#justice for rei himura

[thr0wnawayy]

Has anyone else noticed this?

Does anyone ever think about how they watered down the sound effects during the flashbacks to Touya's past, in order to make it seem like the abuse the Himura's suffered wasn't as severe as it actually was?

When you compare Shoto's flashback and the intensity of the strike that Rei was hit with + the sound of her falling to the floor and compare it to when Enji is abusing her because he can't be bothered to interact with anyone other than his living weapon Shoto.

You realize how downplayed everything is. The SFX are softer, the motions less dramatic and even entire scenes are cut out (Rei is never shown hitting the floor in the retconned (falsified) version of events)

All this in an attempt to wash the severity of Enji's abuse. Honestly it's kind of disgusting.

[thr0wnawayy]

You know what's sad?

Even in one of my darkest timeline derailments, Rei has a brighter future.

Sure, it's as Dr. Garaki's apprentice and later his successor.

But compares to Hori's implied "canon" fate, it might as well be paradise.

I just finished mha but I'm not sure I understand the message it tried to send We should reach out to individuals who need our help But all the villains are fucking dead?? Let alone a wife beater got little to no pushback aside from his son who's also slowing dieing

Imma be honest MHA finished and I still don't even know what the messaging was supposed to be. I know I have already talked about MHA's mixed messaging before the manga ended but I didn't think that we could go worse with the messages but we did?!?!

We literally did!!?!? Like look at the final chapter and tell me that chapter wasn't full of history rhyming itself or repeating. I get that the last chapter was supposed to be a foil to the first chapter of MHA but it just turned out to be the same nothing flipping changed. Actually, if you think about it with kids reaching the quirk singularity and more powerful quirks that means more people prone to become victims to a society that hasn't changed at all.

This is probably unintentional by horikoshi but dam it could of been good IF THAT WAS THE POINT OF THE STORY but nope the story tries to end on a happy ending that doesn't feel happy.

Heck Hori messed up with the messaging so bad that even the Japanese fandom are complaining about the lack of criticism when it comes to enjis character and how the todoroki arc was handled!!!

The todoroki families ending was just cruel.

Rei is stuck with taking care of her abuser.

Dabi is stripped of any freedom as he is slowly and painfully dying while not being able to have some peace without his father visiting and saying that he will dance in hell with him (even though enji doesn't understand or hasn't experienced just how much his son went through)

Fuyumi lost her job and had to get another because of enjis reputation

Shoto literally debuted as a hero and was known as enjis son it's literally took him 8 years for people to start looking at him more than just enjis son!!!

Natsou is the only one who got a decent ending here

[bnhaobservation]

How the Todorokis call each other (Part 4)

So this is a recap of my previous posts (part 1, part 2, part 3) which merely list which terms they use with also listed the simplest translation possible. If you aren’t familiar with Japanese I recommend you to look at the previous posts to get a more accurate translation of the words listed.

Also I first listed the word/words they use to refer to the person in question regularly, then added an extra section to list the words they had used only once or twice, or solely under certain circumstances. Note that in the extra section the words are usually reported decontextualized, but context is OFTEN important to understand why they were used, so if you’re interested to a specific word I recommend you to go check the context in which it was used during the story in the previous posts.

Notably from this list I’ve left out how the Todoroki pluralize nouns because too tied to circumstances (if you're curious you can find it in part 3).

Also although I mentioned it in the other posts I’ve left out of this list how the Todorokis call other people because it was a guide nowhere near complete.

Todoroki Enji (轟 炎司) aka FLAME HERO: ENDEAVOR (フレイムヒーロー エンデヴァー Flame Hero Endeavor) previously Nenshō-kei HERO “ENDEAVOR” (燃焼系ヒーロー「エンデヴァー」 Combustion Hero ‘Endeavor’) - Quirk: HELLFLAME (ヘルフレイム “Hellflame”)

FOR HIMSELF: ore (俺/おれ “I”) EXTRA: watashi (私/わたし “I”) [when formal/polite], kono ENDEAVOR (このエンデヴァー “this Endeavor”), kono ore (この俺 “this me”), kono kuni no TOP HERO (この国のトップヒーロー “this country Top Hero”)

FOR REI: Rei (冷), omae (おまえ “you”) EXTRA: kā-san (母さん/かあさん “mother”), tsuma (妻 “wife”)

FOR TŌYA: Tōya (燈矢), omae (おまえ “you”) EXTRA: nī-san (兄さん “big brother”), Dabi (荼毘) [only pre reveal], tairyō satsujin-sha (read: musuko) (大量殺人者 (むすこ) “mass murderer (read: son)”), kono ko (この子 “this child”), aitsu (そいつ “that person”), are (アレ “that one we’re talking about”)

FOR FUYUMI: Fuyumi (冬美), omae (おまえ “you”) EXTRA: nē-san (姉さん “big sister”), ano ko (あの子 “that child”), are (アレ “that one we’re talking about”)

FOR NATSUO: Natsuo (夏雄), omae (おまえ “you”), are (アレ “that one we’re talking about”)

FOR SHŌTO: Shōto (焦凍), omae (おまえ “you”) EXTRA: SHŌTO (ショート), aho (阿呆/あは/アホ “fool”), ko (仔 “offspring/young animal/cub/young plant/seedling”), saikō kessaku (最高傑作 “greatest masterpiece”), ore no jōi gokan (俺の上位互換 “superior in rank to me/my upwardly compatible/my upgrade”), uchi no Shōto (ウチの焦凍 Lit. “my family’s Shōto”), are (アレ “that one we’re talking about”), bakamonome (馬鹿ものめ/馬鹿者奴 “stupid person”)

FOR THE PEOPLE WHO WORK IN HIS HOUSE: shiyōnin (使用人 “servant/employee”)

Todoroki Rei (轟 冷) née Himura Rei (氷叢 冷) - Quirk: 'Hyōketsu’ (氷結 “Frost”)

FOR ENJI: anata (あなた) EXTRA: otō-san (お父さん/おとうさん “father”), ano hito (あの人 “that person”)

FOR HERSELF: watashi (私/わたし “I”) EXTRA: okā-san (お母さん/おかあさん “mother”)

FOR TŌYA: Tōya (燈矢), omae (おまえ “you”) EXTRA: Dabi (荼毘), ano ko (あの子 “that child”)

FOR FUYUMI: Fuyumi (冬美) EXTRA: onē-chan (お姉ちゃん “big sister”)

FOR NATSUO: Natsu-kun (夏くん)

FOR SHŌTO: Shōto (焦凍), omae (おまえ “you”) EXTRA: Todoroki-ke no HERO (read: uchi no HERO) (轟家のヒーロー (ウチ のヒーロー) “Todoroki’s family Hero (read: our own family’s hero)”, ano ko (あの子 “that child”)

FOR HER MOTHER: okā-san (お母さん/おかあさん “mother”)

Todoroki Tōya (轟 燈矢) aka Dabi (荼毘 “Cremation”) - Quirk: 'Sōen’ (蒼炎 “Blueflame”)

FOR ENJI: otō-san (お父さん/おとうさん “father”), omae (おまえ “you”) EXTRA: oyaji (親父/おやじ “old man”), ENDEAVOR (エンデヴァー), No. 1 HERO-san (No.1ヒーローさん “Mr. Number 1 Hero”), No.1, aitsu (そいつ “that person”), Todoroki Enji (轟 炎司), KUSO Oyaji (クソ親父 “shitty father”), seigi no mikata (正義の味方 “ally of justice”), are (アレ “that one we’re talking about”)

FOR REI: okā-san (お母さん/おかあさん “mother”)

FOR HIMSELF: ore (俺/おれ “I”) EXTRA: ore (俺/おれ “I”) [as a child], boku (僕/ぼく “I”) [when formal/polite], chōnan (長男 “first son”), nī-chan (兄ちゃん “big brother”), IKARE (イカレ/いかれ “crazy/(mentally) broken”), shippaisaku (失敗作 “failed creative work”), kusatte nī-chan (腐って兄ちゃん “rotten big brother”), musuko (read: ore) (息子(俺) “(Enji’s) son (read: I)”), Tōya (read: ore) (燈矢(俺)  “Tōya (read: I)”), Dabi (荼毘),

FOR FUYUMI: Fuyumi-chan (冬美ちゃん) EXTRA: shippaisaku (失敗作 “failed creative work”)

FOR NATSUO: Natsu-kun (夏くん) EXTRA: shippaisaku (失敗作 “failed creative work”)

FOR SHŌTO: Shōto (焦凍), omae (おまえ “you”) EXTRA: temē/temeE (てめえ/てめエ/手前 “you” [very rude]), Todoroki Shōto (轟 焦凍), saikō kessaku (最高傑作 “greatest masterpiece”), seikōsaku no Shōto (成功作の焦凍 “Shōto, the successful creative work”), taibō no kessaku (待望の傑作 “long awaited masterpiece”), saikō kessaku no oningyō (最高傑作のお人形 “greatest masterpiece of a puppet”), omae no ningyō (おまえの人形 “your doll/puppet”), furafura chūtohanpa no ningyō (フラフラ中途半端の人形 “unsteady/aimless unfinished/incomplete doll”), otō-san no omoidōri no koma (お父さんの思い通りのコマ “father’s desired piece”), yakusai no nikogori (厄災の煮凝り “disaster/calamity jellied broth”), maki (薪 “firewood”), sannan (三男と “the third son”), aite (相手 “opponent”)

HIS GRANDPARENTS: obā-chan-tachi (おばあちゃん達 “grandma and the others”)

GETEN: kōri yarō/kōri YARŌ (氷野郎/氷ヤロ “ice-guy/ice-bastard”), omae (おまえ “you” [rude])

Todoroki Fuyumi (轟 冬美) - Quirk: 'Hyōketsu’ (氷結 “Frost”)

FOR ENJI: otō-san (お父さん/おとうさん “father”) EXTRA: ano hito (あの人 “that person”)

FOR REI: okā-san (お母さん/おかあさん “mother”)

FOR TŌYA: Tōya Nī (燈矢兄 “big brother Tōya”)

FOR HERSELF: watashi (私/わたし “I”) EXTRA: Fuyumi (冬美) [as a child],nē-san (姉さん “big sister”)

FOR NATSUO: Natsu (夏) EXTRA: anta (あんた/アンタ “you” [rude])

FOR SHŌTO: Shōto (焦凍) EXTRA: ano ko (あの子 “that child”)

Todoroki Natsuo (轟 夏雄) - Quirk: 'Hyōketsu’ (氷結 “Frost”)

FOR ENJI: anta (あんた/アンタ “you” [rude]) EXTRA: ENDEAVOR (エンデヴァー), aitsu (そいつ “that person”), IKARE (イカレ/いかれ “crazy/(mentally) broken”) [to be exact Natsuo used ‘IKAretanda’ (イカれたんだ “went crazy”)], IKARE yarō (イカレ野郎 “crazy guy”), No.1, otō-san (お父さん/おとうさん “father”) [in chap. 426]

FOR REI: okā-san (お母さん/おかあさん “mother”) EXTRA: kā-san (母さん/かあさん “mother”)

FOR TŌYA: Tōya Nī (燈矢兄 “big brother Tōya”) EXTRA: aniki (兄貴“big brother”), Dabi (荼毘), iranē kodomo (いらねー子ども “unneeded child”), KUSO aniki (クソ兄貴 “shitty big brother”), shippaisaku (read: ore-tachi) (失敗作 (俺たち) “failed creative work (read: we)”)

FOR FUYUMI: nē-chan (姉ちゃん “big sister”) EXTRA: iranē kodomo (いらねー子ども “unneeded child”),shippaisaku (read: ore-tachi) (失敗作 (俺たち) “failed creative work (read: we)”)

FOR HIMSELF: ore (俺/おれ “I”) EXTRA: iranē kodomo (いらねー子ども “unneeded child”), shippaisaku (read: ore-tachi) (失敗作 (俺たち) “failed creative work (read: we)”)

FOR SHŌTO: Shōto (焦凍)

FOR THE PEOPLE WHO WORK IN HIS HOUSE: otetsuta (お手伝 “helper/maid”)

Todoroki Shōto (轟 焦凍) aka SHŌTO (ショート) - Quirk: 'Hanrei Hannen’ (半冷半燃 “Half-Cold Half-Hot”)

FOR ENJI: oyaji (親父/おやじ “old man”), omae (おまえ “you”) EXTRA: otō-san (お父さん/おとうさん “father”) [as a child], ENDEAVOR (エンデヴァー), mannen No. 2 no HERO (万年No.2のヒーロー “eternal No. 2 Hero”), anta (あんた/アンタ “you” [rude]),temē/temeE (てめえ/てめエ/手前 “you” [very rude]),aitsu (そいつ “that person”), oyaji (read: koitsu) (親父 (こいつ) “old man (read: this person)”, yatsu (奴 “guy”), KUSO oyaji (クソ親父 “shitty father”), No.1, IKARE (イカレ/いかれ “crazy/(mentally) broken”), kuzu (屑 “vaste/scrap/garbage”)

FOR REI: okā-san (お母さん/おかあさん “mother”)

FOR TŌYA: Tōya Nī (燈矢兄 “big brother Tōya”), omae (おまえ “you”) EXTRA: Dabi (荼毘), aniki (兄貴“Big brother”), temē/temeE (てめえ/てめエ/手前 “you” [very rude]), Tōya, baka aniki (馬鹿兄貴 “stupid big brother”), IKARE (イカレ/いかれ “crazy/(mentally) broken”) [to be exact Shōto used ‘IKAretennoka’ (イカれてんのか “are you crazy?)]

FOR FUYUMI: nē-san (姉さん “big sister”)

FOR NATSUO: Natsuo Nī (夏雄兄 “big brother Natsuo”)

FOR HIMSELF: ore (俺/おれ “I”) EXTRA: boku (僕/ぼく “I”) [as a child], hanpamono (半端者 “halfwit/fool”) and hanpa na otōto (半端な弟 “halfway/incomplete little brother”), sonna kuzu no dōgu (そんな屑の道具 “such scum’s tool”), the hand crusher (ハンドクラッシャー)

HIS GRANDPARENTS: haha no shinzoku (母の親族 “mother’s relatives”).

