#I finally watched THE scene with full context

[perplexed-confusion]

I just watched Despair for the first time.

[russell-crowe]

Rhod Gilbert: A Pain in the Neck for SU2C (2023)

[eternal-learner]

all of pob's scenes from "pure"

[bifairywife]

what if i show you this screenshot and tell you that this scene will play out the start of one of the greatest love songs of all time, would you believe me?

it’s so beautiful i would love to hear the full version

[sparrowlucero]

ik you were joking but I would be genuinely interested to hear about the flux cowriting credits strife if you feel like going into detail on it

So I have a big conspiracy theory about season 13 of Doctor Who ("Flux"), namely that there's a lost episode was scripted and even possibly filmed in near entirety, but ended up being cut and cannibalized in post production due to behind the scenes issues, and the fandom has yet to pick up on it.

For anyone who doesn't watch the show: Flux is a miniseries of Doctor Who; a full season was not commissioned because it was produced during Covid. The most important stuff about it for the purposes of this post are:

It's 6 episodes long (¹). The episodes are all directly continuous and could not be shuffled around. (I should clarify here that, no, the showrunner can't simply choose on a whim to make 10 episodes, or only make 4; they had to stick to 6, as that was the amount they were picked up and scheduled for)

The showrunner, Chris Chibnall , wrote every episode apart from episode 4 (Village of the Angels) which he has a co-writing credit on.

(More subjectively but perhaps relevant) The season is largely considered to be kind of a structural mess and (less subjectively) there appears to some abnormal and consistent production issues (²)

So the first thing I need to evidence here is that Chris Chibnall, aforementioned showrunner and writer of the entire season, was late. Like, really late.

Word of mouth gossip had been circulating for a while that there was some sort of on-set problem involving filming having to be paused because he was still finishing scripts: (³)

This would later be confirmed at a Gallifrey One panel (⁴) with Matt Strevens, the executive producer, who suggests that filming stopped to allow Chris Chibnall to finish scripts; he further implies that large swathes of episode 5/Block 2 weren't written until Episode 4/Block 1 (in which Kevin McNally debuts) was filming:

So with that context, let's talk about that Episode 4, "Village of the Angels", the only episode not attributed solely to Chris Chibnall. Co written by Maxine Alderton.

The filming pics reveal an interesting bit of trivia for Village: namely, the clapperboards show that the story was actually filmed as episode 5, not 4:

As the above tweet suggests, this doesn't make much sense. The miniseries is, again, a single continuous plot. It's not like they flipped Village and the current episode 5, Survivors of the Flux; the latter explicitly takes place chronologically after it. And yet, Village having been intended as the penultimate episode 5 is further evidenced by the original trailer for it, in which a character states that the story takes place on the 28th of November. This line is dubbed over in the final episode and subsequent trailers to instead say the 21st:

Why is this line important enough to dub? Because that's meant to line up with the air date of the episode. Episode 4 aired on the 21st and 5 on the 28th. But something happened in post production, and now it's episode 4 on the 21st instead (⁵):

So if none of these episodes were moved around but it does seem like Village was meant to be episode 5, where and what is the original episode 4?

I have a theory.

Flux has a recurring subplot involving two side characters, a married couple (Bel and Vinder) who have been separated by the titular disaster and are traveling the universe to reunite with each other. This story is told through segments sprinkled throughout the episodes. These have a different writing style (including a diary-esque narration only present in these scenes) and an internally consistent visual style that looks somewhat different to the other parts of the season.

Village of the Angels, for instance, is a moody, dark episode set in a village in the 1960s:

However, Bel and Vinder's segments in the episode have a somewhat different look:

On top of this, they never intersect with the episode's A plot (literally or in any clear thematic way), and the majority of these segments piece together into one single scene that seems to have been cut up.

So, what I think is that the bel and vinder scenes across the middle of the season were originally a single full story, an episode 4 that took a breather from the main plot and characters to follow the lives of these two side characters; the differing visual and writing style is due to it originally having been filmed separately and with a somewhat different artistic intent. I believe Chris Chibnall's cowriting credit on Angels exists because these specific scenes are from a script he wrote, but that otherwise the Angel script can be credited solely to Maxine Alderton by normal cowriting standards.

"But wait," you might say, "I thought there were already 6 episodes that are all plot relevant? If no episodes existing right now can be cut, how could this 7th episode exist?"

Remember this tidbit:

The adventures in question comprise a large amount of the next episode (Episode 5: Survivors of the Flux), nearly 20 minutes of a 50ish minute runtime (and frankly, much of the rest of the episode is somewhat fluffy build up that feels like it's taking advantage of an extended runtime). A version without this added plot would, in my opinion, only warrant one final episode rather than two.

I think the showrunner, still scrambling to finish scripts as the episodes were being filmed, and making a snap decision to include a new major subplot (⁶), wrote a finale script so long and with so many plot threads that the only way to keep all this material of was to split it into two episodes, 5 and 6. And because they only could only make 6, he had to get rid of one of the previous 5 episodes - the already scripted and filmed ones - to make room for this new episode 5. A tough order when it's a plot-heavy miniseries... if not for episode 4 being a standalone divergence from the main plot about the lives of two side characters, one that could, in theory, be cut up and dispersed throughout the season without continuity issues for the main story.

(Some notes and clarifications under the cut)

(1) some sources initially reported the episode count as 8; this wasn't inaccurate - the 2022 new years/easter special were part of the episode order. Flux itself was always meant to be 6 episodes long. (2) A few of the production issues include: - episodes filming without a second draft:

- the fx team that had been on the show since 2005 abruptly leaving midseason (because they "didn't feel like part of the team anymore") and returning as soon as the creative team changed, including the head of the studio implying they weren't properly credited (mild vfx body horror warning in link):

- people working on additional projects such as books not receiving clear information on the characters they were assigned to write:

- and likely a director who was put on hold due to a script being rewritten:

Among other things I can't directly cite at the moment, including vfx artists having to do whole episodes solo in crunch time and writers not being told their work was massively overhauled until it aired due to major changes being extremely late in production.

While I don't wish to pontificate too much here and many of these things are pretty normal by themselves, I do think it could paint a picture of a production where an episode well into filming may genuinely be cut on a whim and without consideration for the crew, artists, etc. working on the show. (3) This reddit post comes from a leaker who was known to be consistently accurate. (4) Gallifrey One does not allow filming of panels. I know Kevin's livetweets of panels to be accurate. (5) It's very, very unlikely the entire season was moved back a week, as the premier is a Halloween special that was certainly always intended to air on Oct. 31st. (6) I don't wish to insinuate Chris Chibnall is, throughout his career, an inherently poor showrunner, but I do think that maybe his jump from police procedural - a genre that doesn't involve quite as much concept art, vfx work, marketing, convention panels, set building, episodic storytelling, and keeping in touch with expanded universe producers - to flagship science fiction adventure show may have contributed to some of these issues, especially when he was already in the mindset that things could be changed on a whim (perhaps not such a major issue when it's broadchurch and no new sets need be built)

(source) Basically I don't really think this is "the showrunner's fault" or anything; more that a perfect storm of a showrunner who was habitually late on scripts, used to writing lowkey cop dramas, covid, an entirely serialized season, etc. may have led to these issues

[whorekneecentral]

Family's Growing

Kylian Mbappe x Fem!Reader

Warnings: kylian has baby fever, dirty thoughts, baby talk, breeding, oral (f!receiving), fingering, penetrative sex (p in v), breeding/pregnancy kink goes burrrr, daddy used in a sexual context, begging, creampies, finger fucking and sucking lol, cum play.

Word Count: 1,615

Author's Note: okay I'm finally back on track with these - yes I know Tuesday is over but please look past that lol.

merry smutmas series

--

Kylian finds himself swooning over how good you are with his niece and nephew, the thought of having a family with you spins around his head. 

Christmas was a time for family and that seemed to be the only thing on your boyfriend's mind.

The two of you had gone over to his parents' place for Christmas dinner, all of his cousins were there as well as their kids. Kylian was not the favourite uncle for no reason, all of them knew they were getting good gifts in bountiful amounts too.

The tree in the living room that was once full with presents were now opened, the floor covered in wrapping paper. It was only two kids, his cousin's son and daughter, and Ethan if you counted him as well; and yet, it seemed like Kylian had bought the entirety of Paris for them.

Kylian watches as you lay on the floor with his niece and nephew, the three of you putting together a tower made of legos, whispering and giggling as you built the tower.

He smiles to himself as he watches the scene unfold in front of him. A part of him isn't sure what he did to be so lucky, to have a career as great as his and to have a girlfriend who's so loving and kind and supportive. You loved his family like your own, right now was a prime example.

Seeing you with kids always did something for him, you had a maternal nature about you, anyone who met you could see that.

The thought crossed his mind many times, how nice it would be to start a family with you. You two had spoken about it ages ago, when you began dating. You both decided that you'd revisit the idea when you were more stable in life and that you were now. Both you and Kylian were stable in careers, you two lived together, you had been together for a while and you had the means to raise a child.

He couldn't see where it would be a no.

As much as he wanted a kid with you, the idea of making a kid was much more appealing.

Clothes on the floor, hands all over each other, watching as you begged him to cu- "You okay?" Ethan asks his older brother, breaking his thought.

Kylian clears his throat. "Yeah," he nods, a smile on his face as you glance over your shoulder at him.

"They love her," Ethan nods towards you with the kids, "y/n's always been good with them."

"She was good with you too," Kylian teased his brother. You two had begun dating just before his World Cup win, the two of you barely 18 years old and Ethan was 12 - still a child in his brother's eyes and he always will be.

Ethan rolls his eyes at his brother's comment.

After some time, the kids started to get tired which was their parents' signal to head out. You and Kylian left not too shortly after that as well.

Your boyfriend finds you in the kitchen after he changes for bed, his arms wrapped around you from behind whilst your elbows propped on the counter as you waited for the kettle to boil.

"Something on your mind, baby?" You asked him, twirling the string attached to your tea bag.

"Just thinking."

"About?"

Kylian hums. "Kids."

His answer catches you off guard, you turn to face the man with a confused look on your face. "Kids?"

He shrugs, smiling. "Seeing you with the little ones today, I don't know - it got me thinking. It'd be nice to have our own, don't you think?" His hand rests on your hip, thumb disappearing under the hem of your shirt.

A glance at your boyfriend's hand, your eyebrows raised. "Do you really mean having kids or making kids?"

You can't help the laugh, kissing your boyfriend. The man wraps his arms around you, pulling you flush against him. Kylian picks you up, holding you tightly as he kisses you and carries you over to the couch.

Kylian puts you down, sitting on the couch for a moment as he looks at you. You take that as your sign to undress.

The silk shorts sliding down your smooth legs, pooling by your ankles before you step out of them, you pull off the tank top and that leaves you in the blue set he loves. You reach behind to unhook your bra but Kylian stops you, “leave it on.” 

He pulls you by your waist back to him, his hand slipping down to rest on your ass before giving it a smack. You’re quiet, looking down at your boyfriend on the couch. 

He puts you to lay on the couch, he’s sat between your legs with one on either side of him. You’ve propped yourself up on your elbows to look at him and Kylian drags his fingers up your thigh, moving to your clothed pussy. 

“I like this,” he tells you, fingers rubbing over the blue lace. 

You smile, “I know.” 

He pulls the panties to the side, his eyes fixed on your pussy. He gives you no warning, pushing his fingers into you. The sound leaving your mouth was like heaven on earth to him. 

Kylian's fingers curl upwards, your back arching at the feeling. 

“Keeks, please.” your hand reaches down to wrap on his wrist but he swats your hand away, managing to pull both to rest on your stomach and his free hand over your hands, pinning them to your stomach. 

You try to wiggle your hands away from him, trying to grab on something. “Behave.” He tells you, adding another finger. 

Your face twists, pleasure all across it and our hands stop wiggling, he smiles, satisfied. 

Kylian can feel it; he knows you’re close, you’re squeezing on his fingers, your thighs trying to close, trying to squirm away from the pleasure. 

He can feel your eyes on him, he reaches for the blue lace you’re wrapped up in and tugs it down your legs, letting it fall to the floor with the rest of your clothes. He shifts to lay on his stomach between your legs, leaving a trail of kisses as he works his way up to your cunt. 

Your eyes meet his, he knows you’re looking. He wants you to look at him. 

Your hips buck when you feel his tongue against your clit, your hand gripping on his hair. 

Kylian knew you like the back of his hand, gripping your thighs to keep them in place as his tongue lapped your clit. Your hips buck, your way of saying you want more, he gives in. 

"Please," you whimpered.

"What, mon ange ? Tell me."

You look at the man between your legs. "Fuck me."

There was no hidden meaning behind it; no scolding, no need to hurry him up - you wanted him and that was it. 

“Gonna let me fill you up princess? Hm?” He asks, shifting to line himself up with your cunt. You nodded eagerly, your leg hitching on his hip.

At this point, you can’t do much except lay there and take it; not that you don’t want to because you do, you really do. 

The tip of his cock brushing over your clit before moving to push into you. Your back arches, hips jutting forward to meet his.

Hard and rough, not enough to hurt you but enough to tell you that he's in charge.

Kylian wanted to hear you.

His hand now on your chin. “C’mon amour, let me hear all those pretty sounds you make.” He says, the angle you were at puts him deeper than before.

The slightest movements and you can feel it in your stomach. It’s like he can hear your thoughts because his hand moves from your chin to your stomach. His big hand spread over your stomach, “you’d look so pretty with a baby in you, hm?”

Kylian lets you fall back onto the couch, both of his hands on your hips. “Maybe I should fuck one into you.”

His name falls from your lips like a prayer, he could listen to you say it over and over again. You were close enough that you could taste it.

“So good for me, you take it so well.” He whispers to you, kissing under your ear.

“Uh huh,” you breathe, leaning back against him, your legs felt like jello under you. Your head drops back onto the couch, begging him to let you cum.

He lets you drop back, back arched for him once again. He feels you cum around him, the wetness covering his cock. It’s not long after, followed by a few sloppy thrusts, that Kylian cums too.

The tip of his cock brushing between your folds, spreading his cum all over your pussy.

He pulls away, smiling at the whimper he gets from you. His fingers replacing his cock, covered in his cum when you roll over, he sticks his fingers in your mouth and he doesn’t have to tell you what to do.

