#I have a lot to say about how this movie could've been better had they changed things like the characters personalities

[mifunebooty]

Barbie 2023 is like a quarter funny, I don't even know if I'd have fun if I was drunk watching it like there's so many movies to have fun with when you're drunk/high like I can watch what a way to go! where a girls husbands keep dying each time they get rich, one of who gets kicked to oblivion by a cow, or dumb and dumber or something

[cannibalcreepers]

I just saw that you don't liked Maynard's character in Wrong Turn 5 either, and I have SO MUCH to say about it too. I watched the movie again and OMFG, what an insufferable and EDGY character, completely out of place, how can the kids be afraid of him? How is he going to hit SAWTOOTH???

LEAVE THEM ALONE DAMN OLD MAN DON'T TOUCH THEM DON'T EVEN LOOK AT THEM YOU ABANDONED THEM ALL THEIR LIVES AND NOW YOU WANT TO GIVE THEM ORDERS??? HOW DARE YOU

🥺👉👈

Compared to WT1 and WT2 he's a completely different character, I just dislike the portrayal of him and the boys cause they made Saw-Tooth so fucking dumb like?????? and Maynard could have been this awesome dad who is terrified of his sons because they're estranged to him, but he still wants to take them home The director and writers for the film just got our boys so completely wrong, how do we go from 'Protective big brother who will stand between them and hostile outsiders' to 'haha you asked for a hand here's a severed hand, oh no dad's hitting me' I will say it's kinda funny how he's mouthing off in the cell like 'My boys are gonna come here and get you and get me out' and in reality for the whole night they're just fucking around cause they were probably sick of being around that old messy wet fart, only going

Either way that depiction of the whole family just sucks ass, the three boys are just not themselves, they're pathetic, stupid and too cartoonily goofy and I think that's where things went downhill for Wrong Turn, some might say 4 is what made it go downhill but they're morons and don't know a good movie about brotherly interaction when it hits them in the face. It's 100% 5 where it all went to shit, 3 is also bad but not as bad as 5. I'll always be peeved about Saw-Tooth cowering away from being hit by a man barely reaching up to his chest like bro, you can backhand that wrinkly fuck through the wall! Wrong Turn 1 and 4 Saw-Tooth would body slam Maynard for just looking his way lol.

But yes fuck Wrong Turn 5 Maynard, i don't know what anyone who was making that movie was thinking, that portrayal of him sucked, doesn't fit the movies and just felt like he was trying to be the main villain star when it's meant to be the boys, like step down you old fucker you ain't even done anything throughout the whole movie other than get your ass caught, pathetic.

[chuwenjie]

Spider-Man: Across the Spiderverse comes out later today so I wanted to write a post reflecting on my journey and experience working on this movie. So many people have supported me through this and I am so thankful to each and every one of you!

Text version of this post under the cut:

Spiderman: Across the Spiderverse comes out tonight. It feels really weird to be typing that out right now. I worked on the movie as a visdev artist for the last 2.5 years, from 2020 to 2023. Long post incoming.

There are a lot of reasons why I'd consider this film to be one of the most ambitious animated films to ever be made. As artists, we were asked to push ourselves far beyond our comfort zones and do things that had never been done before in animation.

Every time we reached a point where most people would say "this must possibly be as creative and weird as it gets," our entire team of artists and animators would smash right through the ceiling. The driving direction for the visuals of the film was to push the limits of every single frame; to challenge audience expectations and make something truly original.

The best thing about this film was that there wasn't a single boring day working on this movie. The hardest thing about this film was also that there wasn't a single boring day working on this movie.

There were times while working on this where the imposter syndrome hit me hard. This was my first big movie, and what a hell of a first movie to get thrust into.

I came in only a few years out of school with absolutely no idea what the hell I was doing. I constantly feared that someone had made a mistake in bringing me onto this film, and I was going to let everyone down. There was a solid chunk of those 2.5 years where I wasn't sure if animation was the right path for me.

If there's anything I could tell my past self it would be this: there are so many people who love you and believe in you. There will be a time when you get to stand on the other side of it, look back on everything and see how far you came.

I'm still working on self-acceptance every day (it will be a lifelong struggle, I'm sure), but I'm glad I didn't give up on myself. I'm proud of myself and my contributions to this film, and I'm certain that this movie will continue to change and shape the animation landscape just as the first one did. That's truly a special feeling to have been a part of. I am so incredibly grateful to every single person who helped me along this journey.

Here come the thanks:

To the ENTIRE visdev & art crew- it's been an honor getting to work alongside each and every one of you. My jaw is literally still on the floor from seeing your incredible talent day after day.

I want to thank Tiffany and Felicia especially for being there for me through tough times- I admire and respect you both so much as artists, and even better than that, my life is greatly enriched for being able to call you my friends.

Thank you Patrick and Dean for taking chances on me, teaching me so much about art and what I'm capable of, and encouraging me along the way. To Aymeric, your art is one of the reasons I initially became interested in animation and you have been one of the kindest & most empathetic mentors I could ever have asked for.

I want to thank my wonderful parents for believing in me always and raising me into the person I am today: everything I do in life is to make you proud. To my brother Andrew who is perpetually awake at 3 AM when I need someone to talk to- thank you for always picking up the phone and making me laugh.

And finally to my partner Luke for making me grilled cheeses on all of the difficult days, for never getting sick of me even when all I would ever talk about was work, and for patiently and steadfastly loving me throughout this entire thing. I don't think I could've done it without you.

Starting tomorrow I will begin posting and sharing some of the art I made for this movie; I'm looking forward to sharing some of my personal favorites with you. I hope each and every one of you enjoys Spiderman: Across the Spiderverse when it hits theaters later today!

[archangeldyke-all]

hope you're feeling better by the ghosting! Lesbian dating scene is hard out here 😭 have an ask if you're up for it. Or you can just listen abt this scenario I have, totally fine either way just wanna let these thoughts out. And you're my fav sevika writer so! It's a bit angsty/comfort ig? Basically Sevika explaining to reader why it's such a struggle to say "I love you".

Not just because it's an admission of feelings for such a character but I think it's also cuz loving someone also means you have to accept anything could happen to either of them, esp since Zaun and her job are quite dangerous. So saying those 3 words feels like accepting that risk and continue on which is a big thing to do, it's like willingly leaving yourself open to potential heartaches. Idk just recently saw posts about how love is not just a feeling but also a choice, whether to stay/commit/any other reason the person feels what love is. Felt like if the reader is the first thing she's ever cared about and don't wanna lose her (whether it's a breakup, death etc,), she would struggle saying it cuz it feels like accepting that risk which she doesn't want to. She would still make up for it by showing her love & appreciation thru other means tho! Mb the reader had anxious thoughts on whether she reciprocated, or Sevika feels bad for not saying back for so long that she felt like she has to explain why she's struggling.

Sorry if I'm rambling too long 😅 hope you have a great year ahead, love your writing as well! ❤️

i love this sm <33

men and minors dni

even though you've lived in zaun your whole life, you understand that your life's been a lot softer than it could've been.

you've never had to worry about where you'll sleep at night-- you've always had a dry, warm bed to rest in.

you've gone hungry some nights, but you're lucky enough to have never gone more than a few days without a warm meal.

and your choice in career keeps you out of the line of danger; safe and inside most of the day, home before sunset each night.

so, while you're zaunite enough to know how to keep your head down and mind your own business, you understand that for most people life's a lot scarier.

sevika's one of those people.

sevika's known grief for almost as long as she's known how to talk. she's spent her fair share of nights in the cold, and she's gone to bed hungry more often than she's gone to bed full and satisfied. plus, sevika's dedicated her life to being a revolutionary. which means sevika has a lot of enemies.

so it's no surprise that lovey-dovey words come easier for you than they do for sevika.

it isn't until two years into your relationship that you realize she's never said she loves you. sevika has to be the one to point it out.

"i think i gotta call it an early night, baby. you stay up and finish the movie." you say around a yawn, leaning forward to kiss your girlfriend on the couch. sevika pouts.

"just sleep on top of me here." she requests. you snort.

"you'll throw your back out carrying me to bed."

"that's just offensive. i could lift three of you." sevika's pout worsens. "goodnight." she huffs. "give me another kiss."

you laugh and roll your eyes. "i love you." you say with exasperation as you lean in to kiss her. sevika stiffens against you. you pull away to study her face. "'s wrong?"

