#I don’t care how many redemption arcs they get

[can-i-get-a-yippee]

Thinking about Maddie as a child not being a donor match for her little brother and crying every night because she feels like she failed him,,, Thinking about how happy she would be when Buck is born and how excited she is when her parents exclaim that he’s a match for Daniel and he’ll be able to save him when she couldn’t,,,, Thinking about Maddie sneaking into Buck’s nursery and holding his little fist and telling him about how much fun they’re gonna have when Daniel is better from the hospital and how much she and Daniel already love him,,, Thinking about Maddie holding little baby Evan in her arms at Daniel’s funeral because her parents can’t stand to hold him after the graft failed and whispering in soft tones as they lower the coffin into the ground that she’s so sorry Daniel that she was a bad big sister but she’ll take care of Evan — she’ll be better this time

[pendinganchor]

“we never see billy change his ways in canon”

because he dies saving all their lives?????????

[spacelesscowboy]

everyone’s always talking about how redemption arcs aren’t bad and how they’re not based in reality and it’s nice to imagine a world where bad people realize their mistakes and want to fix them but the SECOND i bring up endeavor, 

[physalian]

3 More Character Types the World Needs More Of

Or at least, I do.

1. The denied redeemed villain

I need this. So badly right now. So, so, so many “redemption arcs” are half-assed and carry undertones of guilt by the heroes, gaslighting them into thinking the villain “wasn’t all that bad” right before they make some big heroic sacrifice, as if that’s ever enough to make up for the damage that was done.

But you know what I never see? A villain who’s done some awful shit, wakes up to reality, tries to apologize and… is denied. No, it’s not enough to be sorry. No, you’re not absolved of your crimes just because you cry really hard on your knees. Yes, you have to work for it. Yes, even if you work for it for the rest of your whole life, those you hurt are not obligated to forgive you.

Example that sadly did not happen in canon: Enji Todoroki

2. The liar revealed who loses

This fucker lies and cheats his way into his lover’s arms (and liars revealed are always men, because their love interests are always women put in the place of “but he tried really hard and you need to forgive him uwu” unless it’s gay). Similar to above, no, you do not get rewarded just for feeling sorry.

This character builds an entire relationship (and it’s specifically romance that I take such an issue with) on a lie. They are not who they say they are, specifically, they lie about their identity because they know their lover would not let this happen if they knew the truth.

It’s one thing to lie about something inconsequential, or to lie about something unrelated, but to lie deliberately to present yourself as the perfect suitor—and these are never little white lies, these are usually entirely false identities, or secrets so damning that risking the truth could mean arrest or even death—just. Why?

Yeah, okay, you never thought you’d get this far. Cool. You don’t have to tell her the truth, but you have to leave before you trick her into sleeping with you.

It’s just. So squicky. And the lesson always is that he deserves love, that he makes up for it with everything else, that he’s just got a winning personality. She always forgives him, even if they fight about it, it’s so, so predictable.

Examples that did not lose: Aladdin, Evan Hansen

3. The paragon who loses faith

I don’t know that we need a whole bunch of these characters, but so many paragons are painted as heroes with unshakable loyalty to their causes and I’d love to see a devolution of character where they just can’t keep smiling and pretending it’s alright. That there is a limit to how much shit they can take.

They don’t have to go full villain, but maybe they just stop caring, maybe they get cynical, maybe they just don’t show up for work the next day, maybe they’re not there when they’re needed the most.

There’s a few stories I can think of where the masses realize they’ve screwed up and show the hero that their faith has been rewarded (Nolan Bats being one of them) but I mean really a hero who just cannot take it anymore, throws in the towel, and walks away knowing it’s the hardest thing they’ve ever had to do.

Example: (kind of) Captain America

—

Sorry this list is kind of a bummer. It’s a bummer kind of week.

[longing-for-rain]

ATLA Discourse Simulator: 2024 Revival Edition

🌊 katara-stan Follow

It’s sad to me how Katara was forced to take on so many responsibilities from a young age. I relate to it as an eldest daughter with trauma in my childhood.

👺 404-literacy-not-found Follow

How DARE you parentify Katara! She’s just a silly little 14 year old not mom friend!!!

74 notes

🌙 zutara-fan Follow

I like Zutara

🚓 avatar-fandom-police Follow

You’re not allowed to do this as it is personally offensive to me, a balding middle-aged man. Your femcel fantasies are pathetic and no man will ever want you. By the way I’m gay so I’m not sexist.

32 notes

🍼 aang-lover Follow

How DARE anyone criticize my perfect little angel boy, he never did anything wrong! Touching girls without their consent is just a SMALL MISTAKE and I’m sure his implied apology was really good!

🙏undercover-tradwife Follow

SO TRUE it’s so sad how many women want to ruin an innocent boy’s whole life over nothing 😢

12,547 notes

▪️zvtara-was-never-canon Follow

Zutara fans are such bitter harpies who self-project their desire to have a fulfilling relationship with a partner who respects them! It’s such a boring relationship anyway. I don’t care about it at all, which is why I made a whole blog dedicated to bashing it.

⛓️ basement-dwelling-pedo Follow

So true kitten! You put those stupid cunts in their place! By the way, when is the next chapter of your bdsm incest rape fetish fanfic updating? I’m getting thirsty 😩

▪️ zvtara-was-never-canon Follow

Don’t worry Daddy, I’ll service you soon. I can’t believe how horribly Zutara shippers characterize Aang. They should be more like me, and write Zuko as a pervert who rapes his sister instead. Please tell me how special and talented I am again, please please Daddy I need it!

29 notes

🔥 firelady-mai Follow

I love Zuko’s redemption arc so much! What a beautifully written story about breaking the cycle of abuse!

🌊 zutara-lover Follow

I really like Zuko too! I always admired his character 😊

🔥 firelady-mai Follow

Fuck you, I take it all back. Zuko is an evil racist toxic abuser. How dare you suggest he taint Katara’s purity with his colonizer genes?

976 notes

[goodyordle]

An Analysis on Season 2 Vi

SPOILER under the cut

I have SO many thoughts about how they wrote Vi this season. So I get that they wanted to go with a more vulnerable Vi this season compared to the tough character we had in season 1. I was excited for this direction for her character, that’s why I’m kind of disappointed that she felt flat and more one-dimensional this time around.

Firstly, I felt like in season 1, Vi was such a centerpiece to the show. From her relationship with Jinx and following Vander’s legacy. She actively moves the plot with these two elements.

