#I apologize way too much I think

[bewitchedmold]

Someone: you say sorry too much

Me: I'm sor-

[meownotgood]

the neon pink rabbit dildo was aki's idea.

technically, you were the first one to mention using toys in the bedroom. you've been dating for quite a while now, and although everything with aki is always fantastic, you've been wondering if maybe the two of you should try to make things more... interesting. aki is polite. tightly-laced. pretty vanilla, to put it bluntly. you honestly weren't sure what sort of things he'd be into, if anything at all.

your coworkers had plenty of office gossip about the new fancy adult store they're opening down the block — it has two floors, they're having specials on all their products for couples. you figured it was worth mentioning to aki, just for the hell of it. you tell him as you're both relaxing in the living room after work, like you normally do.

everyone at your job has been complaining about the new surge of traffic to the nearest parking garage. it must be because of the new giant sex shop. ha ha, very funny. aki gives you an all-too serious once-over, before he gently asks, "did you want to check it out?"

you fumbled through your next words, and swiftly explained to your boyfriend that yes, sure, you wouldn't mind checking it out with him. it'd be exciting, really. honestly, you're all for experimenting, but you're unsure, you aren't very knowledgeable. the problem with the whole thing is that you don't know exactly what you'd like to try. it's a bit stressful to imagine getting lost in a huge adult store, with no idea what to purchase.

"I could try to pick something out. maybe that'd be less stressful." aki suggests, his slightly flushed face betraying his level tone. he crosses his legs and leans back into the couch. "only if you're interested, though."

you confirmed you were very, very interested.

part of you assumed aki might back out. he's been busy with work lately, so you had plenty of time to mull it over before your next date — but you honestly had no idea what sort of toy he might pick out. you know he'd put thought into it. he would choose something for a specific reason, or purposefully pick a toy he assumed you would like. perhaps he'd imagine how he might use it on you. would it be something small? large? super adventurous or overly simple?

still, despite all your thinking, when the day actually comes, aki manages to surprise you.

he comes over to your place shortly after you text him an invite. sure. I just got done with work. I'll be over soon, aki replies. he sends another string of texts shortly afterwards, while you're busy tripping over your pant leg, trying to quickly change into your lingerie. I missed you. I'm bringing a surprise.

maybe it was that text, or maybe it was because you haven't seen him in close to a week and you're practically dying to feel his touch, but once he arrives, the two of you barely last a few innocent minutes together before you're stumbling into your bedroom.

aki allows you to pull him forward and on top of you by his tie when you flop back onto your bed. your hands run through his soft hair to tug it free of its hairtie. you kiss his lips and brush your tongue against his with fervor, and you don't protest when he shifts to trail tingling, affectionate kisses down your neck.

you curl into his touches — his mouth on your collar, his palm gliding over your lower back — and you make quick work of a good third of his work uniform: his tie, his jacket, the first few buttons on his dress shirt. aki is much more efficient. he discards your clothes with careful movements, between soft kisses. he sighs when he pulls back, nervously running a hand through his hair, his eyes heavy at the sight of your pretty body held tight by the thin, perfectly fitting lingerie.

"you look beautiful," he hums, completely earnest. you shudder, your arms held around his neck and shoulders. your thighs spread wider for him as his warm palm brushes in between them.

you'd almost forgotten about the surprise, until aki reminds you of it.

he pulls himself off of you for a moment to reach into his bag. the dildo is moderately sized, a handful of inches in length at most, but it doesn't seem cheap. it's made from bright pink silicone, long and thick with two different sections. the smaller portion is adorned with two small knobs, shaped like rabbit ears.

it's meant for double stimulation, aki explains awkwardly, between a handful of uhms and stutters. you could certainly gather as much from the shape.

he places a hand on your waist ever-so gently, and when he asks, are you okay with this? you're swift to answer with a nod of your head. you're more than okay with it. what you couldn't figure out is how it might feel — until aki finally opts to show you.

he has you sprawled out beneath him, completely pliant. your arms are above your head, hands clenching tight as he glides his palm from your waist to your thigh with reassurance. he squeezes, and he fiddles with the toy for a moment, gauging the various controls. as he leans in closer, he presses a kiss to your cheek, he breathes a low instruction to relax. then, he flips the toy to press just the small, vibrating, rabbit-eared attachment to your still-clothed clit.

