#I love complicated parent-child relationships that are ultimately loving

[bumblingbabooshka]

Sveyko and her adoptive father, Sek. [Patreon | Commissions] [Context under the cut]

Sveyko struggled a lot with her emotional control as a child and often had apparent mood swings where she'd become incredibly violent or fearful for reasons others couldn't understand. She herself couldn't understand it most of the time and being so young it was difficult for her to articulate what was wrong. Her twin sister S'veyk did not seem to suffer from these issues, causing Sveyko feelings of deep inadequacy. Like she was stupid, a failure, no-good. She often thought to herself that if she weren't born and it was just S'veyk, everyone would be happier. The above illustration is a moment that happens after Sveyko attempts to run away. While bringing her back home, Sveyko starts fighting back against Sek and ends up striking him. Fearful and guilty, she immediately begins to cry and Sek wordlessly carries her home. At home, just outside the door, Sek tells her she shouldn't hit people and she apologizes. She won't look at him, trying to hide her face because she's still crying and thinks she'll be scolded for it. She worries that the only adult who's ever been kind to her...this is it. This is the moment where she's tried his patience for the last time. She wants to be better but doesn't know how and she's done it, this is the end. He's going to be angry with her. He's going to abandon her. Sek calls her name and she reluctantly looks up at him, apologizing again. But there's no anger in her father's face as he sinks down to one knee, looking her in the eye. "Sveykokam," he says, staring at her earnestly. "If it were possible for me to love anyone, it would be you." It's a moment Sveyko thinks of often and never tells anyone else. Even as an adult. She'll think of it until her dying day. "If it were possible for me to love anyone, it would be you."

[mad-hunts]

so... i've been thinking about auriel again because i actually did have an account for her once upon a time (just on another platform) + all i can remember is doing this roleplay on there with barton immediately asking the person whom told him they saw her was whether she was okay because she had went missing with no trace for years after all. and additionally, this was also while shedding tears like there was NO tomorrow, which is 😭 like he isn't a good person, y'all, but he does have his moments where it actually seems like he genuinely cares about people

[candyskiez]

so, you've heard shows be recommended because they had gay characters. you don't really know what they're actually about though, and don't know if they'd be something you'd be into and are worried about spoilers. here's spoiler free plot summaries of em!

The Owl House

The Owl House starts out as a typical teenage girl goes into a fantasy realm story, but with a twist. Actions have consequences. The protagonist is a girl named Luz Noceda, who was being sent to a camp to make her behave normally by her mother after causing too much trouble at school. She ends up finding a place she's always dreamed of: a fantasy world. A world where everyone's so much weirder than she is. And she thinks, maybe if I don't belong out there, maybe people will like me here. Maybe I can be special here.

It's a story about found family, propaganda, erased history, living with disability, religious trauma, and neurodivergence. It's fundamentally a show about people who's brains work differently finding each other and making a family that treats them right. Definitely my favorite of the ones on this list. It's about people who've been oppressed being pissed about it and about finding yourself again after giving up on everyone around you for so long. It's basically a show about being a minority and trying to be understood and to understand yourself in the process. It's about growing up neurodivergent and how isolating it feels and figuring yourself out. It's about repairing broken relationships and parents who fuck up. And it's just. Such a love letter to anyone who was the weird kid in school. It's sad and heartbreaking and also so hopeful, and it's wonderful.

Content warnings: Abuse, Death, Grief, Animal Death, Suicidal thoughts, Vague suicide attempts, Depression, blink and you'll miss it s/h, body horror, religious trauma

She Ra and the Princesses Of Power

Adora was raised in the Horde since she was a baby, being fed propaganda about how cruel the princesses were. After learning how the horde actually was, though, she defects. But there's one problem. Her best friend, Catra, stays behind. Adora finds a sword that can transform her into She Ra, and might be the key to figuring out who she really is, while Catra takes her place as force captain.

It's a story about abuse, at the end of the day. Adora and Catra were stuck in a golden child and scapegoat dynamic, despite how much they care about each other. This leads to them knowing everything about each other but not understanding it. There's a fundamental disconnect between them, because both of their traumas are completely different. They have complete misconceptions about each other. Even in their initial split, they both have completely different perceptions of what's going on and why the other is upset. It's not a story about magic princesses, it's about the cycle of abuse and what makes it so complicated. Does it have flaws? Yeah. But ultimately I really really enjoy it, and when it does something right it does something RIGHT. Get through season one, it starts kids show-y but it gets very good during later s1.

Content warnings: Abuse (obviously), body horror, gaslighting (and I mean actual gaslighting, not what the Internet thinks gaslighting is), suicide, depression, flashing lights and eyestrain during the finale

Steven Universe

Steven Universe is a sins of the father story. Steven is the son of the leader of the rebel group The Crystal Gems, who's name was Rose Quartz. He navigates the confusion of being half gem and half human, as well as trying to figure out the mess of the rebellion and what his mother left behind. He's constantly in her shadow, for better or for worse.

It's a story about grief. How it impacts relationships, how it taints history, how it impacts family. It has some definite flaws, but ultimately it's about very flawed people who have lost so many people in their life trying to cope with it. Trying to handle what they lost and trying to adjust to life without them. It's about how expectations fuck a kid up and about agency and just a show about complicated relationships in general, at the end of the day. Also, it has some FANTASTIC music.

Content warnings: Grief, Abuse, body horror, very creepy people I don't know how to tag, heavy allegories for homophobia

Nimona

Nimona is a story about a guy who gets framed for murder. His name is Ballister Boldheart, a commoner who hoped to become a knight. It seemed everyone was waiting to watch him fail, so it was no surprise when he was the immediate target. Heavily injured and away from the man he loves, he's left alone trying to figure out a way to prove his innocence- until a strange kid comes into his life. This kids name is Nimona, and while he is intent on proving his innocence, she gave up on being anything but a villain a long time ago.

It's about deconstructing the model minority myth, trans rage, propaganda, and with a healthy dose of "FUCK the police".

Content warnings: Heavy injury, on screen suicide attempt, flashing lights

feel free to add more shows! just remember to keep the summaries as spoiler free as you can and add content warnings!

[starry-bi-sky]

"Stillborn? No, still born" Danyal au -- VLAD MASTERS THE BITCH HIMSELF

*Points at Vlad* THIS MFER GOT SOME TEEFS TO HIM. !! Okay okay, Vlad Masters in the stillborn au is different compared to most of my other aus in the fact that I am far more heavily leaning into his original ambitions of wanting a family and being desperately lonely. Because you know what wanting a family implies? Wanting to be a parent.

Fucked up father figure that could've been Vlad. Complicated love-hate relationship between the only two halfas in existence.

Danny hates Vlad, but he hates even more that he's genuinely considered his offers of mentorship. Vlad is the only halfa around, and they both have fire cores. Danny has these powers he doesn't understand, can barely comprehend some days, and can't control. But Vlad does. Vlad can. And Vlad wants to help him. He's the only other person who can get close whenever Danny runs too hot. Whenever his igneous hair cracks, splits, and spits back out into magma and his friends can't get close, Vlad can.

His hair is made of magma, which runs so hot that people need specialized suits in order to get near it. He physically cannot get close to the living as a ghost unless he's calm enough for his hair to cool into igneous rock. Which isn't as often as he would like. And sometimes he's too hot for other ghosts to get near unless they have fire cores -- which Vlad has.

There have been many times when Danny's having a meltdown (literally) and gone somewhere to be alone, to let his anger and hurt and loneliness overflow and spill out, that when he's come back to, Vlad's right there with him as an anchor. It's desperately frustrating, it's the only time they can get along. They don't say anything, Danny just turns and clings onto the only person he can touch as a ghost.

Its not fair. Vlad wants to kill his foster dad, and Danny can't let him do that. But he wants to be trained by the man, he wants his help and wants what he can offer. But Vlad can't step away from his revenge long enough to let him. It's just not fair. He thinks for a moment that maybe it could work, and then Vlad does something to remind him that no, it can't.

Vlad Masters sees too much of himself in Daniel Brown -- from the way he holds himself, to the defenses he puts up, his quiet anger that builds and builds and builds until it explodes. That simmers beneath his skin. All the way down to the fact that they have matching cores. This boy is cut from the same cloth as him, and by god does he want to help him. He's always wanted to be a father, and Daniel Brown is too much like him for him to ignore. He genuinely, truly cares about Danny and his wellbeing.

He wants to help him, child just let him help you. Let him kill your foster dad so he can adopt you himself and help with these powers that terrify and intrigue you -- he knows what that's like to have something that you can't control, to have a heat that you can't cool down from. "We're in the same boat you and I, let him help you please."

But his methods are all wrong, and Danny is too much like him -- stubbornness and all -- for him to agree when they oppose each other so greatly. But again, Danny is much like him -- which means that Vlad is equally stubborn, and in every single one of their fights he's parental. He's annoyingly parental. He drops his interest in Maddie to focus his efforts in trying to coax Danny onto his side. It's like trying to get a traumatized cat to trust you, and on some levels it works. It's like he makes some progress, and then moves too quickly and the cat immediately runs off and you have to start back from square one.

TL:DR; Vlad and Danny both want to find family in each other but they're too different to get along and ultimately they are doomed by the narrative to be at constant odds with one another unless one of them is changes, and it doesn't matter who.

[xanasaurusrex]

plss im so in love w diors clarisse,,, maybe smth with her showing off during capture the flag for r,,,

clarisse showing off during capture the flag clarisse la rue x reader a/n: so this was kinda a drabble kinda a fic idk it's longer than i meant for it to be but i like it so i'm not mad. honestly this y/n is kinda hecate!child coded so you can read it like that but i didn't specify the godly parent so you can imagine her however you want (: taglist: @asvterias @lvrue @thewritingbarbie @kroumi (let me know if you want to be on my taglist or if you want to be removed!)

y/n and clarisse had been dancing around each other romantically for months now.

y/n was a new camper, and had arrived during the winter months, when there were very few campers still there. her mortal parent had died at the same time the monsters started finding her. thankfully, her satyr protector managed to get her to camp in one piece. with a few scratches, yes, but ultimately safe.

during the winter, when there were only a limited amount of people to be around, y/n found herself gravitating towards clarisse la rue, an ares kid.

the other campers had warned y/n away from clarisse, claiming that she was mean and angry and was a hard person to be around. she was dependable in battle, according to them, but other than that, they all tended to steer clear of her.

y/n wasn't finding that that was her experience with clarisse, though.

whenever she was with clarisse, she was gentle and kind and funny, and y/n found herself wanting to be with her at any and all times of the day.

since camp didn't experience weather the same way the outside world did, there were a few times during the winter when the rules were more lax due to the smaller amount of campers, they snuck away from their respective cabins and camped in the woods. it became a thing that was special to the two of them, time for them to just be with each other.

it was those camping trips that y/n started thinking that maybe her relationship with clarisse was a bit more complicated than just a friendship.

unbeknownst to y/n, clarisse had practically fallen in love with y/n the second she laid eyes on her.

the two were inseparable, practically attached at the hip. it was pretty much common knowledge at this point within camp that if you could see one of them, the other was close by.

capture the flag.

one of the most fun days of camp half blood, and also the most serious at the same time.

a day where campers with beef could be on opposite teams and duke out their problems with each other without consequence, but mostly just a day for one team to capture the flag of the other's, and have bragging rights for the next twelve months until the next capture the flag day came around.

clarisse loved playing capture the flag at camp.

it was definitely mostly because she was a daughter of ares, the god of war, and she felt most confident in herself with her magic spear in hand, wearing armor, and stabbing at someone.

a strange way to feel the most confident, but it was.

y/n had never seen clarisse on a capture the flag day, and she was really on board with it.

clarisse looked really good wearing her battle armor, holding her magic spear so carefully, and yet throwing it around with so much confidence.

she could barely takes her eyes off her.

thankfully, y/n and clarisse's cabins had both been placed on the same team (which may or may not be because clarisse had begged chiron for this, but who's to say?), so clarisse was going to be able to work with y/n and not against her.

that would've been awkward....

when clarisse was coming up with the plan for capture the flag last week, mysteriously, the plan started revolving around her and y/n being together at all times.

strange... how things pan out....

when one of her siblings pointed this out, clarisse made sure to fix them with a glare so full of malice they turned away and didn't make any more comments.

as clarisse looked down at her battle plan, she started imagining herself taking down the blue team members with ease, and standing in the background was y/n, swooning over her.

"so, what's our game plan?"

her voice caught clarisse totally off guard, causing her to whip around quickly. clarisse had been shocked out of her mind so suddenly that it took her a few seconds to register what was in front of her.

it was y/n. in battle armor for capture the flag. and she was obsessed with it.

during the winter months, there aren't really any reason for campers to wear their armor, unless obviously there's an attack on the camp, but since there hadn't been any over the winter when she had come to camp, there had been no reason to.

clarisse was sure it had something to do with her father being the god of war, but seeing her wearing camo pants a breastplate, with a sword at her side made her look even more beautiful to clarisse.

"do you... like it?" she asked, a slight teasing lilt to your voice.

clarisse snapped herself out of it, realizing that she had taken a bit more time than she intended to examine y/n's outfit.

"y-yeah, you look... you look amazing, y/n," a small smile passed onto clarisse's face. she mentally cursed herself for stuttering. who even was she? not a person who stuttered, she had thought.

but there was just something about y/n that challenged everything clarisse had thought about herself.

y/n blushed slightly at the compliment, but managed to regain her composure quickly. "thanks," the two shared a small smile. "seriously though, what's our game plan? where am i gonna be?"

clarisse beamed at your interest in the battle plan, and quickly did a run down with her. she mentioned as casually as she could that the two of them would be together the whole time pretty much, with practically no time apart.

the conch sounded, and then everything went into action.

clarisse did her usual hunt of the red team part of the woods, and with y/n at her side, it made her all the more determined to find someone to fight with.

as the two were prowling the woods (or really, clarisse was prowling, and y/n was walking alongside her, admiring the beauty of the woods), y/n stopped suddenly, letting out a loud and dramatic gasp.

clarisse immediately activated her spear and started looking around frantically in search of the danger, and was confused when she found none.

she looked curiously over at where y/n was, and saw her kneeling on the ground in front of a patch of wildflowers, looking at it with childlike wonder in her eyes.

clarisse let out a relieved sigh that everything was okay, and no one from blue team was trying to take y/n as a hostage, but then she became confused.

