#I REALLY STRUGGLE WITH THIS STYLE FOR SOME REASON......

[ninyard]

sorry for blowing up your inbox with my thoughts on nathan’s theoretical/maybe non-existent posthumous trial, but i have more to say. with another prerequisite that i’m even less of an expert on french law than i am on u.s. law.

to start, as i previously stated there is very little precedent in the u.s. for posthumous trials, in fact i do believe that there has never been a posthumous trial for someone done on a federal level (feel free to fact check me on that). i do, however, believe that nathan would have a posthumous trial, if only to help implicate some of his associates. i cannot remember who all survived the hatford/fbi joint takeover of wesninski manor, but even if some of them died i’m pretty sure nathan was the one carrying out most of the murders. so, in order to arrest them for aiding & abetting (ig) they’d need to have nathan convicted as well.

i also talked about how the fbi would want to ease public concern, even if i did get the region wrong (sorry lol). nathan was at large for at the very least 25 years, very likely longer. this would be big news throughout the country. nathan seems to have a very distinct style to his murders, and he seems to have been consistently murdering people throughout the country while hunting down his wife and child. so, even though his most consistent range is likely baltimore and the surrounding areas, kills in his style were likely found across the continent of north america. i’m struggling to articulate just how big of news it would be for a serial killer to consistently kill people for over twenty years without getting caught. it would be remembered as an era of fear that no one could possibly forget. the fbi would want people to know that nathan would no longer be killing anybody, and they’d likely want to make a big show of it as well.

on the topic of jean simply being mistaken because he’s not very familiar with u.s. law, i do doubt that’s the case. even disregarding all of the above, from what i’ve found (which was admittedly not very in depth research) the french don’t typically have posthumous trials either. the only one that i really know about is the posthumous retrial of joan of arc, which isn’t really relevant towards the questions surrounding nathan’s trial.

i’ve honestly really been enjoying getting to talk about nathan and his trial, he’s really not gonna let a silly thing like death stop him from causing problems lol

-🐏🐏

YEAH!! I love this

It feels like if Nathan had like... killed one person that nobody knew maybe they could do without a trial. But from our knowledge he's been killing people for YEARS. Hundreds of people. He has so much blood on his hands that I feel like if for any reason but the sake of the victims/the victims families, they'd have to do something to recognise that he killed all of those people

And the point about having to convict Nathan in order to convict his gang for aiding and abetting is so interesting. I guess I'd never really thought that there would be any sort of trial or hearing over it, but I think considering the circumstances, surely there'd have to be something. Like... how many people were killed in the raid? His team permanently disfigured Neil, too, and he lived through his attempted murder, so maybe that's some sort of motivation to convict anyone they possibly can. I really have no idea at all!!! I'm SO curious to see how this all pans out now.

[painfully-unoriginal]

So for the art prompt thingy:

Could you try drawing Rocky and Serafine in the Invader Zim style (I don't know the name for the artstyle, sorry about that)

[maofa]

sanouso nation how are we feeling?!?!

[mossypidder]

I just realized I never posted this and I’m so mad because I love how her design came out and I just love her in general. There are many things I’d like to divulge about her, but on the off chance I ever actually write this story, I’d rather keep them to myself for now. What I will say tho, is that she’s a detective/hunter for the UCR (Unseelie Court Regulations) which, as the name suggests, are responsible for policing peoples and creatures who fall under the definition of Unseelie Court (and both trolls/troll changelings and kelpies do). There’s a completely different justice system that deals with the Seelie Court and non magic folk.