you can feel the faint vibrations, even through your lingerie. the toy must be on the lowest setting; it's more of a tease than anything else. still, your eyes flutter. you let go of a satisfied sound, and eagerly grind your hips up to meet the toy.

aki sighs. "you want more?" he murmurs, already sitting up and hooking his thumb around the string of your underwear. "can I take this off?"

you nod hastily, and lift your hips to allow him to pull the garment down your legs and all the way off.

aki's jaw clenches. sweat is forming at his brow and his palms, as you coo his name and spread your legs wider for him. you're so wet — he can tell without touching, but he's entirely sure once he guides the thick head of the toy over your cunt, and sees your arousal glistening on the silicone. he gives you another soft squeeze, another gentle touch on your side, a final, are you sure?

when you whimper and plead, please, aki, I want to feel it, he hardly hesitates to give you exactly what you've been hoping for.

the dildo is just the perfect size. it slides into you effortlessly, filling you perfectly and snugly. the length of it is curved slightly, and you can feel that curve as he slowly eases it in — nudging your walls, the thick tip deliciously meeting your sweet spot.

"there, that's it," aki praises. once the toy is all the way inside you, he lets go of a sigh that sounds thoroughly satisfied. "god. you take it so well."

your spine tingles at the sound of his smooth voice. he adjusts the toy slightly, and as the flexible rabbit-eared piece presses against your clit, vibrations a little stronger than before, your whole body tremors.

aki fucks you on the toy with slow, shallow thrusts, enough to keep the vibrations on your clit. and it's intense, it's so much; the toy fucks you so well and hits your sweet spot with its perfect curve on every thrust in. the vibrations are low and constant, thrumming against your sensitive, puffy clit.

wet noises fill the room as you dirty the toy's pretty pink shaft. aki keeps his pace slow, deliberate, never pressing it in too hard or too fast. all you can do is quiver and whine, your voice already becoming strained and loud.

he clicks a button on the dildo, and it begins to vibrate with strong pulses.

you're so beautiful; pleading his name, keeping your heavy, warm gaze locked on his despite the way your eyelids flutter. aki swears you're the most beautiful thing he's ever seen as he watches the way you take all he has to give you. you have no idea what this is doing to him, how his heart is pounding and his mind is racing and oh, you were made to take this toy. you're all his, he has complete control over every facet of your pleasure. and god, does he want to make you cum for him.

aki increases the strength of the vibrations. "you're irresistible," he murmurs, and you don't fail to catch the small break at the end of his voice. he's falling apart too, just from this. "say my name again, please. want to make you cum for me, beautiful."

he trails soft kisses down your jaw while the dildo pleasures your cunt and your clit — and when you cum, you cum quickly and hard.

you tremor, you hold onto him tight, you soak the toy as your legs shake and your voice gives out. aki slows while you struggle to regain your breath, a hand slowly caressing your side, guiding you to breathe again. his heart feels like it might hammer out of his own chest.

"f-fuck..." aki swears, his breath shaky, his brows pinched. "you've never- that was-" he sighs. you're so lovely, so pretty. he's definitely going to lose his mind if he hasn't lost it already. why didn't he think of something like this sooner? "god... can you take one more for me?"

for @violet-turning-violet

[lord-squiggletits]

Reread/skimmed my oldest Pharma apologism posts (mainly the ones about Pharma not being a functionist) and it just occurred to me that possibly another reason the fandom saddled Pharma with the "functionist bigot" label is because his introduction by First Aid says that everyone hates Decepticons, but Pharma really really hates Decepticons. Mix that with the portion of the fanbase that lionizes and whitewashes the Decepticons, and I can easily see it entering common fanon that "Pharma hates Decepticons -> the Decepticons are freedom fighters wrongly maligned by the Autobots/the franchise -> Pharma must be a bigoted functionist since he hates Decepticons who represent freedom."

The simpler explanation is just that Pharma is an antagonist and therefore gets the "everything about him must be evil and wrong" black-and-white analysis so common in fandoms in general, but given some of the bizarre Decepticon takes I've seen I can also easily see Pharma's Decepticon hatred being taken as a sign of him being bigoted and evil.