“Good girl,” he hums, watching as your tongue laps over his fingers. Kylian pulls his fingers away, leaning down to kiss you. A mess of the two of you, not sure where one of you starts and the other ends.

You lay there for a while, Kylian on top of you, your leg tossed on his hip as his head rests on your sternum. Your fingers drag over his shoulders, the man humming quietly.

"We should do that again," he whispers.

You laughed, "keep it up and we'll end up with a baby by next Christmas."

Kylian nods, kissing you. "Let's try again then."

--

taglist: @nosugarallspice  @evieepepi08 @mimithepooh @koufaxx @dannyramirezwife-simpaccount @topguncultleader @molliemoo3 @aisharmi @mamako23 @ac3may @lewislcver @miahgonzalez16  @books-and-netflix-pls  @wibi96 @bwddermilch @pedrisgatorade  @clarasenchant @sainzluvrr // @trentsfav @trentsmyfave @noturbabe22

[cranberryjuice-posts]

Okay this fic idea has been in my head for weeks...

Imagine reader being Percy's (full) sister and secretly dating Clarisse. And Percy's rambling about not liking "hating" Clarisse and reader is just doing whatever and doing that thing where someone's pretending to be interested just hums and agrees absentmindedly and then he just says "Fuck Clarisse" and reader is like "GIRL I'M TRYING, BUT SHE'S BUSY" (this is not an actual smut request for her tho), but reader accidentally said it out loud (ik it's cliche to 'accidentally say stuff out loud but I like it in this context). And Percy is like "Excuse me what da fok" and then he storms off to yell at Clarisse and reader hears him yell "REALLY?! MY SISTER?!" and everyone who's watching is just scared for Percy and the consequenses of yelling at Clarisse.

I imagine the "Look here comes the consequence of my actions chasing me right now" audio during this scene

- I’ve been trying -

Pairings - Clarisse La Rue x Fem! Reader

Synopsis - your secret relationship with clarisse quickly becomes not so secret

An - I BURNT MY FUCKING FINGER

Palestine aid links

It was a few hours before capture the flag. Most kids spent their time preparing for the game as it was the last one for summer; you however were pressed up against a tree with your favorite girl trailing sweet kisses down your neck.

“Fuck” you gasped as clarisse found your sweet spot. Bringing your hands to her hair you slightly tugged it, almost like an attempt to bring her closer of you could.

Clarisse flattened her tongue against the red mark she had began to leave. Her grip tightened on your hips and her leg pushing slightly between your thighs. The moment would of gone further only if clarisses brother hadn’t started yelling for hee.

Hitting her arm clarisse eventually came to, pulling away only slightly. “What-“ she panted heavily.

“Mm your brother he’s calling for you” you complained with a deep breath. Annoyed clarisse rolled her eyes. Taking a look around she returned her gaze back down at you, taking a notice of your pupil blown eyes. A giddy grin crossed her lips, finding her cocky attitude amusing you pushed off the tree to kiss her sweetly.

Shaking her head some clarisse squeezed your hip one last time. “You have no idea what you do to me… we’ll have to finish this later I’ll be busy for the rest of today and probably tomorrow” she sighed.

“Really” you complained making clarisse chuckle. “Yeah really, don’t get to bitchy it’s just two days”

Hitting her arm again you chuckled again. “Shut up I don’t get bitchy”

“Uh huh whatever you say babe” she teased drunkly walking backwards. Grabbing her spear she blew you a kiss before jogging towards the sound of her sibling calling.

——

“Then she has the AUDACITY! The fucking—“

“Language” you sighed giving Percy an authoritarian look. Shrugging you off he continued his ramble on about how he hated clarisse.

Shaking your head some you smiled finding it amusing your little brother hates your girlfriend. Though no body knew she was your girlfriend. You both agreeing on keeping it a secrete as it kept people off clarisses back and Percy off yours.

Your relationship with Percy had always been a little strained. Finding out you were a demigod let alone a daughter of Poseidon you had left home at an early age; causing you to never really know your brother. Growing up at camp it seemed like Percy was more like your friend than sibling. You still came home however, every holiday you were back in the same shitty apart with the same shitty step father.

When Percy finally came to camp it was easier to build a relationship with him. And for once… it felt like you really did have a brother.

“…also her blaming me for her spear breaking like it isn’t HER FAULT for attacking me! And I swear to the gods if I hear one more person say she isn’t that bad I’ll scream” Percy groaned holding his head in his hands while he paced in mad circles. Finally tuning back into the conversation the first thing you had heard — “UGH fuck clarisse!” He huffed.

“Girl I’m trying but she won’t be free until Sunday” you groaned holding your head back. It took only a moment for you to realize what you had said.

Looking at you then a door he quickly ran out, following his lead you chased after him. “Percy wait!” You yelled half laughing.

Instantly finding clarisse Percy stood before the cocky girl who was sitting with her siblings on the porch of their cabin; waiting for the final hour before the games.

Clarisse turned her attention from her brothers to Percy before scoffing. “What do You want beanstalk” her instult causing a small fit of laughter around her.

“MY SISTER OUT OF EVERYONE YOUR SLEEPING WITH MY SISTER!!” He shouted causing his face to go red.

The people around went quiet. For what seemed like minutes lasted only a few seconds before Percy began yelling again.

Clarisse who was stunned just sat there and let the boy yell at her. Standing right beside him was an embarrassed version of yourself.

At a certain point she had gotten tired of the small boy shouting at Her. His breaking voice annoying her. Standing up clarisse walked over to you, placing her hands on your waist and kissing you sweetly.

A slightly laugh leaving her lips as she knew your brother was watching in astonishment. Breaking the kiss she smiled at you before turning her shit eating grin to Percy. “Mind your business. What your sister does with me I’m sure you don’t wanna know” she chuckled, hitting your ass before walking away with her siblings following quickly.

Percy looked at you once again shocked. “Isn’t she dreamy” she smiled giddily. Your brother sighed, grabbing your shirt and dragging you away.

[fuckyeahgoodomens]

Good Omens graphic novel update: August 2024

This time last year, the Kickstarter was in full swing, what a journey it’s been since then! Colleen is still working hard to complete the graphic novel and we have some incredible pages to share with you.

There have been many merchandise updates in the past few months and whilst a number of backers told us they loved these, others wanted to hear more directly about the graphic novel itself. So, for this month we will focus 100% on Colleen’s work, and how the various editions of the book are coming along. Everything is shaping up rather nicely, if we do say so ourselves!

You may have seen some of the sneak peeks Colleen has posted recently, such as this wonderful scene between our heroes:

And our favourite angel and demon on the road.

Collen has recently shared a rare view from her drawing board with us. "Working on pages 75 pages apart at the same time" she explains. The joy for us is that these pages arrive similarly out of order, so the graphic novel is unfurling like a magnificent jigsaw.

The reversible alternative covers by Rachael Stott and Frank Quitely are coming together beautifully. Different vibes, both ‘heavenly’ and we’re delighted to share them with you:

Moving inside. Here's an introduction to your introduction: our favourites include: Dog: Satanical hellhound and cat-worrier. Everyone should have one!

With the pencils mapping out the story almost completely in place, here are some samples from across the book – don’t worry we’re not giving too much away. It is always interesting to see these images come in, then watch them evolve over time

As we enter the latter stages of inking and colouring, we're also getting glorious new artwork by the bucketload. Colleen has been working diligently and it’s simply wonderful to see the story coming to life so vibrantly.

We shared this a few updates ago in its inked form. Now here it is in full glass-shattering colour.

A jaunty moustache and some 'definitely not-bad-news' being delivered in the middle of a birthday party.

A prior inked piece we shared before. Crowley venting his frustrations, oh so subtly.

And here's a closer look at some of the Horsemen in situ.

...of course you must also have some snippets of Aziraphale and Crowley having a fine time with books and wine.

And this rather lovely panel ends the previews of our main duo for this update.

But one final thing before we leave our heroes for this month... feast your eyes on this absolutely gorgeous celestial piece.

And now to the admin.

If you have a query, please check the Good Omens graphic novel FAQ page at terrypratchett.com. Some key recurring questions:

The Good Omens graphic novel was listed to publish in July 2024 - why have I not received it? We shared an update on April 16th 2024 introducing the new timeline and full context on why dates had to be moved. You can read that here. We appreciate that some didn't catch the timeline update and had been expecting items to arrive across July and August - the graphic novel and surrounding items are due to arrive in Spring 2025 to align with the new publication date. Thank you for your patience. We promise that it will be worth the wait!  

I've been in touch with a query about my pledge but have not heard back - what should I do? We have been dealing with a significantly increased number of messages recently and our team are working through them as best we can. If you have messaged over a week ago and are yet to hear back, please get in touch again, either via the message thread on Kickstarter or your previous email chain. Rest assured, we are reading and working through all messages as quickly as we can and appreciate your patience.

If your question is not answered in the FAQ, please don't hesitate to contact us and we can get back to you as soon as possible.

Events

We announced in our June update that Crowley's S2 Bentley would be appearing at ACME Comic Con in Glasgow. Unfortunately, our team will no longer be attending, so the Bentley will not appear at this event. We wanted to let you know as soon as possible in case you have booked tickets expressly to see it, or to meet the Good Omens HQ team. Maggie Service is also no longer attending the event, however Quelin Sepulveda, our beloved Muriel, is still appearing on the Saturday, and there are many filming locations around the central belt of Scotland if you are visiting, so you can still make your trip a little more ineffable. We apologise for any disruption to your plans.

Colleen has also had to cancel her appearance at the upcoming DragonCon, as she explains here.

[hoshigray]

Sweet Blind Summer Fling ༄ S. Gojo

"Due to a bet made by Nobara, I made an online dating account to set myself up with a blind date. Although a bit witty and annoyingly childish, Gojo's remarkably handsome and sweet...So, how the hell did I end up sleeping with him on the first date!?"

A/n: Alright, y'all, it's time for the second entry for my summer series!! Not gonna lie, it was fun to write as it's my first time writing for Gojo. I think I did a decent job capturing his character in my style, but you will be the judge of that. This was supposed to be posted on Monday, but I was overwhelmed (had 1 hour of sleep) and dropped something else. But we're good to go now! :) And fyi: there's a bonus scene at the end that sets up the next story as they are connected. Any spelling/grammar errors will be dealt with tomorrow.

Also, guest appearances from my lovely mooties (@cu7ie // @kazushawty // @etherealxmaya // @hqkalon // @yourrfavzxri // @neptunes1nterweb) because I felt like it, lol. Hope this puts a smile on their faces if they see this :3

Series m. list!! This entry has been updated along w/ its contents.

Cw: switch! Gojo x fem! reader - explicit content, so minors DNI - blind date/online match-up - age difference (the reader is at least in their 20s; Gojo is around early 30s) - texting back and forth - sex at a hotel - one night stands - consensual sex under the influence - protected sex (PSA: wrap it up, or get the fuck up) - cowgirl + lotus positions - pet names (angel, baby, dollface, pretty, princess, sweet thing) - clitoral play (swiping and pinching) - praise - mentions of drug/alcohol use (reader and Gojo don't get blackout drunk, but y'all get tipsy) - a bunch of silliness bc it's a Gojo fic (duh).

Wc: 6.9k (7.4k with the bonus scene...never say I don't do anything for y'all)

Dear Diary...I once again have come to you with more thoughts that cloud my personal judgment. I did not think you'd be of use to me again. But after what happened last night, it's worth having you in front of me and a pen in my hand again once more...

After finishing your finals, summer break has finally welcomed you with open arms. Two semesters of painful studying and sleepless nights have been long forgotten since you turned in your last in-person exam! You've started working at an internship that you've been dying to get, enjoying the new things you're learning from experienced colleagues, and finding love in the field you've grown and studied for this entire time.

In addition, you also have all the time in the world to hang out with your best friends — Yuuji, Megumi, and Nobara! Just last weekend, you four hung out at this new sports bar that recently opened and had the most fun experience! Yuuji made new friends with people at the bar who kept buying him drinks; Megumi had to begrudgingly watch over the salmon-haired other to ensure he didn't croak from alcohol poisoning, and you and Nobara took sweet pictures together for your summer album.

It's been a great summer so far. There has been nothing that could bring you down from enjoying this season in the best way you can. Absolutely nothing that could throw you off your summer grove!

However, that's what you initially thought. Because why else would you be in some random hotel room writing in your diary.

To get the full context, I'll take you back to the night I and the gang left the sports bar. We spent the night at Yuuji's as he and Nobara tried to sober up...

It was a chill evening in your friend's place, you and the other three in the living room chatting with the television on low to not disrupt his sleeping grandfather. Yuuji was sobering up by eating bread and drinking water, Megumi was on the couch reading something on his phone, and you were arguing with Nobara.

The auburn-haired other points to you with her index, holding a glass of water. "I told ya, you lost the bet!"

"How!? You literally cheated!" You push her finger out of the way as you two giggle at your complaints. "You kicked Yuuji in the shin to distract him, and I didn't even know I was a part of the damn thing!"

Now your pink-haired friend jumped to say words of his own. "That was foul with what you did; I should've fallen to the floor and acted like I was really hurt. Have you paying my medical bills."

"Blah, blah, blah, sounds like a losers' pleas to me." Nobora rolls her eyes while you and Yuuji glare at her. "And you! You didn't say you were out of the game, unlike Megumi. I said, and I quote: 'When the wings touch the table, the bet is on,' and guess what? By the time the wings got here, I didn't hear a single peep out of you saying you forfeited from the challenge! Once you picked up a single wing, your ass was set in stone!"

"Oh, for fuck's sake, you annoying bitch..." you groan in your hands as the woman maniacally barks her laughs. "Alright, fine, I ate the shortest portion of wings. Therefore, I, Y/n L/n, declare myself the loser to this fuckery of a challenge. So, Queen Cheater," Nobara snickers to herself at the title you've given her. "What is my punishment?"

You should've known by the evil twinge of your friend's lip that the punishment would be absurd. "I, Queen Cheater," she takes a confident swig of her water before sealing your fate. The words she says next shake to your core, and the decline of your dignity hits you like a bullet train. "...Hereby dare you, the loser, to make an online dating account and find thyself a blind date!"

