Land 1 done!
Without crossing the bridge to get rekt'd by the final boss and trigger a bad ending, of course :p
I know the game puts more emphasis on gameplay than on characters, unlike, say, FE 8x2, but damn if every little situation you recruit random characters makes me think of past FE events in different titles and it just... fits? Somehow?
Like, evil empire has trouble conquering a party of Cornia, but behold! A mysterious plague pops up, that is totally not tied to the shady as fuck necromancer who works with the evil empire and says it'd be annoying if people find a cure.
So we have some guy and his army of cleric wearing plague doctor masks trying to find a cure by, uh, experimenting/working on people who already caught the plague, even accepting to work with the evil empire because curing the plague is more important, right?
Ends justify means yadda yadda... save for the part I earlier mentionned, that it is heavily implied the evil empire is the one who created that plague to begin with!
Now, imagine in a FE game if, in the background, we had to rescue people or hear about people being afflicted by a strange and unknown disease... and if that disease was engineered by people for a further motive...
8x2? Nah.
We also have quests where people are fighting for the evil empire who is occupying their land because they believe as long as they obey their people won't be put to the sword...
(I watched my bro play the final chapter, we know how it ends lol)
Not!Cyril fighting against bandits, finding and helping a witch fend off people who are trying to "catch her" - we even get a flimsy excuse for a bikini attire in the process and an answer to the "why do i use spells to rejuvenate myself in a sexy body? It's because I won't be able to move as fast as I can now if I was a crone" other flimsy excuse, etc etc.
Now it's time to enter the land of fucked up siblings relationship (sure Virginia is Alain's cousin - who looks like his mom - and can end up with him, but this is not the kind of Jugdralian stuff I had in mind) and let me tell you, all those plot bunnies I had in Jugdral about Lester believing he was going to become Lord of Jungby all of his life, only to have his role/throne snatched before his eyes by a bum who's apparently his cousin and can use the legendary shiny bow of legend is... basically Drakengard (Drakenhold in english?), but up to eleven.
Ah, and it wouldn't be a post from me if I don't find a way to rant about the localisation lol
Josef, upon meeting Virginia, basically goes in the audio "it's been a long time since I last saw you". In the english version?
Like what are you implying Josef, she wasn't a princess when you saw her last time or didn't have the "standing" fit for a princess?
Besides, I hope the release of the october book won't blow a hole in the Josef's "you were a teenager when we last met" by releasing character ages, but that's not really that important.
This however
Alain greets his long lost cousin, nothing wrong here right?
Well, in the JP audio, he calls her with the "hime" suffix, showing as much deference as Josef, who is a retainer of the royal family. Virginia doesn't use any suffix because that's her, but in Alain's various support convos, we learn that he had to learn and to behave like a proper noble after escaping from his castle 7 years ago, and all this noble/formal stuff is something he doesn't use with his commoner friends.
Ergo, this minor thing here is important, especially in the Drakengard themes : siblings/relatives used to be close, but reuniting after a long period of time or several life changing events, they are changed and even if they want and try to, cannot be as close as they once were.
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🔥Hot take: Anna is the true heroine of Frozen and was done dirty by the creators and is still mistreated by the fanbase too. She deserved more screentime and to be her own person instead of always running after Elsa, she also should have been the 5th element (ice makes no sense!!). Elsa is more selfish/self-centered and co-dependant of the two
Strongly agree | Agree | Neutral | Disagree | Strongly disagree
So I agree in part with this, but I also disagree significantly so it makes sense to split my answer down the middle. I agree that Anna is significantly underrated and underutilized by both the fandom and the creators. I would also agree that Anna is more of the actual protagonist than Elsa, though I'm not sure I would go so far as say one of them is a "true" heroine while the other isn't. (Elsa was narratively an antihero/antivillain in the first movie but her intentions were heroic (if misguided) enough that I don't feel comfortable saying only Anna is "truly" a heroic character).
I also agree that "Elsa (ice) as the fifth element" was monumentally stupid, and it would've been more interesting if Anna had turned out to have powers of her own. (Though not necessarily in the "elements" plot as is). But then again, I think pretty much everything about Frozen 2 is monumentally stupid (though not irredeemably stupid in the way Toy Story 4 is. Frozen 3, you can fix this mess. I believe in you!)