"you always say that." sevika whispers. you raise an eyebrow at her, climbing into her lap to hold her face between your hands.

"well, yeah. 'cause i do."

"i know." sevika says with a tiny smile. it makes your heart flutter. it's quiet for a moment as you wait patiently for your girl to gather her words. eventually, sevika sighs. "does it ever bother you that i don't say that to you?" she asks.

you frown in confusion. "what, that you love me?" you ask. sevika nods. you sputter a laugh. "yes you do, you say it all the time." you scoff.

sevika blinks up at you in shock. "no i don't." she says. "baby, i've never said it. to anyone. ever."

oh. well, that's surprising. you furrow your brow as you try to recall an instance where your girlfriend let the words slip, and you're shocked to realize that she, in fact, has not. "oh." you say.

sevika gulps. "does that... is that bad?" she asks.

you blink down at her, and your heart shatters. "oh, baby, no." you coo, kissing her frown. "no, that's not bad."

"but-- i should be able--"

"darling, i know you love me." you cut her off. sevika blushes almost as red as she did the first time she saw your tits. you smile, brushing your thumbs over her crimson cheeks. "you make that very clear."

"yeah but i--"

"you moved me into your sacred bachlorette pad three months into us meeting. yesterday, you came home from work with a stab wound, and tried to make me dinner before patching yourself up."

"it was just a scratch."

"i'm not finished. you call me stupid shit like sweetbean and cookie-- and you do it in front of other people! you! sevika; the scary lady of zaun!" she chuckles a little bit at this. "sevika, i didn't even realize you hadn't said it until you told me just now." you kiss her nose. "it's not bad."

sevika leans forward to bury her face against your neck, inhaling deeply. "i just... i want to say it." she whispers. you nod. "i wish i could say it like you do; just, whenever i feel it." god she's romantic. you choke back your own tears as you kiss her scalp. "but... if i say it..." sevika trails off.

"if you say it, it makes it real." you whisper, nodding. "it makes it somethin' you can lose." you can feel her hot tears on your throat. you don't mention it.

"y-yeah." she whispers shakily, her hands clutching at your hips desperately. "and i can't lose you."

"you won't baby. even if the worst happens, i'm yours forever. i'll haunt the shit outta you." this pulls a startled laugh out of her, and you grin. "you don't have to say it for the rest of our lives, if you can't. i won't mind. just as long as we're together."

and that settles it.

for a while...

sevika starts practicing.

she'll spell it out to you, 'i l-o-v-e you, baby.' or she'll whisper it to you when she thinks you're sleeping.

at the three year mark, sevika can say it when she's drunk enough. it's fucking adorable.

"i have somethin' import'nt' t' tell you..." she says with a waggle of her eyebrows. you burst into laughter.

"oh, do you?" you ask.

"mmhmm. look." sevika darts forward to peck your lips, then pulls back with a proud smile. "i love'ya." she slurs. you grin.

"i love you too, baby."

"an' if this jinxes everythin' and y' die-- y' gotta make the haunting obvious 'kay?" she asks. you cackle.

"alright, love."

by the time you're married, the words are almost compulsive for her. sevika can't leave a room without shooting a 'love you' over her shoulder at you. even if you're arguing.

"oh, so you've conveniently got a fuckin' 'meeting' in the middle of the night, on your night to do fuckin' dishes?! if you don't get in the kitchen and grab the sponge right now you're sleeping on the couch!"

"it's six pm, it's a dinner meeting! i'll do the dishes when i get back! you act like i'm fuckin' negligent, but you're the one who doesn't know how to properly clean a fuckin' toilet! janna, you annoy me-- i love you, i'll be back by midnight!" she huffs as she slams the door behind her.

despite how pissed you are-- you can't help but smile a bit at her words.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@lavenderbabu @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@strawberrykidneystone @sevikasfan @fict1onallyobsessed @dvrkhcld @sweetybuzz25

@sluttysierraaa @snake-in-a-flower-crown @ruiwonderz @littlemisszaunite @biblicalcrybaby

@blackgaladriel @nightlyconfusion @dancingqu33n17

[riddlerosehearts]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

[remcycl333]

DISMISSING THE 3D

in the loass community, "ignoring" the 3D is a very common phrase, but i find that this often leads to confusion and stress. i think that a much better phrase for it is "dismissing the 3D."

your inner man responds to feelings. your inner man doesn't have eyes; it cannot see your 3D. and your thoughts (dominant or not) do not manifest. your inner man doesn't care what your conscious mind is thinking: it cares about your state.

your 3D is a manifestation of your previous state. your 3D doesn't look the way it does right now because of any thoughts you've had, it looks that way because it is reflecting your dwelling state. so how do you change your 3D? by changing your dwelling state.

you don't need to ignore your 3D, you need to dismiss it.

an example i'm going to use is one i've been getting a lot of questions about: you're living in your parents house in the 3D, but you're manifesting moving into your own place. how do you ignore the 3D?

you wake up in your old bed every day, in your old bedroom. you go to your old bathroom and take a shower in your old shower. you go to your old kitchen and do your old dishes and eat your old food. your parents talk to you and tell you you need to clean your old house. you sit down for family dinner at your old dining room table and talk about the things you did in your old house that day. then you sit down with your parents on your old couch and watch a movie on your old tv before going to sleep in your old bed in your old bedroom.

how are you supposed to ignore the 3D when you are constantly witnessing it? how are you supposed to not think about your current 3D when you are constantly dealing with it?

because you don't need to ignore your 3D, you need to dismiss it.

as i mentioned earlier, your subconscious is blind. your thoughts don't manifest. neither of these things are going to effect your manifestation. the only thing that will effect your manifestation is your state.

THE INNER MAN

let's take a little detour to talk about the inner man (i promise it's relevant)

what is the inner man? it's YOU. it's who you identify as, and it's who you are in your imagination. so when you imagine something, you are giving whatever you imagine to your inner man. your inner man is experiencing your 4D.

your outer man is the YOU who is experiencing your 3D. your outer man lives in your outer world, and your inner man lives in your inner world. however, there is no separation between your inner man and your outer man.

as Neville says, "where I shall go in imagination, I shall go in the flesh as well." you must give your inner man your desire first in your inner world, and then your outer world will follow. you cannot skip step one.

this is what i like to do: i give myself my manifestation in my imagination. still using the above example, we'll simply say "there. my inner man lives in my desired apartment right now."

now my inner man is living in my desired apartment. i made a little post about how i like to view my inner man as a little, doll-like version of myself inside of me, but it is not actually separate from you. my favorite way of dismissing the 3D and shifting myself back to my desired state when something in my 3D shakes me is by reminding myself that my inner man already is/has what i want to be/have.

so, still using the same example, if i were to feel myself slip out of my desired state while manifesting my dream apartment--say that i was dwelling in the fact that in my 3D, i have to do chores at my parent(s) house--i'd remind myself that my inner man is already living in my dream apartment/house and that nothing i see or do in my 3D can change that.

there is a difference between dealing with your 3D and identifying with your 3D. in the example i just gave, i could've allowed my actions in the 3D--doing chores--tell me that my desire was never going to manifest because my 3D was showing me the opposite. i could've let myself dwell in the state of lack. instead, we recognized the 3D for what it is: a reflection of our previous dwelling state.

there's this comment i read on the Neville Godard subreddit that I really loved. it said: "the best advice i can give you is stop worrying about what your subconscious is going to think of what you're doing."

your assumptions manifest. what you do in your 3D is completely irrelevant unless you identify with it. your subconscious is not gonna see you doing chores at your parent's house and think that that means you don't live in your desired apartment/house. your subconscious mind doesn't have it's own opinions or ideas on what things in your 3D mean.

for example, say you wash your face and do your skincare every night, yet you are still dwelling in the state of having bad skin. which is going to manifest? your state, every single time. it's why that skincare product that everyone under the sun said helped clear their skin didn't work for you: you assumed it wouldn't.

if you negatively react to your 3D, that is an indicator you fell out of the state of the wish fulfilled. shift back to it, and then continue taking care of business. you're going to notice your 3D no matter what you do. your only job is to dismiss it, because you know it's not your true reality.