But in season 2, I barely see her do anything that contributes to the plot actively and takes a much more passive role. This time, Caitlyn and Jinx are taking the lead on shaping her goals (whether this is her becoming an enforcer or her saving Vander). As a viewer, I do empathize with Vi. We see time and time again that she is a character that values loyalty and keeping her loved ones close to her, and she keeps getting betrayed.

But we never see these arcs get resolved, at least in a satisfying manner. We never see her find strength in her vulnerability or regain courage to find herself again. And this is an arc that most, if not all, characters in Arcane had. All of them had some sort of redemption and willingness to make things right.

We never see Vi try to grow beyond her comfort zone (which is using her fists / brawling). We don’t see her use her vulnerability as a new way to show toughness to her character.

For instance, the argument with Caitlyn. Now I enjoy this ship as much as the next person but I felt like the conflict got resolved a bit too quickly? It’s clear that Vi’s trauma of betrayal and abandonment runs deep (man, I feel so bad for her tbh).

My interpretation of this last shot of Cait and Vi (after Caitlyn asks “are you still in this fight, Violet?), in my opinion, also reflects this lack of resolution, where Vi generally looks more closed off. There is no raw vulnerability that Vi displays. She never expressed how hurt she was with Caitlyn’s actions. Even when Vi says she is the “dirt under Cait’s fingernails”, her expression looks quite pained and tired.

Then we have the argument with Jinx. Their sibling dynamic is the key plot of Arcane and is a heavily emphasized theme but their resolutions feel underwhelming both times.

The first time was when Jinx locked her up in the cell. I mean the fact that Vi didn’t immediately go look for Jinx given that she was depressed felt a bit out of character for me. Like she gave no emotional reassurance to Jinx who was obviously guilt-ridden from Isha’s death. Again, no vulnerability. And the placement of the Caitvi *cough cough* scene was questionable, considering it was right after Jinx expressed her anguish. Yes, she wants Vi to be happy, but wasn’t Vi’s character this whole time shown as one who is happy when she can take care of the people she loves?

Like if I were to draw a parallel to Jayce and Viktor, where Jayce says that he just wants his partner back, they could’ve had done something similar between Vi and Jinx. Vi could have expressed that she just wanted her family back. She needed her sister, which is something she never expressed because the dynamic was always of Jinx needing Vi.

Anyways back to that scene, I felt like it would have been more impactful honestly if Caitlyn even encouraged Vi to find her sister since I think that is quite fitting to Caitlyn’s arc as well and adds more depth to her feelings towards Jinx. If they had a bit more emotional resolution, I feel like her final scene with Jinx would have been more impactful. (And probably would add more emotional weight and spiciness to the Caitvi scene too iykwim)

That brings me to the second scene when Jinx sacrifices herself. The aftermath felt too rushed for me. When we have Vi acting like “normal” right after Jinx’ sacrifice, it diminishes their relationship in my eyes. Granted, I doubt she’s normal. In fact, I think Vi looks really resigned in her final scene but again, this is a bit difficult to pick up if there are no context clues.

Like in terms of the concept, I get it. I believe the writers were trying to make a full circle moment where Vi, who was the protector of her little sister, is now the one being protected by Jinx, who is now all grown up. It’s just the execution that doesn’t sit too well with me. Maybe it’s the pacing because I feel like as a viewer, you have to digest so many emotional scenes at once.

I just wish we had more opportunities to see Vi be vulnerable and show that as a source of new strength and as a way to reinforce her relationships with Jinx and Caitlyn. But unfortunately, her character development ended up static. And honestly she’s such a tragic character that had that potential. They showed her trauma even in the final scene with Vander/Warwick and how she couldn’t even bring herself to move despite Jinx’ warning. Like show more of that!! Let her be the one that needs to be protected by those she used to protect, instead of just following them around and beating up their enemies. As a result, I felt like she didn’t really add much weight to the finale (low key Maddie had more of a plot). Like this show is still a 10/10 with solid writing but this, after processing the show, I believe is its weakest point.

They can never make me hate you, Vi, you deserved a better character arc :(

[juniperhillpatient]

Genuinely sooo much of Regina’s long-standing status as a fandom icon & so many peoples favorite character really does go to Lana Parilla & that’s not to diminish the script just to praise some truly phenomenal acting.

You can see SO much in Lana’s facial expressions & emotions & just the look in her eyes & that is CRUCIAL in maintaining Regina’s nuance & sympathy especially in season 1 before we fully understand just how absolutely devastating her backstory is.

Here is a woman who is undeniably the antagonist. She has just admitted to sentencing multiple children to death, her own son hates & fears her, & she’s borderline gleeful about sending 2 children to foster care to be separated & that’s just in this episode.

Regina isn’t just evil for the aesthetic she does genuinely reprehensible things to characters we care about time & time again. Yet when Michael says that line about family & she responds softly - tearfully - with a soft “no” the audience STILL feels for her. It goes back to the emotion Lana poured into the scene when Regina carves out her own father’s heart for her own powerful gain. This is a character who continuously makes the wrong choices & hurts others including those she cares about but also hurts herself in the process to the point you can’t help but feel bad for her while also feeling horrible for the many many people she victimizes.

And then this is sort of going off script from my original point of praising Lana Parillas acting & it’s also getting ahead of myself because I’m only on season 1 of my rewatch & Regina is still 100% absolutely no question the villain where I’m at in the rewatch but I also want to praise Regina’s slowburn redemption arc.

There were a lot of early hints like this about Regina’s tragic backstory but at the same time the show never once uses anything she’s gone through as a chance for the narrative to “forgive” her. It takes a LONG time & a lot of work on her part before the people she’s hurt start to forgive her & not all of them do. Those that do, it takes time for the relationships to build trust & even longer to build friendship.

Regina has to start making choices to be better & it’s always very clear it’s for both herself AND others once she begins to work on herself. For all my qualms with this show it got redemption arcs so incredibly right & assuming I don’t get distracted I’m so excited to experience her arc all over again in this rewatch.

Also, to the original point of what turned into a rant about Regina Mills - Lana Parilla is a God of acting HOW does she genuinely seem to BECOME her character feeling what Regina is feeling & allowing us to get so much insight into this character who - as of season 1 - is shrouded in mystery to the audience 😭

[itsabouttimex2]

Not sure if you have covered this, but I’ll ask. How would you have gone about Macaque’s redemption arc…if it’s possible with how he was written before season four? No hate or debate, just curious. I like alternate takes on characters :3

Hmm okay I thought on this for a little bit, and the crux of my problem with Macaque’s arc is that he’s established late Season Three to be “not a bad person” when-

1. He enjoys hurting people

2. He goes out of his way to hurt people

3. He hurts many people

4. He expresses no regret or remorse for hurting people

5. He faces no consequences for hurting innocent people aside from his intended victims winning their fights against him

6. His victims are reduced to a hivemind of non-autonomous set dressings who have no feelings on his presence or past crimes

And he promptly just becomes a person that everyone is okay with despite everything. So, if we have to keep the “one good action is enough to redeem you for betrayal, deceit, slandering, multiple counts of assault and attempted murder”, then we need to shift some things.

