let's talk music shall we? When you don't like a singer doesn't make them bad. It makes them not YOUR taste.

When A9 started their career Show's singing style wasn't "correct". There was more to his voice that couldn't be heard, cause of the way he was breathing while singing (many jrockers sing "with the nose" as you might have noticed or run out of breath easily and it takes practice to learn to sing while holding breath in the stomach and not the chest). However, at that time was also when Show's voice depth was showing better. Songs like Velvet are proof of that. All that changed later on, though. By the time songs like Gemini, Hana etc came to life, you could hear his voice was coming out smoother, it had highs and lows, nice turns etc.. PSC gave them a chance to a vocal instructor which believe it or not, not many companies in the vkei scene were willing to pay for. As long as the dudes were hot and were bringing people in, the companies didn't bother. Hell most bands never had a manager, it was usually the leader that took up all that work, while also perhaps composing or writing lyrics and designing, learning only through experience and asking around.

In recent years Show's voice seems to have changed again but in a different way (the flatness that comment I speak of, mentioned). After they left PSC, things remained the same for a few years but then it came. I notice the same change in Ryoga's voice (Razor, ex. BORN). Ryoga is one of the few vocalists that brings up what is going on in the scene regarding vocals and has been open about his troubles with his voice the last few years. Screaming fucks a voice up unless done right. Ruki's (the Gazette) screams seem to be less painful because he changed his technique. Still harmful but not as much as Ryoga's. Ryoga is one of those who goes to extremes though and has said that he will keep screaming until his voice dies. He needs a better instructor though and lots of resting cause he also deals with the second big voice killer in their scene and which applies to Show more too, since he doesn't scream much, the repeated lives. Vkei artists play way too many shows around the year, and not with breaks in between. They could be performing one afternoon, then run straight to a hotel, get their things, move to the next one and have only a few hours of sleep until the next show (I know every band in the world does that but to the extent they do it, there, is a bit too much. Also that + lacking guidance on how to deal with your voice shows us why so many vkei vocalists had to deal with vocal issues and losing their voice completely). Show has been doing that way too much, since he also belongs to a band that had many gigs and even though 2020 forced everyone sit their ass down and take a break, it already had done its damage.

It's not just a matter of passion to keep your voice healthy and tension up. Unlike other instruments like strings, drums etc, the voice is more delicate and even the things you consume can fuck it up. A guitarist won't lose his ability to play guitar if he smokes. A vocalist who smokes though will affect his breathing and vocal tone. If you want proof of why Show's voice could be sounding like that now, you can try singing one of their difficult songs. Try Gemini. The breathing in this song is crazy to me. If you like singing and know your breathing, try singing that song. Keep the highs high, no falsettos. If you aren't exhausted after that, either your diaphragm is a badass, or you do have better technique (most vocalists who've been doing this professionally can probably pull it off easily but it still is tiring). Imagine this song sang every day among other songs, for more than 1 year, shows that last 2 hours.

Show is a good vocalist, his voice simply isn't for everyone (no vocalist will ever be for everyone) and especially now that it's in a "weaker" state than what most people are probably used to.

[emoshep]

who do i think of today???

the band Dream Theater!

i tend to present myself as being most into the more extreme metal circles, like death metal and black metal and all that good stuff, but Dream Theater holds a special place in my heart.

their album The Astonishing is one of my all-time favorite albums, "Count of Tuscany" from Black Clouds and Silver Linings is a freakin' masterclass is telling a story with song even in the instrumental sections, "Dance of Eternity" from Metropolis Pt. 2 has that one section we all go back and listen to over and over again because it's just that godsdamn metal (c'mon you know the one), "I Walk Beside You" from Octavarium gives me good vibes all around and isn't even the best song on the album, I could go on.

and it isn't just the songs either. the musicians themselves are always keeping it sharp but are also chill and are, like all of us down here, students of music. like, John Petrucci is somehow both an absolute guitar god and also the most chill regular dude to walk the earth. dude will talk to a clinic audience calmly with his asmr-worthy voice (okay maybe i'm biased) about a simple easy warmup drill before ripping a hole in the universe with how fast he plays the thing. John Myung is an absolute wizard on bass guitar, Jordan Rudess is like a max-level alchemist with how his keys make everything feel all cool and fill out the whole space, Mike Portnoy keeps the whole thing air tight with his drum work (plus his kit sounds awesome) and i'm pretty sure James LaBrie is a vampire aristocrat who just decided to become a singer instead because it's more fun.

and let's not forget all the folks who've played with the band in the past, as well as all the good folks who make their productions possible, the techs and road crews and drivers and all them wonderful people!

so yeah, i love this band! listening to them makes me happy. that is all.

[fernsam]

Student Music-Maker Interview

The music-making process is something that I have always appreciated. So much thought, effort, and time goes into making something sound good. It is hard to combine everything, like finding the right notes, using your voice, and uniquely expressing yourself. Music is always evolving, and artists constantly use their minds to produce something different. This week, I had the opportunity to interview a student who made an amazing song called Grow. Her name is Mahima Muddu and she is a freshman at Rutgers. Her song is very peaceful and catchy. The instruments are amazing the singing is so calming to hear.

Here are some questions that get to know the artist and her song on a more personal level: 

It’s so interesting to meet a student who makes music on the side. What inspired you to make music?

I’ve been playing music ever since I was a child. I was in piano lessons and I also played the clarinet. I also experimented with so many other instruments, like guitar, trumpet, trombone, drums, and the ukulele. I absolutely loved playing music, but I had always wanted to be on the other side of it. So, when I found out about my high school’s Intro to Music Technology and Composition elective, I just joined in my junior year of high school. My final test that year was to write a song. It was my very first song. That song is the reason I make music. I just loved that it was mine. My song. I made it. A real song! I know lots of people write songs and it maybe wasn’t that special, but it was my song and I loved that feeling. That feeling is the reason I make music, I think.

Wow, I can’t believe this was your first song. It sounded so professional! Was there any artist’s vibe you were going for?

I listen to a lot of Phoebe Bridgers, Mac DeMarco, and Mitski, but I don’t feel like any of that ever shows in the music I make. Although I try to make songs like my favorite artists, I usually feel like the song writes itself and takes on whatever vibe it wants. I think for the song I wrote for our Podcast Project, I was going for a Mitski vibe at the time, but it just never really took shape like that. So yes, there are artists that influence me, but not exactly how I want them to.

I like that you took your own path. Elaborating on your song writing itself, how was the music-making process?

The music-making process is extremely fickle. I don’t know exactly what the right mood is to write music, but it’s usually extremely late at night. And it’s hours at a time. I’ll sit down for hours until the sun comes up and make a song. After that, there’s a lot of fixing and fiddling to make it exactly how you want. In the end, it’s never really perfect for me. There’s always more to do. 

But for music making, it's pretty much only garage band and I really like using the drums and the synths. They're a lot of fun. For singing though, I have very little experience. I took singing lessons in elementary school and was part of the choir then, but after that, I never really focused on my voice but I did use it to demo my songs for the actual singers to know what it was supposed to sound like.

Just to get to know you better, what’s your favorite song?

My favorite song right now is Motion Sickness by Phoebe Bridgers. 

This song was really good and I’m sure I, as well as many others, would like to hear more. Do you have any new projects you’re thinking about?

I actually don’t have any projects at all that I’m thinking about. Ever since I started college, I haven’t been sure where to take this music thing. I’m majoring in Computer Science and I don’t know how this could fit into it. I’m so busy with school and my job and I just wonder what I’d do with any more music if I ever made it. Music is on that ‘maybe�� level for me right now, even though I love it a lot.

I hope that she does continue music because even though it is hard to balance many things, finding time for things that you love is important. Above were a few questions that dove not just into the music-making process, but the artist and her background. It’s interesting to see how people are inspired to create music. She plays a diverse range of instruments and has a  distinct musical taste, and her music subtly reflects those qualities while also creating her own style.  I hope that she finds time to make more music because this song was great!

[liyuesbian]

inazuma characters (+ aether, lumine, signora) and what instruments i think they'd play

part three of my genshin characters and what instruments i think they'd play series! part one / part two

notes: not sure if i've correctly characterised sayu but i tried! signora's instrument was also pretty hard to think of.. i don't rly think she would play one tbh. might make a revised edition once we get to know the inazuman characters better!

ayaka

100% plays the koto

damn she looks so pretty in a kimono while playing the instrument *heart eyes*

isn't used to compliments so will combust when you tell her how wonderful her performance was

makes other musicians resent their instrument LOL

baal

plays the cello

appears very distant and 2cool4u but will make cupcakes for each orchestra member when it's their birthday

instead of putting her instrument inside its "extremely expensive, high-tech carbon fibre case", she'll unconsciously lay it down on its side and make some complicated construct with music stands and chairs, thus blocking an exit :P

gorou

plays the bassoon

the conductor's pet, tries their hardest to impress them

sheet music is covered in written notes

goes into panic mode when he can't find his neck strap

kazuha

has mastered every kind of japanese flute

is the type to go to the park and switch between reciting poems and playing the flute to assert dominance and secrerly enjoys the stares/attention

specially chooses certain flutes depending on the weather

*flute starts playing* everyone else: "where did all these cherry blossoms come from????"

kokomi

soprano singer i.e. the one with the highest vocal range

:OOOOOOOOOOOOOOOOOO

always feels the need to lead the choir through everything, even when rehearsals are over

"oh? another solo? you shouldn't have!"

