#I HAVE SO MANY PLANS YOU DON'T EVEN KNOW

[sarah-sandwich-writes]

another time, a different place (I have loved you before)

I’m intrigued 👀👀

( ☆ω☆ )

The first chapter is up even though I only have a very rough not quite 5k written so far, which is something I haven't done since my very first fic ever so like heeheehoo hope it works out, but I want to make sure I actually write it bc every time I rediscover this wip I fall in love with the premise all over again. It's gonna be a biggun tho I fear *sigh*

It's an endgame fix it fic! Featuring a fresh outta the soul stone Peter and (although he doesn't remember him) Harley. There are lots of flashbacks to Harley and Peter's time in the soul stone, but neither of them remember it, they just have strange dreams they don't quite remember and a lot of deja vu when they interact.

The MOst Fun THing for me right now is the dissonance between soul stone Harley (a joy! a delight even!) and present day Harley (what crawled up his butt and died??) and the most difficult thing about it is, due to forces outside my control (the mcu timeline) they're high schoolers 😒 which is fine I just am tired of writing high schoolers. Basically the timeline thing is specifically designed to torture me you don't even KNOW what I mean but someday you will and we'll all look back at this post and go sarah wtf why didn't you just go full au so you could age them up and not have to-- THAT"S NOT THE POINT!!

Anyway! Here's Peter being a grump, Harley being a dick, and Flash being obnoxiously attention-starved <3

MJ squints at him. “How do you guys know each other?”

Harley weighs Ned and MJ with a look. “Depends. How much do you know about your lunch buddy’s nighttime pastime?”

“Not here,” Peter snaps. Then he adds, because how could he not, “They know more than you.”

Harley tips his head and, curious, looks at Ned and MJ anew. “Huh.”

“Wait, how much does he know?” Ned demands.

“Later.” Peter looks around, but no one seems to be listening. On the other side of the room, Flash is telling anyone who will listen about his spring break plans in Norway. He pushes away his crumb covered tray and skewers a glare on Harley. “Why are you here?”

“Why not?”

“I don’t know, because you live in Tennessee?”

Harley pops a torn off chunk of greasy bread in his mouth and says, “I live in New York.”

“Since when?”

“Since I moved here. What’s with the interrogation? Pepper thought you’d be excited.”

“Ohh,” Ned interjects. His expression compresses into a pitying wince. “Did you know Mr. Stark, too?”

“Not h—,” A hard thump on Peter’s back interrupts his repeated warning.

“Are you still still peddling that tall tale, Penis?”

He grits his teeth and doesn't turn around. “Go away, Flash.”

Flash straddles the bench beside him and raises his voice. “Wow, the man’s dead and you’re still trying to ride his coat tails. What’s it like to be that desperate to be someone important?”

“Fuck off, Flash,” MJ says with a note of warning.

He puts up his palms and gets louder. “Honest question! I have no idea what it’s like to be a poor nothing orphan who has to make believe he’s a hero to justify the drain he is on society and his family. Well, what’s left of his family anyway.”

He was concentrating so hard on not letting his irritation show that he missed Harley getting to his feet and rounding the table. But there’s no way anyone could miss him hauling back a fist and planting it square in Flash’s mouth.

[tumblweeds-omegaverse]

random omegaverse thought:

There must be people who experience specific instinct things with indifference or boredom.

Procreative cycle coming up? "Crap, I've got plans this weekend...stupid skip weeks."

Caught an intriguing scent while walking? "But I need to get to work! Shut up brain."

Had a snap response to a distressed sound? "Who was it?! ...right, it's my day off, I can go back to sleep."

Somebody growled at them? "Kid, I'm not a rival, that's my sibling."

Super cozy cuddle session happening nearby? "I'm gonna pass tonight guys, no social battery left, maybe next time."

Group of friends heading out to flirt and check out other singles? "I'm coming with you but only to make sure you all get home safe."

Setting where fated mates or soul bonds or permanent marks are a thing? "Meh. I don't really want one or care if I ever get one."

People in the actual omegaverse would get as bored of their stuff, as we do of ours, you know? It could be interesting to see that kind of vibe in fics. Biological demands faced with all the excitement of paying bills or doing laundry or tying your shoes.

Even if that kind of energy might not drive a plot, it could be interesting to have as a contrast to the people who do have big feelings about them - good or bad.

