#I am not sharing the full thing

[ozaitheestallion]

He lives on the back of my head,constantly whispering vile things to me, like Voldemort in that first movie.

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[markscherz]

a person who named a genus, on tumblr

Actually, three genera, but Anilany and Nanohyla are not as catchy as Mini. A full list of the taxa I have described is available on my website. :)

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[heshemejoshi]

wanted to make a comic but words and structures escape me at the moment so instead i just sketch

plus a dusknoir i think i drew before playing special episode 5 back in january based on a papyrus meme which is honestly really fucking funny in retrospect given there’s a pmd x ut AU going on?? not very active in fandom but i’ve seen multiple crossover fanarts pop up already

[lesbianralzarek]

trying to not complain about the discrepancy between how much content fictional women and poc have vs the white dudes in every fucking fandom im in, because no one owes me fanart/fic and i can make shit myself, but holy fuck can any of you name a woman?

[adaptations-polls]

Which version of this do you prefer?

This polls is part two, and focuses on non-film adaptations. Part 1, which only featured films, was posted earlier (though the 60s Batman series was also included on that poll because of Batman 66). A third poll combining the favorite options from both may be posted at some point in the future

*obviously with comics there's lots and lots of different runs that can have wildly different qualities and everything which kind of complicates things, but as the source material it does need to be included on the poll- you can just think of this option as indicating a general preference for the comics stories instead of being attached to a specific Batman run in the comics

See tags of original post for further notes

[wyrddogs]

Off leash walkies in the wind and rain. Zaku totally rocked it! Huge milestone for him.

[neetgirlgeeks]

whatever who gives a shit anymore doggirl jackie

Edit: if you’d like to see more of my art, follow @lastlovesongonthislittleplanet ^_^

[babygirlwolverine]

happiness is having someone comment that your writing is beautiful when you’ve been insecure to get back to writing again

[landgraabbed]

yeah...

[queerdiazs]

Eddie’s alive, just stuck in the Upside Down, but he doesn’t go to Dustin or Mike or Lucas—oh, no. And not even Steve, either, no matter how much he respects the dude.

Nah, Eddie traverses the woods of the Upside Down, knows where that old beat up truck sits that he and Wayne found a few months ago during season that they fixed up with the blessing of the landowner, and waits for his uncle there. 

Eddie’s trailer is fucked and he knows Wayne doesn’t have the money to afford a hotel room, so he sits in that truck in the woods, shivering and bleeding and singing songs to keep himself awake, and waits until Wayne turns it on.

And when he does in a few hours, Springsteen’s faintly heard and Eddie laughs because he loves his uncle, adores the man and he wishes he told him more of that when he had the chance, but he’s determined he’ll have more time later, he just has to get out of this hellish place first, and so he starts talking. 

It startles Wayne at first, swears and yells flying, and then there’s tears shared between them, so close and yet so far apart. Eddie explains what he can, pressing his hands into his wounds in hopes of slowing the bleeding, and he tells Wayne to hurry with an aborted, “I love you.” 

Wayne hurries. He fishes his rifle out from beneath his seat and thinks—about the kids who joined Eddie's club, about the band kid and the kid with the questions and the other kid, too, with soft brown eyes and a sad smile when he ducked his head in acknowledgment—and takes off. 

He finds Harrington’s house, knocks on the door until the kid comes running. He slings it wide, revealing himself and the band kid and Henderson, Wayne thinks, who's momma is sweet and kind at the diner, and says, “My nephew is alive. Let’s go get him.”

And he didn’t know what he expected from this kid—if he thought he’d get directions or what—but he’s surprised when Harrington nods, slips on some shoes, and follows him outside to his truck where Eddie's voice is still coming through the radio. 

Harrington says hi, a broken sort of thing, and promises they’re on the way, for him to just stay where he’s at, and Eddie giggles, says, “My knight in shining armor,” because he's always been romantic, and Harrington goes red and says, “Goddamn right I am,” and Wayne listens to Eddie's laughter the whole way to the portal that takes them to the other world. 

It's dark and ugly and dead, but they find Eddie fast. He’s bleeding out, blubbering as soon as he sees Wayne and Steve—“Call me Steve, please.”—and it takes both of them to carry Eddie up and out of that shithole dimension. 