Your disapproval fell on deaf ears, forcing you to resentfully grab your phone and download a dating app. To make matters worse, you had to make the account with your friends watching (minus Megumi, who still wanted no part in what you all were doing). Once you were done setting up your profile, the three of you looked to the screen to look at the other users, who were also on a quest to find a sense of courtship.

The past thirty minutes have been spent looking at all the users around the area, swiping left and right for those who did and didn't pique your interest.

Todo Aoi (22) "I like 'em tall, with a FAT ASS. If you don't fit the criteria, it's gonna be hard to convince me."

Oh, brother.

Sol (18) "Don't know about a long-term relationship, but we can be chill if ya wanna be friends! :D"

Seems nice. Maybe a chat wouldn't hurt.

Mei Mei (36) Don't ever expect me to pay for the first date or any date. Will you see me again depends on what you have in your savings. ♡

Alright, I appreciate the honesty. But nope.

Karma (20) "Tbh I'm secretly married to my four wives: Hoshi, Maya, Sae, and Zari. But if you look like or are Toji Fushiguro, hit my DMs pronto!! Shhhh, don't tell Hoshi tho, she might divorce me :P"

Okay then—Wait, isn't that Megumi's dad??

Hoshi (20s) Don't listen to Karma. We are very much divorced, and my heart belongs to my one and only: Toji Fushiguro :/

Alrighty then...

Sapphire (19) "Call me MLK, cuz I had a dream about us 🫦"

Fucking no!

Frustration keens in through a heavy sigh. Usually, you'd be happy knowing you can't seem to find a match; however, for this situation, Nobara Kugisaki will not let you off the hook until there's someone worthy of the swipe of invitation. You groan in exhaustion, throwing your head back onto the couch behind you.

With no luck, you decided to call it a night and try again later. So you called an Uber, took yourself home after saying goodbyes to your friends, and reluctantly promised Nobara you'd let her know if you'd get a blind date. With a nice shower and some comfortable PJs, you're now lying comfortably on your bed and looking through all the pictures you took tonight. Then, for some reason, you had the urge to go back on the dating app to look through more users to match up with. Probably because you'd prefer to get this bet out of the way now than later. Regardless of the justification, you spend about twenty minutes swiping and reading through many other people's profiles, and — just like before — not many people catch your eye.

That holds true until you stumble upon a name and description that sparks your curiosity.

Satoru Gojo (old enough to be irresistible; 31) "I was made perfect, I can do everything perfectly, but I want us to be perfect together (･ω<;)☆"

It might've been the use of the emoticon or the confidence that seeped out based on the tiny description. Whatever the case, you stayed on the user's profile for quite a while longer than the others. Even going far as to read his profile thoroughly: knowing what his likes and dislikes are, his height, a fan of Digimon, and so on.

And you contemplated whether or not to swipe him to the side of approval, but you made up your mind after a few minutes of inner discourse. It's not like I'll match up with him immediately. So, you gave him the go and continued on with your search.

Although, that was short-lived because what happened next surprised you to the point that sleep no longer claimed over you.

"Contratz! You've successfully matched with Satoru Gojo!"

Wait, what!!??

You were utterly perplexed by the pop-up showing up on your phone screen. There's no way this was happening, all under the same night, too! And what surprised you the most was the fact that he was awake as well, sending you the first message:

gogojojo: Hey!

Oh, fucking shit. Your body tenses at the greeting, reading his username and message repeatedly. Quickly, you take a few deep breaths to ease yourself before doing something stupid. You answer him with a salutation of your own:

y/ndontwannabehere: Hi there!

gogojojo: A night owl too, huh? Couldn't sleep?

y/ndontwannabehere: Yeah, was just on my phone for a bit, until I saw your message.

gogojojo: Lucky me! I was surprised to have you as a match, I saw your profile about an hour ago.

y/ndontwannabehere: I'm also surprised as well, you're one of the few people who I seemed interested in.

gogojojo: Well, I'm flattered :D Now that you got my attention, what would you like to know about me?

y/ndontwannabehere: Okay...it says you're six-foot-three, how's that like?

gogojojo: I may be six-foot-three, but I'd like to be six feet under you ;3

y/ndontwannabehere: ......

......I regret giving this dude a chance.

Because of the terrible pick-up line, you closed off the app and turned off your phone to switch the lights off and go to sleep. However, another text sends your phone vibrating on the dresser's surface.

gogojojo: Woooow, not even a pity laugh? :/

You shake your head at the notification, but a smile creeps up when you open your phone and tap on the keys to message back.

y/ndontwannabehere: nope, that sucked ass.

gogojojo: Hey now!! >:T you can't say it's ass if it did what it was supposed to do

y/ndontwannabehere: and what's that?

gogojojo: got you here talking with me ヾ(●ε●)ノ

His message makes your smile broader, and you spend the rest of the night talking to Gojo.

It continues for two more weeks, sharing pieces of info about yourselves while rolling your eyes at his annoying jokes and pick-up lines. But for the most part, you enjoy your talks with the stranger on the other side of your screen.

And it all goes swell until he drops this:

gogojojo: Hey! Wanna go on a date with me this weekend?

You were lying on your bed watching Netflix, and you almost choked on your dinner when the message popped up. So in tune with the back-and-forth between you and Gojo that you had forgotten why you made an online dating account in the first place! You grab for your phone to reply:

y/ndontwannabehere: you're serious?!

gogojojo: yeah! I mean, you and I've been talking for a while, I'm kinda into you, plus we could meet up somewhere close. Besides, I would like to see you, and I know you're dying to see me too :)

y/ndontwannabehere: And what makes you think I'd DIE just to see you?

gogojojo: Because why would you not~? You'd be surprised by how many people I've had fallen head-over-heels for me~

y/ndontwannabehere: well, guess I'll be the first one to not be >:3

gogojojo: HUH!!?? Don't say that, I'll cry

y/ndontwannabehere: LMAO grown ass man crying over rejection

gogojojo: Rejection hurts, and I have a weak heart!! :'000

y/ndontwannabehere: Liar.

gogojojo: ANYWAYS! You up for a date?

And that's how you started dressing yourself up on a Friday afternoon, fixing yourself up in front of your bedroom mirror. Checking your phone periodically for Gojo to tell you when he's in front of your home.

You already texted Nobara that you got a blind date, to which she praised you with monumental amounts of supportive text messages and emojis and a text stating she'll throttle you if you don't tell her all about it. It was humorous: you created the online dating account because of a stupid bet for a random date — and now that it was here, you didn't know how to feel. You can't say when was the last time you ever went out with someone, let alone on a blind date! Anxiousness shadows you about the whole thing, but after chatting and getting to know a little bit of Gojo, perhaps it wouldn't be so bad of a date.

After all, the guy seems likable and fun to hang out with based on your interactions. Plus, it's only a date. That's all it is. Absolutely nothing attached in any shape or form.

Thoughts grind to a halt when you hear your phone vibrating on your dresser, a text from Gojo.

gogojojo: I'm here~~~ Ready to fall madly in love with me? :3

Your heart skips a beat at the message, biting the bottom of your lip in nervousness. You send him a reply:

y/ndontwannabehere: Nah, ready to barf right in front of your face :P

gogojojo: Such a rude person :/ Get your butt out here

You giggle before shutting off your phone and grabbing your bag with all your necessary items. Before you leave, you look in the mirror one last time, using this moment to mentally prepare yourself for what's to come. The day has come; you're about to go on a date. No going back now, and I can finally put this dumb bet to rest!

You open your front door and enter outside, the summer heat crawling on your legs from your cute jean shorts and your shoulders excluded from the cream-white cami top. You see a black car — a black 2018 BMW XI — parked right on the street, windows tinted to hide the face you're looking for. But when you draw closer to the vehicle, the passenger side window slides down, and you finally meet him.

The man of the hour himself, the man you've been talking with for two weeks straight, and the man you were about to experience a complete mess of a date with: Satoru Gojo.

"Hey there," his voice was chipper and friendly; his texting style matched his speech. From the window, you can interpret his outfit: a blue flannel shirt covering his white Tee and black jeans with a silver chain emanating from his belt. His eyes were blocked by dark circle sunglasses, making it hard to decipher the color. But his snow-white hair was the first thing that caught your eye, contrasting with the black interior of his car. "Y/n, right?"

You smile at your name. "Correct, Mr. Gogojojo."

He snickers at the use of his username. "You look cute, and I know you like what you see since you were eyeballing me up and down."

"Yeah, whatever." You roll your eyes before opening the passenger door, putting your bag between your legs as you sit down. While putting on your seatbelt, you can feel the bass subtlety vibrate within the car, and the music was...What the fuck? You look at the front integrated head unit on the dashboard and see what artist the man is listening to. "...You listen to Zack Fox?"

"Yeah, I was listening to his songs on my way here! You know his song Marinate?" And before you could answer, the white-haired man sang along to the lyrics. To your perplexity, you just watch him rap along with the artist and the outlandish lyrics. And he just keeps going until the transition to the second verse. "Funny, right?"

"You know," you shake your head at Gojo, whose grin goes wider. "I was about to fall for you until you started rapping the lyrics."

"Whaaaat, he's a comedian, it's meant to be funny!"

"Whatever. Let's just hurry and get this date over with."

"Oh, sounds like someone's ready to be wined and dined by me." He starts the car and shifts between gears. "Don't rush things, princess. Good things come to those who wait."

"Just drive!"

Gojo laughs at your complaints as he drives off on the street. You playfully groan to yourself at your date's antics, looking out to the window to watch your surroundings move past your line of sight.

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"Ever since high school, I would eat a pack of gummies anytime I was doing homework because it stimulates my brain and helps me focus. So by the time college came around, I got so used to eating sweets that I naturally started liking them." Gojo took a sip of his milkshake. "But then, when my best friend and I went to our first house party, I had my first drink. And, Y/n."

"Oh God, what?"

"The taste was so bad that I tried downing it all in one chug. Well, that came back to bite my ass — and my best friend got the worst of it."

"Gojo, what did you do?"

"He was sitting down on a couch talking to someone, and I was behind the couch feeling all squeamish. So, before I could stop myself, I barfed on his hair!"

"Oh, my God, No!!" And the two of you roar in laughter and bang on the booth table you were sitting at.

The date was at an old, vibrant diner in the city where Gojo is a regular customer; the cozy and welcoming atmosphere had you erase any anxious feelings about this date and feel a little more confident. You and Gojo took things slow, you talking about your summer internship and him of his job as a high school teacher.

The conversation started the topic of summer break came to play, prompting you to talk more about yourself and your friends. That flipped the switch entirely as you became more open about your friends and their goofiness. And as a goofy man, Gojo was intrigued with your stories and had him reminiscent of memories from his youth. Although, you've come to find out that Gojo takes his playful nature to a whole other level, and it's been having you two laugh about said foolishness for the past hour.

"The funny thing is, right, he was talking to this sophomore girl that was eyeing him up the whole time we were there," Gojo says through wheezes. "And he was finally talking to this chick, and she was really getting into him. I didn't mean to intrude on his parade or anything, but as my best friend, you're supposed to help me through thick and thin. I was going to ask if it was okay if I headed to the dorm alone while he stayed at this party. And then, vomit happened."

"Ewww, you terrible friend!" You try to eat a fry from your meal, but your giggles make dining difficult. "No wonder he pranked you with a weed brownie."

"Jokes on him; I still nailed my presentation for my exam. I don't remember saying anything I said, but I take pride in whatever I did to get that A." He takes a big bite of his burger and swallows before saying more. "And I started seeing the sophomore girl he talked to afterward, so checkmate."

You gasp at the information and throw a piece of your food at him, which he effortlessly catches with his hand and eats. "You petty bastard! I'm on your friend's side all the way."

"No regrets!" He hits you with his annoying chuckle that has you smiling hard, and the light above your table makes his dark sunglasses shine chicly.

"Oh, yeah?" You inquire. "I bet I could make you regret it."

The man on the other side of the booth scoffs. "Is that so? And how are you gonna do that, my pretty princess?"

You didn't think he'd buy your bluff. So, the truth is, you had no idea of how'd you punish the snow-haired man. Looking around the diner, you scope for anything that sparks a concept. You then turn to his side and notice a booth at the far end. A woman was laughing with her friends and sipping on a cocktail, making a slightly sour face after taking a drink.

And then it hits, along with a sneer, and you peer back to your date.

"You don't like alcohol, right?" He quirks up a brow at your question. "How many times have you had a drink in your life?"

"Three or four."

"Well then, I dare you to drink three or four cocktails. No milkshake or water to help you get through. Just the ice cubes in the drink."

White brows furrow, and even if the shades block them from your interpretation, you can tell Gojo is studying your face in deep thought with your so-called punishment. Ten seconds go by before he scoffs again. "I'll take up on that. On one condition," he leans back on the booth seat. "You have to take the drinks with me as well."

Now it's your turn to raise a brow and think about his words. "You're paying for the drinks."

"Done deal." He pulls his hand outward to you, initiating a handshake to set the seal in stone before continuing on with this game of yours. You happily shake his hand, commencing the punishment to officially start.

One cocktail was a breeze for you but a bit of a doozy for Gojo to stomach; you had to warn him that if he barfed on you, you'd ditch him and block him for life. Two cocktails in is when you begin feeling tingly. Your date was going through it halfway into the glass, so you had to compromise that a glass of water was needed for him.

Three cocktails in, and you undoubtedly feel the alcohol hit you behind its sweet and tangy facade. You can hardly look at the drink, same with Gojo. You two look at each other and shake your heads in disagreement, pushing the glasses to the side and groaning with your now-drunk selves.

Gojo is the first to say something. "As far as disciplines go, that was, without a doubt, one of the worst things I've had to endure."

You giggle. "Honestly. But I—hic! Excuse me. I bet you're regretting throwing up on your friend's hair now. I did it for his sake, after all."

He only looks at you through his glasses. He then gets up from his side of the booth and walks to yours, and you scoot over to let him have a seat. "Nah, don't regret it one bit. Because if I hadn't done it, I wouldn't have you over here laughing and suffering in alcohol with me about it." He maneuvers his hand to rest on your shoulder, and you allow him to move closer to you. "Wouldn't be spending this fun evening with you."

