#HOW R WE FEELING TARGET AUDIENCE!!! :O

[jiminrings]

fail-safe

pairing: yoongi x reader

wordcount: 8k

glimpse: growing up, your brother's best friend always berated you for not having a passion in life outside of loving him from afar. when yoongi leaves everything he's ever known for everything he's ever wanted, trying to move on from him becomes your biggest aspiration.

alternatively, yoongi left when you needed him the most, and comes back home at a time when you love him the least.

[ part one, intermission, part two, intermission 02, finale ]

[ a Lot of angst, eventual fluff, brother's best friend AND single dad au, So Much Yearning, unrequited love (initial), jealousy, self-deprecation, a lot of talk abt passion in an empty n hurtful way that most impassioned youngest children feel (it's a specific feeling idk!!!), eventual redemption in the next parts ]

notes: finally got to writing a new series!!! i'm beyond excited for this + this whole new concept and flow i haven't touched on before <3 i hope u love fail-safe as much as i do :-)

as always, lmk what you think <3 send in feedback n love to my askbox anytime!! | series masterlist

Yoongi buys atleast one scratch ticket a week.

The accessibility of buying one is top-notch considering that all he has to do is cross the street, shoot one look to the cashier, and he can either already go hunch in the corner of the road or in the comfort of his room. The moment his coin takes its first dig and he realizes that he’s won yet again, he’s satisfied enough not to buy another ticket.

He doesn’t want to risk losing the win he’s just gained, the odds of him throwing out money besting his chances in adding to his earnings. He thinks everyone’s a little greedy one way or another, but it’s the righteous part of him that thinks he’s different.

You do think that he is for all the right reasons, your vision only tunneling for him alone. He’s this fixed older figure in your life and you can’t figure out how to shrug him off — he’s this generous leech that sucks all of the rationality from your mind but returns it to you twofold, whether in the form of him saying something unintentionally endearing that it makes your chest hurt, or through him having to lightly smack the back of your head.

Yoongi’s your older brother’s best friend and there’s a novelty tag that comes with him, one that can’t be topped by any material possession to your name. He’s there for you, not in the exact way you want him to be, but nonetheless there. He’s special and unattainable at the same time, the finiteness of his love barely extending to you.

He’s there when you want him to burn the latest songs onto a CD you’ve spent all your allowance in, and he’s there when you get annoyed that he sneaked some of his own recommendations in there. You’re there when you later admit that his suggestions aren’t half-bad, and you also happen to be there when he grins at the praise.

He’s there when Namjoon won’t cough up the last slice of his cutlet, not because he’ll actually give you his, but because he’ll help your brother guard his plate. You’d only have to mope for a solid of three seconds before the two of them give up both of their last slices, and you’re there when Yoongi insists for you to try the sauce in the spirit of going out of your routine.

You don’t need Yoongi every single time but in the event that you do, he hangs back. He contemplates and hesitates and doesn’t give in to every single whim that you have, but he’ll be there. He lingers like the last holiday ornament you don’t want to remove until it’s February, his presence being oddly similar to your favorite festivities.

Yoongi’s the equivalent of a holiday you look forward to with each passing month and day; he comes around to and for you in instances, but never even in your most sincere wishes.

“I buy one scratch ticket a week — three if I’m really feeling lucky. When my palms itch, that’s when I know that I really need to buy them.”

He’s calm and collected even when you’re scrunching your nose up at him in combined worry and disbelief, humming mindlessly as you collect your thoughts. He randomly told you about his lottery routine and you’re still trying to wrap your head around how he blows his money off just easily. Yoongi has the mind to put scrap cardboard under you because sitting on the hot concrete with your uniform on can’t possible be a good idea, but you try to play off your fluster into stubbornness.

He’s just playing with his two ever-present coins (lucky charms as he calls them)— one that’s shiny and minted in the present year, the other being the oldest coin he’s ever had that happens to be older than he is — while you mutter about.

“I don’t know, Yoongs. That might be a gambling problem,” you squint, your side comment being heard clearly as day. “Might be the symptoms for hand, foot, and mouth disease too.”

“What— I do not have a gambling problem! My skin’s perfectly fine too, thanks,” he defends, the light shove he gives you doing nothing to tone down your teasing.

“That’s what people with gambling problems say.”

“Give me that-…” he mutters, trying to wrestle you for the sundae he bought you using the money he won from his scratch ticket just awhile ago. You don’t give in easily, even if your laughs that come straight from your chest suggest otherwise. “You don’t get it. It’s just this nice, fun little thing I can look forward to every week. I always buy the cheapest version anyway so when I lose, it’s not a big deal.”

You relent (like you always do when it comes to Yoongi) in understanding, waving him off after regaining your breath. “Nah. I get it. We all have to do things so we wouldn’t lose our shit,” you trail, racking your head to find the right words.“Yours is buying scratch tickets, and mine is-…”

“Yours is what?” Yoongi raises an eyebrow, lips quirked in eagerness to know where you’re going with this. He can’t pinpoint a single thing he can attach to you and neither can you, your actual interests merely reflecting those of the people whom you love.

You love cross-stitching because your mom loves doing it, the tolerance you have for accidentally being pricked by the needle growing over time.

You enjoy playing badminton because Namjoon’s obsessed with the sport, no matter how ratty your rackets and shuttlecocks have become, and no matter how much he pushes you to ring the doorbell to your neighbor’s when he’s sent it flying to their backyard.

You’re probably an imposter yet you don’t feel like it. You don’t feel bad that your life most probably and will only revolve around your mom and Namjoon (maybe even Yoongi); you don’t feel dissatisfied that your life’s mundane. 

You go where your love goes.

“Mine is watching you buy scratch tickets,” you shrug easily as if it’s the most obvious thing in the world, making him laugh heartily. You’ve probably done something right because he hauls you up to your feet immediately.

“Get up. I’m buying you your first ticket,” he nudges you, grabbing you by the arm in excitement.

“But I’m not even legal!” you half-heartedly argue, internally excited that you’re finally getting to try your hand at the lottery because you’ve spent a few hundred minutes of your life tuned to the channel to pass the time, awaiting the results for something you haven’t even betted for.

“Right. Like I haven’t seen you trying to squeeze out a drop of beer from our empty cans whenever Namjoon and I drink.”

“Rude,” you roll your eyes playfully, gathering your things from the ground.

“It’s okay. I’ll give you your first sip of beer too if you want,” Yoongi offers sincerely; easily as if you’ve just asked him about the weather.

He’s here to buy you your first scratch ticket, and he’s still here to offer giving you your first sip of liquor in the future.

Your family friend for a cashier vehemently ignores the fact that you’re still underage to participate in the lottery, and instead only chuckles to herself in amusement. She’s an aunt that knows when to step in and not to, and she knows you won’t be harmed by a mere bet. In fact, she knows you won’t be harmed by anything with Yoongi in tow.

“I already used up all my change,” your frown in realization, holding the ticket in your hands in despair despite having scoured your wallet repeatedly.

“Rub it against the pavement. That’s what I do,” Yoongi lies fluidly, a scoff being caught in his throat when you actually attempt to do it.  “I was only kidding, Y/N. Jeez,” he groans, pulling out his wallet. “Ugh. Here. You can have one of my lucky coins.”

It’s the old one, tarnished beyond relief that you can barely recognize what it’s actual value is supposed to be.

“Ew. I’m giving it back. It looks prehistoric,” you narrow your eyes, knowing that you don’t even have to put your fingers nears your nose to know that it’s already left a faint stench on them.

Yoongi rolls his eyes, a habit he can’t tell he’s formed himself or got from you. “If you use your brain for one second, you’d realize that it’s actually worth more because it’s older. Collectors would go crazy for that in the future.”

“That sounds like a hoarding problem.”

He’s just had about enough of your whining so he attempts to trade in the old coin for his lucky new one, but you stop him at the last minute with a meek smile.

“Kidding. Thank you. I’ll keep it safe, Yoongi. I promise,” you rush out before he changes his mind, scratching your ticket in silence.

He waits for you because you’re scratching so politely and neatly, a stark opposite to his experienced skill of scratching the paint off in ten strokes or less.

Your face is too close to the ticket that Yoongi can’t tell what’s happening, making him part your hair like a curtain to peek.

“Did you win?”

“Nope.”

“Let me throw that out for you.”

“No!” you squeak, keeping the ticket close to your chest. It’s a bummer that your first time is a loss, but it didn’t mean that you wanted to forget the sentiment behind it. “I-I mean no, I’ll keep it. It’s memorable now that I think about it.”

“Alright,” he shrugs carelessly, a smile breaking out in retaliation. “Hoarder.”

“Gambler,” you spit, tucking the ticket into your pencil case. “Next week again?”

Yoongi agrees, wrapping his head around the fact that he doesn’t have to be alone in his little routine every Friday.

“Sure.”

( ♡ )

You don’t mind getting hand-me-downs.

As a matter of fact, you love receiving them. The wear and tear of the things that came before you is only proof that it’s been loved enough to be passed on to you.

You adore your mother’s dainty vintage watch that she wore throughout college, the hardware and sentiment behind it being pretty enough that you don’t mind constantly getting the battery replaced. You like Namjoon’s shirts that he’s outgrown, even through the numerous phases he’s had wherein only denim and tie-dye filled his closet.

You don’t mind the history behind the numerous things you have in your home, unbothered that you’re probably the only house in the block with the oldest possible rice cooker. The chips in the staircase aren’t covered up with marker ink and neither are the loose stitches in the couch quilt snipped off. It’s home to your mother and Namjoon — if it’s good enough for them, then it’s already the best for you.

Even on top of everything, you don’t mind your family almost always getting you shirts and shoes that have an allowance in them. Your mom would go to Seoul and pick out the exact pair of sneakers you wanted that are atleast three sizes bigger than your actual feet, and you’d barely bat an eye. 

You don’t mind the coziness of things that are brought to you, because even if they weren’t offered, you’d seek them yourself. 

So when Yoongi mentioned that he’s decluttering his room and needed someone (read: you) to vacuum it up for him, you jump at the chance. You take a grocery bag with you, wear the nearest pair of slippers within your vicinity, and book it to his house as soon as he finished talking.

“Go crazy, kid. Almost everything in that pile is garbage so you can take anything.”

“I feel like I should be more offended than how I feel right now,” you hum, furrowing your eyebrows at the pile in front of you. It’s a mound of Yoongi, or atleast everything he’s ever wanted up until he decided to do a general cleaning of his bedroom.

Yoongi chuckles, going through his pile of clean laundry for him to fold on the side while you scavenge for his things. “It’s either I have you take them or I get ripped off at the thrift store, then I see somebody’s uncle wearing my shirt as an added insult.”

You huff, rummaging through his heap of belongings while conveniently trying to ignore that you may look like somebody’s uncle the moment you wear his clothes. Everything is him; every distressed cap, every unfinished embroidered shirt, and every item of old significance with his initials branded on it.

The thick gray hoodie you’ve been eyeing (along with its owner) for the better part of the last few years surfaces into your field of vision, your gasp audible enough to make him jolt because he thought you’d gotten hurt.

“No way, this too? But this is your favorite,” you half-complain and half-rejoice, turning the hoodie inside-out eagerly in the fear that there’s a catch to it belonging in the pile.

“Eh. I know it looked good on me but I don’t think it’s my favorite. Besides, I’ve bulked up! Wanna feel?” Yoongi grins, his segue eerily similar to your brother’s at every given chance. A neighbor from down the block recently opened a small-time gym, and the both of them have not been able to shut their mouths about it since. From their gossiping alone, Yoongi and Namjoon have generated enough advertising already.

“You and Namjoon really have to stop asking random people to feel your biceps.”

There’s random knick-knacks throughout the clump in the middle of his bed, some being too good and actually useful that you snag them. Yoongi lets you do what you want anyways (most of the time), not having to turn his head to berate you on what you’re only allowed to grab from his stuff.

You’re not greedy — you already have his hoodie and that should be enough on its own. But there’s that handkerchief with his initials embroidered on it, then that Rubik’s cube he swore his relative got for him from New York, and even the little butterfly knife he got from a souvenir shop when his family when to the beach.

There were those and there is this, looking up at you in all of its glory.

“Yoongi.” 

“What now?” he sighs at your dramatic gasp, looking up from his folded laundry to see what you were going on about. It takes a second for him to fully realize why exactly were you so pumped.

“Are you serious? Your helmet?” you squeal, already hugging the shiny red mass close to you. “Does this mean you’re passing your motorcycle to me?!”

“Are you crazy? Fuck no,” Yoongi rolls his eyes, snatching his helmet back from you. He doesn’t miss the bratty frown that fills up your entire face; he’s not exactly the biggest fan whenever you were upset or angry; maybe even both. “Obviously I forgot I even put my helmet there when I made that pile.”

You whine, stomping your feet in exasperation. You would dramatically plop down on his bed if only it wasn’t full of his shit. “Come on! You told me you were teaching me as soon as you finish teaching Joon.”

“Teaching you how to ride my scooter is not the same as giving you it. Why would I just hand you what I bought with my hard-earned money?” Yoongi scrunches his nose, tone sharper than what he intended.

“But you still haven’t taught me,” you murmur to placate yourself and dissuade yourself from the delusion that Yoongi would even exert such an effort for you because of course — why would he do that for you?

You have an inkling that you’re being irrational for all the wrong reasons, perhaps even projecting your need to be looked after… by him.

Yoongi notices your mood that turned sour quickly, the silence between you becoming loaded. He didn’t mean to be that blunt. “I don’t think you’re even old enough to have your driving permit,” he adds in consolation, voice considerably softer.

You snicker lowly, still looking at your feet with your arms crossed. “But I’m old enough to backpack whenever you need me to carry shit that can’t fit in your carrier.”

He immediately groans at your comeback, his furrowed eyebrows mirroring yours. “You’re so stubborn.”

“You’re a hypocrite,” you retort, knowing for a fact he’s known how to drive even before he was eligible for permits and licenses and whatnot. 

Yoongi takes one, two seconds to himself to regain his composure, clearing his head in the process. You’re still not looking at him and you’re pouting and you don’t even notice the latter, making him crack a small smile.

“I will teach you next week.”

“Oh my-…”

He cuts you off, raising his hand in emphasis. “Provided that you listen to everything I say and wear full gear at all times. You clearly don’t have a job yet-…”

“Ouch.”

“And I don’t have the extra money to buy full gear for myself, so what you’ll do is bundle up with your padded coat and the thickest jeans you have,” Yoongi enunciates every word, eyes keenly on you. They’re too wide and alert, you actually feel like listening to him.

“You go on rides wearing your pajamas.”

“Just say ‘thank you, Yoongi’.” 

“You haven’t done anything yet,” you trail off, head tilting in confusion. 

You’ve had a million conversations like this with Yoongi before but of different fonts; worn, familiar, and warm.

“Thank you, Yoongi,” he mouths, nodding at you to do the same. He won’t stop until you utter them back to him, and you know you won’t go home either without giving him your gratitude as you always do.

“Thank you, Yoongi,” you relent, the grin that breaks through your lips being infectious enough that he laughs lowly to himself.

He exhales all the worries he has and could possibly ever have seeing you ride the motorcycle (or for you yearning to do everything that he does), grasping at whatever sanity he has left from looking after you.

“You can have the helmet.”

( ♡ )

Yoongi knows the ins and outs of your home.

He’s been at your house too much to the point that your mom already gave him a spare key and nobody batted an eye about it. He has his own designated slippers at the entryway too, something you would only use in a hurry if you needed to sign off on a package.

Yoongi, for some reason unfathomable (not really; you can tell exactly why because your mom is an extremely warm and inviting person), also has the power of dibs on the food in your fridge. He’d put strips of masking tape with his name on food that’s neither brought in nor made for him in the first place. 

It should be off-putting — the way that for too many yet too little reason, Yoongi has become a prominent figure in your life even if you didn’t ask him to. You should be peeved that you have to set up four plates more often that you set up only three; you should be annoyed at some point that when you wake up at random times through the night, you’re not totally alone to begin with.

You shouldbe angry at Yoongi to a degree because he’s in your life and you don’t get to have a say on how he stays in it. The only problem is that you’re not, and probably never will.

“Can’t sleep?” you mutter as you look up from your strikingly clear paper, seeing Yoongi strut across the floor with a casualness that only real occupants of the house should supposedly possess. He has his brows furrowed at you as if he didn’t expect to see you in your living room, scratching his head in wonder.

“Why are you up?”

“Stressed,” you sigh, giving up altogether in attempting to make yourself look busy. Yoongi drives by your fridge to get himself a can of beer, finally seating himself beside you on the floor. 

“Stressed about what? I’m sure it’s not about studying,” he snorts, unsurprised at your paper and the clear lack of motivation behind it. You only roll your eyes at him and he has half a mind to not remind you to not do it so much, the frown in your face reminding him that you really were frustrated.

It is you to throw the occasional tantrum, but he remembers that it was only when you were young; when Namjoon would whisper gibberish to his ear and purposely not whisper to yours just so he could tease you, or when nobody would believe that you taught yourself how to ride a bike with no training wheels. You didn’t know how to do the latter at all, but what had made you throw a tantrum was that nobody believed you.

You notice Yoongi’s digs, of course. You notice each one of his more than unsubtle nods to your intelligence and whatnot, the shots at your intellect not flying over your head like he expected them to.  You admit that you’ve never been that scholastic; you weren’t born a genius and you don’t try exactly hard either.

Yoongi’s only joking but you can’t help but to think that he’s pertaining to something deeper, his constant digs at your lack of a passion making you sluggish.

