Thinking about Out of Time, specifically the ending, which, in my opinion, is one of the best Rimmer scenes of the franchise. It's one of those moments- like his sacrifice for Nirvannah in Holoship or his insistence that Lister burn his soldiers in Marooned as a gesture of friendship- that hint at the potential that he has, deep down, of being noble, heroic, kind. What's particularly interesting about this scene, though, is that up to this point, Rimmer has often been shown as having a fascination with power, with militarism and fascist aesthetics. This is among his worst, most dangerous traits. You see the extreme outcome of it in Meltdown, what I think is Rimmer at his most abhorrent; he is the cause of the death of an entire group of people all because he wanted to live out his power fantasy of being a strategic military general, watching the battle at a distance like he describes in Marooned. Of course, as others have pointed out in their own posts, Rimmer's desire for/adoration of power likely comes more from his desire to be loved and prove he's deserving of love, but its consequences can be horrific. In Out of Time, when he encounters a version of himself that is an *actual* fascist sympathizer/apologist, he is disgusted. He is the one who wants to fight and who says, "Better dead than smeg." Whereas his future self says he would rather die than live like rats as the present crew do, our Rimmer would rather die fighting than live a life of ease and comfort while rubbing shoulders with bloodthirsty, power-crazed dictators.
And I think it's really interesting that the episode before this one is Rimmerworld. The aspect I often think about (that I wouldn't be surprised a lot of other fans also often think about) is Rimmer's 550+ years of imprisonment. It's such a disturbing concept, being kept in solitude for that inconceivably long, that its apparent dismissive treatment as a joke and lack of any real impact on Rimmer haunts me a little bit and I'm glad there are a few fics out there that explore the aftermath more thoroughly. But before he ends up in that situation, he 1. Abandons the others- the seemingly only people who have ever come close to caring about him- to die, leaving them to flee in an escape pod, and 2. Creates a civilization of clones of himself that he clearly bases off of the Roman Empire (a notable inspiration for many fascists). The first is significant because it shows the contrast between his cowardice in that situation and his lack of it in Out of Time. But the second point here, about the creation of his civilization, may show why that contrast happens between episodes, the reason for it. The civilization of Rimmerworld, based on an obsession with power, inspired by what we can assume is Rimmer's own idealized view of the Romans and empire in general, is the same that causes his centuries of suffering. So the next episode, when he sees another version of himself willing to get along with the kind of people like those who imprisoned him (who, albeit, were also versions of him)...I don't know, maybe the events of Rimmerworld did have some notable effect on him after all, at least for a while; maybe that's why he was so sure in his decision that the crew fight even though he knows they'll die trying.
Or maybe I'm just being ridiculous and overthinking things
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Chappell Roan Book Rec
like many other, I am currently obsessed with The Rise and Fall of a Midwest Princess so here are a few book recs based on the songs!!
(you can message me for questions about content warnings!)
Femininomon
A Guest in the House by E. M. Carroll (horror graphic novel)
What happens when you marry a mediocre liar and there's a ghost you are definitely attracted to in the house (that might be his dead wife)?
Relevant lyric: Stuck in the suburbs, you're folding his laundry/Got what you wanted so stop feeling sorry
Bonus Rec: Romancing the Inventor by Gail Carriger (adult steampunk romance)
Red Wine Supernova
Satisfaction Guaranteed by Karelia Stenz-Waters (adult romance)
Imagine inheriting a sex toy shop with a enchanting stranger who you feel incredibly connected to. . .
Relevant lyric: I heard you like magic/I got a wand and a rabbit
Bonus Rec: Sunstone by Stjepan Šejić (adult romance graphic novel)
After Midnight
Ash by Malinda Lo (YA fantasy)
I had to choose a queer Cinderella for this one, especially one whose mother warns her away from the forest at night.
Relevant lyric: This is what I wanted, this is what I like/I've been a good, good girl for a long time now
Bonus Rec: A Restless Truth by Freya Marske (adult historical fantasy, sequel)
Coffee
The Witch's Heart by Genevieve Gornichec (adult fantasy)
When your ex is the trickster god Loki and you have prophetic futures, you know you can never just have coffee.
