#I do wonder how they will edit the end of it

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[bunny-jpeg]

secret tattoo (vol. 3)

lando norris

tags: smut/pwp, secret relationship, tattoos, assistant!reader, kitchen sex, implied dom!reader,

max edition // charles edition // lewis edition // toto edition

"she must have secrets somewhere. no one is that innocent. not even like a facebook profile or something....." lando trailed off while him and oscar eyed you while you were speaking to zak.

you were lando's new assistant, around his age with everything to the t. every box checked, perfect to keep mclaren's wonder in check. the issue was that lando had a keen eye. and he knew there was something, some secret that you were hiding.

curiosity got both drivers and a deep dive into your internet footprint turned up nothing. it wasn't that you had a lack of presence on it, it was just there was nothing to show. not even a drunken night at a club or an unsavory joke on twitter.

"maybe she's just that good." oscar shrugged, "perfect for this line of work." he turned to you, "i think maybe you're just assuming things, mate."

lando remained unconvinced. it wasn't until saw you after the summer break, usually your windbreaker while on the track covered your neck. but a shorter haircut plus the lack of the jacket combined to expose your dirty little secret.

you had a tattoo.

tattoos were no scandals. everyone and their mother had a tattoo nowadays. but the knowledge that you had one made sparks light off in lando's brain. it was so normal, but to lando it seemed so scandalous.

a little tattoo of a checkered flag. wasn't that sweet. it was so sweet that it made lando a little harder in his jeans when he saw it. he wanted to trace his fingers across it, kiss at it. watch you grow weak in the knees.

maybe it built onto the crush that lando harboured for you since the two of you met before the season. when you reached out and said, "lovely to meet you, mister norris. i hope we can work well together." then flashed him a smile that made something in his soul met.

you made him melt in ways that made him more willing to listen to his lovely assistant. zak once remarked that you trained him well. which you simply replied, "well mister brown, if lando is made is iron. then i'm made of steel."

so no wonder when you two ended up in a relationship. it was on your terms. lando was more than happy to put the trust in your hands. after all, you made sure that he got from point a to point b. you kept on a better leash than anyone else at mclaren could do.

but lando still wanted to kiss that tattoo so badly.

"hey, angel." he said as he came up behind you. he wrapped his strong arms around you and kissed the side of your neck. he asked, "i didn't know you had a tattoo?"

you chuckled, "i've told you i was always a fan of racing. so of course i'd end up with a tattoo of it." you rested against him, "i also have another one."

he replied, "and i thought that you were the innocent one."

you snorted a laugh as you flipped the pancakes in the pan, "oh please. unlike you, lando, i didn't have photos taken of me of every moment of every day. not everything needed photographic evidence."

"ah, well. i'd love to see you drunk at a club." lando remarked with his lips near the back of your neck, "now where's this other tattoo?"

"maybe after breakfast you can find out." you replied as you got the next pancake onto the plate. but lando was impatient with that sort of things. and he leaned over you to turn off the stove. and when you tried to swat him away with the spatula. you ended up over the counter top next to the stove. you could feel the heat of the appliance near by.

"mmm, aw, c'mon, beautiful. show it to me now. i wanna know all your dirty secrets." his voice was seductive. and while you held the reigns, lando know how to curl his hand in them as well. he leaned over you, his clothed hard on rubbed against your clothed behind, "i bet it's a tramp stamp. awww, dirty girl."

you moaned with your flushed face against the counter. damn lando norris, damn him. you replied, "it's not a tramp stamp. i've never been that drunk. it's on my bicep." and yelped when he got your shirt off over your head. his hand instantly touched your right bicep.

"aw, well isn't this a cute little tattoo.. a little cow."

you replied, "maybe you should get a matching one." you shuddered and let out a soft noise when lando's hands reached to the waistband of your sweatpants.

lando kissed the inked skin and replied, "no, no. i think you should get another. lucky number four." he chuckled, "that would be very cute. maybe my intials right up against your collarbone." his voice tinged with affection and sexual want.

to see his girlfriend/assistant with his number and initials across his skin was an arousing thought.

you chuckled against the granite counter top, "mmm, you know more girls ask for a ring, right? a little less permanent than a tattoo."

lando dropped your sweatpants and panties to your ankles and spread your legs a little further. he grabbed at his hard cock in his own pants and replied, "that's why i want you to get it. after all, i consider your my number one fan."

you rolled your eyes, "just a fan, huh?" and when you tried to move away from the counter, he placed a broad hand at the middle of your shoulders and pressed you back onto the counter. you moaned a little.

"but you're so much more than that, babe. you're the light of my life. the keeper of my secrets. you're my lover and so much more." he pulled his sweatpants and briefs under his cock. he stroked it a few times at the sight of your pussy and smiled to himself, "you're everything and so much more."

"and yet you want to taint my skin, mister norris?" you replied before you chuckled. your back arched a little when lando pressed himself into you.

"mm, i want to taint all of you." he held onto your hips, "make you all might. head to toe. body and soul." he kissed the center of your back where you were still in your bra. you felt the shudder of pleasure course through you as he fucked you up against the counter.

"you sound like a possessive man, lando." you looked over your shoulder and winked at him, "maybe you could have my name on you. so no one gets the wrong idea."

lando beamed at you for a moment, "well of course, everyone should know the woman who keeps me in line. made me a good boy." he rocked against you a little faster and you rested your head back against the counter.

you blushed a little more. his words really made your stomach clench. you felt really amazing under him. he knew how to fuck you so good, he knew how to make your stomach twist in the best way possible. there was something about lando. despite the trouble he could and had caused you, you yearned for him. something so deep. it felt like it was in your soul.

"you're everything to me. in more ways than one. i'm so lucky to have you, beautiful." he moved against you. he leaned forward once more and kissed the back of your neck where the tattoo was.

the sensation of his lips against a ticklish part of you made you tense up. your cunt clenched around his cock and he groaned at the feeling. which only spurred him on to kiss your tattoo more. to hear your sweet moans as he continued to fuck you with a heat in his gut.

while you usually didn't have sex in the kitchen. but lando couldn't help himself with you. there was something about you that just pulled him in. he loved the feeling of you in his arms.

he knew from the moment you met, that he'd want to be in your life for a long while. you held onto the edge of the counter while he rutted up against you. you moaned against the cool counter top, your hot breath warmed the area of the counter you were up against.

you could feel your sweaty body hot against the counter while he fucked you with an intensity that it radiated through your body. your thoughts were full of your lover while he moved. the two of you in the quiet kitchen of your apartment.

you were supposed to start the morning with some breakfast. pancakes for you to share, but it was hard to do that when lando had you up against the counter with his cock snug inside of you. but you could barely resist your lover on the track or when he was giving you puppy dog eyes when you scolded him for forgetting to reply to an email or was late for a meeting. so all bets were off when you two were alone.

his continued to kiss at the back of your neck and you held onto the counter top even tighter. he could feel the excitement in his chest, which caused it to clench. he panted heavily against you. he even kicked under the tattoo, where you were still ticklish and it made you tense up even more.

lando could only imagine how loud you got when you got the tattoo. he kissed your shoulders and continued to rut against you. his thrusts were short and fast, but the mounting pleasure made you feel the heat in your core.