They take him to the hospital, Eddie resting in Steve's arms the whole way, and as soon as Eddie's taken back and stabilized, Wayne and Steve collapse in the hallway. They’re quiet when they do it, but Steve's tears are hot and Wayne’s grip is tight and they hold one another close. They ask a nurse for an extra bed in Eddie's room; she’s reluctant but she does it anyway when Steve asks nicely. 

Wayne and Steve camp Eddie's room as he rests, talking quietly and getting to know one another better and sharing stories of Eddie. soon, Wayne passes out in the recliner—helps his back if he sleeps upright since those discs have been deteriorating—and wakes up a few hours later to see the extra bed unused.

Steve’s crawled up into Eddie's bed with him, nestled close and tight, and they’re both awake, faces turned toward one another as they giggle and whisper and chuckle, but Wayne can’t hear them and he thinks that’s okay. 

He rests some more, content to listen to the soft sounds of his boys—his boys, ‘cause Harrington is his now; a decision he made when he saw the darkness in the kid's eyes that reminds him so much of his own shit—lull him to sleep. 

That is, until one Dustin Henderson hears the news that Eddie's alive and safe and recovering. He causes a ruckus and a half, and the hospital staff is in shambles, and Wayne laughs because he might just have to make Dustin one of his own, too.

[zecoritheweirdone]

hey guys,, who wants to see this new dsmp au i've thought up of instead of working on my other countless, already existing aus.

still trying to come up with a proper name for it,,, right now the working title is shattered reflections...? buuuut i'm not too content with that yet.

the basic plot is, via ~wacky shenanigans~,, ranboo, tommy, and tubbo,, all from different universes,, end up getting misplaced together in the multiverse or something like that, and now have to hop from dimension to dimension, trying to find their way back to their respective homes(and maybe they'll find that the real home was the friends they made along the way).

still need to iron out a few kinks(how did this start, how do they travel, how does it end, etc etc),, but like. it's been rotting in my brain ever since the idea first came to my head, so i figured i might as well share it here? in case anyone else's interested,, dkdnsksms.

ranboo's from a magical girl-like au!!! why? mostly because i thought the idea was fun,, ekenkssjks. tried my best to emulate an anime style into the design, 'm hoping it came across? i've been imagining, if this au were animated like spiderverse,, they'd look a lot like how peni parker was animated,, dkdmskdm. you'll never guess what his magical girl form is themed on /lh.

tommy, as you can prolly tell, is from a royalty au! youngest prince of the antarctic empire,,, design is slightly based on some fanart i saw on reddit, by someone called em0kii, i believe? i say slightly because i only thought to search up "antarctic empire fanart" for inspo after i was done with the lineart,, and by that time it was too late for me to change it to something that better fit the cold environment the kingdom's based on(and by too late i mostly mean i was lazy),,, dkdjskj. still, though, i'm pretty happy with it!

and then there's tubbo! he's from a post-apocalyptic au B]. not one with zombies,, but... idk, maybe something exploded? haven't thought too hard about the cause, but just know that his world is in a not good shape. i'm sure it's fine tho. my main thoughts when drawing him were to make him less colorful and saturated than the other two,, since his universe is a bit darker than theirs,,,, and to make him look a little intimidating(big coat, goggles, scarf, lots of sharp edges, plaid). after all, if you're a 5' something teen in the apocalypse, living all on your own– you wanna try and make yourself look as big as possible to try and ward off as many threats as you can. and if that doesn't work, you can always just hit 'em with a bat.

bonus doodle under the cut:

tfw you wake up in the middle of a forest, with no memory of getting there, with two weirdly dressed strangers right there beside you. like. what the fuck.

[quirkle2]

who wants zombie au writing. don't answer that ur getting it anyway (1.6k words)

His shoes knock against the old flooring of the house, wood creaking under rubber soles that slide over the woodgrain. He drags them a bit, lifts his limbs up no more than he strictly has to, and they lead him to the nearest sittable surface.

The couch is old and dusty and has likely gone untouched for months, much like everything else nowadays, so he watches the thin cloud of dust billow off the cushions largely with disinterest. He collapses into the fabric heavily, feels the whole thing scoot back an inch and hit the wall behind him. The sound echoes, carried by lifeless rooms, while he unceremoniously drops his backpack to the floor by his feet.

The breath he lets out is slow and methodical and born of pent up muscles, aimed at the ceiling where he rests his neck against the back of the couch and relaxes every limb one by one. It’s a process he forces himself through, if only to rid the constant ache beneath his skin.