Relevant lyric: Here come the excuses that fuel the illusions/But I'd rather feel something than nothing at all,
Bonus Rec: Seven Days in June by Tia Williams (adult contemporary)
Casual
The Last Tale of the Flower Bride by Roshani Chokshi (adult gothic)
Remember that toxic homoerotic best friend you had a child? Who believed in magic and was also the most manipulative person you've ever met? It never was a casual relationship, was it?
Relevant lyric: Hate that I let this drag on so long, you can go to hell
Bonus Rec: Ben and Beatriz by Katalina Gamarra (adult romance)
Super Graphic Ultra Modern Girl
A Spindle Splintered/A Mirror Mended by Alix E. Harrow (adult fantasy)
Entering the fairy tale multiverse always leads to the strangest (and funnest) relationships (platonic and romantic) of your life.
Relevant lyrics: We're leaving the planet and you can't come
Bonus Rec: Cash Degado is Living the Dream by Tehlor Kay Mejia (adult contemporary)
HOT TO GO!
The Princess and the Grilled Cheese Sandwich by Deya Muniz (graphic novel)
What if I dressed up as a count to inherit my father's fortune and you were a princess and we both liked grilled cheese???
Relevant lyric: I could be the one, or your new addiction/ It's all in my head but I want non-fiction
Bonus Rec: Act Your Age, Eve Brown by Talia Hibbert
My Kink is Karma
Mrs. Martin's Incomparable Adventure by Courtney Milan (adult historical romance)
She said, let's destroy my terrible nephew's life, and how could you say no to such a romantic proposal?
Relevant lyric: Wishing you the best, in the worst way
Bonus Rec: Girl Serpent Thorn by Melissa Bashardoust (YA fantasy)
Picture You
A Lady for a Duke by Alexis Hall (adult historical romance)
Oops, I faked my death and reinvented myself and you were way more distraught than I thought you would be. . .
Relevant lyric: Do you picture me like I picture you?/Am I in the frame from your point of view?
Kaleidoscope
The Scapegracers by H. A. Clarke (YA urban fantasy)
What if we formed a coven and what if we were all a little in love with each other?
Relevant lyric: And love is a kaleidoscope/How it works we'll never know
Bonus Rec: The Girls I've Been by Tess Sharpe (YA thriller)
Pink Pony Club
The Prince and the Dressmaker by Jen Wang (graphic novel)
He was a drag queen, she was a seamstress, can I make it anymore obvious?
Relevant Lyric: And I heard that there's a special place/Where boys and girls can all be queens every single day
Bonus Rec: Last Night at the Telegraph Club by Malinda Lo (YA historical)
Naked in Manhattan
Astrid Parker Doesn't Fail by Ashley Herring Blake (adult romance)
Isn't it romantic, designing a house with someone with your entirely opposite tastes?
Relevant lyric: Boys suck and girls I've never tried
Bonus Rec: Girls Made of Snow and Glass by Melissa Bashardoust (YA fantasy)
California
Honey Girl by Morgan Rogers (adult contemporary)
If a PhD can't save you, maybe a drunken marriage in Vegas can?
Relevant lyric: Cause I was never told that I wasn't gonna get/The things I want the most
Guilty Pleasure
Something to Talk About by Meryl Wilsner (adult romance)
Fake dating your boss? 0/10 recommended. . . right?
Relevant lyric: I want this like a cigarette/Can we drag it out and never quit?
Bonus Rec: That Time I Got Drunk and Saved a Demon by Kimberly Lemming (adult fantasy romance)
Bonus:
Good Luck, Babe
Sorry, Bro by Taleen Voskuni (adult contemporary)
Relevant lyric: You'd have to stop the world just to stop the feeling
Ophelia After All by Racquel Marie (YA contemporary)
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Immediately forgets everything that happened in June. Uh. I threw a tea party! Finished a knit hat! Did one (1) queer corvid piece! Started playing baldurs gate! Read some good books! SAW SOME SANDHILL CRANES!!!! Found new enrichment in the form of a new walking route! A busy busy month! Didn't read as much as I intended, but I did get to check off five more books on my Reading Books I Own chart so I call that a win.
