#I choose to believe the characters made them

[beanghostprincess]

You made me into shuggy enjoyer but now I’m sad shanks doesn’t actually care about buggy in canon. How shuggy shippers live with buggy being so obsessed but not shanks

I'm glad I made you into a Shuggy enjoyer!!! But, with all due respect, I don't know where the whole "Shanks doesn't care about Buggy" thing comes from. In fact, I believe it to be the other way around?

In their childhood, Shanks was the one to look after Buggy constantly even when the tiniest of things happened. We see Shanks bothering Buggy for his attention, then staying with him when he's sick to take care of him (instead of going to Laugh Tale), also Shanks asking Buggy to go sail with him... And that's not something a rejection like Buggy's and years can erase.

They might not be together now but that doesn't mean Shanks doesn't care about Buggy. In Marineford his mood changes drastically when he sees Buggy and he goes back to teasing him like always but not in a malicious way, but in a "back like the old days" kinda thing. His mood also changes in the worst way when people ask about Buggy.

We don't have much content of them as adults now, but if I had to choose which one cares more, it'd be Shanks (and also, his whole character truly is about caring and protecting the ones he loves). Not saying Buggy doesn't care (he does) (he literally won't stop mentioning Shanks, lmao) but his resentment and envy blind him enough to turn that care into hatred and rivalry so it isn't as obvious.

We as a fandom have turned Shanks into a guy who's completely obsessed with Buggy for laughs and because it's cute, but it really isn't that far from the truth because the few moments we have of them in canon it's always Shanks looking after him and Buggy trying to reject him.

I don't wanna sound mean or condescending, sorry 😭💖 I just don't know where the perception of Shanks not caring comes from...

[sleepymaven]

The Bsd "Fyodor is Atsushi's Father" Theory:

My Not-so-Deep, Not-so-Serious Explanation on Why This Could Totally be Canon

Signed: A Sleep-Deprived Idiot

(Spoilers for the Entirety of Bungou Stray Dogs)

So... with Chapter 118 in bsd releasing, I have noticed a lot of Fyodor as Atsushi's father related things popping up and... I'm not mad about.

If anything, I'm happy the theory is getting more attention. People even seem to be taking it as canon fact, even if just jokingly.

Really, I believed the theory was plausible since it first was brought up in the fandom, but I never actually thought it would be canon because that just seemed too crazy. But those were the thoughts of a sweet summer child since the manga has gotten to the point where that might be the least crazy thing possible.

So, here I am at my keyboard yet again, ready to ramble about how, if this does somehow turn out to be canon, this might be actually rather predictable even to those who don't dive deep into the nitty-gritty lore.

Now, I won't ramble on and on endlessly about the book and Atsushi's ambiguous past and how he may be the book or a page from the book and yaddy-yadda. Instead, I'll focus on some key aspects of Atsushi's character design. First off...

His hair.

As I said, this is not all that serious or deep, so take my words with a grain of salt before you start bashing me or something for being ridiculous. You signed up for ridiculous when you started reading past the title.

Anyway, back to Atsushi's hair.

As we almost all know, Atsushi used to have a black streak in his hair that was later removed for unknown reasons, but he also has white hair.

Now, I could jokingly proclaim, "Hehe, biologically impossible Fyodor x Nikolai lovechild," and be done with it, but I am no clown, unlike Nikolai. No, I have a better, probably completely wrong, idea.

Most of us know that Fyodor has a thing for white-haired men.

Exhibit A: Every fucking member of the Decay of Angels

I rest my case.

Also, I feel the need to mention that 3 out of 6 of them have red-ish eyes while the other two have purple-ish/blue eyes. Just pointing out that little tidbit I noticed while finding pics for them.

So, it would make sense for Fyodor to pick and choose which attributes to give to his quote-on-quote "son" when he made him from the book, picking out certain traits he found appealing and pleasing to the eye.

(Also, yes, this could mean that Fyodor could have chose specific attributes that were similar to Nikolai. Boom, lovechild route.)

This could explain certain similarities between the characters who seemingly have no biological connection between one another. Their only connection then only being through Fyodor by just knowing him.

Got all that? Alright, next up...

His eyes.

Now, Atsushi's eyes are rather unique, even for the world of Bungou Stray Dogs. What also sticks out about them is the fact that they are pointed out and focused in from time to time.

Example:

(Fucking gorgeous eyes he has, btw)

To break down the colors of his eyes... While in normal lighting in the anime, they appear to be normally purple and yellow with just a hint of green in it, but under the full moon (as seen here) we can see that his eyes are a light green-yellow at the bottom and purple on the top that fades into blue.

(There are also a few times where his eyes also change while using his ability. Like when they turn almost fully yellow.)

I want to point out the colors of his eyes and the fact that they change due to certain circumstances (i.e: using his ability, being under the full moon), which is clearly not normal in their world seeing as how other ability users don't seem to do that at all.

(Edit here: I actually would like to mention that, in the manga, Nikolai's eyes also change color. The green one sometimes will change to match his normal eye whenever he uncovers it. I saw a theory talking about how it might change depending on whether or not he is lying at the time, which is pretty neat. More Atsushi and Nikolai parallels.)

Now, this might seem like a bit of a stretch just like the rest of this post, but the colors used for his eyes are similar to the eye colors of people Fyodor knows, though they are different shades.

Purple like Fukuchi. Green and blue from Nikolai.

Fyodor's eyes are also a shade of purple, kind of, so... Yeah, that works too, but Fukuchi's shade of eyes are closer to Atsushi's.

Yeah, that's all I can think of now and this is already way too long (if I start talking about Atsushi's mysterious past, I'm going to make this a mile long. Maybe later tho), so I'm ending it here for now.

Alright, bye ya'll.

[ceo-mochee]

Right I'm gonna say it cus I've seen and heard enough.

If you ship something toxic, Do NOT complain when people hate it.

(NOTE : Do NOT send me hate asks/comments if you choose to read this, cus I really do not gaf if you hate me for this. It's just my opinion and I wanted to get it off my chest.)