Himura tōshu (氷叢当主 “Himura family Head”)

FOR ENJI: ENDEAVOR-sama (エンデヴァー様), TOP HERO-Sama (トップヒーロー様)

Himura ? (氷叢 ?) aka Geten (外典) - Quirk: Hyōsō (氷��� "Ice Ply")

FOR HIMSELF: boku (僕/ぼく “I”)

FOR TŌYA: Dabi (荼毘), sōen no tsukaite Dabi (蒼炎の使い手荼毘 “blue flame user Dabi”), sōen (蒼炎 “blue flame”), omae (おまえ “you”)

Kurumada Untenmaru (車田 運天丸) - Untenshu (運転手 “driver”)

FOR ENJI: ENDEAVOR (エンデヴァー), No.1 HERO (No.1ヒーロー) [in the OAV], anta (あんた)

FOR SHŌTO: JARINKO (ジャリンコ “student who can’t keep up in school/brat”)

IDENTITY UNKNOWN

She might be a servant or the children's grandmother who came to visit. All we know is she's shown at the Todoroki house while the kids are out playing. She doesn't get to talk so we don't know how she refers to people in the Todoroki house.

[todomitoukei]

Japanese vs. English Todoroki - A 301 Comparison

Finally, for the first time since this manga has begun - and it only took 300 chapters to get here - we get an entire chapter that is solely about the Todoroki family! As I read through the chapter and started to type down the Japanese text, I asked myself which scenes I should translate. And so here we are with me having translated every single line. With that, this is a long post. Long. You have been warned. So let’s get right into it:

The chapter starts out with a flashback to Endeavor speaking with Rei’s father to get his approval to marry Rei:

「次期No.1の呼び声高いエンデヴァー様からお声掛けいただけるとは夢にも思いませんでした！僥倖の極みにございます！！」

「次期 ; jiki 」-> next term

「No.1 ; nanbaa wan 」-> number one

「呼び声高い ; yobigoe takai 」-> being widely talked about as a prominent prospect (for)

「エンデヴァー様 ; endevaa sama 」-> Endeavor-Sama

「から ; kara 」-> from

「お声掛け ; okoegake 」-> greeting; approaching (someone)

「いただける ; itadakeru 」-> receive (potential form)

「とは ; to wa」-> adds emphasis to the prior word/phrase

「夢にも思いませんでした ; yume ni mo omoimasen deshita 」-> I never dreamed that; not in one’s wildest dreams

「僥倖 ; gyoukou 」-> good fortune

「の ; no 」-> possessive particle; similar to an apostrophe

「極み ; kiwami 」-> height; extremity

「に ; ni 」-> at

「��ざいます ; gozaimasu 」-> to be

= “I never dreamed that we would receive greetings from Endeavor-Sama, who is widely talked about as a prominent prospect for the next term’s Number One position. We are at the height of good fortune!!”

It’s kinda sad if the height of your good fortune is meeting Endeavor. I also wonder how he reached out to them? “Hi, I need a wife with an ice quirk, do you have one?” How did he even search them? Is there some kind of registry that tells you which family has which quirk? 

Anyway, we then learn a little about Rei’s family:

「氷叢もかつては名家と呼ばれた由緒ある家柄にございます故―

トップヒーロー様の伴侶としましては充分に釣り合いがとれるものと。。。」

「氷叢 ; himura 」-> Himura

「も ; mo 」-> also

「かつて ; katsute 」-> once; before; formerly

「は ; wa 」-> topic marker particle

「名家 ; meika 」-> noble family; distinguished family

「と呼ばれた ; to yobareta 」-> was called

「由緒ある ; yuisho aru 」-> prestigious; with a long history

「家柄 ; iegara」-> social standing of a family; lineage

「に ; ni 」-> from

「ございます ; gozaimasu 」-> to be

「故 ; yue 」-> reason; cause; circumstances

「トップヒーロー様 ; toppu hiro sama 」-> Top Hero-Sama

「の ; no 」-> possessive particle; similar to an apostrophe

「伴侶 ; hanryo 」-> spouse

「としまして ; to shimashite 」-> to take as

「は ; wa 」-> topic marker particle

「充分に ; juubun ni 」-> sufficient; enough (the ni turns this word into an adverb)

「釣り合い ; tsuriai 」-> balance

「が ; ga 」-> subject marker particle

「とれる ; toreru 」-> to be attained (of balance)

「ものと ; mono to 」-> shall; to assume; understood as

= “The Himura family was also once called a noble family. It’s a lineage with a long history - so to take her as a top hero’s spouse shall be a sufficiently attained balance.”

Something I would like to note here is something that is difficult to properly translate, which is the politeness level. There are a lot of different politeness levels to show the different social ranks. We don’t know how Rei’s father normally speaks, but he probably talks politely here to show respect to a top hero, which also makes this seem more like a business deal rather than a familiar conversation with your future father-in-law.

Anyway, we then get a little bit of narration from Endeavor:

「氷のような女だった」

「氷 ; koori 」-> ice

「のような ; no you na 」-> similar to; like

「女 ; onna 」-> woman

「だった ; datta 」-> was

= “She was a woman like ice.”

Ah, the classic “this woman doesn’t immediately worship me so she has no feelings” attitude. Not that I can say that I’m surprised he’d say something like that. And look at her. She looks so unhappy! Why are there people reading this chapter and claiming that this wasn’t a forced marriage when she looks like that? She clearly didn’t truly want this herself. This is also confirmed in the next line:

「“個性婚”である事も承知の上で。。。。。。家の為に俺の妻になると言う。」

「個性婚 ; koseikon 」-> quirk marriage

「である ; de aru 」-> is; be

「事 ; de aru koto 」-> nominalizes the preceding phrase

「も ; mo 」-> also

「承知の上で ; shouchi no ue de 」-> being aware of; taking something into account

「家 ; ie 」-> family

「の ; no 」-> possessive particle; similar to an apostrophe

「為に ; tame ni」-> for the sake of

「俺 ; ore 」-> I 

「の ; no 」-> possessive particle; similar to an apostrophe

「妻 ; tsuma 」-> wife

「になる ; ni naru 」-> to become

「と言う ; to iu」-> to say

= “She is also aware that this is a quirk marriage... she says she will become my wife for the sake of her family.”

De aru is a formal way used to express that someone is explaining something and makes it a neutral, official-sounding statement.

It’s not entirely clear to me how she knows that this is a quirk marriage, though. Did Endeavor just tell her? Did he tell her father? Does she just know?

It still leaves me baffled how some people read this sentence and came to the conclusion that it wasn’t a forced marriage just because she agreed to it. I’m actually kind of sensing a pattern here: first, we learn that Rei agreed to have more children, so people claimed she wanted to have all these kids with him. Now, she apparently wanted to marry him out of her own will. I cannot stress this enough, but please please understand that if you do something “for the sake of your family” or generally for the sake of someone else, it doesn’t mean you actually want it yourself. If you live your life basing your decisions on what makes the people around you happy, you will not be happy. It’s one thing to be selfless, but another to never live for your own sake.

The only reason Endeavor decided to have a wife, specifically Rei, was for his own selfish goals. And the only reason Rei agreed, despite knowing she was being heavily objectified and reduced to her quirk here, was to please her family. However, this in no way indicates what her true feelings are. 

「。。。花が好きか」

「花 ; hana 」-> flowers

「が ; ga 」-> subject marker particle

「好き ; suki 」-> to like

「か ; ka 」-> question marker particle

= “... Do you like the flowers?”

A pretty straight-forward sentence.

「はい。とても綺麗。 」

「はい ; hai 」-> yes

「とても ; totemo 」-> very

「綺麗 ; kirei 」-> pretty; beautiful; lovely

= “Yes. They’re very pretty.”

Can I just say that she looks so sad here? There is something very lonely about her expression and the way she looks at these flowers. I’ve mentioned it before in another post, but the flowers Rei likes so much are Rindou, and the meaning of them is “I love you who is sad”, “justice”, or “sincere; faithful” - this would probably be more something to talk about in a separate meta on Rei, but I think maybe she identifies with those flowers in a way? She doesn’t seem happy - and granted, who would be in her situation? Maybe her whole life has been sort of dictated by her family and about pleasing them instead of ever being truly happy. These flowers are a common theme in terms of their relationship, so it’s likely that here, she is the one who is sad and maybe she just wants to be loved despite knowing this marriage isn’t based on love. She might still be hopeful that it will turn into love eventually and for now, she just enjoys the thought that someone might love someone as sad and unhappy as her.

「強く。。。しかし触れれば溶けて消えてしまいそうな。。。」

「強く ; tsuyoku 」-> strong

「しかし ; shikashi 」-> however

「触れれば ; furereba 」-> to touch; to come in contact with (conditional form)

「溶けて ; tokete 」-> to melt

「消えて ; kiete 」-> ; to vanish

「しまい ; shimai 」-> to do something completely

「そうな ; souna 」-> it seems

= “Strong… however, she seems like she would completely melt and vanish if I touched her.”

Then… don’t. Anyway, as mentioned in other posts, a verb + shimau means either that something that was done was regrettable or that it was done completely. Shimai is the polite version of this same concept. Back to the present:

「冷。。。！おまえ。。。大丈夫。。。なのか」

「冷 ; rei 」-> Rei

「おまえ ; omae 」-> you

「大丈夫 ; daijoubu 」-> alright

「なのか ; nanoka 」-> question marker particle seeking an explanation

= “Rei…! You… are you alright?”

The no itself is already a question marker, but men often add ka to it to make it more ~manly~

「大丈夫じゃないよ」

「大丈夫 ; daijoubu 」-> alright

「じゃない」-> am not

「よ ; yo 」-> emphasis particle

= “I’m not alright!”

I’m not sure what kind of answer he expected, to be honest, but I think we can all appreciate Rei here. The official translation did a good job capturing that emphasis of yo by having her say “Okay? No, I’m not.” which bolds her statement a little more.

「だから来たの」

「だから ; dakara 」-> that’s why

「来た ; kita 」-> came; arrived

「の ; no 」-> explanatory particle

= “That’s why I came.”

Other people have already pointed out how this line is similar to All Might’s catchphrase, which is 「私が来た」 - watashi ga kita. Obviously, she doesn’t say that exact line - although that would have been absolutely hilarious to see, just imagine you see your wife after ten years of her being in a mental hospital because of you and your obsession with your rival only for her to quote your rival’s catchphrase at you? Iconic! Anyway, it still has that same feeling to it.

Another thing worth noting is how much her expression here differs from the earlier flashbacks. 

The panel of her looking at the flowers is a high-angle shot, which is used to make the subject seem inferior and looked down on. Additionally, that shot is from Endeavor’s POV, which is to give us a sense to show us how he viewed her - inferior. He is the hero and he is the one planning on using her to gain more power for himself. He made the decision to get a wife and thus initiated this whole relationship.

In this panel, though, we look at her with an eye-level shot. This is a neutral perspective, so it’s neither a superior or inferior situation, but there is still a specific atmosphere being created, usually done to make the viewer connect with the character and sort of having the character’s emotions be projected onto the viewer, especially in uncomfortable scenarios. To intensify this, we are staring directly at her. In the flashback, she is also turned to the side, so we don’t see her full face. Instead, she is avoiding eye contact and instead, is looking down at the flowers. Showing a character from the side creates a distance and makes it less clear what the character truly thinks.

But here, she is fully facing the viewers and staring directly at us. As mentioned before, this angle is meant to make you feel what the characters feel, especially when there’s an uncomfortable atmosphere. So here, when she says “That’s why I came” it’s supposed to make you uncomfortable. The “I am not alright” isn’t because her supposedly dead son turned out to be alive and a villain - she is not alright because of all the pain each of them endured for the past decade because of Endeavor. She lost ten years of her life, precious time with her kids, missed seeing them grow up, because of him. She wasn’t able to be there for them because of him. So no, she is not alright. But now she is out. And now she can finally regain some power. Power she never had in this relationship and possibly never had in her whole life. But now she is here. She is here because she feels guilty for what happened to her son, but she isn’t going to just give up. She is holding herself accountable, but she is making sure Endeavor knows he is the culprit. He is supposed to be uncomfortable and so should you (to understand that Endeavor is not the victim here) and anyone who sees that panel and thinks she is being supportive of him here? She isn’t.

I’ve seen a lot of people either claim that she is supporting Endeavor here or people say that she is being too soft on him here. While I don’t really see how this could possibly be her supporting him, I definitely do agree that Horikoshi seems to avoid wanting anyone directly pointing a finger at Endeavor, which is odd considering throughout the whole story everyone in the Todoroki family has always only ever blamed Endeavor. Dabi made it very clear in his broadcast that he wants to destroy Endeavor, Shouto always blamed Endeavor for his scar and for Rei being in the mental hospital, Natsuo can’t even have one dinner with Endeavor because he has always been neglected by him and because he blames Endeavor for what happened with Touya - rightfully so, by the way, Touya being alive doesn’t exactly change that Endeavor destroyed Touya. And given how Horikoshi writes female characters in general, it’s not really surprising that the only ones who don’t actively speak out against and blame Endeavor are the women of the family.

But while I do think that Horikoshi is toning down on that here and I don’t wanna give him too much credit, we should also keep in mind that this is the first time in ten years that Rei talks to him. Just a few months prior, when Fuyumi and Natsuo visited her, she said that she was still afraid to see him. I think it’s actually more realistic that she isn’t yelling at him or anything like that, yet is still able to at least put him in his place and remind him that this isn’t about him.

And that’s the other reason why I think it makes sense she reacts the way she does. It’s not about him, but this is also not about her. The last line of chapter 300 was saying “I’m here to talk about our family and Touya.” This isn’t about any of them individually except for Touya (more on that later). So if she gave an entire speech here about how much pain Endeavor has caused her and how he took ten years of her life away, this simply isn’t the time. Instead, she is prioritizing Touya.

Could she be a bit more clear that Endeavor is the culprit who caused them all a lot of pain and trauma? Yes, apparently she needs to say this more clearly considering how many people absolutely fail to interpret this correctly by claiming they are a happy family. But it’s not the most unrealistic way to write her here, either.