“We have to write this essay,” you answer simply, your tone straightforward and unwilling for banter but Yoongi bites anyway.

“But essays are the easiest,” he trails, looking at you the whole time as he takes a sip of his beer.

You exhale heavily because no matter what, he just can’t seem to get it. Yoongi knows where you’re coming from but he doesn’t know where you’re headed. As a matter of fact, you don’t know where you’re headed either. “We have to write an essay about where we see ourselves ten years from now.”

“But that’s still easy.”

“If it’s so easy, then go write it for me,” you snicker, leaning back with a huff. He constantly undermines you and although you own up to your striking mundaneness from time to time, it didn’t mean that you liked being looked down on. Yoongi’s too used to you being yourself, he gets taken aback when you grow sick of your own.

He gathers all his willpower, far from being sleepy unlike you who would’ve been lulled to sleep if only you weren’t dead-set on arguing with him. “You know what? I actually will,” he claps, handing you his beer. “Go hold this for me.”

Yoongi grips your pen for dear life like you hold his beer, his hand warm as he works from sheer determination alone (he’s not competing with anyone except for whatever expectation you have for him and your paper), while yours was cold just holding his drink.

You’ve been so quiet that he actually gets curious, turning his head to check to see if you’ve dozed off when actually, it’s just you eyeing the can.

“No one’s watching,” Yoongi breaks you out of your thoughts, carelessly shrugging. He cares and he’s far too concerned for you, but he figures that nothing would hurt you so long as he can grasp you. “It’s okay. You can have your first sip.”

You blink owlishly at him and when he jokes about taking it back, you take your first swig of beer in a panic. Yoongi only shakes his head in amusement, pausing his writing just to see the look on your face.

“One more?” he asks right after he sees you wince, the unbearable sweetness yet bitter, stinging aftertaste of the beer making you shudder. 

You have the urge to wash off the taste with ice cold water (you’ll even drink from the tap because you’re so desperate), but you resist it just so you wouldn’t look like a weakling in front of him. You wave him off with a bitterness, upset that beer doesn’t taste like what you’ve always imagined it to be. “Just write my essay for me,” you mull over the taste in your tongue, in deep thought while you stare at Yoongi’s back ahead of you. “Do all beers taste that way?”

“Eh. Most of them do. You develop a taste for it later on,” he answers, taking the can back from you before drinking it himself. He looks too dedicated in writing your essay, only goading the curiosity in you to peek over his shoulder.

He knows you, both in heart and memory, because he shields your own paper from you when he sees your shadow hovering above him.

“Yoongi?”

“Hm.”

“I told you why I’m up. Why are you up?”

He’s silent entirely, the only indication that he heard your question being his hand pausing abruptly. Yoongi doesn’t answer, and you don’t ask again. “Don’t worry about it.”

You take his answer to heart, dozing off on the couch before you know it. You don’t remember a blanket being placed on you, nor can you remember preparing your backpack for school the next day.

Your paper’s neatly tucked into your portfolio bearing handwriting that’s clearly not yours, but with a sentiment that’s similar nonetheless. You read through everything quickly before even stepping towards your teacher, the tips of your fingers just as cold as Yoongi’s beer last night.

You’ve committed the paper into your memory, even until the last part with an excerpt you can’t forget despite having passed the paper already. You don’t know what to feel because it’s Yoongi who’s speaking for you, detailing that ten years from now, you will still be your mother’s daughter and your brother’s sister.

He wrote your essay either for you or in behalf of you, and you can’t tell which one is better.

Yoongi, who knows the ins and outs of your home and the peaks and troughs of your heart, writes in clear handwriting — Ten years from now, I will still be Yoongi’s rock.

( ♡ )

Surprisingly, Yoongi hasn’t been around that much lately.

Even Namjoon (who you consider as his Siamese twin) is clueless to why his friend hasn’t been hanging out with him lately to do either everything or nothing, confused because they’re enrolled to the same classes all the way to the same part-time jobs, yet Yoongi’s been mostly unavailable.

When Yoongi is, however, he doesn’t speak at all about his previous absences. He comes as if he’s never disappeared a few times before that, his evasion to talk about his presence being apparent even if you’ve asked him directly.

You’re getting used to his new routine of hanging out with you only when the both of you are free, no longer moving mountains for both of your schedules to line up. He’s more present this month than he was at the last, the criteria for it being how many times you bump into him in your own home.

Despite all odds and evens though, Yoongi can’t get used to your silence. He knows you hold grudges longer than your brother, and the last time that he checked, he knows you’ve already let go of your annoyance for him suddenly being unavailable without any explanation. 

It’s late, only the two of you are awake in the living room, there’s ten scratch tickets on the table for you to share, and he’s even gotten you your own glass to which he’ll put a controlled amount (a grand total of two long sips) of his own beer in. You’re not stressing about an essay this time, but the unconscious pout on your face is still the same.

“You’re awfully quiet.”

The frown on your face only goes deeper at being found out, the scratch of your lucky coin being the only clear thing that Yoongi hears. 

“My best friends want to have this slumber party,” you sigh, more upset about what you’ve just uttered than you are happy about the cash prize you’ve just won.

Yoongi takes what you say at face-value, groaning at his third straight loss for the night. “That’s great. Wear cute pajamas, snap a couple of polaroids, don’t be the first to fall asleep and last to wake up, and just keep a pocket knife with you when you’re going out by yourself.” 

The awe (and slight concern) over what he said should roll in any time now.

You should be comforted at Yoongi’s words because they’re supposed to ease the swirl of your stomach, even if what he just said is a repackaged version of what your family said before. You should let go of your worries because Yoongi, of all people, says that it’s supposed to be great.

Instead, you feel neither of what you think Yoongi wants you to.

“Was it something I said?” he mumbles after some time, turning his nose up at you as he tries to retrace his words. “I have an extra pocket knife you can borrow if that’s what you’re worried about.”

“We’re gonna be talking about boys, Yoongi,” you screw your eyes shut, sighing into the palms of your hands with a heaviness. “We’re gonna talk about crushes and experiences and all that.”

He shudders at that, his reaction mirroring Namjoon’s when you tried opening up to him. You get your brother’s reaction to a degree, of course, because you feel as if you’d be disgusted too if the roles were reversed. You want to talk about it with your mom too, but at the end of the day, she’s your parent and you just can’t talk about anything and everything with her. 

Yoongi’s your next plausible option.

“Do you want some ice cream right now? You know what, I’ll buy you-…” Yoongi tries to evade the topic altogether, his attempt of escaping feeble as you drag him down by his hoodie.

“I haven’t had my first kiss yet.”

“Heh.”

Yoongi shrugs at that, regaining his words when you deadpan at him. “So? What about it?”

You starfish on the floor at that out of frustration, the whine you’ve been bottling up coming out in the open because as usual, Yoongi doesn’t get it. “I-I’m probably the only one in my grade who hasn’t kissed someone yet! I can’t just lie carelessly because obviously, they’ll ask around.”

“So?” Yoongi chuckles, his breeze towards your state shocking you. “What’s it to them if you haven’t had your first kiss?”

“You don’t get it,” you grit through your teeth, crossing your arms so hard that it feels hard to inhale.

“I’m pretty sure I do,” he sing-songs, drinking the last of his beer. When you’re not looking though, he plans to either drink or chuck the remainder of your share because he doesn’t want you to develop a taste for it.

The anger you have for Yoongi bubbles up once again, the itch in your throat unbearable. You’re presented with the age gap between you once more, along with the raging emptiness in you that Yoongi’s reached so far and you’ve reached so little.

“You don’t get it because you’ve had all of these experiences when you were younger than my age right now,” you snap, although you don’t look at him when you do. If you do look at him though, you’ll only be reminded of how a face like his could have everything in this world — even a first kiss you’ve never had.

“Yeah, and so?” he knits his brows, growing defensive. You weren’t lying at all, but he still feels a little offended at the dig. He’s not not proud of it, but with the way you say it, it’s like you want him to burn in shame,

“Stop saying so,” you angrily mumble in frustration, a little breathless because you still don’t ease up on crossing your arms.

Yoongi straightens his posture, staring you down with his jaw set. He’s stern as he is, nostrils flaring in irritation. “No, Y/N. I’m genuinely asking — so what? What’s it to you if I had my first kiss at a younger age? What about it if everyone else in your grade has kissed someone and you haven’t? It’s not the end of the world.”

“I-I don’t know! It’s just unfair!” you let up, yielding to both the facts that Yoongi’s right with it not being the end of the world, and that you’re still entitled to feeling upset.

“Instead of spending time obsessing over your first kiss, maybe I don’t know,  try being productive? You’re heading to college soon and you haven’t even thought of a career,” Yoongi goes off on you, making you roll your eyes automatically. There he goes again with the great big push of trying to push you into your supposed passions in life. “Someone else’s luck doesn’t mean it’s already your misfortune.”

“But it is.”

You say it so definitively, you almost convince him. You have your principles and so does Yoongi, but not everyone else. You have your principles yet you don’t have the luck. You’re not getting anywhere in life just like Yoongi or anyone else who was remotely born into wealth, no matter how quiet or obvious.

You can’t pursue something that interests you in the slightest without thinking what would come out of it. You can’t think of a degree and a course you’ll stick with, enough to do for the rest of your life because the only other option is to fail completely if you don’t. You have no plan and no passion and you don’t know if you’ll ever amount to anything to anyone at all.

By all means, you don’t agree with Yoongi this time. Someone else’s luck is your misfortune, in the same way that his first kiss doesn’t mean that it’s yours.

The sidetrack to your argument is a closed case already, judging by your downcast gaze. “I just have to put myself out there, that’s all. My first kiss doesn’t even have to mean anything. I just want to have it,” you admit, shoulders relaxing.

“Don’t,” Yoongi groans, the opposite of you as his whole body tenses.

He thinks that you don’t get him at all.

“What do you meandon’t?”

Your argument’s long-over (atleast you thought it was) but Yoongi’s getting more agitated by the minute, the disbelief on his face throwing you off. “Don’t do things just because you feel like you have to! Are you even hearing yourself right now?”

“I don’t want to be left behind, Yoongi! That’s all I’m trying to get at,” you raise your hands in surrender, shrugging thoughtlessly — it makes him want yell into a paper bag in exasperation. “I don’t want to be picked last. I don’t want to not be wanted.”

Yoongi exhales, screwing his eyes shut. It stays silent like that for a little while; him calming himself down, and you scratching your tickets. The calm doesn’t stay for long because you open your mouth carelessly, again.

“Can you be my first kiss?”

“Are you insane?”

“Ugh.”

You go back to your fourth scratch ticket, pouting in disappointment. You’re unfazed about the win that’s probably the largest sum you’ve had ever since you started doing the lottery.

You’re upset and you’re sick in the stomach but you stay silent like you never asked Yoongi to be your first kiss; it’s like you haven’t indirectly admitted to him that you love him enough, more than so, to want him to be your first.

You’re about to scratch the final ticket when Yoongi juts his hand out, fingers barely brushing yours to stop you.

“On second thought, don’t scratch that. Just keep it.”

“Because you want to turn me into a hoarder too?” you snicker, heeding his suggestion regardless.

“Because I’m not going to be right about everything,” Yoongi mumbles, looking at you with a solemnness you can’t decipher.

You try until the solemnness turns into pity.

“Still don’t want to be my first kiss?”

Yoongi softly laughs to your face, smiling as he lets you down — whether easily or harshly, you can’t tell.

“You already know what I’m going to say.”

( ♡ )

You’d like to think that you’re not kept in the dark about most things.

You already know that although your mom hasn’t had any relationships since your dad left, she still has plenty of suitors. Some of them are the reason why you have random food deliveries in the middle of the dinner that she’s already cooked, some have sucked up to her by getting you and Namjoon gifts. 

You know about Namjoon’s growing love for football, even with the lessons he takes in secret because he didn’t want to trouble your mom for the money. It’s why he does his part-time job and why you’re looking for one anyways. You don’t want nor need much, so you almost always give him the remainder of your allowance by the end of each week.

Yoongi, on the other hand, you don’t know much about. You know that he’s an only child with a doting mom who works overseas and a rich but emotionally unavailable dad at home, and that’s about it. His home life is synonymous with yours, considering that your four walls have become an extension of his.

Maybe you’ve become too lenient on him — either that, or he’s become too disrespectful. It’s at times like these where your house is not his home, sickeningly so that you don’t want it to be yours either.

Yoongi is a sight to behold as he makes out with a half-naked girl on your bed, in your room. Your room has never been the neatest but with everything going on, it feels that it’s become the dirtiest that it’s ever been. Your house slippers are on the floor even if you always leave them by the entryway, and your sheets are a mess despite being one of the only things you try to keep folded in the room.

You’re angry, too much to the point that the words get caught in your throat. They catch onto bile and venom and everything at once, the strain in your voice heard when you yell.

“What the fuck?!”

Yoongi and the girl, whom you figure out to be Hyewon that he’s shared his first kiss with, jolt in unison. Hyewon’s scared shitless while Yoongi’s annoyed to death, the grunt he lets out pricking your ears further. “Sorry, sorry. She’s my best friend’s sister. She’s so annoying,” he drags you out of your room before he even gives you the entitlement to storm out of there in a fit of rage, seeing red the longer that he seems upset at you.

“What the fuck was that, Yoongi?” you grit through your teeth, the moment of you seeing red turn into white because you’re so frustrated that you could actually cry. Your chest’s heavy, not only out of rage, but out of everything that’s built up in the course of years.

“Can you keep it down?” Yoongi seethes, pursing his lips. “What, would you rather see us do it in the living room?”

“In the — what? Who do you think you are? This isn’t even your house, why are you bringing these girls here?” you point an accusing finger at him yet he doesn’t back away, his annoyance for you only growing tenfold.

He’s in the wrong no matter which way you look at it yet he doesn’t realize it, the epiphany that Yoongi genuinely thinks he’s in the right for doing this to you making your skin burn in fire.

“This is literally the first time I’ve ever done this! I can’t bring her back to my place, my dad has guests over!”

“So your smartest idea is to fuck someone in my bed?”

“Oh, you’re welcome. It’s the most action your four walls have ever seen,” he spits sarcastically, eyes narrowing at you. It takes little effort for him to dig up what you came to him for in worry and it terrifies you. The facet of Yoongi who had sternly told you that it was okay to be left behind if it means getting what you deserve, resembling nothing like him at the moment.

“I can’t believe you!” you whisper as you tremble, the tears pricking at the corner of your eyes. “I told you that in confidence.”

“In confidence? It doesn’t take a genius to figure out that you’re not exactly a catch, Y/N.”

You clench your jaw so hard that it hurts, you ball your fists so tightly that it stings.

You leave your home without saying another word.

.

.

.

Namjoon’s panicked.

He came home a little later than usual because he had maximized the life out of his soccer lessons, only getting the signal to leave when the lights were turned off. He was only slightly worried at the first place because he was supposed to cook dinner for the both of you, but he placated himself by realizing that you’re not the baby that he still thinks you are — you could cook dinner for yourself if you were hungry already.

He thinks nothing of it. In fact, he just makes a quick stop at the convenience store so the both of you could indulge in a liter of ice cream without your mom urging to leave some for another night. You could think of a recipe from scratch (and it almost always works out at the end), so Namjoon walked in fully thinking he’ll get to sniff whatever concoction you have.

Except, he walks into a completely dark house, and that’s when he panics.

He can’t find your slippers by the entryway and you’re not in your room either. You’re not at the other convenience store hunched over taking your chances on scratch tickets, and you’re not out on the street either going people-watching.

The panic rises in him the more that Namjoon grasps this is the first time that this has ever happened and he doesn’t know why. He’s always made an effort to be absorbed into both your personal and academic affairs, and as far as he knows, you’re neither in a sleepover nor on a field trip somewhere.

Namjoon thinks it’s his fault someway somehow, and the guilt can’t fully dissipate from him until he sees you.

“Hey, Yoongi,” he breathlessly gasps the moment his friend answers, the latter being surprised because he thought it was you who was calling him after what happened awhile ago.

It’s his fault and he’s realized that hours too late, and the selfish part of him thinks that it’s you calling at ten in the evening begging for forgiveness.

“What’s up, man? It’s late,” he wonders out loud, thinking for a second if they were too much of the Siamese twins that you tease them to be because he can’t think of a rational reason why Namjoon would call him at this time of night.

Namjoon raggedly exhales, running a hand through his hair. “Yeah, sorry about that. I’m just wondering if you’ve seen Y/N by any chance?”

Yoongi’s heart drops so loudly that Namjoon thought for second that his friend had hung up on him, his urgency being shared the moment that he asked.

“What? Y/N isn’t home?” Yoongi asks in disbelief, immediately being filled with anxiety and disbelief. Just awhile ago, the two of you were arguing outside of your room. He did hear you leave, but he had fully expected for you to be back hours ago. He’s wracked with guilt all over, the drop in his chest amplified by the pit in his stomach.

“She’s not. Practice ran late and I-I know she’s responsible so I didn’t hurry home,” Namjoon recalls, being more and more frazzled by the second. “She left her phone here, and mom isn’t here either because she’s visiting my grandparents, a-and I don’t want to call her because I know she’ll be worried, a-and-…”

Yoongi interrupts him, the tremble in his fingers only enabling him to dig his nails into his palm deeper. “I’m coming over. Let’s look for her together.”

It barely takes a minute for the both of them to come together, not even exchanging any pleasantries with each other before Yoongi steps on the gas. 