"i can think of some other tattoos for you, beautiful." he said, "you look good with a bit of ink on your skin. turns me on even more." he chuckled as he kissed at you more.

"i can't believe you didn't know that i had another one."

he chuckled as he held onto you tighter, "never looking at your arms when i'm making you feel good." he said as he kissed your neck, which made you feel even more turned on.

"well aren't you a romantic." you moaned as you felt the pleasure hit its peak. you held onto the counter tightly as you arched your back a little bit and climaxed around his cock. your noises were short and your breathing was heavy. your heart was racing and you cursed under your breath.

this spurred lando on. he continued to fuck you and you made such sweet noises as he moved himself against you. he could feel the tension in his legs and the jelly in his knees. for even as someone as strong as him, it was hard for him to fuck while standing up. but, if you were able to climax. then he was going to get his.

his pace didn't stagger, only quicken. he felt the thrum of excitement in his chest as he moved. he kissed your back once more. with a few more thrusts, he pushed himself up inside of you. and finished inside of you. he groaned and said, "you're my girl." as he came.

he slowed to a stop and he kissed your cheek with a deep affection. you giggled a little. when he pulled out and got his cock back into his sweatpants, you still laid against the counter for a moment.

you exhaled deeply before you said, "you better help me finish the pancakes." before you reached for your bottoms. if he was going to give you mind blowing orgasms. he could at the very least help make breakfast.

-

there wasn't much affair when it happened. after a successful weekend in silverstone. you walked up to meet lando. he noticed a bandage behind your ear. it wouldn't be until you got to your next location that you'd show lando what was under the bandage

it was small, mostly covered by your hair. but lando say it as clear as day. the lucky number four, inked onto your soft skin. <3

the checkered flag tattoo

the cow tattoo

[nmr0709]

Night of Secrecy

I actually started playing the game because of this wonderful person's edits of social media and finally caved.

This memory was NOT what I initially expected of Sylus tbh. Given the way he's portrayed popularly in media , I was very pleased with this memory. ( Also first major kiss card counts, Abyssal Blossom was a teaser)

First off, the relationship between mc and Sylus has improved. Vastly compared to their initial response to each other- Major improvement and mutual respect and care for each other. Kudos!

This memory has such sweet tones- from the start- the domesticity and trust of mc to have Sylus use her apartment as a safe space. Like fr goals man

( and Sylus doens't trust anybody easily- cue to Luke and Keirans's backstory)

And Canon Sylus bumping into doors as he's too tall. Him accepting her place and adjusting to his best to a more sedate lifestyle to match hers? Beautiful.

Bonus him showering and using all her bodywash

like man. We love you but plss

Their constant banter is also something that has become they feel like they've been togather for years ngl

Cue him picking her up from work, giving her a scare for being recognised, and then heading to a supermarket. So so so househusband coded.

Mc being very well versed in how to handle him and prepare for his eventually leaving and sneakily find out how she could join him? Absolutely. No doubts he'd do the same as well.

Sylus is an absolute sweetheart and green flag. Like

my man. I will die for you in every way possible.

He always always puts her first. No matter what.

He embodies absolute devotion and worship in a way thats difficult at first glance but

look at his eyes and tell me he's not lying.

The kind of love where he'll sacrifice everything-even himself- for your sake.

Consent king. Care king. Comfort king.

Him being absolutely feral with the extent of his passion and love. But still gentle enough?

The hands. The arms. The kisses. The bites. The caresses. His blush.

Tell me he'll love so thoroughly that there'll be no doubt at all at the end of it.

And the fact that they can resonate( finally) at will without any issues? That mc actually reciprocates his intertwined palm? Gorgeous.

I canon he has a major hand kink and perhaps sensory deprivation.

Sylus also checks thrice for consent. Here's a man ready to do anything for you and your convenience. Don't like it? Dropped without even a second thought.

Bonus?

The both of them just getting back into their mission mode against Ever and him not being surprised she figured out his mission and played with him. And decided to join him at the last minute.

Mr and Mrs Smith vibes anyone?

The end note?

Hella sweet and spicy memory. Absolutely beautiful and just right. Really glad to see the progression of the relationship from hatred to trust to love.

Thanks for joining my rant about this hunk of a man who I would absolutely drop everything for.

[brf-rumortrackinganon]

I always used to wonder how Meghan is seemingly able to get away with so much bullshit she pulls everywhere she goes. I never understood why/how marrying someone powerful (or in this case, someone from a powerful family) enabled her so much. When the Blake/baldone situation exploded some people were making the same kind of argument about blake too , that she is absuing the power she has from being married to Ryan and ut has gone to head and she is trying to manipulate the situation.

Again, I like most, believe that women should support women. But inwanted to understand the power dynamics about blake, the bigger star and also a producer, working with a small time production house and first time director.

Then a couple days ago I came across this podcast on Spotify, called Reality Bites. It has a 6 episode (for now) series on the it ends with us situation. They do not discuss the lawsuits or accusations or debate the merits of the SH claims. Instead, they did a deep dive on the power dynamics behind the scenes during the making. Mainly, the star power of blake and Ryan, their (proven and spoken) ambitions about their careers and the decisions they have made in their careers recently, but most importantly the role the studios played in this whole saga. Along with the personal motivations of the PR reps and WME in creating/causing/escalating this situation between blake and baldoni.

I'll say, I had not heard this angle before, nor had it explained so well so far. The 2 ladies are producers of reality shows so they know the inner workings and know what they are talking about. If anyone is interested, give it a listen.

Some highlights for me :

- how scooter Braun may be tied up in this

- WME played a key role. decided to fire baldoni not because of the accusations but because they decided to go with the bigger fish, Ryan and his production company+ blake

- baldoni was very out of his depth from the get go

- blake had made a SH complaint against her make-up artist back in 2017 during MeToo, so she knew how to go about things and how/why to get SAG involved. So, why didn't she doesn't it this time when the SAG strike happened and they were fighting for the same kind of workplace rights at the time?

- blake pushed to get a PGA certification for herself instead at this time. She bulldozed Sony,wayfarer,baldoni and heath for letters for recommendations. After Sony and wayfarer refused because her involvement wasnt upto the mark. Then she blackmailed baldoni and heath personally saying she would back out of the movie. They agreed under duress and company communications from that prove this.

- she did not allow him to sit in on the initial editing process by himself with the editors, as per the rules of the DGA, which allows him to get a director's cut ready. She barged in from day 1, negotiated for a 2 day editing input and access, stayed for 10 days, and later stayed back in the editing rooms by herself. Later brought in the editor from Ryans movie and fired the actual editors. Changed the music score, fired the original music composer and made her own cut. Which as per DGA rules is not allowed. (There can be only 1 cut) And convinced Sony to show competing cuts to test audiences. She promised to agree to whatever the test results said but then later blackmailed Sony saying it she won't do promotions.