But let’s move on to Dabi and where the main criticism for the official translation comes in:

「だいぶ焼けたな。。。」

「だいぶ ; daibu 」-> considerably; greatly; a lot

「焼けた ; yaketa 」-> burned

「な ; na 」-> sentence ending particle; usually used to seek confirmation

= “Burned a lot, huh…”

Someone recently pointed out to me that Dabi’s staples might actually just be there for him to check how much his scars are spreading. And that really does seem to be the case now as he has simply moved them to the new edges of the scars. The new burns aren’t yet as intense as the rest, so I guess those aren’t skin grafts that need to be held in place, after all, but just his skin heavily burned?

As mentioned above, na gets used at the end of a statement to seek confirmation, however, it can also be used in a more rhetorical sense to make a sentence less assertive in order to simply introduce a topic in a more casual and less abrupt way.

「何も感じねぇ」

「何も ; nanimo 」-> (not) anything

「感じねぇ ; kanjinee 」-> not feeling

= “I don’t feel anything.”

The normal negation of kanjiru (to feel) is kanjinai. Changing the nai into nee is a more casual form, but it can also be used instead of nai to add more emotion/feeling to what is being said, which is kinda ironic in a sentence talking about his inability to feel anything.

Dabi generally uses both forms (nai and nee) for negation so it’s hard to say if this is just him negating a word or if this form gets used to put more emotion to it, though it’s probably a mixture of both considering he is just lying there and reflecting on the situation.

More importantly, this sentence reminded me of what he said to Shouto in chapter 292 「そうだよ焦凍。兄ちゃん何も感じなくなっちまった。」- “That’s right, Shouto. Nii-Chan has completely stopped feeling anything.”

While the line from chapter 292 is referring to his mental state, he is now talking about his physical state. So basically, Dabi is completely numb - both physically and mentally. Fun times!

「あいつは俺の親父だ。あの程度で死ねるようなタマじゃねえ。例え死にたくても立場がそれを許さない。」

「あいつ ; aitsu 」-> he; that guy

「は ; wa 」-> topic marker particle

「俺 ; ore 」-> I 

「の ; no 」-> possessive particle; similar to an apostrophe

「親父 ; oyaji 」-> dad

「だ ; da 」-> be

「あの ; ano 」-> that

「程度 ; teido 」-> degree; amount

「で ; de 」-> by; of

「死ねる ; shineru 」-> to die (potential form)

「ような ; youna 」-> like; similar to

「タマ ; tama 」-> person (when commenting on their nature); character

「じゃねえ ; janee」-> isn’t

「例え死にたくても」-> even if you want to die (例え...ても + 死にたく)

「立場 ; tachiba 」-> position; situation

「が ; ga 」-> subject marker particle

「それ ; sore 」-> that

「を ; o 」-> direct object marker

「許さない ; yurusanai 」-> doesn’t allow

= “That guy is my dad. He isn’t the kind of person to die from something of that degree. Even if he wanted to die, the situation doesn’t allow that.”

A few things to note here:

First of all, and I know this is a big shocker to us all, and it does pain me to say, but he does not say “adios” here. He really just says “want to die” and, although this is such an unimportant change it’s just really annoying to constantly see him being translated in such a weird way. Even minor changes like this one just make him sound strange. Dabi is someone who chooses his words carefully, so it really does alter people’s perception of him when he suddenly starts speaking like that. Does anyone actually talk like that?

“He isn’t the person to die from something of that degree” - Here, Dabi uses “tama” which is usually written in Kanji, but is written in Katakana here for emphasis. More importantly, though, this is a derogatory term.

Anyway, that sentence follows after the obvious statement of “That guy is my dad” - which isn’t new information to us, but this is the reason why he concludes that Endeavor hasn’t died without actually having that confirmed. He is able to tell how much damage Endeavor can take, possibly also stating here that as long as Dabi himself doesn’t die from his attack, Endeavor also wouldn’t have died. So much for his self-confidence! The “dear old dad” in the official translation yet again sounds a bit odd. It might be used to make a more clear distinction between otousan and oyaji, but much like boku and ore (male pronouns), you don’t really need to make a distinction in English because it’s just something unique to Japanese, and trying to translate it results in something like “dear old dad” which just makes the character sound weird because no one says that in English.

“The situation doesn’t allow it” - while the fan translation went for “I won’t allow it” the official translation went for “His position won’t allow it” - all of which are different statements. It’s hard to determine which of these is correct since there isn’t a pronoun used here. The reason I went for “the situation” is because it seems like he is referring to the current state the country is in. We’ve already been shown how much damage has done and the “I am not here” statue shown in the previous chapter is a good summary of that. Although it’s unlikely that Endeavor could do much to make things go back to how they used to be before the reveal, the country is still waiting for his statement, which will further impact the situation. If he died now, it would probably be the end for heroes, whereas him being alive and trying to somehow save the country could bring a little hope back to the people. So basically, the future depends on him (not really, but that’s the general idea here).

「そろそろ表に出てくる頃合いだ。」

「そろそろ ; sorosoro」-> gradually; soon

「表 ; omote 」-> surface

「に ; ni 」-> to

「出てくる ; detekuru 」-> to come out; to appear

「頃合い ; koroai 」-> suitable time; good time

「だ ; da 」-> be

= “Soon it’s a good time to come to the surface.”

Much like the rest of the country, Dabi is clearly also awaiting Endeavor’s statement to the public so he can plan his next move.

Something to note here is that these two panels use the thinking speech bubbles, so we have two different kinds of internal monologues from Dabi in this scene: interior monologue and soliloquy. Soliloquy refers to a speech given to oneself out loud, which is why this is commonly found in plays in order to show what a character is thinking since you can’t make the audience hear the character’s thoughts otherwise. 

An interior monologue gives us readers immediate access to a character’s unfiltered thoughts. Since we don’t exactly control our thoughts, we often jump from one thought to another without explaining how we got there. So when Dabi thinks “That guy is my dad.” followed by “He isn’t the kind of person to die from something of that degree.” - he doesn’t have to go into an elaborate explanation as to why the second sentence is the conclusion of his first statement because he just knows.

A soliloquy isn’t too different as the character is still their own audience. However, this style is often used to amplify a character’s thoughts, in a way signaling that they can’t keep their thoughts inside anymore so instead they just come out of the character’s mouth. Using these two styles here emphasizes the soliloquy even further. While his interior monologue is a reflection of what happened and tells us that Dabi already knew he wasn’t going to kill Endeavor back then, the soliloquy part focuses more on his actual feelings. This last part of his interior monologue, where he concludes that Endeavor will have to face the public soon, serves as a trigger of his following excitement, highlighting his obsession with making his dreams of ruining Endeavor come true.

「早く惨めな面が見てぇ楽しみだ。ここまで長かった。」

「早く ; hayaku 」-> soon; quick (adverb)

「惨めな ; mijime na 」-> miserable

「面 ; men 」-> face; mask

「が ; ga 」-> subject marker particle

「見てぇ ; mitee 」-> to see

「楽しみ ; tanoshimi 」-> anticipation; looking forward to

「だ ; da 」-> be

「ここまで ; koko made 」-> so far

「長かった ; nagakatta 」-> was long (time)

= “I’m looking forward to seeing your miserable face soon. It’s been a long time so far.”

Here we have another case of the official English translation making him talk in ways no one talks. Aside from the “pathetic mug” part, Dabi doesn’t say “damn” - considering swear words aren’t really a thing in Japanese anyway. But he’s also generally not really talking in a rude way here, it’s just a pretty straight-forward sentence. To be honest, I think the reason why certain characters (i.e. Dabi) get written like that™ is to add character and distinguish them from less casual-speaking characters? To show that this is a character that’s a bit on the rougher side? Even so, he doesn’t actually talk like that, and trying to make him sound rough in every single sentence is a bit of an overkill. I get that he’s dramatic, but that still doesn’t mean that he speaks like he never read a normal book.

To quickly bring up the soliloquy again: You can see with this sentence that this is far more subjective. “Soon it’s a good time to come to the surface” was somewhat objective as the whole country awaits Endeavor’s public statement to this situation. But “I’m looking forward to seeing your miserable face soon. It’s been a long time so far” is subjective. The public might not necessarily care about a hero being exposed. But Dabi cares because to him, this whole reveal is personal (obviously). This plan has been in the making for around ten years, whereas the rest of the country was unaware of the truth about Endeavor up until a few days ago.

「轟炎司。お母さん。冬美ちゃん。夏くん。。。。。。焦凍。」

「轟炎司 ; todoroki enji 」-> Enji Todoroki 

「お母さん ; okaasan 」-> mom

「冬美ちゃん ; fuyumi chan」-> Fuyumi-Chan

「夏くん ; natsu kun」-> Natsu-Kun

「焦凍 ; shouto 」-> Shouto

= “Enji Todoroki. Mom. Fuyumi-Chan. Natsu-Kun….. Shouto.”

While we can’t exactly blame the official translation for not including these suffixes, the distinction with Shouto doesn’t really show in the translation at all. Endeavor is an obvious one in either version - addressing your parent by full name indicates a distance as this shows no signs of familiarity. Much like his other siblings (I will talk about this at some point in a separate post) he calls his mom okaasan, a pretty normal way to say mom. As the older sibling, he wouldn’t have to use a suffix for any of his siblings, but this can - especially in a case like this - show familiarity. Aside from the many many dots representing a small pause he makes before even naming Shouto almost like he initially forgot about him, Shouto is also the only one only being called by name without a suffix, so the distinction becomes far more pronounced. It’s obvious that Touya, Fuyumi, and Natsuo grew up together and spent a lot of time together, thus he still uses these suffixes. But Shouto is just… Shouto. There is no relationship between them and the many dots just show this distance between the two.

「俺を見てくれ地獄の底で。」

「俺 ; ore 」-> I 

「を ; o 」-> direct object marker

「見てくれ ; mitekure 」-> please look at me

「地獄 ; jigoku 」-> hell

「の ; no 」-> possessive particle; similar to an apostrophe

「底 ; soko 」-> bottom

「で ; de 」-> in

= “Please look at me in the depths of hell.”

The kure at the end of mitekure gets used when asking a favor from someone.

The official translation yet again sounds a bit weirder with the “Take a real good look at me” when kure is more of a “Please look at me” which sounds less assertive. Anyway, Dabi is clearly trying to state that his life is hell and now they get to see it, too. At the end of the chapter, Rei says that she and Endeavor both didn’t look at him before and there are several times during the flashback where Touya says “look at me!” which is all a summary of where this whole thing went wrong: Touya was in pain, and he made it known that he needed help and that he wasn’t okay, but both his parents ignored that. And so now his broadcast forces them to look at him. Forces them to look at what happened as a result of them ignoring his pain before. It’s not just to show the civilians how their heroes aren’t all that heroic, but more importantly, it’s so that someone can see his pain. He’s not giving them a choice, either. Though people - both in bnha society and in the fandom - write Dabi off as annoying or continue to refuse to see him as a victim, it really doesn’t matter because what he has accomplished is making people experience his pain. He is damaging society just how society has damaged him. Just how his father said “you’re not good enough” it’s now Dabi’s turn to say the same thing to him and society.

Dabi is already in the depths of hell, yet so far his family didn’t know that. But now they do and now they have to face the facts.

「せっかく休みなんだから“個性”訓練付き合ってよ！！何で急にダメとか言うんだよ！！」

「せっかく ; sekkaku 」-> after all the effort

「休み ; yasumi 」-> rest; holiday

「なんだから ; nandakara 」-> so

「“個性” ; kosei 」-> quirk

「訓練 ; kunren 」-> training

「付き合って ; tsukiatte 」-> to go along with; to follow someone’s lead

「よ ; yo 」-> emphasis particle

「何で ; nande 」-> why

「急に ; kyuu ni 」-> suddenly

「ダメ ; dame 」-> no good

「とか ; toka 」-> and so on; such as

「言う ; iu 」-> to say; to mean

「んだ ; nda 」-> used for emphasis when information has been shared

「よ ; yo 」-> emphasis particle

= “You have a day off, so come do quirk training with me after all that effort!! Why do you suddenly say things like it’s no good!!”

Sekkaku doesn’t have a direct translation, but here it emphasizes that an opportunity has come up (Endeavor having a day off), which would be a shame to waste by not spending it with training. The nanda in nandakara is a preliminary remark, which can be used to get the listener’s attention to the conclusion that follows after. Again, these are nuances that you can’t necessarily translate. But at least little Touya talks more like a normal person than Dabi.

「何度も言ったろう。おまえの為なんだ。」

「何度も ; nando mo 」-> many times over; often

「言ったろう ; ittarou 」-> told; said

「おまえ ; omae 」-> you

「の ; no 」-> possessive particle; similar to an apostrophe

「為 ; tame 」-> advantage; benefit

「んだ ; nda 」-> explanatory particle

= “I’ve told you many times. It’s for your benefit.”

The tarou ending in ittarou is used to add an accusatory tone to the phrase, so it shows somewhat of an impatience/annoyance here. Imagine being Touya. You always look forward to your training days with your incredible dad. And suddenly, he keeps canceling on you and just says “it’s for your own good” - kids aren’t stupid, and they know when they are treated as though they were. So it’s obviously frustrating that his dad just gives him weak excuses instead of being honest with him. And it’s not like Endeavor is seeking an actual way to help Touya. All he does is go to the doctor, gets told that Touya’s body and quirk don’t match, and then his solution is to stop training him. It’s one thing to be a concerned parent and keep your child away from harm, but it’s more important to think about how you keep them from harm and whether or not you ensure that they know that failing doesn’t mean that they are a failure. Problem is, Endeavor can’t tell him he’s not a failure since Touya is a failed project so he does, in fact, see him as a failure.

