#I have nothing left to laugh for

[misericordieux]

Encore un jour où je déteste mon taf de support informatique aux utilisateurs (assistés).

[thetwilightroadtonightfall]

I couldn’t resist making another design based on the movie dress!! I think it came out cute 💖

musical version

Notes:

I’ve essentially merged Eph’s outfit with Glinda’s once again, seeing as this is the “main” or most iconic design. If/when I get around to the other outfits I think I’ll just tweak them to make them entirely new standalone fits

I wanted to somewhat incorporate the curves/rounded parts of the ML logo in the dress proper since it lines up pretty well with the bubble/circular detailing. The crown’s the same as in the previous design, except now with added details to match Glinda’s in the movie

Sparkles or dandelions? Who can tell

slay 💅✨

…and bonus 3am doodles

[blueskittlesart]

cold fruit in a hot kitchen (so i had this great watermelon last weekend)

[teddybeartoji]

i stop eating my popcorn when it's a quiet scene lmao i stop eating it because i know it Makes Noise and i want everybody to just be able to focus on the film . while some people decide THAT'S the moment they have to tell their friend something????????? you couldn't wait until the scene was at least over??????????

[lock-my-feelings-in-a-jar]

Russ Ballard producing Daltrey's album

1975 Interview

Russ Ballard has something special. Call it professionalism, the sure touch, luck, talent, a mixture of the lot if you like, but everything he's involved in seems to turn out pretty good, even when it's something completely new to him, like record producing.

When he was fourteen, he wrote his first song and sold it to The Shadows after having had the sense to demo it after their style. Having mastered the guitar and scored quite a bit of acclaim for his playing, he turned to keyboards and now nobody hearing him play would think he hadn't been brought up on them. Argent reached the height of their success when he was with them, he gave Colin Blunstone a monster hit with I Don't Believe In Miracles and now Ride A Rock Horse is enjoying considerable favour. Its producer? Russ Ballard! The man, wearing his customary shades, exudes an air of quiet confidence. He can afford to. He's well respected as a musician and as a writer and he's now in a position many people could envy. After all, a singer of Daltrey's calibre doesn't call up just anybody and say "How about producing my album?"! What is really surprising is that Roger should ignore all the established record producers in favour of Russ, who has only ever produced one album before in his life and that was the solo one he made after leaving Argent.

How did his new role come about? "Well, I worked with Daltrey on his first album, played a little drums and piano on it, but I didn't produce that one, just put in some ideas. He must have liked them because when he was planning his second, he just asked me if I wanted to do it." Russ explained. In an issue of Beat dated April 1966, Daltrey himself described his voice in pretty disparaging terms. "I don't have a good voice, no-one needs to tell me that. I'm a screamer with a group and I'm happy. I'm not worried about my voice, though, it is developing and I can notice the change." He also added "I'd get a real kick if I could have a proper girl vocal group backing." It's taken nine years, but now he's achieved what he hoped for, a voice which no-one can deny is pretty exceptional, and backing singers led by Marsha Hunt, care of Russ Ballard! "I was involved with everything." said Russ. "Going through songs with him, deciding what musicians should be used, who would be good for this and who for that." For a reluctant producer, who admits that "I'm not really into production, even though it's a creative thing, I'd rather be an artist." Russ had some pretty definite ideas as to his treatment of the album. "I deliberately kept his voice well up because in so many recordings I've heard of Roger, he's been immersed in sound. He's got such a powerful and such a good voice which contains many aspects that people haven't heard before. What I set out to do on the album was to expose all those voices for the first time. I don't think it is a good thing for a producer to put his own standpoint on an album, the most important thing is to project the artist." Russ thinks that Daltrey's film work has given a lot more confidence and he also found getting to know him has radically changed the concept he had of The Who. "Many people would imagine Daltrey as an ego tripper, but he's not in the slightest. Before I got to know him well, I was under the impression that The Who were Pete Townshend's baby. But speaking to Roger, listening to his ideas, I think that a hell of a lot of his ideas must have always gone into The Who, a lot more than people think."

It was originally Roger's idea to record an album of his early influences. Then he changed rock horses in mid-stream. "By then we'd already recorded Walking The Dog and that Beachboys sounding song, so we were lumbered with them." The second idea was to project the different sides of Daltrey's voice in a collection of mixed rockers and ballads, including three songs of Russ's, Come And Get Your Love, Proud and Near To Surrender. "We didn't actually discuss the point but I felt he wanted to make a heavier album than the one we'd originally planned. Yet not totally heavy, but a record which would compliment the heavier stuff with lighter stuff. Right from the very first session when he sang the first song I could see his voice was so much better, I feel it's improved tremendously since the early Who days even though I think he had a good voice in 1964."