Namjoon’s filled with guilt, the type that only a sibling could carry as a burden. He thinks he was too selfish — too accustomed to pulling your own weight that it must have given you the impression that you had no other choice but to. Whatever it was that made you leave out of the blue, Namjoon thinks he could’ve done more. He should’ve came home and made you dinner as promised, for starters. He’s guilty over the fact that he’s the only close familial male figure in your life and he let this happen, as he makes Yoongi put his headlights on high-beam, scanning for anyone that looks remotely like you.

Yoongi, on the other hand, is filled with a guilt he can’t even begin to explain. It corrodes him from the inside-out in realization that he’s to blame for your sudden disappearance, the fact that Namjoon comes to him first to help find you not helping at all. If only your brother knew what he had done to you, he’s positive that he’ll be on the receiving end of a punch — what gets him more is that Yoongi wouldn’t blame him at all.

They see you in the bus stop two cities away, dressed in the same clothes you ran out with. 

Namjoon’s relieved beyond compare while Yoongi’s fuming, his hands tucked inside his jacket to prevent himself from squeezing you into an embrace; neither of you deserve it. 

There’s an underlying anger within Namjoon, one that lies behind the back of his throat as he checks you over for any injuries. The two of you walk ahead to Yoongi’s car while he himself trails behind, his heart significantly calmer than it was the past hour, yet nowhere near normal.

“Wanna tell me what you did?” your brother hums, trying to exhale the worry that’s embedded into him with each squeeze he gives around your shoulders.

“Went to the convenience store, bumped into my friends, then we took this impromptu roadtrip to go to the night market, then we all had our first actual shot of liquor and not just beer, my friend who owns the car turned out to be a lightweight, and now everyone just has to commute home,” you narrate in recollection, squeezing Namjoon back to try and ground him.

“Okay,” he answers simply, nodding. “Wanna tell me what happened before you did all those things?”

The breathless chuckle that leaves you is empty, void of any amusement at all. You smile nonetheless, unable to placate both yourself and Namjoon. “Nope.”

You arrive in silence to Yoongi’s car, the words unsaid between the three of you generating more tension than your brief disappearance itself.

Yoongi opens the front door for you, but you settle for sitting in the backseat.

[slashingdisneypasta]

Erik Destler x Fem!StageActress!Reader || Would Include...

Erik Destler always learning your on-stage romantic interests part totally and then 'dispatching' of the poor guy just before he's meant to go on so he then can always taking his place would include...

Warnings: Contemporary musical references, I don't care, shoot me. Also just basic Erik creepiness; murder and not-super-consensual kissing/touches (dub con at most).

Tagging: @marinerainbow and @masqueradeball .

🥀 Erik falling for you almost the moment you entered the Palais Garnier for the first time. He has no chill, we know this. He's like a Disney Princess. One song and he's fallen hopelessly in love.

🥀 Erik always keeping an eye on the cast lists when they come out- checking who you are and if you have a romantic interest. If you do, that person is now his main target. He may not kill them immediately, he'll wait until the final show on the final night, but there is a big red bullseye on their back now.

🥀 Erik practising 'his' lines (The lines of your on-stage romance) in his sewer room, reciting them to a dummy wearing some... familiar clothing. What? No, he didn't sneak into your chambers in the middle of the night and steal them from you! No, no! Absolutely not!... though you are missing a dress exactly like the one the doll is wearing. *cough*

🥀 Erik treating that doll of you with the utmost care. Almost as much as he'd treat you, the real you, with (Or, how he'd like to treat you. Only the lord knows if Erik could actually be gentle if given the chance to hold you). Its really creepy. Imagine his fingertips only grazing the dolls cheek very gently, but his eyes drift downwards (even though, again, its JUST A DOLL- ITS JUST STUFFING, ERIK!- Y O U ' R E T H E O N E W H O S T U F F E D I T- ) with very desire-filled eyes. Imagine him on one knee before the doll, holding its hand in his, its dead-eyes staring off into space while he professes deep speeches about love that are supposed to be romantic but just come out wrong and infatuated off Erik's tongue. Imagine Erik's hand wandering in the middle of a particularly heated scene; completely lost to his imagination.

🥀 Erik n e v e r, ever stealing the part of a villain. Even if that villain gets much more heated, or charged scenes with you then your actual love interest (Duke Monroth, Professor Callahan, Judge Turpin, Scar, etc). He wants to be your hero. Your prince, your true love.

🥀 Erik watching your every show, in his special box 5, studying you with eyes so hot you swear you can feel them on your skin every night. Paying so close attention, so he knows exactly how to compliment you on stage; how to be your perfect stage partner. This is why your scenes in every last show at the Palais Garnier are so impossibly electrifying to the audience- and, to you.

🥀 Erik allowing your casted partner to appear in the first few scenes with you during that last performance on that last night, so you never really know when its going to stop being the one guy and start being Erik- you're on your toes. Waiting the whole performance for the hand you grab onto to be Erik's. (He's waiting for the perfect moment to step in. The moment when you're really, really in character; lost to your art.)

🥀 Erik being the Christian to your Satine during 'El Tango De Roxanne' (His eyes upon your face. His hand upon your hand. His lips caress your skin. It's more than I can stand), 'Crazy Rolling' (See how I leave with every piece of you. Don't underestimate the things I will do), and 'Your Song Reprise' (Look at me... Satine... Why else live, if not for love?) in Moulin Rouge.

🥀 Erik being the Fiyero to your Elphaba during that super fucking charged 'As Long As You're Mine' scene in Wicked. You know? With you both on your knees on the stage surrounded by dramatic mist and you cant keep your hands off eachother?? *cough cough* I mean, with you both on your knees on the stage surrounded by dramatic mist and Fiyero and Elphaba cant keep their hands off eachother??? XD (Kiss me too fiercely, Hold me too tight; I need help believing, You're with me tonight, My wildest dreamings, Could not foresee, Lying beside you, With you wanting me // Every moment, As long as you're mine, I'll wake up my body, And make up for lost time.)

🥀 Erik being the Prince to your Sleeping Beauty, Snow White during the True Love's Kiss Scene. Oh yes, he definitely goes there. Did you doubt it?

🥀 Erik AS THE BEAST IN 'EVERMORE' TO YOUR BELLE IN BEAUTY AND THE BEAST!!!?

🥀 Erik never appearing at the end of the production to bow- he cant. You know that. So he makes his last moments on stage with you last, because honestly- who knows when the next time will be?? Its not like he can come call on you like a normal person... 🙄he's a dramatic freak. He holds your hand a few moments longer then necessary, or a little tighter. He kisses you one more time even though its not scripted.

🥀 Erik leaving you a bouquet of flowers in your dressing room after that last show on that last night. Signed simply, ceaselessly yours.

~

🥀 You tell yourself every time that the show must go on. You tell yourself, that thats why you don't stop it; Don't do anything.

🥀 You are lying to yourself. You cant deny the electricity crackling all over your skin every time you see Erik on stage with you, every time Erik touches you under fake pretences. You've never felt quite the same on stage then when he's there with you; you feel like you're really the characters... and there is nothing on earth like that feeling. No one else can give you this. No one but him.

🥀 You expect it now and anxiously await the moment when your practise partner (Just Erik's understudy. Thats what you're thinking of them now; the men who are actually cast) dematerialises from the stage and its Erik.

🥀 You always leave the flowers from Erik at the grave of the man who died. Its sick, the game (?? habit?? r e l a t i o n s h i p??) you're in, but you cant stop. And you cant apologise, so you can only do this.

🥀 You working extra hard to get lead roles at the Palais Garnier. As soon as one show is over, you have a hunger to do it again. Get another part, get Erik back on that stage with you.

Its like an addiction.

[help-i-need-a-cool-username]

Its the end of the year! Which means its time to post the

Tags That Made Me Smile 2022

The following are a collective list of tags, author notes, and fic names that i saw on ao3 and tumblr that made me either laugh or smile. Ive separated them by fandom but a good amount arent actually fandom specific. Ive added the character names or fandom at the end like {name} to clarify who the tag is talking about

[2021's list]

Author Specific / Non-Specific

i saw canon; acknowledged it; And promply burned it in a dirty trash can thanks; Have this instead

Give me pain I need to feel something

this is self projection thank you coming to my ted talk

Whats that?? Overused tropes that everyone has seen before????? Pfffffffft. This fic is literally just a big mess of "how can I cater to myself and myself only"

you ever just look at your life and wonder how you got here; bc that's what this fic is for me

Don't underestimate me I DO NOT know how long this fan-fic will be

can you tell my target audience is myself

this is content specifically catered to me and no one else

these characters are my landlords and i pay them rent

P O L Y A M O R Y   I S   M Y   P O L Y J A M O R Y

cheek kiss warning

kidnapping isn’t sexy don’t do it

i've never read the archie comics but that's not gonna stop me {archie sonic}

not me writing a whole fic for a ship only i care about; that like maybe two other people ship; rowing this boat is hard but someone has to do it {scourge x fleetway sonic}

ankles don't heal this fast but fuck it i do what i want

no beta we die like men; or rather we drown like the sad shipper with a pool noodle we are

I'm afraid of the Danimals mascot and you should be too

if you're getting flood warnings, don't worry. It's just MY TEARS!

me at every character: anxiety be upon ye

Me (Grabs canon and runs a marathon with it)

Quote: Do you think God stays in heaven because he too lives in fear of what he's created (Spy Kids) {tmnt crossover}

Alternate Universe - Monty Python and the Holy Grail

contains dangerous amount of bed based snuggling

(kind of its a very short very homosexual fight scene); and then they kiss.

Hostage situation takes a romantic turn???? Not clickbait????

enemies to frenemies

Improper Use of Pool Noodles

stone cold stoicism meeting determined stupidity

Star Wars

Kanan Jarrus: The Daddening

platonic love is what healed his lonely existence {din djarin}

when in doubt: road trip with the besties {din, boba, fennec}

Soul Eater

found family at its finest {kid, liz, patty}

The Witcher

wife (platonic) {yennskier}

at first I was like haha geralt and Istredd should kiss as a joke…. but bro I don’t think it’s a joke anymore….

Sonic the Hedgehog

Movie!Super Sonic is made out of LOVE no one touch me

Sonics gay awakening I guess

sonic movie 2 made me make an ao3 account lol

Sonic was made to love people

Two Bros Chillin’ in an ER Five Feet Apart ‘cause they’re not gay {sonic x shadow}

the most dangerous thing is to love {shadow}

Trapped in a small box with just enough room to face some feelings {sonic x shadow}

the R in rivalry stand for romance {sonic x shadow}

The L in Rivalry Stands For 'Love' {sonic x shadow}

A Largely Platonic Cave

i love boom!shadow so naturally i made him even more insufferable

Sad-ow

Wachowskis holdin it down in the bg; Absolute champs

I love how Shadow is just so mindbogglingly utterly done with reality

Knuckles is a guardian of all things great and small

“Would you kiss a worm?" “If he was cute as fuck? Yeah.” {wade x stone}

"What is this made of, bendable titanium?!" "INCORRECT. IT IS MADE OF THE FRUSTRATIONS OF MOTHERS EVERYWHERE." {team dark}

featuring a scourge that trips far too much because it's my fic and I said so {scourge x fleetway sonic}

no thoughts just soft hedgehog moments

listen if im going to die at the hands of injured lancelot shit i might as well take advantage of it

Everyone has a crush on Lancelot and I'll die on this hill

fairy Lancelot Fairy Lancelot FAIRY LANCELOT!!!

TMNT

Slow Burn; mostly on april's end of things; casey and donnie are basically on fire right off the bat {tmnt 2012}

Rise!Donnie and 2012!Casey be out there committing arson together for their first date >.>

Please enjoy Casey, the fool, realizing his feelings for Donnie, another fool {tmnt 2012}

Draxum and Splinter are the turtles' dads (it's a reluctant partnership)

just two absolute powerhouses holding each other gently {raph x mona}

“There’s nothing wrong with the way you love, Dee. Goodnight.” {rottmnt}

Wondering what to do when the apocalypse happens? Easy: fly across the country and get Vegas-married. That's definetley an appropriate reaction that won't involve your complicated feelings towards your roommate at all {hypno x warren}

Look rise are weapons of war 12 were accidents and I play with that HARD in this fic

"GET IN THE TURTLE TANK BITCHES WE GOING TO FAMILY THERAPY" {rottmnt}

Donatello is now Dad-Atello {rottmnt}

The other [Casey] is out on a beach in Tahiti; It's what he deserves after surviving the Krang {rottmnt}

Leo is now actively being hunted for sport; (the only sport Donnie is good at) {rottmnt}

These turtles can fit so much trauma

2018 Karai lives because fuck Nick; Casey x Donnie x April are a healthy ship and also fuck nick again

I cant be the only one pissed by Leo's and Karais 'love interest plot'; Leonardo's weird feelings were simply gender envy...Yes that is canon now {tmnt 2012}

What happens when two "dudes" call each other 'girlfriend'; Transgender activities, that's what! {tmnt 2012}

splinter is twice divorced and never married {rottmnt}

Papatello / Dadatello {rottmnt}

draxum's gone from dadxum to grand-dadxum good for him

HOLY FUCKING SHIT YES YES YES YES; GRANDPA BARRY COMING IN CLUTCH

draxum just be like gramps still got it; and by 'it' i mean a complete lack of forethought for care when creating random children

Puts the Bi in Bitchless {rottmnt leo}

its because ninja turtles

feral mamatello {rottmnt}

Marvel

it's the anguish, the self flagellation, the audacity to love the man who annihilate ur nation and killed ur mother; your m o t h e r {black panther}

[haleigh-sloth]

Rant ahead

I don't know how anybody actually read BNHA from chapter 1 and got this far into the story thinking that the kids weren't going to be the heroes of the story.

Like yes I understand that MVA set a new precedent to view the LOV as more than just "the mysterious antagonists", but the LOV's happy endings were always going to be at the mercy of the HERO kid characters.

For all intents and purposes, this is a "kids' story", meaning, the hero characters that the targeted audience gets attached to has to reign victorious in the end. Meaning, winning by saving.

I get the appeal behind the LOV "saving themselves" and dragging themselves out of their own destructive rut without any heroic influence, I get the appeal. But that has literally never once been set to happen. It's also not within the realm of possibilities in this story because....idk if you've seen the LOV, but they're all drowning. They're drowning TOGETHER, yes, they have company and unconditional acceptance among each other!!

But they are D R O W N I N G. What good are those friendships if they're all dead or miserable? (which has been stated in the dialogue that that is exactly how they feel)

Imo, Horikoshi hasn't tried to portray them as anything different. A group of individuals who, while they stick together and have each other when worst comes to worst, still desperately need outside help. They need heroes. Because, well, as stated in the story like a thousand times--heroes save.

Shitting on the hero kid characters because it's not the outcome some people were wanting because ONE ARC made the LOV the protagonists temporarily means you probably forgot what the previous 220 chapters were like. Oh and the proceeding 200-ish chapters too. This story has always been about the kids being heroes, and forming a positive relationship with the LOV is like....the narrative reward at the end. Nobody was psyched or robbed. And I'll say the same thing I say when hero-stans bitch about the writing "taking a sudden turn", SO. MANY. PEOPLE. (including myself literally as soon as I started the series) have predicted the trajectory we are currently on. This is not out of nowhere.

So, again what I say to villain-haters who complain, maybe it's not bad writing, maybe it is. But it sounds like it's just not what y'all are wanting.

[osakaso5]

Iori Izumi  iHAKE! Rabbit TV Part 2: iHAKE! ~Iori's Episode 2~

Part 1 | Part 3

Mister Shimooka: Hellooo everyone! It's time for iHAKE! ~Idol Dispatch~!

Audience: Kyaaaa..!

Mister Shimooka: On this show, we send idols out to fulfill dispatch requests from all over the country!

Mister Shimooka: Their exploits have been filmed beforehand, and will now be viewed in the style of a variety documentary!

Mister Shimooka: Well then... Here are our guests, Iori-kun, Tamaki-kun, and Yaotome-kun!

Iori Izumi: Good evening, everyone.

Tamaki Yotsuba: Evenin'.

Gaku Yaotome: Yo! Let's have a fun night.

Audience: Kyaaaa...!

Mister Shimooka: Wow, just listen to those cheers..!

Mister Shimooka: Seeing as how we've already checked the first tape... Let's ask Iori-kun how he felt about being dispatched to Aina Castle.

Iori Izumi: I knew about the castle beforehand, of course, but I didn't expect to be invited to their 300th anniversary celebration. It was an honor.

Mister Shimooka: I'll bet it was! And what do our supporting guests have to say for themselves?

Tamaki Yotsuba: It was super fun! I've never done a ninja show before!

Gaku Yaotome: Neither had I, so I put a lot of thought into my poses and stuff!

Mister Shimooka: Ahaha! That's great to hear. We'll just have to see how those poses turned out later.

Mister Shimooka: ...I'm sure our audience must be wondering... How hard was throwing shuriken, really?

Tamaki Yotsuba: Haha. Iorin missed at first.

Iori Izumi: Urk..!

Gaku Yaotome: Considering he threw it so cleanly past the target, maybe there  was an assassin behind it?

Iori Izumi: Please stop talking, both of you..!

Mister Shimooka: Ahaha..! With that display of team spirit, let's move on to the next tape! 

- - - -

Iori Izumi: ...I have a feeling we're not going to have an easy time escaping this trap house.

Gaku Yaotome: A pitfall for a first obstacle is a little much...