So I think the best thing to do if we want the actual “redemption arc” to hit the way it’s supposed to in canon is-

1. Thin his list of victims

2. Thin his list of crimes to the point that one good deed is actually a reasonable atonement for all of them

3. Play up his victimhood at the hands of the Mayor

4. Establish his inability to escape from the Lady Bone Demon much sooner

If the crux of his arc is just being forgiven by ONE of his many victims and then becoming a good person, then we just need to sharply reduce the amount of victims he has to make the immediate and all-encompassing forgiveness feel more realistic.

When he’s “sieging” the city in Macaque, the Smoke Demon ignores everyone who isn’t MK and deals no structural damage, creating no victims aside from the Monkie Kid.

When he’s performing in Shadowplay, Macaque portals MK away to fight him alone, leaving everyone else unharmed, creating no victims aside from the kid.

Then, when he’s stolen away by the Mayor, either:

1. Lady Bone Demon implants him with her powers right away, preventing him from running away and immediately establishing him as desperate, or, what I’d argue for-

2. Send the Mayor with him.

When he receives the compass and is released, Macaque pulls a Bone Key-

and throws it away, trying to shadow portal away, only to be greeted by

The Mayor, who proceeds to outright accompany Macaque on this journey, thereby serving as a foil to Tang Sanzang.

Where Sun Wukong was taken under the wing of someone who genuinely cared for him and wanted to see him improve, Macaque is forcibly dragged along by an outright malicious figure who wants to see him rot.

(Fuck, have Lady Bone Demon give Macaque an ice circlet to seal the “foil” deal! Have him be forced into these actions in outright agony! It would help Sun Wukong sympathize with him, expediting the “forgiveness” that a redemption arc needs!)

In fact, every time Macaque tries to leave, or steps out of line or even just fails? You hear an offscreen thud and yelping and then when we get to see him next, there’s new bruises on his body, new tears in his clothes. His fur becomes messy. His eyes grow haunted.

Play up his victimhood to coax the audience into sympathizing with him.

Macaque tries to run. The Mayor hurts him. He tries to stall. The Mayor hurts him. He tries to argue. The Mayor hurts him. He tries to fight back. The Mayor beats him back into subservience.

Establish that Macaque has utterly exhausted all avenues of “escape” before he resorts to attacking the Monkie Kids, and even then, have him try to avoid the majority of them in favor of MK, only to be forced by the Mayor into actually fighting Mei, Tang, Sandy, and Pigsy.

So now every character understands why he’s doing this- and don’t have a reason to hold it against him or expect any further atonement because none of his worst actions (like sieging the Dragon Palace) actually need to be addressed- they aren’t his fault.

That basically solves all the problems I have with the “arc” as it stands, honestly.

[winns-stuff]

LO RANT:

TRIGGER WARNING: SA

Okay I’m back again and it’s only to say this.. The comments on the new fastpass are genuinely disgusting. I don’t care how you put it or feel about both characters it’s absolutely deranged to ship or want a redemption arc for a rapist, maybe I’m being too harsh but I can’t find soft words to use for this. The fact that there’s so many people girlbossing this entire situation as a “I got the entire lineage on my shoulders!!! I slept with the brothers and the father!!!!” thing is weird to me because these fans are all missing the point of Hera’s entire story and it makes no sense that as I’m ALWAYS saying these fans are quite literally shipping rapists with their victims when the entire point of Lore Olympus was to shed light and bring awareness to Sexual Assault that is not violent or gruesome in physical action.

And we all know why this is happening, Rachel doesn’t know how to properly handle this situation and it’s clear that that’s how this is coming across to her fans. They don’t see this as a rape survivor story they see this as another dark romance since she doesn’t bother on actually addressing the assault in a respectful and dignified way, every single time she adds another sexual assault in her story she’s always glamorizing it or diminishing it whenever she gets tired of writing about it and it’s infuriating. Your fans should know better than to ship victims with their abusers and you wanna know why? Because you pride your comic on healthy relationships and mental health talks, you use the sexual assault as some kind of badge to show everyone that you know what you’re talking about when it’s clear that you will abandon all real representation of a situation that affects millions of people around the world just for crappy fan service.

Lore Olympus fans are groomed to dismiss these arcs since they’re not even treated like they’re serious and it doesn’t seem like Rachel takes it serious as well, she’s never taken any advice from survivors who aren’t pleased with how she portrays SA and she completely ignores the feelings of those truly affected by the traumatic events that she shoves into her webcomic just so it’ll stay “interesting”. I’m tired of Rachel getting away with drawing absolute trauma porn and I’m sick of her sexualizing every single woman we come across, how many times do we have to continue this long and excruciating pattern of giving the women of your comic terrible consequences and make them suffer just for drama and nothing else. How many other situations are you willing to completely spit on just to look self aware?

This is honestly the last straw because there’s been so many people genuinely shipping Hera and Kronos and also saying borderline disgusting things just to defend stuff like that. Rachel needs to say something, you cannot just sit back and be quiet while your fans openly admit to wanting to see a rapist and his victim together for the sake of your own comic and “beloved” main character hell even for a lot of your fans you need to speak up about this and address it letting a mindset like that fester in a fandom probably filled with survivors of assault is a disservice to them and it’s a slap in the face to the comfort that your webtoon gave them.