Slow, sweeping footsteps meander around the room in front of him, and Ritsu angles his gaze down from his craned back position to look at his brother. He wanders, like he so often does—seemingly aimless, but there’s something procedural about it that he’s convinced he just hasn’t figured out yet.

Shigeo’s empty eyes crawl along the hearth of the fireplace, explosions of ash sprayed out across the red brick. His head tilts up to trace his attention around the angular lines of the television, hung on the wall and screen grey with dust. He flits back and forth between the roundness of the bricked mantle and the sharp edges of the screen, like he’s taking notes.

Shigeo paws the television. Four lines of muck are cleared. The zombie blinks, paws at it again with dusty, curious fingers. Ritsu watches him make a mess of the television screen in silence, blinking tiredly.

He almost closes his eyes, but he fights against the urge and moves his fingers down his lap to reach for his bag. His middle hooks around the loop at the top and he lugs it up and into his lap, where he unzips it and peers into the shadowy contents.

Ritsu fishes out the water bottles. He finds the one with the messy R scribbled along the cap in sharpie and takes a big swig of it. It’s warm going down, constantly insulated in a bag of old, sweaty clothes. He feels like he can taste the odor in it, but it clears the grain in his throat from stomping all over dirt roads today, so he’s still grateful.

He holds out the one labeled S to Shigeo. “Thirsty?”

Shigeo looks at him from where he’s crouched down to the floor now, inspecting the soot along the hearth. Unfortunately, he sees handprints in the black already, and when his brother reaches a hand out to take it, his palm is covered in soot.

He lets him have his fun and settles his own bottle back in the mess of tangled clothes and rolls of bandages. Ritsu rakes his fingers through their stock with no real purpose—he knows exactly what’s in here, and none of it is useful.

They’d been searching all day; Ritsu doesn’t really know how far they’d walked, but it had to be a lot of miles. In and out of stores, up and down empty houses, weaving between warehouses—they didn’t really stop for a break. Not when Ritsu can hear Shigeo’s stomach from here and he himself has shaking hands. They can’t afford a break.

Nothing, though. Not a single goddamn thing worth taking. A settlement must have come through here long ago and swept the highway. They’re in the countryside, where houses are spaced out acres from each other and there’s entire cow pastures between properties. And yet every house they’d seen and entered provided nothing.

Ritsu stares into the negative space in his bag where there should be supplies. His stomach cramps and if he smells another whiff of that godawful sweaty, bloody sweatshirt he still carries, he’s going to throw up bile.

He leans away from the open pouch, eyes wandering to his brother who draws… something into the soot of the hearth. His water bottle sits on the floor, abandoned and still unscrewed. Ritsu leans forward with great effort and a grunt, leaning over his bag to grab at the top of it.

It takes him two tries to get Shigeo’s attention, and one more for an answer on where the cap is. It’s then placed in his palm, covered in soot and also saliva. Ritsu swallows down the nausea that rolls up his throat and wipes it off with his frankly already disgusting sleeve, and screws it back on.

He leans back again, succumbing to the urge to let his eyes rest, and he listens to the very subtle swipe of his brother’s hands across brick. There’s birds outside, chirping, and even though it’s still very much a common occurrence, Ritsu cannot help but feel nostalgic about it.

If he ignores the awful hum of silence, and the distinct lack of an electric thrum throughout the walls, and the fact that this is a stranger’s couch and not his, he can almost imagine normalcy. He can almost say this feels like those quiet moments after school, when he settles on the couch and scrolls through his phone in a house that only holds him and his brother because their parents simply aren’t home yet.

He can almost hear the creak of wood from Shigeo walking around his room upstairs. He can almost tap his fingers on the couch cushions to the pattern of his brother making his way down the steps. He can almost hear the fridge opening, and the sound of milk being poured into glass.

Almost. But Ritsu listens to sharp silence instead, and he tries not to think too hard.

He drifts for a while, feels himself truly sink into the couch and let the cushions claim him, and he thinks about nothings because if he doesn’t, then he’ll lose it. He carefully sifts through the nothingness of his mind, through the passing thoughts that have no bearing, and he focuses on that, on the lack of substance. His head is too full of things that have too much substance.

He misses boredom. He tells himself he misses boredom—the complete insubstantiality of it—because if he lets himself think of what he really misses, it’ll drive him insane.