keep reminding yourself that your inner man already has your desire, and you're just chilling in your current 3D--no matter how opposite of the 4D it appears--until it catches up. your 3D is not permanent. you don't have to accept it as true.

the goal isn’t to ignore your 3D, it’s to let it pass without worrying about it.

an analogy that i read that i really liked was this: say you're in a disagreement with someone. they keep telling you that a song is sung by a specific artist, but you know for a FACT that it's actually sung by someone else. no matter what, they won't believe that you're right, and they're actually trying to convince YOU that THEY'RE right. but this is literally your favorite song, you know for a FACT who it's sung by, and it's not the person that they're saying. do you let them convince you that you're wrong, or do you stand firm in your belief?

that's how you should act in regards to your 3D. you know that you have your desire in your 4D. i mean, it's YOUR imagination and YOU'RE in control of it! you can have whatever you want in your own imagination! so are you gonna let your 3D tell you that you don't have your desire in your imagination? or are you gonna stand firm in the belief that you have your desire in your 4D?

that's all you need to do. you don't need to believe that you have your desire in your 3D, you just need to believe that you have your desire in your imagination. and you can control your imagination, so this should be super easy. give your desire to you inner man, and as long as you stay faithful to the fact that your inner man has your desire, your 3D will reflect this.

[callumsluvr]

What about mom being overworked and stressed bc the girls have been a lot ( I know you wrote about rage having a daddy daughter day but what about rage plans a Weekend trip with just him and her) and so Rafe plans a trip to let her relax and so he can show her his appreciation bc he knows taking care of three girls and HIM is a lot 🤭🤣🤣

ahhhh anon i love this!!! also yes 100% taking care of him is probably more difficult than any of the girls😭😭

i totally see rafe coming home on a friday telling mom to pack her bag and at first she's like "where are we all going? you should've told me, i can't pack all of our bags that quickly" and he's quick to correct her by saying it's just the two of them.

when rafe comes home from work, you're nowhere to be found. he checks all your usual spots downstairs, but when he doesn't hear any of the girls either, he starts to worry.

until he walks upstairs to your shared bedroom, seeing the lights off, and the curtains drawn with 4 lumps under the covers and the soft sound of some disney movie end credits playing on the tv.

he slowly walks over to his side of the bed, setting his phone on his nightstand, seeing vivienne and charlotte sleeping on his pillow. he looks over at your side and sees you, asleep, and summer in her bassinet next to the bed, awake, but cooing quietly.

he smiles to himself and kisses both girls on the forehead, before moving over to your side of the bed, kissing summer on the cheek, and moving to sit on the edge of the bed next to you, running a hand through your hair.

you stir and he smiles to himself, "hi, baby." he says, quietly, not wanting to disturb the peace in the bedroom. "rafe. when did you get here?" you say, groggy. "just a minute ago. wondered where everyone was." he bends down to kiss your forehead softly, "you feelin' okay?"

you nod, "had a migraine earlier. just need to take a break." you sit up and lean into rafe, while he wraps his arms around you, burying his face in your hair and mumbles, "let's go on a trip." you move your head away from him, "when? did you get time off? i don't think summer should travel yet, it makes me nervous with her being so small-", he cuts you off with a shake of his head, "no, baby, just us. me 'n you. we can get your parents to stay here and watch the girls. and we can go somewhere."

-----

after much convincing, you finally said yes to going. which is why you and rafe are currently laying on a sun lounger at the family house in the bahamas.

"baby?" rafe says, softly, while looking down at you laying on his chest. you look up at him, "hm?"

"i jus' wanted to say thank you. y'know? for always takin' care of the girls, and the house, and all the dinners, and my lunches, and me. i don't think i tell you enough how much i appreciate it. and how much i appreciate that you gave me three beautiful baby girls, all four of my girls are the best things i could've ever gotten. i didn't know how much i needed you all before you came into my life." he says, gently, playing with the ends of your hair.

you coo, "rafe," and he rolls his eyes playfully and fights back a smile. "'m sorry i didn't notice how you were feeling until you were already run down. i should've been more attentive. i love you. with all my heart. you know that?" you smile and nod, "i love you with all of my heart, rafe cameron, and i'm so thankful for everything you do and provide for us. i couldn't imagine a better dad to our babies."

-----

the rest of the day is spent inside the house, with rafe proving how much he loves and cherishes you until dinner. and then continuing for much longer after dinner.

thank you sm for your patience on this one! i hope it was worth it! it was shorter than i was hoping for, but i like it enough 🤭🩷

[golden-moony]

king of my heart | pt. 4

part 1 | part 2 | part 3 | part 4

------------------------------------------------------

yourusername

liked by maxverstappen1, carlossainz55, landonorris, and 74,922 others!

yourusername life lately 💌

user1 swiftie, romcom lover and f1 fan... she's really one of us🩷

user2 and that's why she's the girlies' bestie

user3 QUEEN WE MISSED U SO MUCH

user4 as pretty as always 😍

user5 i'm probably reaching here but posting THAT movie feels like a statement's being made 👀

user6 right?? after all the drama she goes and posts that movie title and i just don't know how to feel user7 user6 thank god she just posted the title cause if she'd posted the "you can't lose something you never had" line, i would've lost my mind 😥 user8 or maybe yn just likes the movie??? user9 user8 THIS!! people act like there's a secret meaning to everything and i'm tired of that crap

user10 i'm a simple girl: i see yn and taylor swift in the same post, i like

user11 so what happened? were you starting to lose relevance and decided to come back?😂😂

user12 she needs to pay the bills somehow 😂 user13 girlie came back to keep playing the victim lol user14 y'all need to get a life asap.

user15 YOU DROP THIS QUEEN 👑

carmenmmundt gorgeous woman 😍

yourusername you are💗 user16 OMG MY FAV GIRLS INTERACTING user17 carmen please please please stay away from this problematic woman😕

user18 soooo are we gonna talk about lando liking the post or what

user19 girl i can't do this again user20 can't believe lando is back again with this bitch😒 user21 user20 wtf??? it's just a like omfg chill.

user22 yn please don't leave us again 🥺

📞 calling Pato

[yn; normal] [pato; cursive]

"Hi-"

"I'm not gonna lie, you are either very brave or very stupid for calling me right after the videos of your little date with Lando are going viral. Did you get tired of hiding your relationship?"

"...Guess I deserve that."

"[sights] What do you want, yn?"

"I swear I won't take up much of your time. I just want to talk... well, apologize, actually. I'd prefer to do it face to face rather than over the phone but I know that right now I'm probably the last person you wanna see. At least this way, if you don't wanna keep listening to me, you can just end the call."

"Well, I'm very tempted to end the call right now."

"Pato, I-"

"However, I'm also very curious about what you have to say."

"So...?"

"So I'll give you a chance to talk. But I promise you yn, if I hear any lame excuses, I will hang up and block you. Are we clear?"

"Hundred percent clear."

"Then talk."

"Well... first of all, I'm sorry. I'm really, really sorry. I promise it was never my intention to hurt you, even if I ended up doing it anyway. I should've told you from the beginning the kind of relationship I had with Lando and I should've been honest with you, especially when my feelings towards you changed to something deeper. I kno-"

"Hold on. What?"

"What do you mean what?"

"What did you just say?"

"That I'm sorry I lied to yo-"

"No, no. The part about your feelings."

"Oh. Well... you heard me. And I don't know why you sound so surprised. I mean, what happened between me and Lando in Spain was a stupid and terrible decision I made, and I should've known better cause my feelings for you were getting stronger."

"Then why did you sleep with him?"

"I... [sights]. I've thought about it a lot in the last few weeks, you know? I was trying to put all the blame on Lando when in the end I was the one who took the initiative. We were just going to talk to end that situationship once and for all, and then I kissed him. And instead of stopping him when he was going for more, I just let it happen cause in my head it was a form of goodbye. Clearly I ended up feeling guilty but the damage was done. And when I could've made things right by telling you the truth about what happened, I didn't. I was embarrassed, but mostly scared of losing the best man I've ever known... but that ended up happening anyway, and I'm to blame for that."

"..."

"Pato?"

"Did you love him?"

