#I am too weird to be alive man....

[mrfoox]

Me: -runs around without pants/only in underwear regularly with company-

Someone visiting: -removes shirt for a few moments-

Me: 😳 that's... Thats not fair 🥺

[reddeadsredhead]

Hand slipped. Drew a Sean

[bibuckleykinard]

how many times do we need to learn as people that irony and hyperbole can be harmful because 'jokes' aren't easily distinguished from genuine thoughts and feelings until we stop rewarding people for speaking or posting about violence

like even if you're joking/don't actually believe that/think whoever you are insulting is bad/immoral/fictional therefore deserves it - ad hominem attacks always do more harm to the people who share those characteristic then the individual you intend to cause harm to or discredit

[boxwinebaddie]

Wait so did Ike knoww about Stan and Kyle dating? Also I'd love to hear abt Kyle and Ikes sibling relationship thats so adorable

soooooo long story short:

...y-yes. yes, he Does know.

hOWEVER, IKE DOES NOT KNOW RAVEN IS STAN THOUGH, THAT IS SENSITIVE INFO THAT IKE CAN BE TRUSTED WITH, OFC, BUT IT WOULD PUT HIM IN DANGER AND KY WANTS TO KEEP HIM SAFE.

but long story Long...

i'll leave it in the crotch. xx

( edit: so...my bad, baby. i accidentally went on a crazy TANGENT about ike and jerseykyle's relationship bc i love them a lot and their dynamic is very complicated, so if you want that info about how ike found out about ravesey dating...i gotta put it in another ask.

bc this...got Very long.

you don't have to read this. soz. >.> )

oookay!~ so i got REALLY excited about this because rm!jerseykyle and ike's relationship is super duper special to me, in that, as sp fanfic writer girlie who tends to lean away from a more gentle, kindly, introspective kyle and much more heavily into the potential brutal parts and menacing aspects of kyle's personality when i develop my style dynamics with, ofc, jers being the most brutal of all ncu kyles...

...the way that he speaks to ike -- gently, softly, tenderly -- the way that ike disarms him, the way that j.k. unravels around ike, bends for him, it's one of the ONLY instances written into my actual published canon where we see jers be extremely vulnerable. ( not crying, lmao! )

however, i will say, it was not ALWAYS like that!

*rings the cd re-education bell*

LORE TIME!

so, per my rm!take on the south park lore, ike, ofc, was adopted from canada around age five and he...was Perfect. he was this lil gorgeous, perf, lovely thing, no health problems, dark hair, i like to think his eyes are dark brown, closer to black, sweet kid, easy-going...

...and very NOT like kyle.

and, interestingly enough, i think, At First, that sheila and gerald were super obsessed with ike, cooed over him, he was the baby, y'know? which made jerseykyle MAD jealous of ikey and an Anti from day one.

which is also v interesting because rm!ike, really just fkn Worshipped jerseykyle, wanted to be close to him, wanted his approval, craved that brotherly relationship with him, idolized him...and kyle was NOT having it, dawg! like, it took him so long to even let stan in and let his cold, black heart be light and bright enough in some spots to do That, so he pushed ike away, constantly told him to fuck off/get lost

( i do think that ike's vocab being more vulgar/him being precocious comes from wanting to impress kyle/being influenced by him ), also ike was really fkn smart from the jump in a way kyle wasn't like, to me, jerseykyle has worked hard for everything, studied hard, fought hard, and ike was naturally a child prodigy and didn't have to work that hard for anything, all while being gentle and docile and kind.

-- but going back to STAN for a minute...as a direct contrast to how jerseykyle treated ike growing up...gods angel saint ravenstan was always EXTREMELY KIND to ike. stan never had a brother: okay, he had shelley but his relationship with shelley was even more complex than ike and kyle's relationship used to be and the way shelley treated ravenstan was similar to the way jersey was treating ike, so he Deeply Sympathized with that and endeared himself to ike, encouraged him, and the more kyle pushed him away, the closer ike got to stan.

stan and ike i think ALSO had very similar interests in that they both liked louder, heavier music, revolutionary/counter culture stuff, fighting the MAN, sports ( namely hockey ) i think as a gift, actually, that ravenstan gave ike his wayne gretsky hockey yersey and ike STILL has it ( yes, kyle was jealous ), stan encouraged him to be different and carve his own path in life and while kyle, obvi, was the person most effected by stan's untimely passing...it did also do a number on ike who seriously considered stan like a brother to him and was one of the only other people who Never misgendered stan.

SPEAKING OF STAN DY*NG THOUGH: this was when everything sort of...Flipped. because when stan 'died', whatever part of kyle that could love things also died with him along with a lot of his stability.

so on top of all of his health issues, kyle got really, REALLY gnarly ptsd, would fly into blind rages, got randomly triggered by things and see stan everywhere, have really, really sever panic attacks, had to be put on several medications, got into TOOOONS of fights, etc.

and ike...was just sweet, introverted, lovely ike. stayed in his lane, did his work quietly, existed quietly...while kyle was Loud and VOLATILE.

also, to tie in Another ask where someone asked me while sheila didn't take care of ike as well as she could...fair warning, i am a liiiittle defensive abt this topic because it wasn't that she didn't want to take care of ike or meant to neglect him AT ALL, it's just...when you have a a child who has a lot going on mentally and physically, is more of a firestarter, is more aggressive or more outwardly mentally unstable...