"what are you doing?" clarisse asked, coming up behind her.

y/n reached forward silently, and quickly plucked one of the white wildflowers from the ground. she stood up facing clarisse, and then stepped towards her. the two were now incredibly close, their noses practically touching, their breaths mingling.

all the air left clarisse's lungs.

with a soft smile on her face, she gently tucked the wildflower behind clarisse's ear.

neither of them knew what to say next. this was such an intimate gesture, such a gentle act that clarisse had never experienced the likes of before. her life had been full of anger and violence, and this moment right here was something new. something... exciting.

this moment was so very y/n, and clarisse loved it.

unfortunately, the moment was broken by the sound of a twig snapping behind them. clarisse rolled her eyes at the blue team members that had undoubtedly thought they were being very sneaky.

clarisse couldn't control the slight smirk that was slowly forming at the thought of showing off her fighting skills in front of y/n, though, so she guessed it wasn't all too bad.

for the cherry on top, clarisse winked at y/n, before spinning around and stabbing the chestplate of one of the blue team members that had attempted to sneak up on the two of them.

the battle was loud and exciting and over quickly, since the two blue team kids were pretty good at sword fighting, but were no match for clarisse and her spear.

once clarisse had defeated them and the kids had surrendered, she turned back to y/n with a smirk on her face.

y/n approached clarisse slowly. she took in her face quietly for any injuries, and gently assessed a small cut she'd sustained from one of the other kids swords before she'd knocked it out of his hand.

y/n's eyes then went to the wildflower still somehow tucked into clarisse's ear. it was askew slightly, so her hand went up to adjust it, making sure it was secure, before her hand landed on clarisse's cheek.

"impressive," was all she said, a large smile on her face.

clarisse smiled widely as well, and couldn't help feeling triumphant.

[yuri-is-online]

I imagine Deuce!Yutu is either A. The Ultimate Honor Student with perfect grades and a plsmile that makes old nannies and mothers swoon (Yutu: "Thanks, its because me and my parent are the local "weirdos" I had to overcorrect and become a golden child (':") OR B. just as bad as pre-NRC Deuce was, a gang member who'd jump anyone who'd look at him wrong (but still cried until he was sick when he watched My Girl (1991) behind Yuu's back. They told him not to because they knew it was sad, he didn't listen).

I imagine Yuu's main memory of Deuce to their Yutu was how much Deuce believed in self-improvement and redemption, always trying to be a better man, which either version of Yutu can't help but admire or respect, despite their complicated feelings over their absent father.

Upon meeting him in the "current" timeline as a student, A or B either can't help but give Pop's an A for effort, despite missing the goal sometimes or finds him a little cringe for being such a tryhard.

I had to google the movie you mentioned and got jump scared by it taking place in Pennsylvania. Pretty sure I have driven through the place it's supposed to be set before... and fuck just reading the synopsis made me cry I don't think I could watch it ;-; poor Yutu should have listened to his parent.

notes: they/them used for Yuu, for context on the fyuuture kid au can be found here and here.

I feel like I have read too much Tokyo Revengers because... we can have both: an honor student with a delinquent mean streak sounds like a good set up for Deuce! Yutu. Not that I think he would behave like Kisaki does exactly, but still. Dylla mentions in the White Rabbit event that she wasn't on the best terms with her mother when she was a teen, and we know about how Deuce was in middle school, so the idea of Yutu having a bit of a temper and rebellious streak to him does make a degree of sense. Sadly, I think that extends to his interactions with Yuu... so things are about to be angsty on two fronts today.

Much like Deuce, Yutu was just the cutest baby. He loved all things cute and fluffy. Bunnies, kitties, puppy dogs, he was such a sweet little kid who really loved chasing around butterflies in the great outdoors. He really loved to read, and learned how to do so at a very early age. When Yuu was having a bad day he would pick out one of his favorite books and insist on reading them a bedtime story so they could take a nap without any nightmares. If he was especially worried he would bring his favorite nightlight with him.

Not that anyone would ever dare to suggest it given what Yutu is like now, but he was very afraid of the dark as a child. He still is, there's just something about the void that exists in the darkness that screams danger to him. When he's isekaid to Twisted Wonderland it evolves into an extreme fear of blot and phantoms. I'd like his unique magic to have something to do with light or stars, something inspired by the Second Star to the Right from Peter Pan? I think it would be cute for someone afraid of the dark to be able to provide their own light.

When Yutu reaches middle school there's a noticeable change in his relationship with you. He's still polite, still bringing home good grades and unoffensive comments from his teachers. But he's a bit cold, as if he is purposefully putting emotional distance between you. His friends all treat you respectfully, but you just have a feeling, left over from somewhere, that you know what is likely going on but you can't put your finger on what. He gets angry when you try to ask questions, yelling something about how you just don't understand, maybe even throws in something about this being your fault...

I wrote about Riddle! Yutu having some fights with Yuu, but Deuce! Yutu's fights are so much worse. While Riddle! Yutu typically comes out of his room blubbering big fat tears ready to apologize, Deuce! Yutu feels the need to double down and save face. He does believe his parent has amnesia, he's seen how they act, but what he does not get is why they insist on feeling so fond of his dad and refuse to move on. In his mind their life could be a lot better if Yuu was willing to be honest with themselves about who his dad probably was. Yutu is very hung up on why Deuce felt the need to be redeemed, focusing on self improvement is all fine and good if you are someone worth redeeming but he's not around for Yutu to judge. And Yuu doesn't remember...

He's young, stupid, and angry, and he takes it out on anyone who looks at him wrong. What's worse for authority figures who want to help is that he's veeeery smart about how he does it. When he jumps someone you can bet there won't be cameras around to see it. When the police start troubling Yuu about what he's doing it's mostly just in the hope that they'll be able to talk some sense into their kid rather than to arrest Yutu or anything like that, but it doesn't work. Yutu gets to see the same thing that his dad did all those years ago, his parent crying because of his behavior but there's no grandparent Yuu is asking advice of. Since I am in the mood to be extra cruel, let's say the day that fight takes place, the day Yutu sees Yuu crying is the day he hears a very important name for the first time.

Deuce. His father's name is Deuce and the reason why he wasn't around was because he was from the other world that came to swallow up him and his parent the instant they began to remember. He doesn't get time to cover up the signs of his rebellion, or really a chance to say sorry. He has to look Grandpa Crewel in the face and admit that he made Yuu cry and added to the overly stressed mess their life had become. Everything they said about Deuce was true, and what's worse he was like him.

I feel like Deuce would be the sort of person who wanted to make a lot of home videos. Cater probably would be too, but he'd store most of them on his phone and I think that would be lost to time by the time his Yutu came home. Maybe it's because of the ghost camera, or his desire to be an "honor student" evolving into wanting to be an "honorable husband and father" but Deuce totally bought a video camera to take cheesy videos to show Yutu as he grew up. Instead the kid gets to see fragments of a life he could have had as he listens to his dad tell him about his life and how he met Yuu.

"Honestly I have no idea why they said yes." Deuce is a dork. A complete dork who looks so... young and life like in the video. He knows what features he took from Yuu but watching Deuce talk, he can pick up on the ticks, the way his mouth sets when determined. The look of shock that always made Yuu laugh, it bursts into view when he hears Yuu laugh as they enter the frame to snuggle into Duece's side, to press their face against his cheek with a happily contended sigh. "Y-yuu you're making me look uncool in front of the baby."

"He's not here yet!" You giggle and for the first time in a long time Yutu feels himself choking up as he watches his dad get all silly looking at the thought of his arrival.

"We're really looking forward to meeting you kiddo. I promise, nothing will ever happen to you. I'm not going anywhere."

"Well. Technically kept that last promise didn't you." He tries to play it off like a joke, but Crewel isn't laughing and neither is Yutu.

Gets put in Heartslabyul, but isn't exactly determined to be an honor student like his dad. While Deuce enjoys a good fight or the feeling of the wind in his hair... Yutu mostly got into fights because he was angry and needed someone to take it out on. Because of that temper he struggles with learning and controlling his magic but he still does pretty well with the practical academic side of things. He's proud of his ability to understand these things, and takes a lot of comfort in knowing his dad would be excited at knowing he was good at things like math and science.

Like with the other Heartslabyul boys, he had to fight his father's phantom. He sees putting Deuce to rest as part of his penance for how he treated Yuu in the years leading up to getting isekaid. He refuses to go back in time until he's able to lay this version of his father to rest next to Yuu so he can promise both of them, to their faces, that he'll create a world where they all can be together and live as a family.

Deuce is extremely friendly to Yutu! He wants to learn as much about Yuu's world as he can so he can help them feel as at home in Twisted Wonderland as possible. He makes sure to let Yutu know that extends to him too once Yuu warms up to having him in the friend circle, Uncle Ace is much less enthusiastic but it's clearly from a place of care towards Yuu. He starts to warm up when he sees Yutu trying his hardest to tutor Deuce, though he claims it's because he just thinks it's funny but really it's because Ace wants to see Deuce succeed.

Very correct on his feelings about Pops. His dad is so wildly cringe it's unreal. His effort is inspiring until he starts getting embarrassed for losing his temper and stuttering, or seven forbid you look at his grades. The more he interacts with both of you the more certain he becomes that Deuce would never have abandoned him... and that he is so getting grounded when Deuce learns about how he treated Yuu. And what's worse is that Yutu sort of wants him to.

Surprisingly that's not what happens at all. When Deuce learns who Yutu is, whether by sleuthing or through a violent confrontation with a monster from the future, when the whole story is laid out before him and his son bows to beg for his judgement it doesn't come at all. His Pops yanks him up by the collar and turns him towards Yuu.

"Say all of that again to your parent." Deuce's voice is as stern as it is serious. Yuu looks distraught, not quite to the point they were on the day everything changed but getting there as Yutu immediately breaks down and chokes, crying and begging for your forgiveness and saying he's sorry as Deuce brings all three of you together into a strong embrace. "I'm not the one you need to make things up to, but it's ok. I know exactly how you feel and we'll work through things together."

Deuce doesn't feel like he can be overly angry at Yutu for taking after him. He does feel the need to apologize to Yuu, profusely and in private, for putting them in so much danger and not being there to help Yutu work through his temper. If I was writing this as a story, I'd make Yuu sort of afraid of Yutu's feelings? I could see them blaming themselves and things being a bit awkward within their relationship with Yutu where they had been very good before the reveal. With Deuce being the loving and understanding partner that he is, the bridge is once again mended and the whole family gets to indulge in hobbies that aren't beating the shit out of other people.

Yutu gets back into reading, and starts looking up manuals and histories of blastcycles so he has something to talk to his dad about. He was right about his dad being extremely proud of him for being smart, he's that classic mechanic working class dad who can't stop talking about his kid who went to college and has pictures of him in his garage he makes sure to point out to everyone who comes in. Said person is really just Ace who really wants to make fun of Deuce and Yuu for being cringe together but is too focused on this whole world ending thing and wants everyone to be more focused on that.

Deuce promises that he is, he has a lot of confidence in the ability of your little group to be able to win against stacked odds. You've done it before you can do it again. Yutu couldn't have picked better allies, he's really determined to show him that and be a dad his son can be proud of. He repeats his promise to Yutu that he's never going anywhere, even though the kid never told him anything about the tapes because he really means it. He wants that world little Yutu dreamed of and older Yutu swore to fight for to be a reality, and it's his job as an honorable dad and future husband (he gets so flustered when he says that) to be the one on the front lines of fighting for it,

... just please please please do not tell Yutu about the egg incident. He doesn't think he could handle that embarrassment.

[dontbesoweirdkira]

Hi! Are you still writing for Mortal Kombat? I have a little thought that won't let go of me: I started to wonder what kind of yandere family Blade and Cage are? What if the reader is an extremely radical rebel, who is not affected by threats or actions? (I remember how one of my family members almost killed me, but I didn't apologize and just went to school). If the reader has my stubbornness, who will be the first to give in (if that happens at all). Maybe they will go to other yandere to deal with the reader? All this is of course platonic.

A/N: First, let me say thank you for requesting again. It always, always warms my heart when I have reoccurring readers. It means the world that you like my stuff enough to request again. second, yesss! I literally have thought about being their adopted child again and just how dysfunctionally(?) perfect they'd be. I hope you'd enjoy thisss....

Warnings: trauma, dysfunctional family dynamics, toxicity, obession...ect

Characters: MK11 Johnny, Sonya, Jax, and no cassie because that complicates things lol.

Request: Always open for my babies..see masterlist

Dynamics and Motives

We all know that Johnny and Sonya have a rather rocky relationship themselves, I can definitely see them being a bit at odds with each other when it comes to parenting you. They are constantly pulling you in every direction of who they want you to be. There's so much pressure from them to be perfect that it's no wonder you started rebelling.

I think their parental dynamic is very much a good cop-bad cop situation. Johnny is the "good cop" while Sonya is the "Bad" one.

But Johnny is definitely more manipulative in his ways. Sonya is rather straightforward in her thoughts and feelings. Like if you were to ask her if she's trying to control your life, she'd answer you with absolutely no conviction. Johnny (obviously) loves pretending that he totally understands your rebellion and that he's on your side when in all actuality he's right there with Sonya.

Sonya has an authoritarian parenting style. She is speculated to have put work over family constantly while Johnny has to hold down the fort. (kind of refreshing tho because you'd expect that they'd make Johnny prioritize Hollywood and staying young over her.)

She loves you but she’s always absent. And when she is there, she's just so hard on you. She appears to mainly care about your academics, hobbies, and future careers but not really you…She has this idea in her mind about exactly who you need to be and you will be that. And that's just a mini version of her. You're forced to be an overachiever and to perfect any mistakes that she's made in her time...there's no room for error.