If the ship your shipping is a healthy pairing and people are hating you for it, then sure you have a reason to be upset. However if you're shipping something like Romesse, Aidesse or I don't know...... AXDEN.... (which are pretty toxic ships in general (my opinion)) then yeah people have a right to hate the ship.

I will agree on some part that attacking people is not a good thing, and this goes to both sides. People who don't like your ships shouldn't have to force you to change that, but at the same time if people hate on the SHIP itself (and are NOT namedropping people), then why should you be so worried? I literally watched one of my moots get attacked by someone because they wrote about not liking Axden.

Hell I'm even gonna take a quick minute to slander this ship now. Why? Cus it's pretty toxic- Aiden bullied Axel and tried killing his friends, do you reaaaaally think Axel would be friends with someone like Aiden, let alone get in a romantic relationship with him?? Yeah I don't think so either.

Here's the thing tho, this is just MY OPINION. If you disagree, COOL! But making a huge fuss about it and attacking others who disagree is only fueling that belief that "its not the ship itself, it's the shippers that are the problem." Getting pissy cus you CHOOSE to read someone's opinions and decide that because you disagree, and believing that you should go send anonymous asks attacking said person is also just making yourself look real pathetic.

I'm sorry, but if you're gonna get sensitive over a fictional pairing getting hate, then I don't know what to tell ya. s

I, of course, may or may not be the one to talk. I've shipped Axel and Lukas together for a long while and I may or may not have been hurt by some people's opinions myself, but that doesn't mean I'm gonna go off with my pitchfork and torch and bombard someone with hate asks/comments, you know how much easier life is when ya just silently disagree with one's opinions and move on? It's amazing lemme tell ya.

So far I've only seen this happening with the ship Axden (Axel x Aiden), which is pretty damn bonkers if you ask me. Why can't y'all just accept the fact that no matter how much you preach, self project onto characters, or fuss about your own opinions, not every single person is gonna agree with you. My ass already got turned into a damn PTSD trigger to one person (who I'm of course choosing NOT to namedrop) cus I disliked that ship.

"I know Aiden bullied Axel but... but I made it to where he redeemed himself!!!"

Okay??? Still doesn't change the fact that you're getting upset that people are understandably uncomfortable with that ship mate... do you understand how happier we would all be if you'd just BLOCK people who disagree instead of burning an innocent user at the stake because they dislike a toxic ship.

Like seriously if you're gonna get upset and attack someone for not liking a (pretty toxic) ship that you like and not just like- Idk- BLOCK them... then you're probably already a lost cause my friend.

[hassians-sernuk-boyfriend]

running out of space to put these massive paintings in my house tbh

[rotomartsblog]

The reason EAH is a children’s franchise is because only a child who Doesn’t Understand Things could possibly consider Royal being the right stance

[dreamingaboutsakuratrees]

Dear God how I fucking hate when people dismiss s character's traits because "that's just a facade! you as the reader have to see underneath it!!" like yeah no fucking shit Sherlock, a well written character has more than one (1) defining trait but that doesn't mean their most prominent one or the one most recognized by fandom ISN'T there

yes this is about people thinking dick grayson isn't actually a ray of sunshine, that it's just a mask. he's much more than the happy one, of fucking course, all batfam members (when written well) are, but that doesn't mean that being happy and bright is not a crucial part of his personality. he brings light to people's lives, he's a beacon of hope, that's what Robin was born for, as a light to Batman's darkness. That's what Nightwing is. He can be serious, sure. He's smart, an amazing strategist, incredibly good at fighting, he can be manipulative and morally gray and sometimes an objectively bad person. But he's ALSO funny and quippy and bright and sunshine. BECAUSE HE'S WELL WRITTEN.

Like Jesus stop making him so sad and wrong all the time just because you want so bad to go against "fanon". It's not fanon if it's literally his core trait. It's not fanon if it's what the character was BORN AS. God.

[hauntedtotem]

ppl when they find out teenagers act like teenagers 😱

[triglycercule]

i love characters with barely elaborated on personalities and traits and all that. dust sans??? absolute perfection i can do whatever the fuck i want with him. headcanon anything i want as long as it fits the framework that askdusttale has given me. nightmare??? his one main trait is that he's bad do you know how amazingly vague that is. i have even MORE freedom with him than anyone else. there are various different types of bad guy and i can make nightmare all of them and none simultaneously because he's simply not all that elaborated on. once i lose that creative freedom i lose all will to do anything with characters

[unproduciblesmackdown]

fr if taylor and philip don't kiss then what's this all been about. (the entire series of billions) what is it all for

[gr3y-plays-ttrpgs]

I showed that character art to the other players and the dm of that game and someone said "I thought your character was a man?" like no I said he's not a woman. keep up.

[pedrospatch]

call it what it is

Jackson! Joel Miller x Female Reader

summary: A disagreement over patrol duty leads to declarations that have been long overdue.

warnings/tags: 18+ ONLY, MINORS DNI. established relationship. HEFTY AGE GAP (reader is in her 20’s and joel is 56). ellie and joel are fine bc i said so and they deserve nothing less. reader handles a rifle, joel’s a little too overprotective and almost seems controlling, but i promise he is not. well, maybe just a smidge. arguing, admission of feelings, joel miller says i love you (yes this is ooc, no i do not care bc i need this old man to tell me he loves me). angst, fluff. quite a bit of side character interaction before we get to joel and reader in the second half. the only physical description of reader is that she is shorter than joel. fair warning, i am quite rusty.

word count: 4.2k

a/n: hi hello. i have not shared a wip in over 2 months. i was going back and forth on whether or not i wanted to share a fic with so much going on but decided i wanted to get back to doing what i enjoy. that and ofc that new footage was a boost of inspo. i am sending so, so much love to anyone who happens to see this author note, whether you read this fic or just happen to see this note in passing whilst scrolling. i know things have been tough, but i am here with you. <3

Joel wakes with a gentle start. Yawning, he rolls over from his side onto his back, blinking the sleep out of his eyes as warm, golden sunlight filters into the bedroom through the sheer, white linen curtains drawn over the window. He stares up at the ceiling, his breathing slow, steady, and even. He’s still getting used to it, it seems. Waking this calmly, with a tranquil peace he had been so certain he would never in his life feel again. He knew it couldn’t be a mere coincidence the nightmares had all but stopped tormenting him in his sleep when the two of you stopped doing that awkward little tap dance around one another and began sharing a bed, a home, a life.