...that tends to require more immediate attention ( especially since kyle was sooo unhinged that he was constantly in police stations, juvie, the psych ward ) and sheila's attention more helicopter parent-y in that she wanted to keep kyle safe, whereas geralds attention was more negative, felt kyle was a failure/embarrassment :/// </3 )

so ike, by COMPARISION to jersey, was VERY low maintenance, did not require to be constantly watched to make sure he didn't hurt himself or others, and so, unfortunately while sheila loved him very much ( gerald just wasn't very interested in him as the second kid other than that he not act up/argue w/ him ) he got swept under the rug because of how pliable and pleasant he was personality wise.

so sheila really does Adore ike, she just doesn't worry about him nearly as much and because of how glaring jersey's issues were, she also mistakenly assumes he's mostly fine where...i really do think ike has pretty gnarly depression, tbh. he is stan coded, i mean that. i will say that him acting out is starting to cause a stir in their house.

anyways...i am sorry this is such a MESS but jerseykyle was watched with laser focus and because of this, ike got off scott free most of the time and received almost no attention. like all his accomplishments went unnoticed or were pretty normalized because the standard he set v young being smart/capable, set the bar high. ilysm, ikey. </3

tldr; ike was The Good Child

and jersey was The Bad Child.

but, in being 'good', he got extremely overlooked by his parents.

thiiiiiiis...is where jerseykyle stepped in. so basically his entire life he was staunchly anti-ike, but he warmed up to ike a lot after stan died because they bonded over talking about him a lot/that grief, and also grew up under intense scary jewish matriarch sheila broflovski and the serious shit show that was having gerald as a father...who jersey actually regularly took shit from so ike wouldn't have to, i.g. when ike did something less than perfect or did misbehaved or fucked up, kyle always took the fall for it and was the messed up problem child, so that ike would essentially spared from gerald's mental abuse/wrath.

ike was also kind of the only person j.k. had in the world, so kyle looked after him because...again...ike is very stan coded, kyle is very protective of the lil gentle hearted people and he basically raised ike in the stead of his parents which forced him to be hard on him in a way that sheila and gerald were not hard on ike...which created a lot of dissonance when ike was becoming a teen and kyle was in hs.

so, essentially while when they were little kids, ike followed kyle around, wanted kyle to like him, thought kyle could do no wrong, as he got older and kyle started to nitpick him, actually care about him and start enforcing rules/curfews on him because no one else did, ike developed a rebellious streak and started to not like or listen to kyle because he was like, bro, whatever, you're so boring, it's one party, oh my god, just because you're boring doesn't mean i have to be!!!!

it's mostly just skin deep though, ike is only irritated because jerseykyle is mad overprotective, hard core and did not gentle parent him as an older brother at like, i shit you not fourteen, like i am so sorry but jerseykyle raised ike basically, and inspite of actin like a heartless monster...loves ike very, very much ( even if he can't say it ) and ike also loves kyle very much. jerseykyle is pretty much the only other person besides firkle, tricia, etc. ( i'll get into that in a diff ask ) that truly gave a shit about him and put weight behind his actions.

so jerseykyle is like ike's older brother/dad, rags on him about doing his homework and being an edgelord

( ike has been acting out a lot, one, because he's finally starting to come into his personality more, which, imo, my hc is that ike is p popular but mostly by accident sort of how stan was because he's pretty and very nice, ike is captain of the hockey team, his accent is cute, gets good grades ( he is slacking right now tho bc hes being edgy as hell ), is a lil skater boy gamer boy, IS V INTO TRUE CRIME, JOURNALISM AND ACTIVISM, creating positive change, exposing injustice, enjoys punk rock music, thinks emo boy stuff is neato,

IKE IS THEEEE DAWN SPAWN OF EVER AND I MEAN THAT, he is a raven of crimson dawn FAN BOY, he is obsessed; i mean that...and despite wanting to make waves in that way, like, he really is kind of an antisocial DORK but lots of girls like him, he gets invited to parties, firkle gets invited by proxy even though people think they are a crazy demonic satan worshiping freak of nature...but ike's super bestie, ofc...their relationship is also interesting...BUT YEAH! IKE! <333 )

also per rm canon, jers does miss ikes birthday every year bc going to south park triggers the fuck out of him which he feels very, very badly about, rags on him but is very pro ike doing what he wants to with reason of not acting like a goddamn FOOL and doing his laundry, his emo dirt bag phase is making kyle's eye twitch ooooof, him bleaching his hair and sticking a safety pin through his lip the second ravenstan walks through their front door while ravesey are secretly broken up and jk is extra mad at him; ITS A HOT MESS EXPRESS, Y'ALL!!!!

if you made it this far...i have to put the answer to the FIRST part of your question with all that dialogue in another ask so feel free to re-ask me that, but to reference it a little...ike is so team ravesey like it is actually painful, that is his ROMAN EMPIRE. firkle actually really does not like kyle bc they think he is lame as hell, help, and is anti-ravesey bc they think romance is a distraction,

( okay, spoiler, but firkle is in love with ike, ike does not know this, ike is super fkn oblivious and is actually very bi, so it's not like he's just not aware he is not straight, he just....actually has no idea, rip, he also has a crush on a girl in his class, it DOES make firkle want to actually dome themself to hear about it 25/8, stupid Feelings, smh, firkle b hating jersey and is lowkey a little jersey coded ) anyways they think kyle dating raven of crimson dawn is going to interfere with the band, their music, their sound and is a hater. like boooo! come on, FIRK! :/

BUT IKE IS A ROMANTIC!!! IKE IS THE JR. RAVESEY CAPTAIN!!!!

tldr; kyle and ike have a complicated relationship but love each other very much and ike does eventually learn about ravesey secret dating bc they are the brothers of ever and cannot hide shit from each other BUT I GOTTA PUT IT IN ANOTHER ASK, I AM SO SORRY, BABY, YOU GOTTA ASK ME AGAIN ABOUT THAT! but i hope this thrills you?

-uncle nina, ceo of insane hs isaac moisha broflovski lore

[be-good-to-bugs]

the weight of everything bad in my life has decided to crush me on this nice night

[milimeters-morales]

Peter: you seem in a really good mood today

Miles: yeah my parents finally woke up from their month-long comas and I won’t have to keep running from CPS anymore and I can finally sleep in a bed again ^_^

Peter, about to faint: that’s great kid!