[mac-n-chees]

man i fucking hate enji todoroki

when i say that i hate endeavor i dont mean i think he’s icky and i dont like him. i mean i dont think he deserved the forgiveness he got im so sorry. for context let’s back things up. the entire todoroki family lore is SO FUCKED UP. the whole “convenience marriage” thing? WHACK. sa-ing rei until she gave him the child he wanted? WHACK. and we don’t talk about that enough! it was rape! he didn’t care about her at all, he just wanted the perfect weapon to beat all might! and then touya’s whole deal? the fact that he was literally self destructing bc he thought he wasn’t good enough? and endeavor never made him feel good enough? he had all the right to become a villain.

and then, shoto. literally alienated him from his siblings so none of them know a single thing about him and vice versa. weaponizing him since he was a TODDLER. and saying he was “tough on him” is a SEVERE understatement, that little boy was thoroughly abused.

and then the aftermath of the whole thing with rei. he traumatized her so bad it led her to BURN HER OWN SON’S FACE. and what did he do instead of reevaluate his behavior? LOCK HER UP IN A MENTAL INSTITUTION. and not because he cared for her health, but because he didn’t want her to hurt shoto again. messed. the fuck. up.

and if yall gonna come in here and say “oh but other characters have been forgiven after their redemption arcs like zuko and regina mills” DONT YOU EVER COME IN HERE WITH THAT SHIT. their entire redemption arc revolved around them making a wrong choice that further proved to them that being good was the right way. they felt severe unease, and like it wasn’t “them”, so to speak, at being inherently “evil” so they CHOSE to convert because being “evil” was not their true selves. they made MISTAKES but learned from those mistakes BY THEMSELVES without anyone else influencing their thoughts or telling them anything. they CHOSE good because the people they cared about were good, and they wanted to be with them. they made a bad choice, yes, but the whole point of the redemption arc was that they learned from it and improved their characters. endeavor did not make a bad choice, he abused actual, living people for many, many, MANY years. it wasn’t a “bad choice” it was a deliberate decision to fulfill his stupid fucking delusions of grandeur.

how are those antiheroes different from endeavor you ask? I WILL TELL YOU. sure, he got a redemption arc, and sure he got forgiven. but did yall notice he only did an effort to do better after he became the number 1 hero? after shoto was in UA and his children were grown? after rei was locked up so she couldn’t tell anyone about what happened? after all might was no longer the symbol of peace? he only made the effort to become a better person once his OWN PERSONAL GOALS were fulfilled. he always prioritized himself. he didn’t learn shit. he’s not sorry for shit. he regrets nothing. he just wants to be perceived as the perfect #1 hero like all might was.

be fucking for real, his redemption arc was NONEXISTENT, and his children should not forgive him no matter how hard he begs. he does not deserve forgiveness. he’s a fucking abuser, rapist, and all around ASSHOLE.

if he has no haters im dead. and if i see even one endeavor ass kisser in the comments, you’re getting blocked idgaf. the fact that you think he’s hot and just because of that he earned his forgiveness will not fly here hoes idc. that man deserves to rot in hell for all he’s done, if he wasn’t (and i cannot stress the “quote unquote” part enough) “attractive” yall would be on the other side. i can’t anymore, endeavor stans gtfo.

[animegirl3476]

Another day, another discourse comparing and contrasting Shoya and Shoko’s relationship in A Silent Voice with Katsuki and Izuku’s relationship in My Hero Academia.

At the end of the day, you’ll never get a 1:1 comparison with these two cases due to the fact that 1) They belong to vastly different genres, 2) One is far longer than the other and 3) One is a grounded character drama and coming of age tale.

But…

I think that A Silent Voice provides a fairly good basis for judging the way MHA handles the relationship development of two characters, where one used to bully the other and an arc of atonement occurs. More importantly, comparisons to A Silent Voice highlight the shortcomings of Katsuki and Izuku’s relationship development and allows me to understand and actually communicate what I don’t like about the way the story handles it.

In my opinion, what sets these two stories apart in the way they handle the atonement arcs of their respective bullies is the way they portray consequences. The big “C” word tends to elicit a hostile reaction from certain fans, who assume that your idea of consequences must necessarily involve the bully character being gratuitously punished and made to suffer as retribution for their past actions. But a consequence is just the “result or affect of an action or condition” and can range in severity, it can have many different effects.

A Silent Voice uses social consequences to prompt change from its main character. Shoya’s bullying results in him being shunned by his classmates and friends, and the story goes to great lengths to show how his actions not only hurt his victim, but that they also hurt people he cared about. His mom has to reimburse Shoko’s mom for the damaged hearing aids (when she is already short on money) for example. Furthermore, the knowledge of his past is something that impacts the way others perceive him, and that change in perception is essential to his arc.

More importantly, A Silent Voice makes it clear to the viewer/reader that despite Shoko generally being a kind and forgiving person, the bullying still hurt her deeply enough to leave a long lasting impression. Shoko is receptive to Shoya’s will to change, but the story doesn’t ignore that Shoko suffered greatly and that the bullying made her sad, frustrated and even angry. Her negative emotions are not overshadowed by her desire to see Shoya become a better person.

The thing that holds me back from enjoying Katsuki and Izuku’s relationship development is the lack of consequences Bakugou receives for his bullying (which is directly connected to the way the narrative denies Izuku both agency and introspection) The hard truth is that Bakugou faces little to no consequences for his past behaviour, and one would think that such a topic would have to be brought up at some point because, ya know…he goes to a hero school. A HERO school, a place where people train to be role models, help people on a large scale and protect those who cannot protect themselves.

The first scene we see with Bakugou depicts him as the opposite of a hero. A mean bully who beats up people weaker than him, and this is emphasized by the fact that he targets Izuku, who has no means of defending himself. Despite this, he gets into UA, which isn’t necessarily a problem because it communicates a major flaw in the system that cultivates heroes (Overlooking certain problematic traits in favour of innate talent and strength) BUT, the information that he used to be a bully never comes up among his classmates in any major or lasting way. We saw his classmates, and even his new friends discuss or think about how much they abhor bullying. The students of class 1A do not like it when people abuse their strength to pick on those weaker than them…yet that never seems to connect back to Bakugou’s past as a bully.

This issue is exacerbated by the lack of attention given to Izuku’s side of the story. In stories that involve the atonement or redemption of a bully, it is CRITICAL that the victim’s side of the story is treated as something equally important to the bully’s side. It’s not something that can just be overshadowed by the bully’s side, it must be focused on in order for the atonement arc to work.

It’s disappointing that Izuku lacks the introspection that Katsuki gets, and very unsatisfying that it effectively lets Katsuki off the hook for literally every bad thing he’s ever done. The ways the bullying might’ve impacted Izuku for the worst is hardly ever discussed because every time the narrative approaches the topic, it always pivots to Izuku praising Katsuki for the things he did right. This is a big problem, because it silences any discussion that focuses on Izuku’s feelings and shines the spotlight on Katsuki instead.

Before I end my little tangent, I also feel the need to say this: Pointing to any instance of Katsuki’s suffering throughout the series IS NOT EVIDENCE OF CONSEQUENCES! Any bad thing will happen to Katsuki and people will proceed to say: “SEE?! Did you see that?? Katsuki HAS faced consequences! How can you say that he never faced consequences for his actions? Why do you want him to suffer?” It’s so disingenuous and it’s a terrible argument that refuses to criticize the text.