No more bolting upright in sheer panic in the middle of the night, heart pounding and drenched head to toe in a cold sweat. No more believing he’s failing in his sleep. No more waking up feeling like he’s lost something.

Even his dreams about Sarah had become so, so much more pleasant. Images of her in that field on that night were replaced by different memories, like watching her teammates dogpile her after she’d scored the winning goal in their soccer tournament, or the big, triumphant grin she’d flashed him over her chocolate milkshake as the pair sat in their usual corner booth at their favorite fifties-themed diner in Austin—much to Joel’s surprise, Sarah had politely declined her teammates’ invitation for pizza once the match ended, choosing to celebrate her victory with him. Just the two of them.

“Y’sure you don’t wanna go with your friends, kiddo?” he’d asked, raising an eyebrow. He had been certain she was approaching the age where she would start spending less and less time with her old man. “I wouldn’t mind, y’know.”

“Positive,” she had reassured him with a smile, looping her arm through his and leading him off the pitch. “I’d much rather be with you, dad.”

Rather than smelling metallic in his slumber, he smells the grass that stained her white and blue striped jersey. Her cheeks are smeared with dirt, not with crimson.

Stifling another loud yawn, Joel stretches his arm out over towards your side of the bed, his calloused fingers seeking the warmth and softness of your naked body—instead, all they find are empty sheets, cold and long abandoned. He turns his head, and as suspected, you are not laying there beside him. That’s hardly out of the ordinary. Out of the two of you, you were the early riser, up before the neighbors’ rooster even had the chance to sound the alarm. Joel knows how much you treasure your quiet mornings lounging on the porch swing he’d built for you as you watched the sunrise with a hot cup of coffee in hand. He often made a genuine effort to get up and join you, but lately, his patrol rotations had been all over the place thanks to a shortage of patrolmen. He found himself sleeping in whenever he had the chance, seeing as he never knew when he might have to work a damn double. Or maybe it was just his age catching up with him.

He checks the time and then rolls out of bed, groaning when his sore knees and his aching lower back protest his movement.

After taking a quick shower using whatever hot water the kid had left for him after her own shower—much to his annoyance, it was not very much—Joel brushes his teeth and gets dressed for the day before pulling on his boots and heading downstairs into the kitchen where he finds the culprit responsible for the cold downpour he’d been forced to wash himself under. Ellie’s sitting at the table, absentmindedly stirring her oatmeal around her bowl with her spoon as she flips through one of her comic books. Just as he’s about to greet her, he spots the clean, empty coffee pot on the kitchen counter and frowns. You hadn’t even made coffee yet?

Now, that—that is out of the ordinary.

“Where is she?” he asks.

“Well, good morning to you too, old man. Oh, I slept great, thanks for asking,” Ellie quips without looking up at him as she flips the page. She mumbles something under her breath he doesn’t quite catch, something like, and you get on my ass about my manners?

Rolling his eyes, Joel snorts in response and pads over to the coffee maker on the counter. He spoons in some of the grounds he’d traded for earlier that week into the reusable filter, pours in water from the tap, and turns it on to brew. He grabs two ceramic mugs from the wire dish rack beside the sink and sets them down on the counter. “She out back?” he questions, yanking the refrigerator door open—he tries to remember the little things, like how you enjoyed your coffee with a bit of milk as well as a dash of cinnamon, if you had the rations, or something to trade for the precious spice. He always made sure that you did.

“Nope.” Ellie shovels a spoonful of oatmeal into her mouth and adds thickly, “She went to get some eggs.”

Joel shoots her a look of disgust over his shoulder. “Jesus, Ellie! How many times do I gotta tell you? Don’t talk with your mouth full. It’s bad manners,” he scolds her, shaking his head. He turns his attention back to the refrigerator. As he reaches for the glass bottle of milk, he pauses and his eyebrows pull together in confusion when he sees the wicker basket on the top shelf. “Wait a minute.” He feels her stiffen in her chair. “Why the hell would she go get eggs when we’ve got a full basket of ‘em right here in the fridge?”

She clears her throat. “Oh, uh, my bad. I got confused. Think she said she was gonna go get more honey? Uh, I used the last of it to make my breakfast this morning and she, uh—she wanted some for her toast. You know, ‘cause she really likes putting honey on her toast,” she rambles before piling more oatmeal into her mouth.

Closing the refrigerator door, he turns to her, his eyes narrowing with suspicion as uneasiness settles deep in the pit of his stomach. “Ellie?”

There’s a momentary pause. “...yeah?”

This time, Joel doesn’t bother to chastise the teenager for talking with her mouth full. “Where is she?”

Ellie nervously swallows her food and holds up both of her hands. “Hey, I already fucking told you, man.”

“Look, I know you like the back of my own hand, kiddo. And I know damn good and well when you’re lying to me.” Joel crosses his arms over his chest. “Now tell me the truth. What do you know that I don’t?”

Groaning, Ellie sits back in her chair. “Ugh. She made me swear not to tell you! She’ll fucking strangle me if I do—”

“Yeah, well, not if I fuckin’ strangle you first myself,” he threatens her. “M’Serious, Ellie. Tell me what’s going on. Right now.”

“Alright, alright! Jesus,” she huffs. “She’s with Tommy. He’s been taking her out of town to do target practice in the mornings, just the two of them. She usually gets back to the house before you get up,” she admits.