The cushions move, and Ritsu peels his eyes open and lets himself get pulled from liminal mindspace. The cotton in his head recedes, and he blinks, and then he’s swiveling his head to look at his brother who sits in the cushion right next to him.

His hands and the cuffs of his hoodie are smothered in black. Shigeo sits hunched, gaze still wandering even when there’s not much decoration in this house to look at. He studies the off-white walls, the chips in the paint, the holes drilled in where there maybe used to be photos hung.

Ritsu gazes at him quietly, chest instinctively rising and falling to match his brother’s rhythm. He watches the expansion there, under his hoodie, in the subtlety of the folds and the way they warp over the movement. It’s slightly quicker than what he’s used to, but Ritsu knows his brother’s heart rate is much slower. He’s felt it before. He’s listened to it before, with his ear against a chest.

Ritsu’s attention moves to his eyes, and the heavy bags underneath them, and the paleness of his pupils and the ghostlight of him underneath that. He stares into them, looks for stray, familiar thoughts that might enter his head. Looks for old memories that might shine through in the form of recognition when he sees furniture layouts, and candy wrappers, and ads for soda.

Ritsu looks for it all the time, that glint of familiarity. And he finds it, sometimes. And really, he thinks that’s keeping him going more than food ever will.

Shigeo turns his head, and looks at him. Sometimes, when his brother looks at him, there’s not much there. No substance, no anything. And Ritsu finds it a bit evil that he craves silence in his own head, and yet noise in Shigeo’s, and often times it is the other way around.

His brother looks at him now, though, with that comforting recognition. That growth of the pupils, that softening of the hard edges of his face where unknown stressors have gotten to him. Ritsu wonders what zombies get stressed out. He figures it’s the same deal with humans, considering they’re largely alike.

Ritsu wonders if Shigeo knows he’s sick. He wishes he could ask him. He wishes for a lot of things. Silence in his own head is one of them.

Ritsu swivels his head away and stares at the ceiling, if only to force the thoughts to pause. He studies the popcorn ridges above them, traces the peaks with his gaze. It calms him, gives him something to focus on. He looks for patterns in the shadows they make.

Shigeo shifts next to him. And then he shimmies down, settles into the cushions, and plops his head right down on Ritsu’s shoulder.

Static roars in his mind and his heart stammers. Ritsu swallows the lump in his throat but that just makes it bigger, so he clamps his mouth shut and breathes carefully through his nose.

The tears cut through the grime on his face. He plops his own head down against his brother’s, and lives in the noise.

[goldensunset]

i don't really know how to word this but like i feel like i'm gonna forever have to deal with the pain and heartache of one of my very first pokémon games- the first 'normal' pokémon game i've ever played, that i will have lasting nostalgia and love for as a result of it being formative to my introduction into the series- being the one that will forever be looked down upon for bad graphics and technical issues as a result of the game having been rushed

like i honest to goodness want to scream and yell and cry into the void about how this means everything to me and will always be one of my fave games just in general. but how am i gonna do that without someone being like 'the broken overpriced mess? the one that's missing all this stuff from the older games that was great? the thing with all the cringe? that one?' or whatever. and the thing is they aren't wrong for their criticisms either like i know the fact that they rushed this wonderful game hardcore is a massive stain on its reputation and it hurts me too but like i cannot turn off the brain full of love in me and be a mean critic. or even an impartial one. i mean i criticize everything i love don't get me wrong i am constantly running my mouth about what i like and don't like. but at the end of the day i approach all media with an unusually optimistic mindset. if you see me talk a ton about something no matter what i'm saying you can bet it means i love it.

just. aaagh. it's always tough being a new fan of an old series. i'm like too embarrassed to express my opinions bc i feel like they're invalid y'know? i feel so exhausted every time i see something to the effect of like 'oh those poor kids these days having to deal with such bad quality everything what a bad time to be a fan of pokémon wow y'all make me feel so old' well see the thing is i actually am thriving and i love it here. and i'm also an adult myself so i have more critical thinking skills than people who played red when they were like five years old did. and even with the power of critical thinking i manage to be in love with this. join me in marvelling at the beauty of life

[ayrennaranaaldmeri]

working on a gifset and can i just say phia saban the ACTRESS THAT YOU ARE:

the sharp fucking turn when he's like wubuwbwu its a lieeee, the withering looks she gave him. it was excellent.