Tamaki Yotsuba: It's really fun, like an amusement park ride!

Iori Izumi: "Amusement park"... Did you forget that we were supposed to be training?

Gaku Yaotome: No point in hesitating now. Let's keep going!

Tamaki Yotsuba: But isn't that way a dead end?

Gaku Yaotome: There's gotta be some kind of trick to this spot...

Iori Izumi: ...Wait. That part of the wall is a bit discolored.

Tamaki Yotsuba: Oh..? You think so?

Gaku Yaotome: I guess I can kinda see it..?

Iori Izumi: ...I'm going to push it.

All: .........

[Creak]

Iori Izumi: It opened..!

Gaku Yaotome: There's a room behind it. Let's go!

Tamaki Yotsuba: Wow! Nice job, Iorin!

Gaku Yaotome: I knew we could count on you, Izumi Junior!

Iori Izumi: ...I didn't do much. Although I am glad to have done something helpful.

Tamaki Yotsuba: Still worried about the shuriken thing?

Iori Izumi: O-of course not.

Gaku Yaotome: Hey, there's some kind of button on the wall here. Should I push it?

Tamaki Yotsuba: Really!? Where?

Gaku Yaotome: Right here.

Tamaki Yotsuba: Let's push it, Gakkun! Here goes...

Iori Izumi: Wait, don't just..!

[Click]

All: .........?

[Drip]

Tamaki Yotsuba: Eeeek!!!

Gaku Yaotome: W-what, what!?

Tamaki Yotsuba: Something!!! Dripped on!!! My neck!!!

Iori Izumi: Ugh... It was just konnyaku jelly. This is why you shoudn't just press any random button you see.

Iori Izumi: We're suppsoed to be ninjas, you know. Keep your cool.

Gaku Yaotome: R-right... My bad, Yotsuba.

Tamaki Yotsuba: It's okay... I'm the one who pushed it...

Iori Izumi: ...Still, this turned out to be a dead end.

Gaku Yaotome: Yeah, nowhere to go over here, either...

Tamaki Yotsuba: ...Hmm... If this was a game, we could probably find a secret passage by jumping in the pit...

Tamaki Yotsuba: Wanna check it out?

Iori Izumi: Let's only do that as a last resort. It was hard enough to pull you out of that first pit.

Tamaki Yotsuba: Really? Am I that heavy?

Gaku Yaotome: You were WAY lighter than Ryu, that's for sure!

Tamaki Yotsuba: Heh. Have you had to pull Ryu-aniki out of a pit before?

Gaku Yaotome: More like me and Tenn were having a contest to see which one of us could lift him...

Iori Izumi: Hold on just a minute!

Tamaki & Gaku: What!?

Iori Izumi: This window has been made to look like it can't be opened, but there is a breeze coming in through it.

Tamaki Yotsuba: So can we open it?

Iori Izumi: Most likely.

Gaku Yaotome: That's a pretty small opening to squeeze through... But let's try it!

Iori Izumi: Let's.

[Creak]

Gaku Yaotome: It opened..!

Tamaki Yotsuba: Let's go!

Iori Izumi: Our escape is a success!

Staff: ...Well done! That's all for today's training session.

Staff: But there's still more to be done before the show!

Iori Izumi: I see... So the shoot is all a part of the show, too.

Tamaki Yotsuba: We're gonna have no trouble with the show at all!

Gaku Yaotome: Okay. Let's take this chance to huddle up!

Iori Izumi: Heh... It feels strange to huddle with just the three of us.

Gaku Yaotome: Haha. Not bad, though. We're training buddies, aren't we?

Tamaki Yotsuba: Yeah! I'm getting totally hyped!

Iori Izumi: ...Let's continue doing our best for iHAKE!

All: Yeah..! 

End of Part 2.

[cto10121]

Mercutio and Romeo’s Battle of Wits: Or, the Mercutio-Romeo-Benvolio brOTP

Or, Mercutio Misses Romeo Something Fierce As His Main Bro Because Romeo Is Not A Whiny Wimpy Stick-In-the-Mud and Is Actually Very Fun To Be Around and Benvolio Is Good and All, but He’s Just Not The Same(tm), You Know?

So the first half of Act 2, Scene 4, when Mercutio and Romeo have a game of wits before the Nurse enters gets cut or abridged a lot, for obvious reasons. The double entendres and witty Elizabethan wordplay are very difficult for even great actors to convey them to an audience, and they don’t seem to serve a narrative or thematic function apart from “two bros just being bros!!!” That bit of the scene just feels like filler safely cut or abridged in order to jump to the Nurse’s entrance and thus the plot. R&J the play, after all, is long; the whole play done completely is usually touching three hours. Cuts are always necessary, and for the most part it’s justifiable.

But I’m not going to lie, I like this bit a lot. Always have. Not only do we get Mercutio’s attitude toward Tybalt and his growing concern over Romeo’s love doldrums, but we get another side of Romeo hitherto unknown to us: Romeo being witty and fun and actually roasting Mercutio good, even besting him in a game of wits. And Mercutio actually being happy about it and just surrendering the battle to Romeo (!!!) What is this cinnamon roll of an exchange, too pure for this world, doing in an otherwise heavy tragedy? Are Romeo and Mercutio out of character just for some punny times? Not at all! The punny times are entirely necessary narrative and thematic-wise, sets up the tragedy, and shows needed nuance and dimension to both characters and the Montacrew in general.

Where the Fuck Is Romeo Seriously, I’m Getting Kinda Worried

So we begin the scene with Mercutio right away wanting to know where Romeo is:

Mercutio. Where the devil should this Romeo be? Came he not home tonight?

Benvolio. Not to his father’s, I spoke with his man.

Mercutio. Why, that same pale, hard-hearted wench, that Rosaline, torments him so that he will sure run mad.

It’s really hard not to read even a little bit of concern in that first question past the bluster, but in case you missed it, Shakespeare makes it explicit by having Mercutio blame Rosaline and worrying that Romeo’s love for her is driving him crazy. Once again, we get the sense that Romeo was not really himself pre-Juliet, and that, according to Mercutio, this is something to be concerned about.

We then segue into news that Tybalt has challenged Romeo via letter. Benvolio expresses confidence that Romeo would fight him, but Mercutio has doubts:

Mercutio. Alas, poor Romeo, he is already dead! Stabbed with a white wench’s black eye, shot through the ear with a love song, the very pin of his heart cleft with the blind bow boy’s butt shaft—and is he a man to encounter Tybalt?

Once again Mercutio switches to troll mode and characterizes Romeo’s love angst over Rosaline as him “being dead” (“the ape is dead!”)—which would be dramatic, to say the least, except that the tone is humorous/satiric. But it does betray an anxiety on Mercutio’s part and gives the understanding that whatever Romeo’s infatuation with Rosaline was, it was not “typically” Romeo, at least according to Mercutio and by implication Benvolio, since he doesn’t challenge it. When Romeo finally enters, Mercutio continues his satiric portrait:

Benvolio. Here comes Romeo, here comes Romeo!

Mercutio. Without his roe, like a dry herring. O flesh, flesh, how art thou fishified!

We get it, we get it, Romeo has turned a lameass pussy by ~love. But unbeknownst to Mercutio but knownst to us, Romeo is not the same guy of previous acts. How will Julietsimplord!Romeo react to Mercutio? This is going to be good.

Mah Bruh is Back and He’s…Fucking Roasting Me?

So we get the first encounter.

Mercutio. Signior Romeo, bonjour! There’s some French salutation to your French slop. You gave us the counterfeit fairly last night.

Romeo. Good morrow to you both. What counterfeit did I give you?

Mercutio. The slip, sir, the slip. Can you not conceive?

Romeo’s greeting is polite, open, but unconcerned, perhaps a bit breezy, perhaps humoring. Notice how Romeo before has given Mercutio a ton of slack for his satiric mocking—his only critical comment so far in the play is “He jests at scars that never felt a wound,” which can read almost as dismissive (this in contrast to Benvolio’s worry that Mercutio would anger Romeo by talking about Rosaline lewdly). Either way, he responds to Mercutio’s acerbic queries about him ditching them straightforwardly and without heat.

Romeo. Pardon me, good Mercutio. My business was great, and in such a case as mine a man may strain courtesy.

Mercutio. That’s as much to say, such a case as yours constrains a man to bow in the hams.

Notice how Mercutio doesn’t ask Romeo directly about what his business was, but rather assumes that it was sexual (“bow in the hams,” to flex his butt cheeks). Again, typical of Mercutio, but it does justify a little why Romeo, at this point in the story, does not immediately tell Mercutio and Benvolio about Juliet. And also why he says this instead:

Romeo. Meaning, to curtsy.

Mercutio. Thou hast most kindly hit it.

Romeo is 100% trolling here, doing a Mercutio, in fact by pretending to take another meaning—oh, yeah, you obviously mean curtsying, right???? This marks the first reply in which he doesn’t answer openly, but instead answers slyly. Mercutio answers accordingly with an equally troll-y, “Oh yeah, that’s definitely what I meant, super PG” *snort*

Romeo. A most courteous exposition.

Mercutio. Nay, I’m the very pink of courtesy.

Romeo. Pink for flower.

Mercutio. Right.

Romeo. Why, then is my pump well flowered.

My Burton Raffel edition, infuriatingly enough, only gives one definition of “pump” as shoe, but make no mistake—Romeo also obviously means “dick” (the pump, I think, being the “head” part of the shoe, and thus….you get the idea). Mercutio is immediately excited—Romeo is speaking his language now.

Mercutio. Sure wit, follow me this jest now till thou had worn out thy pump, that, when the single sole of it is worn, the jest may remain, after the wearing, solely singular.

Romeo. O single-soled jest, solely singular for the singleness!

Mercutio. Come between us, good Benvolio, my wits faint.

Romeo. Swits and spurs, swits and spurs, or I cry a match.

Mercutio. Nay, if our wits run the wild goose chase, I am done, for thou hast more of the wild goose in one of thy wits than, I am sure, I have in my whole five.

Barely does the game of wits begin when Mercutio seems to give up, and now Romeo is the one urging him playfully to keep going or else *he* wins. Mercutio could just be joking about needing to be “rescued” by Benvolio, but he does say explicitly that nah, Romeo is just too witty today to continue to “chase” the joke, or the goose (“wild goose chase�� eventually became a cliché all on its own, and it’s really just a throwaway line).

And now for my absolute favorite Romeo retort:

Mercutio. Was I ever with you there for the goose?

Romeo. Thou wast never with me for anything when thou wast not there for the goose.

“Was I ever with you for the game?” “Bitch, you weren’t with me for anything but the pussy!!!!!” “Ohhhhhhhhhhhhhh!!!!”

Mercutio. I will bite thee in the ear for that jest.

Romeo. Nay, good goose, bite not.

“I’ll fucking jump you for that” “A pussy jump on me??? Oh no, I’m ~scared” 🤣

Mercutio. Thy wit is a very bitter sweeting, it is a most sharp sauce.

Romeo. And is it not, then, well served in to a sweet goose?

“Your game has some spice, bro” “Like the spice they’ll put on you after cooking your ass????” 🤣

Mercutio. O here’s a wit of cheveril, that stretches from an inch narrow to an ell narrow to an ell broad.

Romeo. I stretch it out for that word “broad,” which, added to the goose, proves thee far and wide a broad goose.

“You’re stretching that joke so damn much it’s going to break” “As much as I’ll stretch your stupid ass out because you’re the joke, bro!!!!!!” 🤣

And then comes the end of the game of wits with the final twist:

Mercutio. Why, is not this better now than groaning for love? Now art thou sociable, now art thou Romeo, now art thou what thou art, by art as well as by nature.

“Jokes on you, bro, I’m into that shit!!! (Seriously, though, glad you’re back, bro, omfg, finally)”

Conclusions

So now for some wrap-up:

Mercutio in the beginning of the scene thinks the Romeo he knew is lost or “dead” by love. This has been established before in the after the ball scene, but here it is explicit—The Romeo he knows is gone and replaced by a pussy all over Rosaline’s pussy. Not good. There is also more than a trace of concern and worry—Mercutio is the one who asks for Romeo, and not Benvolio, the guy’s own cousin.

Mercutio is not upset by Romeo beating him at the game of wits and in fact gives in rather too easily. It’s not too clear why Mercutio does this. Mercutio has been established as a witty, satiric character. Romeo is as verbally dexterous as he is, if not more so, but his wit is warm and expressive, not satiric. His roasts and shade are playful and good-natured for the most part. By all accounts, Mercutio should have won the skirmish. It could be that he is too happy with Romeo actually making witty puns to care about winning, but personally I think Mercutio would be too proud of his verbal acrobatics, to concede that easily and make himself a willing target for Romeo’s roast (especially since he has roasted Romeo so damn hard these past scenes). It’s not like Mercutio to go easy on Romeo or even anyone, as he proves with his roasting Tybalt and even ragging on Benvolio. It could be Shakespeare is slyly characterizing Mercutio as a character who can give it out, but not take it, hence his backing down so easily, (“Okay, okay, you win!”) but usually that type of character responds with impatience and even anger. Mercutio’s replies are too amused for that. Perhaps he was too surprised by Romeo suddenly taking a page out of his book after scenes of him just angsting—to his perspective, but not ours, this does seem to come out of nowhere. But his replies don’t sound like someone who is surprised at all by this show of wit by a good-natured friend—on the contrary, it is taken as proof that the friend is back.

By the end of the exchange, Mercutio believes Romeo is more himself again. Not entirely, as he does cast further shade on his infatuation with Rosaline, but he is genuinely glad to see Romeo act more like himself again. We are once again reinforced with the notion that the mopey Romeo with Rosaline and even the radiantly lovestruck Romeo with Juliet is not the Romeo his friends have known. We receive proof of this: Romeo can and will throw shade over you for a song.

Not going to lie: I am here for all of this.

So I think it’s fair to conclude, based on the above information, that Mercutio has missed Romeo, perhaps something awful. His constant ragging on him for Rosaline and being mopey (lovers aren’t even supposed to be sad, wtf man) and his asking for him and just generally talking almost exclusively about him (that could just be his supporting character role, though) supports that. His joy at Romeo roasting him also characterizes a key component of their friendship and dynamic hitherto missing or not as present: Jokes, teasing, puns, wordplay, outright roasting when called for.

Not only is bro bonhomie clearly established (brohomie!), but also the macho culture—this exchange is far from locker room talk, more focused on wordplay than crude expression, but it does set up the dynamics of the duel scene and Mercutio’s motivations. Mercutio is most happy when Romeo performs masculinity through puns, wordplay, and roasting; when he doesn’t, or refuses to take stand in the defense of his honor, that’s when Mercutio gets frazzled. This is not because he believes Romeo is inherently a wimp—far from it, as he clearly expects Romeo, once he seems unstuck from the quagmire that is Rosaline, to duel Tybalt. He is unsurprised when Romeo throws shade on him right back, and is even pleased. So it’s shocking and disturbing for him when Romeo refuses to step up as he had done in previous scenes to fight the likes of Tybalt, for seemingly no good reason.

On a related note, expectation is noticeably absent in Mercutio’s own dynamic with Benvolio, whom he sees as helper and abettor of his wit and decisions, a soundboard, and a quasi-sidekick (“come, shall we go?” “Come between us, good Benvolio, my wits faint” “Help me into some house, Benvolio, / Or I shall faint”). When he does rag on Benvolio for his supposed sword-happy temper, Benvolio does not rise to his bait or roast him back, but gives only mildly amused replies, if gently pointed, to Mercutio’s surly displeasure.

Benvolio. An I were so apt to quarrel as thou art, any man should buy the fee simple of my life for an hour and a quarter.

Mercutio. The fee simple? O simple!

Mercutio may want to fight someone badly enough to go after Benvolio, but he also wants a challenge, the excitement of a back-and-forth of wits—hell, even for someone to tell him he is full of shit if so he could hit back. Perhaps that’s what Mercutio needs and perhaps secretly desires: Someone to roast him and tell him to shut the fuck up every once in a while. But would Romeo do this?

Nurse. I pray you, sir, what saucy merchant was this that was so full of his ropery?

Romeo. A gentleman, Nurse, that loves to hear himself talk and will speak more in a minute than he would stand to in a month.

The answer is yes. Yes, he would.

R&J Adaptations’ Weirdness with This Exchange

So why the difficulty retaining this fun exchange? Well, Romeo talking about well-flowered pumps and Mercutio just happily taking his roasts goes against the usual romantic!Romeo and charismatictroll!Mercutio characterization of earlier scenes. Even in adaptations that do keep this part of the scene, they tend either to brush it by (Baz Lurhmann) or even mischaracterize it a bit to keep it consistent with the interpretation of the characters as established (Zeffirelli). McEnery’s Mercutio in the Zeffirelli is in control and dominant all of the way through, and one of his lines (“Thy wit is a very bitter sweeting, it is a most sharp sauce”) is given to Romeo instead. The Baz Lurhmann plays it only broadly in terms of group male camaraderie and not so much Mercutio-Romeo dynamics; Benvolio does not participate in the game of wits and is by all accounts just vibing (my personal troll headcanon is he is keeping track of the game of wits on a slate. 2 Romeo, 1 Mercutio, that sort of thing).