But anyway. Yeah. This is Mable. She’s- she’s a funky little bean, but I love her very much. Also, she needs sleep so bad, bless her-

[disposal-blueeee]

guess what ! doodles . again

edgar , nny and devi belong to johnen vasquez (even if i only drew nny and devi at the bottom)

scriabin by zarla-s

[smilesrobotlover]

I need to get Hawaiian shirts asap

[moe-broey]

OKAY OKAY I'M GONNA POST SOME OF MY RAMBLINGS FROM THE GROUP CHAT BC. I'm SO EXCITED about what I fucking scored (these are just snippets I Talked. A Lot LMFAOO)

Okay. Context. Just one pic that doesn't do it full justice bc it has cool little details too (ESP: little straps near the waist that button/unbutton, EXTREMELY USEFUL AND IDEAL to carry my noise cancelors with) (will hit image limit so just saying Dude Trust Me)

Okay. GO

LIKE. LIKE. I went on a whole ass journey about this. The vest I'm talking about in that last screenshot is this really gorgeous handmade green/beige blocked w flower print (it's like. Femme Masc. To me) that I got at a craft fair, for reference! Something I Barely wear/honestly save for special occasions bc 1) the Collar I did not factor in The Collar BUT. I FIXED THIS. WITH SAFETY PINS. Honestly I don't know why I didn't think to do that sooner. And 2) It's... incredibly difficult to pair w my usual jacket. If not impossible.

THIS... CAN CHANGE.... like something I said that I cut out here is The Potential. Of customizing this jacket Intentionally. So that I can layer it in both directions -- worn on top of things ofc but FOCALLY. Easy to wear Underneath something.

IDK IDK I'M JUST SOOOOOO PICKY ABOUT MATERIAL AND HOW THINGS FIT so it's like INSANELY COOL. That I scored something Like This that fits Perfectly to my preferences AND is really good material ESP when I've been wanting to start a new punk jacket For Forever...... again, with more intention this time! I don't have any clear plans or ideas. But I am thinking about The Purpose of it, what I Want from it, and exactly How I want it. And going from there!

[samstronomy]

I COOKED 🔥🔥🔥‼️‼️

a different sam oc instead of lucian and orion WHO WOULDVE THOUGHT⁉️⁉️⁉️

anyway this is astrophel :3 i heart them

[gatitobladee]

my very own tips for young artists that wouldhave helped me immensely

- im begging you practice face shapes that arent a triangle with spiky chin. there is so much variety in face shapes

- if you hate the lineart go over it one more time. especially if it's traditional art and you cant ctrl+z

- ummm. study and do it with your hand & not your eyes. i look at pictures all day and still nothing beats just sitting down and practicing

[mnt-artss]

if you see the quality and style of my art constantly changing it is because i am bad at drawing, don’t know what im doing, and hate everything. hope this helps !

[buckleydiazmp4]

do you mind if i ramble in the tags about my weird relationship with making art in fandom for a second

[absentlyabbie]

seriously, though. i work in higher education, and part of my job is students sending me transcripts. you'd think the ones who have the least idea how to actually do that would be the older ones, and while sure, they definitely struggle with it, i see it most with the younger students. the teens to early 20s crowd.

very, astonishingly often, they don't know how to work with .pdf documents. i get garbage phone screenshots, sometimes inserted into an excel or word file for who knows what reason, but most often it's just a raw .jpg or other image file.

they definitely either don't know how to use a scanner, don't have access to one, or don't even know where they might go for that (staples and other office supply stores sometimes still have these services, but public libraries always have your back, kids.) so when they have a paper transcript and need to send me a copy electronically, it's just terrible photos at bad angles full of thumbs and text-obscuring shadows.

mind bogglingly frequently, i get cell phone photos of computer screens. they don't know how to take a screenshot on a computer. they don't know the function of the Print Screen button on the keyboard. they don't know how to right click a web page, hit "print", and choose "save as PDF" to produce a full and unbroken capture of the entirety of a webpage.

sometimes they'll just copy the text of a transcript and paste it right into the message of an email. that's if they figure out the difference between the body text portion of the email and the subject line, because quite frankly they often don't.

these are people who in most cases have done at least some college work already, but they have absolutely no clue how to utilize the attachment function in an email, and for some reason they don't consider they could google very quickly for instructions or even videos.

i am not taking a shit on gen z/gen alpha here, i'm really not.

what i am is aghast that they've been so massively failed on so many levels. the education system assumed they were "native" to technology and needed to be taught nothing. their parents assumed the same, or assumed the schools would teach them, or don't know how themselves and are too intimidated to figure it out and teach their kids these skills at home.

they spend hours a day on instagram and tiktok and youtube and etc, so they surely know (this is ridiculous to assume!!!) how to draft a formal email and format the text and what part goes where and what all those damn little symbols means, right? SURELY they're already familiar with every file type under the sun and know how to make use of whatever's salient in a pinch, right???

