#I can't say I agree but what do I know?

[omg-hellgirl]

Mick could love this woman because she was he. [Bianca] looked the same, thought the same, and making it with her was the closest he would possibly get to his ideal: making love to himself.

— Tony Sanchez.

[technically-human]

Edwin after the confession is a menace

Bonus Charles being normal about it:

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[gender-euphowrya]

"they" is a pronoun that has the same rules as any other it's not a 'get out of misgendering jail free' card yes it's gender neutral no it doesn't mean you're allowed to use it to refer to someone you KNOW doesn't use that pronoun

[kerryweaverlesbian]

Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.

[cuddlytogas]

there was some Twitter madness recently where someone left a comment on someone's art to the effect of, "Ed shouldn't wear a dress, he's a man!" which I do disagree with on principle, but unfortunately, it brought out one of my least favourite trends in the fandom

so, naturally, I had to write a twitter essay about it. and I already largely argued this in a post here, but the thread is clearer and better structured, so I thought I'd cross-post for those not on the Hellsite (derogatory). edited for formatting/structure's sake, since I no longer have to keep to tweet lengths, and incorporating a couple of points other people brought up in the replies

so

I want to point out that the wedding cake toppers in OFMD s2 aren't evidence that Ed wants to wear dresses. Gender is fake, men can wear skirts, play with these dolls how you like, but it's not canon, and that scene especially Doesn't Mean That.

People cite it often: 'He put himself in a dress by painting the bride as himself! It's what he wants!' But that fundamentally misunderstands the scene, and the series' framing of weddings as a whole. I'd argue that Ed paints the figure not from desire, but from self-hatred; it's not what he wants, but what he thinks he should, and has failed to, be.

(Yes, I am slightly biased by my rampant anti-marriage opinions, but bear with me here, because it is relevant to the interpretation of the scene, and season two as a whole.)

The show is not subtle. It keeps telling us that the institution of marriage is a prison that suffocates everyone involved. Ed's parents' cycle of abuse is passed to their son in both the violence he witnesses then enacts on his father, and the self-repression his mother teaches, despite her good intentions ("It's not up to us, is it? It's up to God. ... We're just not those kind of people. We never will be."). Stede and Mary are both oppressed by their arranged marriage, with 1x04 blunty titled Discomfort in a Married State. The Barbados widows revel in their freedom ("We're alive. They're dead. Now is your time").

But even without this context, the particular wedding crashed in 2x01 is COMICALLY evil. The scene is introduced with this speech from the priest:

"The natural condition of humanity is base and vile. It is the obligation of people of standing ... to elevate the common human rabble through the sacred transaction of matrimony."

It's upper class, all-white, and religiously sanctioned. "Vile natural conditions" include queerness, sexual freedom, and family structures outside the cisheteropatriarchal capitalist unit. "The obligation of people of standing" invokes ideas like the white man's burden, innate class hierarchy, religious missions, and conversion therapy. Matrimony is presented as both "sacred" (endorsed by the ruling religious body), and a "transaction" (business performed to transfer property and people-as-property, regardless of their desires), a tool of the oppressive society that pirates escape and destroy. That is where the figurines come from.

When Ed, in a drunk, depressive spiral, paints himself onto the bride, he's not yearning for a pretty dress. He's sort of yearning for a wedding, but that's not framed as positive. What he's doing is projecting himself into an 'ideal' image of marriage because he believes that: a) that's what Stede (and everyone) wants; b) he can never live up to that ideal because he's unlovable and broken (brown, queer, lower-class, violent, abused, etc); c) that's why Stede left. He tries to make himself fit into the social ideal by painting himself onto the closest match - long-haired, partner to Stede/groom, but a demure, white woman, a frozen, porcelain miniature - because, if he could just shrink himself down and squeeze into that box, maybe Stede would love him and he'd live happily ever after. But he can't. So he won't.

The fantasy fails: Ed is morose, turns away from the figurines, then tips them into the sea, a lost cause. He knows he won't ever fulfil that bride's role, but he sees that as a failure in himself, not the role. It's not just that "Stede left, so Ed will never have a dream wedding and might as well die." Stede left when Ed was honest and vulnerable, "proving" what his trauma and depression tell him: there's one image of love (of personhood), and he'll never live up to it because he's fundamentally deficient. So he might as well die.

This hit me from my very first viewing. The scene is devastating, because Ed is wrong, and we know it! He doesn't need to change or reduce himself to fit an image and be accepted (as, eg, Izzy demanded). Stede knows and loves him exactly as he is; it's the main thread and theme of season two!

(@/everyonegetcake suggested that Ed's yearning in these scenes includes his broader desire for the vulnerability and safety Stede offered, literalised through unattainable "fine" things like the status of gentleman in s1, or the figurine's blue dress. I'd argue, though, that these scenes don't incorporate this beyond a general knowledge of Ed's character. Ed is always pining for both literal and emotional softness, but the significance of the figurines specifically, to both Ed and the audience, is poisoned by their origin and context: there is no positive fantasy in the bride figure, only Ed's perceived deficiency.