Johnny is a "smother mother" Johnny is a lot more involved and his drive as a yandere is to be your best friend. He so badly wants to be the cool dad. He wants his little girl to admire him and be an unstoppable daddy-daughter duo. He's also got this image in his head of who you are supposed to be. You're always supposed to stay his perfect little angel, never grow up, never date or do any wrong. WHo knows, maybe you'll become an actor just like him and follow in his footsteps. (without the womanizer claims and duis)

They both ultimately don't want their daughter to leave their supervision.. They have too much fear of letting go, you can't get hurt. They don't want you to go through what they did. Your parents don't wanna be forgotten while you go explore. Plus there's so much danger and evil lurking, why can't you just stay at home under their protection?? You'll never have to pay for anything or think for yourself. Stay their doll baby forever. Let them continue to feed you out of their silver spoon.

How it started

I think that to some degree Sonya and Johnny were always helicopter parents. You have a paranoid soldier and a celebrity with a crazed fanbase...it's not surprising that extreme precautions were taken.

But i will say things got worse as you got older and they started to realize that you no longer wanted to be suffocated in their home. You were originally an angel child, always doing what they wanted and never questioning anything....but then your eyes started opening to just how toxic and unhealthy they were.

So less and less did you spend time with them and stay away from home. I think Johnny would be the first to notice since he's home more often and closest to you. At first, he's playing it calmly. He knows all of your friends and doesn't really suspect too much. Johnny will of course pry about what you were doing and go through your things to confirm you're telling truths.

Then as you started bailing on tainings/classes they've forced you to take, switching up your style to something more edgy, and getting into trouble...some alarm bells started going off

Sonya was fairly pissed off when she found out you dropped a bunch of things and are off track of her plans for you. Johnny hates your new look and that you're getting into who knows what. Sonya wanted to readily go to some drastic measures to get you back in line but Johnny advised against it and decided to speak to you first since this all was new behavior. Maybe you just needed some gentle parenting?

Yeah..that didn't go as planned. Unexpectedly you couldn't give less of a care about anything that they said. You knew they wouldn't have taken your complaints about your upbringing seriously anyways,, so honestly, you ended up walking away when you had enough of their questioning and audibly trashed them to your friends for the rest of the night.

You just started a war

Antics

I think they would go light on you at first. Mainly because Johnny doesn't really want this to spiral so quickly. Sonya is like okay fine but only because she's slightly curious about your whole deal. How far are you willing to go and what are you trying to prove with all of this?

They're both overly critical and unsupportive of everything you do and relate it back to your rebelliousness.

They'd do small inconvenient things like removing your bedroom door, shutting off devices and wifi, taking away your car, and forcing you to drive with them.

They'd guilt trip you and threaten to take away more things if you don't behave but it'd all be tame in the grand scheme of things.

"Keep this up, Y/N and I will have I'll punish you like a real marine. You'll surely lean respect, then."

"..Come on...Just go back to how you were. This is causing such a strain on your mother and I's marriage."

yeah, they constantly blame you for their arguing and the decline of the family. Like no, ya'll been messed up.

but this grace period doesn't last long before they are crashing a hangout session with your friends, berating/embarrassing you, and then forcefully dragging you back home.

This is a common theme because it gets the most rise out of you. They'll find themselves at your school/campus embarrassing you and will monitor you and your friends. speaking of your friends/ They hate every single one of them. They're jealous of how much you prefer them over them, they're a threat. It doesn't matter that they're all on the dean's list/honor roll...those misfits have something to do with their poor little angel becoming corrupt (or maybe it's their parenting skills)

Isolation is a big thing. You wanna mess up your success by ditching the plans for your life? You wanna be away from them so badly? Fine. You aren't seeing anything. At. All

financial abuse and neglect are big things too. They are filthy rich but somehow there's never any food in the house anymore...and all your debit cards are declining. They want you to come begging for the things you need but only offer them in return for your obedience.

I don't think they'd get physical, but they'd keep going to more extremes with their abuse and threats to make you comply.

Would they get anyone else to step in?

Yes if nothing they seem to do is working. Plus they're anxious and impatient...this all is taking too long for you to break. Are they seriously going to lose their darling daughter? Definitely Jax. He's canon-ly a very close family friend to the couple and both Cassie and Jacqqui bond over their traumatic childhoods. It's implied that often they'd spent time at one another's house and that all parents were heavily involved with raising the girls. The same goes for you. You don't wanna listen to them? They're calling Uncle Jax and he's a freaking tank. okay.

Jax loves you like a daughter but he really doesn't have as much of a soft spot as they do for you. He's willing to do what they won't. Like this mf is Sonya's superior and you see how she turned out. You will be straightened out like you're a soldier, even if that means going to extremes. Jax doesn't want Jacqqui to see your rebellion and think that it's acceptable to behave like you. So he's more than happy to help his friends out. Having three parents ganging up on you and manipulating you is like hell. You're not escaping that damn house either, you are locked deownnnn.

With the help of Jax and military equipment, trackers, cameras, and government-grade security systems are emplaced. You will be knocked down, broken, and rebuilt into a whole new person.

Who would give in first?

You definitely would. I'm sorry but like you are NOT winning against them. No way a rebellious teen/young adult is conquering them. Your insults and tactics to get under their skin won't work. You will be stonewalled and denied of all civil liberties. It isn't worth it to keep fighting back, no matter how strong you are, you'd end up in asylum before you gain the upper hand.

"Okay, okay...you win. I'll go back to being who you want me to be just chill out.."

See..that wasn't so hard.

They are overjoyed to hear this and waste time destroying all your horribly edgy clothes and rearranging your classes. It's insanity because they act like none of this ever happened and Johnny instantly proposes a family movie night with takeout. You're back to being their perfect child and they're family is "healed". but just know some of their implements are staying and they will continue to keep a tight grip on you should you ever decide to pull a fast one again.

"See, you made this so difficult when all we really wanted was our happy family back..."

[badplayerana]

Current favorite cherik fics - pt7

part 1 | part 2 | part 3 | part 4 | part 5 | part 6

I'm back, lets do this

not used to love by monae_the_criminal (I just finished reading this one and wow Im still giggling)

Erik has yet to get used to the way being loved makes him feel. Hopefully he can do that soon, because now Charles turns him into a blushing mess with his affection.

An Earlier Heaven by Regann

In the wake of Cuba, Charles and his students are ready to pick up the pieces and work toward achieving Charles's dream of a safe haven for young mutants. Those plans, however, take a surprising turn thanks to a very unexpected complication. As he slowly builds a future for his students and for his child, Charles struggles with the loss of Erik and the secrets he's willing to keep to protect his family, but those strides are shattered when Erik makes a startling reappearance into his life. [mpreg, kidfic, ensemble]

Bound by FuryRed (the sequel is also amazing)

Is there anything worse than someone else’s wedding? Well, perhaps your sister’s wedding- where the groom just has to invite his boss and that man just happens to be your ex-boyfriend; a person you had an extremely passionate and tumultuous relationship with that ended badly. Charles hadn’t seen Erik for a year by the time Raven had told him about the wedding. He wasn’t looking forward to the occasion, particularly when Raven explained that they would be celebrating the event with a two-week extravaganza at a luxury hotel, meaning that Charles would be forced to spend a whole fortnight with the man who he’d given everything to; the man who had ultimately broken his heart…

One Second and a Million Miles by madneto

Between being a parent to the best baby in the history of man-kind and co-running a Mutant Center in Hell's Kitchen, Erik Lehnsherr has his hands pretty full. Too full, certainly for romance; something that has never really been on his radar to begin with. All that changes, however, when he meets Dr. Charles Xavier. Handsome, intelligent, capable, kind, an Omega level telepath, and one of the best pediatricians in the state, he's everything Erik didn't know he was looking for. But he's also Lorna's pediatrician which means, of course, he's off-limits. Except how is Erik supposed to try and forget his crush when he and Charles keep running into each other as if fate is trying to tell them something? When, as Charles says, they seem to want the same thing?

[mrslittletall]

I am not done talking about Dawntrail and it comes from a Youtube comment this time. I was listening to the Living Memory theme and someone pointed out "This expansion was full of complicated parental relationships". And holy shit! They are right! It seems to put the whole of Dawntrail in a completely new perspective. It starts with Gulool Ja Ja and his three children. He has one biological child and two adopted children. Wuk Lamat and Koana both love their dad loads and see themselves as siblings despite not being blood related and obviously not being the same race (outside of both of them being cats). But Zoraal Ja... he feels like he has to live up to a legacy. A legacy that nobody ever wanted from him. He got so obsessed with being the "Resilient Son" that he shut his heart out and didn't allow his siblings or his father to get through to him. Maybe we have to blame Gulool Ja Ja here for neglecting his biological son... we don't know much about their relationship because the story is told mostly through Wuk Lamat's eyes, but Zoraal Ja is the tragedy of a child that wanted to live up to the legacy of his dad and... failed. And this Zoraal Ja is having a child of himself. Gulool Ja. A child that he completely ignored and neglected. Probably because he feared that he would give him the same complex that he had. But he still loved his son. Shown by Gulool Ja getting all the authorities of the King after he died... (still want to know who the Mom is. At first I thought Gulool Ja is a clone of Zoraal Ja.) Then we have Bakool Ja Ja. He starts out as a comically evil villain and I still think his redemption arc was too sudden but here we have a case where a child was forced by his parents to be something they didn't want to be. Everryone worshipped Bakool Ja Ja as the blessed siblings while he was carrying around the guilt of the one who lived among hundreds of stillborn siblings. And that brings me to the last and probably messiest relationship. Erenville and Cahcuia. I don't think Cahcuia is not liking Erenville. In fact, I think she loves him very much. But she isn't a good mom to him. And I think part of her knows that. We don't know why she had her son, if he was wanted or an accident, but it was clear that she was not ready to have a child. And she did neglect Erenville because she wanted to live her own adventure. She even send him away. Maybe it was so that he got a new perspective and learned about the world, maybe she was really thinking something, but ultimately, Cahcuia feels pretty childish. It goes so far that Erenville has to learn his mom has died already and she acts like it is all not a big deal while being an endless, a memory of the person she once was. We see Erenville having a TERRIBLE time coping with all of this. And it feels like Cahcuia is not helping. Erenville needs to grief her and she acts like her second death is not a big deal. In the end they had some words for each other. But was it enough? Was it really enough? This relationship is so messy and I guess for some people it really hit close to home, so much that they hate Cahcuia. Because she is the mom who loves her child dearly, but... she has troubles caring for them in a way that the child needs. It just, agh, it makes me feel things. All of these relationships. There are probably more I missed. Feel free to elaborate in comments or reblogs.

[scarletqueenx]

chapter twelve - ghostfacers!

Dean Winchester x Female Reader

Summary: Dean and you had dated for a few months before his father disappeared and his journey with Sam began. Now, having made a deal to save his brother's life and with only a year to live, Dean considers reconnecting with the only girl he's ever had feelings for. You.

Author’s Note: English is not my first language. This is my first time writing in the readers perspective, as i'm used to write oc´s.

series masterlist

"I can't believe we're doing this." Dean said, walking into the small store at the gas station.

"It's a good case." You argued, holding the door before it closed on you.

"It's a myth." Dean corrected, walking down the aisles. You sighed, following him.

"Maybe. But I owe it to him." You said as your eyes scanned the products on the shelves. "Everything's been a mess lately, I didn't get to spend his birthday with him, my dad's disappeared again, and Carter..."

"Okay, I get it." Dean sighed, cutting you off. "But the Morton House, really?"

"He's been obsessed with that case for years now." You explained, smiling to yourself at the look of concentration on Dean's face, as he was determined to find the chips Peter had asked for.

"Where did your father go anyway?" Dean asked, following you towards the candy shelves.

"God knows." You sighed. "I don't really care."

"Gee, I thought your relationship with your father was perfect."

"No, it's never been. I love him and I've always admired him, but... Carter was right. My father is an expert on the supernatural. I'm sure he knew about the anti-possession charms." You pointed out. "Before Carter attacked us, he started having nightmares, talking about demons, about the faces he saw in his dreams and the voices he heard in his head. And my father ignored him completely. So, it's complicated. My relationship with him is complicated. I didn't see it before, but, come on, abandoning your kids at Christmas? In December where it's not only the ultimate family holiday but also your youngest child's birthday? That's pretty twisted."

"Yeah, but he's your father." Dean said.

"That doesn't make it right." You assured. "You of all people should understand."

Dean frowned.

"What's that supposed to mean?" He asked.

"Come on, Dean. Your father wasn't the perfect example of good parenting either." You answered, looking over the candies.

"My father did his best." Dean answered defensively, but you didn't notice the tone in his voice.

"Really?" You raised your eyebrows, turning around to face him. It was there that you realized you were touching on a sensitive subject. Dean's look exhibited unease as well as conflict. As if one part of him knew you were right but the other one was fighting to defend all of John Winchester's actions. "Forget it. I'm rambling." You tried to fix, turning you gaze back to the candy shelves.

With the wheels still turning on his head, Dean reached his hand out to grab what you were looking for.

"Oh. Thanks." You smiled as you held the packet of lollipops he handed to you. You then lifted your gaze to meet his green eyes, but Dean merely nodded as he walked past you.

The tension between you was not only due to the conversation about your fathers. Since your encounter under the sheets your relationship had become a constant push and pull. You exchanged touches, caresses, kisses and even shared a bed every now and then when you slept. But you did all that with several words left unsaid. With your feelings still hidden behind the walls of protection you both put up around yourselves and your hearts.

After Dean paid for everything you grabbed, you walked back to the Impala in a tense silence. That distance between you did't go unnoticed by Sam and Peter as they watched you get back into the car.

Peter smiled as he caught the chips Dean tossed toward the back seats, happy to see that he had found his favorite.

"Okay, let's get this over with." Dean sighed, starting the car.

Something that none of you expected, and that annoyed Dean even more, was to find out that at the Morton House there was already a group of 'ghost hunters' trying to make a name for themselves by filming a real live ghost. You needed the place empty for the hunt, so the Winchester brothers and you grabbed your fake badges and entered the place with Peter following close behind.

"Freeze! police officers! don't move!" Dean yelled as the three of you spotted two figures at the end of the hallway.