sara

violinist

has perfect pitch and is just naturally good at music

can effortlessly play all paganini caprices without even looking at the sheet music

everyone thinks she's a badass when she plays her electric violin and but she prefers the acoustic bc it's her baby :')

sayu

second chair violin

some days, she looks at the first chair seat and whispers "soon"

other days, says she dgaf, brings a blanket out, and tries to fit in time in rehearsals for a li'l snooze

is normally late to everything but she has the ninja skills to sneak in and pretend she was always there (probably bc she's tiny.. and a 2nd chair jkjk)

scaramouche

the fucking organ

"there is always time for a dramatic entrance" *villain origin story*

parents make him play at church but he's secretly an atheist

and his friends tell him to play in parties which always ticks him off because they then proceed to show him to a keyboard i.e. the inferior instrument... the OPACITY

thoma

trombone

prefers playing the bass trombone because the fart sounds are super deep ;)

depending on the day, he either plays very good or very bad, no in between

sneaks vodka (and his pet dog) into rehearsals to share with childe

yae

double bass

goes with the flow most of the time

nobody knows what she's thinking during rehearsal—she's so chill that everyone in the orchestra has their own theories about what she's really like:

is she a stripper at night? maybe she does nothing and sleeps in bed all day? who really knows?

yoimiya

bibbity-bobbity-boo! i assign the drums to you!

constant head banging

once, she was drumming her fingers without much thought against the table during class and accidentally disclocated a finger

*nervous laugh* "oops!"

aether

oboeist

malding, ugly crying when a non-musician calls it a clarinet

obsessed with his reed, has probably made an instagram account just for it

made a mistake? why not blame it on the reed!

la signora

euphonium player

nobody will forget about her instrument any longer!

will diss your playing ability if you call it a tuba

is probably the most likely to quit band/orchestra after a year (bc who needs the euphonium amirite? JKJK don't kill me euphoniums) but somehow becomes the judge at your next audition >:D

lumine

flute

if she's first chair, will fight people to keep it

otherwise, plots a way to get rid of the people in the chairs above her

loves her twin but please, can he actually learn to play his instrument properly bc at this point, he's playing the reed and not the oboe

[sideblog-666-thousand]

A long bitch of an interview with Euronymous, from Orcustus zine in early ‘92.

What is Orcustus? Orcustus was an early 90’s black metal ‘zine run by none other than Bård “Faust*” Eithun— murderous pretty-boy, and o.g Euronymous simp. I think he might have also played drums in a band called Emperor... but I’m not sure! Its full name is actually “Orcustus— The Shadow of The Golden Fire”, and no, I’m not making this up.

This particular issue here opens up with a quote from a short story called ‘The Doom That Came To Thomas Parkes*’.

Assuming the reader hasn’t read the story, Faust explains that the quote is in reference to what happened to the titular ‘Thomas Parkes’ when he tried to raise spirits. Faust then admits that he’s unsure of his own ability to ‘raise spirits’, but says he hopes that he’ll raise some fists in agreement that there’s something wrong with the underground scene. Ironically (you’ll see why this is ironic very soon), he doesn’t like that certain bands, namely Entombed, are selling so many copies of their LPs.

After a brief diatribe on just that, he goes on to explain that he was in a rush to get this mag out because of problems with the printer. Then, he tells anyone who doesn’t like the fact that this ‘zine only features black metal that they can fuck off, with three exclamation points.

Finally, we get to the end of the opening page, where Faust pulls what can only be called an early form of the Twitter exposed thread. It reads as follows, with absolutely no changes to the text:

“I would suggest you to not do any business with that sucker Evil Ludo from France. He have riped me and several others off, by not return what we ordered. I suppose he’s a medical sensation, as I didn’t know it was physical or psychical possible to live without a brain”

Why am I telling you all of this, when this is only meant to be a transcript of an interview with Euronymous, you may be asking? Because I find it funny, that’s why.

Anyhow, the Euronymous here acts and feels very differently from the Euronymous of the last interview I posted. However, I hope you’ll still enjoy it, and I hope you’re able to appreciate the tiny glimpses of humanity talking to a close friend allowed him, even though they both behave like complete asses. Even though it’s hard to sympathize with him at points.

Like last time, any (sparse) commentary will be between (parenthesis) and in bold. Without further ado, let’s get into it.

.

F: Well, how in hell shall one be able to come up with an intro worthy enough for this band? The words I wanna describe Mayhem’s music with, is not yet created, and it won’t be created either, because no one has really experienced the real darkness and pure brutality with lays behind Mayhem’s hellish sound, but I suppose you all are familiar with this band anyway. Well, in the first place, I hadn’t really thought to enclose this band in this issue, because if we look away from rereleases of old demos (“Pure Fucking Armageddon”) and live tapes, it’s a pretty long time since their last release (in ‘87 that was). I thought I rather should interview them when they released their forthcoming album “Dee Mysteriis Dom Sathanas”, but due to the circumstances, I realised the time was right for an interview now. I won’t bother you with any history shit, but I could tell a bit about what has happened last year. You all know that their vocalist Dead comited suicude in April ‘91, that was a bigg loss for the underground, and I suppose I don’t need to say that this mag is dedicated to the memory of that infernal man. Anyway, Dead was replaced by Cultòcùlus (back then called Occultus), but due to different problems within the band, he left the band in January ‘92, but let’s not say more about that, as Euronymous didn’t want me to say anything about it at all (but Euronymous, you must admit that it has sounded pretty artificial if I hadn’t mentioned it at all). So now, the band consists of Hellhammer (drums) and Euronymous (guitar (and probably bass too)). I know the singer of Tormentor (rip) from Hungary (Esihar Attila) is interested in singing on the album, and also even moving to Norway, so it seems like Mayhem got some sort of predilection to foreign vocalists, but this Hungarian guy happend to be a good one as well, so never mind that. But I don’t think this is official, so don’t tell anyone you read it here, ok? Well then, it’s an honour for me to dedicate the next following pages to one of today’s most legendary and infamous bands......... THE TRUE MAYHEM!!!!!!!

F: First of all Euronymous, I know you and Dead live/lived totally for the old black metal attitude. Is your hate now total to young and trendy bands after Dead’s suicide?

Euro: YES, we have declared WAR. Dead died because the trend people have destroyed everything from the old black metal/death metal scene, today “death” metal is something normal, accepted and FUNNY (argh) and we HATE it. It used to be spikes, nites, chains, leather and black clothes, and this was the only thing Dead lived for as he hated this world and everything which lives on it. If we had the economic possibility to do it, we should meet up at concerts and beat up ALL trend people ALL the time untill they would be too scared to go to concerts at all, now we need to suck their money instead. It’s impossible to stop the trend no matter how much we want, we have to do the best out of it and sell lots of trend shit to them. (I don’t need to tell you that that’s totally not why Dead killed himself, right?)

F: In the spring of ‘91 you started up a shop in Oslo which sells all sorts of music within metal. Is there anything you can tell us about the shop (ideas? plans?)?

Euro: Well, the original idea was to make a specialist shop for metal in general, but that’s a long time ago. Normal metal isn’t very popular anymore, all the children are listening to “death” metal now, I’d rather be selling Judas Priest than Napalm Death, but at least now we can be specialized within “death” metal and make a shop where all the trend people know that they will find all the trend music, this will help us earning money so that we can order more EVIL records to the evil people. But no matter how shitty music we have to sell, we’ll make a BLACK METAL look on the shop, we’ve had a couple of “actions” in churches lately, and the shop is going to look like a black church in the future. We’ve also thought about having total darkness inside, so that would would have to carry torches to be able to see the records.

F: Well, how is the situation all in all in the Mayhem camp right now?

Euro: Difficult as usual, but we’re closer than ever to record the Mayhem lp. Almost all the material is completed, then I and Hellhammer will record the whole thing with 3 guitars, 2 basses and so on. It will be very massive. Who’s to sing on the lp is not yet decided, we’ll wait and see what happens. We have several people who can do the job very well.

F: As Metalion of Slayer mag* said: “it seems like you at certain times lives on the edge of starvation”. Have you ever been on the thought to just give up the whole band and become a normal 9 to 5 person, or is this a completely stupid question to ask?

Euro: It has been very hard at times, but I am not a normal person anyway so it would just not be possible to do that. I’ve been thinking a lot lately about why things are as they are (this answer will be long) (that’s okay for me/Ed). The reason why we don’t have any money, is because of hardcore. We have for too long been following the “underground” rules, which say that you must hate money, you must not think you are anything, you must be open-minded, you might have a lot of attitudes and so on. Extremely stupid. But the situation has been that if you don’t follow these rules which are made by hardcore pigs, you are not accepted as a death metal or black metal band! Then you MUST be signed by some big label to be able to make some money, and we’ve never wanted to do that. Then you would anyway be labelled as “commercial” by the HC pigs. This has caused that after 8 years, we are still as broke as ever, while the HC pigs themselves are controlling all labels, and they sign only the bands which fit into their own idiotic world, that means “death” metal bands with society lyrics and jogging suits, and this is what the people see when they grow up. They don’t see any EVIL bands with spikes, as we did. Well, I’m tired about being broke, just to be “underground”. I’m tired of not having money to eat for just because tons of people will call you a “rip-off” if you don’t write 20 letters each day. It’s time to say fuck off to the whole system, which is built to strangle the evil bands in the birth. We must start taking inspirations from the ancient ones, from Venom and their likes. They did their thing BIG, and they never had to think about any idiotic underground rules. They did it big and so must we, but it must never become a trend, it must become a CULT. This is why we have started on a brand new policy with the band and the record label. It’s about time that someone makes a label for black metal and other grim music, and STRIKE BACK. There is NO reason why DSP shouldn’t be as big as Peaceville or Nuclear Blast, if we can just get the business on its feet again and get good distribution. That’s the only way to compete with the HC labels. It’s about time we start taking control over our own scene. We must spread the EVIL bands and pervert people’s souls.

