#8059
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dohu · 10 months ago
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partner
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omint · 1 year ago
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mileupsh · 1 year ago
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gokudera and his tsundere behavior (again)
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auslanderka · 2 years ago
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ah yes them 🥺
x
youtube
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khr-doodling · 9 months ago
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sorry i died for a while there, i got distracted with other stuff, y'know how it is.
anyways, alien stage au anybody?
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gelataisa · 1 year ago
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These last few days I've been a bit in my 8059 feelings and how good and gut wrenching would it be if Gokudera realised that Yamamoto had feelings for him but decided not to act on it. For years. Leaving Yamamoto pining (and suffering).
All of this because of some bullshit as "people like us can't get romantically attached, it's too dangerous, we're both men, etc"
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nikoshinigami · 6 months ago
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My Takes on KHR Pairings
No one asked for it, but I do so love me some character analysis and head-canons. So here are my personal justifications and thoughts on 8059, D18, 6927, and 10051
8059 This is canon, isn't it? I don't even need to explain how Gokudera is the pressure Yamamoto needs in his life to apply himself and Yamamoto is the grace Gokudera needs in his life to not be so hard on himself? Even their fighting styles support each other. They are dating in the manga as far as I'm concerned. If you didn't read the manga and think half the reason Gokudera was so loud about his hate for Yamamoto was basically Unresolved Sexual Tension and Gay Panic, then I can't help you. The canon speaks for itself, and it speaks loudly. Where most KHR pairings tend to be of the 'two sides of the same coin' verity, these two are opposites attract.
D18 Dino and Hibari have the same core values. They protect their territory, they inspire their subordinates, they are respected leaders, and they love a good fight. They both admire and respect individual potential and don't garner unrealistic expectations of others--they know there are exceptions and not everyone can rise to their level, but those who can had better get their act together.
Dino initially sees a wild and beautiful brat of a creature when he looks at Hibari but learns to see his kindness and fairness as he reflects on their similarities. Hibari sees a never-ending battle that in truth he hopes does go on forever, because he's never before had someone in his life who could break him down, bare and bloody, no tricks and no respect lost, day after day, and follow it up with the proper care after to ensure they can both continue in the morning. There's the rocky post-trauma start considering the last time Hibari thought he was walking into a fair fight, he was deceived, tortured, and kidnapped all thanks to mafia foolery (Fuck you, Mukuro~). But after a while in the woods, knowing this time he won't be left to rot with many of his bones broken, trust and respect are built and last a lifetime.
The man with the bronco on his arm hasn't broken in the wild creature, because he himself has been considered a force of nature and he knows it's best to let wild things run free. Hibari is allowed to be his weird, unintentionally funny, and aggressively possessive self, while Dino gets to bask in that feeling of being the only one at a house party that the cat will let pet it, seeing the softer side of Hibari that others might see but still never quite understand the meaning behind.
Respect and admiration turn to passion and reverence. Even if mafia politics only ever let it be sexual trysts, their mutual assertiveness makes it a high-adrenaline encounter that lets Dino really let loose and enjoy enforcing his dominance since his partner needs him to prove he's worthy every single time, even if only for pretense. Meanwhile, Hibari gets to be gentle and quietly seductive with Dino in ways no one would believe, relishing in the power he has over the allied Don even without lifting a finger. In the end, it's a power play for both of them that works because Hibari doesn't prioritize a win so much as he is enjoying each fight, and Dino, head of his territory's criminal organization by birthright, needs to feel like he earned it sometimes in a way only adversity can prove.