There's the friends who can't wait til they have a pack of their own, and the one friend who isn't against it but couldn't care less. There's the group in the office who are all about scent compatibility tests and figuring out one's best match and what sprays most highlight it, and the coworker who has no intentions on putting that much effort in. There are parents who hover and protect their offspring by scenting them multiple times a day, and others who don't see what the fuss is as long as it's done in the morning.

...also: packs with introverts who show care by giving each other space. So often, closeness is depicted through physical touch and tactile affection, but comfortable silence is meaningful too. Knowing people are near, but not having to interact until you're ready. Sitting in the same room doing different things, knowing that all it takes is a "hey, look at this" to share what you're up to. People understanding and accepting each other's differing or fluctuating needs for how and when to recharge. Seeing somebody reaching out or sharing space, beyond what's their norm, as a signal of the fact that they care.

[yuriyuruandyuraart]

Hi? Gosh how do I even start with this :'D

I know it's been ages since I've last popped up on here. I've been debating when to post this for a while, but I kept adding to my draft more and more and now it's the end of JULY omgg I felt so guilty disappearing with zero updates but then thought my birthday would be the best day to finally address this considering it'll feel less random? idk but Ive always celebrated my bday with you guys and I'd feel so bad answering your kind asks without me at least explaining why I was gone for months.

Truth be told, I was dealing with a lot of stuff irl. health issues and sudden declining grades that left me stumped and drained for months now- along with technical issues like having to replace some parts of my computer that took a while for me to find to even draw digitally, which I didn't have the time for anyway with how tired and weary I felt every day.

I'm frankly shaken up by a lot of shit rn and I don't know how to be active online with this burden on my chest- Especially as it's been a while since I've even looked at utmv related content and my motivation dwindled. I swear I'd hype myself up to post or reblog something- but I'd see just how much I've missed or the overwhelming amount of posts I'd need to go through and I'd feel so swamped with exhaustion and most importantly guilt, for not clearing the air up sooner to reassure you guys that I'm, y'know, alive, and not dead in a ditch somewhere. And I'd procrastinate cause typing it all out is hard and I'd give up halfway every time and it's just not fair to you all!

I thought I was handling it well when I started going out and socializing more, instead of staying cooped up at home on my computer all day. and in the first draft of this post I made months ago I was gonna detail some of the fun plans I had, for my life and for this blog :D but relaxing my strict study schedule and letting go a bit of my tight routine, thinking it was better than wringing myself dry to keep it up, backfired horribly, to say the least.

I know right?? so silly to be hung up on stupid shit like studies of all things! but this is a very important thing for me considering my career plans and the competitivity encouraged by everyone I'm surrounded by, the pressure of keeping up adding to my already stressful days. I had to fix myself up first and I couldn't handle the strain nor interact with people and thinking of jobs and exams sapped my energy so much it's frankly embarrassing. writing this feels so cheesy too and it frustrates me to know I could've come back a month earlier if it weren't for that, but I also know putting all of this into words then would just sound like incoherent venting (not that this is very different tbf) and I wasn't in the right headspace to address my absence, or anything really- I didn't want everyone to see me return when I couldn't muster up a genuinely positive message, let alone talk to anyone with a shadow of my usual cheer

I feel like a complete mess and It drives me up the wall how depressed I've gotten. I debated deleting this blog so many times 'cause the fear of disappointing my audience and my friends, for lack of a more fitting sentiment, made me feel even shittier. I'm constantly thinking if this wall of text is worth posting, or if it's better not to burden you all with all my sappy troubles as if it's the end of the world. Trust me, I'll be fine. I'm not trying to dramatize this situation, but I don't think I'm up to pretending I'm all sunshine and enthusiasm you're all accustomed to.

So sorry for worrying you all! I'll try to catch up, deliver some missed birthday gifts, and answer some asks while I'm at it! Again, I can't state how much I appreciate your support throughout the years. It's frankly a miracle I kept any of you around with how much I keep popping and leaving at random with no warning. I definitely can't promise for my stay to be without a hitch, and if you don't mind an inconsistent schedule you're free to stay of course, but I'm afraid I can't sustain the pace I had when I first started this blog. I'll keep posting art, but lower my activity in the fandom sphere to reduce the strain on my mental health. so fewer rants and walls of text, more art, and less stress overall. Love you all and thanks for waiting for this long <3

[suusoh]

gonna b slightly honest here. but i've been losing my writing flow lately because of how terribly shy i've gotten..... which, is really ironic and no bueno for a blog that's built and thrived on being shameless at the start 💀

[outlying-hyppocrate]

well. did you fucking miss me.