THEY MUST CERTAINLY know, innately, as one knows how to inhale, how to type in business formatting and formal communication style, how to present themselves in a way that gets them taken seriously by formal institutions, how to appear and be competent in basic/standard digital skills. SURELY. Of course. RIGHT!!!!

it's MADDENING, it's insane, and it's frustrating from the receiving end, but even more frustrating knowing they're stumbling blind out there in the digital spaces of grown-up matters, being dismissed, being considered less intelligent, being talked down to, because every adult and system responsible for them just

ASSUMED they should "just know" or "just figure out" these important things no one ever bothered to teach them, or half the time even introduce the concepts of before asking them to do it, on the spot, with high educational or professional stakes.

kids shouldn't have to supplement their own education like this and get sneered and scoffed at if they don't.

[kafus]

beginner’s guide to the indie web

“i miss the old internet” “we’ll never have websites like the ones from the 90s and early 2000s ever again” “i’m tired of social media but there’s nowhere to go”

HOLD ON!

personal websites and indie web development still very much exist! it may be out of the way to access and may not be the default internet experience anymore, but if you want to look and read through someone’s personally crafted site, or even make your own, you can still do it! here’s how:

use NEOCITIES! neocities has a built in search and browse tools to let you discover websites, and most importantly, lets you build your own website from scratch for free! (there are other ways to host websites for free, but neocities is a really good hub for beginners!)

need help getting started with coding your website? sadgrl online has a section on her website dedicated to providing resources for newbie webmasters!

HTML (HyperText Markup Language) and CSS (Cascading Style Sheets) are the core of what all websites are built on. many websites also use JS (JavaScript) to add interactive elements to their pages. w3schools is a useful directory of quick reference for pretty much every HTML/CSS/JS topic you can think of.

there is also this well written and lengthy guide on dragonfly cave that will put you step by step through the basics of HTML/CSS (what webpages are made from), if that’s your sort of thing!

stack overflow is every programmer’s hub for asking questions and getting help, so if you’re struggling with getting something to look how you want or can’t fix a bug, you may be able to get your answer here! you can even ask if no one’s asked the same question before.

websites like codepen and jsfiddle let you test HTML/CSS/JS in your browser as you tinker with small edits and bugfixing.

want to find indie websites outside the scope of neocities? use the search engine marginalia to find results you actually want that google won’t show you!

you can also use directory sites like yesterweb’s link section to find websites in all sorts of places.

if you are going to browse the indie web or make your own website, i also have some more personal tips as a webmaster myself (i am not an expert and i am just a small hobbyist, so take me with a grain of salt!)

if you are making your own site:

get expressive! truly make whatever you want! customize your corner of the internet to your heart’s content! you have left the constrains of social media where every page looks the same. you have no character limit, image limit, or design limit. want to make an entire page or even a whole website dedicated to your one niche interest that no one seems to be into but you? go for it! want to keep a public journal where you can express your thoughts without worry? do it! want to keep an art gallery that looks exactly how you want? heck yeah! you are free now! you will enjoy the indie web so much more if you actually use it for the things you can’t do on websites like twitter, instead of just using it as a carrd bio alternative or a place to dump nostalgic geocities gifs.

don’t overwhelm yourself! if you’ve never worked with HTML/CSS or JS before, it may look really intimidating. start slow, use some guides, and don’t bite off more than you can chew. even if your site doesn’t look how you want quite yet, be proud of your work! you’re learning a skill that most people don’t have or care to have, and that’s pretty cool.