Joel’s arms fall back to his sides, his shoulders tense. “And how long has this been goin’ on?” he asks, rigidly. There’s a sudden tightness inside his chest, a feeling he hasn’t felt it in a while, but is still all too familiar to him.

After Tommy spread the word around town that more people were needed for patrol duties, you’d expressed an interest in the role, but Joel had been all too quick to shut you down, telling you he didn’t want you stepping foot outside the community’s gates.

“No,” he’d said. “Not happenin’. S’too dangerous.”

“But Joel—”

“I said,” he lowered his voice. “No.”

He hadn’t offered you an explanation as to why he was against it, refused to give you one good, solid reason as to why it was acceptable for him to risk his own life to protect Jackson, but it wasn’t acceptable for you to do the same.

Joel hadn’t known how to tell you the truth. How he needed you far, far more than you needed him, how the mere thought of losing you, the best fucking thing that could have possibly happened to him since the world ended, made him feel like his heart was going to stop.

A few weeks had passed since then, and thankfully, you never brought it up to him again. You had lost interest in patrol duty. Or so he’d thought.

“How long has this been going on?” he repeats after a minute.

“C’mon, man! Haven’t I already snitched enough?”

“Ellie,” Joel bites out her name. “Tell me. How long?”

She sighs in defeat. “Two weeks? Maybe three?” When she notices the muscle in his jaw tick, she grimaces. “You do realize why she didn’t fucking tell you, right?”

“Don’t,” he warns her, sharply.

“I’m just saying,” Ellie mutters, peering down into her bowl.

Without another word, Joel angrily storms past her and straight out the front door, snatching up his rifle on the way. He heads straight for the stables, trying to ignore the anxiety flaring inside of his chest.

Focus.

Now, breathe in. And breathe out.

Breathe in. Breathe out.

Breathe in.

Breathe...

You exhale as you slowly squeeze the trigger.

Y’squeeze it like you love it, you had been told by your reluctant instructor.

The round fires off into the distance and you swiftly grab the bolt handle, bringing it up, back, forward, and then down again. You pull the trigger once more, then repeat and continue firing one shot after the other for a total of five rounds.

The rifle’s recoil nearly sends you flying backwards, but a strong hand on your back keeps you nice and steady. That same hand then moves to your shoulder and gives you three firm taps.

“Alright, alright! Christ,” Tommy laughs. He withdraws his arm from around you and shakes his head. “Fuckin’ calm down, Annie Oakley.”

Picking up his binoculars, he rises to his feet and looks through the lens at the makeshift targets that he’d set up for you, three empty soup cans lined up in a row on top of a wooden fence about twenty-five yards away—your longest shooting distance to date.

“Well?” You don’t even bother masking your impatience as you lower the rifle, carefully propping the weapon up against the tree stump you’re perched behind. Rubbing your sore shoulder, you hope the kickback won’t leave a bruise. You wouldn’t know how to explain that to Joel. “How did I do?”

His response comes in the form of a long, low whistle.

There is no telling if that had been good whistle, or if it had been a bad one. You groan. Now was not the time for him to dick around. “Please tell me I got at least one of them?”

“You got ‘em all, actually.” Tommy replies, lowering the binoculars and peering down at you. There’s a glimmer of pride in his eyes. “Good job, kid.”

Kid? Not exactly a nickname one wants to be called by the brother of the much, much older man that they are romantically involved with. It’d taken Tommy months to accept your relationship with Joel, especially when you moved your things out of your unit and into his over the summer. Part of you wonders if him referring to you as a kid is simply his own subtle way of telling you—no, of reminding you, that he’s still not comfortable with it.

And perhaps he never would be.

After all, you had still been a teenager when you first arrived to Jackson a few years ago, stumbling upon the town just a few months shy of the twentieth birthday you weren’t sure you would survive long enough to see.

You were indeed a kid when you’d met Tommy Miller.

Were.

Scowling up at him, you snap, “I told you to stop calling me that. I’m not nineteen anymore, Tommy.”

Having read your mind, he gives you a small smile and acknowledges, “Yeah, you’re right. You definitely ain’t a kid anymore.” He offers you his hand and hoists you up to your feet. Before dropping your hand, he gives it an apologetic squeeze.

You relax a little and smile back at him. “Did I really get all three?”

Tommy nods. “You sure did. You’re a damn good shot. I gotta be honest with you—I didn’t expect you to be this fuckin’ good,” he admits sheepishly.

Chuckling, you scoff, “Thanks. I think.”

“It’s a compliment, sugar.” He winks and flashes you a lopsided grin. “In fact, I’d say my work here is done.”

“Great! So when are you putting me on the roster?”

His grin instantly vanishes. “Uh, listen. About that....”

He trails off, and your heart sinks a little.

Tommy wouldn’t back out of this now—would he?

“Oh, no. Don’t you dare go back on your word, Miller,” you say, lightly poking him in the chest. “We had a deal. You said if I did well enough, you’d think about it.”

He nods in agreement. “Exactly. Said I’d think about it. And I think that puttin’ you on the roster for patrol ain’t a good idea.”

Your mouth falls open. If he never had any intention of holding up his end of the bargain, then what had been the point of teaching you how to shoot?

You didn’t understand.

“You just said it yourself, I’m a great shot! I’m a good on horseback, too. I’m stealthy. I’m diligent. What more do you fucking need from me, Tommy?”

Tommy’s chest heaves with a heavy sigh. “Joel would fuckin’ murder me with his bare hands if I even thought about puttin’ you on patrol duty. Hell, he’d murder me just knowin’ we’re out here and I’m teachin’ you how to shoot. It’s a damn fuckin’ miracle he still hasn’t caught onto this, y’know.”

Shocked, your eyebrows shoot to your hairline. “This is about Joel? Are you serious?”