Like two frightened kids, those two figures began to scream in fear. You rolled your eyes as you approached them.

"All right. All right. All right. Take it easy, take it easy." Sam tried to calm them down.

"Let's see some identification." Dean spoke in a commanding voice.

"Come on. Let's see some I.D."

They nodded quickly, clutching their cameras as they pulled out their wallets to show their ID cards.

"What—are we under arrest?" One of them asked.

"We are unarmed." His friend said.

"Oh, god. Oh, god."

"Hey, hey. Relax, okay?" You told them as you looked to their IDs.

"Hey. Wait. I know you." The one with glasses said.

"Yeah, sure you do." Dean scoffed.

"Yeah. Whoa, hold on a second. I know both of you, guys. Yeah." He insisted, pointing his camera at Sam and Dean.

"What?" His friend turned towards him.

"Yeah, huh."

You frowned, looking at Sam and Dean seeking for an explanation.

"Holy shit!" Sam cursed as he looked at the guy with glasses more closely.

"What?" Dean turned to him with confusion.

"Uh, West Texas... the... the tulpa we had to take out. Those two goofballs that almost got us killed... The hellhounds or something?"

"Fuck me." Dean whispered as he recalled that hunt.

"So you know them?" You looked at them in disbelief.

"I know them too. You're the Ghostfacers, aren't you?" Peter said, peeking out from between Dean and you.

"Yeah. Hellhounds didn't test that well." The guy with glasses admitted. "Are you a fan?"

"Nah, you guys are idiots." Peter stated.

Ed was taken aback by his sincerity as he gave the kid a bitch face.

"Ed, what's going on?" The other guy pointed the camera at his friend.

"They're not cops, buddy. No, not at all." Ed answered him.

"Ed, Ed, you had a partner, too, didn't you? A different guy?" Dean asked him.

"Oh, yeah, yeah."

"Is he around here somewhere?"

"He's running around, chasing ghosts."

"Of course he is." You whispered to yourself in exasperation.

"Okay, well, listen, you and Rambo need to get your girlfriends and get out of here." Dean commanded.

"All right. Listen here, chisel chest, okay?" Ed stood in front of Dean, trying to play tough. "We were here first. We've already set up base camp. We beat you."

Dean nodded, turning his gaze towards Sam and you. Peter raised his gaze to him, waiting for his reaction.

"They were here first."

"Mm hmm." Ed nodded without noticing the irritation in Dean's voice. Then, in the blink of an eye, Dean grabbed Ed by the collar of his jacket. "Oh, god."

"Ed..." Dean started.

"Yeah?" He gulped.

"...where's your partner?"

"Uh... he's upstairs. He's upstairs." He replied in a trembling voice.

"I'll go get him." You announced, ready to head for the stairs. Dean let go of Ed and grabbed you wrist, holding you back.

"We don't split up." He declared.

Seeing the seriousness in his gaze, you nodded without arguing. You really didn't what him to get anymore angrier that he already was.

"Eh... Um, sorry. She is?" Ed pointed towards you.

"Your worst nightmare if you don't get the hell out of here." You answered.

"Well, we can't do that, okay? Not yet." Ed said, walking out of the room you were in and heading to the living room.

"What are you doing in the Morton House, Ed—on leap year—what are you thinking?" Dean asked as he followed him.

"We're here to spend the night, okay? It's for our TV show."

"What? Great. Perfect." Sam sighed.

"Would you stop with that?" You pushed the camera that Corbett was pointing at your face.

"Nobody's ever spent the night before." Corbett said as he pointed the camera towards Ed.

Peter frowned.

"Uh, actually, yeah, they have." The kid said, gaining their attention.

"Uh, we've never heard of them." Ed argued.

"Yeah, you know why? 'Cause the ones that have, haven't lived to talk about it!"

"Oh, come on, I don't believe you." Ed scoffed. "And why is a five-year-old talking to me?"

"I'm fourteen, jackass."

"Look," Sam spoke, pulling papers out of his duffel bag. "Missing-persons reports going back almost a half century. John Graham stayed on a dare, gone. Julie Wilkerson, gone. There are tons more. All of them came to just stay the night through, always on a leap year. The only body they ever found was the last owner, Freeman Daggett."

Ed frowned, looking at the papers.

"These look legit." He then admitted.

"They are legit. Look, Ed, we ain't got much time here, buddy. Starting at midnight, your friends are going to die." Sam said right before a bunch of screams and footsteps rush down the stairs. Dean and you turned around pointing your guns and flashlights towards them.

"Oh, my god! Oh, my god! Oh, my god! Oh, my god! Oh, my god! Guys! Guys! Oh, my god! Oh, my god! We got one! Corbett! Corbett, we saw one! We saw one!" The first one to enter the living room grabbed the camera Corbett was holding.

"Get outta here!" Ed looked at him with excitement.

"It was a full apparition! It was like a class four. It was a spectral illumination! It..." He explained.

"That's Harry, the other idiot." Peter whispered to you.

"It was amazing!" The girl that followed Harry exclaimed.

Harry nodded full of excitement as he was about to say something else, but then his eyes landed on Sam and Dean.

"Hey, aren't those the fuckers from Texas?" He asked.

"Yes." Ed confirmed.

"And who are they?" Harry looked over at Peter and you.

Peter smirked and took a step forward before you could answer.

"Ghosts." He said with a playful grin. The frightened look Harry gave him back brought a chuckle from the boy's lips.

Dean rolled his eyes.

"All right, let's have this reunion across the street, guys." Dean said, trying to get their attention.

"Crap. What are you guys doing here?" Harry asked.

"Come on, come on. We'll get you ice cream—our treat. What do you say? Let's go." Dean tried again but no one paid him any attention. In fact, they all started talking at the same time as they gathered around the laptop placed on the table in the center of the living room.

"Look at this. Look, look. Ed, Ed. No. No. Look at this. Okay, honest-to-god proof, all right?" The girl accompanying them said before showing some of the footage they got.

"You have to be kidding me." Peter muttered, standing next to the group of idiots.

"Yeah. No. Not kidding." Harry assured him.

Although annoyed by the situation, Sam, Dean and you moved to stand a few steps behind them so you could look at the images on the laptop screen.

"What kind of reading did we get?" Other guy asked.

"Uh, it was a 10.9." Harry answered.

"10.9?" Ed asked in shock.

"Yeah, it was 10.9. It was almost 11. I came out, and I was like, 'what's going on?' And I was like—wait, watch this. Oh! He got blasted. It was crazy."

Feeling Dean's hand gripping you wrist gently, you followed him and Sam to stand by the stairs, far enough away from the group to be able to talk without being overheard.

"Think we were off on this? I mean, that was just a death echo." Sam stated.

"Yeah, but what's it doing here? Did anybody get shot here?" Dean wondered.

"No, not that I could find."

"What's a death echo?" A voice spoke from behind you, making you turn to find the other cameraman standing near you with his camera pointed at your face.

You sighed before answering.

"Look, we got a problem here. That ghost ain't it."

"What's a death echo?" He insisted.

"Echoes are trapped in a loop, okay? They keep replaying how they died over and over and over again, usually in the place where they were ganked. It's about as dangerous as a scary movie." Dean explained with exasperation.

"So maybe the echo's not dangerous, but maybe something else is." You looked at him.

"You're right." Dean nodded before walking back into the living room. "All right, we need to get out of here, guys. Come on. Let's go. Let's go. Let's go. Pack it up."

"Guys, time is running out!"

"We're moving!" You stated, grabbing Peter's hand as Sam and Dean pushed the other towards the house door.

"What about all of our equipment? What are we gonna..." The girl asked.

"Lots of fun. Let's go." Dean said, not playing attention to her or what the other were saying.

"We got more material. We got all kinds of stuff. We'll make you guys recurring guest stars." Harry tried to bargain. You shook your head, pushing him to keep walking while your other hand kept clutching onto your little brother's.

"Wait! Wait!!" Ed yelled, making everyone to stop. "Where's Corbett?"

"Don't know, don't care." You answered, eager to get your brother out of there while beating yourself up for listening to him and bringing him into the house.

"No man left behind." Ed stood his ground.

Before you could say anything an anguished scream was heard form the distance.

"That was Corbett." Ed stated.

"That was Corbett! Corbett!" Harry yelled his name.

"Corbett! it's okay!" Maggie screamed, running upstairs with Ed and Harry before Dean, Sam and you could stop them.

"We'll get him! Go back!" Dean told them but they didn't listen.

"Guys! Fuck!" You cursed, clinging to your brother's hand.

"Let go of me!" Peter complained, pulling his hand free of your grip. "I'm not going anywhere."

The cameraman soon followed them forcing Sam, Dean and you to go after him. Corbett's cries for help could be heard throughout the house along with the screams of his friends trying to find him. You found them in a hall of the second floor right where they had seen and recorded the first echo.

"Hey! Hey! Hey! Come on." Dean walked toward Ed as Corbett's screams echoed through the house, slowly fading away.

"He's not here." Peter assured, pointing his flashlight down both sides of the hallway.

"All right. Let's go. Let's go." You urged Maggie and Harry as you pushed them toward the stairs.

"No. No. No. But that's Corbett. No, that was Corbett." Harry insisted, trying to pull away from you, but you held his arm tightly. "Didn't you hear that? He said... He has to be here."

"Look, buddy, I'm sorry about your friend, but...." You couldn't finish your words when a prick of pain shot through your head. You put your hands up to your head and crouched down, letting out a small cry of pain.

Dean came to your side, holding your shoulders and looking at you with concern. "Are you all right?"

Looking at you with confusion and concern, Sam then noticed how a hand clutched at his arm. Lowering his gaze, the taller of the brothers met Peter, who was trying to steady himself as his face formed a grimace of pain.

"What the hell is going on?" Ed looked at the two of you with confusion.

"We need to get out of here." Dean replied, intertwining his hand with yours as he pushed Harry and Maggie toward the stairs. "Go, go, go, come on."

Once you reached the living room, the ghostfacers gathered around their laptop once again, trying to take in what had just happened to their friend and looking for a way to find him. Peter and you leaned against the old staircase bars, trying to steady themselves while Sam and Dean watched you with concern and complete confusion.

"Oh, god, what's happened? Oh, god. He's gone. He just disappeared."

"Okay, let's just go through all the angles. Let's go through all the cameras we have."

The pain in yours and Peter's heads slowly diminished with each passing second. Dean's alert eyes examined you carefully as his hand remained intertwined with yours, soothing your pain.

His other hand moved over to your left cheek, forcing you to lift your head so he could look into your eyes. Your skin had paled and dark circles had appeared under your eyes. Your temperature had dropped drastically, to a worrying point. You could feel Dean's touch warming you and providing you with some comfort. As if he were your lifeline, helping you to breathe.

Next to you Peter didn't seem to be suffering as much. He felt the headache and the drop of temperature, but much less than you did. He could still stand without holding on to the stairs and his breathing was regular and steady,

"Well, it's 12:04. You good? You happy?" Sam complained without realizing the bad state you were in. "'Let's go hunt the Morton house,' you said, 'it's our Grand Canyon.'"

"Hey!" Peter exclaim, pushing him back. "It was my idea. Leave her alone."

"Okay. No need for fighting." Dean warned, holding Peter by the shoulder. "Sam, it's really not the time."

Despite realizing how bad you were feeling, Sam was more concerned about his brother more than anyone else in the house.

"You got two months left, Dean. Instead, we're gonna die tonight!" He exclaimed in frustration, throwing a chair against the house door. You gasped at the loud sound, clinging to Dean's hand.

At the sound of wood cracking, the group of ghostfacers turned toward them.

"Whoa! What the hell is going on guys?" Spruce, the cameraman asked.

"I'll tell you what's going on. Every door, every window, I'm guessing every exit out of this house—they're all sealed." Sam pointed with frustration.

"But w-why are they sealed?" Maggie frowned.

"It's a supernatural lockdown, okay?" Dean sighed, looking back at them as he felt you getting a little better. "Whatever took Corbett doesn't want us to leave, and it's no death echo. This is a bad mother, and it wants us scared."

"Or it just wants us."

As Maggie said that the sound of the EMF detector went off.

"Uh, guys, the camera's fritzing again." Spruce informed them.

"Whoa. Whoa. Guys, the EMF's starting to spike." Ed added. "This is a big one!"

"Everybody, stay close. There's something coming."

Following Sam's orders, everyone stood in a small circle, looking around the room. It was then when a ghost appeared in the middle of the living room. Dean let go of your hand, but Peter quickly replaced him. The boy wouldn't admit it, but he was scared. Maybe it was your older sister instincts, but noticing how your brother clung to your hand, you soon began to feel much better. You body temperature stabilized, you breathing settled down, and the headache disappeared.

"Whoa!!!"

"Is this the same echo you guys saw earlier?" Dean asked.

"No, it's a different guy." Harry answered in a trembling voice.

"Multiple echoes? What the hell's going on?" Dean looked back at his brother and you.

"Beats me." You replied, not having a real answer for him.

"Okay. All right. All right. All right." Dean repeated several times as he walked toward the apparition and started to yell at it. "Uh, hey, buddy! Hey. Hey. Wake up. You're dead! Hello?!"

"What's he doing? What's he doing?" Harry looked completely lost about what was happening.

"It's rare, but sometimes you can shock an echo out of its loop if you can talk to the part of the ghost that's still human, but usually you have to have some kind of connection to the deceased." You explained to him.

"Come on! Wake up! Be dead!" Dean continued yelling at the apparition, but then it flicked and turned around.

"Do you really think that's gonna work, dumbass?" Peter let go of your hand, feeling much braver now that he saw Dean yelling at that echo.

"You guys hear that?" Harry asked as the sound of what sounded like an engine echoed through the house.

"What's that sound?" Ed asked at the same time.

"Snap out of it, buddy, huh? Come on, what are you waiting for? You're gonzo! You're dead!" Dean yelled to the apparition before a bright light shone on its face. As that light got brighter, the sound of the engine grew louder, this time accompanied with a car horn. Suddenly the ghost was hit by this invisible vehicle and went flying backwards, disappearing.

"Where the hell did it go?" Harry asked, looking around the room.

