#and i like the authors other books

[bookcub]

Chappell Roan Book Rec

like many other, I am currently obsessed with The Rise and Fall of a Midwest Princess so here are a few book recs based on the songs!!

(you can message me for questions about content warnings!)

Femininomon

A Guest in the House by E. M. Carroll (horror graphic novel)

What happens when you marry a mediocre liar and there's a ghost you are definitely attracted to in the house (that might be his dead wife)?

Relevant lyric: Stuck in the suburbs, you're folding his laundry/Got what you wanted so stop feeling sorry

Bonus Rec: Romancing the Inventor by Gail Carriger (adult steampunk romance)

Red Wine Supernova

Satisfaction Guaranteed by Karelia Stenz-Waters (adult romance)

Imagine inheriting a sex toy shop with a enchanting stranger who you feel incredibly connected to. . .

Relevant lyric: I heard you like magic/I got a wand and a rabbit

Bonus Rec: Sunstone by Stjepan Šejić (adult romance graphic novel)

After Midnight

Ash by Malinda Lo (YA fantasy)

I had to choose a queer Cinderella for this one, especially one whose mother warns her away from the forest at night.

Relevant lyric: This is what I wanted, this is what I like/I've been a good, good girl for a long time now

Bonus Rec: A Restless Truth by Freya Marske (adult historical fantasy, sequel)

Coffee

The Witch's Heart by Genevieve Gornichec (adult fantasy)

When your ex is the trickster god Loki and you have prophetic futures, you know you can never just have coffee.

Relevant lyric: Here come the excuses that fuel the illusions/But I'd rather feel something than nothing at all,

Bonus Rec: Seven Days in June by Tia Williams (adult contemporary)

Casual

The Last Tale of the Flower Bride by Roshani Chokshi (adult gothic)

Remember that toxic homoerotic best friend you had a child? Who believed in magic and was also the most manipulative person you've ever met? It never was a casual relationship, was it?

Relevant lyric: Hate that I let this drag on so long, you can go to hell

Bonus Rec: Ben and Beatriz by Katalina Gamarra (adult romance)

Super Graphic Ultra Modern Girl

A Spindle Splintered/A Mirror Mended by Alix E. Harrow (adult fantasy)

Entering the fairy tale multiverse always leads to the strangest (and funnest) relationships (platonic and romantic) of your life.

Relevant lyrics: We're leaving the planet and you can't come

Bonus Rec: Cash Degado is Living the Dream by Tehlor Kay Mejia (adult contemporary)

HOT TO GO!

The Princess and the Grilled Cheese Sandwich by Deya Muniz (graphic novel)

What if I dressed up as a count to inherit my father's fortune and you were a princess and we both liked grilled cheese???

Relevant lyric: I could be the one, or your new addiction/ It's all in my head but I want non-fiction

Bonus Rec: Act Your Age, Eve Brown by Talia Hibbert

My Kink is Karma

Mrs. Martin's Incomparable Adventure by Courtney Milan (adult historical romance)

She said, let's destroy my terrible nephew's life, and how could you say no to such a romantic proposal?

Relevant lyric: Wishing you the best, in the worst way

Bonus Rec: Girl Serpent Thorn by Melissa Bashardoust (YA fantasy)

Picture You

A Lady for a Duke by Alexis Hall (adult historical romance)

Oops, I faked my death and reinvented myself and you were way more distraught than I thought you would be. . .

Relevant lyric: Do you picture me like I picture you?/Am I in the frame from your point of view?

Kaleidoscope

The Scapegracers by H. A. Clarke (YA urban fantasy)

What if we formed a coven and what if we were all a little in love with each other?

Relevant lyric: And love is a kaleidoscope/How it works we'll never know

Bonus Rec: The Girls I've Been by Tess Sharpe (YA thriller)

Pink Pony Club

The Prince and the Dressmaker by Jen Wang (graphic novel)

He was a drag queen, she was a seamstress, can I make it anymore obvious?

Relevant Lyric: And I heard that there's a special place/Where boys and girls can all be queens every single day

Bonus Rec: Last Night at the Telegraph Club by Malinda Lo (YA historical)

Naked in Manhattan

Astrid Parker Doesn't Fail by Ashley Herring Blake (adult romance)

Isn't it romantic, designing a house with someone with your entirely opposite tastes?

Relevant lyric: Boys suck and girls I've never tried

Bonus Rec: Girls Made of Snow and Glass by Melissa Bashardoust (YA fantasy)

California

Honey Girl by Morgan Rogers (adult contemporary)

If a PhD can't save you, maybe a drunken marriage in Vegas can?

Relevant lyric: Cause I was never told that I wasn't gonna get/The things I want the most

Guilty Pleasure

Something to Talk About by Meryl Wilsner (adult romance)

Fake dating your boss? 0/10 recommended. . . right?

Relevant lyric: I want this like a cigarette/Can we drag it out and never quit?