- apparently Ryan has previously done a similar things for Deadpool 2, where the original director then later left the franchise because of ryans harrassment. So they did the same on this movie for blake.

- the NYT article and how it came about is explained. And it's insinuated that it's a pr hit job.

- it's insinuated that Blake made baldoni sign a no- retaliation clause, per which, he wasn't allowed to say anything at all about her. He signed it as a sign of good faith when they resumed shooting after the strikes.

- all the claims she sites are from the period or may/June 2023, before the strike happened. And she never said anything at all to SAG or the producers. She was also a producer so she was in the place to make changes happening if the work environment was hostile. But she did not. Instead she started over extending budget, got involved in areas where she wasn't contractually obligated to and over ride Justine all over.

- she and Ryan both bullyed Justin and Wayfarer, going over his head to Sony all the time. Justin was under immense stress and it was do or die situation for him because he just wanted to make the movie and agreed to everything that Sony and Blake demanded of him.

- she orchestrated a smear campaign against Justin way before the public had any hints of strife between them. She did this knowing that Justin was legal bound not to say, do anything about it.

- WME played a hand in the marketing strategy for the movie, especially the placements of blakes hair care brand, alcohol brand etc. Sony's agreed to message was "Hope", extending to resilience. Not florals. That was all blake. Justin did use the word "hope" in almost all his interviews.

- they speculate that all this is make baldoni give up his rights to the 2nd book due to sheer public pressure, so blake can help that project. On another note, WME has recently signed up with collen Hoover for her new book. Colleens initial contract with Justin may include a clause that allows her a right to refusal or voiding of contract incase of any reputational damage caused by baldoni. This 2-fold strategy gives blake a better chance of acquiring the book.

- Ryan based the character of 'Nicepool' in his movie on Justin - the manbun, feminism spouting, goody-two-shoes. She eventually gets taken down by ladypool, Blake's charactor (her voice). This apparently happened right after Justin signed the "no retaliation clause". It's symbolically shows blake destroying Justin, and that was ryans whole idea. The lawyers could prove this with the receipts they have.

- Sam Jones and Blake's pr rep played a huge role in this saga. It was a personal vendetta between Sam Jones and Jennifer able that may have caused baldoni to become collateral damage. (Jones believed that Able may have been behind the articles exposing Jones for her horrible boss behaviors and misusing client info. The articles and a website, why Sam Jones lies, came out last year that damaged Sam Jones reputation amongst her clients. So she fired Jen for that and further pursued this vendetta by aligning with blake in taking down baldonis reputation. Jen is widely believed to be the whistle blower in jones' take down)

...

I know this is not the usual fare for this blog but you've been saying we've all had too much of HnM. And I agree. This topic got me really interested when I started reading up the documents. And looking at blake, I can see Meghan may even operate. The way she got p.morgan fired, how she got hold of all those female senators' personal phone numbers. How Harry tried to bully the NYPD into arresting the paps and tried to get those included in his lawsuits. It's amazing how much power the right contacts - PR agents , WME etc - have.

So, anyway, anyone else interested in the unending saga of This Ends With Us? Or is it just me?

Thanks!

There’s a lot of people interested in this who I’m sure will enjoy this. I’m not posting on Blake/Justin anymore because it’s too messy for social media and not something that can be easily discussed.

(Scooter is involved because he’s a partner in the PR firm that Justin is signed to.)

A few other recent developments for everyone who is following this:

1. Justin’s lawsuit against the New York Times means one thing: evidence discovery. He’s after something in evidence discovery that he doesn’t think will come up otherwise. My guess is that his lawyers are hoping discovery reveals a coordinated scheme between Blake, her PR, and the NYT against him since the basis of Justin’s lawsuit is that he wasn’t given adequate time to respond to NYT’s reporting.

2. Blake filed her lawsuit against Justin on December 31st. Blake hasn’t sued anyone yet. She filed a complaint with a labor board, which is a precursor to a lawsuit, but the lawsuit hasn’t happened yet.

3. Ryan Reynolds gets more and more implicated and embroiled in this the more information that comes out. I don’t think this will end with his reputation fully intact. There’s been some gossip that he pressured some of the IEWU actors and crew that defended Justin to switch sides by threatening to blacklist them from future work in the industry.

4. Blake is now complaining that her separate companies/brands are suffering (ie losing money) and she believes the loss of sales is because of Justin’s PR’s smear campaign.

5. Blake has shut down some of her social media accounts, including TikTok. I’m guessing the comments weren’t what she expected.

Like I said before, I won’t post on this anymore since it’s too messy for social media and while I do stray into entertainment/Hollywood topics from time to time, this has evolved so much that it’s out of my depth now. Sorry.

—

(Meghan got away with everything she did because she immediately made it about race, and then exploited it with PR tactics. The whole premise of the KP love shield is that she was being harassed because of her race.)

Edits

[kinsfics]

we fell in love in the middle of nowhere – steve harrington

▶︎ NOW PLAYING: middle of nowhere by frawley

⸺ summary: Hawkins, Indiana was never enough for (Y/N). She had big dreams and an even bigger future ahead of her. Everyone always said she was destined for more than the small Indiana town could ever give her. She could only hope Steve was too.

⸺ author's note: I'm gonna be editing/rewriting and posting all of my stories that were on my old account onto here since I have no inspiration to write anything new right now lol

We used to meet up at the park

We knew the shortcuts all by heart

Raced to the top of the swing set

To escape the town that we lived in

We fell in love in the middle of nowhere

“You sure took your sweet time, Harrington,” You say as soon as you see the unmistakable head of hair belonging to the one and only Steve Harrington.

“Sorry, babe. You know how long it takes to get this under control,” he says with a smirk, gesturing to his hair. He strolls over to where you��re sitting on the swing and stands in front of you. You stand up to greet him, and he takes you into his arms. Leaning in as if to kiss you, he whispers, “Race you to the top of the swing set,” before taking off.

“Cheater!” You yell, running after him. You catch up with him and watch as he stands victorious at the top of the playground. “No fair,” you pout at him. Steve laughs before reaching toward you to brush a strand of hair that had fallen into your face. He stares into your eyes as you struggle to catch your breath.

“I love you, (Y/N),” he whispers, staring into your eyes. Before you get a chance to respond, he’s leaning in and kissing you.

I always hated that small town

I couldn’t wait ‘til I got out

Couldn’t drive but I had some car keys

And you promised you would come with me

But you stayed in the middle of nowhere

You and Steve had the time of your lives that summer. But there was always the desire for something more. You had been ecstatic when the chance came for you to get out of Hawkins, Indiana.

“Your parents bought you a car?” Steve gawked, making you laugh.

“Yeah, it’s a present for graduating with straight ‘A’s,” you explained, holding up your car keys.

“You don’t even have your license,” Steve frowned, and you rolled your eyes.

“I will soon. And when I do, I’m taking this baby and getting the hell out of this town,” you said, looking longingly at your new car.