Also, perhaps due to Mercutio being on Romeo’s case for most of the play and his being a lil’ shit at points, some adaptations take a weird Ho Yay approach to the dynamic, especially productions that make Mercutio gay or queer. If so, then productions have to do a lot of heavy lifting to interpret Mercutio’s gleeful/amused roasting of Romeo, his lewd blazon of Rosaline, and his anger at Romeo’s loss of honor in refusing to fight Tybalt as signs of romantic love towards Romeo. Romeo’s own emotional independence from his friends and his willingness to roast Mercutio also works against this interpretation. Thus another reason why this exchange is often cut or abridged (although the Globe Theater just decided to go ahead and have Mercutio roll all over Romeo while Romeo is roasting him as a shameless pussy chaser in this scene, because of course that makes perfect sense. Is it any wonder why I don’t like most R&J productions and adaptations?).

The only adaptation I know that gets the camaraderie and dynamics even close to right is the French musical (and to a certain extent, the Hungarian version) through that earworm and evergreen bop, Les Rois du Monde. It captures the spirit of their friendship and youthful zeal so delightfully. Mercutio, Benvolio, and Romeo were so well cast you can identify which is which at a glance—and they are literally as far as from my personal faceclaims for them as you can get, and it’s great. Presgurvic didn’t have to go that hard, but he did and it was glorious.

TL;DR

Mercutio roasts him, Romeo enters, they trade quips and wordplay, Romeo roasts him, Mercutio is too happy to gaf, and everything is character-building fun that will pay off very nicely later on, except that versions and productions can’t make the puns and wordplay comprehensible so they prefer to cut or abridge it (ten points from Gryffindor). And all because Mercutio actually misses Romeo and wants his bro back. Bruh.

[bnhablessings]

Comfort/fluff Headcanons or scenarios for Present Mic, All Might and Eraserhead reacting to their insecure s/o wanting to get married? Like s/o has been acting off and distancing their self because they don't feel worthy? Thanks if you do🥺💖

I adored this request with my ENTIRE being. (I ended up doing both headcanons and scenarios lol) I love them and I hope you think they are comfy/fluffy enough! It’s been a while since I wrote about the three men and I love them.

All three of them would love to show you how much you mean to them in a nsfw way ; )

All Might, Eraserhead, Present Mic x Reader (GN/NB)

Warnings: Angsty for a hot second, fluff, the reader is insecure, Present Mic’s so the most angsty one omg.

Words: 2,133

Aizawa Shouta (Eraserhead)-

Chances are if you are starting to think about marriage, he is too

He is very observant so he’ll notice the change in your behavior immediately

He won’t do anything about it for a while because he will be a smidge confused at first but once he realizes what is going on he will bring it up as soon as possible to get the problem over and dealt with

If he suspects you’re being insecure about yourself, he will be more loving towards you

Aizawa doesn’t know how long he can pretend everything is fine. He knows it’s not. You’ve been acting strange and the worst part is you haven’t been opening up to him. It’s killing him and making him more moody than usual. Thankfully, he got off his patrol early tonight to come home to you.

As soon as he enters the shared apartment you live in, he takes note the kitchen light is on and you are passed out on the couch. The sight makes his heart hurt. You are curled up in a ball covered in a blanket. It’s obvious you fell asleep crying from how puffy you are eyes seem to be. He sighs and goes to fix the blanket when he notices a picture under the blanket being held to your chest with your other hand.

With a gentle touch, he pulls it from your grip and stares at it with a smile. It is a picture of when the two of you started dating. A shaky breath leaves you and he decides now is a good time as any to talk. He places the picture on the coffee table nearby and lifts you and the blanket gently up so he can scoot behind you and hold you.

You let out a sleepy hum before you wake up fully upon realizing that Aizawa is back. You go to sit up and move but he holds a tight grip on your waist.

“Stay. It’s been a while since we were last like this,” He mumbles.

His voice sounds so tired and you feel guilty immediately. However, the warmth he provides to your back makes you give in. You snuggle as close as you can to him and he lets out a content sigh. The air feels slightly melancholy but he is sure to fix it.

He might as well just come outright and say it.

“I want to marry you.”

Your eyes widen and your breath hitches. He can feel the slight trembling in your body as you try not to cry.

“Do you not want to marry me?” The question has no emotion to it. He’s just trying to figure out why this topic is making you this way.

You struggle to turn and he helps you so you are both face-to-face. He knows you are vulnerable right now so he is careful with you. You are after all his precious person. He cups your face and you lean into his warm hand.

“I know you’ve been pushing yourself away from me lately. I figured you needed space but now I know that isn’t the case. Do you wish to separate? I love you so if that is what you want to do I will take it into consideration-“

You quickly interrupt him with a panicky voice. “No! That’s not it at all! I love you more than you’ll ever know. I have been thinking of marriage too… but… You deserve someone better. After all that you do for me and others… How can I call myself your (husband/wife)? It doesn’t feel right since you deserve someone who people can approve of.”

He stares at you long and hard. He is pissed off at your thoughts but gentle in how he reacts to them. It takes him a moment before he just places a kiss on your forehead.

“I want you. I want to marry you. I don’t care what other people think and you shouldn’t either. You are everything I want and you make me a better person. I want no one else but you. Just take some time and think about it. We’ll talk more when you feel better but (Name)… I want you.”

He’s not much of a talker but you needed to hear it from him. You need to know how much you mean to him and how happy he would be just to have you married to him.

Yagi Toshinori (All Might)-

If you are in a relationship with Toshi, it’s probably been a really long time and he’s been thinking about marriage as well

HOWEVER, he will be just as insecure as you are

He will distance himself to with work or even bring it up to you how you should be with someone not as busy as him (this may change when he retires)

He’ll play the same card you play: that you deserve to be with someone better

 “(Name), what’s been going on with you lately?” Toshi decides to ask after seeing you look so down watching your favorite show.

It leaves him a bit nervous but he wants to talk to you. He hasn’t been feeling so well with the current idea that’s been lingering in his head. With his own odd behavior, he has barely noticed yours but still has. He was going to push you away further but the thought nearly killed him.

How could he do that to the person he loves most?

You seem to hesitate before you decide to be honest. “I… Think we need to separate. I love you but I don’t deserve to be with you.”

It feels like he has whiplash as he stares at you with concerned eyes. Quickly, he pulls you up so you’re standing and he looks down at you before just hugging you. The panic is obvious on his face as well as the hurt from the suggestion (even though he was feeling the same way).

“Don’t say that. I am the one who doesn’t deserve to be with you. You deserve better. I love you more than you can ever know but you deserve someone who can actually make time for you and proudly show you off. I want to announce to the world that you are my (husband/wife) but I’m terrified of you turning into a big target. I wouldn’t be able to handle that.”

“I want to marry you too but… I don’t- I just don’t think I deserve you. You are so kind, loving, and patient with me. Would you really be okay with marrying me? You’d be stuck with someone who doubts themselves-“

He cuts you off with a passionate kiss this time before returning to a simple hug.

You hug him tightly as you both take a moment to relish in each other’s embrace. Finally, you speak up but in a barely audible whisper. “Are we okay then? What should we do?”

“…Well, we both love each other and from our current situation we’re both insecure, I think we should stay together. I want to stay together. We can go to therapy so we can stop our insecure thinking. I don’t know but I do know I don’t want to break up at all. I love you and I will continue to fight for us. We have time to get married so we can work on ourselves together.”

He takes a moment to just hold you and you are so thankful that you weren’t the only feeling insecure as shitty as that is. It just means you both are perfect for each other and for thinking about one another. You can both work for this and that is what you want to do because you do want to be married to him.

“You are the best thing that has happened to me. You’re the one who gets me and is patient with me. I’ll take tomorrow off so we can make up for lost time,” Toshi murmurs.

Yamada Hizashi (Present Mic)-

Zashi wouldn’t notice you distancing yourself at first

It would take a while but he will notice the moment you neglect him physically

Zashi is a very touchy and clingy person so he will notice the moment you avoid his touches and boy will be H U R T

He’ll force a smile and leave you be a for a bit but will 100% complain to Aizawa

After much-needed courage, he will ask you about it and he will probably cry tears of joy for you wanting to marry him and yell (by complete accident) that you don’t think you are worthy

 Yamada winces once more as you attempt to scoot away slowly. He’s so grateful you actually showed up to his radio show but now that you’re here it’s like you are not. You listen to his voice and the songs he puts on with a strained smile and seem so far away.

He finally decides to just put on a mix his audience will love so he can have time to sort this out here and now. He just can’t handle it. It’s been so long since you last held his hand.

“Alright listeners! I’ll see ya in a few after this break. Enjoy these AWESOME new tunes that yours truly loves!”

He puts the music on and turns to you who is already staring at him with wary eyes. His face suddenly falls and looks like a puppy that just got kicked. Your heart is doing everything it can to not fall apart at the sight.

Slowly his hand goes to reach for yours but you are quick to move it into the safety of your lap. His eyes start to get misty and he finally snaps. “I- Um… Do you want to break up with me?” The words come out choked as he tries to keep his voice from shaking.

“What?! No!”

He’s doing the opposite of what Aizawa told him to do. He’s going in and assuming shit when Aizawa said to bring this up in calmly matter. Yamada can’t help it. He feels so torn and truly unloved right now.

“Are you sure? You haven’t held my hand for days. Days! The only time we have had our sweet cuddle sess is when you are passed out. Did I do something wrong? Did I come off as annoying? Aizawa always jokes about that but I do think that is a reason why no one wants me. I love you so much but if you want to leave me I understand,” Yamada states finally letting the tears leave him.

Your heart races at his words. Emotions are high and you give in. You give in to what you truly want. Your hand reaches for his and you grasp onto it like it is your lifeline and it is in a way. He pauses at the contact before squeezing your hand and trying to keep the way your hand feels like in his to his memory.

“Zashi no. That’s not it at all, my love. I… Just… God, I can’t do this. I don’t know how to say this because it’s so embarrassing and stupid,” You mumble.

He pulls you into his chair so he can cuddle you. Your body finally touching his makes him melt and feel like home. He lets you take a moment and for once stays absolutely quiet so you can gather your thoughts. His thumb rubs circles into your hand to encourage you to speak your thoughts.

“I love you so much. I have actually been thinking about… You know… Getting married but then I started to overthink it and can you truly be happy with just me? There are plenty of other people out there and I just don’t feel like I am enough for you,” You say finally letting out a shaky breath as well.

It takes a moment before he is laughing. The laughter takes you by surprise but not as much as the way he lets go of your hand to squeeze you in a tight hug. He wipes at his eyes.

“Was that is, my honey? I love you more than the world knows. In fact, I should announce soon that you are my world! You are more than enough. You are everything I want, I promise you! I will tell you this every day until it is engraved into your mind. So please… Don’t push me away like that again. I don’t think my soul can take it!”

He doesn’t give you much of an option to reply since he has to go back on air but he does hold you like the way you both love throughout the rest of the show, reminding you that he truly does love you.

[han-shinsuke]

SAKUSA x Y/N x WAKATOSHI

A Christmas Special

S A K U S A K I Y O O M I

R E A D E R X X X

U S H I J I M A W A K A T O S H I

🔞🔞♥️♥️🔞🔞

Profoundly Dejected

- someone who is extremely sad.

"Aaahhh! Aaahhh! Aaahhhh~" Your head snaps at the direction where the loud moans are coming from. You stop on your tracks. Fear creeping in under your skin. "Aaahh! Stop please! I can't anymore! Aaahhh! Aaahh!"

"You do know you couldn't back out anymore, *name*. You have already signed the memorandum of agreement." The voice of your companion rings inside your head, pulling you out of your thoughts.

You timidly smiles on him then tucks the loose strands of your hair behind your ears.

"Don't worry, Atsumu. I'm not planning to run away until it's done." You said as you tries to hide the fear you're feeling.

Atsumu nods his head, signaling you to follow him upstairs.

Ah, it's Christmas Eve. You are supposed to be inside your own home, celebrating the birth of God with your family. But there you are, putting your untainted reputation on the brink of destruction.

According to your friend, Miya Atsumu, the place you've been brought to is called, RED CLOUDS. It is a some kind of abditory. A place where you can disappear. A hiding place.

You are an adult now. You are no longer a girl that craves for attention and protection. You've learned living like you are on your own, like there's no one who would worry theirselves because you are not home.

There's an invisible hole in your soul and it keeps getting bigger as days passes by. You want to disappear even just for an hour.

"How long have it been since he left you?" Suddenly, Atsumu asks while you are walking through a wide hallway.

"Six years." You simply answered.

"He's really a dick, *name*. He made you wait that long only to crash your hopes. Tsk!"

"And an asshole, too." You added.

Now that he mentioned about him, Your mind drifts back to the memories that causes your extreme sadness. Your first love had married another woman after several years of making you wait for him. He made you believed he will come back for you and will resume what you had. But, last month, you saw an online posts from your common friends, and there, he was smiling wide on their wedding photos. And what saddened you most was the photo of his one year old son. He bedded another woman because you keep on refusing him when you two are still together.

"We are here, *name*." You and Atsumu stops in front of an old door with ancient carvings.

Atsumu opens the door for you. You are the first one to step inside, Atsumu tailing you from behind.

There, on the huge bed that looks so soft lies a tall man with two moles on his forehead. While there's also a man sitting on the white couch, both eyes are pointed at you.

"Don't be rough on her, guys. I'll kill the both of you if she came out this room crawling." Atsumu threatened his colleagues before leaving you.

"We've heard your stories from, Atsumu. I feel sorry for you, really." If you are not mistaken, the man tying your hands with a white cotton ribbon is Sakusa Kiyoomi. Atsumu's germaphobe teammate.

And the other man braiding your not-so long hair is Ushijima Wakatoshi. MSBY Black Jackals' rival team on the court. "Not all pretty girls get picked huh? He chose a slut over a decent woman."

With your emotionless face, you giggles. "You guys have sharp tongues. Be sure to make good use of it later." You commented.

These guys are so damn straightforward!

"Who should go first?" Sakusa asks as he guides you on the bed.

Ushijima shrugs his shoulders, sighing.

"Alright, you first. You wouldn't like it if I handed her messy and dirty." Wakatoshi returns to his position on the couch, letting Kiyoomi to ravage you first.

"It's settled then."

You've never been this scared before. And you have never envisioned yourself in a situation wherein you're the subject of someone else's sexual desires.

You are a decent woman. But being a decent one wasn't enough for him. He likes women who can serves well on the bed. Sadly, you aren't. So, in the end, you are left behind.

"I can see your pain, *name*. But, please do me a favor? Erase his memories from your mind while I am fucking you."

Sakusa unzips your knee-length dress from behind, letting it dropped on the floor. You steps out of it, hands still tied in front. Then your undergarments are his next target. He unclasped your strapless brassiere followed by the removal of your panty.

There's a hint of satisfaction on his face as he twirls you around, naked.

Your eyes catches a glint of lust rising up on Wakatoshi's eyes as he watches you from his spot.

"Don't make me wait too long, Kiyo." Ushijima said. His bulge is starting to be noticeable.

"I won't." Sakusa replied.

You are harshly threw on the bed right before Kiyoomi removed all of his clothes. He pinned your tied hands on top of your head. A smirk appears on his lips as he hovers atop your exposed nakedness.

"Scream all you want, honey ~" He smashed his lips on you, latching on the lower part. Your lips parted at his cruel moves. This is the first time you've been kissed that way.

His tongue licks your lips down to your chin before entering your mouth. You badly want to close your eyes but you wouldn't dare. You want to witness how it should be done.

You clenched your fists when you felt his hands groping on your mounds while kissing you like a hungry man. His dick bumping on your flat stomach.

"Sakusa~" You called his name. His kiss blinding your senses. Your tongue rubs on his. Kiss deepening. Locking your lips together. Eyes both closed now.

Kiyoomi moves down his hand on your legs, wrapping those around his muscled waist.

"Hmm.. Your lips tastes like strawberries, honey~" Sakusa praises. He nibbles on your lips, hands on your butt, squeezing hard.

"Aaaahhh~" You realized that was your first moan. Your eyes widened. Kiyoomi has an amused look on his face as he stares at you. His hips rubbing like waves on your womanhood.

"First time? Hhwaaahhh!" His harsh breath against your neck.

You didn't answered. Instead, you tilted your head, giving him full access on your slender neck. He pressed his lips under your jaw, teeth grazing the soft skin.

"Hhhmmnnn~" You bit the insides of your mouth, trying to prevent yourself to moan.

He bit on your shoulders. Then on your collarbones. Your body arched up. Earning a chuckle from Sakusa.

He stops groping your butt. His hands moves back on your breast. Squeezing again.

"B-be gentle~" You protested. There's a slight pain from the way he holds your breast.

"Ooh~ My apology." He laughed then put your left mound inside his warm mouth.

"Ooohhh~" You moaned when he sucks on your nipple harshly. His other hand pinching the other one. "Gosh, Kiyoomi! Aaaahhh!"

His mouth stays there for minutes. Almost causing you to lose your mind.

"E-eat me. Please~" You pleaded as you guides his head down to your dripping pussy with your tied hands.

Sakusa smirks, loving what he heard from you.

"Sure, honey~ hmmm..." Kiyoomi bends your knees, parting them wider.

He gives you a quick glance before dipping down on your vagina. His tongue licks your clit, making you sways your hips.

You feel his fingers parting your folds, his tongue tailing behind. He licks there hard, sipping the dripping cream.

"Aaahhh~ Aaahh~" You can't hold back anymore. You are being pleasured and that's what matters.

"Shit, Kiyoomi!" You cursed right before your unannounced cream release. Your juice squirts on Sakusa's face.

You are expecting him to get mad because you got his face dirtied. But, he just grinned. His thumb wiped on his stained cheek. He glances at your face, put his thumb inside his mouth and sips the thick cream from your pussy.