Though AGAIN in this case it would still be singling Pharma out as a bigot for crimes/flaws that multiple other Autobots are guilty of like.

Oh, Pharma hates Decepticons? Well a lot of other Autobots hate Decepticons too, First Aid's narration about Pharma even says "we all hate Decepticons"; for that matter, there are a lot of Decepticons who hate Autobots. It's a massive civil war that's lasted for a lifetime causing two groups of people to be stuck in a near-permanent blood feud, you can't assume that every Autobot who hates Decepticons (and vice versa) hates them because they're a bigot. Maybe there's been a war where both sides have been building an ever-increasing mountain of reasons to hate each other, so hating the opposite faction is a social problem caused by war and politics rather than a sign of individual moral failing.

Pharma worked at the New Institute so that means he must be evil/bigoted? Chromedome and Brainstorm also worked at the New Institute, but there's no widespread fandom shunning of them or headcanoning them as bigots.

Hell, even the very premise of assuming Pharma is a functionist bigot for hating Decepticons is ignoring the very premise of Pharma's motives, which are, uh... being blackmailed by the leader of the Decepticon Justice Division, who represents the ultimate form of Decepticon ideals to the point of literally wearing their symbol as his mask? So how were we jumping straight to "oh Pharma hates Decepticons bc he's a posh bigoted functionist" when there was a far more immediate interpretation/headcanon of "Pharma hates Decepticons because he's being tortured and blackmailed by one."

That's not to say that Pharma couldn't have hated Decepticons before Delphi, and I think you could make interesting headcanons/extrapolations based on either idea. But still. It kinda feels like people saw Pharma and just wanted to make him the Token Evil Autobot who's the opposite of our Good Heroic Autobots regardless of whether evidence from canon supported it or not.

Good riddance to bigoted functionist Pharma fanon, I'm so glad that the majority of Pharma fanon these days actually gives him a chance and puts him on equal footing as other Autobots.

[forecast0ctopus]

Any advice on drawing McCoy? I’m not used to drawing ancient wrinkley bastards (affectionate) and it’s surprisingly tough v-v

FOR SURE lmao i made. a diagram. just a warning that i am going to be irritating and long winded because u just hit a topic i really like sorry lmao

so first off i did some traces just to show whats there vs redraws to show my interpretation

ive said this on other asks but again jsyk, tracing isnt bad!! its a tool. theres some stuff with intellectual property and whatnot but using tracing to study shapes and forms is a really valuable practice.

also just taking some time to learn facial structures and anatomy is super useful, reading what bones and muscles are where and how they interact with one another. taking this info and staring in the mirror and moving your face around and thinking about it. just really furthers understanding of how the face works. trying to sound normal about this but i love anatomy and motion and physics and whatever

anyways im going to go through all the numbered points so there's no confusion. 1. forehead lines - self explanatory. more prominent when brows are raised 2. crows feet - at the outer corners of the eyes, more prominent when smiling or squinting 3. nasolabial folds - the folds that go from the corners of the nose to the corners of the mouth. more prominent when the mouth is wide, like smiling 4. brow furrow - self explanatory, most prominent when brows are furrowed. mccoy tends to have two right next to his eyebrows, kirk has one in the middle. everyones face works different lmao 5. chin crease - caused by how the chin and lower lip interact. 6. nasojugal groove - start from the inner corners of the eye and can extent over the cheeks. everyone has these and idk why people dont like them i think theyre really cool!!!! but Society. i guess. :/ 7. eye bags - caused by the skin sagging beneath the eyes. mccoy isnt even that old in tos i think hes meant to be mid 40s by the end of the 5 year mission, hes just got really prominent eye bags lmao 8. idk what the name is for these, but when the mouth is wide and pushes the skin to the sides, these folds sometimes form outside of the nasolabial folds 9. philtrum - the groove above the upper lip. i dont usually draw this but mccoy's struck me as prominent enough that i usually draw it on him 10. masseter - the muscle that moves the jaw up and down. its a pretty rugged muscle and while i wouldnt say mccoy's is especially prominent, it kind of extends that nasojugal groove from certain angles/positions 11. orbicularis oris - mouth muscle, usually easier to see when lips are pursed or frowns are pulled. mccoy's is pretty prominent from 3/4ths or side, his mouth tends to protrude in profile 12. this isnt a muscle but more of a line defining the planes of the face, but since i drew it i felt i should explain lmao

a few points:

im an animator i tend to exaggerate and emphasize certain things so i usually make him more square.