Your eyes hesitantly venture up to his face, welcoming you to the tension that builds up with the lighting and soft music of the diner. His hand rubs on your shoulder in a comforting manner, a gesture you take note of even under the influence. "You know, since you're enjoying having me and all, don't you think I should have a reward for doing your punishment with you."

"And what reward do you have in mind?"

"Can I see them?" You use a finger to motion your own pair of eyes, resulting in the snow-haired man in a short chuckle. But he doesn't argue with you and uses his free hand to remove his shades.

Icy blue is the first thing that comes to mind when you look at his eyes. His orbs are a rarity to the usual crowd, yet they go perfectly with his peachy complexion and pale hair. His orbs hooded and honed in on your figure, appearing soft because of the slight rosy shade of pink on his cheeks. You take in every single feature of his face before speaking.

"Well, I'm starting to see why so many people fall for you, Mr. Gojo." Your face goes hot with the sudden confidence that sneaks within you, yet you continue. "You're very attractive."

He chortles at your comment. "Thanks, dollface. But I don't think it's fair that you only get a reward from me. After all, I almost drowned in alcohol."

You hum. "Fair enough. What would you like?"

His face doesn't change with the following sentence he utters, but you take note of the slight squeeze on your shoulder. "A kiss from the princess would sure warm my heart."

Brows draw upward and breath hitches. A kiss? On the first date? On a blind date?

You don't know what possessed you to do this — it might have been the cocktails. But you incline your face to his and move forwards, your plump lips land on his soft ones for a simple kiss. And with the low hum of his voice, you place another. And another.

When you remove yourself from him, his eyes open to meet yours. A smile gets broader, and so does yours. "You taste sweet," you say.

"So do you." His fingers toy with the strap of your cami top. "Kinda want to kiss you more. And, you know, do a little more, only if you're up for it."

You give him a look. "I believe I just gave you a reward after receiving yours."

"I know, I know," he raises his other hand defensively, but he doesn't remove his smirk. "That's why it's up to you."

You only look at him as he waits for your answer. You already kissed the man; what more is supposed to happen on a blind date? Thoughts on what to do are carefully calculated in your mind, remembering the reason why you're even on this date in the first place. Without Nobara's stupid bet, none of this would be conspiring. Yet simultaneously, it's not like you were having a terrible time. If anything, it was quite the opposite. Not once did you feel uncomfortable around Gojo's presence or feel the need to call off the date. Just enjoying his company and character that attracts you to him more. Even if it means spending the entire night with him.

I'm already deep into this night. What's the use of stopping now.

"So?" Your eyes peer up and down on his figure. "What does 'a little more' entail?"

One moment you and Gojo were enjoying each other's company at a diner, then the date was moved to a different location the next. Now you and the white-haired man are in a cozy hotel nearby. You expressed your worries about Gojo driving you two to the new spot as he still had alcohol in his system. But your complaints fell on deaf ears as he persuaded you into trusting him ("Don't worry, it's like three streets away! Plus, it's almost midnight. No one's on the street." "If you crash us into a pole or something, don't ever ask to talk to me again." "Duly noted~" )

The two of you got yourself into a small hotel room. Soft lighting from the lamps bathes nude bodies lying on the comfortable queen-sized. You mount on top of Gojo, a makeout session warming the two of you up with the exchange of body heat. Sucking and biting each other's lips, his big hand at the back of your neck to deepen the kiss, and the grind of your hips on his firm erection makes the throbbing sensation between your legs flourish with your slick painting him.

His kisses trail down to your neck, and you allow him to venture below your clavicle. Pillowy lips pepper your chest and eventually find your breasts, taking a hardened nipple into his warm mouth.

A sharp cry exits your mouth when Gojo lightly teases your nipple with his teeth. "Mmmm! G-Gojo, pleaseee, I want it," your words come out in whimpers, your body quivering as your cunt brushes against his erect cock shielded by a rubber.

"Is that so, dollface?" He coos at your pleas, his hand running up and down the cusp of your ass and slender fingers teasing your aching entrance every time they draw nearer. "Then go on, ride on my dick like you want to."

His permission has your face go hot, but you station your hands on his chest to propel you upwards, admiring the view of him below you for a moment before lifting your ass. He moves his hands behind his head to relax, signaling you to do the work yourself and at your own pace. And with that, you do.

Your bottom raises until you position the tip of his shaft on the squish lips of your folds. Your breath hitches at the contact of his glans. His smooth voice coaxes you. "Relax, sweet thing. Take your time." You take a few moments to even your breathing and mentally prep you for your following actions. Hips gradually go down and push the cockhead further between your folds. Entry is prompted through the pain with every breath, and a sharp gasp lets you know that his girth finally enters you. And Gojo moans as well.

"Hmmm, that's it." He comments sweetly, his blue orbs tracing the union of your sexes. His hands now snake to your hips, and he throws his head back on the pillow under him. "Ready when you are, princess."

When you're ready, you move your hips downward to take in more of his member, the size of him widening your folds to accommodate the foreign limb intruding inside your vulva. His curve nudging your inner walls has your legs quake, and you concentrate on not being hasty and taking his cock all in one go. So once you finally meet the base, you exhale shaky and use a few seconds for your body to adjust.

Knowing you have the reins, you start to move. You start off with a slow speed, letting the feeling of his dick rub your walls in a steady position. Your whining is muffled with the bite of your lip, but not the man below you. He proudly expresses his pleasure in his moans, the hold on your hips getting tighter.

"Haaahhh, so good and tight," Gojo purrs, egging you to dial up your tempo. He notices you biting the bottom of your lip, and he chuckles. "Come on, baby. I wanna hear that cute voice of yours. Lemme hear it all." He then surprises you with a sudden thrust, evoking a choked cry from puffy lips.

You get the memo then and just let the pornographic noises fly, every moan getting higher and louder with the pace of your hips. His length drilling within you with each intake, and you lean forward for your clitoris to stimulate with the friction, causing you to jerk. You can't tell if it's because of the sex or the cocktails from hours ago making your nerves so sensitive and tender. But in any case, it makes you feel so good right now.

And when you lean back, the feeling gets even more ecstatic, resulting in more mewls from you. His dick goes even further than before, grazing your sweet spots and walls with precision with your increased speed. You swerve your hips in circles, having the man groan. To counter, his hand snakes down to your clitoris to play and pinch on, and you scream.

"Ahhhnn! Haaaah, Gojo! It feels so," the sounds of your ass smacking on his things are now apparent to the ears. The raunchy squelching noises of your cunt embarrass you; however, you can't deny the grip your cunt has on his cock with every rock. Your mind slowly descends into a dreamy haze. "Nnnmph!! Feels too goood, wanna commme..."

He opens his eyes to look at you; the erotic display of your nude body bouncing on his shaft turns him on even more. "Yeah, wanna come with me?" You nod lazily, earning another chortle from the man beneath you. "Alright, stay still for me."

It takes you aback when he suddenly moves up from the bed, sitting with his legs crossed under your ass and his handsome face too close to yours. You instinctively avert your gaze away from the frosty-headed other, bashfully turning your face to the side. It amuses him, guiding your face back to him with his hand. "Hehe, don't be scared of me, angel. I wanna see that beautiful face of yours."

Again, you can't tell whether or not it's the effect of the alcohol, but your face and ears go uncomfortably hot at his compliments. And now that his face is so close to yours, you can clearly take in his features. His sky-blue eyes were extremely fixated with yours, softly hooded with the flutter of his snow eyelids and in contrast with his rosy cheeks. Your heart skips a beat. What is with this beautiful motherfucker?! "Stop flirting with me in the middle of this..."

He laughs at your sheepishness, kissing your cheek. "Flirting with you is what got you here in the first place, baby. Now," his hands slither down your ass, squeezing the flesh with his fingers. "I'm gonna start moving — get ready."

He waits for you to wrap your arms around his neck and lift yourself from his legs before he begins moving his pelvis. The rash jabs of his cock leave you gasping for air and clasping around him. He hisses to your ear with his arms now wrapped around your back as he brings up the rhythm of his hips. You're now forced to bounce onto his crossed legs, his dick scraping your insides deliciously so that you can't think properly.

It's now that everything feels better than before; his member now achieving deeper penetration to the point of hitting your G-spot accurately with the underside of him. You no longer try to suppress the sounds leaving your lips, your wails bringing life to the hotel room. And Gojo's moans get louder and louder when your legs slither around him, and your ass matches the climbing cadence.

"Oooooh, fuck, Gojo! Shit, shit—Mmaah!!" With every rut to your cunt, you can feel the pounding of your head get louder and louder. "Oh, Christ, it feels tew good, so gooood...!!"

"Hnngh, mmmnph!!" Gojo groans at the pleasure, placing his sweaty forehead on yours. His eyes survey your certified expression caused by his touch. He chuckles, "You look so cute jumping on my cock like this. Such a pretty angel."

Timid by his words, you shift your face onto his shoulder to shield away from his line of sight. "Haaaah, stop saying stuff like that—Ahhhhhnnn!!"

You shriek when two fingers come down to your clitoris, the digits swiping and pinching the tender bud. "Hiding away from me again, huh, dollface?" He continues to mess with your clit ensuing in choked mewls and tears streaming down your face, and his hips increase in speed.

Your brain is a mushy mess, fighting the right to form coherent sentences. His fingers go at a hurried pace, abusing your clit. You're so close. Almost there. "Ahhh! Ahhhhh! Go-Gojo, pleaseee, I'm gonna cum—Hmmm!! Ahhaaaaaa!!!"

The peak hits you hard like a train, your body shaking uncontrollably on Gojo and his cock, the walls of your cunt fluttering beautifully on his length. And the contraction pushes him to release, his essence captured in the condom to prevent a spill.

Pants and groans fill the hot space between you two, and Gojo kisses your shoulder as the shockwaves die down with every passing second. A wave of calm covers your body while exhaustion crawls up your spine. You lift your head from his shoulder, and he's met with the most beautiful dazed expression he's ever seen.

"Heh, I should drink with you more often if it means I see you like this." He kisses your nose, and you smile.

"Oh, shut up," you remark breathlessly, and your lips meet his. He kisses you without hesitation, bringing you with him as he lies back on the bed. The sounds of his lips smacking with yours fill the room with a romantic glow, and it stays that way even when slumber claims you both.

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You're woken up by some sort of light on your eyelids and the sound of birds chirping. With a few blinks, your eyes open and are met with the sun's glaring rays peeking through the blind of the hotel window. Begrudgingly, you rise from the mattress and stretch your fatigued limbs. A massive headache greets your head without your consent, pounding it like a drum. The sheet above you slips from your figure, and you find out you slept bare nude.

Too flustered for exhaustion to take control, you grab the sheet to cover your chest, afraid that someone would've seen. The headache vanishes into thin air as you whip and search the room. But there's no one here? And you then notice the blue flannel on the side next to you. The side of the man you were on a date with.

Wait? I was with Gojo last night, right? Questions of the night prior finally come to you. Okay, wait, we went to that diner. Then we had those cocktails, which was a bad idea on my part. So what else? Oh. We kissed. Yeah...we kissed...then I got in his car and drove to this hotel room, and then...And then we.....we—

Unable to complete that thought, a sudden click catches your attention, whipping your head to the hotel door to see it open. And there he is.

Gojo enters the room with his clothes back on, his white tee and black jeans. His shades now block the beautiful eyes you had seen last night — perhaps it was a fever dream, imagining that you did see them. He's holding a paper cup, which you could only assume was tea or coffee. When he notices you, he greets you with a smile.

"Well, good morning, sunshine~" his tone gets chipper the closer he walks to the bed. Placing the cup on the bedside before grabbing for his flannel. "I brought you some tea since I'm sure your throat is sore from last night," your face heats up at the comment. "Plus, I didn't want to leave you empty-handed before I head out."

You blink at him. "You're leaving?"

"Yeah, sorry about that. Remember my friend I told you about last night?" You nod at him while he ties his blue clothing around his waist. "He texted me earlier, saying something came up with one of our other closer friends, and they need my help. He tried calling me, so I had to leave the room to let you sleep."

You hum at his confession. "I see..." How considerate.

"Hey," He climbs on the bed to be close to you. "Sorry that I can't take you back home or treat you to breakfast or something. Maybe next time."

Now that he's close to you like this, you can make out the implications of his eyes behind his dark sunglasses, blue orbs honed in on you and you alone. Your cheeks gradually go warm. "Next time?" You didn't mean for it to be a whisper, too entranced to notice.

He chuckles at your comment, and you swear your heart's beating irregularly. "Yeah, princess. I'd love to see you next time." He draws closer to kiss your forehead, and it takes every nerve in your body to not melt then and there. He then removes himself from the bed, the dent returning to normal now that his weight is off.

Gojo straightens himself and turns away from you. "Alright, I'm off. I'll leave my hotel card by the door. Text me if you need money for an Uber, 'kay?" You hear the door open. "Be good, ya hear!?" He shouts to you from the other side of the room, practically already in the hallway.

"Same to you!" You reply back in the same manner.

"No promises~." And with that comes the sound of the door closing, confirming your isolation in the now quiet hotel room. You're left to properly rekindle everything that led you up to this point, yet even then, you feel so at a loss.

As far as blind dates go — or dates in general — it's safe to say that this was the most bizarre one you've had. Not because anything dire happened. And that's probably the reason why it felt so surreal. You came into this date to release yourself from the shackles of a bet, knowing that you wouldn't see the end of it from your friend if you didn't take care of it with haste.

Nevertheless, thanks to Gojo, it didn't feel like a bet. Not at all. It felt like an actual, fun date with a new person. With a great person at that. Not once did you express any uncomfortable feelings or ill will towards Gojo. And if you did, you're sure he tended to your worries without your knowing.

"I'd love to see you next time."

His words ring in your ear once more, and they resume to do so when you exit from the bed to grab your bag on the chair next to you. You grasp the most necessary item inside — your diary — and sit at the hotel room desk to document your concluding statements appropriately.

...What happened last night was something that I had no vision of seeing. So, now that it did happen, I just feel a little...empty? Probably because I took care of Nobara's bet and don't have to worry about going on another date again.

But, deep down, a part of me wants to do it all again — Not with just anyone, but with him. What we shared yesterday was one of the most refreshing days I've had all summer. Although he was a bit childish for his mature age, maybe that made me like him even more. He was kind to me, funny, and, dare I say, an attractive guy, both in personality and physical appearance.