[mbirnsings-71]

when none of the DC friends are online right now so I'm just crying about Guy Gardner by myself-

[total-drama-brainrot]

Oh boy 5am! Time to lay in bed and think about how much I hated Julia's off-screen villainy in s2!

[magentagalaxies]

JUST FOUND OUT I GET TO HANG AROUND WITH THE KIDS IN THE HALL BACKSTAGE THE FULL DAY OF THEIR TORONTO SHOW WOO!!!!!!!

[seaofreverie]

I'm back and Guys they played my favourite song they played where your eyes don't go and they played spy and last wave and the darlings of lumberland and let me tell you about my operation and

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[spacebubblehomebase]

Love your art!I Know what it feels like to be an artist I'm one myself and let me tell you its hard,because everyone says your art look good but when you stare at it to long all you can see are the flaws

Haha! The way I feel this in my SOUL, but ty.

It's exactly because of this that I regret to inform everyone that due to demand, I am only able to answer a handful of Asks at a time between updates for my AU. It's the only way I could keep up between posting schedules and my real life commitments. Rest assured, I'll continue to read them all even if I'm not be able to answer them at the time. Still, there's always a possibility that I would do so in the future, so don't be afraid to send them my way and let me know how you guys feel about my work! Art really is a tough passion to pursue, but having you all enjoy them makes the hours I question if it's even worth it, well... worth it and I'm grateful for everyone's patience with me so far! TvT

-Bubbly💙

[minhmynchi]

man i wanna ramble about my fic to someone so much

into the tags i go

[walkinaroundtheuniverse]

more Cat than a Man, that CatMan

so i love blondjow as any other cultured person, but, hear me out

he's actually a cat. always was, and now unfortunately isn't

and that's why he's so destructive, and mad at aizen

imagine, the tragedy of being turned from graceful and strong killing machine, literally natures favourite

into a hairless monkey

with a part of you made into a steel stick

(also! the predator! made into prey! the disgrace of this all! (imagine that as if an offended cat said it) )

So now, not only i look at Aizen and see a dude that mastered pokerface when all he did was "random bullshit go! (if something sticks, i'm saying it was planned (ekhm, White))"

But also the CatMan, actually a Cat, unfortunately, now a Man

(and playing loose with canon, i like to imagine, that from Adjuchas, his vasto lorde form would still be a cat. No "going to be more humanoid" shit. No, this is a cat. If every hollow is striving to be a vasto lorde, coz then you have more humanoid shape and feel a bit as in past, then, he being a cat, would mean he is gonna go back to being a cat)

And also the way his resurrection is him goin' partially back into cat form plssssssss COME ON, LET HIM BE A FURBALL

also it would be interesting. I don't think (don't know) if it was mentioned - any other, than human, soul turning hollow. So he would be speshial <3

that was me playing with canon, having watched it a long time ago and still not finishing the manga, don't take this seriously

[journal-three]

i mean idk i dont think buying the game makes ppl bigoted but like i dont think giving money to ppl who produce questionable content is... the best idea. i mean i get that jkr's rich already but we dont gotta make her richer. but like i agree about like the harassment for like some streamers like wth ppl need to chill a little

like obvs im not gonna call someone transphobic bc they bought the game but i am gonna go "bruh 🤨"

also like. idk i feel like it's fine if you pirate the game and play on ur own bc like. no money. no audience. like all you're doing is playing on ur own and no one's affected by it. idk ¯\_(ツ)_/¯

that's fine! saying "bruh 🤨" is a completely acceptable response. You can absolutely advocate for people not to buy it, and not give her more money. all of those things are good.

The ONLY thing I'm asking is that people are less accusatory and vicious about it. Being critical and educating others is a good thing. But no one learns anything from being screamed at that they're a horrible person, and that's 99% of the reaction I'm seeing. Completely over the top.

[lith-myathar]

.

[acourtofquestions]

Dont be angry, Finnula said. Be smart.