“‘Course it is.” He pauses. “Listen, now I know the three of us had our—differences—when he first told me ‘bout you two. Still takin’ me a bit of gettin’ used to, but I can see he’s real serious about you. I know my brother, and I know he won’t risk losin’ what’s most important to him. Ain’t no way in hell. He doesn’t want you out here and you know that as well as I do.” Tommy shoves his hands into the pockets of his jeans, shrugging as he shuffles his weight from one cowboy boot to the other. “Unless he’s alright with it, I ain’t gonna put you on the roster.”

For a moment, you’re at a complete loss for words.

Upon seeing the crestfallen expression on your face, he makes a suggestion. “You can try talkin’ to him ‘bout it again if it means that much to you. Ask him—”

“Ask?” You want to laugh. You almost do. “I’m an adult, Tommy. I don’t need his permission to do this. Or to do anything for that matter. Joel doesn’t tell me what I can and can’t do.”

Tommy smiles wryly. “Well then, if that’s the case, why are we sneakin’ around and doin’ this behind his back?”

Your shoulders slump in defeat.

Because the ramifications could be disastrous.

Joel had made his stance on the matter abundantly clear, and yet here you were, deliberately disobeying him.

“Stumped you real good, didn’t I?”

Before you can even start to think about how you can possibly respond to that, you hear the sound of hooves in the dirt behind you, followed by whinny of a horse.

Tommy’s face pales as he glances over your shoulder.

“Shit.”

There’s no need for you to ask. His grimace says it all.

Somehow, you will yourself to turn around just as Joel’s steed comes to a halt beside the mare you and Tommy had ridden out on together. He jumps out of the saddle, grunting at the forceful impact on his knees when his feet hit the ground. His rifle hangs from a worn, brown leather strap slung across his back.

He approaches the two of you looking absolutely livid, and your throat goes dry.

“The hell is goin’ on here?” He breezes right past you, roughly shoving his brother with both hands. “Why the fuck would you bring her out here, Tommy? What the fuck is the matter with you?”

“Joel, c’mon. Take it easy—”

“Don’t fuckin’ tell me to take it easy!”

“Joel!” You reach for his arm. “Wait, it’s not his fault!”

Joel shoves him again, then takes him by the collar of his shirt and pins him against the ponderosa pine tree behind him. “You’ve been bringin’ her outside the gates behind my fuckin’ back for weeks, asshole?”

The panic begins to set in—he’s taking his anger out on the wrong person, and deep down, he knows this too.

“Joel! Stop! Let him go!” Grabbing fistfuls of his jacket, you try pulling him off of the younger man. “Stop it! It’s not his fault! I asked Tommy to bring me out here!”

He whirls around, his nostrils flared, jaw clenched.

You’ve seen this side of him a handful of times before.

But his anger has never been directed at you.

“What?”

Immediately, you let go of him and take a step back. “I asked Tommy to bring me out here and teach me how to shoot so that I can start working patrol,” you explain, hoping, praying, he doesn’t catch the slight tremble in your voice. “This was all my idea, okay? If you’re going to be mad at someone, then be mad at me. Not at him.”

“So you did this after I fuckin’ told you I didn’t want you out here?” Joel seethes. His neck becomes flushed, his tan skin now a deep shade of red.

“Joel—”

He cuts you off. “I had to find out from Ellie? You tried to get her to fuckin’ lie to me? After all the work it took for me and her to—” Stopping mid sentence, he places his hands on his hips and shakes his head.

“Joel. Please.” Behind the anger in his dark brown eyes, you detect something else. A mingle of hurt, concern—fear?

Tommy awkwardly clears his throat. “Well I’m, uh—I’m gonna head back to town,” he says, touching a hand to the back of his neck. “I’ll let the two of you work things out in private.” As he passes Joel, he lightly claps him on the shoulder. “Girl’s a sharp shooter, big brother. I’d reckon she’s almost better than you.”

His effort to lighten the mood fails. Miserably.

Offering you a subtle nod of encouragement, Tommy hops into the saddle of his mare and takes off towards the commune.

Silence falls over the both of you. It feels suffocating.

Unfamiliar.

Finally, you speak. “Joel, please just hear me out—”

“What the hell were you thinkin’? Or were you just not thinkin’ at all?”

“I was thinking I want to pull my weight in Jackson.”

“You already have a fuckin’ job,” Joel reminds you.

“Making sandwiches and serving whiskey at The Tipsy Bison?” You scoff, crossing your arms over your chest. “I am capable of more than that, Joel. So much more. Don’t you believe I’m capable of doing more?”

“I don’t want you out here,” he grits through his teeth. “Capable or not, I don’t want you outside Jackson’s walls. I don’t want you on patrol and that’s fuckin’ final. You understand me?” Now it’s him who falters, and you wonder if you’re imagining things, or if that’s really a tear you see sliding down the side of his face, disappearing into the salt and pepper scruff of his beard.

“That’s not your decision to make, Joel. It’s mine.”

“M’responsible for you. It’s my job to look after you—to protect you.”

Something about the way he is looking at you, it feels like a punch to the gut, and it’s at that precise moment when you begin to realize that he’s not angry. He’s afraid.

“Joel, I know that all you want to do is protect me,” you sigh, letting your arms fall down to your sides. “I know you do. But you’re doing me no favors by trying to keep me sheltered. By treating me like I’m defenseless. Don’t forget, I’m a survivor too.”

“You already know how fuckin’ dangerous it is out here. Clickers, raiders—”

“I can handle it,” you insist, stubbornly.

“You’d be puttin’ yourself right in harm’s way!”

You shoot back, “You mean, the way you and so many other people put yourselves in harm’s way every single day for the sake of keeping Jackson safe?”

A frustrated growl rumbles through his chest. “Christ, why are you bein’ so fuckin’ foolish? You’re just askin’ to get yourself killed!”

“I can take care of myself!” You realize your hands are shaking and curl them into tight fists at your sides in an effort to hide it. “Just accept it, Joel! Accept that I can take care of myself, alright?”

That is all it takes to tip Joel over the edge he’s been teetering on. “Then what do you fuckin’ need me for?” he shouts, his voice thundering over the quiet plains of Wyoming. “If you can take care of yourself, what’s the point in us bein’ together? Why are you with me?”