“You know I’ll follow you anywhere,” Steve had promised, punctuating it with a kiss to your cheek. But when the time came, you drove away in your new car, leaving Steve in your rear view mirror.

Tell me how we ended up miles apart

With nothing in my bag and only half a heart

I knew that it was stupid

But I just needed a change

As you stand in a new town, unfamiliar faces all around you, you can’t help but wonder how you ended up so far away from the boy you loved. Dragging your near-empty suitcase behind you, you leave the airport, leaving more than just your old clothes behind.

Now part of me is sitting in the place we met

The front seat of your car smelled like cigarettes

I guess I kinda loved it

‘Cause it’s etched inside my brain

Sitting in the cab on the way to your new apartment, you can’t help but think back to a better time. A less lonely time.

“Those things will kill you, y’know,” you say, watching as Steve takes a drag of his cigarette. He shrugs but takes it out of his mouth and flicks it out of the window.

“Better?” He asks, one eyebrow raised in question.

“Much,” you say, leaning in to kiss him. You could still taste the cigarette smoke on his tongue.

I tried to change

To be someone new

So I went to Paris to be in a city

That’s time zones away

Now I’m up ‘til two (I’m up ‘til two)

I made it all the way, but it’s no use

My heart’s in the middle of nowhere with you

Paris was the opposite of Hawkins. Filled with bustling crowds of people, unfamiliar noises, and cars racing past, you can’t help but wonder what the hell you were thinking. You had told Steve you wanted a change. You didn’t want to be the girl with big dreams who never made it out. But now, as you lie awake in bed at two in the morning, you can’t help but wonder if it would have been all that bad to stay in the middle of nowhere with him.

[malinowaj]

2024 fandom review

thank you for the tag @nerdyfangirl76 and @almostlake 💜

warning: this got really long

fics written

in 2024, i posted 3 finished fics and one currently on-going WIP. in total that was 122,542 words and i keep looking at that number in complete disbelief.

i started the year by saying, multiple times, i'm not going to write anything because it's been nearly a decade since i wrote for fun. then i had an idea and was all "well, maybe if i wrote this one short thing, posted it and then dipped never to be seen again". insert my friend laughing at me at regular intervals because we all know that's not what happened.

always losing to win is very dear to me, for several reasons, and it'll never stop blowing my mind how many people have read it and been on that journey with me.

fics read

my AO3 history is about 300 fics, but i did not sort out my logins until months into the year, so the actual number is probably somewhere closer to 350.

i tried to pick a few favourite fics i read and limiting myself to just these is hard. i regret to say none of these have received the praise, comments and love from me that they deserve, because it took me months to get over my comment shyness. but i hope this makes up for it a bit. (new year's resolution: more comments for everyone.) in alphabetical order by title:

almost is never enough by @in-amor-veritas

there's a scene in this with kent's 747 that i have the strongest, plot-wise most insignificant headcanon about and i think about it every time i hear the song. which is often. and then i end up thinking about the whole story.

another dose by stargazers

it's such a beautiful version of wilmon, because it's so them. and it's hot.

chasing our sunlight by fitz_y

if there ever was a fic that lives rent free in my head, it's this. the way it deals with so many heavy topics has made me cry, but it's such an incredibly crafted story i come back to it often.

forever i'm yours by @goldenwilmon

the way the fall in love in this one? hands down one of my favourites ever. whenever i need some fluff and happiness in my life, this is the one i go for.

little light by @unfortunate17

possibly one of the first, if not the first, wilmon fic i read in 2024. it broke something in me, but also healed something in me.

reckless abandon by @zee-has-commitment-issues

i absolutely love the concept and the way all the characters are so well-rounded. one of the fics i could not stop reading and can't wait to read again.

so loaded, eye low by @enjoythesilentworld

the chemistry, the angst. the sweet, delicious angst. and hot as hell.

where be left off by @gulliblelemon

the best way for me to fight some physical pain? some emotional pain. and this one has it, in the best, most beautiful way. very few fics have i devoured like i did this one.

the wolf comes home by @phneltwrites

after months, i still keep thinking about a particular line in this one. the trauma aftermath, the way they deal with it. also my favourite established relationship wilmon.

looking forward to in 2025

i can't wait to read and see all the amazing fics and gifs and edits and everything this fandom comes up with. i already know there'll be so many wonderful things i'll enjoy.

as for my own writing, i'm trying to get a good chunk of hope and legacy written before the insanity that'll be my life from late january to the end of february. (no context chapter 4 spoiler: simon steals a flag.)

there is also in from the cold, the espionage AU i have about 10K written for - and that's barely the beginning. i don't know if it'll ever see the light of day, but i do love the concept and all the research i've done for it.

i have been thinking about space wilmon lately, and while i said i'm not going to go down that road myself, i did remember a few lines from record of a spaceborn few that may have sparked an idea. it might become something one day, or it might never be more than the few disjointed lines and ideas i have typed in my notes.

there's also a file with a list of songs that i might want to build stories around. in general i have a lot of ideas, but very few of them might become anything. i'd like to put it down as "english is not my first language so writing is slow" thing, and while it is that too, it's mostly me being a perfectionist and not able to let go. (which is why i should probably have a beta telling me 'this is fine, go post it'. if anyone feels up for doing that...)

the biggest, warmest thank you to everyone who's read anything i've written, left kudos or comments, sent messages, in any way engaged. it has made my year, and this fandom experience so special 💜

not tagging anyone, but if any of the authors i mentioned haven't done this yet and would like to, i'd love to read your reviews.

[haileycantcometothephonern]

Scars

Spencer x fem!reader

Prequel fic to this part (but can be read alone)

CW: pregnancy, kidnapping, torture, angst, also a little bit fluff. (not proofread)

___________________________________

18 months ago

You felt the kicks before you felt the warm sun rays waking you up from your deep sleep. Your baby has been quite excited, you can tell. She is keen to meet her mom and dad, it seems. You open your eyes slowly and crack a smile at your very pregnant belly.

Sydney. That's what you both decided her name would be. Such a pretty name really. You immediately got up to make yourself some breakfast as your daughter isn't so calm when she starts to get hungry.

You then remember the absence of your husband. You really hoped he would be here before next week, as that's when your due date was and your daughter might come out any moment now. You didn't want Spencer to miss such a pivotal moment of your child's birth. You knew how much he looked forward to it.

As you make yourself some breakfast filled with all kinds of nutrients, your mind goes through all of your pregnancy journey. Spencer and you have always wanted to start a family and you were blessed with your angel a few months ago. You were both equally excited about the new edition to your family and made sure to do thorough research about how to ensure that she's safe and healthy.

Spencer was also very present these past few months, putting his foot down when he is needed here by you or your daughter. You really appreciated his support throughout your pregnancy but since a few weeks he has been quite busy. You understood that he can't keep putting off work to stay with you, but you also wanted him to do that for you. Maybe it was selfish, but you were also on the verge of giving birth to an entire human and you wanted your husband there to support you.

