#idk. I love this scene a lot lol

[wigglebox]

Destiel Pride - Day 21; Most faithful mirror

[posalis]

challengers twitter pointed out something very cool: art's coach speaking to him in german!

the subs says "just invite her to serve." (which doesn't make any sense? and art doesn't even go to her after that lmao?) but he apparently actually says "wirf den ball etwas höher." which means "throw the ball a little higher.".

so art knows what patrick's house looks like which means he went there, he understands when his coach speaks to him in german and he's the only one who can pronounce "zweig", a german surname, the right way.

art learning german for patrick and spending holidays with him and his family is canon, i don't make the rules.

[kate-bot]

REQUIRED READING for any noisecouple enjoyers: @manicplank 's "the colour pink" fic ITS SOOOO GOOD and i just had to do a little animation of their date.... so so so so cute i love them forever

gif version under the cut:

idk why it loses so much quality . kind of annoying but oh well

[myokk]

Eloise and Lorra🥹🥹

@lorrainmorgan

[hayaku14]

gymnast kaito x sharpshooter shinichi meet-cute in the olympics au

[sainz100]

quick Carlos & Charles collage ❤️❤️

| 📸 pumamotorsport + Esquire via sabrinabearzotti

[ennard-is-near]

“Henry’s monologue this” “Michael’s monologue that” okay?? Have you considered??

Circus Baby’s night 4 monologue

Don’t get me wrong, night four is a pain in the ass (especially on console), but even after days of trying I still found myself enjoying listening to her speech to Michael about her thoughts on The Scooper. The way it portrays her thoughts on what she’s about to do, while keeping the idea in the player’s head that Circus Baby is just a kid, is excellent. It’s just a few sentences, but it sets up Circus Baby and The Scooper very well and expertly foreshadows for night 5. (There will be a transcript of her speech in the reblogs, incase you want to read it first, I started it at when she first mentions The Scooper.)

First: She’s obviously just a kid

One of my favorite moments in the whole game is when Circus Baby says “Do you know why it’s called The Scooping Room? Because, dummy, this is the room where they use the scooper.” Hilarious. Like yeah, dummy, obviously. But her soft, mature sounding voice can make you forget that Elizabeth was a kid, and Circus Baby is just a little girl. Her calling the player (Michael, her brother) “Dummy” is really cute and actually serves her character well. Her comparisons of The Scooper to something you’d want at your birthday, something for ice cream and sprinkles, serves as a good reminder of who Circus Baby really is, she’s Elizabeth. For her, birthdays are the best thing in the world. Which leads me to my next point…

Second, Circus Baby loves The Scooper

During night four, a first time player won’t know why Baby would like The Scooper. When we first hear it, it’s loud and scary and kicks Ballora’s ass, it’s not friendly at all. But Circus Baby speaks so fondly of it, it does a great job establishing that the scooper will be important later. It’s also intresting on replay of the game (more on this later) because you know what it is to her, freedom. She’s been in a dark basement for a while and for her, the Scooper is the best thing in the world, her way out.

Third, Circus Baby briefly empathizes with her brother

Michael is clearly the “Freshly opened pint of ice cream”. He wouldn’t like the scooper, to him it would be scary, that is, if a freshly opened pint of ice cream felt anything at all. Because the way she momentarily considers her brother, and how he might feel about all this, is important too. She knows that what she is doing to Michael is bad for him, but I read her delivery of the last line “Thankfully, I don’t think a freshly opened pint of ice cream feels anything at all” as her trying to convince herself that it won’t affect him. She’s telling herself that “The Scooper only hurts for a moment” and that he won’t feel what’s she’s going to happen. Circus Baby isn’t a monster, she’s a kid who’s been in hell for a while and needs to get out. But she doesn’t want to hurt anyone, so it’s a good thing he won’t even feel it…

Finally, none of this is clear on a first play through

You have to know what Circus Baby is going to do to Michael on night five to truly get the full experience of listening to this speech. On a first listen, all it does is set up an uneasy atmosphere and a little bit of mystery for the player. It doesn’t seem weird, but it manages to convey (and foreshadow) all of the emotions felt by Baby during an event that hasn’t even happened yet in game. It’s something that has an impact on first listen, but doesn’t mean much to the player unless they know what The Scooper truly means to Baby, and what she plans on doing with it.

Bonus: The voice actor is incredible. She really eats, no crumbs.