keep a personal copy of your website downloaded to your computer and don’t just edit it on neocities (or your host of choice) and call it a day. if for some reason your host were to ever go down, you would lose all your hard work! and besides, by editing locally and offline, you can use editors like vscode (very robust) or notepad++ (on the simpler side), which have more features and is more intuitive than editing a site in-browser.

you can use ctrl+shift+i on most browsers to inspect the HTML/CSS and other components of the website you’re currently viewing. it’ll even notify you of errors! this is useful for bugfixing your own site if you have a problem, as well as looking at the code of sites you like and learning from it. don’t use this to steal other people’s code! it would be like art theft to just copy/paste an entire website layout. learn, don’t steal.

don’t hotlink images from other sites, unless the resource you’re taking from says it’s okay! it’s common courtesy to download images and host them on your own site instead of linking to someone else’s site to display them. by hotlinking, every time someone views your site, you’re taking up someone else’s bandwidth.

if you want to make your website easily editable in the future (or even for it to have multiple themes), you will find it useful to not use inline CSS (putting CSS in your HTML document, which holds your website’s content) and instead put it in a separate CSS file. this way, you can also use the same theme for multiple pages on your site by simply linking the CSS file to it. if this sounds overwhelming or foreign to you, don’t sweat it, but if you are interested in the difference between inline CSS and using separate stylesheets, w3schools has a useful, quick guide on the subject.

visit other people’s sites sometimes! you may gain new ideas or find links to more cool websites or resources just by browsing.

if you are browsing sites:

if the page you’re viewing has a guestbook or cbox and you enjoyed looking at the site, leave a comment! there is nothing better as a webmaster than for someone to take the time to even just say “love your site” in their guestbook.

that being said, if there’s something on a website you don’t like, simply move on to something else and don’t leave hate comments. this should be self explanatory, but it is really not the norm to start discourse in indie web spaces, and you will likely not even be responded to. it’s not worth it when you could be spending your time on stuff you love somewhere else.

take your time! indie web doesn’t prioritize fast content consumption the way social media does. you’ll get a lot more out of indie websites if you really read what’s in front of you, or take a little while to notice the details in someone’s art gallery instead of just moving on to the next thing. the person who put labor into presenting this information to you would also love to know that someone is truly looking and listening.

explore! by clicking links on a website, it’s easy to go down rabbitholes of more and more websites that you can get lost in for hours.

seeking out fansites or pages for the stuff you love is great and fulfilling, but reading someone’s site about a topic you’ve never even heard of before can be fun, too. i encourage you to branch out and really look for all the indie web has to offer.

i hope this post helps you get started with using and browsing the indie web! feel free to shoot me an ask if you have any questions or want any advice. <3

[dawnslight-aegis]

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

[cy-cyborg]

I'm begging dragonage fans to do a tiny bit of research about arm amputees before loudly shouting their opinions on the inquisitor returning in the next game Please lol.

Apparently, it was confirmed that the inquisitor, your chatacter from the last game (who looses their arm in the final cutscene of the DLC), will return in Veilguard as a customisable character, similar to Hawke, and they will play an active roll in the story. This has caused a lot of people to start speculating on how they'll handle the inquisitor's missing hand, with most people agreeing they'll have to have a prosthetic to be an active part of the story. Which, while I do think this is the rought bioware will take, isn't true, and a part of me really hopes they leave the inquisitor without a prosthetic arm like in the end of Tresspasser

Partially because we already have a companion with a prosthetic (neve) and it would be nice to see some diversity in how amputation is depicted in such a mainstream game, but also because you dont need a prosthetic to fight as any of the main 3 classes from inquisition.

Mage:

mages just need a staff, the game shows them as 2 handed weapons but it's totally beleiveable that it would be usable 1-handed (Neve also uses a dagger-like weapon in the trailer, you can make a "staff" in inquisition that functions more like an energy sword, and the Mage in the chargers uses a staff resembling a bow, so I think it's more that they just need a focus, the shape doesn't matter as much). A knight enchanter may struggle more 1 handed, but I wouldn't write it off as an option with some modifications made to their main staff.