“Because I love you!”

As soon as the confession comes tumbling out of your mouth, you take a step back, your wide eyes meeting his own. Until now, neither of you have ever called this what it is, been bold enough to say it’s love.

Loving after so much grief, so much loss, is daunting. It’s something you thought you would never be capable of doing again, not in this lifetime. Not in this world. It’s happened, though.

You love Joel Miller.

And he loves you.

He’s never told you he does, but he’s shown you.

From the way remembers how you take your coffee in the mornings, to the way he laces his fingers with your own, holding your hand when he’s buried inside of you, whispering sweet nothings into your collarbone every single night.

“You—you what?” Joel’s whisper is hardly audible.

You inch your way closer to him, your voice soft. “I love you,” you declare once more. “I’m not with you because of what you can do for me. I’m not with you because you can take care of me.” Closer. “I’m with you because I love you—because I’m in love with you, Joel.” Closer, until your chest brushes against his, and he can smell the subtle scent of your homemade, rosewater soap. “The only thing I need, and have ever needed from you, is your love in return.”

His throat bobs. Before you can utter another word, he lifts his hands and gently takes your face, cradling it in between his large palms, gently. His eyes search yours, immediately finding the sincerity behind your words. Leaning down, he brushes the tip of nose against your own as one of his hands travels down, his long fingers curling around the nape of your neck. His thumb lightly strokes the column of your throat.

“I love you,” Joel says hoarsely. Three words he hadn’t said to anyone in over two decades—it feels foreign to him, they ring strange in his own ears. He tries it again, clearer this time, and with a little more confidence. After all, he’s only saying what he has known from the very start. “I love you.” His other hand moves to your hip, pulling you even closer to him. “M’gonna love you for the rest of my life, baby.”

He leans in further and presses his lips to yours lightly, at first, but he wastes no time in sweeping his tongue across your bottom lip, silently asking for more.

Your mouth parts for him, and he backs you against the ponderosa, kissing you deeply, greedily, like he’s a man starved.

You whimper into him, your hands sliding up his broad chest and past his shoulders until they’re tangled in his soft, graying curls. He breathes you in, like you are the oxygen he needs to stay alive.

It isn’t until you both hear the sound of rustling behind a nearby shrub that you’re forced to pull apart. “Don’t move,” Joel instructs in a hushed voice. He keeps you pinned against the tree, his hand abandoning your hip. He glances around, slowly reaching behind his back for his rifle. His tense shoulders relax when the both of you see a pair of rabbits dart out from one dried bush and straight into another. Exhaling an amused huff, Joel shifts his attention back to you and rests his forehead against yours.

Smiling, you reach up and softly graze his beard with your fingertips. “Guess it’s about time we called this what it is, huh?”

“Guess you’re right, darlin’.” He lifts his chin, brushing a kiss onto your forehead. “M’sorry for raisin’ my voice to you. For talkin’ to you the way I did. S’just, the thought of somethin’ happenin’ to you out here scares shit out of me.” Taking a step back, he pulls the strap of his rifle from around his shoulder. He chews the inside of his cheek and silently stares at the gun in his hands. After a minute, he meets your curious gaze. “Do you really wanna do this, sweet girl?”

You nod. “Yeah. I really do.”

Joel sighs. “Can I put a condition it?”

“Depends on what that condition is.”

“I’m your patrol partner. Every shift. Every rotation.”

You roll your eyes. “Joel.”

“At least for the first few weeks,” he bargains. “Last thing I need is for you to be paired up with some fuckin’ idiot who doesn’t know what the hell they’re doin’.”

Knowing that would be the only way he’d have some peace of mind, you decide to agree. “Fine. We’re patrol partners.”

“Alright then.” Joel nods and hands you the rifle. He flashes you a small grin. “Show me what you got, baby.”

divider credit to @/saradika 💛

for fic notifications please follow @joelsgreysupdates!

[inkskinned]

most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

[whathorselegs]

I think one of my favourite character journeys in BSD has to be Kunikida learning to be better with kids because you'd expect it to be a fun wholesome character arc. Only, it ends up being heart breaking as it's immediately turned against Kunikida.

Despite the 'Dad status' that the fandom has given Kunikida, he was actually terrible with kids towards the start of the manga.

Take how he treated Atsushi in the first chapter. (Yes, Atsushi is not a little kid, but he was a starving and vulnerable orphan when they met.) When Kunikida and Dazai mention the 'man-eating tiger' Atsushi immediately freaks out and tries to run away.

What does Kunikida do? He grabs Atsushi, slams him to the floor and then threatens to break his arm for information.

It's Dazai of all people who has to reign Kunikida in reminding him "The boss himself warned you that the gathering of intelligence needn't be an interrogation". Dazai was the sweet talker and Kunikida was threat, even to a terrified, starving orphan.

Later with Kyouka, he's not much better. He attempts to intimidate her into giving the agency information. Whilst Atsushi now fulfils the role of the gentle approach. She's a mafia assassin after all, even if he knows she had no choice in it, Kunikida treats her as a threat before he treats her as a child.

Even with Aya, the interaction that gave Kunikida his 'dad status', he started off badly. But, it is here we start to see Kunikida trying to be better, trying to take a softer approach, even if he's clumsy with it.

When he realizes Aya was just handed a bomb, he snatches it from her and gets rid of it. That can't be helped it was a literal ticking time bomb, he then phones the authorities to deal with it. He was planning to leave, it's only because he caught sight of Aya sitting alone did he approach her. It wasn't his first instinct.

If he hadn't seen her in that moment, he might not have gone looking for her at all.

He asks her if she's alright and then she shocks him by wanting to hunt down the culprit. He rightfully tries to dissuade her, but again, he's not good with kids, he's blunt and argumentative with her.

Obviously, that's not going to convince a kid with a hero complex to not chase the bad guy.