[steveyockey]

To be aware you might be trans but unwilling to do anything about it is to create endlessly bigger boxes within which to contain yourself. When you are a child, that box might encompass only yourself and your parents. By the time you are a gainfully employed adult, that box will contain multitudes, and the thought of disrupting it will grow ever more unthinkable. So you cease to think of yourself as a person on some level; you think not of what you want but what everybody expects from you. You do your best not to make waves, and you apologize, if only implicitly, for existing. You stop being real and start being a construct, and eventually, you decide the construct is just who you are, and you swaddle yourself up in it, and maybe you die there. There is still time until there isn’t.

This reading of TV Glow’s deliberately anticlimactic, noncathartic ending cuts against the transition narrative you typically see in movies and TV, in which a trans person self-accepts, transitions, and lives a happier life. Owen gets trapped in a space where he knows what he must do to live an authentic life but simply refuses to take those steps because, well, burying yourself alive is a terrifying thing to do. The transition narrative posits a trans existence as, effectively, a binary switch between “man” and “woman” that gets flipped one way or another, but to make our lives so binary is to miss how trans existences possess an inherent liminality.

Humans’ lives unfold in a constant state of becoming until death, but trans people are uniquely keyed in to what this means thanks to the simple fact of our identities. You can get lost in that liminality, too, forever trapped in a midnight realm of your own making, stuck between what you believe is true (I am a nice man with a good family and a good job, and I love my life) and what you know, deep in your most terrified heart of hearts, is real (I am a girl suffocating in a box).

And yet if you want to read the film as being about the dangerous allure of nostalgia, you’re not wrong. I Saw the TV Glow totally supports that interpretation, too! But in tempting you with that reading, the film creates a trap for cis viewers that will be all too familiar to trans viewers. Somewhere in the middle of Maddy’s story about The Pink Opaque being real, you will make a choice between “This kid has lost it!” and “No. Go with her, Owen,” and in asking you to make that choice, TV Glow is simulating the act of self-accepting a trans identity.

See, the grimmer read of the film’s ending truly is a nihilistic one. It leaves no hope, no potential for growth, no exit. Yet you must actively choose to read that ending as nihilistic. If you are cis and the end of I Saw the TV Glow left you with a gnawing sense of dissatisfaction, a weird but hard-to-pin-down feeling that something had broken, and a melancholy bordering on horror — congratulations, this movie gave you contact-high gender dysphoria.

In an infinite number of possible universes, there is at least one where I am still living “as a man,” embracing my fictionality, avoiding looking at how much more raw and real I feel when I “pretend” to be a woman. I think about that guy sometimes. I hope he’s okay.

Consider, then, my cis reader, that TV Glow is for both you and me, but it is maybe most of all for him. I hope he sees it. I hope he breaks down crying in the bathroom afterward. I hope he, after so many years locked inside himself, hears the promise of more life through the hiss of TV static.

Emily St. James, “I Saw the TV Glow’s Ending Is Full of Hope, If You Want It to Be,” Vulture. June 4, 2024.

[sanasanakun]

I really wish I liked Karlach…People who like her seem to have so much fun lol I just cannot…stand positive characters lmaoo (which definitely says something is wrong with me😂)

[nomstellations]

there is something really funny about this post getting replies w the sentiment of "yeah humans are a big no i dont like them at all" not knowing they're speaking to the god-king of Really Liking Regular Ass Humans In Vore

im not sure if this is a popular opinion or not, but does anyone else like. ONLY like vore as a fictional thing with fictional characters? my enjoyment of vore p much stops if someone asks me if I'd like it to be real and if the characters involved are based on irl actors/people

[youve-always-had-me-cas]

[eleven deleted draft vents later] dae asexuality kinda fuckin weird

[nemesyaaa]

pygmalion au // rafe cameron x reader

summary ; “ you love someone you can shape, who has no will to escape. ” artist!rafe x muse!reader.

warnings ; unsafe feelings. slight of angst. smut. kind of fantasy/magic. art glorification. attachment issues. innocent!reader. fear of losing somebody. first time. rafe being a lost boy. dubcon. pygmalion' weird story. toxic!rafe. mentions of drugs. oral (m. receiving). p in v. insecurities. praising. artist hands appreciation. minors DNI.

author's note : 3,5 k words for this. one-shot. also a lot of tummy appreciation (tysm @shawtycoreee 🫶🏿). out of the smut, i tried to write it so poetic 😭🤟🏿

— “ wrap me up, enfold me. i am small and needy. warm me up and breathe me. ” breathe me by sia.

it was alone and late at night that rafe cameron began to create you, not really knowing at the time he started his art what work you would produce. he only cut the stone with his hands. before forming your body, he fantasized about it internally, not really knowing what a woman's anatomy actually looked like. you were like a crazy dream he was trying to sort out, a fantasy he was trying to make real. he sculpted with his straight calloused and tired hands, manipulating the fragile and sensitive material with precision.

he hated doing badly, but it was what he did best. as he worked, he sank into his own fascination. you were magnificent, no, you were divine, the glorious treasure from his hands. it was scary and breathtaking. he had never done anything so beautiful, never created anything so charming. you had this firm, seductive chest, completely bare and hard, the movement of the stone making your belly round and chubby. you were carved in marble, an inanimate statue that had found favor in the eyes of his creator.

when he had finished your face,

he had been amazed but above all frightened by what his fingers had achieved. he had given shape to your lips, your nose, your mouth and your eyes. and now that you had a look, it was like you were confronting him. because now that you had pupils, you could look at him too, you could judge him too. you could be as superior as him, but also equal to his worth.

you were his most beautiful work of art, literally his ethereal and angelic muse. and above all, you made him nervous. not only were you realistic, but you were a woman, you were like one of the goddesses from greek mythology, completely naked.

it was unexpected, but he had knelt before you, before your altar, on his legs and his hands. he was so white and desperate like a lost sinner having only his god to pray and glorify in order to survive.

you had seen his lips part in a prayer, his mouth tighten in a whisper. and you had ears, certainly made of stone, but you had heard it. you had heard his wish lost in the void. yet he had nothing of a believer, you could hardly imagine this man on the benches of a church, but you were also cruelly incapable of seeing and understanding who he really was.