"Okay, I don't know about you guys, but I'm out of here." Peter said, taking a step toward the door.

"Didn't you hear the part about the supernatural lockdown?" You asked, pulling him close to you. "Don't leave my side, Pete, or I swear to God..."

"Okay, I get it." He scoffed. "But what the hell was that earlier? I felt as if my soul was leaving my body. It was cold and there was a lot of despair and..."

"I know, I felt it too."

"Why? They sure as hell didn't feel it." Peter pointed to the rest. "Why did we?"

"I..."

"That is a really good question." Dean admitted, coming to your side. "Any theories on that?"

You shook your head.

"Maybe if we go back upstairs." You shrugged.

"To the floor where that idiot disappeared?" Peter asked in disbelief. "Yeah, good idea." He scoffed as he rolled his eyes.

"Do you have any others?" You raised your eyebrows. Peter stayed silent. "That's what I thought."

"Okay. She is right. Let's go." Sam said.

You and Dean nodded before following him up the stairs with Peter by your side.

"Guys, there's no records of any of this here." Peter informed you as the ghostfacers followed you. "No one got shot here. Obviously, no one got run over by a freaking train."

"Stay close." Sam told the group.

"Did the echoes take Corbett?" Maggie asked as soon as she got his attention.

"Yes. No. I don't know." Dean replied. "We don't know what's doing what here; that's what we're trying to figure out, okay?"

"Look, um, death echoes are ghosts, okay?" You explained. "Now, ghosts—they usually haunt places where they lived or where they died."

"Except these mooks didn't live or die here." Dean added.

"Right."

"So, what are they doing here?" Maggie asked pointing at them with her camera.

"All right, seriously, does looking at this nightmare through that camera make you feel better or something? I mean..." Dean stoop to look at her.

"Um...I, uh... Well, yeah. Uh, yeah. I think so." She nervously admitted.

"Oh."

Following Peter and you, as you led the way, the group entered what appeared to be an old study. If the house was scary that place was even scarier, especially with the heads of a stuffed bear and deer hanging on the walls.

"Look at this." Sam said, holding up broken framed certificate he had just found on a shelf. "Freeman Daggett, house's last owner, officially commended for 20 years of fine service at the Gamble General Hospital."

"He was a doctor?" Dean asked him.

"Janitor."

"This looks like his den. When'd you say he died—'64?"

"Yeah, heart attack."

"What are these, c-rations?" Maggie asked. Looking towards her, you spotted a box full of non-perishable food bags typical of the military.

"Yeah, army-issued, three squares—like a lifetime supply." Dean answered her.

"Oh, come on, guys. This is ridiculous. I mean, how the hell is this supposed to find Corbett, huh? We should be digging up the friggin' floorboards right now." Ed said with frustration.

"Dude, I'm sorry, but I think your friend is already dead." Peter replied with an earnest look on his face.

"Peter." You called him out.

"What? It's the truth."

You shook your head, raising your gaze to Ed. "We'll find Corbett, okay? But first we need to know what we're up against."

Frustrated and somewhat upset by Peter's statement, Ed nodded his head at your words. Suddenly a loud bang interrupted the room when Dean opened a safe. Turning around Dean came fase to face winter an EMF reader. Harry held it in his hands standing just next to him. But has Dean gave him a bitch face he backed of quickly. Letting out a sigh Dean took the safe and carried it over to the table before opening it.

"Crap. Crap. Taxidermy." Dean mumbled leafing through files in it. "Okay. You said Daggett was a hospital janitor?" He looked up at his brother.

"Yeah." Sam nodded.

"Ewww. Got three toe tags here—one, death by gunshots, train accident, and suicide."

"Ewwwwww!" Sam, Peter and you grimaced.

"What?" Harry frowned, completely oblivious,

"Well, that explains why all the death echoes are here. They're here because their bodies are here... somewhere in the house." Sam explained, but they still looked completely lost.

"Daggett brought the remains home from the morgue. To 'play'." You clarified, watching the realization flit across their faces.

"Ewwwwwwwwww!!!!! Ugh!!!!!" They grimaced.

"That's nasty, dude." Spruce commented next to her.

"Right." You nodded when the EMF in Harry's hand went off. "I thought you were playing attention to this." You complained, snatching the device from him to take a closer look of it. "I got an 8.6 and climbing fast."

"Something huge is coming. Look. Something big is coming." Ed whispered dramatically, pointing his camera towards the EMF.

"It's past 1, you guys." Harry said, looking at the time.

"Okay, I take back what I said before. I really hope your stupid friend is alive, because I really don't want to die here." Peter muttered towards Ed as you all gathered together to form a circle, pointing your flashlights everywhere in the room. Frowning, the man looked down at the boy. "Ghosty, ghosty. Take them, I've got a lot of life ahead of me. I've been a bit of a little bit naughty, but really I'm..."

"Will you shut up?" Dean cut him off as he clenched his jaw. "Nobody move! Hold on. Hold on. Stay quiet."

"What's happening?" Maggie asked between panting breaths.

"You know, Dean, you're the one who should shut...." Peter's voice disappeared into thin air leaving you with an uneasy feeling.

"Peter? Peter?!" You called out to him, but the boy had completely disappeared from the room. And he wasn't the only one, after blinking a couple of times, you witnessed Sam vanishing in front of your eyes.

"It's really cold in here." Ed said by your side.

"Harry?" Maggie called his friend.

"Sam?" Dean turned on his heels, looking for his brother all over the room. "Sam???"

"Where'd he go?" Spruce asked.

You reached down, picking up your brother's flashlight from the floor while Dean did the same with Sam's.

"Sam!!!!!!!!!!"

"Peter!!!!!!!!!"

Dean and you yelled at the same time.

─── ❖ ── ✦ ── ❖ ───

After calling Sam, Peter and Corbett's names for several minutes, you started to fully take in the situation your guys were in. And specifically the one you were in. It was all your fault. If you hadn't listened to Peter's pleas to go investigate that house none of this would be happening. Peter and Sam would be fine and the fear of losing them forever wouldn't be haunting you.

You felt even worse seeing Dean's overwhelmed and upset face. His little brother was everything to him and now because of you he had been kidnapped by a ghost. Sure, you'd been in situations like this before, but what if this was the final one and you couldn't find them.

"I can feel you blaming yourself all the way from here." Dean's voice snapped you out of her thoughts.

"That's because it's my fault." You pointed out.

"No, it isn't." Dean walk towards you. "And it's not Peter's fault either, or these idiots." He said, referring to the ghostfacers, who to your luck and privacy weren't with you two at the moment. "We're gonna find them."

"Do you really believe that?" You looked at him hopefully.

Dean nodded.

"I'm not walking out of here without Sammy and that little demon you have for a little brother." He assured, moving a little closer to you. An amused smile peeked over your lips, calming your nerves and making way for a much warmer, more comforting feeling. Only this one wasn't due to Dean's closeness and charm but something else you weren't sure you could put your finger on.

"What's the matter?" Dean asked at the slight change in your face.

"I don't know." You murmured, lowering your gaze to the floor. "I think I can feel him." You admitted, meeting Dean's green eyes once again. "I feel Peter. He's alive."

Despite his doubts, Dean nodded without questioning you.

"Well, let's find them before that changes."

You nodded slightly, ready to speak again but an argument in the room next to you interrupted you. Dean sighed in frustration, turning to walk into the room, where he found Maggie, Ed and Harry.

"What the fuck are you doing?!" Dean exclaimed braking Harry and Ed's fight. "Cut it out! We're down by three people."

Turning around back to you, Dean yelled his brother's name once again, leaving the room with you by his side.

"Come here." You grabbed his wrist, pulling him toward Daggett's office.

"What? What's wrong?" Dean looked at you in confusion.

Harry, Ed, Spruce and Maggie soon came in after you, afraid to be alone in the house.

"What are you doing?" Harry asked you as you looked through the files in the safe.

"Daggett was a Cold-War nut, okay? He was—he was an amateur taxidermist. He liked to slow dance with cadavers, and all he ate were c-rations, so what the hell are we looking for?!"

"Horrible little life." Maggie said.

"Yeah, a lonely life... A Cold-War life." You noted, thoughtfully.

"What are you thinking?" Dean looked at you as his shoulder brushed yours when he pressed his chest against your back to look at what you were holding.

"He was scared." You thought out loud. "He was scared... he was scared."

Without further explanation you dropped the paper in your hand and rushed out of the room.

"Scared of what? What? Where are you going?" Harry asked as he, Dean, Maggie, Ed and Spruce followed you.

"Guys like Daggett back then, the ones who were really scared of the Russians—they built bomb shelters." You explained walking down the stairs. "I'm guessing he's got one. I'll bet you it's in the basement."

"Sweetheart, you are a genius." Dean smiled as he walked after you.

Suddenly, the door behind them slammed close, separating you and Spruce from the others.

"Whoa!"

"Whoa! That is not funny!"

"Um, who closed the door?" Spruce asked, looking back at the hunter couple.

"It did." You answered as you watched Dean tried to open it back. "It wants to separate us."

"Ed! listen to me!" Dean talked to the door.

"What?" He asked from the other side.

"There's some salt in my duffel. Make a circle and get inside."

They paused for a minute.

"Inside?" Ed frowned, sharing a confuse look with Harry.

"That's stupid." Harry said.

"Inside your duffel bag?" Ed asked towards Dean.

"In the salt, you idiots!" Dean snapped.

"Oh, okay. Yeah. Yeah."

Shaking your head in disbelief, you continued walking down the basement stairs with Dean and Spruce close behind.

As you descended, you felt how your connection with your brother grew. You could sense that he was scared, even though he tried to cover it up with his usual humor and sarcasm. Your racing heart mimicked his in a somewhat magical way. It had to be, because you were sure that no normal person was able to feel their siblings the way you were feeling Peter right now.

"Hey, can I ask you something?" Spruce asked Dean as they walk behind you.

"What?" Dean grunted as he looked for the bunker door.

"Earlier, you guys were talking and Sam—he said you had two months left?"

"Yeah, it's complicated." Dean sighed. "A while ago, Sam..." He paused, looking at the camera Spruce was holding. "No. No. No. I'm not gonna whine about my fucking problems to some fucking reality show. I'm gonna do my fucking job."

"Is it cancer?" Spruce insisted.

"Shut up." Dean grunted once again. "You hear that?"

You nodded, moving closer to him. "Yeah."

"Is that music?" Spruce asked.

"Yeah, it's coming from behind this wall." You pointed.

"All right, stand aside." Dean turned to you and handed you his flashlight. At the touch of his skin brushing against yours, you felt your connection to Peter disappear and be replaced by a wave of warm feelings for the older Winchester. But as soon as you took a step back, placing yourself next to Spruce, those feelings vanished and Peter's fear came flooding back.

Dean single-handedly pushed back a cabinet away from the wall, revealing a door right behind it.

"Wow, you're strong."

Tired of his comments, Dean turned to him and flashed a middle finger.

Opening the door to the bomb shelter wasn't difficult given Dean's strength and the fact that the door wasn't fully closed.

"Peter!!" You exclaimed before shooting Daggett's ghost. As he disappeared, both you and Dean approached your respective brothers and untied them from the chairs. Peter and Sam were sitting around a table decorated for what appeared to be a birthday.

"Oh god." Spruce whispered as he looked around the room through his camera screen, seeing the decorated table and the old corpses sitting around it. Recognizing the last and newest corpse as his friend. "Oh, no, Corbett."

Peter called your name in a frightened whisper.

"I'm right here, buddy. I'm right here." You whispered back, hugging him against your chest and pressing kisses on the top of his head. Peter's arms wrapped around your waist tightly, pulling you closer as the fear slowly faded out of his body.

"Come on. Let's get out of here." Dean said, laying a hand on your shoulder.

Noticing his touch against your clothed skin, you pulled slightly away from your brother and looked up to meet Dean's evergreen eyes. For a few seconds you didn't respond, yet you nodded, standing up and taking your brother's hand in yours to walk out of the bomb shelter and back to the basement.

"What's this Daggett guy's problem anyway?" Spruce asked.

"Loneliness." Sam replied.

"What, he's never heard of a Realdoll?" Dean scoffed.

"No, no, no, Daggett was the Norman Bates, stuff-your-mother kind of lonely. I mean, that's why he lifted these bodies from the morgue, threw himself a birthday party, except they were the only ones who would come. Anyway, so, at midnight, he sealed them in the bomb shelter and went upstairs and OD'd on horse tranqs."

"How do you know this?" You frowned.

"'Cause he told us." Peter answered.

"Oh. yeah. Okay, so now that he's dead, what? Same song, different verse, trying to get people to come to his party?"

"Pretty much, yeah. Stay forever." Sam sighed while you opened your shotgun to add two more bullets.

"Are those real bullets?" Spruce asked.

"It's rock salt." You answered, cocking the gun. "Ghost's favorites."

Dean's slamming a metal pole against the basement door caused Peter and Spruce to startle.

"Seriously? You're still shooting?" Sam scoffed, noticing Spruce's camera.

"It makes him feel better. Don't ask." Dean explained.

"Ah, hell, guys. Get in your ghost-role thing. Something's coming." Spruce spoke as he saw the camera flickering.

Turning towards him you saw how Daggett's ghost appeared by his side and knocked him to the ground. Without missing a beat, you aimed your gun at the ghost and pulled the trigger on a steady shot that made Daggett disappear.

"Take it easy." Sam helped Spruce up. "You all right?"

"Behind you!" Spruce exclaimed. But Sam didn't have enough time to react before Daggett threw him against the wall, doing the same with Dean, Peter and you before any of you could do anything. "Uh, guys..." Spruce panicked when Daggett's eyes fell on him. "This is bad—very bad."

Peter crawled across the floor to try and reach your gun when, suddenly, Corbett's ghost appeared behind Daggett.

"Corbett?" Spruce asked, but he didn't answered, just attacked Daggett. As the two ghosts touched each other, both vanished in a burst of light. Everyone covered their eyes quickly, as Peter and you felt a small deja vù about the night when you confronted Ophelia.

Between low groans of pain from the hit they had taken, Peter, Dean, Sam and you got to your feet, finding that Spruce was already standing next to you. Having retrieved his camera he was now pointing it back at you once again.

