#I LOVE THOUGHT EXPERIMENTS!!!!!

[lordgolden]

Btw I’m listening to the left hand of darkness and the introduction by the author alone had me gagged

[tawnysoup]

Finally now that the comic is fully public on comicfury, I get to share it with all of you here, too <3

If you enjoyed, please consider supporting by buying a PDF of the comic on itch.io: https://tawnysoup.itch.io/home-in-the-woods

[kendyroy]

Seeing Logan in the TVA makes me laugh so hard for some reason? Like I know he’s lived to see technology evolve and stuff, but there’s something so funny about a guy from the 1800s standing in some kind of retro-futuristic timey wimey agency to me. Man is confused as hell.

like what da hell is a polar bear doin in arlington texas

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[iheartbookbran]

My favorite part about the Debling plot was Penelope and Cressida doing the most over there top cat-fighting in order to win him over, not because they genuinely liked the guy, but because they wanted to escape their families and also lowkey just hate each other.

[i-eat-mold]

just here to say that gertrude robinson is the single funniest character. she is THE character. she dies before the show even starts. shes an old lady that adopted an edgy teen and traveled the world. She is the avatar of one of the fourteen elditch horrors that feed on primordial fears, she had basically infite knowledge of everything and her plan to stop one of the rituals of a cult of another one of said list of eldrich horrors was to blow it up with a bunch of c4. we only find out about this because she stored all of the explosives in a random storage unit and the aforementioned edgy teen with mommy issues (who by the way, is dead, but when he died she sneaked into the morgue to put him inside a book) speaks through the book to the woman's succesor who, by the way, has no idea what the fuck is going on because neither she nor anyone else has bothered to explain shit to him, and tells him that she kept something important in the unit. we only find out about this after 100 episodes of the show. She feeds her subordinates to an all consuming monster/god, but its ok i guess. Later on (earlier on? at the same time? in a different timeline? after?) the literal end of the world and the end of the end of the world shes back and still has to deal with this stupid teenager who at least doesnt spend half his life focused on dyeing his hair and the other half about finding murder books (not as books about murder but as in, books who actively murder). She is a well experienced arsonist despite having no affiliation with the actual official arsonists club that is yet another cult to yet another one of the previously mentioned eldritch horrors. She is, however, metaphysically tied to the Chosen One, the Messiah of said cult, or some shit. She is absolutely terrible at her actual office job (on purpose). She dismembered a guy (who was her assistant) and probably commited several undocumented crimes against humanity. Once again, she has all seeing abilities and barely noticed her favorite assistant was torturing a coworker. She dares her murderous boss to kill her and gets surprised when he does so. When asked what to do about a literal Monster Pig, her advice is to encase it in cement. She was such a bitch. Her plan B was always to set things on fire. Her plan A was often to set things on fire. One of these instances was approved by her boss (the one who killed her). It is canon that the reason she started all this shit in her life was because the fire cult killer her cat. She sacrified another one of her assistants who became an avatar of the literal concept of Insanity but it was just a other thursday for her. She knows on a first name basis pretty much every person and monster affiliated with the eldritch horrors that she tries to keep at bay on the daily. She stopped a ritual for The Lonely by making the place a tourist destination. She has an ebay account. Instead of performing a ritual for the God that she was affiliated with, she wanted to destroy it and planned to 1. blind herself, and 2. set fire (yet again) to her workplace. It didnt work, because and her boss, who was also the one who was going to perform the ritual, finds her right before and kills her after she says he has no balls to do so. Also she is voiced by the mother of the main character's voice actor (who he named with his own, full, legal name) and the series' writer, which are the same person. Shes the worst, shes the best, i love her, we will never get anyone like her again, we need more characters like her.

[linkedin-offficial]

more vivian things

[hootyhoowoo]

A little 15 min doodle but first post of the year has to be Bingqiu!

[poorly-drawn-mdzs]

I came here for the silly haha doodles, but I've stayed for the absolutely blazing commentary in the tags. Your analysis of this story is so so so good! Thanks for all the work and thought you put into this!

I am just a silly little comics blog. I am not hiding anything in the tags, no way. Never.

[dookiespooky]

Driftingstars and dreamcaptor fusion au thing! This takes place right after mabel falls through the portal ig dk what im doing lmaooo

(Dreamcaptor au belongs to @neonross )

[chellychuu]

💖

[iliothermia]

I won't be able to finish this drawing before the convention, which will take up my next 5 days.. But I want to talk a little about him.. I've been thinking about golems and Frankenstein, and the trans body, projection and misunderstanding, villainization and death.

The concepts of Frankenstein's monster and the golem have been swimming in my head for a while, and their lore intertwining.. The tragedy of existing being seen as a monster no matter how you try,.. And the Golem, a protector of his people and a servant whose only flaw always rang a bit close to home as an an autistic person-- being too literal in execution of his orders. He's tired and struggles with a yearning for death. His havdalah candles will be out.. The first flame of the week, a spark of starting over again-- The flame brings him fear. As much as he's kept himself together he doesn't know how much longer he can keep doing it, he fears failure- but the fear of what may happen if he's gone is even more terrifying. He's lived a long life, and over time the one who formed him has sculpted him to the golem's own wishes.. From nothing to the man he is- but even with that effort, to outsiders he's still a monster. His skin is different shades of clays from varying riverbeds as his people have travelled.. Golems are unformed, imperfect.. but even as outsides can be polished the insides can still be broken

[wigglebox]

Destiel Pride - Day 21; Most faithful mirror

[guardianspirits13]

Bouncing off all of the fanfics where the Dead Boys are brought back to life again for a period of time to suggest that their thoughts on it are the opposite of what you’d anticipate based on their perception of the living while they’re ghosts. Charles sorely misses living while a ghost, despite all the awful, awful things he was subjected to. Edwin, despite 70+ years in Hell, is perfectly content as a ghost and finds the living distasteful to a degree.

But, when they get hit by an “aliving” spell, that’s not how it goes down at all.

Edwin has not been in a human body for over a century- and even then only got sixteen years of it- so he forgets how much he was missing as a ghost. Actually being able to feel things- the warmth of human touch, the breeze through his hair, the texture of worn book pages. The smell of petrichor after rain, a warm cup of sweet tea. Even just sleeping and having the ability to give his overactive mind a break. He’s forgotten how many good things there were about being alive.

Charles, as expected, is thrilled to be alive again and his first few days on solid ground are a whirlwind, but his energy is short lived. He frequently sleeps over 12 hours a night, and can’t bring himself to get out from under the covers for another hour longer. His appetite fades quickly, and he finds that foods he’s been craving for 35 years just don’t taste the same. Initially he chalks it up to his mind and body readjusting to human life (despite Edwin having none of the same issues), and continues enjoying what he can. But eventually, it becomes clear that something is very very wrong. His right arm that he shattered at age 14 (and didn’t get properly treated for days) begins to ache again. Sudden touches are no longer a gentle spectral sensation, but an unexpected pressure that he shrinks away from. His body feels heavy, and his energy drains quickly if he has any to begin with.

It turns out that over three decades of repressed physical and emotional trauma took its toll on him, and he had naïvely forgotten-or perhaps willfully omitted- the struggle that was his life when he wasn’t out kissing girls and pretending like his father didn’t exist.

Edwin feels a sense of freedom in being human again, away from all the supernatural trauma he has endured, while for Charles it is more of a burden than he ever recalled it being.