You thought back to the call with Spencer last night as you had your breakfast and wondered when you'll get another update from him. You eventually realized that you're focusing on him too much and he must just be really busy saving lives, so you ended up watching some movie on the TV.

Ring. Ring.

You were jolted awake from your morning nap by your phone's ringtone. You immediately hoped that it was Spencer calling to tell you that he's home bound.

"Hello"

"Hey, baby! How are both of my girls doing?" Spencer sounded tired.

"We're doing good, would do better if you're here with us though." You pouted.

"I know, love. I'm already on the jet, and wanted to check on both of you before we started. Will be there by evening." He sighed into the phone and you can feel him physically relax his shoulders. The case must have been a tough one, well tougher than usual anyway.

"Oh that's great news. I'll start on dinner soon. Love you baby, say love you to papa syd." You tried to make Spencer feel a bit less stressed and you honestly felt really glad that he'll be home soon.

"I love you both, stay safe until i get home." Spencer parroted back, and you can hear the caution in his voice.

You suddenly remembered that you forgot to inform about your doctor's call last night.

"Uh Spence, Dr. Min just called me yesterday. She wanted to see us tomorrow, I told her that I'll let her know if we can after I spoke to you today."

"What did she want to talk about? Is everything alright? Are you okay? Is Sydney okay?" He immediately questioned with worry.

"Yes, yes, we are completely alright. And Dr.Min did not tell me what it was about as she had some emergency and ended the call urgently. But I'm sure it's nothing serious." You said with a doubtful tone, you didn't want him to overthink it during the whole ride.

"It's okay, baby. I'll call Dr.Min, and ask her what it's about. Just take care." Spencer tried to reassure you and ended the call as the pilot was ready for take off.

You ended up taking another nap while snacking on some fruit platter as you were still full from your breakfast when you were once again woken up by a knock this time.

You checked who it was through the peephole first, Spencer instilled this cautiousness in you. It was just some delivery guy, maybe it was the new blanket you ordered three days ago for Sydney.

You excitedly open the door and were about to take your order when the delivery guy is pushed aside and you are being dragged out of your house by two really burly men. You wanted to scream, but they had their guns pointed straight at your belly. You gulped and cooperated with them.

"What do you guys want?" You tried not to sound so scared.

"Your husband knows what we want. Don't worry you'll get out of this unscathed if he listens to our demands." One of them replied and pushed you into a black jeep.

After that your memory goes pretty hazy, as you assume that they drugged you. You regain consciousness after a while, you don't know how long it's been but it was darker outside. You can see that through the only basement window in the room that you were held in. Yep, that's definitely a basement that you were in. You weren't scared as you had complete trust in your husband and his colleagues. You trusted them to save you and your baby.

You then heard some voices from outside the door. You remembered one of the voices was the man who brought you here. Just as you were about to concentrate on what they were talking about, the door to the room opened. In walked the two men who kidnapped you.

"Dr. Reid, as promised. Your wife is here, unscathed. Just get us that plane, our money, and Jason. We'll be out of your hair." He screamed into the phone, you assume Spencer is on the other side of.

"No I'm not going to do anything until you let me talk to her." Spencer tried to sound as neutral as he can, but even you can sense the fear in his voice.

"Alright, suit yourself." The kidnapper placed the phone near your ear. "Speak."

"Hello, Spence?"

You could hear the relief in his voice when he asks you to stay strong like you always do and that he'll be there to get you soon.

"Everything will be alright, baby. I'll be there."

And you believed him. Because why wouldn't you. You believed him with your whole being. You believed him. You made that choice. You let him deceive you. You let him deceive not just you, but also your daughter.

Spencer wasn't there. He wasn't there to save you. He wasn't there to save Sydney. He wasn't there when they cut you. When they left bleeding to your death. When they left Sydney to die with her mom. You still don't have complete memory of what happened after the call.

BAU unlike every other time, failed to deliver on their promise and failed to save you or Sydney. The kidnappers tried to get what they wanted by harming you, thinking that'll motivate the BAU to submit to their demands. But this time, the kidnappers were wrong.

Spencer found you that night, almost at the verge of dying. His heart stopped at the sight of you. Multiple cuts on your arms and your collarbone. One large gash on both of your wrists, blood flowing out uncontrollably. If only they were a bit faster, if only Hotch would have agreed to their demands. He knew that he couldn't blame anyone else but himself for what happened that night. He stayed by your side at the hospital until you regained your consciousness.

"Spence, What happened? Where am I? Where's Sydney?" Your frantic voice woke him up from his seat beside your bed. He looked like he'd been through some kind of apocalypse, maybe he was. His hair unwashed and disheveled. His beard, unshaven. His eyes, sunken, surrounded by pigmentation. He looked like he was crying non-stop.

Your thoughts immediately went back to that night.

"Sydney. Where's Sydney, Spencer?" You asked cautiously.

He looked like he was on the verge of tears and held your hands. His lips opened and closed, and tears started streaming down his cheeks.

"No, no, no. It can't be. No, not her. Spence." You were beyond frantic now. The tears came first.

You didn't want to believe that she was no more. Your love, your angel, your baby. Your Sydney.

You sobbed and sobbed and hiccups echoing off the hospital walls. Throughout it all Spencer held you, letting you express your grief. He had his time, although he thought no time could heal this wound. He wanted so badly to redo everything.

The BAU had all visited you and him, offering their condolences. Hotch showed up too, expressing his regret and guilt. Spencer assured him that he doesn't hold anything against him. You didn't reply to anyone. Not him, not his mom, not your parents, nor your friends. You didn't have anything else to say. You didn't know what one says when they feel like their soul has been snatched away. Their voice had been hijacked. Only thing you can know and feel for sure was the ache in your heart and the emptiness in your womb.

Days passed away before you knew it and it was finally time to go home. Spencer packed everything up from your hospital room and called out to you.

"(Y/N), It's time to go home baby." He whispered slowly placing his hand on your shoulder.

You looked away from the windows and towards him. Yes, nobody is at fault except Spencer. It was him who promised to keep you and your baby safe. But he was nowhere to be found on the day you actually needed him. He was the one who caused all of this. Your brain, filled with grief couldn't decipher what it was thinking or where your thoughts are taking you. You knew only one thing for sure, you wanted to hurt someone. You wanted him to hurt.

"Spencer you killed her. You killed my baby." Your voice was barely a whisper, you almost thought he didn't hear you. But the way his eyes dulled and filled with guilt showed you that he did hear it.

"I'm sorry. I'm sorry, baby." He said, he sounded wracked with guilt. He started sobbing.

That was the first time in a few days you felt some kind of sick relief. A part of you ached at seeing him like that. But the sick satisfaction over took every other feeling.

"Spencer, I'm going to hurt you until I can find peace. I promise, and I don't break them like you do." Your voice was filled with vitriol. Spencer never even imagined that you could look at him with such hatred in your eyes, but he was proved wrong today.