If you take a quick look at Touya, you can see his hair is only now starting to get a few white spots. It’s difficult to determine the exact timeline of things, but it’s obvious that this takes place only shortly after his hair first started turning white, which means that Endeavor went to the doctor pretty quickly. And yes, he says this is for Touya’s sake but remind me again why Touya is born? Oh right, for Endeavor’s sake! Anyway, moving on to the doctor’s office:

「珍しい例ですね。。。炎の個性因子はより色濃く引き継がれているのですが。肉体はお母さんの方を強く引き継いでしまってるんです」

「珍しい ; mezurashii 」-> rare

「例 ; rei 」-> instance; case

「です ; desu 」-> to be

「ね ; ne 」-> sentence ending particle; used to seek confirmation

「炎 ; honou 」-> flame

「の ; no 」-> possessive particle; similar to an apostrophe

「個性 ; kosei 」-> quirk

「因子 ; inshi 」-> factor

「は ; wa 」-> topic marker particle

「より ; yori 」-> than

「色濃く ; irokoku 」-> strongly tending to

「引き継がれている ; hikitsugareteiru 」-> inheriting (present progressive passive form)

「のです ; no desu 」-> explanatory particle

「が ; ga 」-> but

「肉体 ; nikutai 」-> the body; the flesh

「は ; wa 」-> topic marker particle

「お母さん ; okaasan 」-> mom

「の ; no 」-> possessive particle; similar to an apostrophe

「方 ; hou 」-> type

「を ; o 」-> direct object marker

「強く ; tsuyoku 」-> strong (adverb)

「引き継いでしまってるん ; hikitsuide shimatterun 」-> completely inheriting

「です ; desu 」-> to be

= “A rare case, isn’t it? The flame quirk factor is more strongly inherited, but the body is strongly and completely inherited from the mother’s type.”

In the last part, we once again have the verb + shimau constellation, which always either indicates that something happened regrettable or completely. In a way, both meanings apply here since Touya’s body fully takes after Rei’s constitution, but this is also obviously regrettable since it’s a waste of his strong fire quirk. In the official translation, he just says “he takes after his mother physically” which doesn’t really carry either nuance.

「つまり。。。炎への体制よりも氷結。。。寒さに適性のある身体なんです。」

「つまり ; tsumari 」-> that is to say; in other words

「炎 ; honou 」-> flame

「への ; e no 」-> particle that describes the word that follows using the direction towards the word that comes before

「体制 ; taisei 」-> order ; system

「よりも ; yorimo 」-> in comparison to; rather than

「氷結 ; hyouketsu 」-> freezing; freezing over

「寒さ ; samusa 」-> coldness

「に ; ni 」-> for (purpose)

「適性 ; tekisei 」-> aptitude; suitability

「のある ; no aru 」-> there is

「身体 ; karada 」-> body

「なんです ; nandesu 」-> explanatory particle

= “In other words, it’s a body with an aptitude for the cold rather than being a system to the flames.”

Considering all the support items the heroes have, I feel like they could have found a solution to this. Dabi’s current coat helps cool him down, so why did Endeavor not think of something like that?

「まア。。。デザインじみたことはね。。。この“個性”時代禁忌なんで。。。やめといた方が。。。 」

「まア ; maa 」-> well

「デザイン ; dezain 」-> design

「じみた ; jimita 」-> like

「こと ; koto 」-> thing

「は ; wa 」-> topic marker particle

「ね ; ne 」-> sentence ending particle; used to seek confirmation

「この ; kono 」-> this

「“個性” ; kosei 」-> quirk

「時代 ; jidai 」-> period

「禁忌 ; kinki 」-> taboo

「なんで ; nande 」-> because

「やめ ; yame 」-> to stop

「といた ; to ita」-> to do something in advance (contraction of te oita)

「方が ; hou ga 」-> should; it’d be better to (used to give advice)

= “Well… design-like things, huh… because this taboo of the “quirk” period… It’d be better to stop in advance.”

I feel like a normal doctor should maybe inform someone that this Top Hero is having a little eugenics project on the side. Maybe also call Child Protective Services. But since we’re all assuming this doctor is Dr. Ujiko, it’s not exactly surprising that he left it at “giving advice” which he is just as good at as Endeavor. Those two would truly get along well.

「なんと今日は６��もの市町村を救いました！オールマイトがいる限り我々が悪に屈する事は決してないでしょう！！」

「なんと ; nanto 」-> what…!; surprisingly; believe it or not

「今日 ; kyou 」-> today

「は ; wa 」-> topic marker particle

「６２ ; 62 」-> 62 

「も ; mo 」-> emphasizes the number

「の ; no 」-> possessive particle; similar to an apostrophe

「市町村 ; shichouson 」-> cities, towns and villages

「を ; o 」-> direct object marker

「救いました ; sukuimashita 」-> saved

「オールマイト ; oorumaito 」-> All Might

「がいる ; ga iru 」-> there is

「限り ; kiri 」-> as long as

「我々 ; wareware 」-> we

「が ; ga 」-> subject marker particle

「悪 ; aku 」-> evil

「に ; ni 」-> to

「屈する ; kussuru 」-> to yield; to give in

「事 ; koto」-> nominalizes the verb it attaches to

「は ; wa 」-> topic marker particle

「決してない ; kesshitenai 」-> never; by no means

「でしょう ; deshou 」-> used to express certainty

= “What! Today, 62 cities, towns, and villages were saved! We will certainly never give in to evil as long as All Might is there!”

The mo after the 62 implies that 62 is a large number and granted, that is a lot of places to save in one day. 

「燈矢。おまえならオールマイトを超えられる。」

「燈矢 ; touya 」-> Touya

「おまえ ; omae 」-> you

「なら ; nara 」-> on the topic of; if

「オールマイト ; oorumaito 」-> All Might

「を ; o 」-> direct object marker

「超えられる ; koerareru 」-> to surpass (potential)

= “Touya. You can surpass All Might.”

Let’s move on to some sibling interaction, though:

「冬美ちゃん。ちょっと火傷するくらいなのにさ！全然がまんできるのにさ！」

「冬美ちゃん ; fuyumi chan」-> Fuyumi

「ちょっと ; chotto 」-> a little

「火傷する ; yakedo suru」-> to burn

「くらい ; kurai 」-> used to describe a state, situation

「なのに ; nanoni 」-> even though; although

「さ ; sa 」-> emphasis particle

「全然 ; zen zen 」-> entirely; completely

「がまん ; gaman 」-> bearing (something)

「できる ; dekiru 」-> be able to

「のに ; noni 」-> used when complaining to someone

「さ ; sa 」-> emphasis particle; also used to let out emotions

= “Fuyumi-Chan. I only burn a little! I am able to endure it!”

Noni is something that roughly translates to even though, and usually gets followed with a second part of the phrase, but that follow-up part can be left out when you can understand it from context. So in that first part, he’s basically saying “Even though I got burned a little, I can still do this so he shouldn’t stop training me!” The second noni is used as a way to complain about the situation (= “Even though I am completely able to endure it, I get treated like I’m weak.”)

「俺の身体のことは俺が一番よくわかってるんだ。」

「俺 ; ore 」-> I 

「の ; no 」-> possessive particle; similar to an apostrophe

「身体 ; karada 」-> body

「のことは」-> nominalizes the preceding phrase

「俺 ; ore 」-> I 

「が ; ga 」-> subject marker particle

「一番 ; ichiban 」-> the most

「よく ; yoku 」-> good (adverb)

「わかってるん ; wakatterun 」-> to understand; to know

「だ ; da 」-> be

= “I am the one that knows my body the best.”

We don’t know how fast his hair color was changing, but this is probably a few months after his hair first began to turn white. So at this point, Endeavor already knows that Touya’s body and quirk aren’t compatible yet still hasn’t bothered to come up with a solution. Instead, Touya keeps training. It’s odd that no one seems to try and properly stop him and make him understand that training isn’t good for him.

「でも冬美も燈矢兄ボロボロなの心配嫌っ。」

「でも ; demo 」-> but

「冬美 ; fuyumi」-> Fuyumi

「も ; mo 」-> also

「燈矢兄 ; touya-nii 」-> Touya-Nii

「ボロボロ ; boroboro 」-> worn-out (physically); tattered

「なの ; nano 」-> this particle functions as a substitute for a noun (= his body)

「心配 ; shinpai 」-> worry

「嫌っ ; yaa 」-> casual no

= “But Fuyumi also doesn’t [want to] worry about Touya-Nii [being] tattered.”

Me too, Fuyumi, me too.

「冬美ちゃんにはわかんねーよ！女の子にはわかんねンだ！」

「冬美ちゃん ; fuyumi chan」-> Fuyumi-Chan

「には ; niwa 」-> as for

「わかんねー」-> doesn’t understand

「よ ; yo 」-> emphasis particle

「女の子」->

「には ; niwa 」-> as for

「わかんね」-> doesn’t understand

「ンだ ; nda 」-> explanatory particle

= “Fuyumi doesn’t understand! Girls don’t understand!”

The n in nda is written in Katakana, once again for emphasis.

Also he looks so adorable the way he is marching out of the room there. Tiny Touya.

Still can’t believe some people in this fandom apparently were never (around) kids and somehow drew the conclusion that Touya is sexist. What a great takeaway from this entire chapter! Anyway, that’s just how kids talk - and definitely something brothers say to their sisters - but I’m pretty sure if he tried to say something like that now Fuyumi wouldn’t let him get away with it. But she’s like 2 (?) here, so not like she cares. Oh and… if you think “a girl wouldn’t get it” is sexist, then wouldn’t you also have that same energy in regards to a man solely getting a wife to use her as a baby-maker-machine, and then after putting her into a mental hospital proceeding to turn his only daughter (who was only created as emotional support person for her older brother) into a replacement for the mom? Yeah, I’m really surprised little Touya would say something that could be considered sexist...

「心配ちてんのに！！ 」

「心配ちてん ; shinpai chiten 」-> worrying

「のに ; noni 」-> used when complaining to someone

= “I’m worrying!!”

Here, little Fuyumi-Chan is basically complaining that Touya-Nii is mad and says she doesn’t understand, even though she is just worried about him. Everybody say “Thank you, Fuyumi!” for caring about Touya. Now, moving on to the actual sad panel:

「俺はもう「超えたい」って思ってるんだ！火をつけたのはお父さんだ！」

「俺 ; ore 」-> I 

「は ; wa 」-> topic marker particle

「もう ; mou 」-> already

「超えたい ; koetai 」-> want to surpass

「って思ってるん ; tte omotterun 」-> thinking

「だ ; da 」-> be

「火をつけた ; hi o tsuketa 」-> ignited

「のは ; no wa」->

「お父さん ; otousan 」-> dad

「だ ; da 」-> be

= “I’m already thinking ‘I want to surpass him’! Dad is the one that ignited that flame in me!”

He is crying! Already! He acted tougher before walking away, but now that he is facing away from Fuyumi, the tears start rolling in a very defensive way. It’s basically him knowing that he can’t live up to his father’s expectations, but this is what he wants. He “wants” to surpass All Might, but it’s Endeavor who ignited that fire in him. Kids oftentimes have one parent they are closer to and sometimes even look up to. For Touya, that’s obviously Endeavor. He wants to make his father proud and wants to be what his father wants him to be.

Clearly, he’s always been very smart and also very self-aware. He’s always known his limits, but also back then refused to admit to it because he still had hope that he would somehow be able to be this incredible hero, despite his limitations. He wasn’t willing to just give up back then, and even now in the present time, he doesn’t give up. He can’t just let go and move on with his life, because no one ever told him that was an acceptable option. Not performing well meant his father loved him less. That’s why he never gave up because a child naturally craves their parents’ attention and love, even if it isn’t a healthy love. So who would give up something if that would result in not being loved anymore?

「それは。。。あんまりだよ。。。！残酷じゃない！あなたが子どもに何を求めてるか燈矢はもう知ってる！」

「それ ; sore 」-> that

「は ; wa 」-> topic marker particle

「あんまり ; anmari 」-> too much

「だ ; da 」-> be

「よ ; yo 」-> emphasis particle

「残酷 ; zankoku 」-> cruel

「じゃない ; janai 」-> used to express emotion; when you want to accuse someone

「あなた ; anata 」-> you

「が ; ga 」-> subject marker particle

「子ども ; kodomo 」-> child

「に ; ni 」-> for

「何 ; nani 」-> what

「を ; o 」-> direct object marker

「求めてる ; motometeru 」-> searching for; seeking

「か ; ka 」-> represents the intention of a question

「燈矢 ; touya 」-> Touya

「は ; wa 」-> topic marker particle

「もう ; mou 」-> already

「知ってる ; shitteru 」-> to know

= “That is… too much…! It’s cruel! Touya already knows what you want children for!”

A difference I noticed between the original version and the official English translation is that in the official translation Rei says “That would be too cruel!” whereas in the original version she says “That is cruel!” accompanied by janai which is used when you want to accuse someone. The “would” seems a bit more like Endeavor merely suggested something, but it’s still undecided. In reality, he’s not asking for her permission. It’s not about what Rei wants, yet she is still trying to make him come back to his senses and realize what effects his actions have on Touya.

「どれだけ言っても。。。毎日新しい火傷をつくってくる。。。」

「どれだけ ; dore dake 」-> how much

「言っても ; ittemo 」-> although I say

「毎日 ; mainichi 」-> every day

「新しい ; atarashii 」-> new

「火傷 ; yakedo 」-> burn

「を ; o 」-> direct object marker

「つくってくる ; tsukuttekuru」-> continue to get (つくる + てくる)

= “Despite how much I say, he continues to get new burns every day.”

Well, the earlier advice of “it’s for your own good” isn’t exactly the best way to get your child to understand why it shouldn’t do something. There probably could’ve been a bit more initiative here, you know, like getting a therapist involved. Someone, who actually understands children and knows how to handle them.

「バカなところも俺に似た。。。！諦めさせるにはそれしかない。。。燈矢には。。。超えられない 。」

「バカ ; baka 」-> idiot

「なところ ; na tokoro」-> aspect; side

「も ; mo 」-> also; too

「俺 ; ore 」-> I 

「に似た ; ni nita」-> resembled

「諦めさせる ; akirameru 」-> make someone give up

「には ; niwa 」-> as for

「それ ; sore 」-> that

「しかない ; shika nai 」-> only

「燈矢 ; touya 」-> Touya

「には ; niwa 」-> as for

「超えられない ; koerarenai 」-> can’t surpass

= “He also resembles me with the idiot aspect…! That is the only way to make him give up… Touya can’t surpass him.”