Thanks for the date, Satoru Gojo. And if you wish to see me again, any time at any place, know that my heart will accept with glee.

˚₊‧꒰ა Bonus ☆ Scene!! ໒꒱ ‧₊˚

Gojo exits the hotel room and walks down the hall to the elevator, whistling a tune that only he could understand. He presses the button to summon the machine to his floor, and it comes in a few seconds with the soft ding to mark its risen state. And before Gojo could fully get inside, he sensed his phone vibrating in his right jean pocket.

He grabs for it and stops whistling, tapping on the green call button and placing the device to his ear as the elevator doors close. "Morning, you man-bunned prick."

"It's midday, you blue-eyed sheep." A voice comes from the other side of his phone. "Judging by how you didn't know that, you went out last night, didn't you?"

"That's none of your business~," the white-haired man says in a sing-song manner.

"Shut the hell up~," The one on the phone returns the sentiment. "It's not like I don't know practically every person you screwed in the streets with."

The elevator door opens to the main floor, and Gojo exits to head for the entrance. "Yeah, yeah. I will say this: I had a great time with them."

"You say this about everyone who opens their legs for you."

Gojo sucks his teeth. "Well, this one really had me enjoying myself from start to finish. They were fun to be around. Shit, they even made me drink alcohol."

"Really? And you didn't barf on the spot?"

"Fuck off, Suguru." The one from the phone line — now named Suguru — chuckled at the curse thrown his way. Gojo walks out to the parking lot and enters his car. The phone call is transferred to the car's Bluetooth when the engine starts. "I don't know...They were just great to be around, ya know? Haven't had that in a while."

Suguru hums, vibrating the car with the bass systems. "Think you wanna hang with them again?"

"Mmmmm, I'd like to."

The one on the phone chuckles. "Well, don't get to whipped. Especially since you promised to be at Shoko's beach house this month, we don't want you canceling on us again because someone scheduled you for a dick appointment."

Gojo smirks at the comment. "Yeah, I won't. You'll see me." A few seconds of silence follow through until Suguru asks another question to his friend.

"So? How was the sex this time around?"

With a twinge to his lips, Gojo snickers to himself from reminiscing about the events of last night.

"Man, let me tell you..."

[therainscene]

Stranger Things 4 is themed around A Nightmare on Elm Street -- Vecna is a child-killer-turned-demon who murders teenagers from within their own minds; his heavily scarred skin and clawed hand resemble that of Freddy Krueger; and the actor who played Freddy himself plays his father.

I think Stranger Things 5 is gearing up to do something similar with The Terminator. Linda Hamilton (Sarah Connor) is the upcoming guest star this season; Vecna's exposed skull and vine-covered neck resembles the T-800--

--and Will's speech at the end of S4 bears striking similarities to Kyle Reece's famous "it can't be reasoned with" speech.

If Vecna is the T-800... then the Mind Flayer is the perfect candidate for Skynet.

[And Hawkins National Laboratory is Cyberdyne Systems -- a military-funded lab that meddled with phenomena beyond its ability to control and paved the way for a sinister hive mind to enter the world.]

I'm pretty sure that the Mind Flayer lies at the heart of whatever timey-wimey stuff is going on. It's suspiciously linked to timeline inconsistencies -- Will is already able to sense it in his neck before his possession in S2, and young Henry in TFS is haunted by the spider monster he wasn't supposed to create for another 20 years.

I've already written a theory on how a causal loop could tie Will and Henry to the Mind Flayer -- whatever's going on is probably more complicated than this, since my theory doesn't explain why the Upside Down is frozen -- but it's worth a read, I think, as it's the same type of time paradox as the one in Terminator and could easily be at the core of ST's time shenanigans.

Will is Kyle Reece or Sarah Connor -- so does that mean he's going to be a gun-toting badass?

No.

This scene is Will coming full circle from that moment in the shed at the start of S1: backed into a corner and forced to resort to violence because he sees no other way out. He doesn't want to kill the monster; he has to.

But the difference is that he's not cornered anymore.

This time around, Will knows his enemy, and he has supportive friends and family at his side. He's just so beaten down -- by Vecna, by Hawkins, by perceived rejections from Mike -- that he's lost all confidence in his ability to stand up for himself on his own terms.

I know it seems at first glance that Will advocates the use of violence in desperate times, but consider the context of the episode in which the above scene appears:

Joyce is reminiscing about her missing son while dealing with Lonnie telling her what to do and feel about it. Shortly after, she realizes how manipulative he's being and permanently kicks him out of her life (and the show lol) -- no violence necessary.

Will's advice hadn't been about the value of violence, but about the value of refusing to play by abusers' rules -- a key lesson in Stranger Things, as we've been watching El learn it the hard way over the course of four seasons.

Will cannot self-actualize by "finally" pulling the trigger on an approach that symbolizes his homophobic father's macho expectations. S5 is going to be about him regaining his self-confidence and allowing his authentic, gentle nature to guide him to the real solution.

So, to return to the "he's not gonna stop" speech: the theme at play here is inevitability, and it's one of the central themes of The Terminator -- not simply because the titular assassin is unstoppable, but because of the love story that drives the plot:

If Skynet hadn't sent the T-800 back in time to kill Sarah Connor before she could give birth to the leader of the human resistance, then Kyle would have had no reason to go back in time and end up unknowingly fathering John. No matter how hard Skynet tried to snuff John Connor out of existence, the rebellious love that created him was just as inevitable as the T-800.

This, I think, is the message at the heart of both Terminator and Stranger Things, and is the reason why The Terminator would be the perfect choice for S5's theme movie:

Sometimes the horrors wrought by humanity are inescapable...

...but so too is the hopeful human drive to love each other and overcome them.

Read Brenner's role in creating Vecna as a metaphor for homophobic Reagan-era fear-mongering and it all clicks into place, I think.

[rudspankow]

this was smth i wrote when i was bored, don’t hate me if it’s shitty, just wanted to post it for funsies ..

MDNI 18+

perv!!jj , smut

Context -

Your bestfriend is a sick perv who’s obsessed with you

He’s a perv, and you knew it the moment you found his eyes darting upon your cleavage longer than a friendly gaze should’ve. His greedy hands always finding a way to smush against the flesh of your hips or lace into the belt hooks of your shorts before ripping you into his harsh frame. Cuddling up to you in the Château and purposely crushing your body with his, in hopes to feel every ridge, curve, and pulse that you could grant. Feeling the blood rush straight to his cock that swelled between your legs from his perverted positioning.

Everybody saw JJ’s intentions, continuously telling him to leave your little innocent self alone. But he just couldn’t, not when you sat perked up like a pretty princess. Teasing the mutt he was with your small sundresses, hiding barely anything as your tits pooled out of the top, catching his attention every minute of everyday.

It’d take less than 40 minutes for him to rush off for a ‘leak’, ending up in the bathroom abusing his cock with his hand. Fastening his pace torturously as he imagined your silky pussy swallowing him whole, a bundle of whimpers he was. Submissive to his imagination as you ruled his entire fantasy.

JJ loved being a perv, it was his second nature.

“Jayj, you’re suffocating me. .” You choked up, slipping a small chuckle as he trapped you beneath his broad body. A grunt left his lips as he positioned himself between your legs, left cheek resting above your swollen tits. His cock began to expand, feeling the warmth that radiated between your legs as he sunk into your embrace. Completely subsiding the fact you were lacking oxygen and needed a breather.

“So comfy Y/N, can’t help it.”

You always loved helping JJ, heck. He was your best friend for crying out loud. There wasn’t a single thing you wouldn’t do for him, no matter the cost or consequence.

But nothing prepared you for the moment you stood in his room shutting the door behind you, eyes wide and pupils blown as JJ trembled before you. An aching pain of lust consuming his body as he held himself through his shorts, fighting the urge to breakdown from the intense pressure his member caused.

He was an idiot, and he knew the results when it came to taking something like E. So where did he go when he needed a quick fix, a sexual reliever?

The person he could always count on, his forever wet dream. You.

After 5 minutes of absolute blabber and begs, you sighed heavily with a silly feeling in your chest. Standing before JJ and giving him everything he’s wanted the moment you hit puberty, finally awarding the boy with the scene of your body on full display.

It was awkward, invading in a way. But nothing felt more right once his fingertips danced upon your burning skin. Letting his lips latch onto you and taste the desire that layered on your skin. JJ Maybank had officially sweet talked your pants off, caving into his puppy dog eyes and tearful pleas as he watched your body shudder with fear. Afraid this would falter your friendship heavily.

But none of that mattered after he had the privilege to slaver his pallet with your taste, ignoring every thought that urged him to step away. Guilt vanishing as you became everything he needed, suddenly his body was going through drought and famine until you rocked up, sitting pretty on a silver platter as he couldn’t wait to dig in.

“This won’t affect anything right?” You whimpered, feeling his hips buck into you fast and rough. Harsh thrusts connecting with the bruised flesh of your ass as you bent lower, feeling his fingers thread into your hair before pulling you up.

“Shh. . So sweet for helping me out Y/N—Shit! Yeah, always there for me.” He moaned, shoving you back down before hovering above you, drilling you into the bed. Your eyes rolled back as he impaled you with his cock, his hips never stuttering as he felt you flutter around him, motivating his body to impossibly fasten as you cried out his name.

“Shitshitshit,”

The feeling of your velvety walls sucking him deeper managed to throw him off the deep end, driven to the hardest release he’s ever had once your pussy leaked cum and smoothened every thrust. His girth soaked in your white sticky bliss as he fucked his salty seed into your cunt with no mercy, never stopping as he felt his greedy heart tempt him for another round.

Urging to feel your pussy pulse around his cock again and absolutely coat him in your cum.

“Such a princess for this, Y’know? Lettin’ your bestfriend stuff you with his cock because he needed help. Perfect little thing, can’t take you for granted.”

After that night you were sure things would continue forward, attempting to brush it aside and forget about the please he exhilarated through your body.

But it was so hard when all he did was watch, beg and act.

Act on every sexual desire once you entered the room.

“W-What’re you doing Jayj. .” You whispered, feeling your cheeks burn pink as your best-friend humped you under the covers. His hips rutting into your clothed core as he found home inside your arms once again, this time, you were surrounded by all the Pogues. Gathering together to watch a movie Sarah suggested.

When you pulled up in nothing but your skimpy pajamas, JJ felt every gear in his head turn as he bolted to cradle you towards the couch. Gently pushing you down before sinking between your legs and nestling his cock inside the gap ontop of your sweet, warm pussy.

“I’m gonna cum, just let me. .” He whispered into your ear, letting his head fall into the crook of your neck as he drowned his sounds with a chaste kiss across your skin. You bit your lip feeling his length rub against your core, the friction he caused turning you on crazily as you listened to his quiet sinful songs.

“So pretty Y/N, jus’ need you so bad.” He whimpered before releasing into his boxers, stuttering his hips as he came hard and fast. The wet patch seeping through his fabric and all over your clothed heat, you fought the urge to groan in annoyance. Having to stay seated with the remnants of his cum splattered on both of your crotches.

He made sure you would stay there for the rest of the night, knowing how dirty it was for you to sit there covered in his cum. It made him almost want to coat you in another load.

It was the weirdest thing, realising the boy who you’ve known since third grade desired you everyday. JJ was always attractive in your eyes, but you never seemed to step over that best-friend boundary in worry he’d reject you, or that your friendship would crumble to pieces once you squeezed it with hope for friendly affection replaced by love.

But he looked past all problems aside, just following the pathway of lust and determination as he made it his every mission to feel, touch, and talk to you. He was obsessed, crazed at himself for waiting so long.

He enjoyed knowing you flustered at his gazes, following your train of thought to the night he fucked your brains out, or the hours before where you’d let him eat your pussy. You wanted to help him, always needing to reassure JJ you were forever there.

Understanding his current home situation, you became his outlet the moment he realised how shitty his life was. Breaking down in tears and sobbing inside your embrace.

So, the boy took it one step further than just a place to stay or eating food you prepared. You became everything he needed, everything.

Eventually, one night turned into many, and friendly hugs turned into stolen gropes and whispered temptations.

“You need me to do what?” You repeated, feeling embarrassment flourish your blossoming cheeks as he stood in front of you, all teary eye’d. The scene of his sadness made you want to help him further, to draw him away from whatever bothered him so harshly. Knowing it was his piece of shit father who neglected his kindness, painting your perfect boy’s skin black and blue.

JJ sniffled, wiping his nose with his wrist before shrugging. As much as the interaction with his dad affected him, he knew he was putting on a more ruthless production, all in hopes you’d let him fall into you once more.

“JJ, i don’t know. I want to help you but, that just seems—,”

“I know, i know. I jus’ really want to feel you Y/N.” His voice croaked, and it sent a pang to your heart. Watching his lips quiver as he sat in front of you all weary and burdened, a sigh left your lips as you pulled him in. Closing a gap between the two of you as your arms wrapped around his shuddering frame.

“Okay.”

His eyes widened as you agreed, pulling away from the hug and peeling off every piece of clothing you wore. His cock jolted to life as he pushed himself against your head board, your body walking towards him seductively as you unzipped his shorts.

“This what you want J? My lips around your dick?” You murmured, mouth watering at the sight of his thick cock pulsing after your smooth mouth. He nodded vigorously as your mouth gathered his leaking tip, sucking on it gently before taking his entire length.

He was a mess before you, hands tangled into your hair as he moaned and fucked your mouth. Salvia trailing down your chin as his force picked up nailing into your raw throat.

“Just a blessing aren’t you? Gonna cum princess, keep doing that. .Shit!”

JJ breathed heavily, his body sizzling and mindset foggy as he released his hot white ropes of cum inside your mouth. Sliding across your tastebuds and falling deeper down your throat. You gagged as he shoved you lower, spilling every last drop into your mouth and keeping you there to watch you swallow his filth.

JJ made it very clear he was into you, publicly voicing his opinions whenever you were close. To your face or even just with Pope, wearing a large prideful smirk trying so hard not to spill your secret meet ups.

“Dude, you’re such a pervert.” Pope chuckled shaking his head slowly, JJ’s grin only widened as he watched you laugh alongside Sarah. Laid out on the beach towel soaking in the sun, glistened in tanning oil that ran down the valley between your tits.