"No. We started out as friends and one day I realized I was attracted to him, one night one thing led to another and we became friends with benefits ever since. He didn't want a relationship at that time and neither did I. But in the last few months that changed for me. I wanted a partner, a committed relationship. Lando wasn't that and I was tired of being just a "casual thing". So no. I liked him, but I never loved him."

"So what was that date night about?"

"Just us being adults and having a real and necessary conversation. I had things to apologize for and so did he. I think Lando and I finally found common ground and are ready to move forward... not with each other, just to be clear. Just friends and nothing else."

"For real this time?"

"For real this time. My priorities and my heart are elsewhere."

"Oh, really? Where?"

"I could tell you or I could show you. To be honest, and if you let me, I'd rather show you. You know, actions speak louder than words."

"Yeah, I've heard that. You have any idea?"

"It depends. What are you doing on Friday?"

pacers

liked by elbaoward, tyresehaliburton, arrowmclaren, and 43,942 others!

pacers We had some motorsport representation in the house tonight!

user1 ynpato being hard launched (again?) by the pacers was not on my bingo card but i appreciate it🫶

user2 this is so random and i love it!! user3 the pacers earned my respect after this 🫡 user4 pacers stonks after this hard launch📈📈📈

user5 YNPATO BASKETBALL DATE? WE WON FR

user6 this is like straight out of a movie 😻 user7 THEY'RE SO ROMCOM CODED

user8 NOOO PATO NOT HER AGAIN 😫😫

user9 right? my week has been ruined. user10 keep cryin' haters 😘

indycar Hi yn and pato!! 👋

user11 basket date a few days after her post? she's an icon AND the mastermind fr 💅

user12 context?? user13 user12 her last ig post included a pic of "how to lose a guy in 10 days" and some people were speculating it could mean something, now yn goes with pato to a basketball game just like in the movie 😂 user14 SHE MANIFESTED IT AS THE QUEEN SHE IS🙌

user15 real question is: yourusername did Pato get you a soda?

patriciooward of course i did! 🙄 yourusername not only that but he also got his head in the game😏🏀 user16 I'M LIVING FOR THIS REFERENCES

user17 they make such a beautiful couple omg🥹

user18 are y'all forgetting she was in a date with lando just a few days ago????

user19 she belongs to the streets fr user20 the day y'all understand yn can be friends with lando or anyone is when you'll finally grow up.

user21 not related but she always slays with her outfits🔥

user22 fashion icon for real 🤩 user23 i want her wardrobe so bad😩

user24 YNPATO CONFIRMED 🚀🚀🚀

user25 i just wanna know if pato can fight 🤺

user26 i wanna be her so badly 😩

user27 same girl, same

yourusername posted to their story!

yourusername

liked by arrowmclaren, oscarpiastri, frosenqvist, and 79,889 others!

yourusername And all at once, you are the one I have been waiting for. King of my heart, body and soul 🧡

user1 MOM AND DAD ARE THRIVING 😍

user2 and we love to see it! user3 this is their world and we're just living in it

user4 yn is stronger than me cause if Pato looked at me like in the second pic... 😳😳

user5 IKR??? I'M DEAD user6 i was not ready for that, i'm currently on the floor user7 i meaaaan she's dating him, she already won in life

user8 THE CAPTION???? omg they're so cute🥹

user9 YNPATO AND TAYLOR GANG WE WON

user10 relationship goals for real ❤️‍🔥

user11 tired of being a spectator, I WANT WHAT THEY HAVE😭

landonorris if you three weren't that cute i'd try to steal Norbi from you

patriciooward back off, Norris 🤺 landonorris watch out, O'Ward 🤺 yourusername oh hell no mclaren arrowmclaren may i have permission to ground these kids? mclaren you may proceed 😉 patriciooward WHAT landonorris THE BETRAYAL user12 i used to pray for interactions like these 😭😭 user13 user12 we've come so far 😭 user14 WAAAAR IS OOOOVER

user15 yn's living her best life and i'm so happy for her 🤧

elbaoward I don't appreciate being left out of the photo, but I love you lovebirds anyway 💘

yourusername imma post a dump of just beautiful pics of you😘 love u elbaoward i'll be waiting then ☺️ patriciooward i also want a photo dump🥺 yourusername no 😚 user16 i want to belong to this family so bad, do you need a nanny for Norbi or anything?

user17 atp I'm just waiting for the engagement announcement

user18 same but i don't think i'll survive it user19 CAN U IMAGINE? OMG

user20 tag yourself i'm Norbi in the last pic

patriciooward te amo, preciosa ❤️

yourusername love u more, handsome 🥰 user21 AND I LOVE YOU BOTH

taglist: @drunkinthemiddleoftheday @evie-119 @evans-dejong @minkyungseokie @noneofyourfbusinessworld @bernelflo @eiaaasamantha @ijustgomessitupx @honethatty12 @daemyratwst @f1fan65 @littlexscarletxwitch @sheslikeacurse @charlottejpg @lichterfee @callsignwidow @phantomxoxo @stinkyjax @rubywingsracing @willowpains @urfavsgf @biitch-with-wifi @lightdragonrayne @illicitverstappen @herebereblogs @tvdtw4ever @nataliambc @norwayxo

author's note: AND THAT'S A WRAP! Thank you so much for giving this story a chance💖 To my Lando girlies, don't be mad! He was a jerk in this story but I'll post another one where he gets the love he actually deserves. And to my Pato girlies, stay tuned! I plan to post more stories with him cause it's what our lovely man deserves. And if you want me to write about some other driver, feel free to send me a request! I'll see what I can do🧡 See y'all soon!

[skimmingmilk]

Summary: When in the position to do Tails a small favor, Shadow finds himself immediately regretting it when Sonic shows up and goads him into what should have been a simple game of chess. But things are never simple when Sonic the Hedgehog is involved. Shadow should really know better at this point than to ever involve himself in the shenanigans of Sonic and Tails; they know all too well how exactly to get under his skin.

A/N: Since this is Shadow's big movie debut week, I wanted to post a little something in his honor! Congratulations, Shadow!

This was inspired by combining one of the answers from the most recent Sonic Twitter Takeover (for Sonic x Shadow Generations) with my own headcanon regarding Sonic, Tails, and chess :3

Please enjoy!

Fried Liver with a Side of Emotional Indigestion

Shadow didn't make a habit of stopping by any of Tails's workshops. In fact, he could confidently say—barring the times where Central City's had been used as the headquarters for the Resistance—he'd never once stepped inside. It might've been a mild jog from his apartment, but there was never a reason to go out of his way.

Except Tails had called him, asking for a favor. He wanted to study the design of Shadow's air shoes and get his feedback on a prototype he'd been developing for himself. Something more shock resistant to high falls with a quick recovery time that would lessen the fatigue on his tails.

"I haven't seen anything of a similar size that can utilize the power and intensity of five jets without overheating in a matter of minutes. And I'm curious to see how they manage their intake to avoid compressor stall in the turbocharger despite the rapid throttle changes when you move at high speeds. They're a mechanical wonder, as much as it pains me to say that about something the late Dr. Robotnik created… aside from you, of course! Obviously, heh…"

"The professor didn't design them."

"Oh?" Tails's voice cracked as it jumped up an octave, his surprise audible. 

"He oversaw their construction, but their initial conception was… someone else's."

"Of course. I should've known better than to assume. There were a lot of scientists aboard the ARK, weren't there? Distribution of assets amongst the team was likely instrumental for a quick turnaround," Tails chuckled to himself. "Well, whoever did design them was a true visionary! I'd love to pick their brain about any of their other ideas for improving aerospace technology—"

"That's impossible," Shadow interrupted.

"Right… sorry. I didn't mean—I just wanted to give them credit where credit's due." Tails paused to clear his throat, but it didn't quite clear the awkwardness in the airwaves between them. "But even though I can't discuss their design choices with them, getting to see their thought process by studying their design would be the closest to a conversation we could have. I completely understand if you'd rather leave the past in the past, though. It's your call, Shadow."

Shadow could've said no. He'd certainly thought about it.

And yet he showed up on the doorstep of the Central City workshop two days later, looking just as put out about it as he possibly could.