The next thing to decide on was the overall sound and the arrangements. Ex-Shadows drummer Tony Meehan was the man who worked on these. "I decided to make the sound quite sparse,-" explained Russ, "- rather than over-producing it. Some people just don't know where to stop. I decided that if a song called for piano and nothing else, that's what I was going to do." (Hence Phillip Goodhand Tait's beautiful slow rocker Oceans Away with the composer on piano.) "The most important thing in an arrangement is the song. If it's a good one you should be able to sing it with no backing at all and it should still sound great. If it's not, no matter how many extras you add it won't work." Russ reckons that having been in bands himself definitely helped him as a producer, enabling him to put himself in the artist's shoes. Yet he doesn't think he'd like to produce his own next album entirely alone. "When I was in Argent I found being produced by somebody else was very frustrating because I could tell people were veering away from the original ideas I'd had for my songs. That's why I decided to produce my first solo album, which turned out a bit of a mixture because I had a backlog of work to get out of my system. My next album will be slightly deeper, not so light-hearted. I hope to be co-producing it with Muff Winwood, whom I really admire because he's got such a good ear and can really make a musical point."

At the moment, Russ is doing very well with songs of his which are being covered by other artists. One called Heartbreak, has recently been recorded by Olivia Newton-John and yet another is currently being recorded in L.A. by Stevie Wonder's band. Russ has got a new band together consisting of the ex-drummer from Curly, Alan Wickett, bass player Tony Lester and guitarist Alan Skates- "He really does!" joked Russ. He's got three weeks booked in E.M.I. Studios to get the album done. As for his producing career, it looks like Ride A Rock Horse may be his swansong. What if Roger asks him to produce his third album? "Well… if I want to do what I want to do, that is, sing, play, write and record, I just won't have time to produce anybody." said Russ. There's nothing like getting out when you're on top!

[cidandy]

i fear the general public may not deserve her...but you get to see girl cider as a treat because i like her & i can't stop drawing her.

[feral-ass-raccoon]

why are all these posts acting like US queers are dead. like i love the positivity[?] but we aren't. we aren't dead. guys. we're fucking spiteful you really think we're going down that easily??? i kid you not i saw a post that went like "we mourn your deaths but stay strong" like bestie??????? "bring out your dead" "I'M NOT DEAD YET" fuckin scenario

no i don't know a whole lot abt the situation but i 1000% wanna check in so if any body has articles abt both side pleaseeeeee sharee 👉👈 looking at you @santaclaushohoho1

[orangewsunglasses]

i am only ever thinking of chuuya, ofc

[houseswife]

as much as I love cuddy, foreman becoming house’s boss in season 8 was such an IT girl move I CANNOT

[pixlokita]

Status: -lost about 20% of my hair and got sick from eating too many mini red velvet cupcakes-

[i-wanna-show-you-off]

rewatching inanimate insanity season two

spoilers!!! vvv

I love analayzing characters facial expressions and Trophy is in season two so of course while he’s there I’m gonna notice his. I think the one time I saw him smile was when he got that picture of Knife. In every single group shot he is frowning. There are several instances where it’ll cut to the grand slams and all of them have neutral/indifferent (or happy) expressions except for Trophy who looks pissed. They said find me a character that’s more angry than Paintbrush and I said I DID.

Soap I love her. She had so many issues to begin with but I really enjoy how she spent her time trying to fix them. Also ‘Theft and Battery’ had me so mad for her because first she gets thrown out of a hot air balloon, and then she’s targeted by the same guy like 3 or 4 times all in the same day. I love Suitcase but I’m not gonna lie and say that Soap calling her out there wasn’t justified. I’ll miss you my gorgeous little freak

Test Tube’s character development. I watched II3 before going back and (re)watching II2 and it’s like. There used to be light in her eyes. She used to be a silly girl who said golly gee and talked about nerd stuff. (Not saying she can’t still be a silly girl who says golly gee and talks about nerd stuff, but her character is a lot more serious in Season 3 than in Season 2.) I think the turning point for her was in the alternate reality episode, mostly because of her and Lightbulb’s interaction. Also, her furiously scribbling out the word ‘secret’ from her board and eventually just destroying the whole thing. She didn’t have a huge change in character, but she went from making nerdy references and science facts to showing real frustration and envy(?) towards the people around her.

This isn’t a huge thing but Nickel literally constantly stepping on people. Like standing on their heads. He does it with Baseball a lot and he (at least once) has done it to Suitcase as well. It could just be a visual gag but I feel like it’s really representative of the way he stepped on people’s feelings as well. He was a huge jerk to Suitcase, and even though Baseball was his friend he did dismiss him and his concerns at times.

[eye-of-yelough]

HRRRGGGGHGGG i am in such a FUCKINNG GOOD MOOD TODAY. SPREADING IT AROUND TO EVERYONE WHO SEES THIS. I LOVE YOU‼️🫵‼️

[longagoitwastuesday]

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills

[the-good-ol-art-corner]

Remind me to draw more Papyrus stuff in regards to driving because. WOW I'VE HAD A FUCKING DAY AND I NEED HIM TO SWEAR AND SCREAM AND HAVE MURDEROUS INTENT IN HIS EYESSSSSSS

[no-pasaran-99]

you know what. sometimes i am in fact bitter. and sometimes i am in fact also vindictive, a little.

[icefire149]

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