“Can’t tell me you haven’t thought about hitting that, like really man! She’s a fucking sex dream, i mean look at her.”

His lips reddened from the way he bit it religiously, shifting in his position as he felt his cock swell at the sight of your half naked body. Pope grimaced at his comments, shaking his head at the boy again.

“Of course Y/N is attractive, but don’t you think you’re being a bit weird? That’s your best friend, y’know?”

“I’m not a child Pope, i’m simply appreciating her beauty—,”

“With a weird sex craze to it.”

JJ rolled his eyes.

“So what, i’m not gonna sit here and deny what i’m feeling. I’m as honest as they come Pope, who cares if i lust after my best friend. Can’t help she’s everything i want.”

[mikesbasementbeets]

ok. look at these.

look. that's the same look. right?

let's take a closer look. to do that, i'm gonna have to zoom in a bit on the first one. because, as you can immediately see, the shots are slightly different. the first is a little farther away, showing both mike and el, walking next to each other, whereas the second is much more intimate, a closeup on mike's expression as he looks at will's face in the foreground. a minor but telling difference about the levels of emotional intimacy in each scene.

so, moving past that first element of contrast, let's look at each shot in full, because in both of these scenes, mike goes on a bit of a face journey before he gets to that final smiling expression, seen above.

personally, i think studying actors' body language and micro-expressions is inconclusive at best, but i won't deny that these look similar. however, it's pretty clear to me that they aren't the same.

toward el, i see confusion, intrigue, maybe pleasant surprise, followed by a glance down (to emotionally process and/or watch his step), and then a nervous but friendly smile.

toward will, i see awe, relief, and overwhelming affection, followed by a shy glance down and a slight schooling of his slack jawed expression into a warm smile.

but, again, that's just my interpretation, and i can't say with any certainty what the intention of all of finn's micro-expressions are. but from my perspective, even a surface level viewing of these two expressions depicts a very different emotional experience. however: there's no denying the connection between these two scenes. they clearly mirror each other, just like a lot of things about mike's relationships with el and will mirror each other. i don't think that's an accident.

whatever you think his sexuality is, mike is undeniably in a romantic narrative with el. beginning in season one episode three, when the concept of their romantic relationship is introduced, the narrative arc mike and el share is heavily focused on that relationship. the first scene above actually happens in that same episode (s1e3), not coincidentally almost directly afterward. and the former scene, with mike, lucas, and dustin behind the baseball field, provides very interesting context for several reasons:

first: bear with me, because we're going back to look at the context behind this context. this is only episode three of the show, but already there's a lot going on, both in text and subtext.

and since we have the entirety of their relationship so far presented to us on screen, when lucas accuses mike of looking at el romantically, we're easily able to go back and figure out where he got that impression: we can examine every time lucas has seen mike look at el at all.

the first night, after finding el in the woods instead of will, and while insisting that the next day she'd be gone and they could focus on will again, mike's behavior is directly reminiscent of benny's. taking el in, and providing her with shelter, food, and clothing.

the next day, after learning that she's in danger and changing his mind about pawning her off on his mother, mike infers that she might know something about will. when lucas arrives, he exclaims that she recognized him and knew he was missing.

later, when lucas tells her that will is their friend, she asks what that means and mike explains. a friend...

and then she displays that she might really be able to help them find will. and mike looks at her like this:

each and every one of these interactions is directly related to will. but lucas, through the omnipresent lens of heteronormativity that surrounds boys' interactions with girls (especially a group of boys who have no experience with girls... more on that in a bit), only seems to consider the fact that mike's behavior, which is undeniably about will, is being directed at el.

throughout season one (and beyond, in more subtle ways), will and el are repeatedly connected to each other through the trope of mistaken identity. will is abducted on the same night (and due to the same series of events) that el escapes the lab. hopper, in his investigation into will's disappearance, keeps running into clues about el. and mike, lucas, and dustin, sneaking out in episode one to search for will, find el instead.

later in the season, hopper eventually realizes the truth of his own more overt mistaken identity arc: while he was under the assumption that he'd been following will's trail, he'd actually been following el's. interestingly, the realization is triggered by one specific distinguishing difference, which tells him beyond a doubt that he's been looking for two different kids: their art.

though much more subtle (aka hidden in the subtext), mike's arc with his feelings about will and el follows a very similar pattern. the main difference, though, is that in season one, the swapping of places is eventually reversed but never acknowledged as such, and mike ends season one with el now missing and will back in his life, but a lingering sense of something yet unresolved.

second: (i'm not going to deep dive into this one here, because it's a whole analysis in and of itself, but i need to mention it because it is relevant) this scene introduces the recurring motif of superheroes being directly connected to mike's feelings for el, which is an association we see follow them all the way into season four and become a defining metaphor for their incompatibility.

third: lucas is the character who first introduces mike's romantic feelings for el into the narrative. and instead of giving any indication that lucas' interpretation is correct, mike's reaction is... difficult to read. his response is immediately defensive, both verbally ("what are you talking about?" "shut up, lucas,") and physically (leaning away and shielding himself when lucas hugs him). we can infer from the original character descriptions why mike might be defensive about this subject:

obviously, this description is only a vague impression of what Mike Wheeler became, but it's clear that the core elements of his character outlined here did come to fruition on screen. here, mike's insecurity is linked both to the bullying he undergoes, and to his inexperience/ineptitude with girls. and it's presented as key to his character motivation (the original concept of his character arc put forth here is very straightforward: at the start, mike has insecurity centered around bullying and is romantically inexperienced. by the end, mike has courage against monsters and romantic experience.)

in any case, this scene is the first hint of this aspect of mike's character in the show itself (the earlier scene of bullying in the show focusing on mike consoling dustin over what he’s being bullied for (“i think it's kinda cool. it’s like you have superpowers or something!”)... see my last point here… mike holds the idea of superpowers in high regard, and they are consistently connected with his feelings about el. something about the mistaken identity through-line feels apt here: mike mistakes his feelings of admiration for el as feelings of romance.) in this scene, mike is confronted with both romance (in direct relation to himself for the first time in the show) and bullying.

but due to the way this is shot, it's impossible to get a read on what mike is truly feeling. it reminds me a lot of another scene, actually...

in both of these scenes, mike's genuine emotional reaction is hidden from us. in the first, lucas forcibly hugs him, teasing him about how much he "loves" el, and in effect introducing the idea of el as a romantic prospect to mike. in the second, el hugs mike tightly, her hand still around his neck from their kiss and his arm trapped in between them, similar to the way he shields himself from lucas. we're then shown that he's signed the card on the flowers squished between them "from, mike." hm. so... not love, as lucas suggests.

we come to learn over the course of season four that this is something mike is actively struggling with: his inability to "love" el in the way that she wants, expects, and deserves. this scene, introducing that season-long arc, conceals mike's true emotional state and motivations from us, again, mirroring the first introduction to their entire romantic plot line way back in season one.

(an aside: lucas' "if you love her so much, [then] why don't you marry her?" aka the inciting event of their romantic arc, is a based on a conditional statement with the hypothesis that mike loves el. as mr. clarke might posit (in, say, season one, episode one): what's the difference between an experiment and other forms of science investigation? ...well, an experiment is a controlled test of two or more variables against a hypothesis. does that remind you of anything happening in mike's romantic narrative? something about...... [murray voice] experimenting sexually?)

anyway. then, after extracting himself from el's embrace, mike finally drops his bag(gage) and opens his now empty arms to will, before preemptively cutting himself short with a punch to the shoulder.

...did someone say internalized homophobia?

and then immediately upon being introduced to argyle, mike is called out for his presentation here not being genuine. ("it's a shitty knock-off,"/"i really thought it was ocean pacific...") we're being told that something about mike's performance is not what it seems (and may even be a case of one thing being mistaken for something else).

and speaking of homophobia...

fourth (and finally): this scene, of lucas' teasing mike about his "love" for el, which i'll remind you again is tied directly to lucas mistaking mike's behavior regarding will as being solely about el, is quickly interrupted by an onslaught of homophobia, during which mike is specifically targeted (read: tripped) by the bullies.

the juxtaposition is immediate and obvious: mike's friends lovingly teasing him, even embracing him, over a crush on a girl vs. bullies maliciously taunting them about will being killed for being queer and then physically harming mike.

(there's also something to be said about the later scene in which these bullies force mike to drop his bike in the woods and chase him to the edge of the quarry, mirroring exactly how the cops assume will must have died... and, to be clear, i'm not saying that mike himself is being bullied for being queer in the way will was. no, mike's queerness is invisible to those around him in a way that will's isn't, so his relationship with it and the ways it affects him are hidden in subtext.)

which brings us directly to the following scene in the woods. el asks about mike's injury (sustained from the aforementioned bullying, thereby linking these two scenes even more concretely) and with a little prodding ("friends don't lie"), he opens up to her about what happened, and about being bullied at school. she listens, tells him she understands (this also follows her recent flashback of brenner's abuse in the lab), and they share a "cool," "cool," and a smile.

so... let's quickly jump over from here to the van scene with will. something similar, yet notably different, is happening in this scene, leading up to that infamous smile at the end. mike is sharing his insecurities with will now, but instead of will prodding him to open up, mike, prompted only by will's "she's gonna be okay," begins rambling so much about his insecurities (while speaking in superhero metaphors) that he eventually cuts himself off, saying it's "stupid." instead of letting him brush it off, will guesses exactly what mike is afraid of: "you're scared of losing her." he gives him The Painting (a symbol of his love for mike) and a long speech about feeling lost and different, while insisting upon mike's value (you're the heart, leading us, inspiring us, etc). and then they share a "yeah?" "yeah," and a smile.

so we can see the similarity in the way the shots are set up, the progression of the conversations, and mike's visible reactions. but we can also see distinct differences, all of which together inform a significant difference in emotional weight between these two scenes.

while mike's conversation in the woods with el takes place in the third episode of season one, at which point mike has known her for less than 48 hours, the van scene is in the second to last episode of season four, and is the fourth of five heart-to-hearts mike and will have this season alone (and following three previous seasons and beyond that years of close friendship). it is also arguably the climax of their shared arc this season. on the other hand, mike and el's season one moment is part of the introduction to their storyline, and the introduction to their romantic arc. in this moment in the woods, mike is looking at el romantically (did you think i was gonna argue that he isn't? because no, he definitely is). in fact, this is the beginning of mike's entire romantic arc, which sets out to address the foundational insecurity that is key to his character. we, as an audience, right alongside mike, have just been told (by lucas) that mike has romantic feelings for el. and then we are presented with this scene. we are supposed to view this as romantic. because mike is starting to view it as romantic.

had stranger things been one season long, then the climax of their romantic arc would have been the kiss they share in the cafeteria, followed by the denouement of el's symbolic death (the gay implications of which i could write another whole essay on...). but the end of season one was not the resolution of mike's full romantic arc. by the nature of the five act structure (which is what stranger things has, being five seasons), the entirety of season one serves as exposition for our full narrative. which means, in effect, that the entire arc of mike and el's season one relationship is there to serve as groundwork, a foundation for mike's complete five season arc. season one, starting from before he even meets el, all the way through to when he eventually kisses her and then loses her, is only act one of that arc. the first act of five act structure is when the driving conflict is presented. so in the context of the entire show, for us as the viewer, mike's narrative arc surrounding the romantic aspect of his insecurity begins with his season one "romance" with el.

and we know that this insecurity is an element of the full five-act narrative, rather than being presented and wrapped in the course of the mini "self contained" narrative of season one, because we can see plainly, three seasons later, particularly during mike's heart-to-hearts with will, that this insecurity has not yet been resolved. we know this, on a basic level, from having watched mike and el's relationship struggles progress, but it is still explicitly laid out for us in season four. and will is consistently the only person who genuinely hears mike out, encourages him to open up, and addresses his insecurities, instead of brushing him off, like most other people in his life (including will at some points) have done. will understands him in a way el only claimed to in season one.

looking back to the character outline: mike has now "kiss[ed] a girl" and even "had a girlfriend" and still hasn't resolved his insecurities even remotely. in fact, after the first season arc wraps up, this romantic relationship becomes the main source of that insecurity. his difficulty navigating a real romantic relationship with el is the basis of their arc in season three. and by season four, mike is consciously struggling with being unable to tell el that he loves her. despite will's reassurances that things will be okay (which stack onto lucas' constant relationship advice in season three), mike keeps circling back around to it. because he can't move forward on the path he is on.

he has reached a point of no return, like a “fight you can’t come back from.” he is unable to find the security he is searching for in his romantic relationship with el... and this is where we arrive back at the van scene with will.

if the scene in the woods marks the beginning of the introduction of mike's romantic arc, then the scene in the van marks the beginning of the conclusion of mike's romantic arc. if the introduction of his romantic arc (season one) presents his insecurity, then the natural conclusion of that arc (season five) is security. throughout season four, mike lays out for will the insecurity that his relationship with el still brings him. he is unable to find that security with el, and, in the van scene, finds it with will instead.

or, should i say, begins the journey to finding it. because, especially after the lie that brings them into that moment, and then traumatic pizza dough freezer incident, we're still at the beginning of the conclusion. there's still a lot to resolve, but season four (alongside mike, who now understands what he's been going through) finally began moving the subtext of mike's arc into the actual text. and this moment indicates that season five will take that next step to fully, textually, actualizing it.

so, getting back to the parallel we're looking at here: each of these scenes is a catalyzing moment in mike's romantic arc. in season one, when lucas suggests that mike has a crush on el, and then what follows is a conversation with el where she is (to quote lucas) "not grossed out" by him, he actively begins his journey toward resolving this character motivating insecurity. he looks at el and he sees the possibility of romance.

and just look at him. he looks excited. hopeful. a little nervous. but... i want to remind you again: mike has known el for less than 48 hours at this point. this is the first conversation they've had in which they've related to each other as equals. for their entire relationship before this and afterward, outside of their romantic interactions (and also. often. disturbingly. concurrent with their romantic interactions...), mike's role has been as el's protector, a makeshift father figure, the elliot to her E.T. here, though, el tells mike that she understands him.