F: What about the Norwegian scene then? Don’t you think that something is terribly wrong when it have gone so far that we have a christian “death metal” band here (Crush Evil)? Advices on how we should kill them?

Euro: First of all— the Norwegian scene is the BEST. There are a lot of GREAT bands (yet with no album out) and of course some shitty trend bands, but nothing as in Sweden. There you have 2-3 good bands out of 100, while here we have a few shit bands who hardly have made even a demo, while all the great bands will make records in the near future. Such as Darkthrone, Burzum, Immortal, Thorns (I’m flattered/ED*), Arcturus, Enslaved and newer bands like Malfeitor and others which I have not yet heard. BUT— when it comes to bands like Crush Evil, we must take serious action. It’s bad enough to have a couple of society bands, but a CHRISTIAN band is too much. But don’t worry, we have plans. They will not continue for a very long time.

F: And now over to something more humouristic....yes.... snuff movies. Who had been the perfect actor for a snuff movie, and why the hell aren’t they legalized? Don’t you think that every video-store should have its own section with snuff-movies?

Euro: Actually I think it’s great that movies like that are forbidden. If they were legal and easily accessible, all the small trend children would be watching them, and then it would not be something extreme anymore (I’m not sure if I agree with you here Euronymous. Snuff movies are usually too raw and brutal for the people with their “peace and life” infected minds. Remember the HC rules/ED) (shut the fuck up, Faust*) It’s just the same what happened to death metal— it became something everyone could buy in every store, something normal and accessible for everyone. All the mystic and evil atmosphere is GONE. I do not think snuff-movies are funny, I think they are DARK. I’ve seen people laugh at them, but that’s probably because they will not be mentally able to take the PAIN and EVIL on over themselves. That is the best way to watch such a movie, to try to FEEL the actual pain of the victims. It becomes much more gruesome then, and that’s great. One must be alone in the darkness and suffer with the victims, if you watch it with other people, they will often talk, laugh and so on, and then you get more distanced from it, it’s not supposed to be funny (death to fun), it’s much better when it’s depressive.

F: Through the years you have been talking about releasing bands like Samael, Rotting Christ, Master’s Hammer, Tormentor, Matricide, Imperator, Massacre etc. on Deathlike Silence Prod., but now some of these bands have released lp’s on labels which only have money in their eyes and know that black metal sells. Doesn’t that frustrate you, and don’t you feel it like the time is running out for you?

Euro: It’s a bit frustrating, but it is also a result of trying to be “underground” which is a suicide policy. Anyway, the main thing is that these evil records get released at all, and not who’s releasing them. We will probably release a record with Tormentor, they’re split up, but they still want to make their Anno Domini demo on vinyl, and we’ll try to fix it within the summer. The time is not running out, because there are a lot of really evil bands around. — most of the Norwegian bands which other labels haven’t heard about. Burzum is ten times better than all the bands on Earache together, and so are Thorns and Arcturus. So there is no problem, really. As for bands like Rotting Christ and Master’s Hammer, we might do something in the future instead. I’ve never been talking with Samael about any deal, but I wish I had as their album is FUCKING GREAT.

F: Almost all bands in the underground today says that they think they got their own style and originality, but the fact is that 95% of the bands sounds totally the same. What is an original death metal band today?

Euro: There exists no death metal bands today. There are only a handful of (mostly great) bands (in case someone hadn’t got it right— black metal has nothing to do with the music itself, both Blasphemy and Mercyful Fate are black metal. It’s the LYRICS, and they must be SATANIC. If not, it is NOT black metal) and what we choose to call LIFE METAL bands. Take a band like Therion. Their music is quite ok, it’s actually one of the best Swedish bands (even though that doesn’t say much) but their lyrics STINK. They are about society and pollution, what the fuck has that got to do with DEATH? If a band cultivates and worships death, then it’s death metal, no matter what KIND of metal it is. If a band cultivates and worships Satan, it’s black metal. And by saying “cultivates death”, I don’t think about thinking it’s funny, or being into gore, I’m thinking about being able to KILL just because they HATE LIFE. it’s people who enjoy to see wars because a lot of people get killed. How many bands think that way? Not many. I can’t think of one.

F: You’re maybe not the most active band when it comes to gigs, but at least you’ve managed to tour Germany and Turkey. What can you tell us from the tour, and is there any new gigs planed?

Euro: That tour was a big mess, we’ll NEVER take the train again! We lost quite some money, but still it was great to get to East-Germany and Turkey. The memories of the tour consist mostly of the starvation and idiotic custom officers, but still I wouldn’t like to have missed the opportunity. We don’t have any concrete plans, we’ll see happens in the future. We don’t like to play for a lot of trendies in jogging suits, so we prefer to leave it be.

F: What do you think of the fact that death metal has been on MTV?

Euro: It sucks. But it isn’t death metal anyway, so....

F: I know that you will soon release the debut album of Abruptum on DSP, so, what can you tell us about it?

Euro: It’s EVIL. It’s PURE EVIL, they were torturing each other in studio DURING the recording and you can HEAR on the music how they SUFFER. It will be the most demented record EVER, and it’s NOT for normal people. This is music which NEVER can become trendy, because normal people won’t be able to understand it. And that’s great. The price for the album it’ll be the same as for the BURZUM lp, which should be somewhere else in this ‘zine*. It’s called “Obscuriratem Advoco Amplèctere Me”, and stay away from it if you don’t like pure DARKNESS.

F: Don’t you think that people in the underground should respect others ideas and views more? I mean, it’s not accepted to spread unpopular thoughts. It seems like there is some sort of guardians of morality and most people keep in mind not to say or do anything which is not accepted by the public.

Euro: I don’t think people should respect each other. I don’t want to see trend people respecting me, I want them to HATE and FEAR. If people don’t accept our ideas as their own, they can fuck off because then they belong to a musical scene which has NOTHING to do with ours. They could just as well be Madonna fans. There is an ABYSS between us and the rest. Remember— one of the HC rules is that you must be open-minded (except for themselves), so we must be careful and avoid being open-minded ourselves. The HC pigs have correctly made themselves guardians of morality, but we must kick them in the face and become guardians of anti-morality.

F: You say you want your riffs to have a dark mood and really sound evil, but what if you came up with a riff which just sounded good, but not evil. Would you use it then?

Euro: Well, if a riff sounds good to me, it mostly means that it sounds evil too. At least when I make the music myself. Haven’t really thought about this about this before.

F: Do you think you’ve been playing this sort of music today if it weren’t for those old bands like Mercyful Fate, Venom and Hellhammer?

Euro: It’s impossible to say. Venom and the other ancient ones have been fundamental influences on Mayhem, and also the direct reason of the band’s existence. We like to think that if they hadn’t started up this, we would have, but who knows? Doesn’t really matter anyway, we hail ancient Venom as the CREATORS.

F: Ok, no more questions at the moment. End the interview in what way you want......

Euro: Perhaps it should be mentioned that well re-release the MAYHEM mini-lp “Deathcrush” VERY soon. We also have t-shirts available now. People should write for prices on things. Be EVIL, not open-minded.

Ok, I suppose some of you already know that Euronymous started up a shop in Oslo in the spring of ‘91. The shop is called “HELVETE” (which is Norwegian and means “HELL”) and are specialized within underground stuff and death metal in general (though he also have some other styles of music there). As he said in the MAYHEM interview, the shop really have a black metal look, so if you ever visit Oslo, I really recommend you to visit “HELVETE” as well. I think it’s good that people take the initiative to start up with such things, because if everyone were just passive, we would all get ruined by poser-shops like Hot Records where they take 140 NKR for the Earache albums (which you in “HELVETE” can get a CD for the same price). Euronymous also sells though mail, so write and ask for a list or something: HELVETE, Schweigaardsgt. 56, 0656 Oslo. NORWAY.”

That’s all! :)

And now for the things I put in asterisks, in order of their appearances.

*If for some reason you actually don’t know who Faust is, he was the drummer on the Emperor LP and “In The Nightside Eclipse” but you might also know him from other great hits such as “threatening to kill Mortiis from prison whilst simultaneously attempting to plead murder of the secondth degree”, “I’m glad the people Euronymous ripped off won’t get their money back because he’s dead hA hA!”, “I got fourteen years for murder because I’m a socially inept virgin— oops” and “bad... bad lyrics who’s quality somehow don’t improve with the passing of time”. All jokes are done in good humour— if it seems like I dislike him, it’s not that at all. I just find him easy to make fun of.

Here is another short bio, this one less sarcastic: he was born in Trondheim, lived around Kvikne, and Lillehammer, worked at Helvete, was a close friend of Euro’s, and has his sun in Taurus.

He also beefed with Glen Benton for dissing the Party City cape (Note: of course I’m being extremely reductive) he and Euronymous seemed to share. Here are a few pictures of Faust:

Here is the infamous Party City cape:

*This was surprisingly hard to find. I think he read it in a mag or something. Here’s a link to where you can find it: https://issuu.com/davidgamble/docs/paranormal37/3 page 64-65.

*Slayer mag was another zine, this one by a bloke named Metalion, who was Euro’s best friend.

*Faust (who felt the strange need to make a distinction between himself, the editor, and himself, the interviewer) also played in Thorns (well, Stigma Diabolicum), under the hilarious moniker: Fetophagia✨

*He’s being a fucking idiot, what was I supposed to say? It should be noted that Faust actually went down for the snuff films too.....