"You look hot, Kiyoomi." You complimented him.

"I know." He smiles. His tongue licking from your clit going upwards. He poked his tongue on your navel. You let out numerous sighs.

"Hhaaannhhhhggggg~" With your tied hands, you grabbed his head, pulling him up to your face.

"Let's remove this." He said as he untied you.

When your hands gets its freedom, you hold onto his biceps as you lifts your head and claims his lips.

"Hmmmmnngggg~"

"Hmmmmnngggg~"

You both moaned as you shared another torrid kiss.

You sucked on his lips when his fingers rubs on your clit.

"Fuck, honey! Fuck!" Sakusa exclaims, still rubbing on your wet folds.

Sakusa retracts his fingers away from your pussy as he positioned himself between your legs. And while licking his coated fingers. His knees nudged your thighs.

"I am putting my cock inside you, honey~" Sakusa says as he strokes his hard length.

When Kiyoomi was about to slide his cock inside you, a thick pillow was thrown at him.

You two both glanced at Wakatoshi who's surprisingly stroking his thick manhood while watching the two of you.

You almost forgot about him. You thought.

"Use it, Kiyo aaahhh~. The bed is too soft aaahhhggg! It will help steadying her body." Wakatoshi suggested. His hands stroking fast his erected dick.

Sakusa placed the pillow behind your waist, shaking his head, he put the head of his cock on your entrance. Sliding it so sudden.

A loud screams rolls on your tongue, "aaahhh!"

You writhed under Sakusa's weight as his body pins you against the soft mattress.

You heard the two guys laughed. They are enjoying the situation.

"W-wait! D-don't move, yet!" You pleaded. Your hands perched down on top of Kiyoomi's blessed butt.

"No." Sakusa says firmly, palms crawling under your thighs as he makes a hard push inside you.

"Ooh Gosh!" You screams in pain. Eyes shutting closed as he rams his body on your fragile one.

The bed creaks from the rough movements of the two union naked bodies.

Pants and moans fills the room, letting that one audience on the couch feels the same intensity of the deep penetration that Sakusa is giving you.

"Aaahhh~ Aaahhh! Fuck! You're so warm, honey! Aarrghhhh!"

"Slow down! Aaahhh! You're too deep, Kiyoomi~ aaaahhhh~ Uhhhhmmm~"

Your breast bounces back and forth from the fast thrusting of Sakusa's hips.

"Ooohhhh~ aaaaahhhhh~ hnnnngggg~"

"Fuck! Fuck! Sooo fucking tight! Aaahh!"

Sakusa's palms presses on your waist and later on grips there tightly as his thrusts becomes faster and much more deeper.

"Wider, honey~ aaahhh~" He said as you held your legs up to give him a wide range of access inside your hole.

You let go of your both legs after Kiyoomi takes in charge of holding them. Your body arches up at the fastest pace of his hips thrusts. Your hands finds their way onto the metal handle of the headboard. You hold there tightly.

"Aaahhgghh! Aaahhhnngg!" His lips parted, catching enough air to fill his lungs.

"Ooohhh! Faster, Kiyoomi~~ aaahh~ D-dont s-stop ohhh shit!" You encouraged him to dive deeper, stretching your legs wider.

"Aaahhh~ aaahh~ honey! Aaaahh! I'm cumminggg~ hmmm! Fuck! Fuck!" Kiyoomi let go of your legs and put you under his tight embrace as he pounces his long cock into your trembling and dripping pussy.

"Aaahh~ Yeah, honey ~ your muscles tightening ~ fuck! Fuck! Take my creammm aaahhmmpppp~" You pulled him for another deep kiss as your legs tightened around his pounding hips.

"Hhmmmghhhh~ ooohh~ You are so tasty K-kiyoomi~~ aahhhh Gosh! I love your thick cock~ aaahhh"

"My cock is a lot bigger and long, *name!* Scream!" Ushijima's baritone voice booms around the room as he inserted his proud cock inside your tight butthole.

You bit your lower lip hard, causing it to bleed. Wakatoshi's harsh penetration behind you made you shed in tears.

"That's so rough, Ushijima!" Kiyoomi commented as if he understands the pain you are feeling at the moment.

Kiyoomi sat besides you in the window sit where Wakatoshi chose to do his signature and favorite position, dog style.

"C-ome on, Wakatoshi~ aaahh!" You let out a squeal when he slaps your butt cheeks multiple times.

"You know what, Ushijima? You should have invited Tooru. I'd like to watch you two fuck this delicious woman. Hmmmm~ right, *name*." Sakusa licks your nipples alternately as he went under your bent body and played with your unattended flesh.

He inserts his three long fingers inside your pussy and pumps there. "Oh god! Aaahhh~ m-more! I want moreee Kiyoomi~"

"Maybe next time, uggghhh~. I miss his dick inside my hole while mine is inside a warm and creaming pussy aahh~ baby~ I should have really called Oikawa here~ aaahnng~"

Ushijima moans, a memory of him and Oikawa fucking a woman together ignites fire in him.

"Atsumu's friend will be doomed for real. Hmmmnn~ right honey?" Sakusa removed himself under you and leveled his cock right at your flushed face.

"Hhnngggg~ Wakatoshi! Hwwaaahppghh~" You moaned the guy's name fucking your butthole as he withdrew his cock and slams it inside your trembling pussy muscles.

"You're really warm huh~ I like it aaahggg~" Ushijima pounces from behind, making your face bumps against Sakusa's cock that's ready to rummage your mouth.

"Here's your midnight snacks, honey~" Sakusa whispered before slamming his fat cock inside your small mouth.

"Uggghhh! Aaaahhh!!!"

"Fuck! Fuck! Hhnnggh~"

"Hmmngggg~ Uummmpp~"

It's Christmas Eve. You reminded yourself. You deserves a mouthwatering feast. You deserves these cocks.

"*name*, can you walk?" You're still sleepy. And your whole body is aching. You heard Atsumu's soft voice. The bed creaks. You feel him wrapping a fabric around your tired and bruised body. A smile curves on your lips. Atsumu is really kind. You thought.

"I'll take you home, *name*" He said then carries you bridal style.

You nods your head, not opening your eyes.

"Bring her again, Tsumu." You heard a familiar voice says. Right. Its Sakusa's.

"Her cream is so addicting. Why not joined us, Tsumu? Have a taste of your delightful best friend's body." That's Wakatoshi's.

"There will be no next time, guys. I'll devour her alone." Atsumu replied. The sound of door closing follows.

[smallcowplant]

[ P A R T  T W O ]

my favorite thing is monsters (book one) by emil ferris 🧟‍♀️🔍🧛‍♀️

quick synopsis: adult (coming-of-age story from the perspective of a young girl, but definitely targeted at an older audience)/graphic novel. set in late 60′s chicago, the fictional graphic diary of ten year old karen reyes recounts her experiences as she tries to solve the murder of her beautiful and enigmatic upstairs neighbor, a holocaust survivor.

page count: 416

rating:★★★ (this is a hard rating for me...think 3.7-3.9....oscillating to a 4....4.2....I don’t know, man)

review: I keep doing this fun and cool thing where I buy a book without realizing it’s the first in an (unfinished) series, and then end up being cast woefully adrift by reality. that’s what I did with this one. purely based on the artwork alone, I can tell you that this book is a treat for the eyes. a lot is going on here, and there’s something so engrossing about being swept up into the chaotic pen strokes and colors. the story is an interesting one, and not entirely what you expect. the characters are all distinct and layered---really riveting people who feel near-painfully real. as the first book in a two (?) book series, it leaves off with the central (and now additional) mysteries unsolved---which leaves the reading experience feeling unfinished and kind of disjointed. I’m stuck in a bit of a confusing mid-zone with this one, where I truly....well, I can't say I enjoyed it, since this story is so much more than that? I was...fascinated? enveloped? I’ll be reading the next one, definitely.

one of us is lying by karen m. mcmanus 🥜🚓📱

quick synopsis: young adult/contemporary mystery/suspense. five students walk into detention. only four make it out alive. who did it...and who is lying?

page count: 361

rating:★★★ (firm 3.7)

review: the breakfast club....but with murder? if you’re down for that, you’ll enjoy this book! it certainly kept my attention. and MAN was this a suspenseful and super stressful read. (if you need a book that’ll make you go “wow, I’m glad I’m not in high school anymore”, this is it lol!) there’s a bunch of really interesting character studies going on in this one, and it definitely lends to a tense and involving read. the only reason the rating isn’t any higher is just that certain elements of it didn’t work...entirely...for me. that doesn’t mean that they were bad...just not what I...wanted? there’s two more books in this series, and while I’m not anxious to get my hands on them, I’m fairly sure I would read them!

murder at morrington hall: a stella and lyndy mystery by clara mckenna 🐎🍵💏

quick synopsis: adult/historical mystery. 1905. stella kendrick, a lively and confident american heiress, is tricked into an arranged marriage by her coldly ambitious father. her groom-to-be is viscount “lyndy” lyndhurst, who is both roughish and financially strapped. despite this rough beginning, they find themselves oddly drawn to each other. could they actually be a good match? however, all courtship is set aside when the pair discover the vicar who was  to marry them----dead in the library. now they must work together to solve the crime and find the culprit.

page count: 304

rating: ★★

review: ugh, it pains me to say, as I thought I was signing myself up for a fun turn-of-the-century murder mystery/romance...but this was just...meh. a meh story. I feel like it had potential to be an enjoyable, soapy romp with a dash of sensuality...but it was none of those things? (basically, I wanted a self-indulgent and delicious slice of chocolate cake...but I ended up with a week-old raisin muffin.) it didn't help that I had some issues with certain things the writer included. in particular, I REALLY didn’t like the equating of fat = mean/ugly and the repeated use of the word “bulbous” to describe certain characters noses----I had to do a quick google search to see what the hell the author was talking about. still not sure if she was trying to imply that the characters had rhinophyma/rosacea or just that they had bigger, “ugly” noses, but neither is good lmao. whenever you put a “plain/regular-degular person” with a big nose up against your array of stock White People™ characters with thin noses and angular faces, AND make those “plain” characters play the “wow, I’m so ugly but these characters are so pretty oh woe is me” bullshit in their inner monologue, I’m dipping. I’ve collected my paycheck, clocked out, left the building. (your story is already about a bunch of rich, straight, white people in 1905...I’m already skeptical, don’t test me. jk, but also not.) I’m fairly sure this would have caused a decent amount of people to DNF this book, but I’m a stubborn little bitch, and if I paid actual money for the hardcover copy at goddamn Barnes and Noble, I’m reading it. this is all to say that....if I’m being thrown out of enjoying your soapy historical murder mystery to gripe about random shit, there’s a problem. other than that? carpet was described a lot, the twist was decent, the romance was okay (no smut---or anything even vaguely close to romantic/sexual tension---and the kisses were not described at all, so I have no clue if either of them do more than press their lips together while admiring each others pale necks, but whatever), and the setting was the most interesting thing about this book (a crumbling english estate in the countryside?? sign me tf up). I won’t be reading anything more in this series, but that cover is pretty cool isn’t it? (I don’t know that the vase had anything to do with the story I read, but it does look really neat.) sidenote: hate to be a smarmy asshole, as I know full well how much work goes into writing, and I’m in no way trying to shame the author...this book just didn’t do it for me.

wilder girls by rory power 🌳🦷🥀

quick synopsis: young adult/horror/mystery. on an isolated island off the coast of maine, raxter school for girls is under quarantine. a mysterious disease has wracked the island, leaving teachers dead, students twisted and changed, and the woods that surround it dangerous and wild. while the disease consumes the island, the girls wait---for help, for the cure that was promised to them. but when hetty’s best friend disappears, she must venture out of the safety of the school, past the gate that separates them from the woods---and what she finds will change everything.

page count: 363

rating: ★★★★★

review: powerful, blistering, and utterly terrifying. that’s what immediately comes to mind when thinking about this book. I read it in a breakneck pace, devouring the whole thing in a feverish five? hour haze. once it was over, I sat bleary-eyed, the air around me feeling different than before, my hands tense and my stomach jumping. “you were a good one.” I said softly, kissing the spine. so yeah, it’s good. it’s very good. heartbreaking and awful and shockingly beautiful. this one hurts. I felt this one in my bones, in my soul. read it.

lovely war by julie berry 🌷💥💞

quick synopsis: young adult (but the youngest character is 18...so I think this could comfortably slot into adult)/historical (with a touch of fantasy). the intersecting stories of hazel, james, aubrey, and colette: a classical pianist from london, a british would-be-architect-turned-soldier, a harlem-born ragtime genius in the u.s. army, and a belgian orphan with a gorgeous voice and a devastating past----told by the goddess aphrodite, who must spin the tale or face judgment on mount olympus.

page count: 468

rating: ★★★★★

review: do you know how many times I CRIED while reading this book? because I certainly don’t! I lost track, as there are simply too many painful and beautiful things contained in this book. heart-wrenching, sumptuous and intoxicating, vivid in the best and worst ways, sharp and soft at the same time. I met my boyfriend while he was still active-duty military, so the wartime/seperation themes hit me very personally....but even without that, this book is excellent. expertly weaving together mythology and history in one gripping piece of art, it left me with a wistful smile on my face and a faint ache in my heart. it’s good. very good.

we have always lived in the castle by shirley jackson 🏡💀🐱

quick synopsis: young adult? adult? who knows!/mystery/horror. mary katherine blackwood is eighteen years old and lives with her sister constance. she has often thought that with any luck at all she would have been born a werewolf, because the two middle fingers on both of her hands are the same length, but she has had to be content with what she has. she dislikes washing herself, and dogs, and noise. she likes her sister constance, and richard plantagenet, and amanita phalloides, the death-cup mushroom. everyone else in her family is dead.

page count: 146

rating: ★★★★ (4.5/4.6!)

review: delightfully creepy and utterly odd, with a full cast of extremely unlikable characters and one of the strangest protagonists I’ve ever read. at NO TIME did I have any idea where the story was going, which lead to an completely bizarre (but fun!) reading experience. twilight-zonian/gothic...but better. very eager to read more of shirley jackson’s catalogue, because that lady sure knew how to weave a tale. very glad I read this one.

sadie by courtney summers 📻👥🎙

quick synopsis: young adult (mc is nineteen, and imo I feel like this slides into adult tbh)/contemporary/true crime. told from the alternating perspectives of nineteen-year-old sadie, who runs away from home to find her younger sister’s killer, and a true crime podcast exploring sadie’s disappearance.

page count: 308

rating: ★★★ 

review: sad, awful, raw. that’s this book, simultaneously bright red and angry and deep blue, sadness upon sadness. this book reminds me of every true crime documentary I’ve ever watched---how it wraps itself up in a depressingly soft way, all the emptiness left behind and everything forever-changed. gives me the same icky voyeuristic feeling consuming any true crime content always leaves with me---this peculiar feeling of peering in to others heartbreak, of their horrors. this is a hard book. it’s difficult and not easy to stomach---and it never lets up. know that before you go in. what you may expect/want is NOT what you’ll get. and that’s the trueness of this book. I have my own personal feelings regarding the story, thus the three star rating, but that’s on ME. this book is incredibly well-written and insanely gripping. I finished it the same night I started reading it. if you want a gritty, intense read set in the very bleak reality of our world, this is your book.

FEBRUARY

BOOKS READ: 14

PAGES READ: 4225

# OF 2020 BOOKS READ SO FAR: 17/50

in reflection: my goal for this month was to read ten books, and I did that ...plus four more! so I’m pretty proud of myself, lol! there were a lot of stellar reads this month, and I had so much fun discovering them all! definitely a TON of new favorites to add to my bookshelf! :^)

disclaimer: all fourteen of the books I read this month include/focus on potentially triggering content, although they do fluctuate on the scale of intensity and subject matter. my wrap-up reviews do not contain spoilers/a comprehensive list of potential triggers. I urge everyone to do their own research regarding the content of these books if you’re interested in reading them, and I’m always available for questions. my reviews are just that, reviews, and books that work for me may not work for you (and vice versa).

[asoftervirge]

Of “Love” & Murder (7/13)

CHAPTER TITLE: Logan Oxford: Esteemed Novelist

RATING: PG PAIRINGS: P. Sanders/V. Sanders (main/one-sided); R. Sanders/V. Sanders (former); V. Sanders/L. Sanders (former); V. Sanders/D. Sanders (former); Remy/E. Picani (side); T. Sanders/OMC (mentioned)

CHAPTER WARNINGS/KINKS: mentions of Anxiety, Logan being A Nerd, Philosophy Jargon, mentions of a previous Murder, mentions of Poisoning CHAPTER SUMMARY:  Logan tell Patton how he met Virgil.

AUTHOR’S NOTE: And we’re introduced to Logan! :D This chapter is shorter than the Roman introduction, but it should still bring excitement for people to want to learn how xe died. That’s a weird sentence. lol And yes, xe not he. Logan has had a number of changes with this update and I’m very pleased with them, so I hope everyone else is too. Also, this chapter is PG, so that’s good! Have fun reading everyone! xx Virge

INSPIRATION: This post by @phantomofthesanderssides

AO3 || Buy Me a Ko-Fi!

Patton squeaked and stood up straighter. For some reason, this person gave off a cold and aloof aura. Much different from the warmth and passion that radiated from Roman.

“You— You must be the second of Virgil’s husbands?”

