#I hope it doesn't end here

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[evol-astraea]

Riveder le stelle.

Inspired by Divine Comedy, Inferno, Canto XXXIV, line 139.

[popsicle-stick]

im murder im mansplain and im malpractice the QUESTIONABLE CRIMINOLOGY TRIO

[egophiliac]

sorry if this is a dumb question , I’m new to twisted wonderland. I was wondering if you knew what dates classify as early to mid to late [month]? i like sebek’s armor card but it says it’s not coming till late November. Are there specific dates or timeframes i can look forward to?

hello! 💚💚💚 it sounds like you're on Eng and my experience is with JP (so if I'm wrong, somebody please correct me!), but assuming they work similarly -- when they say "late" in the month it's usually closer to the end of the month, like from the 20th or later. vagueness is unfortunately the norm there!

the tricks to get a better idea of when exactly an event will happen is 1) events are listed in the order they'll come, so seeing where it falls in relation to characters' birthday events can tell you that it will happen either before or after a specific date, and 2) check the end date/time of the currently-running event, because most often the next event will start right after, with a short maintenance inbetween (this doesn't count birthday pickups, because they have specific dates they gotta cover so they just run at the same time as other events). there's the occasional exception, but it's usually a safe assumption!

I checked the Eng news and it looks like you'll be getting a joint exam event that'll end on the 25th at 10:59 PM PST, so I'd guess 7.6 and Sebek's armor pickup will start a few hours later once the maintenance is done! fingers crossed that's correct, I am VERY excited for you guys to get this one :D :D :D

[scooterpengie]

Redraw of one of my favourite moments in Succession because Roman's my favourite and I wanted to practise drawing him but then I got too involved and turned it into a whole comic and I don't even really like how it turned out but I spent too long on it to not post it 😭

I wish I could do something more creative than just redrawing scenes from the show but I find the characters so difficult to write 😭 like I'm genuinely jealous of people who can write good fanfiction of them

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[jzargo]

i just want to see these two old men fight (fane would win)

[starflungwaddledee]

offering three cookies 🍪🍪🍪

(<< part 1)

[skrunksthatwunk]

love like you / maternal pang

bonus under cut:

the first stephanie + the maternal pang tone destroyer i couldn't include bc it's a serious comic

[cranberryculprit]

Mable hanets anyeon

[niuxita21]

😭😭

[hailsatanacab]

"give me a fandom and a prompt and i'll give you at least five sentences"

Ok then.

Jazz, Danny and Bruce are in the same age range, and Bruce has been harboring a massive crush on 7'foot tall Jazz since just after he began his training journey.

His kids know about and are mercyless. Danny thinks he's a bit of a fruit loop and 100% knows Bruce has a crush on his sister.

Into the future his coworkers find out that batman has been quietly pining after the Ghost Kings sister for years.

Chaos.

love that this reads as a challenge. Ok then. Write it. i will, let's goooo!

(sorry i kinda took it so that Jazz, Danny, and Bruce were all old friends but in that horrible adult way where you can only hang out with each other once in a blue moon when your work schedules miraculously align)

——

"Respectfully, Batman, you can take your "it's not necessary" and you can shove it up your arse. There's a demon the size of a skyscraper heading towards Metropolis and we need reinforcements."

"Superman can—"

"Superman can't. You do remember the part of the report I made telling you this, right? Or did your stubborn little bat brain just shut down when I mentioned magic?"

"Actually," Nightwing interrupts from the side, a shit-eating grin on his face, "I think his brain shut down when you mentioned the Ghost King."

"Nightwing." Batman growls in warning, his jaw clenching so hard Constantine can swear he hears the bones creaking.

Nightwing just snickers, and turns away to press a finger to his ear, no doubt letting the rest of the bat brood in on what's happening here... Whatever that is. All Constantine knows is that Batman is standing between him and fixing this mess for no God-forsaken reason.

Luckily, some of the more reasonable members of the League step in to try and talk some sense into Batman. It gives him some time to calm down.

"Batman. We need him. I know you dislike working with unknowns, but he's our best shot."

It actually looks like Wonder Woman might be getting through to him, Batman even opens his mouth to actually explain some things—a huge step forward for this incredibly emotionally constipated man.

Instead, Nightwing snorts and beats him to it. "Unknowns? More like—"

"Nightwing, please."

"Oh, for Pete's sake, get your head out of your arse and let me do this. The Ghost King is our only hope. I'm summoning him, no matter what you say."

For a long second, Constantine thinks that he'll refuse and he might have to resort to more violent methods of persuasion—which, honestly, Constantine has fantasised about many times during the more boring JL meetings—but eventually, Batman relents and steps out of the way.

"Fine. Nightwing, go check in with Red Robin."