*In case you’re interested, for whatever reason, the prices for the Burzum LP were as follows:

Norge— 130 NKR

Norden— 100 K

Finland— 60 FN

Island— 1000 IK

Europe— 15$

Outside Europe,

Overseas— 15 $

Air— 22$

East Europe— 10$

By ‘norden’ he presumably meant ‘northern Norway’, and “Island” is the Norwegian word for Iceland. Notice the way he doesn’t include Sweden! (Edit: Originally I thought he didn’t include Finland because there was a black metal war with them as well, but it seems as though that feud came a bit later or had already passed)

That’s all, for real this time!

Legal disclaimer: I am absolutely, in no way shape or form, claiming that the stupid cape you see them wearing is literally from Party City. From my limited research, I’ve gathered that the Party City chain hasn’t yet opened its doors in the beautiful and glorious country we know as Norway— Norge. However, I am saying that the cheap, dinky piece of cloth covering their backs and shoulders are of the same kind of shitty quality you’d expect from a Party City Count Dracula costume and that maybe Glen had a point about how stupid Euronymous (and Faust) must’ve looked.......

[leejungchans]

hopefully your req’s are still open, if not u can ignore this !!

but can i request a shua fluff where you two go for a night drive ? 🥺🤍✨ love your work and writing style sm !!

— brontide.

(n.) the low rumble of distant thunder

part of the littera scripta manet series

word count: 0.9k

pairing: joshua hong (svt) x gender neutral reader

warning(s): none!!

genre: fluff, humour, established relationship au

tagged: @15jaeyun

summary: a late night drive with joshua reminds you of just how much you cherish the tranquil type of love.

a/n: hi 🥺🥺 thank you so much for the request and i hope you don’t mind me tagging you!! i hope this is close to what you have in mind and that you’ll like it!! 💕 (sorry if it’s a bit too short 😭😭 i felt like this fit better as a drabble ;;;;;) thank you for reading and i hope you all are doing well!!

Joshua has very pretty fingers, you think to yourself as you lazily watch him drum them against the steering wheel along to the beat of the song that he’s currently playing.

You don’t know the name of the song or who sings it, but it’s very nice with its pleasant melody and the dulcet tones of the singer’s voice. Then again, since when have you ever doubted Joshua’s music tastes? You can’t help but smile contentedly as he softly sings along to parts of the song, thoroughly reminding you of evenings where he’d play his guitar and put on a mini performance in the living room just for you; or nights where he’d quietly sing you to sleep when your mind refused to rest.

At this moment, everything is tranquil. It feels like you’re being wrapped in a warm blanket as the two of you sit in comfortable, relaxed silence. You think of how people say there are different kinds of happiness—there’s the kind that stems from excitement, the kind you feel when you go on a roller coaster and that rush of adrenaline hits you; there’s the kind that feels like your heart is going to burst from how overjoyed you are, like when you receive unexpectedly pleasant news or when you first get together with someone you love.

Then there’s this kind of happiness where there’s no sensation that stands out in particular. There’s no peak that you can reach because it is simply peaceful, allowing you to enjoy a moment of ease because God knows life is anything but calm. Some would argue that there’s nothing special about this kind of happiness, but you think it’s exactly that that makes it so precious.

Extreme highs and lows are temporary, but perhaps it’s this serene type of love and happiness that can last a lifetime and you’d still never get tired of it.

Your eyelids start to droop as you lean against the cool glass of the window, about to doze off when you hear what sounds like heavy drums in the distant.

Your voice pierces the quiet ambience. “Shua?”

He hums, briefly turning to look at you to make sure you’re okay before redirecting his gaze to the relatively deserted road ahead of you.

“Did you hear that?”

“Hear what?” he asks, hand reaching out to turn down the music. The two of you sit in silence as you wait, and you take the time to admire how the warm glow of the street lamps outside illuminates his dainty features. Then, you hear the same sound.

“Thunder,” you both say in unison. “Jinx.”

Joshua giggles heartily at your synchronisation, and the corners of your mouth tug up further from the joyous sound of his laughter.

“That didn’t sound good,” he says, still smiling. “We better get home soon before it starts raining cats and dogs.”

You snort at the old-fashioned saying. “If a Corgi or Pomeranian falls from the sky we’re keeping it no matter what.”

“Mrs Jeon will kick us out for that,” Joshua jokes, referring to your grumpy landlord who before the two of you moved in, made it extremely clear that she did not want dogs in the apartment. “But if that happens then we’ll just have to keep doggo a secret.”

“I love when you enable my bad and probably illegal decisions.”

Your boyfriend beams cheekily. “And I love you.”

You roll your eyes affectionately, lightly pushing his head so he faces forward. “Eyes on the road, Hong.”

“Makes sense,” he relents. “We aren’t supposed to look directly at the sun, after all.”

“Oh my God, you’re so cheesy.”

“You love it when I’m being cheesy!”

“I guess,” you say, dragging out the syllables and giggling when Joshua pouts. If he wasn’t driving, you’d most definitely lean over the centre console to give him a kiss, but you suppose that can wait until you get to a stoplight.

When you do, Joshua cranes his neck to turn to you. He opens his mouth to speak when there is a loud crash of thunder, the booming noise drowning out his sweet, airy voice. Even so, you can deduce what he just said from the shapes his lips form.

But you like messing with him, so instead you tease in a sing-song tone, “What was that? I couldn’t hear you.”

Joshua whines exasperatedly. Nevertheless, he repeats his earlier words. “I said, I love you.”

“I love you too.” More than I can ever express, you think, but you know he feels it.

Because you also feel his love, even when it’s unspoken.

The rain was already hammering down onto the world in heavy sheets by the time Joshua parked the car outside your apartment building. It’s at that moment when you both realised that neither of you brought an umbrella, nor could you find the spare one you’d keep on the car.

After practically turning the vehicle upside down, Joshua huffily concluded that Vernon must’ve took it with him the last time it rained.

“Let’s just make a run for it,” you suggested after a few minutes of watching raindrops pattering against the windshield. Your boyfriend looked at you like you were crazy, but slowly began considering the idea when both of your legs started to feel numb from all the sitting.

So you did. And despite how late it was, neither of you managed to contain your shrieks and giggles as you were almost instantly soaked through your clothes. You figured that the clattering of rain would be loud enough to cover up any sounds you were making.

The rain was unforgivingly cold, but as you ran up to the building with your hand encompassed by Joshua’s, you’ve never felt so warm in your life.

a/n: man i hope the part about the different kinds of happiness made sense 😭 i’ve been thinking about that a lot lately but i don’t know if i managed to put it into words clearly enough ;-; anyways @/mr hong jisoo pspsppspspspsp if ur reading this this is my formal request to have you take me out on a late night drive <3 the way my standards for men went 📈📈📈 after getting into kpop

thank you so much for reading 💕 please do consider leaving feedback whether it’s a reblog, a reply or an ask, it would mean the absolute world to me as feedback really motivates and supports creators 🥺 and feel free to chat with me about juliet or anything else through my asks!! as always, take care and have a good day!!

[avinaccia]

A Completely Objective and Logical Ranking of Every Hetalia Character Song

New character songs are dropping,  I have too much time on my hands, let’s go. 

Also here’s a Youtube playlist for the ~✨nostalgia✨~

Bring it on in the tags 

71. Ah Legendary Class⭐The Awesome Me Highway [Prussia]: Absolutely tearing it up on the drums and on the vocal cords alike (I pray for Atsushi Kousaka). Great for the memes. 

70.  Happy Thoughts Museum [???]: This is listed as an official song but I had literally never heard of the title. Then I listened to it and BAM! Smack back to 2013 watching the teasers for the show on Funimation. Not sure I’d count it as a character song though...

69. (Nice)  My Song that is written by me for me [Prussia]: Deafened me but I can appreciate the industrial grind.

68.  My House is...Quiet. ~With the Trolls~ [Norway]: I have never heard this song, nor can I find any version of it online. By default it goes here and I am so sorry Norge.

67.  Make a Wish to Santa♪ [Sealand]: The discordant notes and childish exuberance only serve to make this sound like a demonic plea to Santa to eliminate the singer’s enemies.

66.  Heaven and Hell on Earth [Rome]: Rome sounds like he’s been in the corner of a restroom. Extra points for the metal version, minus points for the fact that the beach scene was replayed like 1764 times.

65. Canada Complete Introduction [Canada]: Quiet af until Kumacheerio shows up and blows out your speakers. they did you dirty my darling 😔

64.  It’s Easy!!! [America]: I don't think any video of this has ever stayed up for more than 20 seconds. Sounds cool, but like I was listening to 20 different genres at once, someone make him calm down.

63.  Bù Zàiyì the Small Stuff ☆ [China]: I cannot for the life of me find the complete song anywhere, clips have a cool beat though

62.  Let's Boil Hot Water♪ [Italy]: Exactly what it says on the tin..though a bit too close to elevator music for my tastes.

61.  The Fragrance of Early Summer [Japan]: Very ‘from the books’ Japan-esque song

60.  Peace Sounds Nice…[Baltic Trio]: All well and good until the radio demon shows up

59.  W●D●C ~World Dancing~ [America]: How a song can sound like it’s from 4 different decades at once is beyond me

58.  Overflowing Passion [BFT]: This is just drunken karaoke and I have 0 clue what’s going on #iconicforallthewrongreasons

57. Ren●Ren●Renaissance♪ [Rome+Chibitalia]: Wholesome Grandpa with Grandson content - barring the fact that Italy sounds on the verge of a nervous breakdown and Rome has had too much wine.