[livethrushit]

that last scene in the qaf finale was painful. we get a voiceover of michael talking about how some things should never change and the show decided that very much included brian. we then get him dancing in babylon to beat us over the head with the idea that nothing has changed at its core. but everything has in that moment. everything had changed for seasons. with everyone dancing "the way it should be" brian was the only one who didn't fit in that scene, yet there he was smack in the middle of it all

this wasn't growth, it wasn't poetic, it was a poorly written ending

[skyward-floored]

How did Malon get her brand scar? 🥺 (Downfall IAU)

- hero-of-the-wolf

You are so good at poking my brain in just the right way to make me want to write things Wolf (...or Emmie? I just looked at your blog and realize you go by that skhjhsfjkhkld) and I couldn't resist again. writing a little fic was easier than just explaining it all XD

This is set like... further back-ish. Time is probably still alive though, and Twilight and Legend are younger. Aside from that... vague. lol.

------------------------------------------------------------------------------

“I’m sure you know why you’re here, Malanya.”

A glare was all Dark got in return from the woman in front of his desk, her hair falling in her face. It was coated in nearly as much dirt and animal hair as the rest of her was, and there was a streak of blood across her cheek. She looked exhausted, and Dark was certain she still had a fair amount of adrenaline coursing through her based on the faint tremble in her limbs, but none of that really concerned him.

“Well? Aren’t you going to say anything in your defense?” he asked after several moments had dragged by.

“You’ve already decided I’m guilty, I don’t see the point,” Malanya finally said, voice short.

“Try me. I’m curious as to why we caught you breaking into a restricted area, and seemingly doing nothing but releasing animals that are government property,” he said, crossing his arms behind his head as he leaned back. “Alone, at that. Unless... those other footprints we found weren’t actually more of your own?”

Some of the color leeched from Malanya’s face, but her expression stayed remarkably level.

“And... it’s strange, too, but some workers seem to be missing after the events of tonight. Let’s see... Romani, I think was one of their names?”

More color gone.

Dark hummed, rather amused by the situation she’d landed herself in. He knew full-well what Malanya’s goal had been on this mission of hers— both goals, in fact. But he enjoyed making her squirm. It was nice to exercise some of the power he’d painstakingly built face-to-face sometimes.

Especially towards the wife of the man he had personal beef with.

Oh if only I could be there to see his face after this.

He'd been trying to catch her or her husband in incriminating circumstances for years now, and she'd practically dropped this in his lap. She'd been sloppy, Dark could only assume because her cousins had been involved, and now he was reaping the rewards.

And the perfect opportunity to show why I shouldn't be crossed.

“Do you have anything to say in your defense now?” he asked, and Malanya regained some of the fire in her eyes.

“I don’t know about missing workers, but I do know you weren’t using those animals for anything except cruelty,” she spat, eyes blazing. “I could hear them crying out every time I went past, and I refused to let them suffer any longer. Do what you want with me, but I don’t regret freeing them.”

“Dangerous words,” Dark said, smirking at her. “If I didn’t know better, I’d think you want us to punish you.”

Malanya went silent again.

Dark let out a theatrical sigh, and glanced at the guards holding her, then back at her face.

“I think a lesson in obedience is necessary here,” he said in a soft voice. “Though... the punishment has the potential to be lightened, if you decide to tell us about any partners you may have had helping you.”

“There was no one else,” Malanya said smoothly. And Dark almost would have been inclined to believe her if there hadn’t been just enough evidence pointing to the contrary.

But he was willing to be gracious. If this was what she wanted, who was he to deny it to her?

“If you were the sole instigator, that would mean a much harsher punishment,” he said in a low voice. “I’m afraid an action like this is simply something we can’t ignore.”

Malon raised her chin, and looked him in the eye, her blues as fiery as her hair.

“I was the only one involved.”

Dark couldn’t help his chuckle, and he stood, walking around to her side where she couldn’t easily see him. “I see once again why Link married you. You know, your fire is something I’ve always admired, I’ll admit.”

He leaned close to her ear for his next words, and reveled in the way she flinched from his breath on her skin.

“We’ll see what he thinks of the mark this earned you.”

Her eyes went wide, and Dark smirked at the slight hitch in her breath.

“Yes. Normally you’d be imprisoned for a period of time, or sent to a work camp for a while for an action of this caliber, but I think a branding will serve as a much better warning. And reminder, in case the idea of doing this again ever happens to cross your mind. It sends a much stronger message to everyone, don't you think?”

“You don’t have the authorization to carry that out,” she breathed, and Dark grinned.

“No? Didn’t you know? I’ve been promoted again,” he said, watching in delight as her expression fell. “I’m now the head of the entire Department of Superhero Surveillance and Inspection."

He leaned in so close to her face that he was only inches away from Malon’s nose.

“Which means I control your entire life.”