The Adventures of Amina Al-Sirafi by Shannon Chakranorty ⭐⭐⭐⭐⭐- WHAT A FUN BOOK! "Adventure" is the perfect word for this. Yes, it's a trilogy with only one book out, but this also works so well on its own, as individual books SHOULD! It's its own little thing. Wrapped up neat and tidy with little threads to pick up in the future. I had so much fun and the audiobook was a DELIGHT, I want to read it again immediately.
The Novice by Taran Matharu ⭐- This has been sitting on my shelf since its release. It moved homes with me. It will not be doing so again. Bland, generic, poorly written. Proof just because you were an internet success, doesn't mean you don't need an editor. Also proof that publishing is about Luck and Connections. I know goodreads ratings mean Nothing, but come on. Why is this one so high. Did people really enjoy it that much? HOW??
Translation State by Ann Leckie ⭐⭐⭐⭐- Okay. Look. This was not my favorite Leckie novel. In fact it very well could by me least favorite Leckie novel. HOWEVER. Even then, it was still fun and enjoyable. I wish it ended differently, but I still loved all the characters and how they interact. I do want to reread this as well, because I remember enjoying Ancillary Justice more the second time around and I wonder if the same will happen here.
What Moves The Dead by T Kingfisher ⭐⭐⭐⭐⭐ - A reread! To get ready for What Feasts At Night! Even knowing all the secrets, it's still a perfectly bite sized creepy read. My favorite thing about Kingfishers writing is how even with the darkest subjects she still manages to add humor. And it never seems out of place! It's a great breather for the reader but doesn't detract from the tension. Do not recommend reading this while walking through a field of bunnies.
What Feasts At Night by T Kingfisher ⭐⭐⭐⭐ - I gave What Moves The Dead four stars at my initial read through, so I wonder if this will ALSO change to five stars upon rereading. I had to read the first few chapters twice for them to stick, and ended up switching to the audiobook which was very well done. I really didn't expect another book about Alex Easton, but I'm hooked now to be honest. I mean, stop putting this soldier in Situations, but also. I want to know what other Situations ka gets into. Angus and Miss Potter are adorable.
The library has a few summer reading games with prizes so my reading in the upcoming months will be influenced by those. Someone said there might even be a local bookstore gift package in the mix and I Want That. I do still want to do the Bone Season updated read, if for no other reason than to get rid of those books so I don't have to pack and move them. Other than that, no reading plans. I've read nearly every book that's on the shelf in my bedroom, which, wow, so it's getting harder to choose what to read. I guess that's a good thing! Leaves more room to reread old favorites.
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Half of the kingdom for Angelina, Fred and George dynamic! I shan't pretend I understand it but I sure as hell enjoy it!
You and Fred both!
Fred and Angie are the type of FWB couple whose reasons for not dating, inter alia, center on both of them just... not really caring that much. Romance isn't a priority for either of them; I think that when they started liking each other, it was a gradually developing case of mutual attraction under circumstances where neither one had time for a relationship. Angelina is busy trying to hold a quidditch team together, and it's hard enough without this doofus beater eating up more of her time than he already does. As for Fred, he's diligently preoccupied trying to put Minerva McGonagall in an early grave, and I think deep down he probably has a 17-year-old boy's healthy terror of commitment, too. But he does respect Angelina a hell of a lot, and he makes her laugh — something that she, as a generally serious person, could do with a bit more of. When he's not making a fool of himself, and she's not busy with the soul-eating job of being the following act for Oliver Wood, I imagine them having a comfortable, lowkey, no-strings FWB arrangement. Like, they were teammates before they were ever involved, and when you've seen someone's ass platonically, it takes the edge off seeing it in other contexts.
George is also here. The twins are such a social unit that anyone dating one of them sort of gets a two-for-one special, but the fact that Angie doesn't take it seriously helps to make things un-awkward. In fact, I think she's actually quite fond of George — he's more chill than Fred is, and a little bit sweeter, easier to get along with — and having known them both since first year, Angie probably understands that if you're involved with Fred, George is going to Be Around. It's like a love triangle where only one leg is romantic, and also everyone is eminently cool and happy to hang out with each other.
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Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.
Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...
Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!
As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.
With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).
It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.
It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.
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