6927 Put each on either side of a window and they'd think they were looking in a mirror. Mukuro was a child abused by the mafia, his future stolen from him for its ambitions without any consideration for his own wants and desires, made close friends with others put in the same position as him, has a strong desire to protect those close to him even at the sacrifice of his own life and security, and tends to overcome adversity against the odds--prison even proving only an inconvenience as he continues to exist in the wider world mentally at least. Tsuna is a child currently facing abuse within the mafia, his future stolen from him because Vongola decided his fate without any consideration for his own wants and desires. He's made close friends with others now pulled into the mafia's schemes beside him, has a strong desire to protect those close to him even at the sacrifice of his own life and security, and tends to overcome adversity against the odds--even seasoned assassins failing to take him down. In the end, they both came to the same conclusion: the mafia is corrupt and should be burned to the ground. Mukuro has been planning the destruction of the mafia since childhood, and Tsuna told Primo he would not uphold those evils but tear it all down. Mukuro's abuse is exponentially more egregious than Tsuna's, but with that, his reactions and responses to that trauma are also more exaggerated. At the end of the day, though, you have Tsuna forced on a transformative journey, and Mukuro who, having been there and come through the other side, possesses the knowledge that there is no excuse good enough to excuse this and no punishment more fitting than annihilation.
Because of this, though, Mukuro has a kindness towards Tsuna. A curiosity. He recognizes the fact that the mafia as it exists will destroy Tsuna and try to reshape him into something else. He didn't know Tsuna before their fight--he expected someone like Xanxus, someone already made cruel and warped by ambition. He didn't know he was advancing Vongola's objectives by engaging with him, but in his defeat like saw like. Their mental bond is almost a subconscious reaction to guilt at being a pawn yet again in another mafia family's power play and wanting to warn against obeying the established authority presented to Tsuna. Mukuro refuses any show of vulnerability, but without thinking about it, has shown Tsuna that he cares about people and that he's suffering. Reborn does not want Tsuna to forget about Mukuro's crimes and to potentially stop seeing him as a threat just yet, but Tsuna has regret about the Vindice taking the Kokuyou crew back to prison--sees them rightfully as victims and wants better for them than more mafia 'justice' when it was the mafia that created them in the first place.
Tsuna, whether by their bond or his intuition, sees through Mukuro in a way no one else can. He can cut through his bullshit, recognize when he's lying or being obtuse to avoid vulnerability, and see the frown hidden behind the smile. Mukuro, on the other hand, keeps Tsuna from the evils of complacency. Cognitive dissonance makes it easier to stop fighting your morals and go along with what everyone else is telling you you have to do when you have no alternatives. His right hand is a mafia shill, his other friends trust him and the mentors who have gotten them this far which were supplied by the mafia. Mukuro alone can and will comment on the true moral failings of the mafia and has no reservations in doing so. If ever Tsuna needs to feel like he's doing the right thing, all he needs to do is look to Mukuro for confirmation.
Mukuro is also the only one Tsuna can let his guard down around fully as a mafia boss. Gokuders is a fixer--if Tsuna vents to him, Gokudera takes it upon himself to tackle the problem rather than simply listen. Yamamoto is an optimist--if Tsuna vents to him, Yamamoto tries to cheer him up and make him feel better. When Tsuna vents to Mukuro, it's shit talking time and every petty bone in the illusionist's body is happy to be in on the action. Gurl, go on~ He enjoys some catty behavior and acknowledging that a lot of people are the worst and everything sucks is a topic he is here for. Does it help anything? No. But Tsuna feels heard and seen and validated and that is important. They grow closer because it's only with Mukuro that Tsuna gets that validation and he trusts Mukuro's perspective because they understand where each other is coming from. And Mukuro is never so loyal as to hold back on telling him he's being a dumbass--something the others might refrain from doing out of respect for their Boss.
Neither of them has strong, familial bonds. Tsuna was neglected and Mukuro was.. given up to human experimentation. They both crave soft, cozy, warm love and affection. Cuddles on the couch, maintaining touch throughout sleep to feel assured the other is there and assure them of the same, gentle caresses and soft, sweet kisses. It's almost a platonic love where playing with each other's hands and fingers is a high level of intimacy. They could probably be fulfilled and happy and loved without sex in their relationship. Which is good, because Tsuna is trying so hard to conform to what he thinks a straight teenager should be, he hasn't even had time to figure out who he actually is, while Mukuro has spent his life so untrusting and full of hate, the question has never required an answer.
