it was really only a matter of time until edwardian payneland happened and what if i channeled maurice about it. just a little
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Charles is the son of the groundskeeper at St. Hilarion's School for Boys while Edwin is a pupil there. And he can't help but notice Edwin—how he’s nearly always alone, or else being harangued by the cruel older boys who call themselves his peers.
Charles privately thinks they hardly seem equal to him in poise or grace or manner. They are boisterous, brash, crass, violent, all overlaid with a veneer of false propriety, but Charles can see the cracks in it. He knows that sort by how they are inside, and they cannot be like Edwin at all. No, Edwin Paine's got a sad, drawn sort of look about him that Charles can't help recognizing. This lonely boy who feels somehow kindred in a way he can't put a finger on, but is pulled to him all the same, though by rights he'd do better to keep his distance.
Edwin often sits by the lake by himself, to read, or to do his assignments in the shade of the trees. Picturesque as a painting, he is. One day Charles dares to approach him, though he knows the risk in it—prepared to be rebuffed, rebuked for his untoward attention to someone he is meant to ignore; but the boy does not turn him away.
And so they become friends. Tentative, and then less and less so.
Together they explore the school's sprawling grounds, all of whose surprising hiding-places Charles Rowland knows by heart, having wandered them himself for years and made them his own refuge. The woods become theirs; the shore by the lake theirs; the shade of the trees theirs. The attic, where no one comes to look for them in the dead of night, also theirs.
And then one day Charles notices a group of boys surrounding Edwin. The usual cadre, and they're posturing, their voices loud in the autumn air. They’ve ripped Edwin's penny magazine from his grip and are tearing pages out of it, scattering them to be plucked up by the wind. Charles can do nothing else but step in. He shouts at them to back off, puts himself between them and Edwin, and gets himself thrashed for his trouble—but they, at least, finally leave Edwin alone.
Edwin, for his part, cannot believe Charles would be so reckless for his sake. Charles has not yet mentioned to him that he is used to this sort of treatment, and sees worse at home. They sit together in the boathouse by the lake, cross-legged, close enough for Edwin to dab carefully at Charles’ split lip and bleeding knuckles.
“You should not have done that for me,” he chides, though it carries no heat. “What will happen now?” He thinks word is sure to get back to the school, and there will be a scandal. Those boys, who so vocally despise Edwin, will hardly be quiet in their outrage, their humiliation. Charles’ father might be relieved of his post, and then Charles’ family will have to leave St. Hilarion’s. That is how these things go.
And what was it all for? For Edwin? How could it have been worth it?
“Doesn’t matter, does it?" Charles is saying, when Edwin surfaces from his troubled thoughts. "Couldn’t let them treat you like that. They had you five to one. And that, just ‘cause you’re different. I know how it is.” Charles’ eyelashes are very long, and the light turns his eyes a warm, deep amber as he talks fiercely, insistently, in defense of Edwin.
It’s terribly forward, Edwin thinks. And, despite every misgiving, he welcomes it. No one has ever fought for Edwin before. No one has ever spoken about him with such conviction.
Then Charles seems to lapse into pensiveness. “You didn’t have to…” he says softly. "All this." He gestures, with the free hand Edwin isn’t busy wrapping up, at the little bottle of antiseptic, the scissors, the roll of bandages and the cloths, all spread out on the floorboards between them.
“Of course I did,” Edwin says.
Really, he had not given it much consideration. He had had only the presence of mind to memorize the sight of Charles kneeling in the dew-damp grass, angry gaze still spitting fire at the backs of Edwin’s retreating bullies. He’d had blood in his bared teeth, and the briefest flash of desire had seared through Edwin—to kiss him. Merely in thanks, perhaps, but still, to kiss him.
He would know the warmth of Charles’ mouth. Fleeting, forbidden, it would sear itself into his mind for ever.
Of course, he had done no such thing; for he could not. Instead, he’d done the only thing he could do—bent low towards Charles, and squeezed his shoulder once, as if to say, Wait here for me. I will come back to you.
