#He is so bad at boats

[hermitcraftx]

Joel winning the Life Series where he centered his entire gimmick this season around Family under the guise of "Joel Toretto" makes me insane because he was alone for so long in the Life Series and it works out so perfectly that the guy who was allergic to allies for the start of the life series and had to be forced into it with soulmates wins the season he focuses on Family. Poetic cinema.

1. Third Life Joel. No friends. No allies. He joined up with Monopoly Mountain last minute and died out of sight of either of them, mostly alone. He had a house full of dogs, not full of friends (and where is that familiar?), and nobody really mourned him when he was gone, offhand comments and brief "Oh No!s" following his death. Being alone got him nothing.

2. Last Life Joel. No friends. He's alone again, for the most part. In Last Life there's a lot of unknowns, a lot of instability- people can get back in yellow or green, or they try, so Joel has temporary red alliances with the likes of Scar and Grian but they don't last. He's alone. Again. Joel laments it, in one of his videos, IIRC, that he's bad at making allies, and "look at where it got him". The closest person he had to an ally in Last Life was Grian when they were both red, Grian seeing first hand how insane and blood thirsty Joel becomes on red. They call themselves the Deadliest Duo, and they kill people, and they laugh when they die. But Joel dies, still, killed by Scott, shortly after Grian permadies.

3. Double Life. Now it's different. Now we're seeing some changes. Joel gets put with Etho, who off the bat immediately considers him a liability, a notion he rejects and fights against to get Etho to respect him. He builds Etho a ship to try and impress him. Etho purposefully takes fall damage to remind him of what's at stake. He's not just a lone wolf, anymore, Etho's life is in his hands and he's not happy about it. Joel hates it, being treated fragile and like a bomb to go off. Eventually, they find out they work together well, they get killed, they go red and Joel goes crazy. Red rage is a real, definable, re-occuring phenomenon for Joel, he IS angry and he DOES want to make people pay. Etho in the life series is usually more reserved, and he holds Joel back, yes, but Joel also helps Etho out of his shell and pushes him to do things he wouldn't normally do. The ship burns everything burns. And then they burned. And Joel's first real alliance goes up in flames, literally.

4. Now Joel has a taste of what it's like to not be alone the entire season. He teams up with Jimmy and Grian, his Bad Boys, and he's fiercely loyal to them, and then to him. (Even Grian by his standards is FIERCELY loyal to the Bad Boys- I mean, he doesn't even kill one of them! I think. Not permanently?) He changes his skin, matching leather jackets, these are his people. And he'd die for his people. Joel and Grian try their best to keep Jimmy alive, Joel going so far as to say he'd have sacrificed himself to keep Jim alive, but it wasn't enough, he wasn't quick enough, and he died right afterwards, leaving Grian alone. But he wasn't alone. And he didn't go out alone.

5. Secret Life is.... weird. He has allies, yes, but it's a bit of a strange situation, he allies with the Mounders and he lives a bit of a ways away from them, not quite in the group but not quite out of it. But he doesn't want to be alone again. He knows what happens when you're alone in this game, and he doesn't ever want that to happen to him again. Mumbo goes out almost immediately following Jimmy, the third to go out. Pearl IIRC betrays the Mounders and messes around with Gem, which is really funny given the events of Wild Life. It's only him and Bdubs at the end, both murdered by Scott.

6. Now. Wild Life. Again. Joel knows what happens if you're alone in this series, and he never wants it to happen to him again. So he bases his persona around a movie character, one that everyone knows and likes, he thinks. He makes himself someone that he thinks people will want to befriend, one where he won't have to be alone. He makes himself look strong, fake muscles clumsily attached to his arms, quoting about family and the importance of it, a vast difference from the lonely man in 3rd Life and Last Life who couldn't be assed to find allies. And it works. He has Gem- and everyone fears them, for once. Everyone already knows Joel is insane, but with Gem behind him, he's a significant threat. Gem keeps him grounded, and from doing stupid shit that gets him killed. They have Etho, and he comes and visits, which is nice. Everyone struggles a lot with the Wild Cards early game but them, neither of them losing lives for several sessions. Joel even comments that normally he's red by session 4, and he doesn't know what to do with himself without all that anger. He lives his best life, with Gem, with his car.