when he stood up, you felt his hands on your skin, the coldness of his ring, but also the awkwardness of his touch. you could tell it was the first time he touched someone intimately, because he didn't really know where to put his hands but he also didn't know how to touch you without destroying you.

rafe cameron was not a god. he could break anything he touched. and maybe that was why he was so nervous and pathetic. you belonged to him now that he had created you so he refused to lose you without even knowing you.

he had hoped that god would make you a real woman, because you were perfect, too sublime to be just a piece of stone.

he didn't need to pull himself up to reach you, he was much taller, more intimidating in terms of size. he could lift you up and control you with just one hand.

you looked so alive so why, why did he only hear one heartbeat in the room? why was he alone breathing in this cold and empty room? why did you only have life in appearance?

you could feel in his look that he was questioning, that he was troubled, that all the beauty of his blue eyes was overwhelmed. but you had also felt his face so close to yours, his breath fanning across your molded lips. he had been hesitant, but his mouth had finally found yours.

and you surprised yourself by loving the taste of his pretty lips, but above all by being able to touch it.

and it was like that kiss had been real enough of how he felt about you that god had decided to give him a chance.

you had sensed all the ivory of your body, of your muscles, becoming sublimely gorgeous, all your stone beauty becoming human and alive. as if his devotion had allowed you to be free and to exist.

when he felt your mouth melt on his, he pulled back in fear. you weren’t supposed to be real even if he wanted you to be. since when did statues come to life?

"oh fuck, what's going on here?... i think i'm going crazy...all that fucking coke…”

“you created me.” you replied, slightly hurt by his reaction because he was supposed to be happy.

"no, you're not supposed to be alive. i mean, you're art, you can't be human."

“i’m human!” you contradicted, stepping forward from your marble base.

rafe wasn't sure if it was a nightmare or a dream. but his gaze was anchored on you, he couldn't take every inch of his eyes off your body. he was magnetized by your magnificence.

you came just close enough to take his hand and place it against your chest. “don’t be cold to me. don’t leave me. what would i do without you? you can't reject me. you need me. ”

maybe that was the game changer for rafe cameron. because he had just understood that since you were his, you belonged to him, you were entirely dependent on him. you couldn't escape, and above all, you had no desire to.

he could do what he wanted, you were like a doll created to respond to the slightest of his favors without ever complacent. you were not only perfect but unimaginable.

” be on your knees for me.”

and the next second, you were staring at him waiting for another order.

"mmh...i know your body by heart. i shape all of this. but you have never seen mine. no worry, i'm going to fix that, okay? you're going to please me tonight and not make me regret 'have given you life?”

you nodded in agreement and he smiled because you were too innocent, too sweet for someone like him. he had unzipped his pants, making them fall to his legs like his boxers.

and it was the first time you saw a naked man in front of you, but it was also fair for you because you had no clothes. “let me help you…” he offered with a smirk. his thumb had rolled over your lips, creating a slight slit between them. “ you need to open that pretty mouth wider...” he added, taking advantage of your vulnerability to use you.

"you know it will only hurt if you don't relax. so don't be tense. because even if it's big, you're gonna take it, doll. not gonna be easy on you because it's your first time. show me what you can do baby, let me feel how grateful you are for your creator. "

he had pushed his tip against your lips, forcing his way into your mouth, making you open bigger to accommodate his cock in your cavity. it was new to you, and you weren't even sure if you could satisfy him because it was the first time you had done something like that, and especially used your mouth in that way.

you thought this area was used to create intimacy between people, not to do dirty things.

“baby, i really appreciate how sweet you can be, but don’t let me do all the work…” he had scoffed. and your heart skipped a beat when he shoved himself further in your mouth, so much so that you felt him hit the back of your throat, all the speed of his harshly strokes leaving you breathless.

you choked on his movements, saliva pooling and dripping between the corners of your enlarged lips. “that’s what happens when you don’t do your part of the job properly…” his tone was falsely accusatory as you couldn’t catch your breath from his pace. he had no pity, you had turned on him too much. and to fix it, he blamed you by harassing your throat with his fat cock.

"but since you leave me no choice, let me show you how to be a good girl for me..." he had plugged your nose, pinching it hard, forcing you to take him entirely, without being able to breathe. his length swallowed in and out, your tongue barely able to support his weight which grew as he bullied your lips.

you belonged to him so he didn’t care if he ruined you a little. he told himself that he would repair you.

he released your nose when he felt you were about to pass, with a sadistic giggle. your eyes were wet with tears. “oh baby, don’t give me that look, you’re wasting your time, i don’t feel pity. ”

you continued to pump him until your jaw arched tighten and become more tense. he pulled out for a moment, spitting in your tongue, before using your throat again. his grunts were frantic and rapid, hot breaths in sync with the pornographic sounds that emanated from your sucking. his large palm was wrapped around the back of your neck, controlling your posture. “ give me that sweet eyes again, and i will make them cry.”

he took so much pleasure in watching you swallow him hard, grunting every time he entered your throat hoping to relax it but causing the opposite effect. "'ot finished. take those balls too." he had pulled back to lift his painfully throbbing dick and place it against his stomach, you had started to lick them, letting your tongue work the entire surface, coating them with saliva. "feel? how full they are. they're gonna stuff you real bad. " you sucked on them when he pushed them directly into your mouth, making him let out throaty sounds. your mouth felt so good, he wondered if your pussy would be just as her.

between your legs, it was completely soaked. your sloppy slit dripping onto the floor. it wasn’t like rafe was ignoring that mess. he was just purely mesmerized by your lips, by the way you cupped his balls so well, and how his cock reacted to each of your licks.

you were definitely his best work. it was more than art, it was heavenly. he was incapable of not using you after creating you. he had his urges, and you had to respond to them.

he had started fisting his length, leaving you lapping at his genitals dangling above your face. the cum had gushed through the air, landing on you. he had rubbed his trailing tip on your cheeks, giving a new color to your skin.

