#I have to say though I do like the story

[advluv4life]

I don't want to brag but I've gone from 10 words to 416 and after the past year of a drought I want to express that I am proud of myself. I will get these last two chapters out. I will do it.

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[egophiliac]

Where can you play ride kamens? It looks fun looking at your blog but idk where to play

it'll doesn't start until the 30th, but there's some pre-release episodes/character bits that are scattered around the website and twitter! (the links to pre-reg/download are also on the website :D)

honestly I'm really enjoying it just based off of the pre-release stuff, these characters look like they're going to be exactly that blend of ridiculous and emotionally constipated that hits me so right.

[bumblingbabooshka]

I love Vulcans we need to get more into the emotional lives of Vulcans without imposing Human standards onto them. "The way you feel is wrong/repressive because it's not the way it's "supposed" to be from my perspective as an alien called Human" is boring to me especially when it's treated as correct. I wanna know how the aliens feel about their alien way of life. Vulcans are so interesting to me when written AS aliens and not as analogous to repressed Humans. I think about Tuvok's description of attachment to his family and how that isn't the emotion 'love' but something else, something that he feels no shame about having and sees as normal, as naturally Vulcan and I love it and I love it because there aren't any Humans there to go "Um actually checkmate you Vulcan s.o.b - that's emotion!" and he isn't being influenced by anything. These are his authentic thoughts. He sees his children, his family, as part of him. They were at times illogical, incomprehensible, and it was extremely rewarding to be in their lives. He thinks about them every day. They were well behaved. As teens they were contemptuous of authority and convinced of their own superiority. His youngest son loved one 200 verse story so he sang it to him. He'd rather die than betray his wife even in spirit. He's incomplete without them. It's obvious through Tuvok that Vulcan life is not inherently devoid of pleasure, comfort, or love and thus Human life (I think) should not be portrayed as inherently having something greater, deeper, more meaningful. I'm not talking here of society but of...emotional life. Interiority. There's this sense that all Vulcans are the same and miserable for it. That they hold themselves back and are indistinguishable and antagonistic to the self, repressed and wrong. That to be Vulcan is to suffer endlessly and Humans are all about Freedom Man and I don't know, I like that Tuvok's existence sort of challenges this as much as I acknowledge that Vulcan society is in fact repressive and unwelcoming to those who don't fit neatly into it. I'm not saying Vulcan society is a utopia, I'm questioning the perception of Vulcan emotional control - that way of life - as being inherently bad, devoid, or lacking. That Vulcans walk around with 'empty cups' and are only deluding themselves that to be that way is good. If only, Humanity moans, they could taste how delicious life could be! Tuvok is an average Vulcan. He does not struggle with emotion, he is not mixed species, he was not raised atypically, and yet he has a family he cares about and a wife he's loyal to and friends he values and none of these things seem to be Un-Vulcan to him. If Vulcan life was truly devoid of love and care, Tuvok wouldn't think of his family. They're not here, so why bother? When his pon farr came, he'd be trying to find the most compatible mate rather than risking his life by trying to meditate through it out of loyalty to T'Pel. T'Pel would also have just given Tuvok up for dead instead of waiting and his children wouldn't have traveled all the way to the most holy temple on the planet to say prayers for his safe return. I think these things are interesting and I wish they'd been explored more. The fact that caring about your family, caring about your friends, is not Un-Vulcan. The fact that Tuvok at no point longs for Humanity, sees nothing better or of interest to him in it. (Even in his teenage rebellion he only says he's sorry he was born Vulcan which reads less as Vulcan v Human and more like 'I hate this goddamn family' ykwim?). I want to know more about how Vulcans interact with each other, how they care for one another, what it means and what it's like to be Vulcan in more of an everyday way rather than what it means to be Vulcan vs Human.

[chalkscrub]

sneak peak of another ref sheet i'm working on - RICKY. werewolf-vampire cow and bounty hunter extraordinaire. i don't think i've ever posted ricky to any of my art blogs officially - i could never get her to look how i wanted her to, took a long time to find a way to stylise her as i wanted. and i was always agonising over if i wanted her to be more humanoid or anthro in proportions. but it's her time now, baby.....perhaps. i loooove her so much

[strryhaze]

persuasion, jane austen / simone de beauvoir / dirge without music, edna st. vincent millay .