in season one, mike is twelve years old (read: pre-pubescent). he has no personal understanding of or experience with romance. dustin starts to comment in s1e2, "you're letting a girl...?" and ted later scoffs "our son with a girl?" and outside of the queer coding, what we can take from both of these (which draw back to the original character description) is that mike has no experience with girls whatsoever. (outside of, you know. family. but that's not what this post is about.)

and again, this scene happens almost directly after lucas first introduces the idea of romance between them, both to the narrative, and to mike himself, who, very significantly, up until this point, has shown no romantic interest in el. the sequence of these events is not a coincidence. 1. lucas assumes mike has romantic feelings for el. 2. el and mike have a moment of personal connection and understanding 3. mike "boys only" wheeler puts these two together and assumes the connection between them must be romance. but the expression on mike's face here isn't a representation of already existing romantic feelings. there's no basis for those. again, this moment represents for mike the potential for romance.

which... makes his expression in the van scene hit even harder. because unlike el, will isn't a stranger he barely knows, but rather his best friend of ten years. and it isn't lucas telling mike how mike feels. it's will professing his own feelings about mike, in direct response to mike's self-professed insecurities. (ding ding ding, are your alarm bells going off?) mike's expression at the end of this scene, if we're viewing it as a reprise of his season one expression, is a representation of hope for his romantic future. but this time, heading into the resolution of mike's romantic arc, with all of the knowledge and context we (and mike) have gained over the course of the past four seasons, it's directed at will.

ok. so. with the basic connection between these two scenes established, i'm gonna move a little bit sideways here. at the end of their romantic arc in season one, el disappears from mike's life and will reappears in it, effectively swapping their places (remember that we've been dealing with the mistaken identity trope between these two), and leaving the question of mike's romantic security glaringly unresolved.

and we know why - this is a five act narrative we're watching - but just within the context of the season one arc... the climactic moment of mike finally asking the girl to be his sister kissing the girl was preceded by her locating will in the upside down (leading to his rescue) and followed by a resolution in which she disappeared... and will took her place. at the end of the season, mike is left in the same place he started: playing games in his basement with will, his first attempt to resolve his arc of romantic insecurity, with el, ultimately ending in tragedy.

after season one, this arc picks up again, but this time will is the one present in mike's life. and mike's behaviors toward el in season one, during which they were undergoing a romantic story arc, begin showing up again in his behavior toward will. but unlike with el, mike's particular (read: romantic) behavior toward will happens without outside intervention, and in fact, often in spite of outside intervention. now, this isn't to say that all of mike's behavior with el was a result of others' influence. when el reveals to mike that she is on the run from "bad people," mike is immediately protective and caring toward her. however, as i've already explained, this caring behavior (which, again, we know right off the bat is not romantic because it directly mirrors the way both benny and hopper care for her) doesn't turn into romantic behavior until lucas introduces that idea.

on the opposite side of the spectrum, right from episode one of season one, mike's behavior toward will is fully self motivated, even in the face of opposition.

and as we move through season one and beyond, we can see that mike continues to rely on constant guidance in the way he cares about el (particularly and most consistently from lucas).

stranger things is, at it's horror filled core, a coming of age tale. like many of our other characters, mike's full character arc, romantic and otherwise, is about self-actualization. from the very conception of the show, his insecurity is presented as a central character flaw to overcome, while also being directly linked with his romantic fulfillment. the overcoming of this fatal flaw, the resolution of his romantic arc, and his final achievement of self-actualization are all inextricably intertwined.

the reprisal of this specific expression of romantic hope as we enter the end of mike's romantic arc is not an indication that mike is in the same place emotionally at the end of season four as he was at the beginning of season one, just with a different person now. instead, it is an indication of his romantic arc coming full circle. mike began in a position of hope for his romantic future with el, only to have the actualization of that hope (their romantic relationship) gradually degrade his romantic fulfillment and self-esteem. the longer mike and el are together, and the more serious their romantic relationship becomes, the worse mike's insecurities become. this is, i would argue, directly related to the fact that mike's pursuit of a romantic relationship with el is not due to his own genuine desire, but instead a combined result of heteronormativity (lucas assuming mike's feelings for el to be romantic), compulsive heterosexuality (mike's subsequent assumption that his feelings for el must be romantic), forced conformity (mike's attempt to resolve his insecurities firmly within these heteronormative boundaries, under the assumption that a rejection of these boundaries is unacceptable), and the trope of mistaken identity that has been following will and el since season one.

and of course i don't know with any concrete certainty what season five will contain, but based on the narrative so far, and optimistically expecting a satisfying resolution to his character arc, the actualization of his romantic hope regarding will is going to lead to true romantic fulfillment and coincide with his self-actualization (a big part of which is coming to terms with his sexuality).

now, i'm not going to conclude this whole analysis by saying, "and that's why mike is gay!" because while i think this all is a good indication of that, based on all of the context and my impression that this narrative is being presented in a way that focuses on the subtext and deeper symbolism of each of these relationships rather than being a case of specifically el vs. will, you might still have a different interpretation than me. that's fine. however, i am going to end by insisting (me when i argue with the wall), based on everything i've laid out, that this parallel and others like it (ie parallels between byler & miIeven's romantic arcs) are not evidence of mike's feelings, specifically whether they are genuinely romantic or not. this parallel serves as a narrative device in his romantic character arc... the conclusion of which is mike realizing and coming to terms with the fact that he is actually in love with will, and not el.

just to be very clear, i'm not saying these parallels alone are proof against mike being bisexual, but i am saying that they are not evidence in support of his being bisexual. again: they do not indicate that mike is romantically attracted to el. what they indicate is that will and el are foils in mike's romantic arc.

before i finish, i want to address a couple misconceptions:

1. the fact that mike actively and willingly participates in a romantic relationship with a woman means he can’t be gay. this is straight up homophobia. gold star bullshit. no.

2. mike and el being presented in a romantic light means that they have genuine romantic feelings for each other. this is a misconception of the way narrative tools are used to tell a story. going right back to my first point: it is an irrefutable fact that many gay people have romantic relationships with the people of different genders (read “the opposite sex”) before they come out/realize their true sexuality. it is also a fact that many of these gay people fully believe their feelings to be genuinely romantic before realizing that they are not. as i've already gone over, mike is twelve years old when his romantic arc begins. on the surface, his relationship with el is presented as romantic. he participates in (and even initiates) romantic behaviors because he believes that his feelings for el are romantic. in seasons one and two, mike is one of our main POV characters. we can see a romantic tilt to the way some of their scenes are shot because, to mike, while they are happening, they are romantic (keeping in mind what i said before about mike having no experience and therefore no personal knowledge informing his perspective, AND keeping in mind that many of these on-the-surface "romantic" scenes are also consistently subtextually linked (read: paralleled) to familial relationships for both of them... and i haven't even touched the cultural context surrounding homosexuality in 80's. there's so much nuance informing the way this story is being told). and we, as the audience, are supposed to read them as romantic on first viewing, because otherwise the season five plot twist, revealing the truth of mike's feelings, would not work.

it is not a coincidence that the active degradation of their romantic relationship (outside of all of the other context, parallels, symbolism, family coding, etc, that are there to hint along the way that things are not as they might seem) begins full force in season three, at the exact point when the two actually enter a real relationship for the first time, and also when our characters are entering puberty, the time during which a person's sexuality (in a general sense, but also in regard to sexual orientation) begins to fully emerge. after his season one arc with el, mike underwent another season-long romantic arc: this time, with will. it's more subtle, because (i believe) mike doesn't realize yet that it's romantic, but it's there. then at the end of season two, mike makes a choice: he encourages will to dance with a girl and he dances with el, re-writing their tragic ending from season one, but now leaving his romantic arc with will frustratingly unresolved, again mirroring the sense of unresolution from season one: mike has swapped out the end of each romantic arc with the wrong love interest.

and then in season three, now having had the experience of both romantic arcs, and now, for the first time, with both will and el right there beside him, all we can see anymore is the overt contrast between the two relationships, depicted most blatantly through the same type of visual and narrative "parallel" we've been looking at here.

but at the end of this season, instead of making a choice, mike's choice is made for him. he has a romantic moment with will, and then el kisses him, confusing the resolution of these two romantic arcs once again.

mike's season four arc closely mirrors his season one arc (searching for one love interest with the other by his side, mistaken identity trope abound), but with important distinctions: 1. mike is a little older, a lot more experienced, and has a better understanding of both the context of romantic relationships and the scope of his feelings for both el and will. and 2. mike's only real guidance in season four comes from will, and he doesn't simply listen and act based on will's advice, as he did with lucas' in seasons 1&3. now, he fully engages with will's input, pushing back against it when he doesn't agree, and accepting it when he can acknowledge its truth (up until, of course, our fourth (and hopefully final) tragic, incorrectly resolved ending). mike is finally taking control of his romantic narrative in a way he hasn't previously, and the direction it's heading in now is toward security, self-actualization, and will.

so the point of all of this is: nothing is as simple or straightforward as it may seem on the surface. the narrative has always been deeply complex and layered with subtext and symbolism. and most of all, when interpreting the meaning of anything presented directly to us on screen, context matters.

also uh. yeah, mike gay

[skelliko]

Kazutora Hanemiya |°- crushing misunderstanding

|°-context: kazutora is crushing on you but he sees you and akkun walking together and assumes that you're both together making kazutora's heart to break not knowing that you and akkun are simply friends - mainly fluff not angst

final time line: 4th Division Captain: Kazutora Hanemiya Vice-captain: Atsushi Sendo (Akkun)

kazutora couldn't help but notice the scene that he had accidentally stumbled upon on, before he was gonna ignore it and think nothing much of it until he double looked and his heart managed to stagger in emotions, akkun walking with his school crush. kazutora's school crush.

despite akkun being Vice-captain of the forth division and them being good friends there's still things that kazutora doesn't mention and one of them being is who his heart flutters to.

his mind went to so many scenarios and reasons as to why, out of everyone it'd be you two who walk together and not only that but also holding little brown bakery bags, as if you both had bought a sweet desert together, and are about to enjoy it in each others company.

'no no no no no... their not though? are they?!' his mind was more than a mess

theres no other explanation other than your both either on a date or dating. or even worse, in an actual relationship. kazutora's mind went to so many lengths as he pondered and stalked you both, hiding behind corners, bushes and bus stops to wherever you both are walking to,

he was desperate to find out what was going on even though he knows he needs to let go and back tf up.

'akkun has never mentioned having a girlfriend though, let alone that he's talking to a girl...' that certainly reassured him a little but only for a few seconds when his overthinking took over again

'but maybe that's cause no one asked or mentioned anything! and here he is with the girl that I like, for fucks sake!'

he tried to get close to the both of you to try and hear what you guys were talking about but while doing so self awareness had hit him, he didn't want to get caught lurking around, if a bystander seen what kazutora was doing then a clear title would be placed on him 'stalker'

he kind of just stood there in the middle of the pathway, watching as the both of you walked ahead having your own little moment. it was like kazutora was a small puppy being cast out and away from it's owners. for a short moment he had grown upset, he accepted that him and you were never gonna be because Akkun has already taken your attention.

when he took half a step backwards to turn around and not invade your privacy any longer, it was then that you had turned around making kazutora to be captivated. it wasn't just your beauty that had made him freeze and his heart to grow wings and flutter but it was you smiling and waving at him... him, kazutora, no one else, your eyes were stuck onto kazutora.

his heart was left uncontrolled and skipped all around his body whilst his main focus was to bite down the corner of the inside of his mouth to stop him from smiling like a little kid and getting all giddy for you just simply noticing him. it felt unreal to him in that moment that he had forgotten to wave back, and he was too busy on not smiling like an idiot that he didn't even smile back at all. well now he feels like a complete fool and should be shut out of society forever.

*inserts image of grieving shinji on a chair* -how kazutora feels right now

a whole week went by after that encounter, and since then in school kazu and you haven't had a full conversation, sure you've exchanged a few small words but then he'd cut it off with an excuse to leave all due to wanting to give respect for you and akkun.

before, the both of you would be talking non stop in the middle of lesson, being the teachers most annoying students that can't shut up and are always an nuisance to deal with. it's gotten to the point where after you both stoped talking even the teacher pointed it out Infront of the whole class, "some argument happened between you two?" like c'mon... why is it always those teachers that think they can get involved and think pointing things out to be funny. they get in-between everything.

it left an empty pit in his stomach not being able to talk to you the way he wants to. all because in this setting he chose to put his friends first before himself.

-- some time later ---

"so akkun, you got any plans with y/n?" asking that question hurt him more than it should have, but he needs to get over it soon enough. only after he gets an understanding at what stage the both of you are at. 3 month mark? secretly wishing.

"don't think so, why'd you ask?"

"nothing nothing, just curious. I'm surprised that she'd be with someone like you" it was supposed to come out as regular boy banter and laugh it off but instead he didn't watch his tone and grew blunt about it as if he'd meant it. in which he did.

it took akkun a few silent seconds to process his response and what kazu had just assumed "be with?" purposely ignoring kazutora's sudden burst of agitation and instead focusing on the question itself. "you think me and her are together... as in dating?"

"well you two seem to be quite close, no?"

"kazutora. no. were friends, full heartedly friends" while motioning his hands out to emphasize how baffling and wrong kazutora's question was.

if crickets were around the city they'd be loud, but instead all there could be heard was the click of kazu's tongue before replying "...Oh. shit"

akkun couldn't help but snort out a laugh, whereas kazutora on the other end was looking back and regretting everything which included ignoring you. but he had a good reason to, right? I mean how exactly was he supposed to know that you two were just friends?

many ways actually, sure, but he put his friends first and that's what had mattered, before at least. now, kazutora is trying to figure out ways on how to approach you without seeming like a douche for abruptly leaving and then coming back.

"wait, you like her??" it only then clicked into akkun's head making him perk up about why you even became a conversation topic.

"I bet she hates me" burrowing his face into his hands and feeling all sulky. didn't fully answer akkun's question but that small sentence answered a lot without meaning to.

"you do! you like-like her!" first time hearing about this and he instantly stood up from his seat, oh he was gonna have fun with this information. he can either tease the hell out of kazutora or help him out. but currently he'll torment him first.

"keep it down! dont need anyone hearing" lifting his head up from his hands and looking around the open area

"who's gonna hear? I'm not name dropping, or unless you're embarrassed" tormenting kazutora by making him think of you.