10051 If Amano had written Byakuran a backstory, this would be easier to defend. What is Byakuan's perfect world? What's wrong with the current world in his opinion? What is he? Where did he come from? These would be really helpful to know. But instead, we learn about him through Shouichi. We learn they went to the same university so Byakuran is likely similarly a mechanic/engineer--or my choice of physicist (theoretical) if going to a school for sciences. We know they collaborate well together since they devised Choice, and that Shouichi is a simp for his charisma. We know Shouichi trusted and believed in Byakuran enough to join his mafia family and take on ranks and titles under him. We know Byakuran believed in Shouichi enough to give him it all, and even after their time at college, they both wanted to be invested in each other's lives forever (the mafia is not something you walk away from). We know Byakuran legitimately thinks the world of Shouichi, his best friend, even if he would sacrifice him for his ambitions. We know Shouichi legitimately thinks the world of Byakuran, his best friend, even if he would betray him.
While Byakuran is effortlessly endearing and boisterous, Shouichi is quieter and enigmatic. They are the Extrovert who adopted the Introvert trope except Shouichi is no wallflower. Shouichi is courageous, cunning, and manipulative while Byakuran can be playful, caring, and genuine--as well as the reverse. Neither is, necessarily, a better person than the other at their core, and their actions are equally as grey when we don't know what it is that Byakuran wanted to give the world that everyone was trying so hard to stop. Would World Peace have been worth a handful of deaths? The ambiguity leaves a lot to question if you don't fall into the "any sacrifice is too high a cost" set of values.
Strong headcanon, but I believe Byakuran wanted a world that he could be a part of. He is obviously not human, even without the Mare ring he was able to see across alternative dimensions, and he seems to be completely detached from consequences. If you've seen an infinite number of Shouichi's, is there such a thing as the 'real' Shouichi? If you've seen kingdoms rise and fall based on a butterfly's wings, is there any permanence in institutions? If people love you in one world and are indifferent to you in another, which is the truth of their feelings? If all things are possible, then nothing is concretely true, real, or genuine. You are a player character surrounded by NPCs and worlds you can load up as you like where you can simply move on if you get tired of the scenario. Byakuran was already a god, but he was a god railroaded into living a life of limited possibility despite infinite options. I think he wanted one timeline, one truth, one world in which things were perfect and he knew he was with the Shouichi, and he was the Byakuran who got to live his life. This makes the most sense of why they had to stop Byakuran in that future specifically--because all other parallel worlds would cease to exist if the Byakuran of their future specifically won. And if the toll of his victory is an infinite number of casualties, then the stakes are so high that it makes sense why the burden of it crushes Shouichi and physically pains him at every step but also why he still cares deeply for his best friend despite it all. Because he can't offer an alternative solution; there is no cure for the level of insight Byakuran has gained and the level of detachment it has caused him over the decade. Even telling him that no matter how many Shouichi's exist, he is himself and unique and special to Byakuran is hollow because surely every version of himself would wish to think so too. He knows how happy Byakuran would be to live in a "real" world with "real" people and there is no way to give it to him--in fact, he knows he is what caused Byakuran to begin to lose his connection with reality in the first place.
Both of them will lie, cheat, steal, and murder to get what they want. And I think Byakuran is constantly amused when he is reminded of how calculating and cold Shouichi can be. Shouichi, on the other hand, is exasperated by Byakuran's childishness, but uncomfortably attracted to the sheer force of his personality. They are a switch couple. Shouichi hates it when Byakuran starts to treat him like his sweet, docile bottom and will turn the tables on him to prove he is and has always been a perfect match for Byakuran's cunning. And Byakuran doesn't care if he's baby girl or daddy so long as he has a good time. Friends, to lovers, to enemies, to… friends? Their relationship is tangled in the memories of people they will never become. And that makes them even more fascinating.