Nightwing has the kind of devious smile that makes John glad he doesn't have kids.

"Oh, don't worry about it, B. Red Robin's coming here. So's Red Hood, I don't need to go anywhere."

"Nightwing—"

"Sh, it's starting." So saying, Nightwing then very obviously ignores Batman's protests with a poker face that even Constantine envies. What he wouldn't give to be able to shut the bat out like that.

The summoning goes quickly, thankfully. The lights flicker, the temperature drops, and the chalk circle erupts in green flames. Standard summoning practices, sure. Even the impromptu appearance of Red Hood and Red Robin—"Did we miss him?", "No, not yet! I got 2:37, what about you guys?"—doesn't throw him off.

It does pique his interest, though. Just what the hell is going on with them? Constantine's weighing up the pros and cons of asking them once all of this is over when the ground splits open and the clawed hand of the Ghost King begins to pull himself out of the ground.

John's a seasoned summoner. It's practically his job, he's done it countless times.

The icey fear that grips his heart, that freezes his breath in his chest, is new.

Pure, unadulterated power floods the area and he feels small, so, so small, like a child playing with things he doesn't understand. When he finally tears his eyes away from the portal, he catches a glimpse of the other magic users in the room, the same horror he feels clear in their faces. Even Captain Marvel stares slackjawed.

The pressure rises, death magic screaming in his ears, almost forcing him to his knees, and suddenly he's not so sure this is a good idea.

Too late to back out now, though.

Sickly green light pours from the crack in the ground, growing brighter and brighter as the giant figure rises, until Constantine has to close his eyes and look away. The last thing he sees are eyes, teeth, horns, a crown so bright that it burns an afterimage into his retinas.

When the light dies down and he opens his eyes again, a humanoid man floats in the centre of the circle. The ground is whole, nothing is burning, the man doesn't even have a crown. Instead, other than the wispy white hair, slightly green skin, and the—you know—floating, the Ghost King appears pretty normal. Huh.

Constantine blinks, rubbing his bleary eyes, and checks around to make sure everyone's okay. Most of the League are doing the same as him, taking fortifying breaths and trying to appear as if they've not just been completely blinded.

Most of them, that is, aside from the Gotham vigilantes.

Batman himself stands upright, arms crossed, looking completely unbothered by the whole thing and John's got to admit, he wishes he could do that, too. That was... a hell of a show.

The others, however, are waving frantically with huge smiles on their faces.

What?

There's a brief, taut silence, as everyone else tries to catch their breath.

As much as he would rather take a bit of a breather, John should probably start making introductions. Unfortunately, he only gets as far as opening his mouth before the Ghost King beats him to it.

"Oh, Ancients, hey guys! It's been forever, how are you? Look at you all, so grown up, wow—Nightwing, buddy, do a flip!"

It doesn't take much to get Nightwing going, and he certainly doesn't leave it at one flip. The whole of the Justice League and Justice League Dark watch with open mouths as Nightwing performs for the Ghost King.

What, and John can't stress this enough, the fuck?

As soon as Nightwing rights himself, Red Hood swats him across the back of the head and calls him a show off.

The Ghost King just laughs as he claps. "There's my little monkey, look at you go! And I'm loving that leather jacket, Hood, is that new? Looks good on you, really your colour. Brings out the red in your helmet."

"Thanks, Uncle D. At least someone around here appreciates fashion."

"Are you kidding me, you know I breathe fashion, need I remind—"

"Need I remind you of the Discowing incident?"

"That was era-appropriate and you know it! Uncle D, tell him it was era-appropriate!"

"It was era-appropriate, but so are crocs and it doesn't make them fashionable." The Ghost King—and holy shit, is this actually the Ghost King? Or did Constantine just accidentally summon a deceased family member, what the fuck is happening here?—turns to look at Red Robin with a smile, resolutely ignorning the argument he created. "How you doing, Double R? You get that tablet Tucker made for you?"

"Yes, thank you! It's so cool, how did he—"

"How's Tucker doing?" Batman interrupts, his hands now hidden underneath his cape.

As soon as the question leaves his lips, everyone groans. Red Robin makes a show of lifting up his wrist and staring at it intently.

"Incredible," Red Hood mutters with a shake of his head.

Even the Ghost King seems put out, rolling his eyes and answering in a flat tone as if he knows Batman isn't interested in what he has to say.

Not for the first time, Constantine feels like he's missing something.

"Tucker's doing very well, thank you for asking."

What follows is the most awkward silence Constantine has ever had the pleasure to be a part of.

All three of the Gotham vigilantes, including the Ghost King, are staring at Batman, waiting for something. Batman's cloak shifts as if he's moving his hands, fidgeting. If Constantine didn't know any better, he'd say he was nervous.