And as he'd turned on his heel and gone off in the direction of the infirmary, leaving Charles there with dusk encroaching, Edwin had hoped Charles understood his gesture for the indelible promise it was.
jaime turning women down constantly more bc he is very monogamous and in love with someone else right now for the first time and is also kinda scared of actually having sex with someone other than cersei is sm better to me than “i respect the kg vows of chastity so intensely rn actually because i changed into a good and serious person” or whatever lol
me, getting into lovejoy: ok I never liked the dsmp but this wilbur guy's band seems cool, he's such a perfect tumblr indie frontman, let's see what he does for on his online carree—
wilbur soot on twitch dot com: *beatboxing* hey you wanna see some fucking MEMES?! *default fortnite dance* *minecraft parkour* *shockingly good acting when he needs to* fuck uhhhh shitpenis :] also I am a cultist and a chef and I robbed a fucking bank but it's okay because I'm sowwwy OwO
something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
"Is it hard to play against Brady [Tkachuk]?"
"Yeah! Is it ever? You're talking about one of those killers, right? Okay, let's talk about Brady coming down on ya coming to pick up a puck it's—yeah, yeah. He's uh—he's a big boy, and he has absolutely zero regard for your health and safety."
"Nope, dudn't care. Hey, when someone like that though—"
"And that's... good for him!"
"—but when you... when he's coming down on you, are you like, 'I'm gonna spin off of him' or are you like, 'You know what? I'm gonna dig the puck in the corner and I'm gonna put my shoulder right into his chest, and do a reverse hit.' Like, do you think about both of those? Or just like real quick—like, you know, when you reverse hit a guy—"
"Yeah..."
"—it fucks him! As a forward, man—you reverse hit me? I'm not hitting you again! 'Cuz now I'm fuckin' scared."
"Yeah, yeah, I think... I mean, with him it's so important where the puck is and, you know, with guys that size—like, do you really wanna put your shoulder into him in that moment? Like is that gonna hurt you more than it's gonna hurt him? Potentially? I mean I'm more of, like uh, the 'avoid the hit, grab the puck.' You know, 'try and make a play'... Um, but yeah, I think it depends on the game, time of year, where we are, it's all important."
The Cam & Strick Podcast | 7.30.24 (x)
man who thoroughly enjoys when another man has absolutely zero regard for your health and safety
Drawing practice for expressions/features off the same slightly modified sketch base. They all have the same face, but I think I managed to make them distinct and identifiable anyway!
i really adore how the fandom agrees bi-han would be a good father. he'd still be a dick, make mistakes, is a little too harsh with his children, but he doesn't want to put his kids what he went through as a child at the hands of bis father. Idk, i just really love that. it would be so easy to write him as a horrible father who doesn't care for his children, but this man would die and murder and kill and smile for his children in a heartbeat. they'll be great martial artists, trained from birth to break anyone's hip flexor, but they will also have a father who loves and cares for them.
it definitely doesn't come naturally to him tho. he wants to do this but it's kinda a whole new way of thinking for the man. bi-han isn't exactly one to open up or show any other feelings other than anger and mild annoyance- but eventually, with his never ending want to not be his father, and with the help of his partner, it's easier for him to really be the father he wants to be.
to hug his children, read them bed time stories, praise them when they've done well, praise them when they haven't done so well. not view his childrens' s emotions as weak. it's a huge mental adjustment for the cryomancer, but he does it.
also, I don't think he'd be set on "only having a son to pass on his legacy" idk, call me a woke liberal feminist (or a partner who'd beat his ass) but I don't think he particularly cares, he just wants a child or children who can eventually be the next grandmaster and uphold lin kuei principles.
catch this bitch having five daughters and obliterating the very being of a lin kuei lackey who he overheard talking negatively about his daughters. they will all be killing machines who love tea parties and watching my little pony, and he'll be right there with them (he knows the theme song by heart)
bi-han is a girl dad through and through and you cannot convince me otherwise.
Never read the Spanish Kasuga-Eiji interactions y'all, they are fucking me up so bad and I'm only up to chapter 3.
Cause what do you mean Ichi calls him "Mr. Bon voyage" and as soon as he learns his name is Eiji he goes "Oh, that's a cute name!"
What do you mean Ichiban goes "You're my hero" and "You're the best" and "You really know how to cheer people up" and "I'm not good with compliments. But if you wanna keep buttering me up, then keep going!"
What do you mean Spanish ver doesn't use the Japanese honorifics so Ichiban just straight up calls him 'Ei' ("Your name's Eiji, right? That's where 'Ei' comes from!"). Also, I've checked out a scene from later on and what do I find?
"My Ei".
Honestly, how did Eiji even get anything done, I would've taken one look at his himbo ass and given up on revenge so fast.
I haven’t slept and the monster high brain rot is winning so I’m gonna say it: I don’t like what they did to Kieran in the Pride comic. He needs a different boyfriend too I don’t like Spelldon. Kieran needs someone he can be petty with.