Exhausted from that damn stupid reality show, you were about to take it off his hands, but Dean and Peter beat you to it. The former covered the lens with his hand while the younger one pushed Spruce out of his way.

"Seriously, man, you need to put that camera down. Your stupid show is garbage. No one will watch it." The blonde kid grunted. After being kidnapped and almost killed by a ghost, Peter wasn't in the mood to be nice.

After Corbett attacked Daggett the house quieted down more or less. Sam, Dean and you just had to burn the remains of the bodies and everything would be over. The group of ghostfacers didn't question that, as they claimed to have read a lot about how to put a ghost to rest. You couldn't help but narrow your eyes as you heard Ed and Harry tell you that, not really sure if they were being truthful or if they were just trying to act smart so they wouldn't come off as idiots who didn't know what they were supposed to do.

─── ❖ ── ✦ ── ❖ ───

It was rare for Peter to be wrong about something. The boy was usually right about almost everything he said, but this time he was wrong in assuring that Ed and Harry's show wouldn't succeed. Seeing everything they got on camera, including truly supernatural things like real ghosts appearing and disappearing in front of them, was enough material for them to go viral on the internet. But you and the Winchesters couldn't let that happen.

"So, guys, what do you think?" Ed asked when the episode ended. "Are you alright?"

Dean sighed, pinching the bridge of his nose.

"You know, I kind of think it was half-awesome." You answered.

"Half-awesome? That—that's full-on good, right?" Maggie asked with a smile.

"Yeah, um, I mean it's bizarre how you all are able to honor Corbett's memory while grossly exploiting the manner of his death. Well done." Sam said while Peter slipped a device into a backpack under the table. A device whose purpose was to wipe out every tape and hard drive they had in their headquarters.

"Yeah. It's a real tight rope you guys are walking there." Dean commented.

"Nah, that's reality, man." Ed stated as he saw you rise to your feet. "Yeah, Corbett gave his life searching for the truth, and it's our job over here to share it with the world."

"Right. Well, um, our experience, you know what you get when you show the world the truth?" You crossed your arms and raised your eyebrows. They shrugged.

"A straitjacket. Or a punch in the face. Sometimes both." Dean answered.

"Right." Sam nodded.

"Oh, come on, guys, don't be 'facer haters just because we happen to have gotten the footage of the century." Harry smirked as he pointed to the monitor.

"Oh yeah." Ed nodded.

"You got us there." Dean smiled, playing along.

"Yeah."

"Yeah, well we'll see you guys around." You smiled before leaving the ghostfacers headquarters with Peter and the Winchester brothers walking after you.

"Did you do it?" Dean asked Peter once you reached the car.

"Oh yeah, those idiots would never see it coming." He smiled.

"That's my boy." Dean smirked.

Peter rolled his eyes while Sam and you shared an amused look at Dean's response. A small smile tugged at your lips seeing how they were warming up to each other.

"Electromagnet wiped out every tape and hard drive that they have."

"The world just isn't ready for the Ghostfacers." You chuckled.

"It's too bad. I kinda liked the show." Peter admitted as he got inside the car.

"It had its moments." Sam shrugged while Dean started the car.

Keep Reading: Chapter Thirteen

Tag List: @deans-spinster-witch @lmhf1 @mochminnie @helo1281917 @barnes70stark @slyregg

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[1000dactyls]

I wanna know if you have any thoughts on Valka and Sroicks parenting and how that affects hiccup? Because I'm loving so much of your content rn, especially your drawings!! But when I see stuff like Tgirl Hiccup while I think they would be supportive, I don't think they would be ... the best because their not really the best. Like ofc they tried even Val when she came back, but it doesn't and won't ever make up for everything else it's so complicated, and nuisanced would love to hear your thoughts!!

Im going to break this post into addressing stoick and valka separately because valka is such a non-entity in hiccup and stoick’s familial life. valka’s section will be underneath the ‘read more’

But I definitely agree! Unfortunately for Hiccup (and also not to project ijbol), it’s so hard because stoick’s best isn’t enough. Oh, stoick tries! He tries so hard — between the movies and the shows, he so clearly cares for his son. But he can never be just Hiccup’s dad; Stoick is the Chief of Berk before he’s Hiccup’s father, and both he and Hiccup know that. Hiccup grows up self sufficient and is used to a lonely home. The kind of free reign that he gets (and the resulting knee-jerk reaction he has to any kind of responsibility after 15 years of said free reign) doesn’t make for great conditions to cultivate a healthy, loving, traditional parental relationship

Still — i think stoick is more supportive than we give him credit for, at least going off the RoB/DoB characterizations. (Again, I haven’t finished watching RTTE, so Im not gonna speak for anything there.) When Hiccup makes moves for more freedom and responsibility, even as early as s01e01 “How to Start a Dragon Academy”, Stoick works with Hiccup to grant him that freedom. He makes attempts to connect to his son, albeit misguided and inevitably circling back to his own interests/role as the chief of Berk and not just Hiccup’s dad. For example, s01e07 “How to Pick your Dragon” shows Stoick ending up listening to Hiccup about getting a dragon, even though he mostly gets a dragon because it further suits his interests as a chief, which he realizes on the flight Toothless and Hiccup take him on. Which also leads to the core conflict of the episode! Because Stoick’s attempts to understand Hiccup are ultimately rooted in his own narrow perception of the world, that there is a Right way and Wrong way to do things, and Hiccup’s way is most definitely not the right way.

But Stoick listens. Over time, he picks up the signs when his child is frustrated and genuinely asks how he can help (s02e15 “A Tale of Two Dragons” 3 options talk). And after the events of the first movie, Stoick makes more attempts to involve Hiccup in his going-ons, such as the portrait of the chief’s family or contacting Johann to find a beloved childhood plushie. So i think stoick tries, and his best isn’t enough, so thank god hiccup isn’t dependent on only stoick and the both of them know this. And just because the both of them know this doesn’t mean that stoick doesn’t try to improve their relationship at all. In the end, he’s just really set in his own ways and his own traditions.

So in a world where Hiccup is trans, I do think Stoick is supportive no matter what direction Hiccup ends up going. Is he confused? Yes, always, because there isn’t a very established tradition even if Berk does have a history of trans folk. I think stoick has to try really really hard, and he messes up a lot in the beginning. Like, you know when your parents are trans affirming in a really weird and even insulting way? That happens a lot for Hiccup and Stoick. But they work together and Stoick works to try and get on Hiccup’s level, whether that means sending terror-mail to Johann to inquire about trans literature or gender-affirming clothes or dialing Gothi to move Hiccup’s t/e prescription to the front of the line.

……..argh, Valka.

Of course Valka tried when she came back, but the conscious decision to stay away for twenty years and miss some of the most important milestones in your child’s life says a lot, and I think Hiccup also knows that. Especially because of how similar they are, even though Valka would immediately accept and adore and absolutely love Hiccup and all his Hiccup-ness right off the bat… I think he’s aware of how different and better his life could’ve been with Valka’s understanding presence. In the end, one parent stayed and tried their best. And one didn’t really try at all, not until they reconnected again.

And like! I dont think Valka and Hiccup would ever be as close as Stoick and Hiccup were. Like it is one thing to idolize your parent in absentia and build up this idealistic wholesome perfect image of who they are, getting your characterization from their partner who never got over them even after 20 years. And it is another thing to meet that parent and realize… wow! They also don’t measure up to what I needed them to be as a child.

And so for all of Valka’s understanding, for all of the easiness it is for Valka to understand Hiccup, especially in a world where Hiccup is trans — it’s not Valka who had to deal with the bureaucracy of Hiccup’s gender change, nor aided in the social transition for people Hiccup has spent his entire life with. It’s not Valka who asked uncertain, blunt and somewhat invasive questions about Hiccup’s new identity, or found weird and strange ways to support it. It’s not Valka who would’ve gotten an entirely new wardrobe commissioned or talked to Gothi about medical transition.

Like, I think Valka tries, and it’s easy for her to understand the idea and support Hiccup. But i dont think she’d ever be Hiccup’s first choice when it comes to questions about who s/he is, not when there are people who stayed and tried much harder than her, and know far more about Hiccup than she ever did and maybe will.

[lazaruswitch]

Thinking about that take that's basically "if Jason gives up on killing it should have nothing to do with batman and co, and do little to improve their relationship because Bruce doesn't understand that other reason why Jason stopped"

(Fully agree with and love this for the record)

I always figured that if I ever decide to have Lily and Bruce meet in The Lily Pot au, it will not go well and absolutely not end in reconciliation

But I realized furthermore that Lily would definitely have killed many people some time during their post resurrection youth, and then decided to stop (excluding certain extreme cases that mostly don't involve humans anyway) and been satisfied not killing for several years before the theoretical reunion with Bruce even happens

But she also wouldn't regret what she had done, not in a way Bruce could accept, because ultimately her reasons for killing and for not killing have nothing to do with Bruce or his code and is entirely about herself and her beliefs and her growth, and Bruce in turn isn't able to really understand where she's coming from

It would be a source of strife between them (presuming Lily didn't pack her bags and go off the grid the second the bats got distracted)

Bruce wouldn't be able to understand or accept Lily or her thinking and beliefs,

and Lily would not in the slightest care about compromise or sympathy or reconciliation or being in his good graces (in fact her entire aim was to live long and well without ever having anything to do with bat and co or having them know she existed)

So she's antagonistic and angry and high-key a megabitch but in like very normal humany ways that don't entail any killing or criminal activity

Like oh this lady doesn't get along with her estranged father and says really mean things to him. Genuinely no one around (as in civilian neighbors etc) cares about it, to them it's another bitter parent-child relationship and thus unremarkable

Whenever Bruce gets all bat broody about Lily, others get confused because "you're mad that she's... Not killing anymore??"

So to outsiders this situation and the animosity just doesn't make sense because it's Batman having personal familial beef with a random lady who is as good as a civilian to them

And to Bruce it's like "you wouldn't get it it's more complicated than that it's personal with lots of layers and nuance stay out of it" but to everyone else they're just confused why it's a bad thing a teenage assassin reformed and settled down peacefully and hasn't killed in years. Like who cares the specific how's and why's so long as nothing insidious is going on

Lily quite frankly is mostly deeply normal compared to the bats or other capes, it's like she's just a mom in a small city who very very occasionally will help with certain missions if absolutely necessary and more often than not it's only of the intel kind

[alicentflorent]

why did they retcon Aemond being Alicent's favourite? it was Aemond that she was closest to in season one not Helaena

I couldn’t tell you. I was going to make a post analysing their relationship a few weeks back because it was a very interesting dynamic before they decided to act like they never even had the bond that was shown in season one.

I’m not sure if she favoured Aemond over Helaena but Aemond was definitely the child she seemed closest to. I think she was more maternal towards helaena, Alicent saw helaena as her innocent, sensitive child and she was always trying to connect with her, taking an interest in her interests but they struggled to connect specifically because helaena was touch avergent and recoiled from attempts at physical affection. As for her relationship with Aemond it was probably the strongest but Aemond was also pretty adultifed because Alicent used to lean on him for emotional support and Aemond tried to be the perfect dutiful son that Aegon wasn’t. I think the fact that viserys left her to raise the kids alone, shows no concern for them and her fears for her family and Ottos absence made her push her sons into that role, aegon finds it too much pressure and just wants to be a teenager but Aemond steps up. Alicent had her own complicated bond with Otto that could definitely explain how she parents her sons.

The driftmark scene where she is ready to kill and die for him and he’s trying to comfort her, reassure and protect her from viserys’ anger was heartbreaking. I hate that they just had them not speaking at the start of season one, a week earlier he was still shown to be the dutiful favoured son and I get that lucerys’ death and the start of the war affected that relationship but we never saw the initial reaction. She’s giving him the silent treatment, he resents her for being weak etc the breakdown of their relationship would have made sense if they dedicated time for it. Parentified kids resent their parents, Parents can resent what their kids become, the relationship is complex but it was not explored. Everything was reduced to “Alicent is a terrible mother who hates her sons and Aemond is school shooter type who will set his brother on fire and essentially tell his mother to get back to the kitchen” the breakdown of Alicent and Aemonds relationship ultimately comes down to the assassination of both of their characters and the fact that the show does not want the targtowers to have a complex but loving relationship

[barisi-prompts]

Angsty Omegaverse/M-Preg fic

Rafael's life takes a sudden and unexpected turn when he finds out he is pregnant with Sonny's child during the transition from season 18 to season 19. Initially, Rafael grapples with a whirlwind of emotions, feeling uncertain about the pregnancy. At his age, along with the complexities of his relationship with his own father, he wrestles with the idea of bringing a child into the world. However, Sonny, filled with excitement and determination, is able to reassure Rafael, emphasizing the joy and love that a child could bring into their lives. After many heartfelt conversations, Rafael ultimately decides to embrace the pregnancy, seeing a glimmer of hope and potential for their future together.

As the months progress, they prepare eagerly for the arrival of their child, with Rafael nesting and anticipating the joy of becoming a parent. However, their plans take a dramatic turn when Rafael goes into labour two months early due to unforeseen complications. The unexpected rush to the hospital is marked by anxiety and fear, as they brace themselves for the challenges ahead. Rafael gives birth to a fragile but beautiful baby boy, whom they name Mateo.

Tragically, just one or two days after Mateo's birth, Rafael passes away, leaving Sonny devastated and heartbroken. The sudden loss sends shockwaves through his life, turning what should have been a joyous occasion into a profound tragedy. Now, Sonny is faced with the overwhelming reality of raising their son alone, grappling with his grief and the guilt that lingers after losing Rafael.

As he navigates this dark moment, Sonny battles feelings of isolation, further intensified by his decision to distance himself from family and friends who want to lend their support. While they want to comfort him in his time of need, he struggles with the weight of his sorrow and the challenge of new parenthood. Trying to adapt to life without Rafael, Sonny endeavors to honor the memory of his partner while providing for Mateo, striving to create a life filled with love for their son amidst the clouds of his personal grief.

Love when we get detailed prompts! This one is open to anyone that wants to take it!