"Good. That's good, I'm glad to hear it."

Instead of saying anything else, the Ghost King just raises his eyebrows and continues to stare at Batman. Has he offended him in some way? Are they all going to die because of this?

After what seems like an agonising few minutes but could only really be a few seconds, Batman's shoulders dip and he takes a breath. "And Jazz?"

They all erupt into shouts, the Ghost King being the loudest. The only thing John can make out is when the Ghost King throws his hand in the air to point at Red Robin with a shout of "Time!"

"1:30.91, we got 1:30.91 on the clock, who's closest?"

"Did you even try to hold it in at all, old man? I'm so disappointed in you. People think you're cool. People think you're suave, I don't understand how they could be so wrong."

"Thank you for that, Hood."

"No, thank you, I won. Again. Because you're so predictable. Actually, I had one minute seventeen, so you held out longer than I thought you would."

Batman pinches the bridge of his nose and sighs loudly.

Constantine feels like doing the same thing.

Whatever. He's going to have to interrupt... whatever this is. There's still a rampaging demon heading their way that they've got to bargain for. He can untangle Batman's personal connection to the Ghost King later. Or he could leave it alone and forget everything about it.

Yeah, he'll do that one.

But before he can actually open his mouth to say anything, the Ghost King, again, beats him to it.

"So, B-Man, did you summon me here for a particular reason, or was it really just so you could ask about Jazz?"

There's a beat of silence before Batman mutters, "I asked about Tucker, too. We've not seen each other in so long, it's only polite."

"And I'm sure you meant it, you're the paragon of manners." The Ghost King nods slow and wide-eyed as if he doesn't believe him at all.

At this point, even Constantine doesn't believe him.

"It has been forever, though." The Ghost King muses, bringing his hand to his chin and folding his legs underneath him. "We should all get together sometime! If you get Alfie to make some of his cookies again, I'll get Clockwork to lend us a pocket dimension where we can spend as much time as we want, deal?"

"It's a deal."

No hesitation at all, incredible.

Hold on. Wait. John has to fight the urge to pinch himself, because this has to be a dream, right? Is Batman actually smiling? He didn't even know he could do that.

An itch niggles at the back of John's mind. He's starting to get an inkling of what's going on here and it's... weird, to say the least.

"Oooh," Nightwing singsongs, like a child in a playground tickled by the very idea of romance.

But then, who's he to judge? John's no stranger to strange bedfellows, that's for sure. Whoever this Jazz is, she must be something incredible—she'd have to be, if Batman can't even go two minutes without asking about her.

"Batman and Jasmine sitting in a tree," Nightwing continues, with both Red Hood and Red Robin joining in for the rest. "K—I—S—S—I—"

"Stop," Batman growls, completely drowned out by the Ghost King's laughter, but...

But.

It all suddenly clicks for John.

The Ghost King Phantom.

Her Royal Highness, Princess Jasmine Phantom.

Jazz.

"Holy shit, mate," John breathes, unable to stop himself as everyone looks his way. "You have the hots for the Princess of the Infinite Realms?"

The Justice League meeting room has never descended into chaos quicker.

[blueorchid1707]

Are we gonna have to share a fandom with the new live action fans??? I don't think I'll ever be mentally prepared for that (especially if they're coming from tiktok)

[necrotic-nephilim]

Chapters: 1/1 Fandom: DCU (Comics) Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Tim Drake/Jason Todd Characters: Jason Todd, Tim Drake (DCU) Additional Tags: Plot What Plot/Porn Without Plot, Rough Sex, Dirty Talk, Top Jason Todd, Bottom Tim Drake (DCU), Spanking, mild blood kink, Hair-pulling, Mild S&M, Dom/sub, Face-Fucking, Ass to Mouth, Degradation, Spit As Lube, Possessive Sex, Pre-Flashpoint (DCU) Series: Part 17 of necrotic nephilim's writings Summary:

If Jason pushes Tim's buttons in the right ways, he always gets what he wants out of it. Tim bent over underneath him, giving up all of his control to Jason.

Tim belonged to Jason and no one else.

my fic for cavypretzel for the @jaytimexchange is live! make sure to show all the fics and art in this exchange some love, it was a lot of fun to participate in! <3 and of course ty to @eebuckley for being my beta, they probably lost more braincells to this fic than i did <3

[vaguely-concerned]

if we get a scene with varric in the fade somehow (listen if just bleeding a bit in the general proximity of the ritual was enough to soul-hook rook into the fade, population: solas district for the foreseeable future, what the hell is going to happen to varric after having the whole dagger buried in his chest?? I'm scared) where he lifts his head as if he heard a voice no one else can perceive and just goes "...hawke?", it'll be over for me

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.