However, his turning point, in my opinion, is when he realizes he has to choose between Aya and the people on the train. Now, he had already set off the stun grenade and is putting all his faith in Yosano finding them. He trusts her so he knows they are most likely going to be okay.

But Aya doesn't know that and he can't explain it all in the time they have. He sees a child who thinks she's about to die and is trying to be brave about it. And Kunikida comforts her. He needs her to know that she's not alone, that she's not going to suffer, that he is with her and he hugs her.

There was no need for him to step into that explosion with Aya except to comfort her. He chose to do that. Above his own life, he chose her needs.

And that's where this journey starts to get heartbreaking, because Kunikida hadn't always been like this. He was obviously always going to try and protect children, his ideals state as much, but he also didn't believe himself to be a hero. He doesn't see himself as someone capable or even worthy of that role.

So he built up a barrier around himself that made him harsher and more callous. He called it a professional detachment. He had to, it was to protect himself, to keep his sanity in those moment when they couldn't save everyone. Now it's breaking down and he's showing more and more how much he cares.

And it's immediately used against him.

The very scenario that got him to open up is placed in front of him again. A child with a bomb around their throat. Only this time Yosano isn't there, and this time Fyodor is orchestrating it.

And Kunikida does everything right. He tells Atsushi to leave and carry on the mission so he can stay and help the child. He gets on the child's level, makes himself small and none threatening. He reassures the child in gentle voice that everything will be okay.

And then, it's the line "How about a magic trick?" that really gets me, because he's trying so hard to present himself as someone trustworthy. And a magic trick is exactly what he pulled off with Aya, but it's what goes wrong here.

Because Fyodor planned it this time. He didn't just target children to get at Kunikida, he made a twisted mockery of what happened to Aya. Except she doesn't live this time and Kunikida can't bring this child any comfort or safety because Kunikida is the threat. This child dies alone and afraid because Kunikida was there, just like Fyodor planned.

Fyodor saw Kunikida bare his heart once and immediately reached in his chest and crushed it.

[sanemisstalker]

N/SFW. Minors DNI

CW: GN reader / Men's Mental Health IG ???

KNY characters that I think are more prone to cumming in their pants / NSFW

Giyu

-He's inexperienced.

-I admire the almost fandom consensus of him being either resident, sexy, black haired, quiet anime boy, and/or 'nobody likes this friendless loser, he definitely has a tumblr'

-Any attention, platonic or not, from someone he's attracted to is enough to make Giyu get an apparent boner. He's prone to them when the people he admires say genuinely nice things to him.

-He doesn't get to hear nice things a lot, nor does he take compliments easily, so when he believes them, his body can't help but believe them too.

-He'd rather it not be that way, but due to his floundering mental health, and general isolation, Giyu isn't jerking off very often, nor is he able to get it up when he wants to, so he just goes... months without thinking about it sometimes.

-Could definitely cum from kissing too hard. Not just kissing, but particularly the rough treatment.

-Giyu must be incredibly touch starved, I imagine. I can't fiction the last time he's hugged someone. That scene where he's holding Shinobu, perhaps?

-So when he's getting so much attention, especially so much positive, romantic attention, even if it's a little rough, I'm sure his dick would be at full mast.

-he doesn't think he's predisposed to masochism or anything. He'd hope he wasn't, but it feels better when he's kissing, and maybe his hair is being pulled on, just a little.

-he'd be very embarassed. He wouldn't cry or anything, but I think he'd get up and leave the room. He knows you knew what happened, he didn't moan, but he flinched because the build up was so immediate, and he just couldn't stop.

-How pathetic. He can't show his face infront of you ever again. All he does is ruin good things. You're definitely disgusted by him.

-Even if he didn't realize how pretty his face looked during his orgasm.

Gyutaro

-Everyday I fight the gyutaro incel allegations, and everyday I fail.

-Gyutaro is socially inept, to put it blatantly. He spends an incredible amount of time locked away in his sister, and rarely chooses to come out unless eating for the two, or-

-if he needs to jerk off. A rarity, nowadays. Looking the way he looks can do a real number on one's ability to self-pleasure. He also isn't able to seek out assistance from any brothels- He still looks the way he looks. He's no Muzan- blessed with the ability to change his appearance at will.

-So when you're on top of Gyutaro, and he feels the curve of your ass in his palm, and your sex is positioned right on top of his, just barely grazing his clothed cock, as you try and teach him how to kiss (he's doing his best, but he knows he's not good-)

-He cums, and he cums hard. He grips down on your hips, and goes wide eyed, unable to stop the moan that rips its way from his throat... and then quickly moves you off of him.

-He isn't even finished when he moves you, he's shakey armed, and he nearly drops you.

-he's mortified. After all this time, he finally gets someone willing to touch him, and he blows it. He's borderline inconsolable- switching between begging you not to look at him and begging you not to hate him-

-but the noise he made was just so... pathetic.

Haganezuka

-Men dedicated to their craft don't have time to cum? Silly of you to assume he's ever even seen another person naked. That would imply he looked away from a sword for long enough to register it.

-On a completely serious note (as serious as I can be writing this), It'd be quite awkward interacting with Haganezuka sexually. His mind has been so consumed by perfection that, even if he wasn't dedicated to the blade, he's almost prevented himself from ever being able to cum in a social setting.

-He's developed a phobia of new situations he can't control. Especially sexual ones. Swords are easy and gratifying. Why would he ever need to cum when he can just make a sword and have it be respected and revered. Wouldn't that be nice-

-So when you started rubbing him over his pants, he was, admittedly, panicking. It's not like he went nearly 4 decades without using his dick... He'd just... gone 2 and a half decades without using his dick. Nowhere near the same.

-You'd barely even touched it, barely even pressed your lips to his neck, and Haganezuka was panting.

-The fear coursing through his veins, and the attention his forgotten cock was receiving- He grew more unsightly by the second...

-and then you pressed a particularly soft kiss to the corner of his lips and he was done for. That was his first kiss-

-Though shocked, you'd pump Haganezuka through his orgasm. It'd be enough to go through his pants, and spill over your hand.