“Spouses,” the second ghost immediately corrected. His lips curled into a slight scowl. It was pretty intimidating to say the least, especially with how tall he seemed to be. “While I do not completely mind being considered his…’husband,’ I would prefer to be called his spouse. Also my pronouns call be he/him, but I would prefer xe/xyr.”

“O-Oh!” Patton blushed, feeling bad he accidentally misgendered another person. “I’m so sorry! I-I didn’t mean—”

“Since this is our first encounter and it was merely an accident, I’ll let it slide.” xe told the confectioner while marching toward him, maintaining a good distance. “However, should we encounter each other again multiple times after this, and you still continue to misuse my pronouns, I can guarantee I will not be so friendly.”

Patton gulped. “Got it.”

Xe held out a hand for him. “Logan Oxford. Esteemed novelist and self-admitted astrophile.”

The confectioner didn’t know what half of those words meant. “U-Uhm,” he shakes Logan’s hand. “It’s a pleasure to meet you, Mx. Oxford.”

“Logan, please. No need for formalities.”

He nodded. Now that he thinks about it, Patton has heard the name Logan Oxford before. His cousin Emile brought xem up a couple of times when he talked about therapy (while still keeping patient confidentiality, obviously). He mentioned how xyr essays were really good, but they seemed a little too…stuffy, for his personal tastes (like most scientists/doctors/philosophers/etc).

Now meeting xem for the first time, he can understand why Emile said that.

While Roman had on very bold, fancy colors: reds and whites and golds, Logan was a stark contrast to that. Similar to his own palette but not quite. Xe had on a dark blue dress coat with a white button-up underneath it, along with black suit pants and dark brown dress shoes. A little bit of gold was on his buttons and cuff links, but other than that, the colors xe wore were predominantly dark.

Come to think of it, there were a lot of differences between he and Logan. The novelist had dark eyes while he had baby blue. Logan had straight, gelled black hair while he had strawberry blonde curls. A medium build with a good amount of muscle as opposed to a soft curvy build with a bit of chub. A sharp face as opposed to a rounded one. Square glasses as opposed to rounded lenses.

Regardless, xe were a very clean-looking individual. Perhaps even handsome in xyr own right, much like Virgil was.

“I suppose you’re wanting to warn me about Virgil too?” he asks.

“Is that not why you’re here?” Logan responds. “Or were you just wanting to put your nose into the affairs of a relatively wealthy man?”

Patton pouted. He didn’t have to be rude about it!

“But yes,” the novelist says immediately after. “I am here to also warn you about the dangers of Mr. Virgil Nyx of 613 Rue Morgue.”

“Well take your time. I’m not here to rush you.”

“I appreciate your concerns, but my past before Mr. Nyx is easy to discuss,” Logan tells him.

The confectioner nods, listening to him attentively.

“Growing up as a child, my father was a firm believer of knowledge,” Xe began. “He always believed that it was an incomparably valuable, multipurpose tool, instrumental in identifying and solving any of the world’s problems.” Dark blue eyes casted themselves over to the books. “One of the things he used to tell me was, “If you are ever worried about getting hurt, then seek knowledge. It is our greatest weapon, and our greatest defense.” And so, with that, my ever-growing thirst began.”

Xe went on, “I scoured for any form of knowledge, be that books or even educative television, wherever I could find it, I absorbed it entirely. I read every book from both my father and Ye Ye, every book from the libraries— primary school, the public one, university— etcetera. All of it was not enough for me. I eventually received my Master’s in Philosophy and a Doctorate in Physics, wishing to expand my love of all things intellect and share it with the world.” He turns back to Patton. “Before my graduation, I had published a few theses that were eventually used at other prestigious universities; and afterward, I had written a book or two, which resulted in my rise to celebrity.”

Patton nodded. Then he asked, “Had you known about Virgil before you met him?”

“I was aware of him, yes.” the novelist’s lips thinned into a firm line. “I had heard about the…supposed suicide of Roman Scarlet, famed Broadway actor and beloved performer of the Storytime lounge. I had also heard of his brother’s desire to take Virgil to court without any proof of murderous intent, I believe he was even in contact with a lawyer despite this.”

The confectioner looked at xem in surprise. “Even when he didn’t have evidence, his brother had contact with a lawyer about wanting to see if Virgil could be charged with murder?”

“Indeed.” Logan nodded. “At first, I read it off as some silly story for revenge, not exactly understanding how that was actually the truth.”

Patton nodded. “So…Did you meet him at a book signing or…?”

Logan didn’t say anything of the longest time. When xe did, it was very vague-sounding. “When I met Virgil…well, let’s just say it was…a strange sense of irony.”

…

If he could, Virgil would have openly spat about how much he did not want to be here. When he became as wealthy as he is, he swore up and down that he would never return to this place, return to the old life he lived before he knew what it was like to have money.

And yet, here he was, walking into a familiar-looking bookstore. The name re-entering his mind like he hadn’t shoved it out oh so many years ago.

Catching his eye was the small clump of beings standing outside its old, paint-chipped door; maybe the line won’t be as long as he thought. However, he quickly (and unfortunately) realized that the clump of people outside stood at the end of a line that snaked through the entire store.

Everyone and their mother apparently wanted to meet Logan Oxford today of all days.

He should’ve expected this, and yet, he didn’t. Idiot.

Actual anxiety slowly began to seize his being as he continued to approach. Everyone seemed to have a book clutched in their hands. Most were the newest release that came just before the holidays, while some seemed to be personally chosen titles by the older audience, and then there were even books of essays that were held and gossiped about by students (or who Virgil assumed to be university students).

By the time the line actually started moving, Virgil felt sweat starting to coat his palms. He let out a noise of annoyance and shoved them into his pockets.

He was not going to let his stupid anxiety ruin this chance for him. He wasn’t!

Walking in, the little jingle of the bell above sounded like the heavy dong of a church one.

Virgil forced himself to look around. This cozy little hellhole remained the same even after almost a decade. (He even forced himself to wonder if the old owner was still here. Probably not. Maybe retired. Or dead.)

The lighting was still bad, but it gave the small interior of the store its warm glow; the carpeting was still old fashioned and had that untraceable smell to it; the chairs scattered about the store were all patchy and worn-down; the wooden tables had scratch marks and random-ass messages that people carved in with pencil; and there were still crazy knickknacks and antiques hanging from the walls or seen from the shelves.

For the widower, this place was a walk-in nightmare, like walking into someone’s grandmother’s house. But for the many customers who come and go daily, it was a little spot of comfort.

Silver-grey eyes eventually found the prize he was looking for.

Logan Oxford sat at a small table with a pen in xyr hand. The writer smiled very thinly up at an admirer as xe handed back their book from across the table.

A thousand little details flooded Virgil’s mind all at once. A full mouth that could be expressive if it wasn’t so clearly behind a reserved wall. A face that was as sharp as Roman’s but it was much more angular. Rich, dark eyes that almost seemed black: dark and mysterious, they looked like they were pulled from the night sky. Slicked back hair that would still be considered neat without all that damn hair gel.

Xe were more than attractive than the widower realized. Perfect for being his next target.

Just before it was his turn, he saw a stand full of Logan’s books, all new and old alike. Making sure no one was looking, he snagged a copy before making his way towards the novelist.

The novelist took the book without even saying anything, not even so much as a polite hello. Xe flipped it open to the first page and started to scribble on the first page with blue ink.

Virgil looked down at the book he grabbed and an idea sparked in his mind. He cleared his throat, but not loud enough to cause a scene. “Mx. Oxford?” he pretended to sound eager. “I know you’ve probably heard this before, but your philosophy essays are so fascinating.”

“You are correct, I have heard it before.” xe said. Dark eyes flashed up at him, a brow quirked and his expression monotone. “Do you have a particular question you’d like to ask me?”

He nodded. “Actually, I do…Do you believe that your field of study has been hindered by the teachings of Aristotle, or are you one of those science-y people who just nod and continuously say he’s right without any substantial proof?”

At that, Logan’s head shot up. “…beg pardon?” Xe were a little stunned by the question being asked of him.

“Do you agree with Aristotle’s teachings, yes or no?” Virgil asked again, a tiny bit amused as he made the novelist react in such a way.

Xe cleared xyr throat, trying to regain some composure. “W-Well,” he stammered. “In the case of Aristotle…the man was usually wrong. A lot. Most of his descriptions of the natural world are some variety of incorrect,” xe tell him. “Looking past his blatant sexism, his understanding of motion and forces is wrong, is astronomy is wrong, a good portion of his biology is busted, and science has in fact suffered for it. For almost 2,000 years to be specific.”

The widower hummed. (Truth be told, he hated philosophy. It was basically a bunch of old guys trying to preach certain ethics and ideologies that would eventually become outdated and criticized.) Nevertheless, he wanted to know what Logan thought about it.

“However,” Logan continued, a glimmer of something sparkling in his eyes. “It wasn’t until the 1800s when the atom was officially declared A Thing, that people began to believe his contemporary, Democritus, as opposed to himself.” Xe snort. “Not to mention, according to Cicero, his prose was apparently a flowing river of gold…when it actually was not. And it was because of him that we not only lost science but also a catastrophic amount of classical literature.”

“So in actuality, his works are basically glorified lecture-notes from his students?” Virgil smirks faintly. “I guess you know now why we should’ve listened to Gorgias instead.”

“Gorgias?” Xe ask, looking at him incredulously. “The man was, excuse my Greek, a pathological pain the ass. He didn’t care for objective truth and stated that everything was a matter of opinion, which was always bendable.”

“Exactly!” Virgil smirks more. “Everything is a construct, therefore we tried and failed. So now all we need to do is to hide under the covers until the sun goes away.” With that, the widower takes his autographed book and begins to leave the store.

“Falsehood!” A screech came from behind him, making him jump. He turns around to see the novelist get up and stride over to him, a sharp look in his eyes. The widower immediately stood straighter. Damn…that glare reminds him of a certain someone that he does not wish to remember right now. “Just because Gorgias was able to obliterate Stephanos of Thebes with straw-man arguments and casual fallacies, does not mean you can, Diogenes the Cynic.”

Virgil blinked. “…Diogenes the Cynic?” he echoed.

“Yes,” Logan says. “A philosopher who believed that all Sophists were liars, the Philosophers were too pretentious, therefore taking immense pleasure in poking fun at their logic.”

The widower pondered thoughtfully. “…yep. That sounds like us just now.” A glint of wicked humor shone in his eyes as Logan just looked done with him. “But in all seriousness, Mx. Oxford. You have to realize that philosophy can be a bit asinine, right?”

Logan stayed silent for a moment before breathing out. “I suppose so,” xe states. “All of the big, complex ideas simply come from those who are fallible and prone to…ridiculousness. For every Plato’s Republic, there is a Diogenes urinating at a banquet table.”

“There you go,” Virgil laughs. “I hope you really didn’t get offended by what I said. I like presenting counterarguments just to see how people react.”

“No harm done. Although I must admit, while I don’t particularly enjoy socializing with others all that much,” Hard same. “I would like to talk to you more. Maybe about science-based media— or whatever it is you’re a fan of?”

Virgil nodded, smirking internally. “I don’t mind at all. In fact, I would like to challenge your claims on what you call cognitive distortions. As someone who has generalized anxiety, I wanna know what your psychology thinks about my over-reactionary mind.”

Logan hummed in interest. “Oh? I look forward to it then, Mr…?”

“Nyx. Virgil Nyx.”

“Mr. Nyx.” Named after the Roman Goddess of the Night, the novelist mused. Xe liked it. Xe scribbled something onto the back of a bookmark, handing it to Virgil. “Again, thank you very much for coming and I hope to communicate with you again soon.”

“See ya.”

With a finger salute, Virgil left the bookstore with a sigh of relief. He was quite glad that his anxiety didn’t make him look the a fool and that he was out of that atrocious place. He opened the book and saw the fancy penmanship of the novelist.

On the bookmark, was his phone number.

He smirked. Maybe he did succeed after all…

…

Patton listed as Logan finished telling him about xyr first meeting with Virgil. He had to admit, it was rather nice to not listen to any…graphic details about things he didn’t want to know, even if Roman told him in a vague manner.

“So how did you stay close with Virgil?” he asked, remembering the questions he presented Roman. “You gave him your number; did you call each other on the phone? Or did you both kept meeting at the bookstore.”

Logan shook xyrs head. “No. However, I would invite him out for some coffee if I was in the area. And every time we did so, we would always have little discussions that would turn into…not-so-little discussions after a period of time…”

Patton raised an eyebrow, smiling knowingly.

The novelist scowled. “We did not argue, if that is what you’re thinking! We…debated, that’s much more civil.” The confectioner giggled but allowed him to continue. “And, while I’m not a traditionally…emotional person…it was quite nice to have someone debate on certain subjects with me, even if they tended to hiss at me from time to time.”

Despite this slowly becoming a sad tale, Patton giggled again. He won’t lie, Virgil did act like a cat every once in a while. It was actually kinda cute (you know…despite the fact he murdered three people…).

“I would also take him to any conferences or panels that I would be invited to attend or speak at,” xe told him. “He would act as my plus one, if you will. I must admit, even if I could manage them on my own, it was…almost beneficial for me to have him around during those events.” Xe chuckled. “I say this despite the fact that he detested such things, as they tended to prompt his anxiety and cause him to rudely hiss whenever someone— and I quote— “reached his limits with stupid questions.” Not only that, he was not primarily invested in the actual subjects of said discussions and was more interested in the catering they served.”

That caused Patton to actually laugh. That also seems like something that Virgil would do, though he doesn’t blame him at all. In fact, if he were in his shoes, he would be a bit more curious in the food too.

Logan couldn’t help xyr lips from twitching upwards. “I shall confess, there were times where I myself have agreed with his sentiments.”

Unfortunately, the smiles and laughter had to end at some point.

“But what happened afterward?” Patton eventually asked. “What caused everything to go downhill?”

The little twitch of a smile instantly when back to a frown. The confectioner sees xem turn to grab a book that was suddenly on the table (when did that get there anyhow?). It was a very beautiful looking book: dark indigo in color with a title that he couldn’t quite make out, but he could see Logan’s name at the very top. Xe opened the book, flipping it to the very last pages before handing it to Patton.

‘ACKNOWLEDGEMENTS’ Baby blue eyes skimmed through the short paragraphs of text. Logan gave simple but kind words as xe thanked the people who helped xem achieve such a feat, such as his parents and former professors.

Then he followed to where the novelist had pointed a finger at.

“Lastly, I would like to give acknowledgments to my husband, Virgil Nyx.

While we have not known each other long, and have newly become married, but having your support throughout this journey was momentous for someone like me to complete this project. Your harsh and honest (almost too honest) criticisms of my work were what kept me going to make and achieve better than my means. And while I am not an emotional person, nor do I express my emotions often, I quiet enjoyed having your company while I wrote and rewrote my rough and final drafts… And I must thank you for bring me my favorite green teas and jellied biscuits whenever I hadn’t eaten or drank anything for hours on end.

This is the most I have genuinely praised someone so highly (and also a first), but it cannot be helped. I truly hope you see the appreciation and respect I fester for you.”

Patton couldn’t help but tear up. To Logan, they may appear simple, but they were also so beautiful.

“As you’ve read, by the time I had written my last book, Virgil had become my spouse.” Logan says. “We were married in a simple ceremony. Something that was vastly different from Roman’s grandiose nuptials.”

Patton giggled. It was amusing with how Logan was poking fun at Roman from beyond the grave. (In an almost magical way, he could almost hear an indignant noise in his ear).

“But,” Logan’s face grew sad, almost angry. “That did not last long, unfortunately. I had quickly fallen for Virgil’s rouses like the one before me. And, like him, I was met with an unfortunate end.” A deep, almost tired sigh. “To think, someone like him could have been two steps ahead of me in a metaphorical game of chess…I must say, it was truly a checkmate on his end.”

“Him murdering you, you mean?” Patton asked, fearing the answer Logan will give him. Silence. A very familiar silence.

Then, Logan nodded. “Yes. Although, poisoning is the correct terminology this time around.”

[curious-minx]

October 2010s Music Deep Dive!

A mock up poster for the only possible music festival line-up I would be willing to risk my life attending. Tony Allen’s passing has caused the entire Octoberfest to be cancelled indefinitely, but all proceeds from ticks will be given back to the community. 

Hope all of you special nobodies and overblown somebodies reading this right now are having a smashing start your first o November. All last month I had taken it upon myself to listen to as many albums and fragments of albums released sometime during the month of October spanning the entire 10’s decade, 2010 through 2019. This is all probably a result of drinking too much dead water, Quarantine brain, undiagnosed Autism, magical thinking and the death of boredom. I have created a Spotify playlist sporting 25 hours and 4 minutes worth of music with an arbitrary amount of albums getting multiple songs, but largely one song/album. This project did create a sense of madness because of the volume of music that gets cranked out. How can we expect anyone to properly criticize music when it is nearly impossible to keep up with it all? I largely culled these albums from Allmusic’s Editorial Choice section, but I did have to use Rateyourmusic to fill out the hip-hop and R&B gaps. In gathering up all of this music I am attempting to see if spooky music was relegated to the October season and any other possible trends. Even though October has been laid to rest her swelling calendar breast still contains a treasure trove of music worth discussing. Grab your broom, sharpen your heels and get the cobwebs out of your ears because we’re going on a Deep Dive! 

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The 2010s Old Souls and Musical Auteurs 

I consider any musician or band that endures more than a decade worthy of this veteran label. Music biz lifers seem found solace in the October release schedule. A trend that has carried onto the new decade with October 2020 offering revitalized releases by Elvis Costello and Bruce Springsteen reunited with the E Street Band. All three main members of Sonic Youth, Moore, Gordon and Renaldo are still harnessing that spooky Bad Moon Rising energy and carrying it over into their solo releases. 