[Continue at AO3]

[blossomthepinkbunny]

Vivzepop will always be the biggest issue with her own show if she doesn't change. And i'm not saying that because I desperately want to shit on her but rather because it's so clear that her attitude is what made Hazbin Hotel be so dissapointing after the long wait. The pilot released four years ago and Viv had these characters for much longer than that. One could assume that with this much time on her hands she would have a concise plan for how a series of her story would play out (I can imagine that having an own show is a dream for lots of creative people out there). And I get that that plan might get screwed up by a shorter episode count then expected, but she should be the one who knows her story best and who should know what stuff could also be cut out. The first season of Hazbin Hotel is so incredibly overstuffed with characters and plot that it completely looses the main premise the show was originally pitched with (the idea of a hotel were sinners are redeemed. As it is now the hotel is really not important at all). People have talked endlessly about how Viv can't handle criticism and it really sucks because criticism is one of the best ways to improve your writing, drawings, music etc. Without criticism you won't refine the thing you're working on in a meaningful way. Of course it feels bad when you put something out there you wanted to share and then people critique it, but that's part of pretty much every creative journey, or atleast it should be and Vivzepop shouldn't get a pass from this just because she doesn't like it. And there are great shows, movies or books that are rarely or almost never criticised. But the artists behind these works probably went trough years of honing what they do by being criticised for the stuff they put out. And I don't want to say that Vivzepop didn't work hard to make Hazbin Hotel, but it is hard to claim that she improves in her craft, when everytime someone says they don't like her show she throws a hissy fit. She wants the same reactions that these other amazing pieces of media get without ever listening to criticism. Which she sees as a personal attack rather than a tool that could help her to achieve the same level of writing prowess the creators behind media like that have. She believes she is already on the same level as them, just because she basically shuts anyone out who disagrees with her. There's this clip at the end of a Drew Gooden Video which I think sums up the situation with Viv pretty good (the Video is called "Leaving the YouTube Bubble"). He is talking about Lily Singh and her talk show but I feel like a lot of the stuff he says about handling criticism applies to Vivzepop as well.

(you might have to turn up the audio).

Unprofessional behaviour like that might be excusable when the creator is pretty young or they are interacting with publicity for the first time really. But neither of that applies to Viv. And Hazbin Hotel isn't just an indie animation pilot on youtube anymore. It's now a fully realized show created with a pretty prominent studio on a major streaming network and it should be held to the same standards as other shows or movies alike (not saying indie animation or animation on youtube doesn't have a standard but with more budget and support, there's obviously going to be different expectations for the show now). There have been issues in Helluva Boss and the Hazbin Hotel pilot ever since their release which could've been handled with more time and the new show. But Vivzepop shows time and time again that she isn't willing to listen to people who criticise her, which could actually lead to her show getting better. I don't like Viv or her work a lot. I think she is incredibly unprofessional and she has done her fair share of questionable or problematic stuff, which often leads to issues in her shows. There have been some characters I like, some songs or scenes that were pretty well done, very cool animation and an actually interesting premise on paper in HH and HB. There are things that make me come back to these shows to watch the next episode. And i'm obviously passionate enough about these shows to make whole posts about what I think was done badly and what could be changed. But for the aspects of HH or HB I enjoy, there are soo many more problems I have with it. Problems that won't go away unless Viv stops seeing every criticism as a personal attack. Because if Vivzepop doesn't stop acting like her writing is some unreachable stuff that needs no changes I don't really see a point in assuming that these shows will ever get better.

[hollowed-theory-hall]

You mentioned a few times that you didn’t like Book 7, both from an analysis standpoint and from a structure/pacing standpoint. If you haven’t done so already, do you think you can do a whole post on all your grievances on Book 7?

I never really made a comprehensive post I think.

Like, I mentioned some stuff under the Deathly Hallows tag here, but generally, it seems to me like book 7 made up a lot of new rules about magic that weren't built up earlier. Like people being able to supposedly learn Parseltongue.

In addition to forgetting magic that was already established. Like, I get JKR wanted the trio hungry and miserable, but even if they can't conjour food, they could summon it, steal it under the invisibility cloak, hunt it/fish it? Like, go to a river band and say "accio fish". Something Ted and Dean actually do when they're on the run in book 7:

“There ought to be a few salmon in here, or d’you reckon it’s too early in the season? Accio Salmon.” There were several distinct splashes and then the slapping sounds of fish against flesh. Somebody grunted appreciatively. 

(DH)

Like, I don't get why the main trio couldn't do that. That's all just one example.

I'm not even going to touch what I think about the wandlore in this book since it changes the rules about wands so much.

In terms of characterization, I think Ron's character suffers the most. Like, Ron is written dumber in this book than in any other. He leaves Harry and Hermione and erases his character arc 7 books in. It just, shouldn't have gone like this.

Book 7 is the only one of the books where the trio feels similar to how they are in the movies. With Ron and Harry being a bit useless (especially Ron) and staring in awe at how smart Hermione is. And Hermione seems to be the only one knowing what's up and wanting to push this quest forward while they're camping in the woods. This isn't their dynamic at all up to this point, and the entire camping in the woods section portrays them in this way.

It's not in the entire book too, just like in sections (which makes me feel JKR wrote them very separately, but I digress) — but I hate it.

Like, in general, the character arcs are not really there. At least, not the way I would've liked them to be. I already mentioned Ron who regressed in his arc to something he never was in the books, but it still felt like a regression. Hermione was basically stripped of a lot of her more ruthless streak. Like, Hermione of GoF or OotP would've been willing to steal food to keep them alive. Sure, these people didn't deserve to be stolen from, but she would've understood the necessity. Hermione of book 7 feels off to me, like, she's supposed to be the morally right one more often than not and it feels jarring when the trio had a more equal dynamic up to this point. At least outside of the camping bits she isn't always right in general. Like, Harry still has his incredible instincts Hermione belittles but he ends up being right. That is character-accurate

Harry as well, like, he has some great moments. His doubts about Dumbledore and how it clashes with Hermione's blind faith in him is a great character arc for them and I love it. I just feel that Harry's conclusion of not doubting Dumbledore because he was sick of doubting and how he got to it fell a little flat for me. Also, Harry casts two unforgivable curses easily in this book, and just, no one reacts to it? Not even him? Like, this could've been a fascinating arc and a way better point of contention between the trio than the fucking lack of food. Like, to open the question Lupin brought up at the start of the book, "How far is too far in war?" like, that theme is there, but, like, bubbling beneath the surface.

And I'm not the first to mention how bizarre it is that Hermione cooks when Harry spent years cooking at the Dursleys while Hermione's got no clue what she's doing.

I also feel like more should've been done with the Horcruxes. Like, with how great of a villain the diary was in book 2, it just feels like wasted potential. I wanted more from the locket and the cup and we didn't get time with the diadem at all. I would've liked maybe more of a showcase of cool magical protections on the cup, maybe, and, like, delving deeper into magical theory the way Dumbledore had to to understand the locket's cave. Idk, I just wish there was more.

The Deathly Hallows themselves are another thing. Like, I feel they or the elder wand should've at least been mentioned prior to this book if they were the plan all along. Like, have someone comment Dumbledore won the allegiance of his wand when he defeated Grindlewald or something. Like, a little hint. Because I love the concept of the Deathly Hallows themselves (and Dumbledore's backstory is great and makes complete sense to me with what we know of his character), I just feel the Deathly Hallows the book is literally named after aren't that big of a deal in the book. Like, most of the book should be called "Harry Potter and the Hunt for Horcruxes", the Deathly Hallows, which, again, I love, feel more like an afterthought.

I did like the theme of grief and death that existed throughout the book and it felt in line with talk of things like the Resurrection Stone. I love that that's the hallow Harry chose (actually I like that scene and which hallow each of the trio chose). Like, Harry and Hermione going to Godric's Hallow was great. Harry's grief and pain were amazingly written there. It's one of my favorite parts of the book and I loved seeing the messages of support left for Harry to show what is going on with the rest of the world. I could've done without the super convoluted plan of having Nagini wait there, that made literally no sense, I don't know why Voldy thought that was a good idea.

The romance is another weak point in this book. Since I don't like how Ron and Hermione are written (I think their dynamic was at its most compelling in GoF) and I don't like Harry and Ginny's romance in any book, but book 7 is bad for them. Like, hinny fans talk about how sweet it is for Harry to look at the map to look for Ginny, but he doesn't open the map for Ginny, he does it for Ron:

Meanwhile Harry had started bringing out the Marauder’s Map and examining it by wandlight. He was waiting for the moment when Ron’s labeled dot would reappear in the corridors of Hogwarts, proving that he had returned to the comfortable castle, protected by his status of pureblood.