And then Grian's allies die, and isn't that familiar, and Joel lets him into the Family, because of course he would, allying with Grian is like second nature to him at this point. Maybe he feels guilty for leaving him in Limited Life, or maybe he just knows what it's like to be alone and doesn't want that for him. Who knows. He tries and fails at building traps. As soon as he's yellow he gets a double kill on Scott and Pearl, and Grian and Jimmy scream with him like old times. And it's okay, I mean it's stressful and it's like the end of the world but Joel's doing okay, he has his family, he's not alone.

And then the finale comes and it's so hectic and so many people are trying to kill him and Grian saves him, Grian tries so hard to save him, and isn't that something. Being worthy of being saved by Grian. And Gem goes out, not even to a player, to a vex, one of his family members is gone and it's so hectic Joel can't even stop to mourn or he, too, will die. And then he finds Grian and he stumbles to him screaming "Thank God you're alive!" because it had gotten so crazy, so wild that Joel didn't truly even know if Grian was alive, but he was, he still had Family, he wasn't alone again, not this time. And Grian says that he thinks Joel can win, Joel can win, that he'll give Joel his life, that it's about time he wins and Joel gets flashbacks to wanting to die for Jimmy, and Scar wanting to die for Grian and what that did to him, and he doesn't want that, but GOD he wants to win. So badly. And then Grian got knocked off the tower with Bdubs, ender pearling off, screaming how he refused to go like Mumbo, like Skizz, not on his tower and Joel's running, EVERYONE is targeting him, Grian takes out Pearl and Joel takes out Cleo and Ren.

And then it's just them, then it's just Joel and Grian, and Joel can't even find Grian, he just heard the arrows as Grian tries to shoot him, going back on his word as expected, which Joel-- Joel is glad for. Because he wanted to win this on his own terms, he wanted to win because he won, he would not be given anything. He's not alone this time. And he charges up the tree, and he kills Grian, kills his Family, his Bad Boy, his red friend, his ally in the sand, screaming that he's sorry, and Joel laughs.

Joel laughs, and laughs, and laughs.

[lemongogo]

they should get to kill each other at least twice .i think

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[bird-inacage]

Love Sea Episode 2 | Tongrak's Signs of Trauma

I'll be repeating this again and again throughout this series I'm sure, but Peat is just so captivating at portraying emotional trauma. You can see the mental battle going on inside his head.

[caligvlasaqvarivm]

I used to despise Eridan and think he was the absolute worst character (barring Cronus ig) but you have shown me the light and completely turned my opinion around and now I think he is such an endearing little freak <3 I read your whole blog already but if you've got any more thoughts on eri or anyone else then I hope you post them bc I'd love to hear more abt it!

i have sooo many controversial opinions about the dancestors you have noooooo idea

[thenoellebird]

CW: implied self-harm and self-loathing

Here's a bit of art from Old Habits Die Hard Chapter 2!!

Here's the link to Chapter 2 of my fanfic Old Habits Die Hard if any of y'all are interested.

CW: Somewhat graphic self-harm, blood, knives, self-hatred, and suicide topics.

[nenoname]

dont mind me, just crying over the nwhs script

....now im just thinking about pre weirdmageddon stan keeping the watch on around ford outta spite, spray painted fake gold

this part was in the deleted scenes vid but is still in this version of the script so it must be a late cut?

haha funny but also 😭😭😭 stan thinking he's not a good person but being so desperate to not be a bad one...

racoon wife is called fuzz fuzz...

the kids actually hearing him say bitch lmao

mario jumps comfirmed

agent wallet used to bribe the cabbie confirmed (20 vs 100 bucks tho)

weh them being called a family

😭😭😭😭

huh. this version still doesn't end with the punch either (the deleted scenes version of tots has a shot of stan with a blood noses and opens with him reacting to getting punched)

but also stan seeming restrained for a moment before letting himself be overjoyed at ford's return....