Bonus Rec: That Time I Got Drunk and Saved a Demon by Kimberly Lemming (adult fantasy romance)

Bonus:

Good Luck, Babe

Sorry, Bro by Taleen Voskuni (adult contemporary)

Relevant lyric: You'd have to stop the world just to stop the feeling

Ophelia After All by Racquel Marie (YA contemporary)

[12thbiologist]

annihilation is soooo good because the biologist is aware that she is an unreliable narrator and also hates it. she WANTS to be completely impartial and objective and just observe everything without influencing any of it. but she cant so instead she omits her name from the entire book to the point where it's almost absurd and completely intentional and splits her journal into "objective" chapters detailing her expedition and "subjective" chapters detailing her memories about her husband. ill never be over you biologist

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[fluentisonus]

I've said this before but valjean's view of the bishop throughout the book gets me so bad because like. he knew him for what, a day maybe? and it absolutely had a vast & profound & positive impact on him. but then he goes on to spend the whole book comparing himself to his idealized vision of the bishop & finding himself wanting & feeling guilty and miserable about every petty or selfish thought that crosses his mind. but it's so fucked up because like we as the readers know the bishop better! we've read the whole first book and we know he came from a privileged & wealthy background, that he was a rake when he was young, it wasn't til he was in his 40s or 50s to have some sort of change of heart & become a priest (a similar age to valjean when he met him!), that he has moments that seriously shake him, that he has some dubious politics left over, that he still has moments of pettiness he has to work through on the page (his initial approach to the member of the convention, e.g.). and also he's just kind of a weird old guy (affectionate). and like this is not to criticize the bishop, I think he's a genuinely really good guy, just that while the bishop has a realistic view of himself & his past ("he described himself with a smile, an ex-sinner,"), valjean is not getting any of this except maybe like. what would be mentioned in the newspaper when the bishop died. so his whole view of him is of this one shining moment where he changed his life and he feels he doesn't live up to that. which is sad! because the bishop understood him more than he realized & wouldn't have wanted him to feel that way

[itspileofgoodthings]

No one talks enough about how different each Austen book is. the vibes are insanely specific and distinct every time.

[kooldewd123]

At the start of each Animorphs book, before the first chapter begins, there is a page. On it is a simple acknowledgement. Two names. The first name is Michael - Katherine Applegate's husband and co-writer on the series. The second name is that of a boy. This name belongs to their son. Or, should I say, belonged to their son. Because they don't have a son anymore. They have a daughter. Every time I pick up an Animorphs book, I can't help but linger on this page as I quite literally hold her deadname in my hands. It's a peculiarly beautiful feeling. Peculiar because the context behind that name makes it seem all the more personal. I feel like I've violated her privacy simply by knowing it, even though it's openly out there for anyone to read. But beautiful because dammit, doesn't this represent this series's relationship with the queer community so well? Animorphs is often regarded as a queer (and especially trans) narrative, despite the fact that such subtext was completely unintentional. Applegate did not write Animorphs to be queer media, but she's embraced the fact that it has became so in the hands of the fans. How perfectly fitting is it, then, that she unknowingly dedicated the entire series to a trans woman?

[saffitaffi]

“What if the evil tyrant who likes to kill puppies for fun actually just needed to fall in love with a sweet naive child who redeems them through the power of love and they were actually good the whole ti-“

What if they weren’t, though? What if their life twisted them to the point that they can only love through violence?

What if the narrative doomed them to ever play their role, a role that has already been chosen by forces higher than them?

What if the sweet, gentle character didn’t love them ‘despite their flaws’, or even at all?

Why should they? Especially if it’s a case of kidnapping. ESPECIALLY if they hurt them. Or their friends. Or take away their agency.

What if that strange contradiction of love and hatred in their heart tore them apart and gave them their justified end?

What if they CAN’T be fixed?

What if they don’t WANT to be fixed?

What if we stopped glamorizing abusive relationships and started actually exploring them?

[princesssunderworld]

I wonder why they are Lemon and Tangerine. 🍋🍊

And not Lemon and Lime 🍋‍🟩?

There has to be a reason right?

[fixing-bad-posts]

about the Lore.Fm situation. If you haven't heard, pod fic is a GAMECHANGER

(ao3 podfics | audiofic archive)

[boycritter]

favorite hobby is going into bookstores and taking pictures of books that sound interesting so i can add them to my goodreads and check them out from the library

[aroaceleovaldez]

Something something Jason feeling like he doesn't quite fit as "Greek" or "Roman" as a metaphor for bisexuality, particularly the semi-canonical bi-coding in his half of experiences during the Cupid scene and how Favonius and Cupid speak to him in parallel to the scenes confirming Nico is gay.

Something something the camps as metaphors for traditionally acceptable forms of relationships and Nico living as a rogue outside of them, rejecting expectation (ergo in himself representing a metaphor of queer identity and living outside of boxes and defined/usually hetero-allonormative/binary ideas of what love/relationships should look like) versus Jason struggling with the expectation to conform to a label and even discussing with Nico both of them remaining at CHB together.