Warrior:

the easiest to justify, because there are several cases of arm amputees fighting with a sword and sheild in history, and while many did have prosthetics, most weren't functional (meaning they were mainly for aesthetic purposes and didn't actually aid the fighter in any way. There were exceptions, like Götz of the iron hand, who's prosthetic was functional, but most were not). The inquisitor looses their arm just above the wrist*, so they still have most of their forearm. Most sheilds strap to the forearm, so it wouldn't take much adjustment to make that work, and you can use the other hand for the weapon. Obviously, two-handed weapons will probably be off the table, though, lol.

*edit to say, as several people pointed out, i got that wrong, my bad 😅. The inquisitors arm is actually amputated through the elbow, the screenshots i was looking at just weren't very clear and it has been a while since i got to trespasser lol. It would still entirely possible to strap a shield to the upper arm though, with some pretty minor adjustments to the existing straps on standard (as in, those used by non-disabled warriors) tall shields, so the point still stands.

Rogue

this is the one people tend to be the loudest about and the one I understand the most. Obviously duel-weilding daggers won't work (unless you give them something like the hidden blades in assassin's creed on their stump side, I guess) but using a single dagger still would, and is a perfectly reasonable approach, given that's how most irl people used daggers. Archery, though, absolutely can work without a prosthetic, despite what people think. Dragonage has crossbows, not something like Bianca (rip) but a small, single-handed crossbow is an option. Even ignoring that though, amputee archery is a thing irl, and not every arm amputee uses prosthetics for it. The bows are modified to be held in one hand and drawn with the mouth using a kind of pully-system built into the bow that I could very easily see being modified into some dwarven-style contraption in game (some double arm amputees use their feet to draw regular bows, but I don't think that would be pheasable in combat).

Like I said, I think bioware will probably go with a prosthetic, but i hope that they don't. Or at the very least, show them with it sometimes and without it other times (the same goes for Neve, no one wears their prosthetic 24/7, I'd love to see them both take them off around the home base, even just occasionally). A lot of arm amputees in particular prefer to go without one, and arm prosthetics in media are some of the worst offenders of the "perfect prosthetic"/"miracle cure prosthetic" tropes. It doesn't count as "diversity" or disability representation if it doesn't actually change anything other than the look of the chatacter, and im really, really desperate for some actually decent amputee representation in games.

[likeumeanit9497]

watch | m.s. |

matt sturniolo x fem!reader

summary: after hearing you confess all of your insecurities to him, matt makes it his mission to have you see yourself the way that he sees you.

warnings: established relationship smut; fluff; mentions of body insecurities; hint of disordered eating; fingering (f receiving); dirty talk; choking; 18+

notes: i dreamt up this smut last night and immediately got to writing because it felt a little too real. i also knew it was gonna be a shorter one shot (compared to all of my others) so decided to try out second person narration rather than first person. i still can't decide which is better, so pls let me know which u all prefer to read. i hope ya'll enjoy reading this as much as i enjoyed dreaming ab it ;)))

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With Mac Miller playing softly from Matt’s tv, you sighed to yourself as you applied the finishing touches to your makeup. You took a moment to inspect your appearance in the full length mirror that you had been getting ready in front of, and felt like you didn’t recognize the girl in the reflection. For some reason, you were having a bad everything day. You had started getting ready by doing your hair, and it just wouldn’t fall right once you had finished styling it. Moving on to makeup, you had struggled with making your eyeliner match and all of your base makeup looked splotchy; it was like nothing was sitting the way it should on your skin.

Filled with frustration, you were tempted to tell Matt to cancel the dinner reservation, scrub everything off your face, and tuck yourself in his bed for the rest of the night. But you wouldn’t do that, because he had been so excited about planning your date night all by himself.