i like to combine eyebags and crows feet for brevity/flow, same with nasojugal grooves, eyebags, and masseter lines. my approach is always subject to change based on pose, expression, reference image, etc.

i take out details that i deem redundant or cluttering and keep what details i need to make things feel Right

all this info is applicable to any character of any age, its just in how you apply it and facial proportions that willl change how old a character is perceived to be

there's a lot more with drawing a Character rather than an Actor, just because the features are there doesnt necessarily mean things will feel correct? its very much in the mannerisms and poses and expressions

i only went over my approach to his likeness but not really body type or posing or anything idk if u want that i could always try to answer that later haha

_______________

anyways all that info kind of exists nebulously in my brain while i draw its not like im sitting there thinking Must Draw. Nasolabial Fold...... i jsut do what feels right with the visual info i have. also i love specificity in faces.... i dont like to be a hater but when every character is drawn the same it pisses me off a little lmao. so

also dont take my word as The Only Way to do anything i just draw how i like to draw and no one should feel like these are things that Must be done to be a good artist or anything do whatever the hell u wanna do

[lazycranberrydoodles]

woe mundane monopoly headcanons be upon ye

follow for more of modern au hua cheng’s outfits

[leafuxxtea]

guess who's back 🥺🥺 (and about to go to sleep)

i wanted to apologize quickly for disappearing like that, and i promise ill answer my asks and interact tmr!! 🥹🥹 hope everyone's doing well <33

but before i go, ill just drop this fanart of @lostxmelody 's fanfic (Parts of a Human, I've talked abt it before but it's. such a wild ride that I will absolutely stay on forever.)

(do i now know how to format panels?? hahahhahaahaa. still no.)

[ellies-enrichment]

Ellie & Joel + text posts

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[skrunksthatwunk]

kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.

and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.

and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?

hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.

it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh

[cornleypolytechnicgoeswrong]

More of my favourite low effort CPDS Members as my screenshotted tiktok comments memes for you as an apology for being so inactive and proof I am still around hehe <33

[rinbylin]

re: jianghu as a queer space in mlc

here to answer @redemption-revenge !! in reply to this post

(also tagging @markiafc @ananeiah <3)

there are many definitions of jianghu, but this is specifically based on the framing of jianghu as the space people retreat to, away from the mainstream sphere governed by the imperial court. in that is a sense of rejection and defiance against the patriarchal, heteronormative values and norms, which had been enforced through a fixation on upkeeping order in the society. as such i guess it's not too much of a stretch to interpret jianghu as a queer space in a way that's characterised by a spirit of nonconformity to the norms. consequently, it makes sense for stories set in jianghu be used to illustrate and navigate queer identities/experiences/feelings - which I came to believe mlc had made really good use of.

there's always kind of a dichotomy between 江湖 jianghu and 庙堂 miaotang (ie. imperial court). like in mlc, there are two separate, distinct law enforcement bodies from the respective spheres - and jianghu strives to keep imperial court from interfering in their affairs. like how li xiangyi firmly stands against getting imperial court involved in jianghu matters. like how fang duobing is actively running away from the grip of the royal court on his life choices. the rejection of the mainstream (very conveniently and broadly put, confucian) norms in mlc also manifests in many of its key relationships being non-familial (in the sense of blood/marriage-based kinship) and there being little emphasis on the main characters' biological familial ties. (anyway this is for a whole different meta on its own... edit: it's here)

it's then actually a sort of irony that the imperial court's institution of law and order is what sigu sect/baichuan court had been formed to be a de facto counterpart to. so when li xiangyi becomes li lianhua, it triggered the process of deconstructing the meaning of installing such an institution and the need to maintain order to a fundamentally nonconforming space such as jianghu. mama fang's seemingly throwaway line of criticising li xiangyi and his mission is in fact the thesis statement in this particular reading of mlc's story: jianghu makes its own rules. nobody should dare to do it in its place.