(DH)

And that's what leads him to see Ginny and look at her name, but he didn't open the map for her, she just happened to be there.

Similarly, when they arrive at Hogwarts, Harry is reacting to Luna more than to Ginny. And Ginny doesn't trust him enough to send him with Cho to Ravenclaw which is so stupid (I just read that scene last night and I have grievances). Like, Harry didn't even want to kiss Cho when he thought he had a crush on her, Ginny has literally nothing to worry about.

I also would've loved to see more of Voldemort. Whenever Harry goes into Voldemrot's mind it's great to see what he and occasionally the Death Eaters are up to. I would've liked more Voldemort for the final book. (If the Horcruxes weren't so underused we could've had more Voldemort, or, at least, pieces of him)

Then there's the pacing. Now, I think I'm in the unpopular minority who likes the wedding scene. I just love Aunt Muriel. She's such a vibe, and I love her gossip. And there are a lot of other scenes I like. I like breaking into the ministry, I love all of Dumbledore's backstory. Everything once they get to Hogwarts gets better. I actually don't like the Gringotts Heist much (as I reread it recently), and the scenes in Shell Cottage leading up to it, but that's my opinion.

And like, that's the thing about book 7 and its pacing that makes it kind of a mess.

There are sections I love that are well-written and fun. Like, the high notes from book 7 are pretty high (this is why I like it more than book 1. Philosopher's Stone is much more cohesive and has better pacing and character work, but the high notes of Deathly Hallows are much better than the high notes of Philosopher's Stone). The problem is that they feel much more disjointed than they usually do. And, like, the whole flow isn't there. The book doesn't flow.

Reading book 7 is like driving at high speed down a road, and then you get stuck in traffic for an hour and then the road magically clears up, like all the other cars disappear in a snap and you're hurtling in speed again and then BAM another traffic jam that appeared out of nowhere. Instead of having the ebb and flow the books usually have, where you go from one plot point to another relatively with ease, book 7 feels like you start, then have to stop, then start again. The different levels of quality and slightly off shifts in characterization between sections also add to this start-stop-start feel I mentioned. Like, the book just doesn't feel cohesive enough.

Then, of course, there is the epilogue, but I already talked about my problems with it (here and here).

That's like, the things that bothered me most in this reread, I think.

[galactic-rhea]

how do you think anakin (or your anakin) would take clovis? i found those episodes to be really ooc😭

Oh boy, I knew this day would come,,,the day in which someone asked me about these awful episodes, thanks user @songspirits now this conversation won't have to wait any longer NKLJnjfdf

To quote a friend of mine that only watched the movies when I told her the summary of the Clovis arc: "I think Anakin would've asked padme to held her wig instead while she personally goes to fight that guy, the anakin i know at least"

Jokes aside, I'll have to break this down on a few points because there's just,,,a lot going on in these episodes (to be clear I don't intend to change anyone's mind in the matter, since i already know many ppl believe these episodes to be good for anakin's ehh,,,going-evil characterization). This will get long.

So first of all: The very first episode where Clovis shows up is just alright, could've been done much better but seriously I don't have many issues with it.

The problem arises with the new ones in season 6. The why I feel Anakin is out character in these episodes is because his very, very well known and yet somehow missinterpreted flaw is that he reacts with extreme violence, especially when scared, scared not for himself but for someone he cares about.

So him reacting badly and going directly for a bloody fistfight against Clovis wasn't the problem of the episodes. It was how he treated Padmé. Like, literally telling her he would leave her in jail if she kept mentioning Clovis, lmao. Also the "You have no say on this" yadayada. I think the writer for these episodes was probably taking their confrontation at Mustafar as a reference point, which...No, that shouldn't have been the case bc in Mustafar that guy literally turned evil (literally!) and he had lost touch with reality. And also the stakes were higher. And also his anger was completely different there.

But, at the same time, if I play the devil's advocate, I can see some...eh, explanations there. For example he had recently lost Ahsoka and one of his men, the War was on the third year, and Padmé was decidely working with someone that already almost got her killed once, and she wasn't listening to him. They didn't even actually discussed the situation very well. And when Anakin says that "as your husband, I ask-" he turns around and is completelly unable to look at her in the eyes, so it could very well be that not even himself believed that, he was mostly throwing onto the table every single card he had. And one could argue that there's no way he didn't hear/notice/sense/ whatever that Padmé wasn't okay with that kiss.

But even then, the writers were clearly going for your very average possesive-sexist-angry-jealous- boyfriend, which isn't Anakin's problem, like I said, his problem is how deeply scared he is of Padmé being hurt. So Anakin's main concern shouldn't be that he's being cheated on, but that Padmé could be hurt, and they kinda touched on that but they failed at portraying that well, and I think it's because:

a) This episode shows us an extremelly common trope in shows with many episodes and many one-time-plots: The classic add-another-person-so-main-character-gets-jealous-. And almost always this type of episode gets us very ooc characterizations, no matter the show, because this society usually can't see any other reaction that isn't angry-possesive-violent jealousy. He also treats Padmé quite badly even before she decides to keep working with him, which is a no-no for me.

b) The shows forgets that Anakin does, actually, has a lot of faith and trust in Padmé's abilities. Yes, he worries, a lot, but he still is very confident on her being a more than capable person. He doesn't want to keep her in a cage or something, part of the reason he's so in love with her is because of how capable and intelligent she is. In ROTS is different because he quite literally had a prophetic vision that proved to be true before, and there's very little to do in this case, it had nothing to do with abilities or someone else. Also, if AOTC tells me anything, is that they're fairly talktative aka they communicate fairly well. Even in previous episodes we see that Padmé is great at communicating and discussing (look at how she reassured Ahsoka when Ahsoka was worried about her. Or that little bit where she's concerned about a party.); in this episode there was none of that until after Anakin almost kills a guy.

c) I think they simply, and flatly, just wanted to show Anakin being dangerous and darker and have Padmé concerned and all of that. And what better way to show a man becoming evil than being a jealous boyfriend. Isn't like Anakin has already murdered a lot of people, amirite. This is a bit of a problem with the simplification of a character. If they're bad or becoming evil, they also surely must be hyper jealous and possesive, there's no other way.

TO SUMMARIZE: I don't think Anakin was handled well, at all. Because the episodes were rellying on a very basic trope, which needed them to break the characters to fit the cookie cutter. However I can see some attempt at deepness there. It's like if it was the characters pretending to be more cartoonized version of themselves, if you know what I mean.

HOWEVER,,,,that said, the biggest sin for me isn't Anakin being OOC...IS HOW PADMÉ WAS TREATED.

They seriously had to put her into a sexual harassament plot, only for it all to be about how Anakin is evil (tm), and not have her respond at all? They really had her to put up with a creepy rapey dude just because.....What is even the narrative trying to tell us at all, that Anakin was actually was actually right, but overreacted? The plot is so contrived, Lmao.

She was the one that got harassed and yet she had no say on it, she's extremelly passive in the whole arc (which we all already know isn't Padmé's personality, even Anakin tends to follow the narrative in more passive way than she does). Then they also had to have her on the trope of "If a woman is going to be a spy, then she must use all her goods and being a femme fatale", and then they didn't even made her fatale. They could AT LEAST give us a moment of her reflecting about having been lowkey assaulted? No? Huh,okay.

Also, Padmé is actually very good at, let's say, handling Anakin. Or more like, reassuring him/discussing stuff with him, and I say this because of bits of the novels I have seen. She's more self-assured and confident, and experienced with social stuff, she's definitely not naive, and can stand her ground fairly easily, and she knew what type of guy was Clovis, so yeah, it's just...she was badly written here, she lost almost all of her agency. I'm not saying it was her fault or anything, or that it was her responsability to calm down her clown of a husband, but it goes against what we know Padmé is like.

Also apparently throwing himself onto the void was Clovis' apology for...almost getting her killed several times, kissing her without consent, being a creep and also using her as hostage. You know, so he's more of a deep character, I guess.