[ashensgrotto]

Hey I was reading your yandere Azul fanfic for like the 50th time and I had this idea for a request:

Can you do the other overblot boys in similar situations?

Also when are we going to have Azul's redemption arc when we get trapped in Scariba?

Have a lovely day/night/morning/afternoon

Why, greetings my dear anon! I’m happy that you enjoyed the ‘Poor Unfortunate Souls’ to read it that many times - and I apologized that I haven’t been able to get started on the Scarbia segment yet (between that and Raison D’être plus work & other stories… and GloMas, I really need to get my priorities straight seriously -_-). However, I do intend on working on it as soon as I can so I can get it out sometime this month or in December - I mean, I think that would be the most logical since that one takes place during holiday break, right?

Now, for your request - I hope head cannons are alright for the time being. I’ll try to come back to them and do short stories for each of them that follows the same concept design as “Am I Feeling Love?” - which is the first installment of the Yandere!Azul series. I'm also going to divide this into two parts - about halfway through I realized I hadn't posted anything in a while and thus, I want to make it up to all of you for not writing or posting anything for some time.

Part 1 (Here) will feature Riddle Rosehearts, Leona Kingscholar, and Jamil Viper

Part 2 (Here) will feature Vil Schoenheit, Idia Shroud, and Malleus Draconia

***

Riddle Rosehearts:

Yandere Riddle is more of the controlling type - that much is certain. While during his youth, he came across a story about ‘soulmates’ - and the idea of someone made for him took root like a weed in the rose garden. Although his mother ordered for him to dismiss the idea as nothing but a fairytale, Riddle could not push the idea away and it slowly became a source of comfort and drive - if he could stand out both in academics and athletics, surely his soulmate would recognize him as their other half. (There really was no way for him to search for his other half while trapped under his mother’s unwavering gaze, especially after the tart incident.) 

When he saw you in the mirror chamber for the first time many years later, he was awestruck by your grace and beauty, reminding him of how the queen of heart once was long ago… the problem was your impeccable timing. You had the worst sense of direction as well as time - quite literally to the point that he had to give you several (and I mean like five to ten) different watches to have on your person so you wouldn’t run late for your scheduled tea time and after school lessons with him (which he made a priority to keep an eye on your movements, especially with the way you hang around the ADuo).

He likes that you have a favorite tea flavor, but hates that you drink it. All. The. Time. (“There are other teas, you know?” he tells you softly, trying to reign in his urge to yell at you for drinking your tea when you should be drinking the green tea with honey that is required following a lesson with him.)

He recognizes you for your hard work - often watching you from the shadows when time permits as you paint the roses red, care for the hedgehogs, feed the flamingos in that pink attire he provided for you, and assist with the dorm’s random tea party celebrations. Riddle also enjoys your conversations - even though he would like it better if you opened your mouth and stopped speaking so quietly (“Look up, speak nicely. AND DON’T TWIDDLE YOUR FINGERS! Turn out your toes, curtsy, open your mouth a little wider and always say, ‘Yes, Housewarden Riddle.’" He’s constantly reminding you.)

The one thing he can not stand though: your friendship with Duece and Ace and the furball menace. He has added a new rule to the roster: ‘Rule #687: (Y/N) is to always be supervised by either Trey Clover or Cater Diamond when not in the presence of the housewarden.’ (It’s for your wellbeing, after all. Trey and Cater are much more reliable than those two annoying freshmen and fire-breathing direbeast.)

However, his real breaking point is when you side with Ace and Duece following the ‘collaring’. He wouldn’t have dreamed in a million years that you would’ve sided with them over him. He was only trying to look out for your best interests… the best interests of the dorm… He was supposed to be the one…

Leona Kingscholar:

Yandere Leona is more of the… dependent type. During his youth, one lazy afternoon, his older brother was talking to him about how he read in his studies about a certain smell that would allow him to know if his soulmate was nearby. Leona had at first shrugged it off, not really caring - after all, he wasn’t going to be king… why should he worry about finding the right one? He didn’t need annoying little brats running circles around him like his nephew did already… what a pain.

That changed the moment you entered the mirror chamber. Your scent wafted through the air and tickled Leona’s nose like a call of a hornbill to its mate. Leona could feel a need rising within him - a sudden need to protect and lay claim to you as his. And when the mirror turned you away, Ruggie was surprised when he stepped forward, offering a place to stay in Savanclaw.

It was no surprise to anyone that Leona decided to make you his personal gopher (although he knew that he couldn’t rely on you 24/7 as you weren’t allowed to attend the school - not that he cared much anyway for classes). During practice, you would bring water and snacks - the housewarden always scruffing the top of your head and messing your hair up, offering a cheeky grin that no one had seen before. In the dorm, you would sit with him and look over his homework and studies - Ruggie nearby to help you understand what was being taught, considering that this was something far beyond your understanding - especially since you had no magic ability either.

Speaking of which, Ruggie was the only other person - besides Leona - that was allowed to get close to you. Any other student that attempted to get within a foot of you would suffer under Leona’s frightening stare before choking on ‘King’s Roar’ until they begged for mercy when you weren’t around.

When the spelldrive tournament came up - and you unknowingly found out about the plan to hurt another student - you confronted Leona about it. Leona tried to play innocent - pretending not to know what you were talking about, Ruggie assisting with the typically ‘innocent until guilty’ look that he often gave you.

His last straw was when you and Jack warned the others of Savanaclaw's plan - the housewarden of Heartslabyul and his students effectively coming to your aid. Leona thought he could trust you… that you would respect him and love him as the king he was supposed to be…

Jamil Viper

Jamil is your typical stalker type - wanting to know about your every move, it’s ingrained in him after all. During his youth, he - along with the other servants of the Al-Asim home - would watch over the young masters as they grew up, one eye always on the lookout for danger that could befall the family. Kalim - as sweet and carefree as he was - would often spend time in Jamil’s presence, chewing his ear off with stories and such, Jamil often ignoring what he said or taking everything with a grain of salt. However - the story of the Scalding Sands princess and the thief never completely left his mind. Legends stated that the two were fated to be together - and the land had been prosperous during their reign. Jamil would often turn the story over in his mind a handful of times, but tsk at the idea of soulmates. It was only a fairy tale… right?

That changed the moment he saw you in the mirror chamber - your eyes wide by everything that was different and strange to you. If Jamil was honest, he thought back to the story of the desert princess and the thief right then and there - he imagined himself as the thief and you as the princess, and the longing that filled him had to be the same as it was for the thief when he had seen the princess’ beauty for the first time. It was easy to persuade Kalim to let you stay in Scarabia, using ‘Snake Whisper’ to charm him into allowing the headmaster for you to stay. Once within the safe confines of the dorm, Jamil offered for you to assist him with taking care of Kalim (“Trust me, my little desert flower,” he tells you, “things aren’t always as they seem. You will get what’s coming to you.”)