You and Matt had been dating for a few months, and had built a relationship filled with the perfect combination of comfort and excitement. Even though you both lived apart, there was rarely a day when you and him were not doing something together — whether that be just laying in his bed watching movies all day, or going on a random adventure in the middle of nowhere. You could never grow tired of being around him, but for some reason your insecurities in your appearance were so severe today that you almost felt like you wanted to hide yourself from him.

As you leaned closer to the mirror to inspect your creasing concealer under your eyes, Matt walked into the room with a towel wrapped around his waist. “You look pretty,” He started, heading towards his closet to pick out an outfit. “You about ready?” You watched him through the mirror as he put on a pair of boxers, feeling a lump form in your throat at how undeniably beautiful he looked. You were hit with the realization that his looks so clearly outshined your own, and hated the idea of other people recognizing that whenever you two went out together.

Trying to get the negative thoughts out of your mind so that he wouldn’t have reason to worry, you cleared your throat. “Uh, yeah I am. I just have to get dressed.” After buttoning his jeans, he looked at you through the mirror and smiled warmly. “Everything okay baby?” He must have noticed the tension in your brow, or the slight downturn of your lips, but you nodded reassuringly. “Yeah of course, I’m just not really feeling my makeup.” You added a chuckle to the end of your sentence, hoping to make him believe that it was just a light hearted confession. He walked over to you and pressed a kiss to your forehead. “I think it looks perfect.” He said softly into your hair, and you forced a smile onto your lips.

You walked over to the clothing rack that Matt had put in his room for you so that you could leave a variety of your clothes at his place for when you stayed over. Scanning your options, you skipped over all of your more bold pieces — knowing your head space was far too vulnerable tonight to mess around with any of them — and decided on your favourite black Skims dress. It had never failed you in the past, and you tried to reassure yourself with this fact as you removed your oversized t-shirt and replaced it with the soft dress.

Your positive attitude was gone just as quickly as it arrived once you began to examine yourself in the mirror. From the front your body looked okay, but as soon as you turned to the side you grimaced at the sight of your bloated stomach from the massive deli sandwich Matt had bought you for lunch earlier. The thin, tight material of the dress did nothing but accentuate the swell in your lower stomach, and you wanted to scream out in frustration. Maybe if your hair and makeup had worked in your favour the bloating wouldn’t have bothered you so much, but because everything that could have possibly gone wrong had gone wrong, it was enough to cause tears to well in your eyes.

As you stood in front of the mirror fighting the tears from spilling over, Matt noticed the sheen in your eyes and your wobbly chin and raced over to you. “Hey hey hey! What’s wrong baby?” He asked, his voice laced with a hint of panic. You shook your head rapidly. “Nothing, it’s nothing. I’m just being stupid.” Your voice was thick with emotion, and it made you even more angry with yourself as you knew this whole thing was stupid. “It’s clearly not nothing if you’re crying, Y/n.” He turned you around so that you were face to face with him; concern evident in his furrowed brow and racing eyes. “Tell me what’s going on sweetheart.” His voice was soft, and he rubbed his hands along your bare arms reassuringly.

You sighed and brought a shaky hand to your eye; trying to dab away any fallen tears in a weak attempt to not ruin your shitty makeup. “It’s stupid Matt.” You wined, not wanting to tell him your insecurities out of fear that speaking of them might make him suddenly see them just as clearly as you did. “Y/n, please.” He begged, desperate to try and help you. Groaning, you finally obliged; your voice barely above a whisper as you confessed. “I just hate everything about the way I look today, that’s all.” Matt stared at you with a blank expression as he took in your words, and you waited in silence — nervous to hear his response.

“What the fuck are you talking about, Y/n.” He sounded almost angry in his response, and it caused you to bite your lip nervously as you shrugged. “Nothing turned out the way I wanted it to when I got ready today, plus you’ve been feeding me too much lately and it’s been making me bloated.” You explained further, and watched as his eyes travelled from your face down to your body. “Baby, you look absolutely beautiful.” He said, and you rolled your eyes. “You have to say that, it’s one of the unwritten rules of being someone’s boyfriend.” A dry laugh escaped your lips, and Matt moved his hand to the back of your head.