The good points for this arc though, are:

° Ol' Sheev doing what Sheev does best, and actually having some interesting stuff going on, they should've focused on that.

° They (miraculously) remembered a bit of Anakin's and Padmé's actual personalities, and when she told him to back off and that she needed a time, he accepted her desires to leave her alone and looked like a sad wet cat, like Anakin tends to look like. Also thank god they had Padmé's behaviour being nothing like the one of what you would expect from a victim of abusive relationships (Anakin was making his ooc scene and she just looked like 'bitch,what the hell has gotten into you', she had the audience's response, which is 'anakin? what?', which at least tells us this isn't Anakin's normal behaviour at all, i guess?)

° Obi-Wan and Anakin talking a little bit. Also Anakin's room had a poster of the Boonta's Eve race, he also had a little ship-toy, showing us that Luke really takes after his father, lol.

°...Idk what else to highlight from these episodes 😭😂 Did I already say Sheev's scheming? Uhhhh,well, uhh, idk, Padmé taking Clovis to the opera in an attempt to get info from him is kinda ...Ironic.

[thesoftboiledegg]

"Fear No Mort" was constant whiplash. In fact, I struggled to evaluate this episode at first because it was one twist after another. Throughout the episode, I had flashbacks to "M. Night Shaym-Aliens!" (the rap scene might've been a direct reference) and the Rickbot reveal in "Ricktional Mortpoon's Rickmas Mortcation."

For better or worse, season seven's had a lot of callbacks and episodes that mirrored previous ones: "That's Amorte" played out like "Mortynight Run"; "Air Force Wong" brought together Dr. Wong, the president and Unity; "Rise of the Numbericons: The Movie" was a "Get Schwifty" sequel.

Seasons six and seven have also piled on the fanservice. The first four seasons stubbornly refused to give us what we want, dangling fan theories or a gentler Rick in our faces before yanking it away. Rick started to change in season five, but it's another ten episodes before you get Rick in a suit and tie, Rick announcing that Rickcest is canon, Rick regularly going to therapy, Space Beth joining the family and other content that's floated around the fandom since 2017.

And let's not forget the big one: C-137 Rick and Morty, Prime Rick and Evil Morty in one episode, fighting and teaming up after we saw Evil Morty's once-forbidden backstory.

Some call it cheap thrills, but I call it a gift to the fandom that's patiently waited for the fakeouts to end. And now that I've said that: "Fear No Mort" was one giant fakeout.

But was it, though?

This is the most unpopular opinion in the world, but I'm not invested in Rick and Diane's relationship. As a gay woman, I just don't connect with opposite-gender couples. Also, I dislike the trope of the idolized dead wife that the audience only learns about through her widower. She's not her own character, just an extension of the male protagonist.

When the fake Rick and Diane reconnected, I thought "Oh boy, this is getting cheesy." They're falling for each other again: check. Rick feels guilty about her death: check. We see how similar they are: check. Rick doesn't want to leave: aaaand, check.

I'm also a little lost after the ending. Morty was the only one in the hole, so why did we see all these scenes from fake Rick's perspective? Was an NPC really that busy?

How much we learned about Diane is debatable, too, since Morty never met her. I guess his ideas came from whatever Rick's told him and maybe the ship's voice since she's based on Diane.

I did like how the episode kept reminding us that Morty's still in the Fear Hole. I mean, we didn't know that, but we knew that. No "Are they in the Fear Hole or not??" until all the twists in the third act.

Aside from that, I don't want the show to revisit the past too much because Rick needs to let go. If you're a Marvel fan, you saw the backlash to Steve Rogers traveling back in time to spend a lifetime with Peggy in "Endgame." He had a life in the present, but he refused to move on.

Nostalgia makes us yearn for earlier years, but if Rick abandoned his family to live with Diane in another reality, I wouldn't call that a sweet ending. I'd call that a disappointment and a waste of his character.

Turns out, Rick never had that option at all.

Well...in a way, he did. And when Morty told him what he saw in the Fear Hole, Rick ran back to the restroom. He looked into the hole. He thought about it. And then he did what I wanted him to do, which was walk away. In this moment, he chose the present.

Admittedly, Morty's fear came true: Rick didn't jump in the hole after him, he did just sit there and watch, and he didn't want to say that Morty's irreplaceable out loud. Plus, Rick was bewildered when Morty hugged him. But for the first time, instead of standing stiffly or gently pushing him away, Rick started to hug him back.

We also saw what Morty didn't: Rick smiling to himself after hanging up the picture of Morty that he kept in his wallet. He had the chance to wallow in shadows of the past, but he didn't take it. Rick chose him.

"Fear No Mort" could've ended with Rick just saying "Let's go" and leaving, but it didn't. Seasons one and two Rick would've bitched and moaned about Morty taking so long. Season three Rick would've left him there for a while to torment him. Season four Rick would've found a way to take advantage of this.

But seasons five, six, seven? That's real character development. That's what all the Twitter users saying "Wow, Rick and Morty is actually good" have been missing out on.

And for the first time in the series, a season didn't end with Rick relapsing or getting a (well-deserved) ass kicking. Is Morty going to get the grandfather that he deserves? Or will he move on, too, now that Rick's releasing his iron grip? Speculating is fun, but for now, let's focus on today.

[httpiastri]

❣️ I just read your confession post for oscar and others! Can you do it for other drivers like Paul, Ollie, and Kimi? Love your writing! You inspired me to start my own Formula blog :D

❣️ – send me a prompt and one/a few drivers and i'll tell you how i think they would react!!

paul aron

paul is no stranger to short-lived flings and summer romances, but he's not as familiar with the feeling of his heart fluttering the way it does whenever he thinks about you. he isn't used to the way that he thinks about telling you whenever something good happens to him, nor the way that he wants to ask for your help when he's going through something. he doesn't understand why you're the first thing he thinks about in the morning, and the last thing on his mind before he falls asleep. it takes him so long to figure out these new feelings, and when he eventually realizes that he's falling for you, he just gets scared.

he has no experience with these feelings, and everything he's heard about real relationships – commitment, trust, loyalty – sounds terrifying. but it doesn't take long for him to realize that it's worth it if it's with you.

i think the confession itself would be quite impromptu and unplanned. i'm imagining a movie night at his place, with you cuddled up to his side, when he just can't hold back anymore. when he asks if he can tell you something, he sounds just as playful as he usually does, so you never could've guessed the words that fall from his lips after that. "you're so... special. in a good way, a great way. and i... i think i'm falling for you."

ollie bearman

i see ollie as... kind of shy in this way? he isn't embarrassed or cowardly, but something in him makes that first real step a little too hard to take. i think ollie would much rather find a romantic, subtle way to do it.

one day, you're surprised to hear your doorbell ringing – you aren't expecting anyone, right? and you didn't order anything, did you? when you open your door, you find only a big bouquet of flowers standing outside it. you smile to yourself as you pick it up, your mind instantly wandering off to the tall, handsome brit you've been spending a lot of time with recently, who has had a bit of a habit of giving you flowers. this bouquet is especially big, though, and you try to search through your mind for any possible major occasion the bouquet could be for as you bring it inside.

but when you set it atop your dinner table, a note falls out from in between the flowers. and on the note, in ollie's messy handwriting, comes that confession you've been waiting so long for.

i like you. i really like you, and i would love to see what we could be. only if you feel the same way, of course. (please forget about all of this if you don't)

i'm sorry for not having the courage to say this to your face, but i would love to see you tonight if you're free. please call me.

sincerely, your bear ☺︎♡

kimi antonelli

kimi would be very spontaneous about it. he would not be planning it; it would come as just as much of a surprise to him as to you. i see it coming when you're sitting next to each other in class/the truck/etc, and you've been playing around with him and bothering him for quite a while. when you notice that your attempts to disturb his focus haven't worked, you turn to tickle him in hopes that it will work better – and it definitely does.

kimi folds over instantly, gasping loudly as his own hands come down to wrap around your wrists. "you're so annoying!" he exclaims, switching to hold both of your wrists in just one of his hands, as his other hand gives you a playful slap across the face. "you're lucky i like you so much, otherwise..."

you both come to a halt at his words, neither of you having expected them. instead of addressing it, though, he settles for moving his hands to tickle you instead, hoping to distract you from what just happened. you definitely won't forget, though, but the change is only for the better.