now deprived of all means to fight like he used to, li xiangyi's new life as li lianhua is essentially a refresh of how he views jianghu. the death of li xiangyi the leader of sigu sect and top of wulin, meant taking apart the idea that jianghu is a lawless arena where the fittest fight to the top for power and control over wulin. and li lianhua then putting together lotus tower, living a life focusing on a domestic lifestyle this time for real far from the reach of the governance both from the imperial court and sigu sect/baichuan court, is him living the jianghu that's defined as a space away from any form of conformity.

with that, there's also a sense of queerness to this particular way of living as li lianhua, if you consider the chinese conceptualisation of gender being more social than biological. if femininity and masculinity were respectively characterised by inner/domestic sphere and external/any space outside of that, dare I say...it actually makes li lianhua's moving house mindblowingly smart as a metaphor for gender fluidity. lonely wanderers are common in wuxia but housed lonely wanderers? he carved for himself a domestic (ie. feminine) space in the wilderness - among a jianghu space that's still dominated by masculine values of aggression and competition. and being freely mobile makes this feminine space more fluid and less tied down than the more rigid, inert domestic, feminine spaces in traditional mainstream society. when you combine it with how his character has been fem-coded - even as li xiangyi (eg. yin-coded powers/energy) (also a whole other meta on its own... edit: it's here now), it speaks to a part of him that has always found appeal in qualities conventionally associated with femininity of stability, gentleness and non-aggression. and a rejection of expectations to fight and destroy. he is defining who he is in his own terms, in the true spirit of jianghu.

[supahstarrr]

so i was just thinking about whit's behavior in chapter two; he's trying to be so secretive about david's secret to the point of disrupting the flow of trying to survive in a life or death situation. this behavior from him is likely an extension of his behavior in chapter one, where he tried to keep the reason behind charles behavior and the interactions between the two of them a secret as much as possible.

what motivated the secrecy was him being emotionally aware about trauma; how trauma is such an intimate and personal thing. so here in chapter two, could this flaw be in root of him being emotionally aware of how mentally (and life) damaging it could be on david's life if his career, which largely financially supports his life, is suddenly tarnished?

he values privacy so much to the point it becomes a flaw. the root of this flaw is his emotional maturity and awareness towards other people (i can't word this in a way that also acknowledges his awkwardness with dealing with people). and then i think about his relationship with romance, commitment, detachment and his career. the reason he is an ultimate at what he does is because of his heightened awareness towards the emotional aspects behind romance. his patience and consideration of others suggests emotional awareness.

yet despite how serious and aware he is about romance, him flirting as a joke—thus burying down how prudish he actually is (confirmed by drdt dev)—suggests he attempts at somewhat detaching himself from the concept of romance by treating romance as a joke when it's applied to him and his interactions with others. in other words, this behavior can show you're not putting your full commitment when it comes to romance. hinted by treating your romantic words lightly to detach them from romance.

that trait isn't always an immediate deep thing, but what makes it deep for him is that this is an extension of him constantly joking about serious things in general, thus expressing detachment from dealing with the weight of an impactful situation. as he is aware of the impact about romance, this means he is aware of the commitment—and responsibility, which connects with commitment—that intertwines with romance (the commitment can be vary to little or a lot).

so in a way, it appears he has some sense of aversion about commitment and responsibility that he is very aware of. he acknowledges the responsibility with revealing other people's secrets, so he avoids that, even if it means hes heightening up the risk of a deadly situation by being secretive. in fact this interests me because i can take it far and say this aversion of his could very much be linked to his mother's death and neglectful childhood.

i dont want to say too much tho so i wont go on about how. if anyone does want to hear more thoughts then ask me. anyways any other people who analyze characters way more better than i do/get his character way more than me PLEASEE talk to me what do we think .. i usually dont trust myself with deeper thoughts on characters so im just gonna say this is more like an interpretation than a serious analysis

[skitskatdacat63]

"Non paeniteo potitus."

+ details & process

And, process !!