56.  Roma Antiqua [Rome]: Similar energy to any one of China’s songs - there’s a part of the song where it sounds like he’s singing in the shower, and I will never not laugh at [CENSORED]

55.  Country From Where the Sun Rises, Zipangu [Japan]: Very chill, very Japan, but just meh for me.

54.  Moon Over Emei Shan [China]: Good message, okay song.

53.  My Friend [England]: What a mind palace you must have Mr. Kirkland

52.  With Love, from Iceland [Iceland]: Three words: Heavy. Metal. Puffin.

51.  Having Friends is Nice...♫ [Russia]: Russia is the cutest thing ever

50.  Mm. [Sweden]: Smooth transition from WWE Smackdown to shopping at IKEA.

49.  Why don’t you come over? ~Beyond the Northern Lights~ [Iceland]: I don’t want to be mean but...this does sound like the second closing theme to an anime whose first closing was much more popular (�� la Soul Eater)

48. Gakuen☆Festa [Germany, Italy, Japan]: Sounds like a 60s song of the summer but oh dear their voices do not go together. Hella cute though.

47.  Wa! Wa!! World Ondo [Main Cast]: One time I travelled 10 hours in a coach bus with a bunch of teenagers to a city of note in my country, and the only souvenir I bought was the fucking PAINT IT WHITE DVD. Perfectly chaotic, UN ĐĕùX~~

46.  In the Bluebell Woods [England]: In the album cover for this song he’s holding a guitar but this is not a rock song. Still has ‘running through the hills’ levels of dramatism though.

45.  Poi Poi Poi♪ [Taiwan]: You’re telling me that Taiwan, someone whose has *ONE LINE* in Beautiful World (which is criminal tbh what kind of representation-) managed to get an eNTIRE CHARACTER SONG???????

44.  White Flame [Russia]: There’s something to be said for a song that is 3x the length of any Hetalia episode

43.  Ich liebe… [Germany]: Baking cakes for your friends has never been so wholesome.

42.  We Wish you a Merry Christmas [America, China, England, France, Russia]: Nice to see they’ve gotten their shit together since United Nations Sta-hmm.

41.  Ah, Worldwide à la mode [France]: Sounds like a Disney Princess song, hard not to picture France frolicking in a field of flowers.

40.  Che Bello! ~My House is the Greatest!⭐~ [Italy]: Would not be out of place in an advertisement for Sea World.

39.  May You Smile Today [Japan]: THE feel good song of the summer

38.  Let’s Look Behind the Rainbow [Italy]: I will protect you.

37.  I'm your HERO☆ [America]: “Anyone who’s sad or sullen will be arrested” did NOT age well.

36.  Mein Gott! [Prussia]: Alternating headphone effect at the beginning is cool, so is the confidence...the actual singing on the other hand...

35. Nihao⭐China [China]: Listen, all of China’s character songs are great, I just can’t vibe with this one like some of the others.

34.  Pechka ~Light My Heart~ [Russia]: I’m still having difficulty wrapping my head around the fact that this and Winter were released at the same time.

33.  Pukapuka⭐Vacation [Germany, Italy, Japan]: Seems just a bit too much like they’re running on a treadmill that’s picking up speed and trying to sing at the same time. Peppy.

32.  Santa Claus is Coming to Town [Germany, Italy, Japan]: This is unironically the best song sung by this trio; can only vibe with for two months out of the year though.

31.  Excuse Me, I Am Sorry [Japan]: Japan’s character traits speedrun. Gives me barbershop quartet vibes for some reason but is catchy as hell.

30.  The Story of Snow and Dreams [Russia]: A superhero anime opening in the making

29. England’s Evil Demon Summoning Song [England]: Sir that is not how you roast a marshmallow, don’t cut yourself on that edge.

28.  Moi Moi Sauna♪ [Finland]: Exactly the type of song you’d expect and it’s wonderful

27.  United Nations Star⭐ [America, China, England, France, Russia]: This isn’t as much of a song as it is a four minute struggle for everyone to sing without America yelling every 5 seconds...Like a particularly musical episode of Hetalia.

26.  Paris is Indeed Splendid [France]: Paris-pa-pa-pa-paris

25.  Absolutely Invincible British Gentleman [England]: Poppy, rocky, polka-dotty

24.  Vorwärts Marsch! [Germany]: To quote the comment section: “This sounds like a German version of I’ll Make a Man out of you.” There’s some truth to that.

23.  Hamburger Street [America]: The product of America’s rapper phase. 8/10 because he’s trying so hard and because I can unironically sing along to all of this.

22.  Hoi Sam☆Nice Guy [Hong Kong]: A song that would absolutely destroy the ankles of anyone in DDR.

21.  I Am German-Made [Germany]: There was once a version that had Germany and Prussia singing at the same time and it sounded positively demonic and Broadway could never

20.  La pasión no se detiene ~Unstoppable Passion~ [Spain]: Talented, brilliant, incredible, amazing, show-stopping...

19.  Fall in Love, Mademoiselle [France]: Sounds like it should be in Mozart Opera Rock, I have kiss kiss falled in love.

18. Embrace the Très Bien Moi [France]: This is the definition of SELF LOVE PEOPLE. 

17. Carrot and Stick [Belarus&Ukraine]: Absolutely DRIPPING in 2000s power ballad energy. The type of song that plays on repeat in the mind of the widow whose millionaire husband ‘mysteriously disappeared’ (and the only legit character song ever acknowledged by the anime)

16. C.B.C (Cowboyz Boot Camp) Vol. 1 [America]: AH MAH GAWWDDD

15. Winter [Russia]: Heavy metal fever dream and the perfect song for an angst-ridden teenager

14.  Seychelles Here ⭐ Vacation Island [Seychelles]: UN👏DER👏RA👏TED SONG👏OF 👏THE 👏SUM👏MER👏

13.  Nah, it will settle itself somehow [Romano]: One day I aspire to reach this level of chill

12.  Let’s Enjoy Today [England]: I will never not feel happy when listening to this.

11.  Einsamkeit [Germany]: Ludwig manages to air every single one of his worries about not being good enough compared to his friends and always being perceived as mean or uptight when he’s actually just a softie and now my heart hurts. 💔

10.  Aiyaa Four Thousand Years [China]: A very poignant and beautiful song about the passage of time and the inevitability of its passing; comparable to an ancient ballad complete with explosive crescendos and meaningful lyrics.

9.  Bon Bon Bon❤️C’est Bon C’est Bon! [France]: Peppy, cheerful, adorable, groundbreaking; has been my alarm tone for six years and I’ve yet to tire of it. 9/10 The moaning interspersed throughout has been an interesting wake-up call.

8.  Let’s Enjoy! Let’s Get Excited! Cheers! [Denmark]: This is on par with Everytime we Touch by Cascada in terms of rage potential unlocked (the good kind)

7.  Dream Journey [Japan]: Whoever’s playing the shakuhachi is absolutely KILLING IT. Dramatic, wonderful, great metaphors.

6.  Gourmet’s Heart Beginner Level [China]: Absolute banger, I’m a vegetarian but this would inspire me to eat shumai.

5.  Always with you...Nordic Five! [Nordic FIVVVVVEEEE]: Everyone harmonizes beautifully except for Denmark. Extremely catchy, number placement seemed appropriate. 

4.  Pub and GO! [England]: I love this trash man

3. Maji Kandou⭐Hong Kong Night [Hong Kong]: If you thought Denmark’s song was a banger JUST YOU WAIT. I WILL BLOW OUT MY SPEAKERS LISTENING TO LO-HA-SU.

2. Steady Rhythmus [Germany]: THIS SONG IS METAL AF. Seriously, if it can be classified as ‘hardcore’ by my father and his group of 50-somethings who have decided to single-handedly gatekeep the metal and hardrock genres, it can do anything.

1.  The Delicious Tomato Song 🍅 [Romano]: Beautiful, absolutely awe-inspiring, poignant, catchy lyrics with an extremely deep meaning that only years of meticulous research and analysis can unlock, Romano I love you.

BONUS: Closing Songs

5. Hatafutte Parade (World Series) 

4. Hetalian⭐Jet (The World Twinkle): The song is good, the dancing is cursed 

3. Chikyuu Marugoto Hug Shitainda (World⭐Stars)

2. Marukaite Chikyuu (Hetalia: Axis Powers): nE NE PaPA

1. Mawaru Chikyuu Rondo (The Beautiful World)

[maneskinimagine]

LIVE

Warnings: None

Request: None

MASTERLIST

━◦○◦━◦○◦━◦○◦━◦○◦━◦○◦━

"Hey everyone, so today I'm finally announcing my brand new song, that is coming out in 5 days. And as a lot of you have guessed already, it is a collaboration with people that I've admired for a few years now. I was friends with the lead singer since we were both very young, and it truely is an honor to be working with them." I say into my phone as I watch the chat of my live, fill with questions and comments.

"Can you tell us who it is?" I read out loud from the comments. "Yes I can! So my collaboration is with - drum roll." I hit my thighs to give a pretty pathetic drum role. "Måneskin." I squeal.

"You talking about us again?" I hear from the door next to me, I look over and see Damiano standing there.

He knows that the people on my live won't be able to see him from where he was standing, so he will try his hardest to annoy me while I try and be serious for the fans.

"Anyway, I'm very excited about this song, and I can't wait for you guys to hear it." I look down at the chat to see what the general comments are, and for some reason people are talking about Damiano.

I point toward the comment as he leans forward to see what it says.

"They can see me?" He asks confused.

Just as he says it, a whole lot of comments come in, asking if Damiano is on drugs or if he's just playing a prank. So, that just confirms that people can see him.

"Go get Vic." I say to him.