...

[terrorincarnate]

put your boat in my sand, your hand in my hand, your heart in my songs

[here-comes-the-moose]

I’m so glad that Season 3 basically confirmed one (well basically two) of my biggest Wrecker headcanons- he would love to fish and would love boats.

[daily-smallishbeans]

Day 124- smallishbeans whispers to you:

[quijotine]

[bumblingbabooshka]

Sveyko and her adoptive father, Sek. [Patreon | Commissions] [Context under the cut]

Sveyko struggled a lot with her emotional control as a child and often had apparent mood swings where she'd become incredibly violent or fearful for reasons others couldn't understand. She herself couldn't understand it most of the time and being so young it was difficult for her to articulate what was wrong. Her twin sister S'veyk did not seem to suffer from these issues, causing Sveyko feelings of deep inadequacy. Like she was stupid, a failure, no-good. She often thought to herself that if she weren't born and it was just S'veyk, everyone would be happier. The above illustration is a moment that happens after Sveyko attempts to run away. While bringing her back home, Sveyko starts fighting back against Sek and ends up striking him. Fearful and guilty, she immediately begins to cry and Sek wordlessly carries her home. At home, just outside the door, Sek tells her she shouldn't hit people and she apologizes. She won't look at him, trying to hide her face because she's still crying and thinks she'll be scolded for it. She worries that the only adult who's ever been kind to her...this is it. This is the moment where she's tried his patience for the last time. She wants to be better but doesn't know how and she's done it, this is the end. He's going to be angry with her. He's going to abandon her. Sek calls her name and she reluctantly looks up at him, apologizing again. But there's no anger in her father's face as he sinks down to one knee, looking her in the eye. "Sveykokam," he says, staring at her earnestly. "If it were possible for me to love anyone, it would be you." It's a moment Sveyko thinks of often and never tells anyone else. Even as an adult. She'll think of it until her dying day. "If it were possible for me to love anyone, it would be you."

[whereismyhat5678]

HERE’S WHAT Y’ALL’VE BEEN WAITING FOR‼️‼️

Drum roll please 😌✨

🥁🥁🥁

TADA‼️

@neuro-toxinnn for Beebs from Monkey Wrench!

@shiftyyyy for Baroness Von Bon Bon from Cuphead!

@noodletime for Po from Kung Fu Panda!

@komalatea for Steamboat Willie from…..Disney(?) (I’ll just say that but thanks!)

@alaskacoolkid1 for Hatsune Miku from-….sorry I also don’t know what to say here- 😅

AND @moon9931 for Yoshi from Super Mario Bros!!

I hope I did these characters justice, and I hope you like them!!

And Thank you so much for the wonderful suggestions, it was a really tough discussion to make but I hope you like how it came out still, have a wonderful day guys! <:] 💞💞

[my-pjo-stuff]

*Enters quietly* Champion of Nemisis Luke Castellan AU *Leaves*

[sisididis]

Bianca and Nico di Angelo’s story is equal parts heartbreaking and hilarious, because imagine this. You are two Venetian children (aged 12 and 10 respectively) who don’t speak a lick of English yet you’re dropped off in the middle of 1930s Las Vegas. Although it feels like only 2 months have passed since your arrival, you and your sibling unknowingly spend 70 years in an atemporal limbo known as Lotus Hotel Casino. You learn English by playing tabletop games, bingo, ring toss, slots…even Mythomagic.

When you think about it, Bianca and Nico learned to speak English the same way 2010s kids learned by watching Pewdiepie and Markiplier on Youtube. 

[bikerboyfriend]

ft. this cool ass dogtown amm preset & clothes from the wolfracc sandbox [by @pinkyjulien & @arcandoria :) ]!!!