he wondered if you were human enough to feel all this degradation. in a short movement, he had placed you in front of the standing mirror of the workshop, and had driven his body against yours. he spat into his hand before jerking off a little, pressing the head of his cock against your sticky dirty folds.

he placed his arm across your stomach, one hand gripping one of your breast, pressing it more firmly once lodged inside you and grunted as he felt how tight you were, how hard your pussy stretched in his path. thanks to the mirror, he could see each of your reactions, but above all, see your part pumped each of his inches. all his size had disappeared between your flowing walls.

your twitching cunt clenched around his girth, your canal squeezing him. his thrusts were merciless, burrowing into your soiled folds. rafe rocked his hips roughly, as his dick bullied your puffy core. he wondered how a loser like him could have created a goddess like you. and he was desperate to know if he could make you stupid, if his cock that destroyed and filled you was good enough for someone like you.

you had created a mess and frustration in him.

he was in love with the bouncing flesh on your tummy against his arm, your tits swaying when you took him. it was a grace.

he reached out and hit your spot every time he buried himself inside you, his face sank in your left shoulder. you could feel the strands of his hair against your skin, his mouth against your collarbone. you were his, he was fucking you like this. you were only alive when he touched you. you could feel his obsession and adoration in every thrusts, no matter how brutal they were. it was his way of showing you that you couldn't escape him and that you could never.

his rhythm was hard, as your pudgy tummy jiggled under his strong fingers who were digging into you. you were so giddy, fucked like a ragdoll not able to said if it was the butterflies that make your stomach spiraling, or that thick dick shoved inch by inch further into your messy slick. his other digits at your clit, massaging the small and eager bud. he was big enough to maneuver you and embraced your small frame with his muscular biceps.

you were too little, too fragile underneath him.

he was your creator, he gave you air but he could also take it away from you. you were completely dependent, not only you, but every crumb of your body. he was pounding into you with the inability to detach his cock from your fluffy pussy. he loved hearing your voice choked with tears and moans against his ear. it was a sweet melody, a symphony.

your body was perfect, straddling his, your skin slapping his. your lips gurgling around his fingers that you could no longer take without dropping them, because of his violent assaults. you drooled all over your mouth, struggling with the drool that splashed all over his hand.

you couldn't see anything anymore, it was blurry. you didn't even feel tired anymore, you felt like a stupid doll, unable to think and reflect, only able to take this cock nastily harassing you and stretching you violently.

with his muscular and heavy hand on your throat, he forced you to look at the mirror. there was something incredible and perfect in his hands, and you knew it from the moment he started sculpting you. they were so good and incredible, covered with veins that systematically bulged. they captured your belly fat well. “don’t hide this from me. it’s my property.”

he had harpooned your flesh between his fingers, making it move and hang down more as he fucked you senseless.

“if i shaped you like that, that meant i wanted you like that.” your tummy was caged in his grasp. “ i mean, look at that belly, it's all beauty, i swear.”

he had moved his hand to the lower part of your stomach, pressing that area of your skin, feeling his bulge farther in you. in this corner of the room, there was only you and him, only your whimpers against his fingers and the pleasure you felt. there was only this mirror that stared at you and reflected you in the darkness with the only light of the moon as a beacon.

you were divine, you had the perfect body of a goddess. and even having cum with you, even causing your third orgasm, he didn't want to pull out. it was as if he was afraid of the emptiness he expected after this. and maybe you too were dreading the emptiness inside you after he filled you up so well, your soaked pussy dripping with his cum, drooling all over the floor.

he had finally taken it out, his fingers entering you to collect his mixture and place it against your lips. “don’t let it go to waste.”

you had cleaned his fingers until they were pure again.

he had his eyes on you, like a human in front of art.

he still didn't realize. but he refused to let you escape. but it wasn't like you could. he had created a home here, all over this room and in you. he had established a domain in every inch of your skin. he only had to see you to know that you were his own creation.

you kissed him, slightly awkwardly but he made up for it with his mouth on yours. “you can’t abandon me.” he whispered. “i don’t want to abandon you.”

and it felt good to hear your words. you didn't know him well enough, or not really, to know how sick he was. but you felt grateful that he gave you life, because it was priceless. he had made you, and you were his.

“ what are you doing?” when you felt chains encircling your wrists, you weren’t sure if you liked it. "i really want to believe in you sweetheart but i also can't trust anyone. you have legs, you can run away from me but with this metal, you're stuck.”

“i don’t really like it…” you admitted and he replied “no one likes it but the difference is that you don’t really have a choice either. you're mine. your feelings, your body, your eyes, all of that is mine. even that pouty sweet face of yours. ”

you turned your head to let him know that you didn't appreciate it, and to give him the silent treatment. and he smiled. “it doesn't kill me, baby. you can pout. ”

you didn’t respond. "you really want to give me this treatment? maybe you really don't want me to be nice to you after all..."

he had smiled. “"okay...I'll give you what you want." he had disappeared for a few minutes before coming back with an object that you couldn't identify. " what is this ? "

"now, baby wants to talk...but it's a little too late, i'm making the rules here so...say hello to your new favorite toy. it's a gagball.”

you didn't feel it was useful until the ball went into your mouth and stopped you from speaking. you could only drool and grumble around the object.

"why that face, baby? that's not what you wanted? i swear you still look pretty. just quieter. i'm going to go to sleep. and tomorrow you'll show me how sorry you are for that attitude. you want to know if i would forgive you? maybe it would be too easy, you understand? you have all night to prepare excuses and they better please me because i can be even more creative than that to punish you. “

the next day he woke up in a good mood. and above all, you were always there.

he had picked up the bottle of water from his table, wondering if you were thirsty. but when he arrived in front of you, he changed his mind. he used it to wake you up.

"i'm so clumsy...sorry, baby." but there wasn't an ounce of regret in his voice so you knew he was joking. you learned to read his face.

“you know how sorry i am…” he added, facing your gaze.

“you’re not…”

"yes, right. such a clever baby. are you thirsty?”

" yes..."

“maybe if you show me how good and nice you are today, i can consider bringing you another bottle.”