He rushes up to go and fetch Vic from the kitchen. I look at the comments again and answer some basic questions, like how was my day and if I'll be releasing more music after this Collaboration.

Soon He pulls Vic into the room and she looks at me with a confused look.

"People can see him from the door." I say simply. She furrows her eyebrows and tilts her head to the side. I point toward the live that's currently on my phone, and when Damiano bends down into frame, she realises that people can see him. Her eyes widen and she looks at me in shock.

"I know." I say.

"Can't we answer some questions, it's getting weird having you two communicate through your looks." Damiano says.

"Sure, uh let's see. This one asks what the single is called." I read off the screen.

"The single is called 'Gone Far' and I wrote it with these two, a few weeks ago, and it was so good that we had to put it out as a collab as soon as we could." Vic explains.

"And you should all go stream it as soon as it comes out." Damiano adds. "That's the right use of stream right?" He asks me, I giggle and nod my head at him.

"Another question, is if we could make one song that's not ours, ours, what song would it be?"

"What?" He looks extremely confused at Vic's words. I turn to him.

"So what song do you wish you wrote, like a famous song."

"Oh that's easy, that 'She' song that you play all the time." He says aiming it at me.

"Yeah that's a good song." I ponder off into my own mind.

"I would want the song 'wannabe' by the spice girls. I think that would be a cool song to have."

"Ethan would just love to dance to that." I laugh.

"Which song would you steal?"

"Zitte e buoni." I say seriously.

"Really?" Damiano asks.

"Um, yeah. Why wouldn't I? That song is pretty good. But I would need Vics's clothes from that music video too." Vic laughs at me but agrees to it anyway.

"Where are Thomas and Ethan right now? They're in the studio, playing scrabble. It's mostly just Thomas making up words while Ethan's rage slowly increases." Vic chuckles.

"Poor Thomas, he's trying his best." I defend him. "I'll catch up with you guys some other time, but for now I'm off." I say into my phone as I end the live. Damiano and Vic wave goodbye as I do so.

"Well that was something new." Damiano says, probably still confused as to why people can see him on live.

"You're welcome by the way." I say to them.

"Why are you welcome?" Vic asks.

"Because now you can be more active with your fans."

"You're right, but I'm not thanking you." Damiano lays down on the floor.

"I'll just leave you two alone." Vic gets up off the floor and walks out the door.

"Why are you so mean, just say thanks and it'll be over." I say to him.

"Thanks." He leans forward and placed a kiss on my cheek, before getting up and walking out the door.

"You're still mean!" I shout after he walks out.

"I know!" He shouts back, his voice coming out muffled, and yet he still makes me laugh with his annoying nature.

[notafraidofredyellowandblue]

Richard Kruspe interview 'Welt' 2009

By Laura Ewert.

Some of the usual stuff (Richard's difficulty with dealing with the Rammstein democracy, this-record-is-the-last, being happy vs being meaningful, the 'old marriage' comparison) but i liked the part about the orginal lyrics of Pussy being too 'platt' which translates to 'flat' or 'uninspired' and they changed it to insert a bit of humor into it, because even though it must exhausting for the band themselves, i think the qualitycontrol within Rammstein is a good thing really.

(also, i think Richard got a bit annoyed with the interviewer, which i can understand.. 😇)

English translation:

"Rammstein are too smart to be right-wing"

They are Germany's most successful rock group. On the new album "Liebe ist für alle da", Rammstein, as usual, played the bugbear. WELT ONLINE spoke to their guitarist Richard Kruspe about porn, national symbols and the imminent end of the band.

Black hair, heavy rings, black-rimmed eyes - Richard Kruspe looks exactly as one had always imagined a Rammstein member to look. The 42-year-old sits at a large table in a room of the Universal record company in Berlin, smokes and smiles friendly. The discussion again can start: Are Rammstein dangerous provocateurs or ingenious creators of their total work of art?

WELT ONLINE: Mr. Kruspe, the current Rammstein single "Pussy" entered the German charts at number one. Despite a video that cannot be shown uncensored on television.

Richard Kruspe: Any other band would have said: We can't make a porn, it'll never be shown on music television. I heard that over two million people saw it in two weeks like this. So there are other ways too, you don't always have to bend. "Pussy" is very independent compared to the other songs on the album. Our singer Till initially only wrote the text in English and I thought it was borderline at first.

WELT ONLINE: In terms of content?

Kruspe: Yes, in terms of content. It was just too much. There is a certain kind of humor that I find good, but there are limits. Then at the request of the band Till wrote the German verses. In that way the text got a humorous touch that I can live with. It's not exactly what I define as Rammstein, but Rammstein simply is a mix of six different people.

WELT ONLINE: Who actually had the idea for the porn video?

Kruspe: We asked the director Jonas Åkerlund. He listened to the song and after three hours wrote an email back: "Let's start a revolution, let's do a porn". All you could see on the faces of the band members was a big grin.

WELT ONLINE: But you have had yourself doubled?

Kruspe: Well, that's the big question. It doesn't matter. It was a nice challenge. I always thought the porn business was dirty and cold, but it's not at all. All the people there were extremely friendly and very accommodating.

WELT ONLINE: The text is not particularly friendly and accommodating.

Kruspe: I cannot and will not say anything about the text. I am not the text writer.

WELT ONLINE: But you said earlier that the first text version of "Pussy" was a bit too much for you.

Kruspe: No, it wasn't too much for me. It was just too uninspired for me. The German verses gave it a certain sense of humor that I can support.

WELT ONLINE: It is said that this text should be understood as a criticism of German sex tourists.

Kruspe: If you see it that way.

WELT ONLINE: I don't see it that way. But can you tell me what your understanding of the text is?

Kruspe: For me it's a party song, nothing more and nothing less.

WELT ONLINE: The line "Put bratwurst in your sauerkraut" is excellent to roar along to when drunk.

Kruspe: I think that's extremely funny.

WELT ONLINE: What about those who don't understand this humor? Drunken hordes of men on the way to the "Blitzkrieg with the meat gun"?

Kruspe: There is aggression in every society. They are acted out differently. My children, who are 17 and 18, don't do that. The only thing I can do is make sure things are different in my small circle. But when you start thinking about these things as an artist, you start limiting yourself. But I have a problem with censoring myself. I grew up in a system where I was constantly censored.

WELT ONLINE: Doesn't the question of responsibility arise?

Kruspe: I'm not someone who goes out with a raised finger and says: That's how you have to do it. We never did that.

WELT ONLINE: But don't you also say that you want to criticize something by exaggerating social situations?

Kruspe: Yes, you could say that. But that still doesn't mean that we tell people how to live. Everyone is responsible for their own life. Everyone has to have their own experiences in order to learn from them. We are not the Messiah.

WELT ONLINE: So is your music just acting out your own personalities?

Kruspe: When making music, of course, a dynamic of its own develops that you have to live with. These are things that cannot be influenced.

WELT ONLINE: The cover of your album is reminiscent of paintings by Rembrandt.

Kruspe: Hieronymus Bosch is a better comparison. The cover was created in collaboration with a Spanish artist who just tried things. Journalists are always entitled to question the meaning. But good things happen out of a certain naivety.

WELT ONLINE: What is that metal toothed monster up there on the cover on the right?

Kruspe: It should be some kind of alien. I already forgot. It was pretty good what the artist had thought out. Some kind of alien that eats up all consumption. Very philosophical what he has built there.

WELT ONLINE: And the naked woman lying on the table has her hands chopped off, right?

Kruspe: Yes, but that shouldn't be taken literally, in the sense that a woman is being massacred.

WELT ONLINE: It looks like an offering.

Kruspe: I see more the abysses of this world in the picture.

WELT ONLINE: Next to the woman on the table are two men closing their pants. Are you one of them?

Kruspe: No, I am not.

WELT ONLINE: It's a rape scene really, isn't it?

Kruspe: If you want to see it that way. I always find art interesting when it leaves things open.

WELT ONLINE: Let's come back to ...

Kruspe: ... to the difficult questions? Don't you have something else to talk about? Something nice? About life?

WELT ONLINE: I still have one question about the record.

Kruspe: Okay, one more.

WELT ONLINE: You are clearly using national symbols. Be it the German flag, the desk reminiscent of pictures of Hitler's speeches ...

Kruspe: Yes, but in a very humorous way. "I can't get laid in Germany" is very funny.

WELT ONLINE: Well I don't think you're right-wing.

Kruspe: No, we're too smart for that (laughs).

WELT ONLINE: Why does sex always have to do with fighting and war in your songs?

Kruspe: For me, sex always has to do with passion. I am a romantic. On the other hand, I like it dramatic. We'd have to go back a long way to my childhood to see what might have gone wrong. I believe that musicians more or less unconsciously always bring things across in a dramatic and painful way. At least that is how it has to be for Rammstein.

WELT ONLINE: Are you a believer?

Kruspe: Religious? No. I believe in justice.

WELT ONLINE: A justice that arises out of the human being, or one that is imposed from outside?

Kruspe: I think there is an idea. Some say this is God. Before things are done or before they arise, there was always an idea from which there is also a sense of justice. Do you understand? I believe that it is important in life to be punished for certain things. I believe in the fate principle and the karma principle.

WELT ONLINE: But if there is this punishment, won't Rammstein face a hefty punishment?

Kruspe: We only speak out what is reality or what is part of society. The Church used to say what is good and what is bad. That's bullshit. Just because someone has a sexual orientation that the Church classifies as evil doesn't mean it is wrong. On the contrary.

WELT ONLINE: Does "love is there for everyone" also mean that any form of sexual love, including that which is socially ostracized, is a part of humanity?