I think I tagged everything right for this, but I’m not super familiar with ‘omegaverse’ content so if I need to add anything or put in other trigger warnings please let me know!

[soraya-snape]

Why do people keep saying Snape should be over Lily by now?

I really don't get it. Especially when I think about myself. I lost two of my grandparents when I was 8/10 and even though I'm already in my 20s I'm still not over this loss and I don't think I will ever. Their deaths also does impact my life in some ways like (trying not to get too personal, but) it has negatively impacted my relationship with death, I can't talk about them because I don't know how to handle this grieve... There are nights when I just start crying because I miss them so much, even now writing this already makes me tear up.

Some people might now say “This is different, they were your family, and you were only a child.” but even though I would agree to some extent it's probably not in the way they mean it.

Let me explain with one of my two examples: My grandpa (who died when I was 10) and I were pretty close. From what I remember and have been told he was wonderful with us kids or like my mother once put it: when we were at my “other grandfathers” house we still usually hung around our parents but when we were at my grandpas house we literally forgot that our parents existed. Even though I don't have many memories of him left, I simply remember feeling happy when he was around.

But still, I think this relationship was less important to me than Sev's relationship to Lily was to him. You have to remember that he came from an abusive and neglectful home and probably didn't have any (real) friends before meeting Lily and also later in life. I on the other hand had a pretty loving family, and even the not so good relationships (like with my other grandfather) were still better than Sev's relationship with his father and probably mother too.

So of course it's different.

On the one side you have me, whose relationship with her grandfather is one of many loving ones (yes, it might be the strongest, but that doesn't really change anything).

On the other side you have this boy who has never really received/felt love before, and now he meets this girl, and she makes him feel love(d). I'm not going to argue about what kind of love either of them felt for the other, but I'm pretty sure Sev never gave or got more love to/from anyone ever.

And while loosing my grandparents at such a young age was definitely bad, I could imagine that losing them later in life would be just as bad, maybe even worse. Because having more time with them would obviously be amazing, but at the same time could also make loosing them even worse. So the age difference between me and Sev really doesn't make that much of a difference also considering Snily had a similar amount of time together before their “breakup”.

And this leads me to another difference between Sev and me. Two, actually.

First his friendship with Lilx ended and really not on good terms. Even though I think both are partly at fault here it was Sev calling her a mudblood that ultimately ended it. And he tried to apologize, but Lily didn't accept it. And no matter how you feel about her decision, I think if she had accepted, even if they still hadn't become (good) friends again, it would have made it easier for Sev. I think it would give him some peace of mind and the feeling of her still loving him to some extent.

While the last year of my grandpa's life was let's say complicated, and I didn't meet him as often as usual (a bit similar to Snily) I wouldn't say our relationship was strained especially when you compare it to Snily (I don't want to go into more detail and I also don't remember much of this time).

And the other difference is that Sev is at least partly at fault for Lily's death. Which obviously makes it harder for him to move on, even more so after they ended on a bad note.

I wasn't at fault for my grandpas death and also couldn't have saved him (funny thing is now I have knowledge that maybe could). Yes, the complicated situation of his last year might make his loss a bit harder, but not much.

To conclude, I totally do not understand why people don't understand why Sev can't get over Lily (and her death). Not only was she the only light in his life, the only thing that was ever good about his life, but it was also his fault that first he lost her and later she died.

[land0nzlander]

｡: 🎀 𝒯𝒽𝑒 𝒮𝒾𝓂𝓈 𝟦 𝐿𝑒𝑔𝒶𝒸𝓎 𝒞𝒽𝒶𝓁𝓁𝑒𝓃𝑔𝑒: 𝑀𝓊𝓈𝒾𝒸𝒶𝓁𝓈 🎀 :｡

This is my first time creating an official legacy! I hope people will use it <3

This will be a 14 generation musical legacy! Every 2 generations will be two characters from the same musical! The Protagonist and the Antagonist. If the musical does not have an antagonist from what I saw then I will just put 2 protagonists yk? 

Let's get started!

𝓗𝓪𝓶𝓲𝓵𝓽𝓸𝓷

"𝓐𝓵𝓮𝔁𝓪𝓷𝓭𝓮𝓻 𝓗𝓪𝓶𝓲𝓵𝓽𝓸𝓷, 𝓶𝔂 𝓷𝓪𝓶𝓮 𝓲𝓼 𝓐𝓵𝓮𝔁𝓪𝓷𝓭𝓮𝓻 𝓗𝓪𝓶𝓲𝓵𝓽𝓸𝓷, 𝓪𝓷𝓭 𝓽𝓱𝓮𝓻𝓮'𝓼 𝓪 𝓶𝓲𝓵𝓵𝓲𝓸𝓷 𝓽𝓱𝓲𝓷𝓰𝓼 𝓘 𝓱𝓪𝓿𝓮𝓷'𝓽 𝓭𝓸𝓷𝓮, 𝓫𝓾𝓽 𝓳𝓾𝓼𝓽 𝔂𝓸𝓾 𝔀𝓪𝓲𝓽, 𝓳𝓾𝓼𝓽 𝔂𝓸𝓾 𝔀𝓪𝓲𝓽"

Alexander Hamilton, a prominent historical figure, has been immortalized in a popular musical. His life story is one of great significance, and his contributions to American history are undeniable. Born on January 11, 1757, 

Hamilton's life was full of twists and turns that ultimately led him to become one of the most influential figures of his time.

At a winter's ball, Hamilton met Elizabeth Schuyler, and the two fell in love. They went on to have a child named Philip Hamilton, who would go on to become a prominent figure in his own right. (In this case its Maria Reynolds for generation 2)

Be a male

Traits: Genius, Overachiever, Music Lover. Aspiration: Knowledge

Must have at least 5 children (up to 8 children)

Writer Career

By the time there is 3 children you must have 2 stories in your house

𝓜𝓪𝓻𝓲𝓪 𝓡𝓮𝔂𝓷𝓸𝓵𝓭𝓼

"𝓘 𝓴𝓷𝓸𝔀 𝔂𝓸𝓾 𝓪𝓻𝓮 𝓪 𝓶𝓪𝓷 𝓸𝓯 𝓱𝓸𝓷𝓸𝓻, 𝓘'𝓶 𝓼𝓸 𝓼𝓸𝓻𝓻𝔂 𝓽𝓸 𝓫𝓸𝓽𝓱𝓮𝓻 𝔂𝓸𝓾 𝓪𝓽 𝓱𝓲𝓶, 𝓫𝓾𝓽 𝓘 𝓭𝓸𝓷’𝓽 𝓴𝓷𝓸𝔀 𝔀𝓱𝓮𝓻𝓮 𝓽𝓸 𝓰𝓸, 𝓪𝓷𝓭 𝓘 𝓬𝓪𝓶𝓮 𝓱𝓮𝓻𝓮 𝓪𝓵𝓵 𝓪𝓵𝓸𝓷𝓮"

Maria Reynolds and Alexander Hamilton found themselves entangled in a passionate affair during Elizabeth Schuyler's absence, as she embarked on a journey with her sister Angelina Schuyler. In the infamous song "Say No to This," it is revealed that Maria was already married to another man. This complicated situation forced Hamilton to make a payment to ensure the affair remained concealed from the prying eyes of society.

Be a female

Have at least 2 kids

Cheat on your husband 5-10 times

Traits: Romantic, Non-committal, Music Lover

Aspiration: Love

Job: Style Influencer or None

As a teen have a bad relationship with your parents up to death

🎀  𝑅❤️𝓍𝒾𝑒 𝐻❤️𝓇𝓉  🎀

 ❝𝒜𝓃𝒹 𝒾𝒻 𝓎❣️𝓊 𝓀𝓃𝑒𝓌 𝒽𝒾𝓂 𝓁𝒾𝓀𝑒 𝓂𝑒, 𝐼 𝓀𝓃❤️𝓌 𝓎💋𝓊'𝒹 𝒶𝑔𝓇𝑒𝑒, 𝓌𝒽𝒶𝓉 𝒾𝒻 𝓉𝒽𝑒 𝓌💫𝓇𝓁𝒹 𝓈𝓁𝒶𝓃𝒹𝑒𝓇𝑒𝒹 𝓂𝓎 𝓃𝒶𝓂𝑒? 𝒲𝒽𝓎, 𝒽𝑒'𝒹 𝒷𝑒 𝓇𝒾𝑔𝒽𝓉 𝓉𝒽𝑒𝓇𝑒 𝓉𝒶𝓀𝒾𝓃𝑔 𝓉𝒽𝑒 𝒷𝓁𝒶𝓂𝑒❞  

Immersed in the vibrant atmosphere of the 1920s, the musical Chicago weaves a tale of passion and crime. At its heart is Roxie Hart, a woman who shot the man she had an affair with even though being married. In a moment of blind rage, she pulls the trigger, forever altering the course of her life. As she enters the Cook County Jail, Roxie is confronted with a group of women who share a similar fate - they too have taken the lives of their significant others. However, amidst this dark sisterhood, there is one girl who stands out. She possesses an air of innocence and speaks the captivating language of Hungarian, setting her apart from the rest of the inmates.

Female

Must have 1 child that's adopted 

Traits: Music Lover, Ambitious, Self-absorbed 

Aspiration: World Famous Celebrity 

Job: Actor

When younger, play violin

Cheat on your husband once, then if you have the mod, murder him

🎀  𝒱🔪𝓁𝓂𝒶 𝒦🩸𝓁𝓁𝓎  🎀 

🎀  ❝𝒞🔪𝓂𝑒 🩸𝓃 𝒷𝒶𝒷𝑒, 𝓌𝒽𝓎 𝒹🔪𝓃'𝓉 𝓌𝑒 𝓅𝒶𝒾𝓃𝓉 𝓉𝒽𝑒 𝓉🩸𝓌𝓃? 𝒜𝓃𝒹 𝒶𝓁𝓁 𝓉𝒽𝒶𝓉 𝒿𝒶𝓏𝓏❞  🎀

Velma Kelly, a captivating character from the renowned musical Chicago, finds herself behind bars in the infamous Cook County Jail. As the plot unfolds, she mesmerizes the audience with her powerful rendition of the Cell Block Tango, a song that reveals the dark secrets of the incarcerated women. Set in the vibrant 1920s, Velma also graces the stage with her enchanting performance of the song Overture/And All That Jazz. However, it is during the Cell Block Tango that the shocking truth is unveiled - Velma confesses to the gruesome murders of her own sister and her unfaithful husband, a crime committed in a fit of rage upon discovering their illicit affair while she was out fetching ice.

Must be a Female

Brown Hair

Must be a Actor

Traits: Romantic, Music Lover, Ambitious 

Aspiration: World Famous Celebrity 

Have 2 children 1 being the next heir

【Ｃａｄｙ　Ｈｅｒｏｎ】

【"Ｉ＇ｍ　ｓｉｘｔｅｅｎ　ｌｉｖｉｎｇ　ｉｎ　ｐａｒａｄｉｓｅ，　ｗｉｔｈ　ｔｈｅ　ｌｉｏｎｓ　ａｎｄ　ｂｉｒｄｓ　ａｎｄ　ｓｔｕｆｆ，　ｂｕｔ　Ｉ＇ｍ　ｓｉｘｔｅｅｎ　ａｎｄ　ｉｔ＇ｓ　ｎｏｔ　ｅｎｏｕｇｈ"】

Meet Cady Heron, the leading character in the 2004 film "Mean Girls" and its subsequent musical adaptation. Cady's story revolves around her life as a student at North Shore High School, where she finds herself in a completely new environment after spending her formative years in Africa. This cultural transition adds an intriguing layer to her character, as she brings a unique perspective to the high school hierarchy.

Female

When shes a teen, have a bad relationship with the popular girl

Be a conversationist

Traits: Animal Enthusiast, Cheerful, Music Lover

Aspiration: Animal

Have less than 4 children

【Ｒｅｇｉｎａ　Ｇｅｏｒｇｅ】

【"Ｉ　ｗａｎｎａ　ｗａｔｃｈ　ｔｈｅ　ｗｏｒｌｄ　ｂｕｒｎ,                                           Ｉ　ｇｏｔ　ｔｈｅ ｇａｓｏｌｉｎｅ   Ｉ　ｗａｎｎａ　ｗａｔｃｈ　ｔｈｅ　ｗｏｒｌｄ　ｂｕｒｎ    Ａｎｄ　ｅｖｅｒｙｏｎｅ　ｇｅｔ　ｍｅａｎ"】

Meet Regina George, the ultimate villainess in the iconic 2004 movie Mean Girls and its equally captivating musical adaptation. This character is the epitome of everything you love to hate, with her perfectly styled hair, flawless fashion sense, and a manipulative personality that keeps you on the edge of your seat. Regina's cunning ways and relentless pursuit of power make her the ultimate antagonist, leaving you both fascinated and repulsed by her every move.

Female

When shes a teen, have a bad relationship with the new kid

Be a fashion influencer

Traits: Mean, Non-Committal, Music Lover

Aspiration: Fortune

Have less than 2 children

♥ Noel Gruber ♥

♥ “For I sing songs until the break of dawn, I embrace a new man every night. My life's one never ending carnival, a whirl of boozy floozy flashing lights! I want to be that fucked up girl” ♥

Meet Noel Gruber, a captivating character who takes center stage in the mesmerizing musical Ride the Cyclone. Among the six main characters, Noel stands out as the embodiment of romance, earning him the title of "the most romantic boy in town." But there's more to Noel than meets the eye, as he weaves a vivid fantasy of himself as a hooker in post-war France, adding an intriguing layer to his already enchanting persona.

Must have a gay relationship (MLM)

Male

Be a Writer

Traits: Music Lover, Romantic, Loyal

Aspiration: Creativity

Have 1 adopted child

Write a story every week 

♥ Karnak ♥ 

♥ “On Monday, September 14th, they would board the Cyclone roller coaster at 6:17 pm. At 6:19 pm, this same roller coaster's front axle would break, causing it to derail at the apex of the loop-de-loop, hurtling the children to their deaths!” ♥

Meet the extraordinary Karnak, a captivating figure within the world of Ride the Cyclone. Known by the name of The Amazing Karnak or simply Karnak, this enigmatic character possesses an uncanny ability to foresee the cause, time, and location of an individual's demise. Imagine a machine specifically created to unravel the mysteries of mortality, offering glimpses into the future that both intrigue and unsettle those who encounter it.