"what do you want..."

“it’s not what i want, sweetheart. but what you will do to satisfy me. see the small difference ? ”

it had been several weeks, a month in fact, since the day of your creation. you had spent your time in this workshop, chained to this wall. you were only alone when rafe left, when he left you in the shadows.

in fact, he was clearly having fun with you. you were dependent on his affection, and he knew it. you reacted to the slightest attention he gave you, even the most mean and bad. but above all you were incapable of hating rafe cameron.

he had made you a magnificent creature, a living human, you would be even crueler than him if you hated him.

after all, you were his muse. he had the right to use you. that was also the thought he had drilled into your brain.

everything he did was for you. and you should be grateful.

but sometimes he wondered, if he killed you, would you come back to life? was there magic in you or was he just in a fucking wonderful dream? he did enough coke to get high for days but this time it lasted too long for it to be fake.

your relationship was strange because sometimes you felt loved, especially when he hugged you after being rough with you, his palm gently caressing your back. like any human, there was tenderness in him. he could be nice. he knew how to be one but that didn't mean he enjoyed being one. he just thought that if he was too mean, you would disappear.

and that was not something he could tolerate. during all this time spent with you, he had not learned, no, he had not succeeded, to live without you.

artists brought art to life, but art gave meaning to the artists' lives.

before you, he was alone.

he had prayed for you. he needed you. it was his final call.

rafe cameron fell in love with you before he created you, before he even imagined you.

and maybe that was why he was so mean to you, because he never knew love, so how can you blame him for not knowing if you loved him back or make fun of him?

he was pathetic, full of rage and violence. but you couldn't hate him, because you and him shared the same tears. the same pain.

he made you, and you made him. he was afraid and you were scared. you wanted someone to love you, and he wanted someone that could love him.

“ i swear, y/n. don't leave me alone. even when you looked away, you make me feel like a monster when i'm not. so please, do the same as me. ”

“ what ? ”

“ don't make me feel like somebody else exists. i'm the only world you can live in. ”

[selineram3421]

can I make a request for an Alastor x reader? Where y/n is Husk's sibling and Alastor won't stop flirting with y/n and Husk is just not having it? (And the rest of the HH crew are just in the background shipping Alastor and y/n)

*swipes up* Cat Demon Reader!!!! FUCK YEAH!

Hissy Kitty

Prologue

Alastor X Reader

Warnings⚠

⚠ cussing, protective older brother Husk, Alastor loves annoying your brother, italics = thoughts ⚠

Husk was very protective of you and made sure you were taken care of. In Living and afterlife, he kept you out of his "business" to keep you safe.

Of course you surprise him by showing up at the hotel.

"What the fuck are you doing here!?"

"Surprise!", you cheered and gave your older brother a hug.

He didn't want you anywhere near his work. It was too risky. You would have been made a target. He didn't want HIM to know about you.

"Answer the question.", he grumbled but hugged you back.

"I haven't seen you in a while and I just wanted to-", you began, pulling back a bit from the hug, taking a look around the hotel lobby that was behind him.

"Look, I'll call you and tell you all about it but you need to go before-", he tried to get you to leave quickly.

"Husker!"

Shit.

He was pissed that he was too late.

"What are you doing trying to chase a guest out?", the demon in red walked over and pulled you into the hotel. "We are trying to invite them in."

"This one ain't looking to stay in the hotel!", your brother hissed and tried to pull you away from the red dressed demon.

You were suddenly spun and dipped by the man in red. It shocked you so much that you held onto the red demon tightly.

"Welcome to the Hazbin Hotel! I am Alastor the facility manager.", Alastor grinned as he gazed down at you. "And who might you be?"

Such an adorable thing. He thought when seeing your ears pinned back and eyes having turned into slits, his grin widening when he noticed Husk getting angrier.

"Um..can you let me up now? This is a very weird way of greeting..", you squirmed, your tail flicking in annoyance.

After letting you go, Alastor took note of how bristled up the fur of his acquaintance was.

How interesting..

"Forgive me dear, I can get quite theatrical.", he laughed and fixed his bowtie. "And your name?"

"I'm-"

"Not staying.", Husk cut in. "They only came to see me, now back off."

"What the hell, can't I greet a demon?", you huffed.

Your brother pulls you away to speak in private.

"Not this one! This prick is someone I don't want you hanging around with.", he whispered growled, putting his hands on your shoulders. "Go home, put some wards or some shit for protection and don't come back here again!"

"Damn it Husk!", you slapped his hands away. "I came here to check up on you!"

Alastor stays where he is to enjoy the show. Glancing to the side when seeing Angel step into the lobby.

"Its been years! I haven't heard from you until two weeks ago about this place. Where have you been!? Do you know how worried I was!?"

"Psst! Smiles! Who the fuck is kitty whiskers?", the spider asks.

"Haven't the faintest idea but this argument is getting amusing.", he responds.

"I told you that I moved! That should be enough!", Husk gestured to the hotel.

"Yeah, its nice to know you're alive but you could have at least told me how you've been! Did you make any new friends? Did you drink until you blacked out again? Something else for fucks sake!", you yelled.

"I'm alive!", your brother yelled back. "I drank yesterday!", he pushed you towards the door. "I don't have friends!", he opened the door. "Now leave!"

"Tsk tsk!", Alastor tutted and used his shadows to pull you away from the door, moving you into his hold. "They are our guest, even if they are just visiting Husker~"

The Radio Demon's smile growing bigger when he saw the cat clench his fists.

"You are welcome to visit anytime to see this-", the red demon gestures to your brother. "-hissy kitty that you know."

"Ha!", you quickly covered your mouth to keep your laugh silent.

"A smile! Finally!", Alastor leaned closer to you. "I'd like to see it if you don't mind."

"Back off!", Husk pushed the red dressed demon away and took your hand. "Come on, I'll show you around."

"I can stay!?", you asked your brother.

"Only for a few hours!", he replied.

You stayed longer than a few hours.

Charlie had caught wind and was excited to meet you.