[castleclerics]

byler fandom annoying as hell bc i do not understand how this doesn’t absolve absolutely every single person of byler doubt 100%. mike literally glances down to his right nervously.

bro just look at this one more time. there is nothing else for mike to look at besides will’s wrist touching his, will’s arm is literally blocking the whole right side of the painting!!!!!!! like that’s crazy are you kidding me it still throws me for a loop

this should honestly be the most undeniable proof imho like. it literally cannot be and isn’t anything else but mike feeling weird about will just brushing against him. girl. like it’s in the bag yall pmo!!!!!!!!!!!!!!!!!!!!!!!!!

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[kacievvbbbb]

Honestly despite my feelings about how the last arc of MHA went down I really love Deku and his story.

I just feel like a lot of the time we get these protagonists whose whole philosophy is it doesn’t matter what you were born as everyone can achieve greatness. But then the series goes on and it turns out that actually it DOES matter because the protagonist has this really great lineage and these really great powers you can only have through birth they were actually born born, predestined if you will, to do this.

But MHA actually sticks to its guns. Midoriya wasn’t revealed to have some great connection to all might that the universe had put in place. He wasn’t defended from some great lineage that makes him uniquely suited to this. Hell All for one didn’t even turn out to be his father, there was no hidden powerful quirk he was always meant to have. He was just Midoriya Izuku a boy who was in the right place at the right time and simply decided to act while the world did nothing. And that’s what really made him a hero.

I don’t know, maybe it’s just me, but I believe him a bit more when he goes anybody can be a hero if you just decide to act

[egophiliac]

I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[buttercupshands]

thought about this thing for a while

it was extremely interesting to just analyze myself and get like a tier list in my head

[serpentface]

WARDI TERMS OF ENDEARMENT

emense [ɛmɛnse] (eh-mehn-say)

Has meaning close to 'beloved' or 'darling'. "Ya emense" (meaning 'my beloved'/'my darling') is often contracted "y'mense".

bubuch [bubuk] (boo-bookh)

Somewhat of a nonsense word, basically ‘big-big’. Tends to either be used for small children or flirtatiously between adults (kind in between 'baby' and 'big boy' in functionality, though without gendered implications of the latter). Sometimes instead used as a form of intense condescension.

ya mache mes [ja mɑke mes] (yah mah-kay mace)

Functionally means "my other face", using the figurative word for face describing a concept of fundamental nature rather than anatomy. Very intense term of endearment, expresses the recipient as a core part of one's identity. Kind of equivalent to 'my other half' but not exclusively romantic.

ya tsitsima [ja ͡tsi͡tsimə] (yah tsee-tsee-muh)

Means "my blood". This term is used more broadly to denote familial relations, and is more of a term of endearment when used outside of actual biological relationship (calling your sister 'my blood' is just an intense way of saying 'my [relative]', calling a non-relative 'my blood' is VERY pointedly affectionate).

ya ungande [ja ungɑnde] (yah oon-gahn-day)

Often contracted to y'ungande, dead literally means "my liver" as in the organ. Ungande alone is also used as a food-based term of endearment, similar to 'honey' except instead with delicious organ meat.

anuje [ɑnudʒe] (ah-noo-jay)

Food based term of endearment, referring to a tree sap that is the most commonly used form of sweetener. Functionally identical to 'honey' in usage.

anu tlansekoma [ɑnu tlɑnsekoʊmə] (ah-noo tlahn-say-koh-muh)

This one actually means 'honey' (dead literally 'bee sweet'). Less common than 'anuje' as a term of endearment due to general cultural preference for anuje as a sweetener and the relative rarity of beekeeping.

inyagit [injəgit] (een-yah-geet)

Diminutive form of 'sun'. 'Ya inya' (my sun) occurs as well, but is less common.

y'mit agai [j'mit ɑgaɪ] (yuh-meet ah-gai)

Contraction of 'ya amit agai', 'my blue moon'. This specification is more common than a general 'my moon(s)' and is fairly loaded, given this particular moon is the site of the afterlife for the most honored dead. The phrase both suggests a sort of celestial beauty and a sense of being honored and finding rest in the recipient. This is a VERY intense and almost exclusively romantic term of endearment.

coutomara [koʊtoʊmɑrə] (koh-to-mahr-uh)

Means 'handsome' or 'beautiful', implies masculine attractiveness. (Dead literally closer to 'strong face'/'strong featured').

jaimara [dʒaɪmɑrə] (jaim-mahr-uh)

Means 'pretty' or 'beautiful', implies feminine attractiveness (dead literally close to 'beautiful face'/'beautifully featured').