Something something the inverse of Jason shifting away from the camps after he breaks up with Piper, feeling lost and unable to find a place between the camps as he begins to explore his queer identity properly for the first time versus Nico only remaining at CHB because he has entered a relationship. In this essay I will-

[fictionadventurer]

We laugh at sci-fi for how it over-explains technology, but we also need to make fun of how Victorians describe any time period that takes place more than ten years before the book's publishing date.

It's like if we wrote like this about the '80s or '90s.

According to the curious fashions of the day, she wore a shirt of tie-dye print. It may seem quaint to our modern sensibilities, but such colorful styles were a common sight in any public street of those times.

At the time this story occurred, it was not uncommon for young men to wear their hair cropped closely around the face, but allow the hair behind the head to grow until it brushed the level of the shoulders.

In those days, the information superhighway was little more than a crude unpaved path, full of hazards and beset by brigands, so it is not strange that our heroine, instead of entering her query into the search bar on her browser, went to the public library and scoured the books on the shelves for the information she sought.

She and her friends went to the theater to see E.T. How strange to think that film was once at the heights of popularity and acclaim, as well-known in its day as films like The Hunger Games or The Avengers have become in the intervening time.

I get that the lack of video and audio recording made it harder for future generations to experience the details of the past, and that technology was changing their world at a faster rate than ever before, but also, dude, it was only, like, forty years ago, so maybe chill out a bit.

[odo-apologist]

Thinking about Out of Time, specifically the ending, which, in my opinion, is one of the best Rimmer scenes of the franchise. It's one of those moments- like his sacrifice for Nirvannah in Holoship or his insistence that Lister burn his soldiers in Marooned as a gesture of friendship- that hint at the potential that he has, deep down, of being noble, heroic, kind. What's particularly interesting about this scene, though, is that up to this point, Rimmer has often been shown as having a fascination with power, with militarism and fascist aesthetics. This is among his worst, most dangerous traits. You see the extreme outcome of it in Meltdown, what I think is Rimmer at his most abhorrent; he is the cause of the death of an entire group of people all because he wanted to live out his power fantasy of being a strategic military general, watching the battle at a distance like he describes in Marooned. Of course, as others have pointed out in their own posts, Rimmer's desire for/adoration of power likely comes more from his desire to be loved and prove he's deserving of love, but its consequences can be horrific. In Out of Time, when he encounters a version of himself that is an *actual* fascist sympathizer/apologist, he is disgusted. He is the one who wants to fight and who says, "Better dead than smeg." Whereas his future self says he would rather die than live like rats as the present crew do, our Rimmer would rather die fighting than live a life of ease and comfort while rubbing shoulders with bloodthirsty, power-crazed dictators.

And I think it's really interesting that the episode before this one is Rimmerworld. The aspect I often think about (that I wouldn't be surprised a lot of other fans also often think about) is Rimmer's 550+ years of imprisonment. It's such a disturbing concept, being kept in solitude for that inconceivably long, that its apparent dismissive treatment as a joke and lack of any real impact on Rimmer haunts me a little bit and I'm glad there are a few fics out there that explore the aftermath more thoroughly. But before he ends up in that situation, he 1. Abandons the others- the seemingly only people who have ever come close to caring about him- to die, leaving them to flee in an escape pod, and 2. Creates a civilization of clones of himself that he clearly bases off of the Roman Empire (a notable inspiration for many fascists). The first is significant because it shows the contrast between his cowardice in that situation and his lack of it in Out of Time. But the second point here, about the creation of his civilization, may show why that contrast happens between episodes, the reason for it. The civilization of Rimmerworld, based on an obsession with power, inspired by what we can assume is Rimmer's own idealized view of the Romans and empire in general, is the same that causes his centuries of suffering. So the next episode, when he sees another version of himself willing to get along with the kind of people like those who imprisoned him (who, albeit, were also versions of him)...I don't know, maybe the events of Rimmerworld did have some notable effect on him after all, at least for a while; maybe that's why he was so sure in his decision that the crew fight even though he knows they'll die trying.

Or maybe I'm just being ridiculous and overthinking things

[will80sbyers]

Rudely criticizing storyline choices of a FANFICTION that you are reading for FREE is bonkers, you should be grateful people are even writing fanfictions for you to not be bored while we wait for the new season!

really get a grip on yourselves, stop being rude and go outside to look at nature and chew some rocks when you feel like sending hate asks to the authors of a fanfiction just because it's not your personal taste

That is so freaking pointless and mean just to be mean, it's not constructive criticism and I hope you people doing this are extremely young and that's why you're acting like everything is owed to you but newsflash that's not the case

fanfictions are not in the same realm of a book that's being published for you to spend money on it so leaving mean af reviews is not justifiable in any way and sending them directly to the author in ANONYMOUS ( because YOU KNOW YOU'RE ACTING LIKE AN ASSHOLE and you are ashamed to say the same in the same way with your name attached to it because you know people would avoid your mean ass if they knew.) is making you look like even more of a loser.