The thing that drives me absolutely off the wall is that the thesis that orients Frozen 2 is the antithesis of that of Frozen 1. (Frozen 1 is oriented around Elsa and Anna learning that they can rely on each other and not be afraid to be part of each other's lives. They don't have to be alone and in fact, can never be alone because they have each other. Frozen 2 is like... "um actually... Elsa is just 'too different' to stay in Anna's life permanently, even if that's what they both want. It's more important for her to be special and magical in isolation. She doesn't have a choice; it's her destiny even though Elsa feeling different and alone for so long is what has historically caused pretty much every problem for both her and Anna in the past. Support systems are for wusses; real peeps embrace rugged individualism." Thanks I hate it.)
Where I disagree with you is that I think you are being a bit unfair in your characterization of Elsa. (Although I will admit to being far more of an Elsa fan than an Anna one...but I do love both, I promise). Elsa is a character that I would describe as being "selfless to the point of selfishness." She has been conditioned into believing that her emotions--and by extension, herself--is always the problem. It's her fault; it's her responsibility. She's trained to see herself as the "most important" but only in the sense that she's the most "dangerous to herself and others."
And while she categorically does not want that, she inevitably ends up centering herself in everything so that she can protect everyone around her. She's probably aware that keeping away from Anna during their childhood hurt them both, but she's been raised to believe that Anna's safety is THE most important thing and therefore, she'll have to do whatever she has to do to maintain it.
I think it's important to remember that Anna's initial accident happened, while she and Elsa were playing and were happy. It's not just anger or sorrow or fear that impacts her powers. It's any and every strong emotion. Elsa believes that the only way to avoid hurting anyone is to keep her emotions as small, concealed and mild as possible. Is it unfair that Anna did not get a say in any of this? Absolutely. She is the one who should've gotten to decide whether staying close to Elsa was "worth the risk." But again, that is the parents' fault just as much as it is Elsa's.
Send me your fandom hot take and I will say what I think about it!
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The amount of doomerism I've heard from fellow usamericn zoomers/millennials around me is starting to drive me fucking insane.
"We're all gonna die, it's hopeless, it's not worth doing anything. This is our penance as human beings/[insert other guilty identity]"
You know who you guys fucking sound like? Fucking Evangelicals.
Yeah it's fucking scary and big, I'm not trying to say it isn't. But what the fuck is your plan??? Sitting down and dying?? Are you really telling me that this world is not worth you even fucking trying?? That you're just gonna party it out until your miscellaneous end game apocalypse arrives?
This isn't the rapture. The apocalypse is a false concept. People have been living through "apocalypses" every day of their fucking lives for all of human history, especially during the past 400 years. Get up and stop the suicidal idealization of your own tragic death. Our lives in the first world are built off suffering. To lay down and say we don't have any power is to reject the duty we have as beneficiaries of that suffering.
If you are so convinced you're going to die young then die trying instead of baring your fucking throat.
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Xam im dying to know what are some of your ‘sexy’ headcanons about our beloved bird milf?
(He is not objectified enough honestly)
His tits totally bounce when he lands on a surface in hybrid form, gravity and just weight in general causing a nice titty movement
He walks sexy, he has the hip sway, why do you think the sash and the gold bedazzled condom belt are wrapped around his waist, its to emphasise that, cuz his ass phat too
The way he rubs at his jaw and presses a pen/quill to his mouth in thought, imprinting the nib into his lower lip is sexy too, he doesnt get why Ace has an oral fixation, not just for himself but obsessively enjoys making remarks about Marco and his mouth too
His neck, specifically his sternocleidomastoid muscles are really prominent and create a powerful hollow in his throat that aesthetically is absolutely stunning, Marco absolutely has a fuckable throat, with prominence framing the bulge of a cock that could be there yknow yknow
Idk
Hands? Nice hands bc obviously
Like his silhouette and stance is sexy, the phoenix influences an inhuman animalistic grace and attitude to his posture so its very attractive when hes just standing there arms crossed
Marco puts all the positive physical traits people have observed in him as a result of his devil fruit
Ace suggests offhandishly that perhaps no, actually, what if you’re just hot as fuck ?
Marco exe has stopped functioning, impossible lol
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