Speaking of which - like Azul’s pet name of ‘Angelfish,’ Jamil refers to you as ‘Desert Flower.’ When you asked why that was, Jamil would cough and say something about how you reminded him of the flowers back in the Scalding Sands - particularly the Desert Hyacinth (which is a parasitic plant, oddly enough).

Regardless, Jamil enjoys spending time with you - when not chasing Kalim around. In the evenings, when the dorm is asleep, he finds the evenings quite relaxing in your presence; playing Mancala on the carpeted flooring after having his feet rubbed in oil to alleviate the tension and pain from all the hard work he did. When he asks if there’s anything he can do for you in return, you simply smile and shake your head, explaining how you’re thankful for his kindness and generosity for keeping you company in the late evenings when you both know he should be getting rest.

However, as the holiday season approaches and the rest of the school heads home for the holidays, Jamil notices your disappearance one night - making him frantic to know where you had disappeared to. That fear turns into seething rage when you return with an octopus and two eels in tow - Jamil demanding to know what the meaning of this is. Out of the goodness of your heart, you explain that you sought help for him and Kalim - especially with Kalim’s strange mood swings making you more and more nervous with each passing day. The presence of the scheming octomer and his twin pals makes Jamil more on edge than ever - watching from the shadows as you and Kalim turn to your new allies. It would seem… desperate times call for desperate measures.

The look on your face when it’s revealed that he was the one behind the changes in Kalim’s behavior was enough to shatter Jamil’s heart into a thousand pieces - like a glass lamp crushed under the weight of stone. The fear… the anger… the resentment towards Kalim has become centerfold - but Jamil could never hate you… his little desert flower. If only he was headwarden… if he was in charge… none of this would have happened… it was all Kalim’s fault, after all…

[saijspellhart]

Tumblr keeps recommending me posts with some of the worst takes on Catra’s character. Always an//ti//Catradora posts. (Like, did we watch the same show? We couldn’t have possibly watched the same show. Why the fuck would anyone compare her trauma to Hordak? Because they are on two entirely different character journeys, at wildly different age ranges and maturity, and with wildly different amounts of time to grow and change. Never mind the constant outside negative authority influences on Catra all the fucking damn time, that Hordak never has to deal with until season 5. And fortunate for Hordak, Prime doesn’t allow him the free will to choose a path, so Hordak gets a free pass, his character growth and budding humanity remain intact.) Don’t get me started on this, I could write a whole critical analysis on why Catra is a wonderfully written complex character, and why comparing her to Hordak is fucking ludicrous. Honestly the lack of comprehension about writing, character, fantasy, narrative and trauma astounds me when I see some of these Catra hate posts pop up in my recommended feed.

Tumblr, hopefully your algorithm gets this, but I LOVE Catra. I love her. I love this tortured mess, I love the writing that went into her character, I love her waffling precarious hold on sanity and reason. I love how she struggles to cope with her trauma. I love the realism put into her character despite the fantasy setting. But I also love that they didn’t push the realism too far, because it is at the end of the day a fantasy story. I love the delicate balance they wove into her character. I love the complexity and thought put into her entire character arc through the whole series. (And before anyone comes to crucify me, I say I love Catra, as a person who suffered immense parental trauma and manipulation. As a victim of some of the worst of it. I shouldn’t even have to mention my own trauma to justify appreciating a FICTIONAL character. But here we are.)

Would I have loved one extra season to really explore her redemption more thoroughly? Yes of course. An extra season would have been delightful to explore a lot of the character relationships more thoroughly. But we didn’t get that, and what the show creators did give us was still wonderful and satisfying. (Even if I have some critiques on some things.) the writing of the show at the end of the day is still smart, and tight, and so so competent. (Looking at the myriad of other story driven cartoons and shows that fall apart in the later seasons or just have an overwhelming amount of inconsistencies and botched writing. **coughs** Voltron, Miraculous, YGO, Netflix Carmen Sandiego, Bleach, many animes in general, just to name a few. Not that I didn’t love and adore most of these shows too.) the fact that She-ra (2018) stayed consistently tight and snappy and smart with their writing, narrative, and characters from beginning to end is a treasure.

Anyway. Catra is great. I could write a character analysis going into why from a writing and storytelling standpoint. But honestly I don’t think anyone cares that deeply, and I don’t exactly have followers who are particularly interested in She-ra. Tumblr, you god forsaken windfall apple, please stop suggesting an//ti//Catra and an//ti//Catradora posts. I don’t want to see them. I support the canon relationships. And I support the non canon ships too. What I do not support is hating on shippers who like other ships. It breeds contempt in a fandom, and leads to a fandom canabalizing itself until there are no fans left. Also letting hate and disdain take up such a large amount of time and space in your brain, leads you down some dark paths mentally.

[elliethefroggy]

Roy Kent: Minder Extraordinaire

(for those of you who prefer reading fanfics on tumblr instead of ao3)

Summary:

What if Jamie had actually done as Roy had asked all the way back in season 1 when Roy told him to get Colin and Isaac to stop messing with Nate? Or Roy Kent accidentally becomes Jamie Tartt's minder and regrets every step of the process until he doesn't.

Chapter 1: Roy Kent Has Regrets

The first reluctant step in their respective redemption arcs.

When Roy goes up to Jamie to ask him to get Isaac and Colin to leave Nate the fuck alone, he doesn’t have much hope that the little prick will listen to him.

When said little prick laughs in his face, Roy considers glaring at him into submission or knocking his teeth out.

Instead, Roy finds some relic of self-control within himself, a pool of patience so shallow it might as well be called a puddle.

“Look,” Roy says, “I get that you don’t give two shits about Richmond—”

“And you do?” The prick interrupts him. That puddle gets a lot smaller. “The way I see it, you give about as much a shit about Richmond as I do. I’ve been here for months, and what? Now you’ve decided to act like the fucking captain? Finally remembered that there’s actual shit that comes with that fancy title? That Alzheimer's really kicking your arse, innit?”

“Just fucking do it,” Roy says. Pauses. Very reluctantly adds, “Please.”

Jamie looks at him, eyebrows raised, a fucking bewildered expression on his dumb fucking face. And yes, okay, Roy doesn’t say please much, he’ll admit to that, but the twat’s been here for a while now; Roy has definitely used that word in front of him. Right?