He knew he was going to be blamed for everything. And he blamed himself too. He was okay with taking everything from you, because he knew behind all that hatred and vitriol, there was love. So he was willing to be your punching bag for however long you want him to be.

You realized that Spencer was going to accept it. And you knew you were just getting started. Maybe this will end up hurting you both, but you felt like that's what the two of you deserved in the end. For failing to save her. Your Sydney.

_______________________________________

a/n: Not that satisfied with how this turned out, wanted to write fluff but it turned out into angst 😭😭. anyways i'm thinking of writing a fluff series next and maybe an angst one too. deleted one on my old blog, want to restart it.

[tapwater118]

bfdia 17 and tpot 15 spoilers

bfdia 17

needle’s votes were counted separately, which means pencil is out, which is sad but also funny because now she gets to host with the rest of the wtfers. oh yeah they get to host now! i love that, also balloony just warpdriving out killed me. loved the mini freesmart reunion

fries actually taking the immunity was also a welcome surprise, we didnt really need pin to get tortured more this late in the season. i also guess at this point there isnt really gonna be a merge so much as a bunch of singleton teams, buts thats fine imo. coinpin :)

loved all the little cameos in the mall, very fun. also leafy! didnt really have too much screen time but oughhh they were teasing her for so long i almost lost hope. so very close to the first ever bookleaf interaction

the main event of course is tennis ball and nickel’s excellent adventure. if i had a nickel for every time a random donut line from bfb was justified by bfdia i would have two nickels: past nickel and future nickel. its nickel’s fault gaty got eliminated btw he lured that bug up there. he also caused all of tpot 15 by kicking the yoylite into the future so THANKS BUDDY

overall very funny episode! as much as i hate to say it i think needle is going to go here, she was very close to elimination last time and she also didn’t really have much to do this time. nickel is also a solid possibility due to him destabilizing the fabric of spacetime, which sources tell me is not a very “cash money” thing to do

anyway time for The Horrors

tpot 15

nickel i am going to throttle you

i predicted basketball was gonna be out but it doesnt mean im happy about it. also tree staying in over robot flower was a shock, i thought people really liked her?? poor thang her self esteem is in the toilet now. at least they got to fly away on a dragon to get lesbian married together

i love love love how theyre using the rejects more its wonderful (the pda short was definitely a test to see if people would like the rejects as characters im sure of it). itrd trying to replace firey to make himself relevant inadvertently made relevant from people editing him over firey i love it

ive seen people say they dont like the time travel but me? im eating this up its so good, wonderfully silly depiction of the butterfly effect, its perfect for bfdi. the host continuously being changed was a wonderful bit, and host with a screen! there were so many callbacks for the bfdi geeks in the crowd (me), i hope they do more with the tfi style it is so nice to watch

PENCIL CRASH OUT ARC TO RING IN THE NEW YEAR HALLELUJAH thank you one for getting her on the show. actually this crash out and the resulting timeline devastation is the exact reason one rigged pencil to get it. poor pencil man she needs friends

the finale of the episode with everyone huddling together as reality falls apart honestly got to me. icy running over to me with book is everything to me. her last moments and she chooses to spend them with book sndbejuxhsbansn

ok uh elimination predictions probably tree from dpya but maybe marker?? idk maybe his fans wont like him green. from team two i would like it to be grassy but i know hes gonna get the most votes again somehow. sorry taggy it might be your time to go

idk how to end this

[stayycalm]

i have a Request! could you write a little short about Hyunjin and Fem Reader? maybe something where Reader is in paris and taking picture of the beautiful scenery and ends up taking a picture of Hyunjin? but like they dont notice till they are back at their hotel? and then they are admiring the beautiful stranger and they cant sleep so they go out on their balcony to look at the beautiful lights but little do they know a wandering Hyunjin is outside looking for inspiration for drawing/paintng and when he sees a mysterious figure on a balcony hes enthralled by their silhouette? he hurries back to his room and begins to sketch right away and he wonders who the beauty was, and then they end up meeting? sorry this is long but i really want to know how you'd write this!!

ok, first of all, I want to deeply apologize, anon, because I'm just now finding this ask??? it's been in my inbox for a year?? so please accept my deepest apology and enjoy this! 😭

Drawn to You by stayycalm

The streets of Paris hum with life as I sling my trusty Canon Rebel T7 over my shoulder, ready to conquer my ambitious agenda. Two weeks here, and yet, the city’s allure hasn’t dulled a bit. Every street corner, every café, every wrought-iron balcony layered with Gothic spires or curving Art Nouveau façades feels like a treasure to an aspiring architect like me.

On this second-to-last day, I’m determined to make the most of it. The itinerary, planned by a finance teacher who wouldn’t know a flying buttress from a baguette, has been criminally devoid of exploration. I mutter under my breath, “How can anyone come here and not explore?”

I pause at Pont Alexandre III, lifting my camera to capture the graceful curve of a bridge flanked by its gilded statues, glowing in the soft morning light. Click. I take another, angling for the perfect shot of a bride crossing with her billowing white train, the Eiffel Tower rising in the distance.

As the day unfolds, I let my instincts guide me. From the serene paths of the Tuileries Gardens to ornate windows with their curved frames, I capture it all. Then, just as the sun begins to dip low, its golden light casting long shadows across the city, I find myself facing the Eiffel Tower. Its iron lattice glows with a warmth that takes my breath away. I can’t help but do a little happy dance as I check the shot in my viewfinder, triumphant.

A text buzzes from my phone, snapping me out of my euphoria. It’s my roommate, letting me know she’s heading back to the hotel. Sighing, I tuck my phone away and begin the trek back.

Later, I sit at the desk in our room, my hair wrapped in a towel from a much-needed shower. My laptop hums softly as I transfer the day’s photos. One by one, they fill the screen, and my excitement grows with every frame. I start editing, erasing stray tourists and clutter from the pristine geometry of my shots, until I reach the final picture.

My fingers hover over the trackpad as I zoom in on a figure in the background. He’s leaning casually against the bridge railing near the Eiffel Tower, his silhouette partially lit by the fading sunlight. His dark hair falls just past his shoulders, and his profile—what little I can see—is striking.

“Wow…” The word escapes me, barely a whisper.

“What are you oooh-ing over?” My roommate’s voice startles me. She emerges from the steamy bathroom, her towel-turbaned head tilting as she raises an eyebrow at me.

I jolt, fumbling to close the photo. “Oh, you know… buildings.”

She rolls her eyes dramatically. “Only you could get off to a building.”

I snort, but the heat rises to my cheeks. Turning back to the laptop, I save my edits and close it, needing an escape. “I’m stepping out for a sec,” I announce, grabbing a cardigan and slipping out to the balcony.

The air is cool, and the city stretches before me, a sea of glittering lights. With the sun gone, Paris seems transformed into a constellation fallen to earth, each light twinkling like a star. I lean against the stone railing, letting the sight fill me.

It’s moments like these that make Paris feel like a dream—a city so alive, yet timeless. A city of romance, indeed.