The jump btwn the second to last and last always surprise me whenever I make one of these because I always forget to take snapshots after I start painting. It's always like: oh yeah heres the lineart with some colors- BOOM fully finished✨️

What he's holding are the Austrian imperial scepter and orb, seen below:

I was going to draw the crown too but decided I don't hate myself that much(maybe some other day), and gave him a golden laurel crown, bcs I'm obsessed with that as a motif, and also its very remincient of the boy king statue that started this whole thing!

There's some symbolism of this, both intentionally but also just historically. I love that the orb represents that the monarch is holding the world in their hand, basically every old monarchy has one of those, and I think it's very cool for symbolism. But also bcs of that, I was forced to basically draw catholic fanart so, you win some you lose some. The star halo above him head is both to reference those religious statues with star crowns(I saw them a lot in Europe and they imprinted onto my brain), as well as: his four championships of course!

[just-sp-in-inginthevoid]

Hey!! So these days I’ve remembered a joke that was quite popular in the fandom about Shinichiro not being able to get a girl because Wakasa was always with him and they would choose Waka over Shin. I just wonder how much of this could be true, since we don’t have any info of Wakasa interest in this topic or if he know he is good-looking and uses it to his favor.

Idk it is nice to hear your thoughts about it.

Hi there!!

First of all, I love the idea that Shinichiro got rejected so many time because of a bunch of different reasons, one being that his flirting skills are so bad his awkwardness somehow surpasses his good looks (I'll argue that in-canon he was meant to embody any average Japanese man with no specific physical trait (despite having a mixed-race dad) but like, scratch that, Shinichiro is handsome. Perhaps not in an outstanding, eye-catching way, but he is very good looking.) and leads to girls basically running away because he's being overly head over heels for a first meeting, is being a tiny bit too hopelessly romantic than it's acceptable (and sounds desperate sometimes) or starts talking about bikes because he saw an opportunity to and he lovesss talking about them (and the only other conversation topic that comes easily to him is his siblings) so it can go on for hours - so they leave. Shame on them.

(Another reason is because he goes up to girls he saw from afar before confessing his love and they reject him because.. they don't know him - at most they know his face but he barely if ever spoke with them. He's a loser, I love him)

Secondly: Wakasa's part in all of this.

We already know Wakasa loves to mess with people, to troll them (it's in the guide book), and we also know that Wakasa - alongside Benkei - made fun of Shinichiro rather often (teen Wakasa and teen Benkei's sole two lines are really just this lol (chapter 230 and 269)). I'd find it hard to believe for Wakasa to not be aware of his attractiveness. I don't see him looking for a relationship, but he must know the impact he has on others - even only objectively speaking.

So honestly? I think he'd do it, yeah, just to laugh at Shinichiro (playfully of course, he has no ill intent). It also helps to sort girls who'd go to other (more attractive or not) men given the chance. Shinichiro would do bad with casual relationships, he wants to give all of his heart to the person he loves, he doesn't want one that can end. Wakasa rather have Shinichiro cry because 'it's unfair!! a girl was finally interested in me, why did you have to steal her heart?!!' than get his heart broken because he thought they had something only for her to leave once she found someone else.

(Alternatively, Shinichiro simply whining that if Wakasa wasn't there, he'd have a girlfriend by now because they wouldn't just all focus on Wakasa - whether he did anything for them to focus on him or not)

It robs Shinichiro from possible relationships, but it's more of a test from Wakasa than a mean joke. Because Shinichiro is his dear friend and he deserves the best. He gets hurt easily, and one of Wakasa's job - as a friend and as one of Black Dragon member - is to protect him to the best of his capacities. Physical and emotional wounds both

Also it's funny to see Shinichiro's reactions to it.

And it's not like he does something everytime - people look at him more than they look at Shinichiro whether he intends for it or not! He's not stopping it, though

I may have gotten too serious about a fandom joke, oopsies

[thoughtfulchaos773]

It's sick because some things sydcarmies predicted last year came true this season except the big fight. Just coldness. Where was that passion that Jeremy and Ayo said- or that display of Carmy believing in Sydney more than he believes in himself? Where was the Joy Jeremy mentioned?

[hawkeyeslaughter]

through heavy , heavy tears : hawkeyes first instinct is to be KIND he’s so much less guarded than trapper and even bj when first meeting people ( even ones he probably won’t like ) he always treats them with respect . i’m going to be physically ill