katsuy [kɑtsui] [kaht-soo'ee]

Sexually charged description of physical attractiveness, basically calling someone 'sexy'.

ya katsuymen [ja kɑtsuimɛn] (yah koht-soo'ee-mehn)

Related and also sexually charged, close in meaning to 'my desire'.

at akmatse yachouy [ɑt ɑkmɑtse jɑtʃɔɪ] (aht ahk-mat-say yah-choi )

Sexually explicit term of endearment. The dead literal translation is "one who makes me flower". The word "flower" here is not as euphemistic in context and is rather the nicest sounding possible way to say "makes me cum (HARD)". Not considered vulgar, rather cloyingly romantic if anything.

gan(ne) ama [gɑn(e) ɑmə] (gah(-nay) ahm-uh)

Means 'bull'. When used affectionately, implies masculine strength. Usually used in conjunction with an adjective (ie 'handsome bull') or more teasingly gannit ama (little/baby bull))

jaimeti [dʒaɪmɛti] (jai-meh-tee)

Means 'gazelle' (the name for the animal itself is close in meaning to 'beautiful horn'), heavily associated with grace and beauty. Also tends to be used with adjectives ('lovely gazelle' 'handsome gazelle' etc) or with a diminutive.

ansiba [ɑnsibɑ] (ahn-see-bah) or ansibit [ɑnsibit] (ahn-see-beet)

Means 'duck' and 'duckling' respectively, specifically refers to the animal and implies cuteness. Ansibit is a very common term of endearment for children.

"Wannaukoma such datse anmo" [wɑnaʊkoʊmə suk dɑtse ɑnmoʊ] (wahn-now-koh-muh sookh daht-say ahn-moh)

Means 'an ant could swallow you', implies cuteness (ie the recipient is so small and tiny an Ant could devour them whole). Usually used on children, occasionally used on adult women (in a way that feels intensely patronizing to many). 'Datse' (you) may be replaced by the recipients surname or honorific in the rare case that someone would dare calling someone this without being on first name basis with them.

wannaukomit [wɑnaʊkoʊmit] (wahn-now-koh-meet)

Means 'little ant', a term of endearment that borders on insulting even to babies.

OTHER:

-it [it] (eet)

This is a diminutive modifier, which can be added to a name or other word/term of endearment to denote affection (can also be condescending). It lacks internal meaning in everyday use and is closer to the English -y or -ie (billy johnny rosie susie puppy kitty ducky etc).

hippe [hipɛ] (heep-peh) (some dialects drop the h sound entirely)

Means 'small' or 'little', can be spoken with other words/names as an affectionate diminutive.

Other epithets-

Various epithets used in the language are not exclusively used as terms of endearment, but can be contextually. Most commonly, this will be the -machen epithet of the recipients zodiac birthsign (particularly those considered auspicious). Someone with the lion birthsign could be respectfully and/or affectionately called 'odomachen', or VERY affectionately called 'ya odo' ('my lion'). There's also a good variety of poetic epithets that have worked their way into common language as affectionate compliments/descriptors- ie ganatoche (dead literally 'cow-eye', more prettily 'ox-eyed') is a complimentary descriptor for brown eyes, anaemaitsa (dead literally 'river-haired', more prettily 'flowing-haired') compliments wavy hair.

Given name basis-

In Wardi culture, full names are spoken with the family name preceding the given name. When respectfully speaking to a stranger, peer, or authority figure, you refer to them by their family name, title, and/or an honorific. Being on an accepted given name basis with someone is generally indicative of closeness and affection.

datse [dɑtse] (dah-tsay)

This is the word for "you". Similarly to the use of a given name, actually referring to someone as 'you' (rather than a surname, title, or honorific in place of the pronoun) expresses familiarity and intimacy.

[piecesofchess]

Tartarus is still a little broken and that's Fun !

[bitchfitch]

I had a shrink appointment today and while I could not see it I knew my doc was going through the five stages of grief while I explained my fool proof strategy for doing my t shots despite a crippling fear of needles: By abusing my vastly more crippling fear of being an inconvenience.

My mother and I play phasmophobia together every week. she usually has a pretty limited time to do this bc she's like. a doctor and a college professor whos always busy. So I asked her to just. hold me to doing them. We don't start playing until the shot is done. so my needle fear doesn't matter because now it's Wasting™ her time and I have to do it quick. Using one neurosis to defeat another.

It's a horrible coping mechanism because it's feeding the inconvenience fear, but it is definitionally a coping mechanism.