Kruspe: "Love is there for everyone" is a very Christian thought. Of course you have to ask yourself, is love really there for everyone? I would wish it to be that way. Can we forgive those who misunderstood love? I often think about it and fail and get a little further and go back again. Especially when you turn 40. A lot happens there. Especially with men.

WELT ONLINE: Yes? What?

Kruspe: For me there are two options in life. Be happy or be meaningful. And as a musician you naturally try to lead a meaningful life. The big problem with me is that my longing for happiness is great, but the strength I need to be creative comes from suffering. Even if you do not suffer, you try to bring it into your life somehow in order to be able to create again. A cycle. If I were happy I'd know I would never write again. I tried to find happiness outside of myself. And now at 40 there comes the point where you try to find something inside me that makes you happy.

WELT ONLINE: Can't you catch the creative moments by now?

Kruspe: I used to try drugs. I used cocaine a lot. You reach dimensions that you would otherwise never be able to reach. You can edit a kick drum for eight hours. This creative power comes to me in different moments. It's buzzing in the air and the only thing you can do is be open. And then the moment is gone again. As if a cloud is passing by and you reach for it and then wait for the next cloud.

WELT ONLINE: One hears that the current record could be the last of the band. Is Rammstein going to dissolve?

Kruspe: At the moment I couldn't imagine going back to the studio with the experiences of the last record. But I could imagine touring further. In a band you're trapped in an image. It's like a soap opera that never ends. You have your character and you play it. And then this Rammstein democracy. We have discussions every day. Everything is talked about and talked about. And voted. In a band you don't have that kind of sexual discharge that you would have in a relationship. It's like a long marriage with us. You just don't like to sleep together that much anymore.

[adrienscroissantx]

Music au

We know of the people who can play musical instruments. Luka plays guitar, ivan plays the drums, juleka plays bass, rose can sing, adrien can play the piano, etc. BUT WHAT IF. STAY WITH ME. WHAT IF. THERE WAS MORE.

Alya can ACTUALLY play the flute, she’s been in orchestra for 2/3s of her life. Nino’s been learning violin since he was 7 years old. Alix, shortest girl in class? Plays the fucking cello and is not afraid to hit a bitch with it.

 Kagami can play the drums like a beast (little side plot about how her mother sent her to like... piano lessons or something as a kid but she went to the wrong teacher on purpose bc piano was boring and now she can do epic drum solos and Ms Tsurugi just has to come to terms with it. Even funnier bc shes blind, Kagami would play recordings of piano in her room for her mom to hear and then she’d set up her electronic drum kit and play it w headphones on. Big Sneaky.)

Max plays the trumpet and Mylene plays the saxophone. Sabrina plays the tuba or the trombone or smthn. (look, max/mylene/sabrina being brass buddies ok) Meanwhile the biggest jock in school, Kim Le Chien, is an opera singer. 

Lila you may ask? Plays the oboe, aka one of the instruments that requires you to make faces like this:

(either that or maybe she’s like into ballet, also an interesting turn)

Bonus if they all go to one of those gifted kid schools with a killer arts program where everyone has to have like major talent to be there. Chloe got in because her dad is a generous donor to the school, doesn’t really have any talent w anything and plays it up all mean because she’s insecure.

And Marinette, you might ask? She doesn’t have a single damn musical bone in her body. She’s surrounded by musical skill, but she cant play anything. She’s there because she’s an extremely talented designer, and normally the school wouldn’t consider it, but she has references and recommendations tied to the Gabriel brand of all places, so she’s a special case. The only other person like her who she can relate to is Nathaniel, he got in because he’s really great at painting (classically trained n all that) so he looks good in exhibitions for the school n stuff. Basically, everyone is super fucking fancy and Classically trained at Everything they do and it makes Marinette feel insecure and left out.

And maybe at the end of the year the class has to put on a performance for the end of school (maybe for grades or they win a thing or whatever) and everyones like “ok we’ll do an orchestra piece or smthn” but everyones personalities clash together and nobody can agree on anything, they cant find a spot for marinette or chloe or Nath and its all going downhill. Lila likes it because she gets a spot in the limelight, but it ultimately falls apart and she doesnt like that. Until its one of those “well lets celebrate the individuality of the class instead of being boring as shit!” 

Kagami gets to do her epic drum solos that make your heart beat go 50000 bpm (and makes her mom proud of her in the process), Kitty Section in particular makes an appearance, whacko costumes and all (made and designed by marinette might i add) and they sing a rock/metal piece. Alix and Nino get to express they’re love for hip hop with their stringed instruments. Kim gets to play the opera role he’s always wanted to in some kind of epic mash up, the brass kids get to play a cool part maybe w jazz or something vibey (w set design made by Nath and Mari probably). And then Alya comes up with this light show/flute thing (AHEM reminscent of rena rouges mirage power, also all the visuals are put together and made by Nathaniel to show how he likes modern versions of art too, not just classic painting). Marinette designs all the costumes, and Chloe does what she does best. Bossing people around. 

She becomes the director of the whole show (she has some personal motivation, like wanting to make her parents proud or proving something to someone who said she couldn’t do anything). Lila is jealous and insecure and tries to sabotage the whole thing and make her classic orchestral piece (or do her ballet thing where she gets to be the star) the only good thing in the show. But CHLOE manages to save the day with her quick thinking skills, great improvisation, and fearlessness in the face of pressure and fixes everything! (See she works really hard... like a worker bee.... woah haha)

And then they win and its all great!! and Lila realizes she needs therapy!!! And she says sorry in the end and not everyone forgives her but its a start and then theyre on to their second year of Being A Gifted Kid school! MAYBE some romance subplot and tension, idk. 

The basic thing is the school is very obsessed with being a pretentious twat environment, even if the learners aren’t all interested in classic stuff (some are, like lila, but like. Nino’s into hiphop and Nathaniel wants to make comic books, not landscapes). Marinette is in an awkward position because they’re trying to put her in a Classical Box but,,,, its fashion design. The point is that it develops with the times. And shes the one who inspires everyone to do what they’re interested in rather than what the school expects them to do. And when the teachers pick up on this, they dont like it, and lila (who has some beef w marinette bc shes jealous n low self esteem or smthn) thinks that if she gets marinette in trouble for it she cld be expelled!! And she can be the star again!! And its like!! Classic private school drama!!! Ill shut up now!!!

[mego42]

What are some of your favorite GG song Moments. ? Here are some of mine.

1. Easy ft lorde- OMG this soong is such a bop. it just fits the scene so well. HONESTLY one of my fav scenes. HE IS LIVING HIS BEST LIFE IN THIS SCENE. I LOVE CHAOTIC RIO

2. Wild heart by SPELLES.- THIS SONG IS SO HAUNTING just fits the vibe so well. SO ANGSTY

3. The most recent song. Used in that Brio moment. Idk what its called . I know that Beth is having the time of her life but that song is just HEAVY. The lyrics 🙏😭😭❤❤❤ such a pretty song fr 😔

omg anon i love this question nearly as much as i love your taste. YES!!!! to Easy (i too love tf out of personification of chaos rio), YES!!!!! to Wild Heart!!!!  it’s SO HAUNTING and disorienting and PERFECT. and Y E S !!!!!!!!!!!!! to the most recent song (whole life by perfume genius). i am LIVING for the heavy ballad vibes, super agree it’s so pretty. 

in no particular order, my top 5 music moments:

blanket me / hundred waters

1x09 - beth makes the calendar laying out her kids future in case something happens to her

i’ve already exposed myself as an absolute loon when it comes to this song and you can read the whole breakdown here

but tl;dr it’s a song about relying too much on a person and needing to break free and be independent but not in a toxic sort of way, more in a for personal growth and the best for everyone because co-dependence holds everyone back and i really, really, really love that in context of beth and her children, her learning to step back and not smother them but also not give so much of herself that she disappears entirely because that’s not good for them in the long run

basically it’s sort of a thesis statement for beth’s underlying s1 arc

plus it’s just like, heavy and haunting and absolutely gorgeous and not to be like, unreasonably pretentious, moves me and i love it

notable lyrics: You're my blanket, you're my skin / You're everything within / You're my guardian, I'm your sail / A boat in your harbor / Gone under, capsized and sinking / Blanket me, blanket me, blanket me, blanket me, blanket me

-

whole life / perfume genius

4x06 - beth looking for a place to hide the wire/hooking up with rio

the song is all about leaving behind the things weighing you down and moving into a brighter, more free future and i love love love how that plays with the duality of beth hiding the wire and securing her source of information for the secret service BUT ALSO marking this moment as a turning point for beth and rio because it absolutely is.