“You think I’m lying?” He asked, his tone of voice mildly threatening and absolutely serious. So serious in fact, that the weak smile left your lips and you could do nothing but stare blankly at his face; unsure of how you should answer. He tilted his head quizzically, clearly still waiting for a response. Tentatively, you nodded your head yes as a singular tear fell down your cheek. Matt’s eyes softened. “Oh baby.” He breathed before pressing his lips softly against yours. He wrapped his arms around your waist as he began deepening the kiss — turning it into one filled with passion without losing its gentle nature. Delicately, his tongue skated across your lips; requesting access to your mouth without demanding it. You released a soft whimper from his tender movements as his hands travelled down to your ass; massaging it gently through the thin material of your dress.

“Turn around.” He ordered against your mouth, and you immediately obliged. Now facing the mirror, he stood behind you with his hands planted firmly on your shoulders. Into your ear, he spoke. “You are the most beautiful person that I have ever laid my eyes on, and I need you to know that.” His words — overflowing with emotion — caused goosebumps to cover your skin. Using both of his hands, he grabbed each thin strap of your dress and slowly peeled them off your shoulders. Not stopping there, he used his grip on the straps to pull the dress completely off your body — creating a puddle of dark material at your feet.

“Look at you, Y/n.” His hands moved across your upper body; exploring every square inch of your skin as he held you in front of the mirror. You shuddered from his touch; his hands lighting your body on fire as they glided across it. He grabbed your breasts in both hands, massaging them slowly as he planted a kiss to the top of your shoulder. “You might see flaws when you look at yourself in the mirror, but I don’t. And I never have.” His hands moved down to your hips, squeezing them slightly. “I think I just have to show you what I see, and then maybe you’ll change your mind.”

Dropping one more kiss to your flushed skin, he walked you forward a few steps towards the mirror, before using his hands to guide you to the floor. Knees tucked into your chest, he sat behind you and pulled all of your hair over to one side before leaning in to whisper into your ear. “Open your legs baby.” You gulped before obliging, sliding your legs apart but keeping your knees bent. Your bare chest rose and fell rapidly, beginning to feel overwhelmed by the intensity of the situation. You titled your head to the side out of embarrassment of having your legs spread in front of the mirror — with only your small pink thong covering you. Noticing this, Matt brought a hand to your jaw, grabbing it firmly and straightening your head back in the direction of the mirror. “You are breathtaking, Y/n. I don’t want you to look away.” As he spoke, he moved his hand from your jaw down to your breast, holding it firmly as his thumb swirled around your sensitive nipple. “Keep your eyes on the mirror.” He whispered before taking his free hand and sliding your panties to the side.

Your eyes planted firmly on your glistening core as he used two fingers to spread it open. You watched as your arousal began leaking from your slit, and your jaw dropped in ecstasy as he collected the fluid on his fingers. His eyes connected to yours in the mirror as he brought his wet fingers up to your lips. Confused, you furrowed your brow. “Even your insides are beautiful. Taste yourself.” He urged, and his words stirred up something within you. Slowly, you opened your mouth and immediately felt his fingers press against your tongue. You wrapped your lips around his middle and ring fingers; sucking your own sweet juices off of them and moaning at the heat of the scenario as his eyes burned into yours through the reflection in the mirror.

“Good girl.” He praised once you released his fingers, before moving them back down to your throbbing core. As soon as his fingers connected with your clit, you released a breathy moan and screwed your eyes shut in relief. “Open your eyes sweetheart, and look at how fucking beautiful you look.” He demanded sweetly into your ear, making it impossible for you to even consider disobeying him. Through your droopy eyelids you watched, mouth agape, as his ringed fingers massaged your bundle of nerves; their circular motions hypnotizing you. You also took a moment to admire your body as it writhed in anticipatory pleasure — your sweat-coated breasts heaving as you gasped for breath. Matt rested his chin on your shoulder — his left hand still caressing your tits — as he watched in awe at your various expressions of pleasure.