-He'd grip your robes, and will you closer to him. His heels would slam into the floorboard, and he'd try to bury his face in your neck, attempting to muffle the groan he'd loose, only to fail tremendously.

-He'd be huffy after. Mad at himself and disguising it as being mad at you.

-'Well, maybe you shouldn't touch me anymore, if you found it so gross! Did you consider that? Just not touching me- ever?'

-but you saw how sad he looked when you said you'd do whatever he wanted. What a simple man.

[mylovelo-ak]

aventurine ☆ first i love you

pairing: aventurine x gn! reader

summary: you always daydreamed about aventurine loving you. and it was just a matter of time before it came true.

tw: reader feels unlovable

you often daydreamed about different altenate worlds in your head. a lot of them involved aventurine, of course. you found comfort in indulging in fantasies, and you boyfriend being a key character only helped.

you wondered what it would be like if you worked in the ipc with him. would you be dubbed his work spouse? you’d be able to share more meals together. would his colleagues ask about your relationship? realistically he would never let you work in the ipc though, he always expressed wanting to keep you safe and away from such a political world.

sometimes your daydreams weren’t always the best. sometimes they only brewed more thoughts and doubts in your mind.

on mellow afternoons you’d wonder if aventurine treated you like how he treated his friends. maybe he treated you differently, and maybe it wasn’t a good thing. would he have a heartier laugh with others? a brighter smile?

you were always quick to dismiss these thoughts before a complete breakdown. you’d tell yourself to expect the worst, and to simply accept it. after all, you were only his girlfriend of six months, you probably barely come up in his mind at all.

“hi, darling.” aventurine sneaked up behind you and wrapped you in his warm embrace. he kissed down your neck to your shoulder, before coming back up to kiss your temple.

“hi, aven.” you couldn’t help the smile nor the blush that crept on your face at his affection. you wiggled in his arms to turn and face him. you propped your hands on his firm chest, relishing in the sight of the blonde in front of you.

it was hard for you to believe that he’d ever choose you. blonde, smooth and cute aventurine, with plain old you.

“you’re home early, finished work?” you asked as your fingers filled with the collar of his shirt. he hummed in response. his grip around your waist grew tighter in his effort to pull you closer.

“stop calling me that.” he muttered.

“huh?”you looked at him, head tilted in confusion. except his eyes were rather focused on your lips instead.

“stop calling me aventurine, you’re mean much more to me than that.”

“oh, sorry, i forgot, kakavasha.” you replied shyly. what did he mean by you meant more than that? did he mean you were important enough to him for you to call his name like his loved ones did before? did he love you?

“it’s alright, my love.” he whispered before closing the distance between you for a sweet kiss. it wasn’t long before he pulled away, but it was only to kiss you all over your face ‘til you bursted out in giggles and playful ‘stop’s as you tried to get away.

“i knew i was right to leave work early. coming home to this is just perfect with you, darling.” his words were filled with so much adoration, you almost felt like he loved you.

“i made you your favorite for dinner tonight.” you reached to tuch a strand of hair away from his eyes before he grabbed your hand in his and brought up to his lips, to press a delicate kiss onto your palm.

“god i love you.”

you froze.

he loved you?

kakavasha, oblivious to your shock, kept pressing kisses around you.

for the first time in your life, you felt that you didn’t have to hold onto meaningless dreams where you lived a better life. not when you had kakavasha right in front of you, laying a trail of kisses over what you considered imperfections of your body. here he was, kissing everything, professing his love, and holding you, like you were the only thing he loved in the universe.

“kakavasha..” you called quietly. he hummed, the vibrations from his body melting into yours. he stopped his quest for kisses to meet your eyes in an adoring gaze.

“i love you too.”

[watermelonsloth]

I think the reason why Naruto fans get so passionate and upset about the series is because of how real it can be. Naruto isn’t about paragon heroes outdoing dastardly villains. It’s about human beings fighting tooth and nail to survive in a world surrounded by death. It’s about broken systems made and perpetuated by broken people.

The Hyuga clan isn’t just antagonistic or pretentious, they practice slavery.

The Uchiha clan weren’t just killed by some raging psychopath, they were systematically massacred.

Itachi isn’t just cruel to Sasuke because he’s a bad brother, he’s cruel because he’d been told time and time again that you can only survive by being cruel and he wants nothing more than for Sasuke to survive.

Nagato isn’t trying to take over the world just for the sake of power, he’s trying to take over the world because it beat him down to the point of believing that the only chance at peace there is is the world being forced into compliance through fear.

Iruka isn’t hard on Naruto just because he’s a strict teacher, he’s hard on Naruto because he knows from experience how unforgiving the world is towards orphans.

Kakashi isn’t just some silly and slightly lazy teacher, he’s a contract killer still grieving his loved ones and struggling to do better without knowing how he’s supposed to.

Sakura isn’t just a fangirl, she’s a normal girl in a very dangerous and abnormal world constantly being made to choose between what she’s supposed to do and what she feels.

Sasuke isn’t just some edgelord, he’s a survivor who lost everything then gets repeatedly told that he has to choose between keeping what he’s gained and doing better than his brother.

Naruto isn’t just trying to be the best Hokage there ever was, he’s trying to prove his worth to a society that abandoned him just for existing and, in a way, confirm his worth to himself.

The Naruto story is about humans trying to force themselves into the role of weapons because that’s what they were told they had to be. It’s a story where everyone is a perpetrator but no one is trying to do wrong. It’s a story where everyone is a victim but no one is a perfect victim.

The world and the characters aren’t simple and trying to simplify them only takes away from them. So of course we get passionate about showing off all the reasons why they shouldn’t be simplified and all of the ways they’re complicated. Of course we get upset when we see others simplifying them or selling certain aspects of their characters short. Of course we get upset when the series itself simplifies them. Of course we get upset when the series chooses to abandon them. Because it not only feels like the characters are giving up, it feels like the series is betraying anyone who chose to get invested in its complexities.