Those last two panels honestly look straight out of a horror story. Is that the face of a loving family man? Apparently so!

These posts originally started out because of the bias and obviously, Dabi is still written weirdly, but I do have to point out that the official translation at least doesn’t make Endeavor sound nicer here than he actually is.

I also find it interesting how Rei is drawn here, with half her face being in a shadow, which is usually a style used to show a character’s sinister side. Here, it’s accompanied by a sweat drop, which often indicates exasperation. This might indicate the start of a turning point for her. And this turning point is something that you see over the following panels until it comes to a finale on everyone’s faces once Shouto is born:

Looking at their eyes, they all look less than fine here.

Touya just kinda stares lifelessly. As Rei stated in the previous scene, Touya already knows why he and his siblings exist. He already knew when Natsuo was born and thus, Natsuo’s existence was living proof that Touya was still not enough. Yet, he still refuses to give up and desperately tries to prove himself to his father. And then 3 ½ years later, another sibling arrives.

Rei has shading under her eye and her eyes only half-way open, indicating fatigue. Obviously, giving birth would do that, but she’s also just generally tired of this and probably began to understand how powerless she is. And Endeavor has his eyes wide-open with tiny pupils, often indicating a character’s drive (not in a good way). He knows this is the one.

「お父さん。俺も超えられるよ。ほら。。。こんなに強い炎が出せるようになったんだ 。俺のこと見てよ。 」

「お父さん ; otousan 」-> dad

「俺 ; ore 」-> I 

「も ; mo 」-> too

「超えられる ; koerareru 」-> can surpass

「よ ; yo 」-> emphasis particle

「ほら ; hora 」-> look!, hey!

「こんなに ; konna ni」-> such

「強い ; tsuyoi 」-> strong

「炎 ; honou 」-> flame

「が ; ga 」-> subject marker particle

「出せる ; daseru 」-> can produce; start (a fire)

「ようになったん ; you ni nattan 」-> have reached the point that

「だ ; da 」-> be

「俺 ; ore 」-> I 

「のこと ; no koto 」-> about

「見て ; mite 」-> look 

「よ ; yo 」-> emphasis particle

= “Dad. I can also surpass him. Look… I have reached the point that I can produce such strong flames. Look at me!”

Based on this scene we can conclude that Touya kept training on his own. Endeavor knows about this, yet never bothered to actually stop him from going out to train (just saying “don’t do this” isn’t enough).

You can just see the desperation on his face, completely ignoring the tears running down his face. He is already at a point here where his feelings start to be tuned out. The only thing that’s on his mind is his goal of proving himself as the worthy successor.

「ダメだ！何故わからん！そこまでの火傷を負って何故わからないんだ！！」

「ダメ ; dame 」-> no good

「だ ; da 」-> be

「何故 ; naze 」-> why

「わからん ; wakaran 」-> don’t understand

「そこまで ; sokomade 」-> that far

「の ; no 」-> possessive particle; similar to an apostrophe

「火傷 ; yakedo 」-> burn

「を ; o 」-> direct object marker

「負って ; otte 」-> receive (wound); injured

「何故 ; naze 」-> why

「わからない ; wakaranai 」-> don’t understand

「んだ ; nda 」-> explanatory particle

= “No good! I don’t understand why! You get so many burns and still don’t understand!!”

Again, not a great way to get your kid to understand anything. Yelling isn’t helping, either! Neither is telling them you don’t understand why they don’t understand.

「燈矢。。。！！おまえは外を見ろ。冬美や夏雄と遊べ！！学校で友達をつくれ！ヒーロー以外にも。。。沢山の世界がある。。。わかるだろう！」

「燈矢 ; touya 」-> Touya

「おまえ ; omae 」-> you

「は ; wa 」-> topic marker particle

「外 ; soto 」-> outside

「を ; o 」-> direct object marker

「見ろ ; miro 」-> look (imperative)

「冬美 ; fuyumi」-> Fuyumi

「や ; ya 」-> and

「夏雄 ; natsuo」-> Natsuo

「と ; to 」-> with

「遊べ ; asobe 」-> play (imperative)

「学校 ; gakkou 」-> school

「で ; de 」-> at

「友達 ; tomodachi 」-> friends

「を ; o 」-> direct object marker

「つくれ ; tsukure 」-> to make (imperative)

「ヒーロー ; hiro 」-> hero

「以外 ; igai 」-> excepting; with the exception of

「にも ; nimo 」-> as well

「沢山 ; takusan 」-> plenty; enough; a large number

「の ; no 」-> possessive particle; similar to an apostrophe

「世界 ; sekai 」-> world

「が ; ga 」-> subject marker particle

「ある ; aru 」-> be

「わかる ; wakaru 」-> to understand

「だろう ; darou 」-> don’t you agree

= “Touya…!! Look outside! Play with Fuyumi and Natsuo!! Make friends at school! There are other things than heroes… there are many worlds… you understand that, don’t you!”

The darou at the end here is a little assertive, like saying “This is how I see it and you should agree!” which is captured in the official translation by him saying “I know you understand” - which is a funny phrasing since Touya obviously doesn’t understand.

I get that being a hero is often reduced to just being about fighting, but how is this man so incapable of understanding his own child? He knows Touya goes out training regularly - and has been for years - and keeps coming home with burns and even after all this time Touya still doesn’t listen to him, and yet his incredible advice here is “Go get some friends!” Is that… helpful to anyone? No wonder he never got to the Number One position if that’s how he tries to save people.

There’s actually a chapter in the School Briefs light novels (no spoilers) that brings up this topic too: What kind of hero are you if you can’t even save your own family?

And we’re not talking about Touya being held at gunpoint or something; we’re talking about years and years of this child’s mental and physical health decreasing, very obviously so, and it’s not getting any better.

Touya doesn’t do this because he’s jealous because he already did all of this before any of his competitors (= Natsuo and Shouto) were born. He’s doing this because he is a child and like any other child out there just wants his parents’ love and attention, which is literally the parents’ whole job. Endeavor failed both as a father and a hero.

「そうしていく内に忘れる。」

「そうしていく ; soushiteiku 」-> continue to do so (そうする + ていく)

「内に ; uchi ni 」-> while

「忘れる ; wasureru 」-> to forget about it

= “While you continue to do so, you’ll forget about it.”

I don’t even know if he thinks this is good advice? Surely, no one could think this would be helpful here, right…?

「学校の子は皆ヒーローになるってさ。。。！。。。わかるはずないだろ。。。！」

「学校 ; gakkou 」-> school

「の ; no 」-> possessive particle; similar to an apostrophe

「子 ; ko 」-> kids

「は ; wa 」-> topic marker particle

「皆 ; minna 」-> everyone

「ヒーロー ; hiro 」-> hero

「になる ; ni naru 」-> to become

「って ; tte 」-> quotation marker

「さ ; sa 」-> emphasis particle

「わかる ; wakaru 」-> to understand

「はずない ; hazu nai 」-> cannot be 

「だろ ; daro 」-> right; I think

= “The kids at school all say they’ll become heroes…! I cannot understand, right?”

Hazu nai is used to strongly emphasize that something cannot be. In this case, Touya cannot possibly understand that concept of just letting go because this is his whole identity and you can’t just toss your whole identity away, especially when that identity is necessary in order to get your parents’ attention and love.

「俺はお父さんの子どもなんだから」

「俺 ; ore 」-> I 

「は ; wa 」-> topic marker particle

「お父さん ; otousan 」-> dad

「の ; no 」-> possessive particle; similar to an apostrophe

「子ども ; kodomo 」-> child

「なんだから ; nandakara 」-> because; after all

= “After all, I am your child.”

Nandakara has an important nuance that’s worth talking about it. It’s used to give an explanation or emphasize something that both the listener and speaker know and expresses a strong emotion that the speaker feels and that the listener doesn’t fully appreciate. Apparently, some people had an issue with the official translation here and claiming it sounded too accusatory. Anyway, this child has every right to accuse his father of expecting him to just give up on his attempt at reaching his goal when Endeavor got married and had four kids because he wasn’t immediately handed the Number One position. That sure is ironic and sad that little Touya understands this so well, too.

「冷やさなきゃ」

「冷やさなきゃ; hiyasanakya 」-> must cool; must calm down; must cool off (冷やす + なきゃ)

= “We must cool him off!”

This is a pun that also works in English! While the word hiyasu can mean to cool off in the sense of calming down, it can also mean to cool (from room temperature); to refrigerate. And both meanings are applicable here since Touya is having a breakdown and needs to be calmed down mentally, but he also seems to be sweating almost like his quirk is building up inside of him and about to boil over, which it then does as he tries to attack Shouto, so he also needs to be physically cooled down.

「お父さんが火をつけたんだ。。。！消えないんだよ。。。！！なかったことになんて。。。できないんだよ！」

「お父さん ; otousan 」-> dad

「が ; ga 」-> subject marker particle

「火をつけた ; hi wo tsuketa 」-> ignited

「んだ ; nda 」-> explanatory particle

「消えない ; kienai 」-> won’t go out

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

「なかったことに ; nakatta koto ni 」-> to forget something ever existed; to pretend something didn’t happen

「なんて ; nante 」-> something like

「できない ; dekinai 」-> can’t

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

= “Dad ignited that fire in me…! It won’t go out…!! I can’t just pretend something like that never existed, you know!”

「俺を見てろよ。。。！！エンデヴァー　俺を見てろよ！！！」

「俺 ; ore 」-> I 

「を ; o 」-> direct object marker

「見てろよ ; mitero yo」-> just you wait and see (as a threat)

「エンデヴァー ; endevaa 」-> Endeavor

「俺 ; ore 」-> I 

「を ; o 」-> direct object marker

「見てろよ ; mitero yo」-> just you wait and see (as a threat)

= “Just look at me…!! Endeavor, just look at me!!!”

So mitero yo is an expression meaning “just you wait and see” and it consists of the imperative form on miteru (= you must be looking) and the yo emphasizes this more. “Just you wait and see” obviously sounds far more threatening (because it is) and also kind of makes sense when considering where they are now in the present time. Now - fifteen years or so later - Endeavor sees him. This goes back to the earlier part where Dabi said “Watch me from the depths of hell” - it’s a different form (in that part he says mitekure, while here he says mitero yo) but he’s always telling his family to look at him. Because, at the end of the day, that’s where it all went wrong. No one ever truly saw him and his pain until one day, he broke. What exactly is a child supposed to do? Endeavor has gotten away with not looking for too long, but Dabi won’t let him go on like that anymore.

And notice how he says the same line twice here? And in the middle he says “Endeavor” - for the first time, he addresses him by his hero name instead of calling him dad. This is because he isn’t just asking his father to look at him, but he’s also threatening Endeavor. I think this might actually hint that he’s already having thoughts of turning into a villain? Maybe he already thought about what it would be like to just turn himself into a villain and refuse Endeavor from reaching his goals just as Endeavor has refused Touya from reaching his goals. Whether he actively thought about this or whether that was more of a subconscious feeling is hard to say but it’s clear that at that point he already viewed Endeavor, the hero, as the bad guy that took his father away from him. If it wasn’t for Endeavor, the hero, then Touya wouldn’t have to prove his worth to his father by having a strong quirk.

「一番辛いのはあなたじゃないし。あの子を見なかったのはあなただけじゃない。」

「一番 ; ichiban 」-> the most; number one

「辛い ; tsurai 」-> painful; difficult (emotionally)

「のは ; no wa」-> nominalizer + topic marker

「あなた ; anata 」-> you

「じゃない ; janai 」-> aren’t

「し ; shi 」-> emphasizes the point you make

「あの ; ano 」-> that

「子 ; ko 」-> child

「を ; o 」-> direct object marker

「見なかった ; minakatta 」-> didn’t look

「のは ; no wa」-> nominalizer + topic marker

「あなた ; anata 」-> you

「だけ ; dake 」-> only

「じゃない ; janai 」-> aren’t

= “You are not the one with the most pain. You aren’t the only one that didn’t look at that child.”

This is another line where some people claimed the official translation made Rei sound harsher than she actually is. But I don’t think she’s even being harsh here? She’s just stating a fact. And just compare the two of them real quick: Rei just got out of the mental hospital she stayed in for ten years and upon finding out what really happened with Touya, immediately took responsibility and decided to do something. Endeavor, on the other hand, is crying in his hospital bed because suddenly he regrets that he failed as a parent for over twenty years. I don’t think she’s being harsh by telling him that he isn’t the one who is hurting the most when that’s just a fact. And the “you don’t get to claim” phrasing of the official translation isn’t really harsh, it’s just being direct. But Endeavor is a grown man and with all the pain he has caused his family, I think he can deal with not being handled like some fragile little thing.

What I find interesting about this line is that it’s essentially a continuation to what she said in the last chapter when she stated that “Everyone else is having those feelings a lot more than you” Now, she is adding to that because not only has the rest of the family suffered a lot more than Endeavor, but one person in particular - Touya - is currently in the most amount of pain out of any of them. Endeavor’s self-pity and regrets have no space here because Touya is the actual victim here, and not Endeavor for having been exposed for something he chose to do for over two decades.

They both never looked at that child, but now it’s time to change that and finally start looking at him.

There weren’t really a lot of changes in the translation - aside from our now Spanish-speaking amigo, Dabi - but there’s still a lot to talk about, as you can see by this very very long post. So if you read all of this, thank you! And also congrats for making it through! There’s always nuance that just doesn’t translate but is still important to mention and gives a better insight into the characters. This chapter was just the first part so chapter 302 will surely give us some more clarity, possibly even finally revealing what actually happened on the day Touya supposedly died. So now let’s see what the next chapter will bring. 