[glindafication]

I have been having a lot of thoughts about Glinda's costuming (specifically in the movie) and I NEED to talk about it right now so here goes. (This is specifically about the clothes Glinda wears at Shiz)

So I have seen quite a few people pointing out how Glinda doesn't follow the Shiz uniform (where all the other characters are in white/blue/orange besides her and Elphaba and kind of Fiyero) and I have a lot of mixed opinions on this.

First off I think it makes perfect sense for Elphaba because in the movie we are told that she wasn't originally going to study at Shiz and also we do see her wearing some of the uniform pieces (for example she wears the same blue fabric wrap thingy as the other students in the sports scene while Glinda doesn't), so it makes sense that she wouldn't have the time and/or money to buy the proper uniform pieces. But for Glinda, I am kind of conflicted. On the one hand, she is very used to getting her way and very focused on her looks, so it could be argued that it is in character for her to flagrantly ignore the uniform policy for the sake of her aesthetic. On the other hand, I feel like it is a bit of a missed opportunity to establish the more conformist aspect of Glinda's character. Showing that Glinda is unwilling to break the rules is important because it makes her choice to join the Wizard and Morrible despite not wanting to make more sense. This also feels like a bit of a missed opportunity to better establish Fiyero's character as they could have had Glinda follow the uniform while Fiyero doesn't. This would have further established that Fiyero is more willing to actively break the rules than Glinda, which could help to explain why Elphaba trusts him. This is still established through dancing through life and with the Ozdust ballroom being stated to be illegal in the movie, but I feel this could've been another good opportunity.

There is of course the out of universe reason for this which is that it helps to Glinda to visually stand out. This is extremely common where uniforms are used as costumes as having everyone wear the same/similar things while the main characters wear something different is a very easy way to tell the audience who to focus on. However this is done differently in the musical, where the main Shiz uniform is a mixture of navy and white while Elphaba wears exclusively navy and Glinda wears exclusively white. (With small amounts of blue/navy in her shirt). This still visually distinguishes our main characters from the ensemble (and from each other with the use of contrast) without having it feel like they're just choosing to ignore the uniform. It is conscievably possible that the Shiz uniform allows students to pick from a selection of white and navy options and Glinda simply chose all of the white ones while Elphaba chose all of the navy ones.

I am also mildly frustrated with the decision to relegate movie Glinda to a tiny sliver of the colour wheel in general, as I have said before. She only wears pink once in the muscial so having her in almost exclusively pink in the movie despite her having more costumes is a bit annoying. Especially since I have the sneaking suspicion that part of the reason they did this was because building a strong association between Glinda and the colour pink would allow them to make Glinda themed merch by simply making something pink instead of making something with a more meaningful link to her character.

I will say that I am not trying to hate on Glinda's movie costumes by any means. A lot of them are very technically impressive and visually gorgeous (her Ozdust dress is absolutely stunning and I want one). I have no doubt that a lot of time, effort and thought went into these costumes. These are just my personal thoughts as a huge fan of the musical and of the costumes used in it

(Some pictures to explain what I am referring to, top two are musical costumes, bottom two are movie costumes)

[arttsuka]

TBH as much as I prefer Toothless' first movie design, the one thing ill give credit for is the fact that I think the movie producers stated some where that the reason Toothless doesn't have his markings anymore is because he's growing up. Toothless is around Hiccups age which is even something Valka points out in the second movie, so you COULD make the hypothesis that he's loosing his sub-adult/"baby" features. Hence why he's more solid black, has a wider flatter head, and doesn't really have much of his markings anymore.

As for his personality; Toothless has always had the silly side to him regardless of the snark attached. You claim his personality got reduced to this stupid, slobbering 'dog', by the third movie when need I remind you he FULLY acted like a dog even in the first movie. Remember him with his butt wiggles when hiccup woke up? Him bounding about jumping from the rafters. Him making dumb goofy faces and doggy grumbles. He's always been a dork and boxing up his personality to him being "out of character" because he's not as snarky is such an odd take since toothless can and HAS had the ability to be both, not to mention the whole fact that Toothless much like Hiccup is suppose to be maturing into an Adult, but even if that's so, they still have time to have fun and play around, so really you have both sides of the coin there.

As for the Lightfury, ill give you that, they could've done better with her. But to be honest I always look at LF's as being a subspecies to a NF, and even nature has often shown that not all subspecies look entirely similar to the dominant species, which in this case would definitely be Night Furies. I look at her design as a design built more for a life in the light then the dark. Toothless' darker bluish/black coat helps him blend in the night, while the Lightfuries almost pearlescence helps her blend in with the light of the sun. It's probably why she stands out so much at night with her sparkles, because she's not really BUILT for the night like toothless is, same reason as why toothless sticks out like a sore-thumb in the morning. Their both built for varying conditions! So in some instances i can forgive some of the Lightfuries design choices. What I dont like is how bland she looks in terms of lack of spikes or such, but thats neither here nor there

Well sure, they could be his 'baby' features but I do think they made his design way more visually interesting than the solid black he became by movie 3. His model already stands out from every other dragon in universe (his more realistic proportions and the lack of sharp teeth to go with his slender frame)* so these marks really helped him blend more with the designs of the httyd universe.

* there are, arguably, other dragons with round features as well but most of them are the 'fat and slow' archetype (even then there are a lot of 'fat' dragons with excessively sharp teeth)

I feel like the whole 'they're the same age actually' was kind of unnecessary but still, doesn't excuse the chance in face structure to that extent. He looks like he's from another species (what does excuse the changes is the fact that they reworked the model).

And yes he always had that dog side to him even in the first movie BUT his core inspiration and 'values' were cat themed. He retains his cat personality in the second movie too, for the most part (for example, at around 10 minutes mark, we see him 'groom' himself to clean his face). But in the third movie they completely removed all that from his personality. They deliberately made him more dog-like. Even the sounds he makes are made to resemble barking. As for the 'slobbering' dog part it's literally part of the movie (with the poor excuse that 'he's in love').

Idk in the third movie I can't recall even a single moment where he actually acted intelligent on his own volition (I can't remember him acting intelligent at all but let's just say I'm wrong).

In the second movie it was made clear that he's more domesticated but still capable on his own. He didn't need help to socialize with the other dragons so I don't understand why he was so incapable of acting remotely 'normal' to make the light fury like him. Yes, she was unapproachable and cold (*cough playing hard to get because they didn't know what to do with her personality and her as a character cough*) but it still felt ooc.

As you said, Toothless has to ability to be both, at least in the second movie. 2 sides of the same coin, up to the second movie. In the 3rd movie, throughout the runtime, we never see him showing 'his other side'.

I wouldn't say that he matured into an adult but still has time to play, I'd say they reduced him to a less intelligent animal than what he was in previous adaptations (he feels like a Disney animal companion). Again, his characterization in the second movie is how I'd expect him to be in the third. He's arguably way more mature there while also having time to play and have fun while also keeping part of his personality.

As for the light fury, she seems so, out of place in this universe too. At least the design of the night fury has scales and looks rough. She looks like they forgot that she's supposed to be a dragon. But it was obviously done to make her look more 'feminine' (a lot of her design can be explained if you keep in mind they only wanted her to be the 'female' dragon, the romantic interest). She's as stereotypical as it goes, the next level would be to make her pink (that would kinda work actually if they kept Toothless bluish undertones but by the 3rd movie they completely removed them to favor a pure black, a bit on the warmer side)

Her white color makes her blend into the sun, sure, but what does that mean? Does she fly all the time? Or is her natural habitat somewhere with snow? A pure white design is pretty sure, but not practical at all. She appears to be a dragon for warmer climates (and if she's indeed a subspecies to the night fury that would confirm it), so no snow. She just doesn't blend in. Her habitat is so colorful she stands out like sore thumb, both during the day and night time.

Her white skin also makes the choice to make her so smooth really weird. She's basically unable to blend in with her surroundings so one would expect that she'd at least have sharp features, claws or horns, to help her survive potential attacks. If they didn't want to make her look rough they should have made her have a defense mechanism to protect herself. maybe she should be able to turn invisible, maybe she lives in the water, something, anything.

Personally I can't forgive any of the decisions made to create the light fury. I can understand, sure, but I'm still left with so many 'why?'s.