Hyunjin's POV

The sharp click of my shoes against the marble echoed through the Versace store as I stepped out, the heavy glass doors swinging open. A wave of flashing lights greeted me, relentless and blinding, a cacophony of voices calling out my name—professional photographers and STAY alike. It was always surreal, this paradoxical familiarity. I didn’t know a single face in that sea of people, yet they all knew me, or at least the version of me they thought they knew.

My lips curled into a smile, practiced but genuine in its intent. The sunglasses resting on the bridge of my nose shielded my eyes, but they couldn’t hide my gratitude. I raised a hand, waving to the crowd before blowing a kiss into the air. The gesture elicited a cheer, a ripple of excitement that followed me until I ducked into the sleek black car waiting at the curb.

Inside the car, the energy of the crowd faded, replaced by the hum of the engine and the muted bustle of Paris beyond the tinted windows. When we pulled up to the hotel, I took a moment to shed the Versace image. Gone were the statement pieces; in their place, a plain hoodie, jeans, and sneakers.

Tonight, I wasn’t Hyunjin, the idol, the "Versace prince." Tonight, I was just Hyunjin—an artist looking for inspiration in the heart of Paris.

The city’s streets welcomed me with their usual charm: cobblestone paths, golden streetlights, and the murmur of life flowing seamlessly between its residents and visitors. It should’ve been easy—a city as alive as Paris practically begged to be captured in art. Yet, as I wandered through alleyways, past street performers and cafés spilling over with laughter, nothing reached out to me. The fire I sought remained elusive, a spark I couldn’t ignite.

The Eiffel Tower loomed in the distance, its iron frame bathed in the amber glow of the setting sun. I found myself on a bridge, leaning against the railing as I stared out over the Seine. The water reflected the dying light in shimmering streaks, and the Tower cast a long shadow over the city.

“Where are you?” I muttered under my breath, the question aimed at no one in particular. A sigh escaped me as I pushed off the railing, shaking my head. Inspiration had never been this difficult to find before.

By the time the sun had dipped completely below the horizon, Paris transformed into a city of light. Neon signs buzzed, music drifted from open windows, and the streets teemed with energy. But even in the midst of all this vibrancy, I felt disconnected. My steps slowed as I glanced around one last time, taking in the tourist shops and the occasional artist sketching caricatures on the sidewalk. Still, nothing.

Frustration prickled at my skin. I tilted my head back, closed my eyes, and ran a hand through my hair, exhaling sharply. When I opened my eyes again, I froze mid-step.

She stood on a balcony a few stories above me, her silhouette framed by the soft glow of the room behind her. Her head was tilted upward, as if catching the glimmer of the city’s lights on her skin. Her hair moved with the breeze, framing a face so serene it made my chest tighten. The faint flush on her cheeks, the way her lips curved ever so slightly—it was as if she belonged to this moment, this city, more than anyone I’d ever seen.

For a moment, I couldn’t move. I drank in the sight of her, committing every detail to memory. Then, a voice called her from inside, and she turned, disappearing into the room. I waited, hoping she’d reappear, but the balcony remained empty.

Shaking my head, I forced myself to move. My steps were quicker now, my heart racing with something I couldn’t quite name. By the time I returned to my hotel room, the feeling had morphed into a need—a compulsion. I rolled up my sleeves, grabbed my charcoal pencils, and approached the easel I’d set up by the window.

The lines came easily, flowing from memory to paper as if she’d etched herself into my mind. The curve of her lips, the slope of her nose, the way her hair had danced in the wind—each stroke brought her closer to life. I worked with a fervor I hadn’t felt in weeks, adjusting, refining, until the figure on the page mirrored the one that had captivated me.

I stepped back, studying the sketch. She was there, but she wasn’t. I’d captured her image but not the essence—not yet. The fire was back, though, and I felt alive for the first time. In what felt like forever.

rubbed my eye, trying to wipe away the sleepiness threatening to overtake me as I leaned against the wall with the rest of my group. Whoever decided that 4 a.m. was a good time to fly needs to be smacked. Hard. My eyelids started to get heavy, and I began to nod off when a voice called over the loudspeaker announcing that first class for our flight could begin boarding.

I groaned and smacked my head against the wall, wincing at the dull throb that now pulsed in my temple.

"What's wrong with you?" my roommate asked, poking my side from the chair she sat in.

"I didn’t get much sleep last night," I grumbled, swatting her hand away and rubbing the sore spot on my forehead. In reality, I didn’t sleep at all. My mind kept thinking about the beautiful stranger in that photo. Was he a tourist? What was his name? Was he that beautiful up close? These were the questions that kept me awake until we had to head to the airport, where I now stood miserably as the wealthy boarded the plane first.

"Screw the rich..." I muttered under my breath, running both hands down my face. Once it was our turn to board, my group got in line. I handed the stewardess my boarding pass. She scanned it, frowned slightly, then scanned it again, her brows furrowing. A pit grew in my stomach.

"Oh no," I thought as her eyes darted over the words on her screen. She turned her gaze to me and spoke. "I’m sorry, miss, but it seems we double-booked your seat..."

I felt like I was going to throw up. My face must have turned even paler as she continued typing on her keyboard.

"But it looks like I can bump you up to business class, if that’s alright with you," she said.

My sleep-deprived brain barely processed her words. I just stared at her for a moment as she added, "Free of charge, of course, for the trouble."

I swallowed the lump in my throat and nodded, unable to form words. She printed a new boarding pass, handed it to me, and waved me through. I found our professor and gave him the update. He gave me a thumbs-up before pulling on his headphones and lowering his eye mask.

I made my way to the business class section, searching for my seat. It was in the middle row, meaning I had another seat next to mine. But when I saw the amount of space I had, I didn’t care—as long as my neighbor didn’t mind if I snored a little. I plopped down into my seat after putting away my carry-on. Letting out a sigh, I pulled the provided blanket over myself, turned to one side, and drifted off to sleep before we even took off.

I woke up to the hostess asking if I needed anything to eat or drink. Blinking my eyes, I regained consciousness and asked for water and a snack. Once I had both, I sat up a little and took in the seat I was in. It was almost like a mini cubicle with a small folding table and a TV screen. To my left was the divider between me and my neighbor, who was busy drawing something on a sketchpad. I couldn’t see his face clearly because of the mask, hat, and headphones he wore.

My attention shifted back to my snacks as I pulled out my laptop to get started on more editing. At some point, I fell asleep again but woke up before they came around to deliver more food.

"Thank you," I whispered to the steward, who smiled and nodded before moving on.

"That’s a beautiful picture," an accented voice said behind me. I whipped around to see my neighbor looking at my laptop.

"Oh, thank you," I said shyly, setting my food down. I tried to ignore the flutter in my chest from his compliment as I continued to work. Out of the corner of my eye, I noticed him shuffle and take off his headphones and hat, but I averted my eyes before he caught me peeking. To distract myself, I clicked on the picture of the stranger and zoomed in slightly.

My neighbor made a choked sound. When I looked back at him, his wide eyes were glued to my screen.