"of course not... maybe. but that's besides the point" kazu ended up explaining things from how he saw you and akkun but left out some details such as him following them to how things went with you and kazu at school.

"dug yourself a hole there I'll be honest, why didn't you ask me first before assuming?" -akkun

"didn't want to draw much attention on the subject"

"oh right right..." not right actually, don't exactly know what that was supposed to mean but didn't want to press on about it. after a short moment of silence it seemed like something was supposed to be done otherwise dragging the gap between you and kazu any further and it might be too much to fix. though luckily a little plan had settled into akkun's mind, after all he was close enough to you to be considered good friends. "I'll help you, don't worry"

♡----

a/n: I could have written the plan/aftermath n' that but I got lazy

[thr0wnawayy]

Rei-Demption: A problem and my solution (ft. Rei's trauma and Hori's bullshit)

Might as well give my shot at it.

My take on Rei's personality has always been based in suppression.

Rei's whole life has been a balancing act of doing enough to protect her family, while still staying within the lines to not get disposed of.

She's everything Enji isn't. An iron will, a golden heart and a strong sense of empathy.

So with that in mind, hopefully it she'd light on it thought process with this post

A theory I have is that Rei was aware of the hospital's corruption

These panels always felt off too me, it always made me wonder: "does she know?"

The wording is very specific.

"I told him I liked it, around the first time we met. But only once"

It always struck me as odd, We're talking about the man who looked at his eldest death and kept going, man who destroyed multiple lives for a redundant pipedream.

It's not even why would he remember such a small detail, but rather how?

Unless... the doctors are feeding him information.

Think about it, who pays for all this. Surely it's not Fuyumi, on account of this being a massive money sink.

You really expect her to pay for all that on a teachers salary?

It can't be Natsuo because Enji has likely cut him off from everything to his name.

And that's assuming Enji even bothered to save up a college fund for any of them. Plus Natsuo is a full time student of medicine.

If the doctors are watching her every move, looking for any sign of deviation from the narrative then it makes sense for her to disguise her words.

Of course there's still more

Having PTSD isn't something you can keep someone institutionalized for. Especially when Rei's is very proportionate, given what she's gone through. (No, Japan's stigma of mental health wouldn't justify this)

I mean what are Rei's triggers?: Enji and that's about it.

"But we still... haven't met face to face, I'm still too afraid"

That's a standard reaction to have to your abuser (especially when he raped you multiple times)

('Just stop' gets a whole lot darker when you consider it's context)

Not to mention she's no longer fearful of anything resembling Enji, just Enji himself. So there is no real reason to keep her there unless they are afraid she might speak out.

This whole thing makes me think she's trying to tell Natsuo and Fuyumi what's really going on, in a way.

Subtly and under the calm, complacent mask she's expected to wear, in case anyone else is listening. Anyone who could report back to him.

It might also be she doesn't trust them. Fuyumi or Natsuo could blab or say something within earshot that could set Rei back months.

And she can't have that, not with how close she is to finally breaking free. She loves her children, all of them but the trust just isn't there, how can it be when when they don't have all the pieces.

So here's my theory: The hospital staff are in Enji's pockets. Either taking bribes (as recent as Dabi's Dance) or they were given a large sum of hush money when Rei was first hospitalized, with the goal of keeping her there as long as possible and possibly molding her to either keep her mouth shut or (sickeningly) gaslight her into returning to Enji.

(Note how she was only released when they could no longer keep a lid on things, the moment Dabi frops the bomb. She's out, no struggle)

This paints a picture of grotesque corruption, sloth and apathy (the very same cocktail that created Shigaraki) even by Hori's narrative standards. Shedding light on just how deep MHA's despotic nature goes.

The anime makes this even more apparent. Rei's fake smiles make the whole thing that much more viable. She seems so dead, it's like she smothered her soul or something.

I've seen both the sub and dub of this scene. The sub is the correct translation, the same as the Manga panel above.

The Dub however, while severly off mark, adds it's own flavour of dread. Rei sound so hollow, it was jarring the first time I heard it.

It sounded like she was reading a script (in-universe). Like she'd rehearsed this in her mind a million times, staring at the same 3 white walls + the window and waiting for an opening to finally speak.

That was supposed to be Shoto, until the dorms ruined that. Suddenly Rei's lifeline is gone, reduced to letters that don't even tell half the story.

10 years, 10 fucking years reduced to lines on a page.

Can you imagine the despair, dear reader?

The frustration. The sheer vitriol coursing thorough her veins, far hotter than Touya could ever manage.

Having to do the same thing she's been doing even before she was locked away. As the the skeleton in the closet of a criminal with a license.

Wearing masks for so long you can hardly breath and in the brief moments you can take them off. You can hardly recognize yourself, how you once were.

It must be the truest form of hell.

The Rei-demption Arc

Rei's redemption arc takes the attention of our theoretical arc without overtaking it.

The arc would mostly focus on the more domestic aspects of our trio being: Midoriya, Shoto and Uraraka.

A few minor changes would occur. The dorms never happen, allowing the characters to exist outside of UA.

There is solid confirmation that Fujiya is corrupt and is keeping Rei institutionalized on illegal grounds (ie: not meeting the criteria set up to ensure her silence)

The dinner scene would still happen only it would bd framed for what it really was. A pathetic attempt at creating a moment that never existed.

There's no family with Enji.

Just a family held hostage and a tyrant. I have my own grievances with Fuyumi, but I'll leave that for the future.

The only difference besides Natsuo being properly portrayed as a victim acting well within his right, the reasons for our trio going would be for Shoto's emotional wellbeing, because he asked them to.

Uraraka could have a moment where she realizes that money is as much as good as it is bad. An actually decent shift into her change of goals.

Here Enji motivates her to "watch the watchmen". Her need for money is still a crucial part of her reasons for becoming a hero, but she also has a more front and center goal.

I'd imagine she has a moment parallel to Midoriya's during the Sports Festival.

Where (alone in front of the Dojo after the failed dinner) she rightfully calls out Enji for being a self pitying piece of shit and that "sorry" doesn't cut it.

"You've hurt them in ways you can't imagine." Would probably be the last thing she says before walking away.

She may not know the whole story but she knows it hurt them and that's enough.

Rei's ascent

Rei's biggest hurdle is accepting that she was also an abuse victim. She's furious but she's only furious on her children's behalf and what they lost.

Her unintentionally harmful actions weigh on her, be it her neglect or the night she scalded Shoto, these events have impacted her deeply.

She learns to reconcile with her past, improve her relationship with Shoto and even meets Shoto's friends at one point.

Eventually she finds closure but that's later on.

She also acts as an advisor at times, having given Shoto the idea of using Ice projectiles (as seen in the Licensing Exam)

The second half comes from the Hospitals corruption, as Rei learns that she is long overdue for release (by about 8 years) among other horrific practices. This would play out as the arc's B plot, building up to what I call "The Summit"

The Summit

Eventually Rei fights Hood.

After gathering the evidence, she escapes the hospital. Planning to go to Natsuo for protection. As she's walking across a crosswalk however, she hears what sounds like an explosion.

Eventually she hears screaming and is forced to use her quirk as a bus is suddenly sent hurdling in her general direction.

As of her body moved on its own, she envelops it in her ice. Stopping the bus and saving those behind her in the process.

Only to see Hood land on top. They lock eyes and Rei can't help but see Touya in Hoods ambition.

In response to Rei holding her ground, Hood dashes. Rei counters this by manipulating her ice to send him crashing into an empty building, impaling him on the glaciers end.

Hood is impressed by Rei's proficiency and chooses to fight her.

Rei having no experience, fights for her life. Where as Rei avoids Civilians, Hood has no care for them which forces Rei to play the role of hero.

Rei uses every weapon in her arsenal in order to stave off Hood, who only gets more relentless as the battle stretches on. The upside is Hood's regeneration struggles in the cold, which Rei is constantly producing.

Each side gets blows in, with Rei taking them surprisingly well but still being worse for wear. Hood notes this saying "as if y-you've done t-t-this before" (close, Hood very close)

Eventually Hood gets the upper hand, towering over Rei in a manner that triggers her PTSD and leaves her stunned.

One of the civilians (Horoshi Tameda) emboldened by Rei's efforts, picks up a loose chunk of pavement and chucks it at Hood's back. It hits, causing Hood to look back.

Civilians begin making loud noise, others begin picking up anything they can find and throw it at Hood. Further catching him off guard long enough for Rei to snap out of her episode and strike back.

From here the fight kicks into high gear, with Rescue heroes & paramedics arriving on the scene and a camera crew recording the fight from above. Overall I imagine the scene to be very uplifting, with the Orchestra swelling as Rei prepares a final attack.

The move rivals that of Shoto's, arguably even surpassing it. Hoof is incased in a prison of Ice, covering an entire city block worth of destroyed buildings. And the fight finishes with Rei collapsing to her knees.

From here on out things change. Rei's newfound fame leads to the hospital being forced to do their job. Because of this Rei gets out early (around the time the Internship arc would started had I not scrapped it)

As for what this could lead to I'll let you decide. I'd love to read some suggestions.

Bonuses:

Theories:

The reason they kicked Fuyumi from her job is because she covered an abuser's ass for years. While Fuyumi is a victim, it doesn't excuse her complacency in regards to Enji's treatment of Shoto before and after his "self pity" arc.

Natsuo didnt go to someone because he wouldn't likely be believed, being seen as bitter and untrustworthy (his time away from home wouldn't help with pinning evidence).

Extra:

Hood survived the fight, Rei opted to capture him as opposed to kill him. That doesn't mean he didn't get frost bite. Police found out it is very difficult to question a Nomu.

Out of all her trauma. Rei accepting she was never given a choice will be the hardest to accept.

Rei's family is not inbred, rather her parents ran away so her father wouldn't be forced into a marriage with his cousin. Only to ironically do the very same to their daughter.

Hiroshi still becomes a meme, his 'Can't you see speech' leads to him becoming a motivational speaker.

The reason Hood appeared is because Dabi lost track of him. He nearly had a heart attack when he discovered his mom was holding the Nomu off.

[osspial]

thinking a lot about fullmetal alchemist and due to the power of my adhd being medicated i have a lot to say about it

(i finally started reading the manga after having watched FMA:B a few times)

(spoilers below cut)

i didn't really pick up on this before, it's really hitting hard how the core theme of FMA is Hiromu Arakawa trying to process the trauma of growing up in post-war Japan, thinking as a child that their country is just and right and good, and then slowly discovering the extent of Japan's war crimes and the depravity and evil that the country sunk to during the war. (there are MANY. Unit 731 seems particularly relevant to Marcoh's philospher's stone research). and discovering how, at the end of the war, Japan's leadership was fully willing to sacrifice the civilian lives of the entire country to maintain their own personal glory (lots of similarities to The Father's plan to destroy all of Amestris in order to achieve godhood).

and like, in that context, Edward/Alphonse and Roy Mustang/Riza Hawkeye are such brilliant foils for eachother. both Edward and Roy Mustang are incredibly driven people with no fear of personal pain that are willing to do absolutely anything to achieve their own goals and better Amestris. but Edward is young, and hot-blooded, and a loose cannon, and (at the start) unaware of the evils committed in Amestris's name. and he gets angry when he discovers those. meanwhile, Mustang is older, and more measured and much more constrained by the military hierarchy he's operating in, and he directly helped commit many of the war crimes that Amestris perpetrated. but he's racked with guilt over the innocent lives he's taken, and rather than drifting through Amestris solving problems as they come up (like Edward), he's fully committed to working within Amestris's evil fascist dictatorship and pulling wires behind the scene in order to become the supreme leader of Amestris and make the government more righteous with the full power of an entire country behind him.

I've got less to say about Alphonse and Riza Hawkeye, but they both are committed to Edward/Mustang to the point of death. both Alphonse and Riza are more level-headed than their partners, will do anything to protect them, and have gone through a lot of personal pain in order to help them achieve their ultimate goals. Neither Edward nor Roy would be where they are without Alphonse or Riza's help. Both Alphonse and Riza were active partners in the sins their respective duos committed (human transmutation and war crimes). and, even separated from their partners, both Alphone and Riza are incredibly capable individuals that are more than able to hold their own.

this extends to the character design. look at how Edward and Mustang mirror eachother in their hair (bangs in particular) and angry expression

and look at how Alphonse and Riza mirror eachother -- also in their hair and their large, expressive eyes

what an incredible piece of art. love seeing the amount of love and care that went into this.

(P.S. Royai is like peak relationship goals. i want what they have)

(P.P.S. there's a lot of depictions of common people as honest, good, hardworking, and faithful people that are trapped in horrible machines beyond their control, esp. in the first few chapters (the Leto arc, the mining town arc). i really like how Arakawa goes out of her way to absolve the common people of the sins of their circumstances. it's good stuff)

[aimoplaysbg3]

Got the Act 2 Astarionmance scene...and it was perfect.

ISTG if Neil Newbon doesn't get all the awards for his Astarion performance, imma gonna have to throw hands. And all the chocolates and flowers for Stephen Rooney for writing Neil this fantastic sequence of cinematic feels.

The way Astarion's performative mask slips even as he tried to bring it up again at 1:11...and giving up altogether when he realizes he can't keep up the act anymore because he fell in love for real...auuughhhh ;w;

I mean, compare it with the scene I got earlier in Act 1 during the Tiefling party (Link to Youtube vid). It was a little unnerving for me to watch, if I'm honest, because even without the full context I could feel from his expressions and enunciation that he was saying all those sweet nothings through gritted teeth.

So when he finally comes clean on his own terms? The calm resignation and hopeful surprise in his voice?

*screams into the night sky*

I also love how the animators gave Dagmar very clear expressions/body language in response to his words, from bracing in anticipation at 1:08 to hurt at 1:25 to the surprise at 1:35 when he pretty much admitted his affection for her.

As for the hug scene itself, Larian are champions for making it work with shortstack races with adjusted camera angles and wider shots; I delight at the fact that we get to see his face while he was unsure of how to respond back. It feels like the scene was not a consolation prize for not playing a regular height humanoid, but one that was crafted with care for the player's experience.

Also, dorf hands are so big! The better to cuddle this little meow meow with, I say :)