Male

No S/O

Traits: Unflirty, Music Lover, Nosy

Aspiration: Knowledge

Have 1 adopted child

Be a Criminal

𝕍𝕖𝕣𝕠𝕟𝕚𝕔𝕒 𝕊𝕒𝕨𝕪𝕖𝕣

"𝕊𝕖𝕡𝕥𝕖𝕞𝕓𝕖𝕣 𝟙𝕤𝕥, 𝟙𝟡𝟠𝟡 𝔻𝕖𝕒𝕣 𝔻𝕚𝕒𝕣𝕪: 𝕀 𝕓𝕖𝕝𝕚𝕖𝕧𝕖 𝕀'𝕞 𝕒 𝕘𝕠𝕠𝕕 𝕡𝕖𝕣𝕤𝕠𝕟. 𝕐𝕠𝕦 𝕜𝕟𝕠𝕨, 𝕀 𝕥𝕙𝕚𝕟𝕜 𝕥𝕙𝕒𝕥 𝕥𝕙𝕖𝕣𝕖'𝕤 𝕘𝕠𝕠𝕕 𝕚𝕟 𝕖𝕧𝕖𝕣𝕪𝕠𝕟𝕖, 𝕓𝕦𝕥—𝕙𝕖𝕣𝕖 𝕨𝕖 𝕒𝕣𝕖! 𝔽𝕚𝕣𝕤𝕥 𝕕𝕒𝕪 𝕠𝕗 𝕤𝕖𝕟𝕚𝕠𝕣 𝕪𝕖𝕒𝕣! 𝔸𝕟𝕕 𝕦𝕙... 𝕀 𝕝𝕠𝕠𝕜 𝕒𝕣𝕠𝕦𝕟𝕕 𝕒𝕥 𝕥𝕙𝕖𝕤𝕖 𝕜𝕚𝕕𝕤 𝕥𝕙𝕒𝕥 𝕀'𝕧𝕖 𝕜𝕟𝕠𝕨𝕟 𝕒𝕝𝕝 𝕞𝕪 𝕝𝕚𝕗𝕖, 𝕒𝕟𝕕 𝕀 𝕒𝕤𝕜 𝕞𝕪𝕤𝕖𝕝𝕗—𝕨𝕙𝕒𝕥 𝕙𝕒𝕡𝕡𝕖𝕟𝕖𝕕?"

Veronica Sawyer is the main protagonist of the 1989 musical "Heathers". She is part of the most popular clique in the Westerburg High school, the Heathers, and was tricked into killing the popular kids by the mysterious Jason Dean.

Female

Must fall in love with a sim with the mean trait

Traits: Socially Awkward, Music Lover, Good

Aspiration: Knowledge

Have 2 children at teenage years before dying (use MC commands)

𝕁.𝔻.

"𝕐𝕠𝕦 𝕨𝕖𝕣𝕖 𝕞𝕖𝕒𝕟𝕥 𝕥𝕠 𝕓𝕖 𝕞𝕚𝕟𝕖 𝕀 𝕒𝕞 𝕒𝕝𝕝 𝕥𝕙𝕒𝕥 𝕪𝕠𝕦 𝕟𝕖𝕖𝕕 𝕐𝕠𝕦 𝕔𝕒𝕣𝕧𝕖𝕕 𝕠𝕡𝕖𝕟 𝕞𝕪 𝕙𝕖𝕒𝕣𝕥 ℂ𝕒𝕟'𝕥 𝕛𝕦𝕤𝕥 𝕝𝕖𝕒𝕧𝕖 𝕞𝕖 𝕥𝕠 𝕓𝕝𝕖𝕖𝕕 𝕍𝕖𝕣𝕠𝕟𝕚𝕔𝕒, 𝕠𝕡𝕖𝕟 𝕥𝕙𝕖— 𝕠𝕡𝕖𝕟 𝕥𝕙𝕖 𝕕𝕠𝕠𝕣, 𝕡𝕝𝕖𝕒𝕤𝕖 𝕍𝕖𝕣𝕠𝕟𝕚𝕔𝕒, 𝕠𝕡𝕖𝕟 𝕥𝕙𝕖 𝕕𝕠𝕠𝕣 𝕍𝕖𝕣𝕠𝕟𝕚𝕔𝕒, 𝕔𝕒𝕟 𝕨𝕖 𝕟𝕠𝕥 𝕗𝕚𝕘𝕙𝕥 𝕒𝕟𝕪𝕞𝕠𝕣𝕖, 𝕡𝕝𝕖𝕒𝕤𝕖? ℂ𝕒𝕟 𝕨𝕖 𝕟𝕠𝕥 𝕗𝕚𝕘𝕙𝕥 𝕒𝕟𝕪𝕞𝕠𝕣𝕖? 𝕍𝕖𝕣𝕠𝕟𝕚𝕔𝕒, 𝕤𝕦𝕣𝕖, 𝕪𝕠𝕦'𝕣𝕖 𝕤𝕔𝕒𝕣𝕖𝕕, 𝕀'𝕧𝕖 𝕓𝕖𝕖𝕟 𝕥𝕙𝕖𝕣𝕖 𝕀 𝕔𝕒𝕟 𝕤𝕖𝕥 𝕪𝕠𝕦 𝕗𝕣𝕖𝕖 𝕍𝕖𝕣𝕠𝕟𝕚𝕔𝕒, 𝕕𝕠𝕟'𝕥 𝕞𝕒𝕜𝕖 𝕞𝕖 𝕔𝕠𝕞𝕖 𝕚𝕟 𝕥𝕙𝕖𝕣𝕖 𝕀'𝕞 𝕘𝕠𝕟𝕟𝕒 𝕔𝕠𝕦𝕟𝕥 𝕥𝕠 𝕥𝕙𝕣𝕖𝕖"

Jason Dean, best known as J.D. is the main antagonist of the 1988 film, Heathers and is portrayed by Christian Slater. He falls in love with Veronica Sawyer, kills three students who hurt Veronica and finally attempts to kill Veronica and blow up the school before ultimately killing himself.

Male

Must fall in love with a popular girl and date

Traits: Jealous, Music Lover, Self-Assured 

Aspiration: Deviance

Have 1 child during teenage years before dying (use MC commands)

🅻🆈🅳🅸🅰 🅳🅴🅴🆃🆉

“🅷🅴🆈 🅼🅾🅼, 🅳🅴🅰🅳 🅼🅾🅼 🅸 🅽🅴🅴🅳 🅰 🅻🅸🆃🆃🅻🅴 🅷🅴🅻🅿 🅷🅴🆁🅴 🅸'🅼 🅿🆁🅾🅱'🅻🆈 🆃🅰🅻🅺🅸🅽🅶 🆃🅾 🅼🆈🆂🅴🅻🅵 🅷🅴🆁🅴 🅱🆄🆃 🅳🅴🅰🅳 🅼🅾🅼, 🅸 🅶🅾🆃🆃🅰 🅰🆂🅺 🅰🆁🅴 🆈🅾🆄 🆁🅴🅰🅻🅻🆈 🅸🅽 🆃🅷🅴 🅶🆁🅾🆄🅽🅳? 🅲🅰🆄🆂🅴 🅸 🅵🅴🅴🅻 🆈🅾🆄 🅰🅻🅻 🅰🆁🅾🆄🅽🅳 🅼🅴 🅰🆁🅴 🆈🅾🆄 🅷🅴🆁🅴, 🅳🅴🅰🅳 🅼🅾🅼? 🅳🅴🅰🅳 🅼🅾🅼”

Lydia Deetz is from New York City and moved with her family to Winter River, Connecticut. She herself defined herself as strange and unusual, and quickly sighted the Maitlands in the attic window on moving day. When the Maitlands tried to scare Delia and then were leaving her room, Lydia photographed them in the hall, then realizing they were the ghosts, and formally introduced themselves.

Be a female

Have a goth style once growing to child

Be a writer

Traits: Family Orientated, Paranoid, Music Lover

Aspiration: Knowledge

Have 2 children, one male and one female.

Have a boyfriend and dead husband

🅱🅴🅴🆃🅻🅴🅹🆄🅸🅲🅴

"🅷🅾🅻🅳 🆄🅿, 🅷🅾🅻🅳 🆄🅿, 🅶🅸🆁🅻, 🅸'🅼 🆈🅾🆄🆁 🅿🅰🅻

🆃🅷🅴🆈'🆁🅴 🆂🆆🅴🅴🆃, 🅱🆄🆃 🅸'🅼 🅰 🅳🅴🅼🅾🅽 🆂🆃🆁🅰🅸🅶🅷🆃 🅵🆁🅾🅼 🅷🅴🅻🅻

🅸 🅺🅽🅾🆆, 🅸 🆆🅴🅽🆃 🅰 🅻🅸🆃🆃🅻🅴 🅷🅰🆁🅳 🅾🅽 🅼🆈 🆂🅴🅻🅻

🅱🆄🆃 🆆🅴'🆁🅴 🅱🅵-🅵-🅵-🅵'🆂 🅵🅾🆁🅴🆅🅴🆁"

Over the next 36 years, Betelgeuse continued his business as a bio-exorcist. Eventually he was allowed to return to Netherworld and became the manager of the Afterlife Call Center, using it as his own successful Bio-Exorcism business with dependents such as some skeleton women and multiple Shrinkers. One of the Shrinkers, Bob, would become his best friend and the most loyal person to him.

Be a male

Wear some type of stripes throughout your whole life

Have 1 child before you die at Adult (attempt to get rabies)

Leech off of your parents

Traits: Romance, Music Lover, Slob

Aspiration: Deviance

Have an ex-wife (child is from the ex-wife who HAS to be a spellcaster)

E̶l̶p̶h̶a̶b̶a̶

"̶L̶e̶t̶'̶s̶ ̶j̶u̶s̶t̶ ̶s̶a̶y̶—̶I̶ ̶l̶o̶a̶t̶h̶e̶ ̶i̶t̶ ̶a̶l̶l̶!̶ ̶E̶v̶e̶r̶y̶ ̶l̶i̶t̶t̶l̶e̶ ̶t̶r̶a̶i̶t̶,̶ ̶h̶o̶w̶e̶v̶e̶r̶ ̶s̶m̶a̶l̶l̶ ̶m̶a̶k̶e̶s̶ ̶m̶y̶ ̶v̶e̶r̶y̶ ̶f̶l̶e̶s̶h̶ ̶b̶e̶g̶i̶n̶ ̶t̶o̶ ̶c̶r̶a̶w̶l̶ ̶w̶i̶t̶h̶ ̶s̶i̶m̶p̶l̶e̶,̶ ̶u̶t̶t̶e̶r̶ ̶l̶o̶a̶t̶h̶i̶n̶g̶!̶"̶

Elphaba Thropp is the protagonist in Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, in its musical theater adaptation Wicked, and in the musical's upcoming two-part film adaptation. 

Be a female

Wear some type of mix of green and black

Become a scientist

Traits: Bookworm, Music Lover, Hot-headed

Aspiration: Knowledge

Have an adopted child with no significant other

T̶h̶e̶ ̶W̶i̶z̶a̶r̶d̶

"̶I̶ ̶a̶m̶ ̶a̶ ̶s̶e̶n̶t̶i̶m̶e̶n̶t̶a̶l̶ ̶m̶a̶n̶ ̶W̶h̶o̶ ̶a̶l̶w̶a̶y̶s̶ ̶l̶o̶n̶g̶e̶d̶ ̶t̶o̶ ̶b̶e̶ ̶a̶ ̶f̶a̶t̶h̶e̶r̶ ̶T̶h̶a̶t̶'̶s̶ ̶w̶h̶y̶ ̶I̶ ̶d̶o̶ ̶t̶h̶e̶ ̶b̶e̶s̶t̶ ̶I̶ ̶c̶a̶n̶ T̶o̶ ̶t̶r̶e̶a̶t̶ ̶e̶a̶c̶h̶ ̶c̶i̶t̶i̶z̶e̶n̶ ̶o̶f̶ ̶O̶z̶ ̶a̶s̶ ̶s̶o̶n̶ ̶o̶r̶ ̶d̶a̶u̶g̶h̶t̶e̶r̶ ̶S̶o̶ ̶E̶l̶p̶h̶a̶b̶a̶,̶ ̶I̶'̶d̶ ̶l̶i̶k̶e̶ ̶t̶o̶ ̶r̶a̶i̶s̶e̶ ̶y̶o̶u̶ ̶h̶i̶g̶h̶ C̶a̶u̶s̶e̶ ̶I̶ ̶t̶h̶i̶n̶k̶ ̶e̶v̶e̶r̶y̶o̶n̶e̶ ̶d̶e̶s̶e̶r̶v̶e̶s̶ ̶t̶h̶e̶ ̶c̶h̶a̶n̶c̶e̶ ̶t̶o̶ ̶f̶l̶y̶ ̶A̶n̶d̶ ̶h̶e̶l̶p̶i̶n̶g̶ ̶y̶o̶u̶ ̶w̶i̶t̶h̶ ̶y̶o̶u̶r̶ ̶a̶s̶c̶e̶n̶t̶ ̶a̶l̶l̶o̶w̶s̶ ̶M̶e̶ ̶t̶o̶ ̶f̶e̶e̶l̶ ̶s̶o̶ ̶p̶a̶r̶e̶n̶t̶a̶l̶ ̶F̶o̶r̶ ̶I̶ ̶a̶m̶ ̶a̶ ̶s̶e̶n̶t̶i̶m̶e̶n̶t̶a̶l̶ ̶m̶a̶n̶"̶

The Wizard is the main antagonist in the Broadway musical, Wicked. He is a humbug ruler who uses deceit and trickery to hide his own mortal shortcomings.

Be a male

Be an Entertainer

Traits: Music Lover, Self-Absorbed, Genius

Aspiration: Knowledge

Build a wizard-like house and if you want, restart the gen with this sim!