Adios~

[amysgiantbees]

MHA Pro Heroes/Nice Adults in DND

Othanzia (Northern Faerun)

King Enji Todoroki (Endeavor) is a bitch. But he’s also a human noble sorcerer with a red dragon bloodline. He has the Gift of the Chromatic Dragon and Weapon Master. He follows Sirrion, neutral god of fire and change. He’s a quarter dragon born which is why his family line has visible elements of their powers on their body, like their hair. He’s king of Othanzia, home to Pyrah and the Fire Ashari, it’s on the continent of Issylra. He definitely doesn’t have his wife locked up in a tower... He also might eventually decide to multi class into warlock and make a deal with a servant of, or even Mephistopheles himself, for true Hellfire, depending where his story goes. He uses a terrifying great-axe.

Queen Rei Todoroki (Himura maiden name) is a winter Eladrin elf white Draconic bloodline sorcerer. She uses a staff, well she would if she wasn’t currently imprisoned in a very lavish tower. She’s a follower of Corellon Larethian, elf deity of art and magic, Sehanine Moonbow, elf goddess of the moon, the Undying Court and The Spirits of the Past, both elven ancestors. And she has always felt a draw to Auril, nuetral evil goddess of winter which she tries to resist, but it’s harder to resist the colder, more isolated she feels. She has the feats Greater Dragonmark and Gift of the Chromatic Dragon.

Keigo Takami (Hawks) is a half Hawk Aven half human Swashbuckler rogue. He has the Sentinel and Silver-Tongued feats. He uses a rapier and daggers. He’s not a follower but makes sure to pray to The Mockery, god of violence and treachery before a spy mission. He’s the spy master in King Enji’s court. He rose through the ranks very quickly and has kept his job secret so most people just think he’s a mouthy guard or spy. 

Ryuko Tatsuma is a dragonborn. Eldritch Knight fighter is her class. She follows Bahamut, dragon god of good. She is a adventurer for  Othanzia‘s lead adventuring guild The Eternal Flame. 

Rumi Usagiyama (Mirko) is a Rabbitfolk Way of the Open Hand monk. She has the tavern brawler and tough feats. She’s a follower of Trithereon, war god of liberty and retribution. She is a free lance mercenary who sometimes works for the army. 

Musutafu (Western Faerun)

Tsunagu Hakamada (Best Jeanist) is a human armourer artificer. He uses a net and spear. He has the Dual Wielder and Weapon Master feats. He follows Sune and gods of knowledge like Oghma. He is the head knight for the King and Queen of Musutafu.

Taishiro Toyomitsu (Fat Gum) is a Changeling life domain cleric for Helm, god of protection. He also follows The Silver Flame, deity of protection and good. He works at the city’s temple to Helm as well as being an adventurer. 

Crimson Riot is a fire genasi Path of the Bear Totem Barbarian warrior. Follower of Torm, god of courage and self-sacrifice. He’s currently an adventurer but is likely soon to retire. 

Uwabami is a Yuan-Ti College of Glamour bard. She is a devout follower of Sune. She has the actor feat. She is a traveler and nomad who works as both an adventurer and a bard for Musutafu’s bardic college spreading their name and deeds all over the world.

Musutafu’s lead adventuring guild The Heroes Commission

Gunhead is a human Champion fighter with the gunner and dual wielder feats. He uses either two revolvers or two swords. he’s a follower of St. Cuthbert, god of common sense and zeal. 

Ken Takagi (Rock Lock) is a human Eldritch Knight. Follower of Tyr, god of justice. He’s a solo adventurer. 

Paladins like Chainmail because it’s Holey Armour 

Mirai Sasaki (Sir Nighteye) a human School of Divination wizard. Follower of Lliira, One for All, and Savras, god of divination and fate. He’s the leader of the adventuring party.

Kaoruko Awata (Bubble Girl) is a triton storm scorer. Follower of  Savras and Lliira. She is a key member of the PLCBIHAs.

The Lurkers of  Musutafu 

Yu Takeyama (Mt. Lady) is a goliath multi classer. She’s a transmutation wizard whose favourite spell is Enlarge Reduce and a path of the berserker barbarian. She has the tavern brawler and silver-tongued feats. Her top stats are strength and charisma. A big follower of Sune.

Shinya Kamihara (Edgeshot) is a human Blood Hunter: Order of the Ghostslayer. Follower of Tyr god of justice.

Shinji Nishiya (Kamui Woods) is an earth genasi Circle of the Land druid. He follows Meilikki, goddess of forests and Malar, god of the hunt.

Musutafu city guard

Kenji Tsuragamae is a Khenra battle master fighter. He’s the head of the Musutafu city guard. He is a devout follower of Tyr, god of justice.

Detective Naomasa Tsukauchi is a human battle master fighter.

Officer Sansa Tamakawa is a ginger Tabaxi human battle master fighter.

The Sacred Forest (Eastern Faerun)

David Shield is a human Armorer artificer. Follower of Heironeous and One for All. he lives near the woods that One for All is located, steers people clear of him and occasionally keeps him company and brings him direct offerings. 

The Orca’s Crew - Ocean Protectors of the Sea of Swords

Captain Kugo Sakamata (Gang/Pirate Tortle) is a tortle Echo Knight fighter. He has the menacing and crusher features. he likes to wear well tailored pirate attire. He uses a cutless sword.

First mate Wash is a Warforged Nature domain cleric of Habbakuk, god of animal life and the sea. He carries a big, round shield and short-sword.

The Pussycats - Protectors of The Beast's Forest (Mid/Eastern Faerun)

Shino Sosaki (Mandalay) is a Himalayan Tabaxi Wizard: School of Divination. Devout follower of good nature deities and Helm, god of protection. 

Ryuko Tsuchikawa (Pixie-Bob) is a Scottish Fold Tabaxi nature domain cleric for Mielikki, goddess of forests. Devout follower of good nature deities and Helm, god of protection.

Tomoko Shiretoko (Ragdoll) is a Ragdoll like Tabaxi Swarm-keeper ranger.  Devout follower of good nature deities and Helm, god of protection.

Yawara Chatora (Tiger) is a tiger like Tabaxi Monk: Way of Mercy. Devout follower of good nature deities and Helm, god of protection.

The country of Ketsubutsu)

Emi Fukukado/Ms. Joke is of course a bard! She is a human College of Glamour bard who has studied under the funniest fey. She has the performer and diplomat feats. She follows Lliira, goddess of joy. She is the principle at Ketsubutsu Academy. 

[reihimura]

So Rei’s family had wealth and status? Meaning they did have the resources needed to help Rei and her children escape an abusive household and even get justice? But instead the Himuras just abandoned their daughter and grandchildren?

they did? i haven’t seen anything about that yet. but yeah i’m still side-eyeing rei’s family for selling her into a marriage 😬 and if they really did nothing to try and help her despite having some power to do so... then well... 🔪

[autumn-foxfire]

Uraraka Ochako projecting hard on Himura Rei or being angry on behalf of good citizens being fooled(she did the narration lines for the press conference chapter) and deciding to get some justice by doing a show him his place to Endeavor. Or Horikoshi as usual with his vague concepts of feminist reactions based on net browsing.

Huh, this happened during the press conference chapter? Wow, I have forgotten everything that happened beyond the war arc barring a few things T-T I'm so sorry, thank you for informing me.

[thr0wnawayy]

Rei-Demption: A problem and my solution (ft. Rei's trauma and Hori's bullshit)

Might as well give my shot at it.

My take on Rei's personality has always been based in suppression.

Rei's whole life has been a balancing act of doing enough to protect her family, while still staying within the lines to not get disposed of.

She's everything Enji isn't. An iron will, a golden heart and a strong sense of empathy.

So with that in mind, hopefully it she'd light on it thought process with this post

A theory I have is that Rei was aware of the hospital's corruption

These panels always felt off too me, it always made me wonder: "does she know?"

The wording is very specific.

"I told him I liked it, around the first time we met. But only once"

It always struck me as odd, We're talking about the man who looked at his eldest death and kept going, man who destroyed multiple lives for a redundant pipedream.

It's not even why would he remember such a small detail, but rather how?

Unless... the doctors are feeding him information.

Think about it, who pays for all this. Surely it's not Fuyumi, on account of this being a massive money sink.

You really expect her to pay for all that on a teachers salary?

It can't be Natsuo because Enji has likely cut him off from everything to his name.

And that's assuming Enji even bothered to save up a college fund for any of them. Plus Natsuo is a full time student of medicine.

If the doctors are watching her every move, looking for any sign of deviation from the narrative then it makes sense for her to disguise her words.

Of course there's still more

Having PTSD isn't something you can keep someone institutionalized for. Especially when Rei's is very proportionate, given what she's gone through. (No, Japan's stigma of mental health wouldn't justify this)

I mean what are Rei's triggers?: Enji and that's about it.

"But we still... haven't met face to face, I'm still too afraid"

That's a standard reaction to have to your abuser (especially when he raped you multiple times)

('Just stop' gets a whole lot darker when you consider it's context)

Not to mention she's no longer fearful of anything resembling Enji, just Enji himself. So there is no real reason to keep her there unless they are afraid she might speak out.

This whole thing makes me think she's trying to tell Natsuo and Fuyumi what's really going on, in a way.

Subtly and under the calm, complacent mask she's expected to wear, in case anyone else is listening. Anyone who could report back to him.

It might also be she doesn't trust them. Fuyumi or Natsuo could blab or say something within earshot that could set Rei back months.

And she can't have that, not with how close she is to finally breaking free. She loves her children, all of them but the trust just isn't there, how can it be when when they don't have all the pieces.

So here's my theory: The hospital staff are in Enji's pockets. Either taking bribes (as recent as Dabi's Dance) or they were given a large sum of hush money when Rei was first hospitalized, with the goal of keeping her there as long as possible and possibly molding her to either keep her mouth shut or (sickeningly) gaslight her into returning to Enji.

(Note how she was only released when they could no longer keep a lid on things, the moment Dabi frops the bomb. She's out, no struggle)

This paints a picture of grotesque corruption, sloth and apathy (the very same cocktail that created Shigaraki) even by Hori's narrative standards. Shedding light on just how deep MHA's despotic nature goes.

The anime makes this even more apparent. Rei's fake smiles make the whole thing that much more viable. She seems so dead, it's like she smothered her soul or something.

I've seen both the sub and dub of this scene. The sub is the correct translation, the same as the Manga panel above.

The Dub however, while severly off mark, adds it's own flavour of dread. Rei sound so hollow, it was jarring the first time I heard it.

It sounded like she was reading a script (in-universe). Like she'd rehearsed this in her mind a million times, staring at the same 3 white walls + the window and waiting for an opening to finally speak.

That was supposed to be Shoto, until the dorms ruined that. Suddenly Rei's lifeline is gone, reduced to letters that don't even tell half the story.

10 years, 10 fucking years reduced to lines on a page.

Can you imagine the despair, dear reader?

The frustration. The sheer vitriol coursing thorough her veins, far hotter than Touya could ever manage.

Having to do the same thing she's been doing even before she was locked away. As the the skeleton in the closet of a criminal with a license.

Wearing masks for so long you can hardly breath and in the brief moments you can take them off. You can hardly recognize yourself, how you once were.

It must be the truest form of hell.

The Rei-demption Arc

Rei's redemption arc takes the attention of our theoretical arc without overtaking it.

The arc would mostly focus on the more domestic aspects of our trio being: Midoriya, Shoto and Uraraka.

A few minor changes would occur. The dorms never happen, allowing the characters to exist outside of UA.

There is solid confirmation that Fujiya is corrupt and is keeping Rei institutionalized on illegal grounds (ie: not meeting the criteria set up to ensure her silence)

The dinner scene would still happen only it would bd framed for what it really was. A pathetic attempt at creating a moment that never existed.

There's no family with Enji.

Just a family held hostage and a tyrant. I have my own grievances with Fuyumi, but I'll leave that for the future.

The only difference besides Natsuo being properly portrayed as a victim acting well within his right, the reasons for our trio going would be for Shoto's emotional wellbeing, because he asked them to.

Uraraka could have a moment where she realizes that money is as much as good as it is bad. An actually decent shift into her change of goals.

Here Enji motivates her to "watch the watchmen". Her need for money is still a crucial part of her reasons for becoming a hero, but she also has a more front and center goal.

I'd imagine she has a moment parallel to Midoriya's during the Sports Festival.

Where (alone in front of the Dojo after the failed dinner) she rightfully calls out Enji for being a self pitying piece of shit and that "sorry" doesn't cut it.

"You've hurt them in ways you can't imagine." Would probably be the last thing she says before walking away.

She may not know the whole story but she knows it hurt them and that's enough.

Rei's ascent

Rei's biggest hurdle is accepting that she was also an abuse victim. She's furious but she's only furious on her children's behalf and what they lost.

Her unintentionally harmful actions weigh on her, be it her neglect or the night she scalded Shoto, these events have impacted her deeply.

She learns to reconcile with her past, improve her relationship with Shoto and even meets Shoto's friends at one point.

Eventually she finds closure but that's later on.

She also acts as an advisor at times, having given Shoto the idea of using Ice projectiles (as seen in the Licensing Exam)

The second half comes from the Hospitals corruption, as Rei learns that she is long overdue for release (by about 8 years) among other horrific practices. This would play out as the arc's B plot, building up to what I call "The Summit"

The Summit

Eventually Rei fights Hood.

After gathering the evidence, she escapes the hospital. Planning to go to Natsuo for protection. As she's walking across a crosswalk however, she hears what sounds like an explosion.

Eventually she hears screaming and is forced to use her quirk as a bus is suddenly sent hurdling in her general direction.

As of her body moved on its own, she envelops it in her ice. Stopping the bus and saving those behind her in the process.

Only to see Hood land on top. They lock eyes and Rei can't help but see Touya in Hoods ambition.

In response to Rei holding her ground, Hood dashes. Rei counters this by manipulating her ice to send him crashing into an empty building, impaling him on the glaciers end.

Hood is impressed by Rei's proficiency and chooses to fight her.

Rei having no experience, fights for her life. Where as Rei avoids Civilians, Hood has no care for them which forces Rei to play the role of hero.

Rei uses every weapon in her arsenal in order to stave off Hood, who only gets more relentless as the battle stretches on. The upside is Hood's regeneration struggles in the cold, which Rei is constantly producing.