(like not just the fact that they’ve resumed a physical relationship but rio’s invited beth deeper into his world and we’re seeing beth crack on a level we really haven’t before)

this season is leaning SO HARD into duality and the tangled up truths and lies between them and i am absolutely UNHINGED over it

i also really love the like, passionate ballad nature of it juxtaposed over this twisted, extremely sexy moment (intercut with dean joyfully trying to seize hold of his new hobby only to be IMMEDIATELY denied)

there are just so many layers to it and i love all of them

notable lyrics: The mark where he left me / A clip on my wing / Oh, let it soften / I forgive everything

-

ocean rain / echo & the bunnymen

4x04 - the beth and jane/rio getting the drop on fitz montage

the whole theme of this song is two people tearing each other apart and destroying the bones of their former intimacy which like, hello subject matter aptitude and it’s told through this GLORIOUSLY dramatic hurricane at sea imagery with ships being dragged below the waves by the hurricanes the two people have called down on each other set to a gorgeous over the top orchestral score

on a yrical note, i love that the song is basically the same verse over and over (interspersed with the chorus, obvs) and the only change is me vs you when it comes to who brought the storm down on them

basically, if you were challenged to come up with a song that represented two peak dramatique heaux nightmare factories locked in a never ending game of deadly cat and mouse, you couldn’t top this.

i am ABSOLUTELY OBSESSED with the choice to pair it with a montage of beth finally pulling the trigger (with foresight and intent, shooting rio was p obvs a oh shit look what i did moment), a milestone rio’s been dragging her (down) towards since the beginning of s2 AND using him to do it, dragging him (down) into her mess (m ade all the more messy when you consider he was the target of it) (i just! love it! so! much!)

i want to live in johnathan leahy’s brain

notable lyrics: all at sea again / and now my[your] hurricanes have brought down this ocean rain / to bathe me again / my ship’s a-sail / can you hear it’s tender frame / screaming from beneath the waves / screaming from beneath the waves

-

el musgo / gabriel bruce

3x04 - rio watches beth make money

UGH GOD when that high hat and bass kicked in the first time i was like oh shit we are in for some DRAMA and sure enough we were as well as a more sexual montage than anything you’d find in actual porn.

idk, the fact that they chose this deep, dark, mournful about lost love to an elongated montage slow motion montage of rio watching beth make fake cash and deciding not to kill her for nearly killing him doEs stuFf to me

all i’m saying is johnathan leahy ships brio harder than any of us and is a more dramatique heaux than either of them, which are two really impressive feats to achieve

AND THEN!!! AND THEN!!!!! they CHOPPED THE SONG UP!!!!! so they were able to take advantage of the dawning drama of the opening bars BUT ALSO include the closing stanza about wearing the marks the subject of the song gave the singer like a scar where they took his heart from him and the INTENTIONALITY of that creative choice puts me on the FLOOR

LIKE!!!!!!!!!!!!!!!!!!!!!!!!

notable lyrics: I'll wear this mark like a medal / But it's a scar / Where you took my heart from me

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kimono hill / sophia kennedy

3x01 - rio leaves the hotel

honeslty, lowkey surprised this one made my top five. not because it isn’t a fabulous song deployed with johnathan leahy’s usual mastery, but bc i didn’t realize how much i loved it until making this list

i don’t really have like, a deep, lyrically rooted storytelling reason for loving it, i just think the way they used it in the show is Such A Vibe

the way the vibrating synthy tones and underlying organ kicks in while rio’s getting in the elevator has this beautiful held breath anticipatory quality to it that works SO WELL to set up the montage of rio strutting out back into his life while turner gets murdered (a scene i have some uh, complicated feelings about but setting those aside), and the bolands’ fresh start to the tune of bouncy drums and looping vocals

idk it’s such a shining note to end the first episode of a new season on, i remember feeling refreshed and super hype for what’s to come

notable lyrics: no lyrics, just the vibe of the opening bars

tl;dr i really, really, REALLY love how this show uses music. you can tell they put a lot of time and effort and thought into it and while i know the trajectory isn’t working for everyone, personally i love it. granted, as you can see from this list, i clearly love the shit out of a down tempo dramatic ballad, so. if you are more of a bangers and bops person, i would point you to @nickmillerscaulk’s inbox as she is a Certified Bangers Afficianado.

[queen-of-my-goofball-army]

Why YOU should give Rush a chance

Okay, so right off the bat, this is not going to be like my other posts on my blog. This is not a post about some show that has captivated my interest or anything at all related to animation. If that's not your cup of Dot rambling coffee, than I would highly recommend you take your L right now and come back for your regularly scheduled programming in a few days.

Are they gone? Okay cool! For those of you that stuck around past my forewarning let me tell you about my newest special interest to join my now growing music love affair with 80's and 90's Rock n Roll. For those of you that don't know, I'm guessing that most of you do not know what Rush even is. If you are not somehow on the autism spectrum or know a lot about music in general than this band will be entirely unknown to you. Rush is a three man progressive rock band born in Canada made up of three incredibly amazing men Gary "Geddy" Lee, his best friend since he was 11 years old Alex Lifeson, and last but most certainly not least, the amazingness that was Rush's drummer and songwriter Neil Peart. Together, the three of them changed the world of progressive rock through Geddy's unique vocal qualities, Alex's incredibly underrated shredding guitar skills, and Neil's immaculate drums and lyrics. I am here to tell you, yes YOU reading this length rambling message in three sections to keep this fair. Each member will get their own sections and I will try my hardest to keep personal bias out of this. I also just watched Rush: Beyond The Lighted Stage yesterday with my mom so I will mention some things that we talked about during it to try and sell people.

Geddy Lee:

* Geddy has one of the most unique voices in all of rock music. This will most likely be the thing that turns off the people that do listen to me and wind up listening to a couple of songs. He has had a lot of critics for his higher pitched voice usually yelling lyrics. However, I love his singing voice. It is filled with energy and power to it. His voice has a weight to it that not a whole lot of other people can really nail if they really want to.

* You want to talk about sheer talent? How many of you all know lead singers that are a one and done kind of singer? They can play one instrument and they're done? Well shove them aside because Geddy can play not only bass guitar but a double neck bass, synthesizer, and piano. Yeah I think all you haters can stand aside because this man will always be amazing technically.

* So many of lead singers in my opinion, think that they own the band. Because they get to sing the songs right? That means that they get to make all the important decisions and they can't ever do anything wrong. Well for those of you that know Rush, you will remember the synthesizer era. The era of new wave Rush where Geddy shelved his bass guitars for his synthesizer. This caused a small rift between Lee, Lifeson, and Peart who were not at all fans of the way that the synthesizer was going. While Geddy was having a fun time with it, he shelved the synthesizer almost for good and went back to his roots. I don't know many other lead singers that would put up something that they were legitimately having a good time with just for his bandmates.

* Geddy's just general goofball personality is something that continues to make me chuckle. Since he and Alex have known each other for practically ever (they met when they were 11) and have been there for each other for most of their lives they have very similar energy's.

Alex Lifeson:

* Alex Lifeson is an underrated guitarist. There I said it. I feel like of the three of them (Geddy, Alex, and Neil) Alex gets talked about the least due to the fact that Geddy also plays guitar. While it might be a different brand of guitar some people forget just how genuinely face melting his solos are. I could listen to his riff in Tom Sawyer all day long I swear. I'm still working my way through every Rush album in chronological order (I'm just now finishing A Farewell To Kings an absolutely beautiful album.) But his skills are not one to be downsized and I think he is an amazing, amazing guitar player.

* You want to talk about the group goofball? If Geddy is goofy, you look in the dictionary this man is the pure definition of a hilarious and quirky character. When Rush was FINALLY indicted into the Rock N'Roll hall of fame in 2013, after Neil and Geddy's beautiful and moving speech's about how important this means to them, Alex gets up there and his entire speech is spoken in very animated BLAHs. But what's really funny is that if you watch carefully he is actually trying to tell you a story. It's a story about how they all got there past the critics that tried to stop them along the way.

* I love the relationship between Alex and Geddy especially. They're just both such unique kinds of people but they have similar quirks and traits that are evidence of decades upon decades of friendship. I get massive big bro vibes from watching the three of them play together and it's really touching that they never let the fame go to their heads.

* While watching the documentary, I found myself in awe of just his general personality. He was a jokester and the life of the party, and even if sometimes Neil was exhausted by his presence it was obvious that he loved his bros.

Neil Peart:

* If you are asking me, the heart and soul of Rush, was their drummer Neil Peart. Neil wasn't just their drummer though, he also wrote all of Rush's songs after their first album together. Neil grew up probably the biggest bookworm to ever bookworm. He was a socially awkward kid it seemed since he was always reading as his parents explained in the documentary (more on this laster). This resulted in lyrics that are absolutely gorgeous in any context and sound like literature themselves. One of my favorite Rush songs is their song Rivendale themed to Lord Of The Rings.

* Peart was one of the most technically amazing drummers of all time. I don't think I'm saying new information when I say that. He has been praised for not only his technical prowess but the intensity of how he played as well. He was a force of nature when you put him in front of a drum kit. The drum solos in Rush are not easy. They are technically extremely difficult and always leave me to collect my jaw from the floor.

* Lyrically speaking, his lyrics were so intelligent and beautifully worded that it's hard to focus on them sometimes. I've listened to Fly By Night I can't tell you how many times just within the last few months. They are so unique, so beautiful, just so Rush. I can't think of any other word to describe them other than Rush. Nobody else could have written lyrics like these other than Neil himself. Even though he's gone now (Rest In Power you absolute Mad Lad.) I still feel like his music will resonate with millions of future generations to come. It could be the year 3000 for all I care and people will still be jamming to Tom Swayer, just you watch.

* Lastly about Neil himself, this is of the opinion of my mom and I, and you heard it here first, I think that Neil was aspie. He was the quietest of the three of them, he hated getting spotted by fans while the other two seem to tolerate it, he was constantly stimming with his drumsticks on and off the stage by spinning them around his fingers, he was totally nerdy and antisocial, he loved literature more than anything else growing up and would rather have a book in his hands than go out to a public place with his classmates, and he grieved in a different way than most people do. When his wife and daughter passed away, he hit the road with his motorcycle and most often Geddy and Alex wouldn't hear from him for months at a time. They had cute little nicknames for each other that Neil would always sign the postcards with. It was a different one every single time.

Thanks for listening to me ramble on this day guys! I really appreciate it, I know that this hasn't been your regularly schedule Dot programming but I really appreciate you sticking around! Give Rush a listen to if I've piqued your interest you will not regret it.