Further, assuming that a desire for vulnerability necessarily corresponds with an explicit desire for femininity, dresses, etc, kind of contradicts the major themes of the show. OFMD asserts that there is nothing wrong with men assuming femininity (through drag, self-care, nurturing, emotional vulnerability, etc), but also that many of these traits are, in fact, genderless, and should be available to men without affecting their perceived or actual masculinity. It thematically invokes the potential for cross-gender expression in Ed's desires, especially through the transgender echoes in his relieved disposal, then comfortable reincorporation, of the Blackbeard leathers/identity. It's a rich, valuable area of analysis and exploration. But it remains a suggestion, not a canon or on-screen trait.)

Importantly, the groom figure doesn't fit Stede, either. Not just in dress: it's stiff and formal, and marriage nearly killed him. He's shabbier now, yes, but also shedding his privilege and property, embracing his queerness, and trying to take responsibility for his community. In a s1 flashback, Stede hesitantly says, "I thought that, when I did marry, it could be for love," but he would never find love in marriage. Not just because he's gay, but because marriage in OFMD is an oppressive, transactional institution that precludes love altogether. All formal marriages in OFMD are loveless.

So, he becomes a pirate, where they reject society altogether and have matelotages instead. Lucius and Pete's "mateys" ceremony is shot and framed not like a wedding, but as an honest, personal bond, willingly conducted in community (in a circle; no presiding authority, procession, or transaction).

That is how Stede and Ed can find love, companionship, and happiness: by rejecting those figurines and their oppressive exchange of property, overseen by a church that enables colonialism and abuse. Ed is loved, and deserves happiness, as he is, no paint or projection required.

ALL OF THIS IS TO SAY: draw Ed in dresses! Write him getting gender euphoria in skirts! Write trans/nb Ed, draw men being feminine! Gender is fake, the show invites exploration, that's what 'transformative works' means! But please, stop citing the cake toppers as evidence it's canon. Stop citing a scene where a depressed Māori man gets drunk and projects himself onto a rich, white, silent bride because he thinks he's innately unlovable and only people like her can find happiness, shortly before deciding to kill himself, as canon evidence it's what he wants.

(Also, please don't come in here with "lmao we're just having fun," I know, I get it. Unfortunately, I'm an academiapilled researchmaxxer, and some of youse need to remember that the word "canon" has meaning. NOW GO HAVE FUN PUTTING THAT MAN IN A PRETTY DRESS!! 💖💖)

[warlordfelwinter]

fiver after like 6 npcs tell him he needs the forum's permission to go to an island

[rotisseries]

chapters 51 and 58 of bloodmarked are absolutely CARRYING bree/nick/selwyn polyamory truthers

[thelastharbinger]

Tidbits of ATSV That I Enjoyed (Or Alternatively: Just Miles Being The Most Endearing Spidey Ever)

Miles patting The Spot's head after successfully webbing him (I don't see this as condescending, but rather him still engaging with the humanity of a villain like Spot) and ~very assertively~ telling/asking him not to escape.

"I'm like Robin Hood-if he gave to himself."

Miles' spidey senses going off when he arrives late to his dad's party because there's nothing more frightening than Brown parents when they're mad at you. Beware the chancla or correa!

O.k. So we all know there are different versions of the movie out there. You may already know that one of the slight differences is when Miles goes to save Inspector Singh. There's a version where you can hear Gwen's voice in the distant background yelling no! when she thinks Miles gets crushed under the rubble, and there's another where she's silent as she webs to him. Now, I have found ANOTHER version (online) where her shouting is even more at the forefront. She's practically screaming and sounds more desperate, (prolly because it's close to the same way her Peter Parker died so she's reliving trauma) and the fear in her voice is palpable. That one haunts me.

Jefferson trying to equate studying for his police exams to childbirth, which Rio quickly nips in the bud.

Ganke having a soccer poster of Son Heung Min, a famous Korean footballer who currently plays for the Premier League Tottenham Hotspur and is captain of the South Korean national team.

Miles having a Sashimi (his universe's version of Supreme, but I just like the idea that Miles loves eating sashimi. Like I know that kid has good taste in food) poster in his bedroom.

The fact that Miles kept in touch with Aunt May for long enough after the events of ITSV that he helps her move.

The Spot saying he was one of the more handsome scientists at Alchemax according to his colleagues.

Miles and Gwen having the same collectible toys, the only difference being that he keeps his in the box and she doesn't.

"Hey, don't try to wow me with big words, man," *in deep manly voice* "I do crosswords every day"- Miles after Spot points out Alchemax as "the crucible of our connection!"

Miles going, "This job is so dumb sometimes" after he tries to web Spot at the deli, but it goes through a hole and lands on his face.