Husk drank from his bottle, watching as you talked to the Princess and Vaggie. The two were hooked on whatever story you were telling.

"So Husky~", Angel slid over.

"Don't you fucking call me that ever again.", the cat grumbled before continuing to drink.

"Who's the new cat strolling about?", the spider asked. "I've never seen you so pushy with someone before~ Are they an ex?"

"None of your business and ew. Fuck no.", Husk wiped his mouth after he finished the bottle. "Forget about them. They need to leave anyway.", he said before walking over to you.

.

"Hi Husk!", you waved as you entered the hotel.

"Fucking shit. What did you not understand about staying away!?"

You had a smug grin and pranced over to him.

"Can't really stay away from where I work~", you said and showed your employment papers.

"What.", your brother growled.

"While I was talking to the Princess during the tour, you stepped out for a bit and I told her I wanted to work here!", you beamed, cat tail swaying calmly. "So now I can't leave! Yay!"

"Are you fucking stupid!?", Husk yelled.

"Now Husker.", Alastor appeared from the shadows behind you, placing a hand on your shoulder. "That is no way to talk to your fellow coworker."

The Radio Demon smiled cheekily when seeing the cat demon's fur bristle in anger.

"Let's show you all of the staff rooms!", he said suddenly and turned you towards the stairs. "There are quite a few closets littered about for cleaning supplies! For now that is what you'll do with Niffty until the Princess can think of where to put you."

"Is there any cleaning supplies?", you asked a little suspicious.

"Haven't a clue! But let's find out!"

You were near Alastor most of the day.

Husk actually followed you both until the "tour" ended.

"And that is all of the cleaning closets so far!", the red man grinned.

All of you were now standing in one of the many hallways. The fourth floor if you remember.

"Thank you for pointing them out.", you removed his hand from your shoulder. "Little less of that if you don't mind."

"Oh! I didn't even notice.", Alastor held his hands behind his back. "Do remind me if I slip again."

Husk quickly took you away from the red demon and walked you towards the lobby.

"Look, I'm glad you're here. Really. But its not safe for you to be around that smiling asshole.", your brother hissed.

"Husk, I'm not as clueless as you think I am.", you sigh and shook his arm off. "I'll keep myself safe.", you finish and walk away.

The cat demon stayed behind, groaning as he slides his hand down his face, feeling on edge, tired, and annoyed all at once.

"I've never seen you around a demon like them~", Alastor appears from the shadows. "And you're so protective!", he walks in front of the cat demon. "What a good older brother you are.", he leans back and spins his head to look at the demon.

"Don't you fucking try anything!", Husk threatens.

The Radio Demon laughs and stands up straight. "We'll have to go over our deal again!", he says while fixing his coat. "I hope you added their protection in."

"You piece of shit-!", Husk extends his claws and opens his wings up.

"I must be off! Who knows what trouble the guests have gotten into already!", Alastor walks away from the angry cat.

The Radio Demon hummed as he walked down the hallway, a slight skip in his step as his smile grew wider.

Oh how entertaining~

I love cats💕 Also this is turning into a short story because Husk is gonna be hella pissed.

~Seline, the person.

Part 1

Taglist@

@ducky-died-inside @scary-noodlesblog @c4rved-pumpk1n @stolas-thebirb @naelys-the-aster @biromanticboba @kiraisastay @pooplyface1423 @lbcreations-blog @gallantys @+?

ML for Alastor🎙 | ChL for HK😾

[orcelito]

Hilarious thing. I'm so far gone on my fictional crush on Dohalim that I'm even talking about it with everyone at work. Them grateful I'm talking about smth other than Akechi, but turns out I am JUST as insufferable about it lmfao

[riza-hawks-eye]

The Royai moments the anime adaptations left out bc they are COWARDS

(I believe in fma manga supremacy)

Riza's Grandpa asks Roy to marry her.

So this one needs outside material to explain, but Arakawa confirmed in the 2nd Guidebook (released only in Japanese and French) that Grumman is Riza's maternal grandfather. Not necessarily a big Royai moment but, still it's interesting how Riza's only known living family ships it, and that Roy doesn't exactly say "no" to his request.

I am forever fascinated as to why any of this exists in the first place, what did you mean by this Arakawa? why have Grumman make this suggestion in the first place? 👀👀👀👀👀👀 What were you suggesting? 👀👀👀👀👀👀👀

Anyway, I wish we had an in-text confirmation of Riza's relation to Grumman and I wish this moment had come back to the story at some point. Even if it was just Riza glaring at Grumman being like "Grandpa why are you trying to marry me off?????"

2. Roy's "Get your hands off my wife!" moment.

He really said, "is he bothering you queen?" I wish we had more protective Roy and frankly, I don't understand how this scene didn't make it to Brotherhood? Riza was getting manhandled by a tin can and clearly not into it. The fact that a tin can serial killer developed a crush on her is concerning to begin with. It just wouldn't be in character for Roy to be cool with this. Roy is also a jealous boyfriend, what can I say?

3. The "I'm glad you're alive" moment.

For some dumb reason, Brotherhood changed this so when Riza apologises for worrying him, he just snaps "save it for the end of the mission!" Like, why Brotherhood? why would Roy ever snap at Riza like that? especially when Riza is generally the one who is laser-focused on the mission. Roy has enough faith in her, he's not going to see this brief apology as her being distracted or less competent. The manga dialogue is also meant to show how Maes's death is still a fresh wound for Roy, so of course he's on edge at the prospect of losing Riza too.

4. He literally asks her out

I feel like both anime adaptations really wanted Roy to be more of a womaniser than he actually is. But this scene lowkey confirms Roy has limited game and he only really wants Riza. It feels like dude jumped at the opportunity to ask Riza out the moment she technically stopped being his subordinate.