Each side gets blows in, with Rei taking them surprisingly well but still being worse for wear. Hood notes this saying "as if y-you've done t-t-this before" (close, Hood very close)

Eventually Hood gets the upper hand, towering over Rei in a manner that triggers her PTSD and leaves her stunned.

One of the civilians (Horoshi Tameda) emboldened by Rei's efforts, picks up a loose chunk of pavement and chucks it at Hood's back. It hits, causing Hood to look back.

Civilians begin making loud noise, others begin picking up anything they can find and throw it at Hood. Further catching him off guard long enough for Rei to snap out of her episode and strike back.

From here the fight kicks into high gear, with Rescue heroes & paramedics arriving on the scene and a camera crew recording the fight from above. Overall I imagine the scene to be very uplifting, with the Orchestra swelling as Rei prepares a final attack.

The move rivals that of Shoto's, arguably even surpassing it. Hoof is incased in a prison of Ice, covering an entire city block worth of destroyed buildings. And the fight finishes with Rei collapsing to her knees.

From here on out things change. Rei's newfound fame leads to the hospital being forced to do their job. Because of this Rei gets out early (around the time the Internship arc would started had I not scrapped it)

As for what this could lead to I'll let you decide. I'd love to read some suggestions.

Bonuses:

Theories:

The reason they kicked Fuyumi from her job is because she covered an abuser's ass for years. While Fuyumi is a victim, it doesn't excuse her complacency in regards to Enji's treatment of Shoto before and after his "self pity" arc.

Natsuo didnt go to someone because he wouldn't likely be believed, being seen as bitter and untrustworthy (his time away from home wouldn't help with pinning evidence).

Extra:

Hood survived the fight, Rei opted to capture him as opposed to kill him. That doesn't mean he didn't get frost bite. Police found out it is very difficult to question a Nomu.

Out of all her trauma. Rei accepting she was never given a choice will be the hardest to accept.

Rei's family is not inbred, rather her parents ran away so her father wouldn't be forced into a marriage with his cousin. Only to ironically do the very same to their daughter.

Hiroshi still becomes a meme, his 'Can't you see speech' leads to him becoming a motivational speaker.

The reason Hood appeared is because Dabi lost track of him. He nearly had a heart attack when he discovered his mom was holding the Nomu off.

[thr0wnawayy]

Who would the 10-13 1A members that died in the MLA be, if MHA had any actual stakes? I really liked your Kaminari idea, so I just wanted to explore it with you. It would have realistically made UA/the heroes look a hell of a lot worse and the villains look a hell of a lot smarter if they went for the angle of "the best heroics school in Japan is using child soldiers!"

I know for the heroes, it should have been Pixie Bob and Gran Torino in addition to Crust. Endeavor also should have died because it would have actually given the story actual stakes - Japan is now in shambles and the new #1 hero/heavy hitter is dead. Oh shit, what are they going to do?

Firstly I feel I should clarify that both 1A and B would lose some team members as both classes were thrust into war with basically no real training. Although for the sake of plot 1A would lose vastly more.

With that stated, let us begin.

I know for a fact that Koda is dead.

Truthfully, there is no way someone as bulky as him (with the addition of his poorly designed costume) would be even marginally capable of outrunning Shigaraki's Decay.

His quirk (Anivoice) gives him zero advantages and being in Jaku (a city under evacuation) would only add to this.

We also mustn't forget that the rubble by itself was also capable of disintegrating anything it touched. Putting all that together and given how close he was to "ground zero", his chances of survival are slim to none.

Additionally, everyone who found Midnight's corpse is either dead or brutally injured.

Midnight's body is isolated in a decently foliage heavy area, with plenty of hiding spots and vantage points making it all too easy to set an ambush.

Our merry band of MLA/PLF mercenaries simply have to bide their time, wait for the shock and horror to settle in and then strike.

Sero, Kirishima and Setsuna are easy targets (with Setsuna being the farthest from the bait) their backs are turned and mentally are either distant or "vacant".

If Momo didn't recover from her grief and get off the floor, it's game over.

However. She would likely manage to fend them off long enough to escape (thanks to her intelligence and dexterity), although not without some scars. (eyepatch momo, anyone?)

Mina might be able to hold them off due to her acid but will eventually falter because (as you mentioned) Aizawa's a shitheel.

That brings us up to 5 students so far (if we include Kaminari's death) that have died due to UA's (and the HPSC's) crippling negligence.

I'm a tad hesitant to add Tsu here but it's unlikely she'd survive. (even if she does survive the wave, she'd likely die in the crossfire)

Comicman, because yeah he's unimportant.

For the Villa Raid team it's important that we cut some heroes in order for this scenario to work.

Edgeshot is dead, likely fried to death by Electro-lite.

This would cause the raiding heroes to become discouraged and overwhelmed.

the MLA's gear is more than a match and combined with their years of fighting and tactical prowess. It's not even close.

Simply put; divide and conquer.

Mineta's dying for sure. His costume restricts his (torso and leg) movements and makes him standout like a traffic cone. That guy with holes all over his body is likely the one to snuff him out.

Ojiro is dead the moment the MLA members use numbers to overwhelm him, no amount of martial arts will save you from getting jumped.

Mines dies because his quirk (Twin Impact) suffers from the Flect Fallacy.(Overwhelming the quirk will break it). So pretty much any MLA member could be the one to kill him

That sets the score to 11 total student deaths (8 for 1A, 3 for 1B), not a good look.

We know the rest, Dabi kills Enji for good.

Skeptic publishes a video along with Dabi's exposé that reveals UA is using child soldiers and that the HPSC forged paperwork to allow this.

And the crowd goes wild!

The reactions would be brutal, national if not global criticism from every angle.

The entire raid and evacuation effort would be considered an immense failure, the villains remain at large to gather their numbers and most civilians would be left homeless and displaced.

The hero that everybody placed their bets on turned out be a child/wife beating eugenicist who bought (and later assaulted) his wife when she was only 17. Only to be killed off by the very child he left to burn.

The (global) outrage partially stems from the fact that if it weren't for Dabi, no one would have known otherwise .

The number 2 hero is an (attempted) murderer and seems almost irritated at Enji being outed, the world stage takes this the wrong way and opts not to aid Japan.* What pisses them off the most is his uncaring attitude.

Considering them a lost cause when Shigaraki not only breaks everyone out of Tartarus but also manges to kill AFO by sheer force of will (and wanting to see his friends live as they please)

Rei's speech/conference serves as the final nail. Going into immense detail of the pain she and her children suffered at the hands of Enji. (If their were any doubts Touya was her son, they were killed here)

When asked if anyone knew, she finishes her speech off with revealing that some heroes and staff knew about the abuse and chose to look the other way. Causing the room to burst into an uproar.

*(explaining why Japan was allowed to fester for as long as it did without intervention, something Hori failed to explain)

Parents begin pulling out their children in droves, not wanting to risk their kids getting drafted, others quit by choice.

Shiketsu and Ketsubutsu don't put their students on the front lines (they aren't stupid). The commission is unable to force them due to their, "unique" situation.

The heroes that quit are harshly criticized by the public and media (and usually fairly too), pointing out how shitty it looks (and is) for heroes to suddenly abandon them as soon as things get serious.

Class 1A is left to pickup the pieces with 8 classmates killed (+ Bakugo) the events of the last week have shocked them to their cores but perhaps there is hope.

Of course they're left to pick up their predecessors mistakes, again.

Midoriya would still go rouge, albiet he would stick to his principals. He's made a disturbing connection between Bakugo and Endeavor and it haunts him.

(I should add that Bakugo's death is portrayed for the selfish play it was)

Midoriya likely driven by the need to ensure that he doesn't lose anyone else. His anger at AM would probably stem from the fact that he is putting himself in danger for someone as "expendable" as himself.

I could see the two having a heart to heart that Midoriya is more than his quirk once he willingly returns.

Some additional information:

Bakugo dies permanently, because Edgeshot was killed by "Electro" earlier (even then I'm not doing the writing atrocity that is the "Jeart".)

For heroes I'd like to add Jeanist to the roster. Gigantomachia should have swatted him and his airship like a fly. This means the top 3 are dead, adding to the chaos. This also prevents the old-gen from taking up space.

The High-End Nomu beat the tar out of Miriko, leaving crippled at best and a paraplegic at worst. (That is assuming they don't kill her).

Fourth Kind is killed when, like Ojiro, he is overwhelmed.

Your absolutely correct, Gran Torino and Pixiebob are eliminated, joining Crust.

Twice actually lives, though I would keep that ambiguous until later, he wouldn't get out unscathed of course and would probably need to be put into a coma while his injuries heal.

Himiko's revenge plot now has additional stakes as she promises Twice that she will return to him. (before he's medically put under)

This also fuels the PLF + Spinner, vowing to do right by their ally and friend.

Dabi would have disfigured Hawks upon discovery of his attempt on Twice's life, no more cosmetic scars. Just good old fashioned brutality.

(The fear of losing Twice may have dug up the past memory of losing his mother after Enji drove her to the brink. As Dabi cares deeply for both [even if he won't admit it] ontop of the fact that it's a "hero" that's trying to take them and he betrayed them).

Overall this world is going to be one wild ride with a very different ending to what Hori gave us.

It is a story not of heroes and villains, but of ideals and goals. It asks the question:

What is it to save?

A few additional notes:

Momo would likely have a revenge arc as a sort of parallel between Izuku and Himiko. However it wouldn't be as bland as what we got in canon with Mina.

The mercenaries aren't mustache twirling supremacists, no. Here they're cold, calculated soldiers who are strictly tactical. Midnight was "nothing personal, just business" to them.

They serve as a dark mirror to Momo's shift in personality during the war, as Momo reverts to her initial cold confidant personality and kicks it up to 20 as she hunts them down.

Midnight's killer even points out midbattle on how Momo was sexualized and she doesn't even know it. Telling her at one point: "You may see them as an equal, they see you as a display"

The battle isnt treated as a victory either, while the Momo and her squadron win, the gravity of the situation isn't ignored and Momo actually listens to her opponent's critique.

[thr0wnawayy]

I've just checked the "new" epilogue chapter

It really was that bad.

Like, holy fuck. Where do I even begin.

The blatant disservice to the villains and to the intial themes, the complete absence of soul that seems to seep into the very artwork.

Could it be the mannequin like feel of the world. How everyone and everything feels like props placed in a butchered mockery of an attempt to protray "everything's a-ok".

How about Hori not even trying to hide his biases (and sexism) anymore. And Dabi (and Rei), man, fuck.

At least Enji's dead. (I hope)

I understand the translation is a bit wonky. But what the fuck was that "dialog". Especially between Ochaco and Tsu, like how did someone look at that and say "Yeah, looks bout right"

I'll make a more indepth post when I have the time, because this doesn't do it justice.

[thr0wnawayy]

How Corrupt Is Hero Society?. Part 2

Nomu and Endeavor, a cause for concern

To add to the today's chatter about Endeavor and his excessive force and how that applies to the rest of MHA's "heroics". I'd like to point something out

It has always been this way

Excessive violence against Nomu isn't anything new, ever since Hori downgraded them into punching bags so the audience wouldnt question the morality of it all.

It does, however bring into light just how desensitized Hero Society is, how they view villains and may display some quirk-ism. Allow me to elaborate.

To the publics knowledge this is a PERSON.

The general public, hell most heroes. Had no fucking clue what a Nomu was. To their knowledge this was just someone with a heavy mutation quirk.

And they just, carry on.

Endeavor's gut instinct here was to burn his head off to stop him from regenerating and no one bats an eye.

But don't worry it gets worse.

Gran Torino is someone the community has dug into countless times for his attitudes towards Shigaraki and belief that "killing is another way to save"

So when Torino does this:

it doesn't really help his case, especially when Endeavor tried to kill that Nomu prior to this by incinerating him alive (almost killing 2 civilians. But I'll get to that)

Such a move would at the very least, sever someone's spine rendering them paralyzed for life. While I can see what Torino was trying to do, the ends do not justify the means here.

I'm not saying the Nomu are innocent, but it's blatantly obvious that they should be aiming to detain them rather than resorting to lethal force right away.

The worst part is the public has no reaction to this. No one asks anything and the authorities sure as hell aren't telling them squat.

We see it again during the Hood Fight and what's worse is that Hood can talk, bringing into question of how sapient is Hood.

Again Endeavor incinerates the Villain and no questions are asked.

Alright remember what I said about the two civilians?. well it gets worse, Firstly, they didn't even know if they were alright until near the end of the Hosu Incident, just letting them run off.

After Endeavor recklessly unleashes a wall of flame, the Nomu absorbs it and processed to reflect the same attack.

(on a second note: Torino and Enji even refer to the Nomu as if they were fighting a Human!?)

What does this mean?. Well that Enji ran into that fight without thinking!.

He didn't even so much as think up a strategy (just like a certain blonde we all know and despise) for what would happen if the opponent just, didn't die.

In Vigilantes he opts to bathe an entire city block in fire because he can't find the Villain (6)

He creates a fucking fire tornado with no thought for collateral damage

(The reactions of his sidekicks concern me, though knowing how Burnin' reacted to Dabi's exposé I'm not suprised.)

Given that he's this destructive and openly antagonistic in public, I don't even want to imagine the state Rei was in after every "training session" spent protecting Shoto.

This is why looking back, I can't say I'm suprised how some of the civilians dove back into worshipping heroes, even after Hawks killed a man and Heroes left them to fend for themselves.

Because as the saying goes

A bird stuck in a cage believes flying to be an illness

_______________________________________

Additional Info:

As pointed out by @gecmi09 (thank you for bringing that up), Endeavor did indeed refer to Crawler and Popstep as villains, as seen here:

I'd like to draw attention to the fact that he is drawn in a similar manner to Number Six, who is also often drawn in a silhouetted fashion, especially when his true colors are exposed.

The two characters are ironically very similar. Both are willing to resort to destructive means if it means achieving their goals.

Both willingly hurt those around/close them and use flawed logic in an attempt to justify their actions.

Both pretend to be something/someone they're not

Both of them brought about their own demise through one of their victims (Dabi and Knuckleduster [who took in Koichi] respectively. Though Six's was more indirect.)