"Nahhh, he seems more Dominican to me." Kinda want Miles to meet a native Dominican Spidey because that dynamic would highkey fuck hard *pun not intended*. They would repair relations between our two islands-PR&DR.

"Almost there Mami *smiley face* *cowboy* prayer hands*"

The college admissions coach at Visions Academy straight up saying, "That's your story! Now, just stick to the script..." Ma'am what???

"Calmate Mami, eso no es my fault."

"I've hit a lot of different villains with a lot of different food...I'm just trying to lighten the mood."

Miles in his angsty teen era and smart-mouthing everyone around him. Love that for him.

"He almost killed his mom as a baby, I mean, look at those shoulders." No but for real tho. Those shoulders are as wide as a truck. Kim Seokjin who??? (if you understood that reference, ily).

Miles writing a love letter to his dad in 2 cakes.

Gwen at the water tower chowing and saying how feelings make her hungry after her and Miles talked about how they can't be together cause it would end in tragedy. Like Gwen, come again?!

Also, Miles' and Gwen's talk at the Williamsburg Bank Building being lowkey the catalyst for the 2nd/3rd acts of the film. Without them both kind of silently admitting their feelings for each other, Miles probably wouldn't have chased after her the way he did. Pretty sure you know the rest.

"I bet she doesn't even speak Spanish," and Jeff going "Que barbaridad" in his very broken Spanish. Queue Rio's bombastic side eye.

Both Gwen and Miles referring to Spot as a Villain Of The Week, even though neither of them have spoken about Spot to each other.

"I was bitten by a-wouldnt you like to know? Know what I mean?" SIR. Chill. This movie is for children.

The Spot inverting himself, going from a white mass with black spots to a gaping black hole with smaller white spirals. It's giving Junji Ito.

The irony of Pavitr exclaiming, "Well that was another easy adventure for Spider-Man!" right before an incoming canon event. HIS. He was about to experience his first big loss, and his happy-go-lucky nature would've been challenged.

Miguel saying conyo! when all the Spideys start pointing at each other.

"!Cállate!" "Nosy!" Sidebar: we don't talk about Gwen's banter with bad guys enough. She's so funny!

A lot of the Peters saying hi to Gwen as she passes HQ because she is canonically the one lost love--the love interest they all would've ended up with had she not died, so they all have an affection for her.

Web-Slinger going "Giddy up!" Cause he's swinging up.

Miles offering his fresh new takes on how to deal with the Spot upon meeting Miguel, saying "He just wants to be taken seriously. Like we all do." MILES YOU BEAUTIFUL, COMPASSIONATE GOLDEN SUNFLOWER BOY I LOVE YOUUUUU.

Hobie referring to Peter B. as Humbling Reality Spider-Man, which considering how steeped in tragedy the Spidey lore is, is really saying something.

Miguel's nonono no puedo más no puedo más. His misery is very funny and delightful to me. Little bitch ass.

"You know you're the only Spider-Man who isn't funny." Yes! More Miguel slander in the next one, please! Little bitch ass.

"Snitch!"

Miles shouting out Peter's name for help whilst Miguel pins and lays into him the fact that he's an anomaly. This after he momentarily glitches back to his ITSV store-bought suit. Mimicking the way-in also the first movie-Miles shouting out Peter's name for his own rescue as Doc Ock attacks him at the research facility. Because even though he feels hurt by Peter at this point, that's still his dad mentor and he still instinctively looks to him for protection. Rip my heart out why don't you!

Gwen sneaking back into her and her dad's place just to get that printed polaroid of her and Miles, a pic she already has on her phone.

Earth-42 Miles wearing Nike while our Miles wears Jordans.

[asitrita]

Some people are all "Doflamingo is pure evil from the start", "he never cared for anyone", "he never really loved his brother, he was only using him, it's not like he cared for him nor anything like that".

Meanwhile, Doffy before and after killing his own brother:

The whorification is real with this one, just saying u.u

Not saying he was sane before, we know he very much wasn't, but judging by the change in his fashion sense, commiting fratricide against his last surviving family member really took its toll on him. He pretty much just went batshit crazy after that. Just look at him. Like, yes, his trausers were ridiculous since the begining, but he got much worst afterwards? XD Plus, he seems way more unhinged now than he did in his youth, he really lost it.

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[darkacademiaarchivist]

i had a conversation with my aunt today about how the system and politics and basically everything is fucked at the moment (which is true) and she was SO CLOSE to so many points but she never acknowledged that capitalism is the root of so many of those problems... Bestie you're So Close...

[thecedarchronicle]

.

[onepiece-polls]

I love your polls and it’s great you try to be on both sides to give fair chance to everyone, but the way you talked about shanks/buggy is crazy They’re fine together but in canon they’re brothers and your shipping googles got so tight you actually sounded like you could believe they’re anywhere close to canon which is u know stupid af

lmao, okay, this came out of nowhere 😂 Like... I talked about that months ago. But okay.

Anyway, Shuggy is canon. They're making out behind you right now.

[goldenpinof]

.