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lazycowboy666 · 8 months ago
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“is he one of those mentally ill types” says the kid with more untreated mental health issues crammed in his body than 20 people combined
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starlightsigner · 4 months ago
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the fact that I get NO gay playlists when I search 8059 in spotify is a travesty and we should all be ashamed of ourselves
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moonlit-mystery-writer · 9 months ago
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8059 is like a combination of ZoSan and LuSan.
Lemme explain!
A boy from high up in society who didn’t have the best home life with a pink-haired elder sister associated with poison. He then later ran away from that home and moved in with a man who mentored him in his fighting style. And said mentor shaped his relationship with women in some way. The boy then at some point also developed a smoking habit at a young age.
And now! There’s a dark haired boy who is known for his smile and positive attitude and being able to befriend most anyone. However, the suicide attempt (his own or the implied one of one close) changes the trajectory of his life. Leading to him becoming a talented swordsman who eventually fights his world’s strongest swordsman. Said swordsman later trains the boy even more with swords himself when the opportunity presents itself to him.
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hiiragi2911 · 8 months ago
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Some 8059 HC:
In their first kisses, Yamamoto is trying to be the one pressed against the wall/ground/bed/whatever and only holds Gokudera in his arms, but not pressing. All is for keeping Gokudera calm about his possibility to leave any time he wants and to show, that he is not forcing
Later Gokudera had to explain the stop-word concept to mr. Baseball and they started to use it, bc Yamamoto was stopping every time Gokudera said "Ahhh no..." or "Mhmm stop that...". This "free will" is too important for him
Still, I believe, he is trying to convince Gokudera to say "yes" from the start, not after a lot of NOs, but it's too embarrassing for Hayato to say what he wants at the beginning of their relationship
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swimmingwolf59 · 8 months ago
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A collection of my reborn fics!! Some of these are quite old - I either wrote them like over ten years ago, or within the last few years LMAO 🤣🤣 so read the older ones at your own risk 😅
My personal favorites are bold and brash blue!
1859 (Hibagoku)
Like Ghosts. Series of fics following 1859 throughout their lives and canon, both in the Byakuran future and the Shimon future. Pure self-indulgence. 7 fics. Ongoing.
Happenstance. Two times Gokudera saved Hibari's ass and it led to....well, something. Complete.
8018 (Yamahiba)
As the Swallow Flies. Alternate universe, Yamamoto's pet swallow Kojiro escapes and ends up at Hibari's house. Complete.
8059 (Yamagoku)
Full Moon. Yamamoto finds werewolf!Gokudera beaten up in an alleyway and decides to care for him. Complete.
Misc.
Enigma. The beginning of Kusakabe and Hibari's friendship. Gen. Complete.
Customization. Gokudera and Ryouhei do arts and crafts on their boxes. Gen. Complete.
Unity. How Vongola Primo loses his family to Secondo. Ugetsu/G, Alaude/Knuckle, Giotto/Cozart. Complete.
No Rest For the Lonely. 1833, Hibari just wants to celebrate his birthday in peace, but Ryouhei will have none of it. Complete.
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mileupsh · 1 year ago
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Yamamoto always sits with Gokudera when he feels bad because of his sister
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auslanderka · 1 year ago
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YAMAGOKU NATION RISE!!
source
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tengenerationsofclams · 2 years ago
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In the end, it's still us.
Working on a TYL!8059 angst fic and thought I'd practice my digital rendering. That's definitely not how light and shadows work but it was still fun to do!
Also this is a gift for @ruluxe simply because <3
Poses traced from this promo photo for this show.
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gelataisa · 3 months ago
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One of my favourite flavours of 8059 is them getting together thanks to some meddling of Squalo and Xanxus, if I dare to be honest
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