“Yeah, alright,” Jamie says, looking at Roy like he’s got something contagious, “If it means that fucking much to you. I’ll take care of it; Nate’s a good lad.”

And because the magic fucking word was so effective, Roy decides to use another one, see what that can get him.

“Thanks,” he says, and walks away, leaving Jamie to his weights. He catches Jamie’s face as he steps out of the gym. Definitely one of the funnier expressions he’s seen on that prick. All scrunched up and confused.

The things is though, in some dark little corner of his mind, Roy knows he’s being a shit captain (not that he’ll ever say that out loud because fuck if he’ll admit that Tartt is right). He’s too stuck in his own head to give a shit about Richmond, too worried about how bleak his fucking future’s looking. Retirement striding closer and closer every time he steps onto the pitch with his bum knee.

The great Roy Kent, too busy raging over the end of his fucking career to actually do his fucking job properly.

And some not insignificant part of him thinks why bother putting in the effort now. Why not just finish up his career coasting at Richmond like he’s been doing, and then fuck off to become irrelevant like so many footballers before him. It’s practically a right of passage in this life.

However, now that Ted Lasso has come to darken the club’s doorstep, that plan is looking less and less feasible as the days go by.

(He decides to ignore that somewhat less insignificant part of him that’s relieved by that.)

Later, Roy rounds a corner to the locker room and sees the prick talking to Isaac and Colin. Roy backs away before they can see him and peaks his head around the corner.

“You’ve had your fun. It was a good laugh. But maybe ease up on Nate a bit, yeah?” Jamie says, doing that stupid thing he always does with his shirt, hands tucked underneath it, stretching out the fabric, “Don’t want the gaffer to think we’re a bunch of animals, right?”

Colin and Isaac look almost as confused as Jamie did in the weight room, but they nod solemnly and say ‘yeah, no problem’, before walking away, Tweedle-dumb and Tweedle-fucking-dumber.

Roy steps back into view, “Now, was that so fucking?” he asks and takes great satisfaction when Tartt jumps out of skin like the little baby he is.

“Fukin’ hell!” Jamie clutches at his heart, the dramatic idiot, “The fuck you doing sneaking around like some senile old ninja?”

“Making sure you keep your word.”

“Keep your fucking tartan socks on, grandad. I did what you fucking asked.”

“And I’m sure it must have been very painful for you. Are you alright? Did you pull something? Do you need to have a sit down?” Roy asks because he’s mature like that.

“Fuck off,” Jamie says, and storms away, further proof that he’s a fucking baby.

Roy thinks that that’s that; Nate can rest easy, Roy can congratulate himself on his good dead for the year, and he can go back to ignoring Jamie ‘The Prick’ Tartt. Except, of course, fucking Lasso has to go and put his moustachioed fucking nose where it isn’t wanted.

Sitting at the same table as Jamie fucking Tartt, about to be sold off like fucking cattle all in the name of the children was not Roy’s idea of a good time. Fuck Ted Lasso. And fuck his fucking moustache. Roy would pay the fucking charity triple whatever he was sold for if it meant he could go home and leave this fucking farce behind. Unfortunately, that wasn’t allowed; he’d checked.

Though admittedly, messing with Tartt, telling him he would have to fuck that old lady was fun enough, until Tartt stormed off again, Keeley chasing after him. The little prick has been doing that a lot lately.

But then Roy starts thinking about what Jamie said. About Roy being a shit captain. And watching Jamie walk further and further away is no longer fun. And no amount of beer seems to make it fun again.

After a while, Roy sighs and, against his better judgement, decides to be a decent fucking person tonight.

He regrets getting up as soon as he’s on his feet. Regrets every step that takes him closer to the prick.

He finds Jamie at the bar, peeling off the label from a beer bottle and ripping the paper to tiny, little shreds, Keeley nowhere in sight. Roy stands next to him and regrets it. Jamie doesn’t look up, his eyes fixated on the beer label, the bits of paper getting smaller and smaller. And Roy realises something (he regrets that realisation).

“This auction really bothers you, doesn’t it?” Roy watches as Jamie tenses, just enough to be unnoticeable had Roy not being properly paying attention.

“Fuck off.” Roy watches as Jamie’s hands let go of the shreds of paper and try to worm their way underneath a shirt that isn’t there. Jamie’s hands drop when they don’t find the fabric.

More than anything, Roy regrets that he’s starting to get concerned about Jamie Fucking Tartt. The world really is going to shit.

“You don’t actually have to sleep with them, you know,” Roy says.

“Yeah, I’m not fucking stupid.” But Jamie had believed them, hadn’t he? When Roy and Keeley had ganged up on him. He’d believed them, and he’d looked panicked.

And Roy is feeling shittier and shittier the longer this conversation goes on.

“Anyway, it’s just sex, innit,” Jamie says, “Not like it’s a big fucking deal.”

Except this was starting to look like a big fucking deal, because Jamie was still so tense, and if Roy looked hard enough, he could just about see Jamie’s hands, fisted at his side, shacking slightly.

“You don’t have to fuck anyone you don’t want to,” and Roy doesn't know why he says that, doesn’t know why he’s reminding a fucking grown adult about fucking consent. Only with the way Jamie’s acting, it’s starting to feel fucking necessary.

Silence, and then, “Yeah,” Jamie says. And Jamie took too long to answer, and now Roy's really starting to get concerned, and being concerned about Jamie Tartt feels fucking awful.

But before Roy can get into whatever the fuck that’s about, the auction’s about to start, and they get called back to their table.

Roy has many, many regrets.

Roy doesn’t even think when he does it. He’s starring at Jamie up on that stage looking as uncomfortable as Roy’s ever seen him, their conversation and the fucking awful implications behind it playing a constant loop in Roy’s head.

Then that perverted Shetland pony matriarch bids five thousand quid. Jamie starts looking desperate. Roy feels himself lift his arm up.

“Six thousand.” Those words come out of his mouth before his brain can even kick in and decide that no, that’s a fucking stupid thing to do.

He sees Keeley look at him as she places her unused paddle back on the table, bemused as fuck. Because of fucking course Keeley was going to bid on her own boyfriend; she’s the nicest person he’s ever met even if her taste in men leans towards those who are pretty and shit in equal measures.

And he knows that Jamie’s digging holes into his head with those fucking eyes of his much like Cheryl fucking Barnaby is doing, only he refuses to look at Jamie, because what the fuck is Roy even doing.

“Well, well, well,” Fucking Rupert Mannion opens his mouth, and why is he even here? “It seems the Richmond Captain wants a bit of one on one training with the gorgeous young man to my left.” And why the fuck did he say it like that?