Even though Vigilantes is loosely attached to MHA, I find it interesting that these two characters are so similar. Really makes you think.

[thr0wnawayy]

Deku: The Doll (Part 2)

Please Check Comments for Authors Note, I somehow capped out the word limit for Tumblr posts, so I've placed the second Half of the story in the Reblogs.

_______________________________________

She'd gotten all the things she'd need for this venture. Cologne, Condoms, Chocolate.

The heart shaped box was tucked under her left arm, leaving her right hand free to confirm that this was the place.

It seemed wrong, but the kid did say make a right turn into the alley and she needed her fix.

She began leaving the half-busy street behind and entered the darkness of the alleyway, when she heard something.

"Oh hey you made it!"

She responded teasingly "Oh hey Miso, you excited to see me?". Not realizing the distance between her and the mouth of the alley

"Y-you have no idea." The teen stammered, not that Fuyu was complaining.

She walked on closer to where she thought the voice was, swaying her hips seductively as she began to unbutton her wool jacket, exposing her bare cleavage.

"So you ready to get this party started" Fuyu asked in a sultry, almost sleazy tone."Oh yeah."

Then she saw it, a glimmer.

Slash!

Before Fuyu had time to think a short blade had slashed across her abdomen, causing her to instinctively fire out her quirk.

Fwash!

"A-a knife!? You brought a knife!?"

She looked where the lazer had hit, nothing there

[It's not a just a kitchen knife, it's a t-tontō.]

The voice seemed to come in from all directions.

'She had to-'.

A force from behind sent her tumbling further down the alleyway. She turned onto her backside.

In the light she could barely make out their figure.

Short, hooded and a black mesh face mask.

What got her were this- this thing's eyes.

Wide eyed, soft and yet at the same time peering into her very soul. She began hyperventilating, her mind flashing back to the Nomu from the Liberation War.

She'd just wanted to get her fill and now she was going to die.

The phone in the thing's left hand glowed dimly, Miso's voice spoke back.

["Peekaboo".]The thing infront of her closed the distance between them with blinding speed.

Thunk.

Looking down the kni- the, the tontō had plunged itself between her ribs and directly into her heart.

Her body failed her as she felt her pulse slow to a crawl.As her vision began to fade, she could only think

"What a Monster."

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

It was dead.

This was Deku's 17th victim now.

Pedo's were seemingly everywhere after the war, the total breakdown of the law had emboldened these parasites.

It was all too easy to wrap them around her finger, like a spider coating it's web in honey.

They all saw an easy target, a naive little school girl (or boy, depending on the target) clueless to the danger she was in.

The knives, guns and daggers usually corrected that notion. She didn't need to dispose of the body, only the forensic evidence. That only took two minutes with how precautions she was.

With that done, Deku began her walk back home and that gave her time to reflect.

Deku was born wrong, she and the "other" kids had been told it on various occasions. Whether they be quirkless or heteromorph.

So if she was inheritly wrong by her very existance, then maybe she could channel that wrongness into something beneficial.

That's how she got into 'creep-hunts'. The community online was small and pretty cagey, but once you proved your worth you gained access to a network of countless resources.

School had been less frightful since she got revenge, it wasn't perfect but at least she wasn't getting pushed down stairs anymore.

Police had came and went, unable to get a concrete story or find any evidence and nobody wanted them to interrogate Deku herself.

The streets were busier than normal, imposing that another underground quirk-fight was tonight.

Deku had considered attending one once, but her curfew didn't allow for it and she didn't want to miss dinner again.

Right now she was taking a shorter route home, she knew she wasn't being followed. Her navigation skills had only improved since she started picking out her kill-spots with prejudice, it only took her 12 minutes to arrive home instead of the usual 19.

Locking the door to her room, she sat at her desk and opened her laptop.

_______________________________________

[thr0wnawayy]

I always thought she was seeing Enji. I mentioned it in a different post, but it's not unlikely she imagined Enji about to "have another go" because Shoto was "imperfect" and needed to be replaced.

We know that her fear of Enji's eyes/expression stems from the various times she was defiled to produce a successor, so it seems logical to assume that she reacted based on a trauma response + the psychosis.

Another thing I haven't seen anyone talk about is Rei's mental fortitude. The fact that she was able to pull herself out of a psychotic episode isn't something people talk about enough.

Hi, I did a big mulling (lol) on the whole moral aspect of Dabi and his killings. Especially considering my own au.

Look let's not kid ourselves here. It would be impossible for Besties au or canon for dabi to be "pure" aka never kill anyone. Boy was on the streets after waking up from a coma in a creepy hospital.

"a good Samaritan in the villain side took him in" ok maybe but even this good Samaritan would still be a villain and Dabi wouldn't be save of killing. Even if is self defense.

The discourse I mentioned in my channel on....ironically called Discord was about how dabi killing bad peoples works better than killing innocent people. I get the fallacy of this logic. I get the appeal.

We see characters like Punisher and we root for him bc "he is killing bad people" which makes him good in comparison. I used to like that, who didn't? But consider this idea: One villain killed the anti-hero's wife. One, and the anti hero responds by going on a rampage.

"he is angry she is dead, it's grief" he still kills a lot of people and shows no remorse.

(nothing against Anti heroes characters per se. I do love Jason Todd even if I agree how DC mistreated him, I like Bucky. I can't like Punisher through)

The thing here is if Dabi only killed bad people how we would know if the people he killed were bad to warrant the death penalty?

"dabi only killed rapist and pedos" ok. How he would know if a person committed those crimes? Waiting for the person to shout to the world all the horrible things he did on this fine Tuesday?

(this all is making me think of a case of lynching in my country, a person was accused of committed a crime, a group of the small city wanted justice and ....went to make on their own hands....turns out the person was Innocent. They killed an innocent person)

Besides killing is killing. Even if Dabi has concrete proof the people he killed are EVIL. He still took a life, he is still unaffected about it (not saying if dabi kills a rapist he should weep, but you can't exactly be so blase about it)

(I even think if Dabi goes around killing only bad people, in this case, villains....wouldn't that make others villains wry of LoV for keeping dabi? If we have a hero killer. What if we have a villain killer?)

My point on this long ass thread is how in besties au dabi has killed, ofc he did, even if is for survival...and that sticks with him. He doesn't like killing. It weights on him.

"and Endy?" Yes. He wants to kill Dabi. He wants to destroy Endy and in besties he is doing a good job. He is proactive (unlike Mr. Possum)

But the killing weights on him.

Smth I don't think it does on the heroes who kill in canon. They are sure the villains they kill are evil (I mean, I get why) and no need to think twice, right hawks?

But it's odd seeing villain stans defending dabi killing any villain without remorse and try to justify "they are evil"

Well.....

If that was the case...all the LoV deserved their fates as they are terrorists who killed lots of people, wage a war and more.

Hi @mikeellee 👋

Agreed! There is no way within Canon that dabi has never killed anyone at all. Actually, we only see dabi physically kill people after he joins the league of villains, whether that be with failed lov recruits or heroes dabi has killed.

However, in chapter 290, dabi states that he has cannonically killed over 30 innocent people. Now, I have talked about this in the @sapphic-agent post, but the framing of that panel seems to be there to humanise enji while dehumanising dabi.

How does dabi know these people are innocent?

Why did he mention the fact that they were innocent? Why didn't he just say he killed thirty people?

All of this makes me think that dabi thinks that he accidentally killed the people in the hospital.

Ultimately, dabi would have realistically had to kill in self-defense. Imagine a young teenage boy obviously covered in major scaring, roaming the streets for scraps or anything to survive. That would be an easy target for people to use, rob, or do whatever they think of doing to him. Dabi would have had to quickly learn self-defense and how to survive on the street, and it shows that he did learn by his appearance.

The first time we see dabi in chapter 68, we see just how scrawny and skinny he is. He ends up gaining weight and muscle after joining the league, yet his first appearance definitely depicts him as malnourished and the increased burn scars definitely mean that he has been using his quirks ever since he was on the street for various reasons.

Dabi killing bad people or who he views as a bad person makes sense and is actually very in character for him. A dominant characteristic of dabi that fanon seems to undermine is that he is a huge Stain fanboy/follower. His first introduction, he announces that he plans to make the hero killers will a reality.

However, we do fall into the problem of dabi pushing his own moral views (which let's be real dabi has some very concerning views) that would be a problem. Or how does he know that this specific individual he is killing is a bad person? There's so much this is the same character who was shown to have some very misogynistic and victim blaming views, so that would be a rocky hill for him to go down on.

All of this could definitely be a great idea to explore and could easily dive deep into dabi's mentality and how that might change over the course of the series.

It is absolutely a great idea to make dabi killing weigh on him whether they're innocent or evil. Those are still people. They are still lives, they breathe, weep, form complex thoughts, bleed red etc they are people, they could be dabi and his body or the body of his loved ones could be next.

While Canon doesn't truly focus on it, it does highlight the fact that dabi does feel regret to a certain extent. Dabi is upset, and he knows, realises, and accepts that he is a bad person. It is exactly why he believes that he belongs in gell with his father. It is why all of his conversations with enji mention BOTH of them suffering and being in hell together for their sins.

There is an anime only scene with a hero cornering dabi asking him if he regrets killing and dabi doesn't respond directly, but we are shown a scene of a bloody tear falling from his face.

There is also a manga page where dabi remembers snatch and directly says that killing him drove him crazy thinking about it with a tear coming from his eye.

[bibibbon]

God, doesn't Endeavor's hellish life suck?

Yeah poor enji has to suffer so so horribly doesn't he (this is sarcastic btw)

In all reality the ones truly suffering here are his family and especially Dabi.

I have gotten previous asks perfectly breaking and analysing just how enji with all of his privilege can never actually understand the true hell Dabi is talking about and I 100% agreed with that. Another ask that I got also highlighted how Dabi ended up just like how Rei himura began and Iam so livid for the todoroki family.

The only one who got a small sense of justice was natsou who rightfully aired enji and is going to go and live a good life with his soon to be wife.

[bibibbon]

Do you think bnha treats the male victims of abuse narritavely worse than the female victims? (sorry if this sounds like I'm pitting them against each other or invalidating the female abuse victims in the story)

I've been reading your metas on how Horikoshi mistreats Deku in the narrative by sweeping Bakugo's bullying under the rug and meta posts by other fans dissatisfied with the way Dabi and the Todofam abuse as a whole was handled and I started recalling discussions on twitter how Denji from Chainsaw Man is a male victim of abuse, whose abuse is taken seriously by the manga and the mangaka, but not by most fans.

No absolutely not. I think MHA treats both of it's male and female abuse victims horribly. I have never viewed it to be something about gender it's just that horikoshi doesn't know how to handle abuse victims character whether thd abuser be a character he likes or hates.

Now I guess I can kind of see where this idea is coming from because the series itself shows us more abused male victims than female ones so there's definitely something there but even the female victims like toga, Rei himura or Eri aren't treated any better.

I remember getting ask that literally made me have a morbid realisation and it stated that Dabi ended up just like how Rei was in the beginning of the series. Also Rei never actually gets to escape her abuser either. She is still stuck as enjis caretaker and that's honestly tragic.

Toga's abuse is actually given the attention it deserves so she is probably the only character whose done a bit of justice in that area.

Eri still ends up getting hurt and used whether she is with the heroes or overhaul. The girl literally mutilated herself to make herself useful for her quirk to be used and you get the jist of it. This isn't a good look at all especially if you look at her history.

Now there are a lot male victims who have been abused like izuku, Dabi, shoto, hawks etc. Now these characters have much more screentime than the female characters but never actually get that part of their character focus on or they don't even bring it up so this just ends up making their characters feel so one dimensional and makes them badly written.

I honestly recommend you read @sapphic-agent post on bakugo and izukus relationship or her other posts about bakugo in general which are great in my opinion.

When it comes to chainsaw man fujimoto consistently recognises the abuse that denji goes through and (even though I haven't read csm) makes it clear that this isn't normal. It's usually the male audience that end up brushing denjis abuse or trauma to the side for example I have seen multiple posts talking about how what himeno did to denji wasnt a big deal or how makima never groomed denji.

Denji's character somewhat reminds me of hector from castlevania and how some fans would say that Lenore and Camilla did nothing wrong or that they never exploited/abused him.

[bibibbon]

I'd like to imagine a scenario for Geten after the war ends where he's visited by Rei in the jail, being told to his surprise that he and Rei are family. Maybe closer than they actually think (I like aunt Rei for Geten don't judge me).

So anyways, Rei being a compassionate person by nature probably would feel sympathy for Geten. After all he's very young (I hear some japanese fans even pointed he's referred as "shonen") and he doesn't seem to have any close blood relatives other than her.

Rei would take Geten under her wing after keep visiting him on a regular basis, something he appreciates even if he's a bit ashamed to admit it, considering he never had a mother like figure in his life.

If in some years Geten can leave the prison on a parole with the help of a good lawyer, I like to think Rei would became his legal tutor while he starts a new life as a normal civilian.

Partly because she feels empathy for his young relative (nephew) and **maybe** she internally sees Touya reflected on Geten, so Rei would promise to herself being there for this boy after failed to her own son.

At least one ex villain could be saved at the end.

Hi @nyc3 👋

Honestly this is a really good scenario!!

I feel like horiko has simply forgotten about the characters that he already put in prison like genten and compress.

Also this definitely adds to the himura family in general. Personally, when horikoshi revealed that genten was a himura it seemed like he did it and then forgot what he was gonna do with the fact that he just made genten related to Rei and partially related to the todorokis in general.

Also I do like the fact that you have genten serve his time in prison and then slowly with the help of Rei they both heal and get a better life.

This also gives justice to Rei as she isn't stuck being enjis caretaker but is actually finding more about her family and living her own life. This literally gives her character agency and autonomy something hori didn't do with her ending.

Also I feel like we were just robbed of Rei and genten as a duo so this definitely does them justice. However, it makes me question how genten would even fit in with the whole family if he met fuyumi, shoto and natsou. I do feel like they maybe a bit defensive since genten did attack natsou after all.