“You won’t keep getting away with this,” she said in a voice so quiet he barely heard it. Her face was definitely pale now, with a glimmer of fear shining in the blue, and even the guards had exchanged glances when Dark had mentioned her punishment.

Which was exactly how he wanted it.

"Nothing's stopped me yet," he smiled in response, and poked her nose, just to see her flinch. "Dismissed. You know where to take her."

Malanya struggled as she was lifted to her feet by the guards, but it was halfhearted, as if she knew it was pointless. That or her exhaustion had finally caught up to her, but Dark didn't care much about which it was as she was dragged away.

He was too busy imaging the look on Link's face when he heard and saw what had happened to his beloved wife.

[spikemyballs]

i had a better joke in mind when i first drew this but idk i lost it (full page under the cut)

[aq2003]

twelfth night is not a Shakespeare I have read or seen but now I’m a bit terrified of ever consuming it. I definitely would never touch that audio drama with a 10 foot pole though (so so tempting. I might give in)

i was normal about twelfth night and held many normal emotions about it i really liked it for being this fun very messy queer drama until i listened to david tennant malvolio which ruined my life i cannot stress enough all of my evil derangements are because of david tennant malvolio if he had not done any of that i would have been FINE

[lavenderjewels]

you fascinate me

[clowningcrows]

lol i pregamed a tiny bit for agatha but now after finishing im just taking shots for coping reasons

[quillisadoll]

Ok y'all I have another story idea from my dreams.

Does it make sense? Kinda but whatever the story is really cool and I'll probably work out the logistics later

Kyoya is a robot that was designed by his father to befriend rich kids and learn their family secrets, then travel back in time to tell him so his father can use it for blackmail (stay with me here)

After doing this hundreds and hundreds of times Kyoya gets the assignment to learn about the Suoh family.

He goes through middle school for the hundredth time and actually talks to Tamaki.

But something is different, even though he cannot feel he feels like he's getting a feeling of deja vu like he's done this before.

Time passes and he's in high school now. He has grown closer to Tamaki, he still hasn't spilled any family secrets though how bizarre.

More time passes and Kyoya thinks he's malfunctioning, he feels weird near Tamaki his chest starts to hurt and his skin blushes inappropriately, he should time travel back but he doesn't want to come back empty handed and be a disappointment.

As time passes, they start a club the malfunctions get worse he makes friends this isn't right he hasn't been focusing on his main objective why is this all so familiar..?

Then one night during his charging cycle he finds a file in his system that he doesn't have access to (idk computer language just bare with me guys)

It takes him a couple days but he hacks into it.

He has done Tamakis assignment multiple times.

78 times to be exact.

All of the details about what went wrong was right there

"fallen in love" 48

"disobeyed" 40

"didn't travel back" 17

Were the most common reasonings.

Suddenly he found his memories of all of those times

Tamaki complimenting him

Attempting to punch his dad

Exploring the world without traveling back

Telling Tamaki he's a robot and him accepting him

Kissing Tamaki

He needed answers, could he love? Why did he do this? It's all to much

And I would love to keep on going in this story format but I am not that creative rn so here's how it ended (in my dream at least, maybe I'll turn this into a real fic if I get good feedback)

OK so in my dream it ended with Kyoya trying to get around his Fathers safety features so he could actually kill him and or hurt him enough to let him free so he could live w tamaki

WELL it doesn't go well turns out he had this backup backup plan that if kyoya went rogue he has this remote that basically shuts him down.

He gets restarted and his assignment is Tamaki Suoh

Round 79

Andddd yeah!

Now you might be asking "why is Kyoyas dad obsessed with the Suoh family?" Tbh it's just bc he is pissed that Kyoya isn't listening to him and now he's obsessed with finding out with what's up with the Suohs

(I'm silly in tags!)

[theghostofashton]

rewatched 1x09 and one of the things that hit hardest for me was owen and tk's conversation, with the added context of 3x16. because we now know that owen was talking about not having left physically, the way his dad did, while tk was talking about owen leaving emotionally, choosing the family he rebuilt at the 252 over gwyn and tk. and i think what gets me about this is the 3x16 of it all, the way owen was determined not to repeat his dad's mistakes, but how he inadvertently did (for reasons mostly beyond his control). the way we can accidentally hurt our loved ones without meaning to, the way that hurt isn't intentional and isn't malicious but is painful, nonetheless. owen didn't set out to leave but tk felt like he grew up without a dad. owen did the best he could but tk still has to deal with the ramifications. it's so incredibly human and one of the things this show does really well, imo, how complicated and messy relationships often are. people not realizing, not knowing, causing pain nonetheless, but it never being out of a lack of love.

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.