“Look at your pretty pink pussy, baby. And look how unbelievably beautiful you look when you bite your lip. God, I could cum in my pants just from watching you feel good.” His words were equal parts sweet and filthy in your ears, and they added to the pleasure you felt building up within you. Suddenly, his left hand moved from your tits down your stomach and towards your core. You watched in awe as he swirled two fingers around your opening teasingly, and practically screamed out once he slammed them into you. Wasting no time, his curled fingers pumped in and out of you rapidly, hitting your spongey g-spot each time.

“F-fuck Matty, feels so good.” You managed to get out through breathless moans. “Mmm.” He purred, “Looks so good too, doesn’t it? Your pretty juices like honey dripping from my fingers. Tell me how pretty it looks.” You whined before obliging. “I-it’s so pretty.” You watched his reflection as he shook his head and smirked. “Good baby, but it’s not just your juices. It’s you that’s so pretty. Say it.” As he waited for your response, he nipped delicately at your neck. “I-I’m s-so pretty.” Your voice was shaky as your mind was overtaken by your impending orgasm that was very quickly approaching. You felt Matt’s lips turn up in a smile against your neck. “That’s right. And just wait till you cum princess, there’s nothing more beautiful than that.” His words caused your walls to flex around his pumping fingers and your stomach tensed from the familiar feeling.

“G-gonna cum baby.” You cried out, tucking your chin into your shoulder and arching your back off of his chest as your orgasm began to roll through your body. Suddenly, Matt pulled his fingers out of your core and grabbed onto your throat, gently straightening your head up once again. “Watch yourself cum, Y/n.” He rasped into your ear and you watched through blurred vision as your fucked out face contorted into one filled with pleasure as your orgasm tore through your body. Still rubbing your clit at full tilt, Matt filled the space between you both with muttered praises; his eyes firmly planted to your face as he almost fell apart himself from the view in front of him.

Once you came down from your high, Matt wrapped both of his arms tightly around you; leaving small kisses on your skin as he waited for you to catch your breath. “I don’t ever want you to have negative thoughts about yourself like that ever again.” He stated as he rubbed your soft skin gently. Still waiting for the fog around your fucked out brain to clear, you could do nothing more than hum in acknowledgment. “I mean it, Y/n. I get that having insecurities is normal, but, when I look at you, I swear to god I can’t see a single flaw.” Your eyes fluttered open and connected with his in the mirror. “You are perfect, Y/n. And I’m not just saying that.” Giving him a small smile, your heart did leaps in your chest at his heartfelt testament. The sincerity in his voice was undeniable, and when you took a moment to look at yourself again in the mirror, you realized that maybe he did have a point.

Even through your makeup, your cheeks were filled with a lively glow that wasn’t there before. Your eyes seemed to glisten in the light, and your lips were swollen and pink. You would have expected your hair to be messed up, but Matt’s hands running through it had actually made it fall exactly they way you had hoped it would when you were styling it. You still struggled with your bloating, but flashbacks of your body squirming sensually under Matt’s touch — and the residual satisfaction of your orgasm a reminder of just how good your body could feel — allowed you to find a new appreciation for it. Feeling a lump form in your throat just as it had when you tried on your black dress — this time for an entirely different reason — you gazed adoringly at Matt. “Thank you baby.” You whispered before turning around and planting a deep kiss to his lips.

“It was my pleasure, sweetheart.” He responded, both of his hands on either side of your face so he could stare at it up close. “You think you’re up for dinner still? Because let me tell you, you’re on a whole other level of sexy when you’re shovelling steak into your mouth.” You erupted into giggles at this, and wrapped your arms around his neck. “I’m serious.” He continued, his voice filled with laughter. “You think I have blue balls now, just wait until after dinner. They might explode.” You shoved his shoulders playfully at this, and hoisted yourself up to your feet to find your discarded dress. “You add a lobster to my dinner plate, and I might just be able to help you out with that on our way back.”

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