5. Roy's codename for Riza actually coming back

Seriously, I love how Arakawa took the time to establish "Elizabeth" as Riza's codename only to use it later to have Madame Christmas suggest that Roy regularly spends time with "Elizabeth" to the point where it's weird that he isn't with her now. And then, when Roy bemoans how "another man took Elizabeth" (an obvious reference to Riza being taken hostage by Bradley) one of Christmas's girls gets excited at the idea she might have a chance with Roy. The suggestion is that Roy isn't normally available on account of his seeing Elizabeth.

It's a strong hint to the idea that Riza and Roy might have *something* going on and are bypassing the fraternization laws through codes. At the very least it suggests that Roy isn't interested in anyone but "Elizabeth". Also look how bummed out he is that his wife is gone. Why did the anime rob us of so much pathetic whipped Roy? WHY?

6. Just a lot more touching in general

There's actually a lot of touching between these two in the manga. It's mostly during the big fights like the Promised Day or the battle with Lust and it really cements them as a true battle couple.

In the case of the Promised day they are literally fighting in each other's arms. Riza is leaning on Roy as she's on the verge of passing out from her wounds, and Roy is clinging onto her now that she has become his eyes. The way they hold each other shows how they are each other's crutch and how one always empowers the other. It also symbolises how inseparable these two are as moments ago Roy was at the Gate and before that Riza was on the brink of death, they could have lost in each other for good but they're still standing strong together in spite of everything.

The post-Lust fight is just a nice moment were Roy clings onto Riza out of sheer relief that she's okay and he hasn't lost another loved one. Even though he's on the verge of passing out from pain and blood loss, he still finds the strength to reach out to her.

Then there's the scene in the tunnels where he lowers her gun for her. The noticeable difference in the manga is that he does this after he takes off his ignition gloves.

The anime forgets to do this. It seems like a minor difference but it's kind of a big point of characterisation. Because we know that Riza has been hurt by flame alchemy, from the process of having the tattoo done to her by a trusted parental figure at a young age, to the trauma of seeing how much damage it did at ishval, to her very literally being burned by the flames so that it won't do anymore damage. Roy is the one who burned her, he's the one who used her secret to do unspeakable damage and suffering, why would he hurt her again by letting her go anywhere near flame alchemy?

My final thoughts: Manga Roy is altogether more dorky and in love with Riza than his anime counterparts and I miss his adorkable self.

I also feel like Arakawa was so good at subtly hinting at how in love these two are and how they basically *do* function like a couple even if they might not be together in the conventional het married with babies way.

[dansemacabre]

i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit

if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.

if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.

(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)

but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.

imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)

he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.

so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.

[see-arcane]

Something I’ve been chewing on for this go-around of Dracula Season is the fact that, for all that I am absolutely 110% on board with the whole ‘Dracula wants Jonathan for himself, calls dibs, wants first taste, wants to keep him as part of the castle permanently, I too can love~ et cetera’ deal, I can admit now that I’ve been overlooking one very key part of the whole Bluebeard wifery setup.

And that’s the unavoidable fact that Dracula fully intends to leave Jonathan Harker to be drunk and collected by the Weird Sisters.

Now there’s all manner of guesswork to make about what exactly these three’s relationship to Dracula really is. A personal harem is usually the go-to, and what I usually land on as explanation, considering how things will play out in the future regarding his usual choice of vampiric victim. But others have suggested familial connections, going by Jonathan noting a couple similar traits between the two brunettes, ala facial features, hair, the same red eyes and so on, leaving Blondie as a potential wife the Count turned along with their daughters. Or hell, maybe they’re all actual sisters. We never get to know.

All we know is that they accuse Dracula of ‘Never loving,’ while Dracula stares meaningfully at Jonathan, insisting otherwise. And claims that the trio themselves know it is so from the past. Whatever past that is.

To that end, the Weird Sisters matter to Dracula. Enough to keep them fed, enough to not even put up a full villain monologue at them when they go against his orders to try and snatch Jonathan out from under him, followed by laughing in his face. Beyond his far-too-intimate interactions and abuses with Jonathan, this is the closest we get to seeing Dracula trying to be close with and/or properly*** interacting with someone. An exchange that ends not only with handing over the poor stolen baby in the sack, but outright promising Jonathan to the Sisters once Dracula is finished with him.

And that’s sticking with me this year. Because for all that I’ve joked and memed about it in the past, it never really whacked me over the head with the import and terror that comes with Jonathan’s opening line in this entry.

God preserve my sanity, for to this I am reduced.

Reduced. That’s the key word here.

Even if he doesn’t know all the rules, he knows now that he is no longer just a temporary prisoner. Not even a mere murder victim waiting out the clock. No. He has been reduced to a living decanter. A possession there to be nursed from and used and given as a gift from Dracula to his companions. Like a toy or a new pet.

At the risk of slight spoilers (avert your eyes first-time Dracula Dailiers!), two important lines are yet to come during Jonathan’s stay in Vampire Hell. One from Dracula:

But I am in hopes that I shall see more of you at Castle Dracula.

(Yes, he does think he’s very funny. Prick.)

And another from Jonathan:

At its foot a man may sleep—as a man.

Two vital beats.

The first, because it is a winking confirmation to all that Jonathan has feared. Namely, that Dracula and the Weird Sisters mean to never let him leave the castle again, alive, dead, or otherwise.

The second, because it shows that for all Jonathan is not aware of, he does rightly suspect that there is more expected of him than being a mere meal to have and discard. He knows he is not due for a fleeting pain and escape, even via death. Because Dracula wants to ‘love’ him. To keep him.

And Dracula will do so because he keeps the Weird Sisters, and they will keep him. A parting gift from their loving lord of the castle. The conqueror’s playbook in miniature.

I turned you. You turn him. I have you all.

This, buried under the veneer of:

See girls? I care! Here, a fine new plaything to keep you company. Housebroken already.

(To this I am reduced. To this I am reduced. To this I am reduced.)

There’s time right now. However much time Jonathan can win by playing a good guest. But if he doesn’t get out by the time Dracula is done with him? He lives the rest of his human life as a wine bottle and then all of eternity after that as joint undead property.

Better hope your acting skills are up to the task, Mr. Harker.