Cheryl Barnaby bids seven thousand, probably wondering what Jamie looks like on a fucking Shetland pony. And because Roy’s already started this, he’s fucking finishing it.

He bids ten thousand and decides then and there that he’s disappearing off the face of the earth and moving to some fucking remote village in South America where nobody’s ever heard of him.

Cheryl keeps her mouth shut and doesn’t lift her paddle again.

Roy’s won.

Fuck.

Roy goes back to the bar and finds Jamie where he left him last time. Roy leans against the bar, his shoulder jostling Jamie’s. Neither talk for a moment.

“The fuck was that about?” Jamie asks after the silence becomes awkward enough.

“I was being fucking nice; it happens sometimes,” Roy says. You looked uncomfortable, Roy doesn’t say. “Unless of course, you want to spend a night with Cheryl Barnaby, Shetland pony breeder extraordinaire.”

“Fuck no,” Jamie says immediately. He takes a drink, so does Roy. Then Jamie asks “Was I, like, meant to return the favour?”

“Fuck no,” Roy repeats Jamie’s words, “This is weird enough as is.”

“I’m not going to fuck you no matter how much you paid for me.”

“Did you not hear that whole conversation we had about consent?”

“Just saying.” And then more quietly, “Thank-you” so quietly Roy barely hears him.

And Roy doesn’t want to thing about the vulnerability leaking into Jamie’s voice, so instead he changes the subject because Jamie is looking small and uncertain, two things that Roy refuses to associate with Jamie under any circumstance.

He brings up his old dickhead teammate, Doug Stashwick, and thankfully Jamie follows the change in conversation.

By the end of it, they’re both smiling and laughing together which is fucking weird but at least Jamie doesn’t look so small anymore.

Though, knowing that the prick had a poster of Roy on his wall when he was a kid makes the whole Jamie situation just a little bit shittier.

Ch2

[twopoppies]

I don’t even know how to begin this, neither if it’s gonna make any sense at all. But I feel like I have to get it off my chest and scrolling through your blog made me feel like this is the right place to do so.

I never had any friends in the fandom. When I joined in 2017, barely in high school, they had already gone on hiatus. There were no more OT5 concerts to look forward it was all just videos and songs and memories of others that I got to enjoy and learned to cherish for myself.

Through the years since, there have been times where One Direction and all their solo work has pulled me up when I was down. Times when loneliness was overcome by watching hours of concerts videos and compilations on youtube - and they always made me smile. And also times where other things in life had more priority and I didn’t check into the fandom for months at times.

The first time I realised that what seemed to be the best time for us as fans was the absolute worst for them as artists, was when I watched that podcast interview of Liam a few years back. It was heartbreaking hearing it, and maybe that was also one moment where I realised I was no longer a naive teenage girl but on my way to adulthood.

I haven’t kept up with Liam or the other boys this year as much, but I always believed that whenever I really needed them, the boys will just always be there - maybe my mind immortalised them some way or other.

Seeing these news now, broke me on a level I didn’t expect and can’t even really explain. Hearing the accusations towards Liam and the man he seemingly became I don’t even know how to grieve.

How DO you grieve someone that brought you joy but at the same time acted in ways you just can’t condone with your values and beliefs?

Maybe what I am grieving the most is the lost chance of accountability and change. Mental illness is no joke and I know that a persons best version and worst version of themselves can be completely different. He should have gotten the chance to at least try again, to go to rehab and get better - to heal.

Before I went to bed tonight I tried to be brave and told my dad cause I just didn’t know how to handle it. I talked about Liams addiction and alcoholism and abuse, but I also talked about the music and the fact that I just feel like someone is missing and I don’t even know if I’m allowed to feel that way.

I’ll forever be grateful that all my dad did, was take me into his arms and comfort me. He didn’t laugh or called it a teenage obsession or said that it’s not right to grieve for someone who you didn’t even know personally.

All he said was that it’s okay to grieve cause it just showed that you cared. You can grieve for lost chances and for what a person once meant to you, even if they might not be quite that same person anymore (even if it seems a little selfish, grieving is always personal).

I hope he’s better now and doesn’t feel any of the pain he’s very obviously been holding in for however many years. My heart goes out to the people who really knew him - his family, his son, his friends and girlfriend, and the boys.

Sleep easy and rest in peace Liam 🕊️

Your dad sounds like a very sweet man. I'm glad he was there for you in the way that you needed him to be.

I don't know the answer to your questions, but I feel similarly that one of the things I'm most upset about is that he died before he had a chance to heal and make amends.

Everyone deserves a redemption arc, and I'm just angry that he wasn't allowed to have his.

[therealneilperry]

Ok I saw a post from @/relaxnotshaveeyebrows and I wanted to explained on my repost so I’ll do that here.

The post basically outlines Caitlyn and her becoming a dictator, and a Fascist

Its ok she’s all angry with grief, and I understand that she is heavily traumatized but she deals with it by buckling down and “claiming her power”, and people don’t realize that Cait “being a badass” is killing innocent Zaunites. Were reminded that she’s a Kiramman, but we’re also reminded that the enforcers and everyone who enables them has innocent blood staining their hands, and Her “being powerful” is causing her to step on the zaunites and crush them beneath her heel; using them as stepping stones her her power and influence in pilt over.

She has an increasingly violent distain and outright disgust, for the people of the undercity. She calls them animals, she immediately threatens and almost shoot Heemlot (the guy they rescued from the grey) despite him having information. She doesn’t care about the possibility of hurting a child, she almost shoots Vi, and when Vi pushes back even a little bit Caitlyn claims Vi is no different from the people in the undercity (she frames this as a terrible thing, an insult; despite Vi being from the undercity) and hits her before leaving her to rot. Not to mention the entire police brutality montage.

Yes, Caitlyn is traumatized and has been through a lot, but my question to Caitlyn defenders is this: How many little girls in Zaun have had their mothers killed as a direct result of Caitlyn’s tyranny? How many people have lost their loved ones, all while have to get up and struggle for a bite of food? How many Zaunites have been so hurt and decided not to kill Pilties on-mass like Caitlyn did? she has struggled, but struggle does not turn people into fascists, power and privilege do.

I’m not saying I hate her character, I love her writing, and she’s not all bad-because nobody is all bad, but the narrative (and common sense) clearly frames her actions as one’s not to support. She will get her redemption arc, I’m sure of it; but in the meanwhile, do not stand by and support your cancelled wife and her actions, guys. Your cancelled wife is busy being arcane hitler 😭