"Are you okay?" I asked. He looked at me, then back at the screen.

"That’s me," he said, pointing to the photo.

My gaze darted to the picture and then back to him, my eyes narrowing. "What are you—" But before I finished, he took off his mask, and the words died in my throat.

Here, next to me on this very plane, was the reason I couldn’t sleep last night. I sat there, mouth open in shock, as he looked at me with an odd expression.

"Are you serious?" I asked.

He nodded. "Why do you have my picture?"

"I wasn’t taking YOUR picture." I clicked to expand the photo. "I was taking a picture of the Eiffel Tower."

His eyes widened, and his cheeks flushed red. "Oh..." His voice was soft as he apologized.

I nodded, and we sat in awkward silence for a moment.

"What are you drawing?" I asked, trying to ease the tension, pointing at his sketchpad.

He blushed more, tilting the pad toward me. "It’s just a sketch of a woman I saw last night," he muttered, avoiding my gaze. The whole time we’d talked, he hadn’t fully looked at me. I wondered if there was something wrong with my face. But when my eyes roamed over the drawing, I tilted my head in confusion.

"She looks an awful lot like me," I chuckled, knowing that wasn’t possible. But his eyes snapped to me, then back to his drawing. His mouth opened in wonder.

"Were you staying at Hotel de la Tour Eiffel?" he asked.

My laughter died. "Yeah... How did you—" My eyes widened as we both looked at his drawing. It was me.

"Holy crap," I muttered as he shook his head in disbelief. We looked at each other again.

"I can’t believe I found you," we said in unison.

We spent the rest of the flight chatting quietly about everything and anything. Soon, we were landing, and a wave of sadness hit me. I’d never see him again. Once it was our row’s turn to exit, I grabbed my things and turned to him.

"It was nice to meet you, Hyunjin," I said with a soft smile before slowly making my way down the ramp and into the terminal. As I stood off to the side waiting for my group, I heard my name being called. I looked around to see Hyunjin waving at me.

When he reached me, he blushed, clearly embarrassed. "Sorry about that. I just..." He took a deep breath. "Can I have your number?"

I gave him a shy smile and nodded. The smile he gave me made butterflies flutter in my stomach, and I thought to myself, I might have brought home something better than pictures.

[mythica0]

Dump of random epic stuff!

I’m making this because when I make individual posts of things like this they get like no notes. So! I put them together in hopes that it’ll get more attention!

First order of business, my new story board for wouldn’t you like, and some finished designs I haven’t posted yet! I’m aware the story boards are messy and might be hard to read, so just do your best!

On a relevant note, I still need some help figuring out how to draw a raft so I can do my storyboard for Dangerous! (And the rest of the vengeance saga, for that matter)

Next up, the fics in the works! I know I’ve said that I have a lot of drafts, but I’ve yet to say what they are! So here’s a list! (Title included if I’ve come up with one already)

-The Ruthless King: Ler!Ody, Telemachus, (edit: the suitors have some ler too, forgot to mention that) Lee!Suitors, Telemachus.- Odysseus alternate ending/more wholesome version!

- Switches Hermes and Aeolus- the two decide to have a tickle fight!

-Lee!Hermes, Ler Winions ft. Aeolus- during a hangout, the Winions decide some mischief is in order.

-Be Quiet!: Ler!Athena, Ares, Lee!Apollo- The war gods get irritated when Apollo plays his music to loud.

-Hey there, Handsome: Ler!Calypso, Lee!Ody- Calypso’s had enough of the silent treatment.

-Little Wolf: Ler!Antinous, Suitors, Lee!Telemachus- the suitors are bored, and mess with Telemachus.

-Nice try: Ler!Athena, Lee!Hermes- Hermes tries to Tickle Athena and she quickly turns the tables.

-Ler!Athena, Lee!Telemachus- Telemachus tries to start a tickle fight with his mentor and it ends up backfiring.

-Ler!Athena, Ares, Apollo, Artemis, Lee!Hermes- Hermes asks for tickles after pulling a prank, and his siblings don’t agree.

- Too Serious: Ler!Aphrodite(might add more or change it), Lee!Athena- Aphrodite thinks Athena is too serious for her own good.

-Brotherly Teasing: Switches Zeus and Poseidon- the two are teasing each-other and settle it with a tickle fight

-Wondering: Ler!Penelope, Lee!Telemachus- Telemachus is wondering about his dad.

-Future son: Ler!Ody, Lee!Penelope- Penelope is 7 months pregnant with Telemachus.

-Ler!Artemis, Lee!Apollo: Apollo messes with Artemis.

-Ler!Hermes, Lee!Ody, crew- Hermes tickles everyone but Odysseus.

-Good Ol’ Times: Ler!Young Ody, Young Polites, Lee!Young Eury- the three reminisce on the first time they found out Eurylochus was ticklish

-Boo, Darling!: Ler!Apollo, Lee!Hermes-Hermes mocks Apollo.

And that’s all of them! In no particular order. (Told you it was a lot. All in various levels of progress.)

Next up: Chapter two of No More Suffering has been posted! Thought I’d inform ya’ll since it got like a singular note. You can find it by going through my masterpost, going to the part two of said masterpost, and then to the master post of No More Suffering: where you’ll find any updates to the fic whenever they’re made!

Also, just so ya’ll know! All my Tword fics are a spin off/take place in the above au! So no one has died in any of my tword fics! (I don’t like writing sad OKAY?!)

Next: PLEASE REBLOG MY STUFF IF YOU LIKE IT! This isn’t just for epic, but my fics usually get a bunch of likes and like no reblogs, which means 1- less people see it, and 2- I get a little de-motivated. So please reblog!! :3

Lastly! now that I have my own personal IPad, I might make tword art! But I’m a little nervous abt it, so it might take a minute and some requests to get me going.

Thanks for reading!

[heartsoftruth]

DTS EPISODES

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[chloecherrysip]

"I hope you told your brother how much you loved him, because you're probably never gonna see him again."

"..."

"Was that too dark?"

"YES!"

"Sorry."

[sulky-cabbage]

The sukugo fight can't get animated any sooner I'm craving sukugo tiktok edits

[theultimatekamehamehavoc]

I tried to make Byakuya an actual slug but um... l know crap about slugs and this more looks like if Byakuya just snatched a slug out from the wild and paraded it around in his attire masterfully crafted for it's tiny slug body. Though, it looks a little stiff... like the slug's mini suit is just a piece of cardboard crummily tapped around the poor things body as it inches along, slightly confused to what's going on. And like, I DID try to look up expensive snails cus "Haha! Byakuya rich" and all, but then I got lost so I gave up which is more lame of me if anything! So, may bad! Totally down to do a round two with this very dumb, very specific concept . Maybe learn more about slugs and their specific characteristics and all. Like, maybe I make him a sea slug instead of a vague land dwelling one. Maybe it can be a long boy too cus Byakuya's a long guy. Like a human baguette. But yeah! I made a little guy!

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.