KIM GORDON’s NO RECORD HOME

The first truly proper solo album by Kim Gordon following up her pretty good noise rock releases under the Body/Head moniker with Bill Nace. No Record Home towers over Thurston Moore and Lee Renaldo’s mostly okay solo releases because of how truly experimental and refreshingly modern sounding No Record Home is. This album sounds like it could easily have come out from a young Pacific Northwest Trip-Angle (RIP) label upstart. Instead, Gordon is defiantly aging gracefully and remains an all around important feminist voice in experimental rock music. No Record Home did not pop up on a lot of “Best of the Year” lists in 2019, nor did Gordon embark on any kind of touring for the release. I am hoping that more people will eventually discover this great album and realize that Gordon was truly the best, most truly experimental aspect of Sonic Youth. Her vocals on this album are the best she’s ever sounded because she built these songs and sounds with the intergral collaborator, producer Justin Raisen. A glimpse at Raisen’s Wikipedia page is a who’s who of great artists of the past decade: Yves Tumor, Charli XCX, and Sky Ferreira. The collaboration occurred at an AirBnB shared between Gordon and Raisen and birthed the first single of the project “Air BnB.” A song that completely sets the tone of the album and features one of those amazing music videos in the same line us Young Thug’s “Wyclef Jean. “

Björk - Biophilia

Can you name the last album the rolled out with its own app? Nine years have come and gone and I certainly can’t think of another album with such wholesome ambitions. Björk was getting passionate about ecological concerns in her native Icelandic home with Sigur Ros and using her sphere of influence to try to good. 2014 the app has found a permanent home in the MOMA, but outside of this curio status the album itself is still a worthwhile addition to the Björk canon. Biophilia finds Björk in musical scientist mode using sounds captured from a Tesla coil and making a whole musical universe onto herself. The rest of the 2010s found Björk going for bigger and more ambitious projects that continue to frustrate those who wish she would go back to her poppier roots. She remains one of those most consistent solo artists around and someone no one will be able to predict what she does next. The only thing is certain is that it will be visionary and will probably include a wildly ambitious rollout and a new piece of physical art like Biophilia’s $800 tuning forks.

NENEH CHERRY - BROKEN POLITICS

Featuring production duties for the second time from Four Tet (who also pops up in the October playlist with his 2013 album Beautiful Rewind). Broken Politics in Cherry’s words, “is about feeling broken, disappointed, and sad, but having perseverance. It’s a fight against the extinction of free thought and spirit.” The music video for single “Natural Skin Deep” was filmed in Beirut, a backdrop made even more painful given 2020’s Explosion. Cherry is an artist with deep spiritual and blood connections with artists central to jazz’s history. Broken Politics also features songs built around Ornette Coleman samples. This is all to say that Neneh Cherry is always going to be someone tapping into a creative cosmic vein that spans generations, and with that comes a hard wisdom. Two years later we’re still dealing with the same god damn guts and guns of history. 

OTHER NOTABLES:

(Cat Power - The Wanderer; John Cale - Shifty Adventures in Nookie Wood; Tony Allen - Film of Life ; Neil Young & Crazy Horse - Psychedelic Pill ;Bryan Ferry - Olympia; Nick Cave & The Bad Seeds - Ghosteen ;Yoko Ono - Warzone; Vashti Bunyan - Heartleap; Elvis Costello & The Imposters - Look Now; The Chills - Silver Bullets; Weezer - Everything Will Be Alright In The End;Laurie Anderson - Heart of A Dog;Janet Jackson - Unbrekable;The Mercury Rev - Light In You;  Rocketship - Thanks To You; Van Dyke Parks & Gaby Moreno - Spangled; Donald Fagen - Sunken Condos; Prefab Sprout - Crimson Red; Pere Ubu - 20 Years in a Montana Missile Silo; Negativland - True False )

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TRILOGY OF BLACKSTARS

Three last albums released by three titans of 20th century songwriting. Two of them follow the trajectory of an older artist getting rejuvenated by a younger backing band. Lulu is beyond a meme at this point and is considered one of the most confounding flops since Metallic Music. Like Metallic Music, Lulu will get a reappraisal and find its audience. Mr. Blackstar himself Bowie considered  Lulu one of his favorite releases. “Junior Dad” alone makes this album a worthy addition in Lou Reed’s discography. Scott Walker invited some similarly hairy and intense younger rock studs into his private castle and pulls off a far more natural combination. Soused fits like a velvet glove on a elegant corpse hand swirling thick slabs of guitar and demonic percussion. Scott Walker effortlessly orchestrates between elegance and moribundity whereas Lulu wallows and thrashes against  the ugly riffage. 

No riffs or oozing wall of sound are  anywhere to be found on the sparse and pointedly elegiac You Want it Darker. Leonard Cohen never went full on sleazy I’m Your Man ever again but he didn’t become adult contemporary either. You Want It Darker finds Leonard and his son Adam Cohen. When Leonard passed away he was the only one to get a full David Bowie like museum tribute, Lou Reed only got a corner of a library. Cohen is far and away the most accessible mystical Jewish Buddhist monk with a penchant for fedoras and having a masked man with a leather belt beat him in the recording booth [citation needed]. You Want It Darker is the only one of these mortality laden kiss offs to win a Grammy. I do wonder if Cohen would have ever allowed a more adventurous production to touch his staid and timeless old fashioned sound. Tom Scharpling divides Leonard Cohen into his Pre-Fedora and Post-Fedora days. If you are being literal about that demarcation that still gives you a pretty vast body of music I just want sad bloated blurry black and white Leonard Cohen with a banana or the smiling cad on Songs of Love and Hate. Even the floppy fedora era has worthwhile albums and he sounds like if Serge Gainsbourgh was a muppet Gargoyle, he’s reliable. I will always beat myself for not buying that official Leonard Cohen raincoat at the Jewish Museum Leonard Cohen exhibit, but I hope someone has and they are finding comfort with Cohen’s music. A lot of his latter day period is comforting in a sardonic sexy mind bending nursing home sort of way. 

I am glad that these men were ultimately spared from having to deal with Covid times and even someone as tasteless as Brian Wilson’s Ghost can acknowledge that it’s more important than ever to keep your elderly loved ones locked away in a well ventilated pod. 

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(INSERT ARTIST HERE) SEASON

For a few sticky sweet select few artists the month of October proved to be a suitable release launch pad for more than one album. The Mountain Goats and clipping. have just joined the October two-timer club this year. The reigning queen of October releases is Taylor Swift and Adrianne Lenker. In chronological order swift released Speak Now, Red and 1989 probably Swift’s biggest run in terms of critical and commercial success. None of these albums have a particularly big place in my heart, in fact speaking on behalf of Brian Wilson’s Ghost Ltd. I’m not the biggest fan of America’s Sweetheart, Sweet Tea Poet Laureate.  All three of these albums all came out in the latter part of October and based on the Target brand synergy roll-out felt as inevitable as pumpkin spice. Haunted. Sad Beautiful Tragic. Out of the Woods. These are either song titles taken from these three albums are the names of the under utilized Romantic Halloween Horror Comedy genre. Lady Gaga might have been spooking it up on American Horror Story, but Swift gives a far more chilling performance in Tom Hooper’s midnight madness of Cats and I could envision Swift excelling really well as a horror film actor. Especially in a role like Scarlett Johansson’s Under the Skin. 

You cannot get more polar opposite from Swift than Adrianne Lenker. Who released her first solo album abysskiss   and the second Big Thief album of 2019 Two Hands. Lenker will have also gone on to make her third October release this year with her second solo album songs & instrumentals. Striking that such a ghostly autumnal band would have only released one album in October, but autumnal feeling albums are not beholden to release calendars. The song “Not” from the Big Thief album Two Hands is a watershed breakthrough moment for the band and put Lenker and her band on the map. In 2019 Big Thief became a band that could get booked onto a Goodmorning American performance slot and more or less made Big Thief one of the rare 2010s indie bands to become more or less a household name. 

Other notable artists to have released more than one album on October 2010s:

Less notable artists to have multiple October releases: James Blunt Korn

Calvin Harris 

Kings of Leon

Pentatonix 

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FORMER HARBINGERS OF HYPE

These are October releases from artists that once felt like whenever they put out an album a wider array of outlets and publications seemed to care more and would spill more digital ink over them. The big three artists that had the biggest drop off in attention and acclaim that stick out to me the most are Titus Andronicus,  Justice and Why? All three artists debuted with strong starts back in the aughts, but according to critical reception more or less crashed and burned. Titus Andronicus’ Local Business was one of the last times Titus Andronicus would get positive marks from Pitchfork. Local Business a fun and shaggy follow-up to one of the most self-serious concept albums of the 2010s. 

Justice’s Audio, Video, Disco similarly is a follow up to a highly acclaimed album that set the bar high enough to doom Justice into never living up to the hype. Justice’s 2007 s/t heralded them as the next Daft Punk, but unlike those soulful and thoughtful robots Justice mainly wanted to make big ridiculous unfashionable synth prog rock. Audio, Video, Disco is simply cheesy fun and even though we live in a world better off without parties and gatherings this album helps you feel like you are in high-def IMAX monster mash on the moon. 

The leaves us with Why?’s Mump’s Etc. an album that already had the job of following up an already divisive follow up record Eskimo Snow. Why’s Alopecia is a really important 2008 indie blog rap album that helped thrust the online indie blogs into the hip-hop genre hybrid experimentalism. Why? would never make another universally beloved album again and with Mump’s Etc. ended up permanently in Pitchfork’s hate pit. In the original release review the Pitchfork writer essentially deems this album an act of “career suicide.” The whole review is essentially an assignation of Why?’s figurehead Yoni Wolf and taking him to task for all of his awkward lyrical blunders and the fact he is narcissistic enough to be a musician writing about his career in a meta fashion. Yet when I listen to Mump’s Etc. I am more or less enjoying Yoni Wolf’s personality and find the whole thing to be pretty charming. A perfectly serviceable 3.5/5 release that a media outlet like Pitchfork turns into a flexing opportunity to show how that they have the power to make or break a career. 

A.C. Newman, an artist who appears on this playlist with his terrific 2012 Shut Down The Streets took to Twitter to scoff at the idea that a good Pitchfork review has done anything for his career. Shut Down The Streets currently remains the last solo album Newman has released under his name choosing to focus on his main gig with the New Pornographers. The Internet based hype machine is even more ADHD addled and twitchier by the day. The joy of doing this deep dive allowed me to revisit a lot of these artists and acts that I had fallen out of touch with. I had completely forgotten about King of Convenience’s Erlend Øye who released the album Legao in 2014. I rediscovered a good deal of bands like the Editors, The Dodos, Kisses, Black Milk, Crocodiles, Empire of the Sun, Juana Molina, Jagwar Ma, Here We Go Magic, Dale Earnhardt Jr. Jr., YACHT, Peaking Lights, The Twilight Sad, Elf Power, Swet Shop Boys, Radio Dept, Allo’ Darlin, Foxes In Fiction, and HOMESHAKE are all bands not trying to change the world or challenge listeners with avant garde experimentation. Instead I feel like I maintaining relationships with old friends on the edge of obscurity. 

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A HISTORY OF CHRISTMAS IN OCTOBER 

A tradition stretching back as far as 2014 not October’s Idina Menzel’s Holiday Wishes, but Seth McFarland’s Holiday For Swing sweatily released on CD, digital, and vinyl on September 30, 2014.  2015 then brings us a Chris Tomlin and Ru Paul Christmas albums because every force of Neo-liberal good must be balanced with evangelical contemporary Christian music *shutters.* 2016 finds the Christmas in October era reaching a complete and utter nadir with R. Kelly’s final official LP 12 Nights of Christmas and A Pentatonix Christmas, but also buffered by Kacey Musgrave’s Christmas. 2017 only had time for Gwen Stefani’s You Make It Feel Like Christmas and no one else could evoke this feeling in October. On 2018, Michelle and Barack Obama’s combined one and only Christmas wish comes true, no not cancelling those drone strikes, but getting John Legend to join the October release jamboree; Eric Clapton claps open his guitar’s butt cheeks and hatefully squats out a half assed Xmas album defiantly opening the album with “White Christmas” [eyeroll emoji]; and finally 2018 found the Pentatonix announcing in October that Christmas Is Here. I apologize for all of that crude butt talk about the hateful racist Eric Clapton, but(t) I have festive gluteus Maximus on the mind, because in 2019 Norah Jones got her alternative country gal trio back together to remind us to shake our Christmas butts. Eat shit commercial shit, today’s Santa’s birthday! That’s the magic of the October release schedule! 

The hallowed Christmas in October tradition continues on in 2020 with Dolly I-Beg-Thee-Pardon  releasing A Holly Dolly Christmas right on time on October 2, 2020 (Carrie Underwood missed the memo and unwraps her unwanted My Gift in September 2020). Meghan Trainor, Goo Goo Dolls, and Tori Kelly released Christmas albums. Can you believe Seth MacFarlane comes up twice in this article, because his sleazy J. Michigan Frog croon is processed and grated like Parmesan cheese snow flakes all over a rendition of White Christmas.  What a time to be alive! 

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WHERE DID THEY GO?

A Brief Case For Class Actress’s Rapproacher

Among my October music travels I encountered one artist that really impressed me with her proper LP debut Rapprocher. The trio fronted by Elizabeth Vanessa Harper is essentially peddling the kind of competent moody 80’s inspired synth pop that belongs on a lost Donnie Darko sequel. Harper’s vocals are striking and expressive and they are melded with constantly propulsive bed of shiny synths and glossy barely-there gated percussion. Outside of an 2015  EP called Movies featuring exciting production contributions from Italo-disco icon Giorgio Moroder there has been nothing else from Class Actress. Highly recommend you check them out especially if you want to find the sweet spot between Chromatics and Kylie Minogue. 

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THE OCTOBER 2010s MASTERPIECES 

(Robyn - Honey, Big K.R.I.T. - 4eva is a Mighty Long Time  ,Miguel -  Kaleidoscope Dream, Crying - Beyond The Fleeting Gale , M83 Hurry Up, We’re Dreaming ,SRSQ - Unreality, Sufjan Stevens - age of adz, Joanna Newsom - divers, VV Brown Samson and Delilah, Kelela - tear me apart , Neon Indian - VEGA Intl., Fever Ray - Plunge , Antony and The Johnsons - Swanlights (goodbye album) , Caroline Polachek - Pang , Sky Ferreira - Night Time, My Time . Bat For Lashes  Haunted Man, James Ferraro - Far Side Virtual , Grouper -  Ruins , Kero Kero Bonito -Bonito Generation , DJ Rashad - Double Cup)

Maybe if I surround this VV Brown album with more well known artists she’ll finally get some more clicks? I should also mention that Joanna Newsom’s Divers is nowhere on my Spotify October Music playlist because Joanna Newsom thinks Spotify is bananas, and she hates bananas. I know I should also mention Kendrick Lamar’s good kid, m.A.A.d city and Tame Impala’s Lonerism. That’s the maddening thing about October music that just when you think you covered all your ground you find another hidden hump underneath the carpet.  I feel remiss without mentioning striking debut and instant hidden gem Tinashe’s Aquarius, which did you know has a new album art on Spotify. Death Grip’s No Love Deep Web. T_T I didn’t even get around to making a big verbal mosaic to Thom Yorke’s witchy Suspiria soundtrack.Corpus Christi! I forgot to highlight The Orb album in the collage with my other veteran artists!  As you can see this project nearly ruined me. I did not necessarily listen to all of these albums from front to back, but I did listen all of the songs on the playlist and chose them from the immense collection of October releases. I am pretty sure this is the kind of content for no one in particular but I really needed to get it out of my system. Let’s meet back up October 2030!!!!!

(Thank you to my beloved partner, best friend and Spotify provider Maddie Johnson XD)

https://open.spotify.com/playlist/7sdLaNNaqWpKEKXRZ3jNqY?si=SLZxUwLMQYOQ5wA1xuZc7w

[not-that-good-at-breathing-in]

~ ~ b r a v e n e w w o r l d ~ ~  ((dispassionate contentment))

I shall divide my thoughts on this book into four main categories: “I didn’t like it”, “is it actually a utopia?”, “Eugenics” and “oh god hyperconsumerism”. I will be informal, tangential, judgemental, but hopefully entirely factual. 

I didn’t like it

The first 100 pages feel completely separate from the rest and are just the most blatant exposition loosely framed in the device of “they were on a tour”. I think there are more engaging ways to start a novel. For example: it can start by introducing the main character as well as the world by having it be about his specific experience, or you can start with a shorter, even dryer text that would be in an in-world pamphlet or something. This way the audience can immediately be immersed in the world and figure things out for themselves, reading outright state propaganda as something unquestionable. But, obviously it isn’t like the book is going to be edited to my preferences after all these years and I don't think mr. Huxley will do anything with the advice either, since he died of laryngeal cancer in 1963.

I also didn’t think any of the characters were sympathetic, either because the pov clearly looked down on them as was with the people who strongly identified with their communities (mostly the mother and Bernard's girlfriend). And the people that were supposed to be taken seriously (i think) were these intellectual men who thought themselves outsiders who could objectively judge the world around them and decide what’s best for everyone (Bernard, John, Galaxy Brian). This is not a type of person I am particularly fond of in the real world and that dislike also extends to the brave new world.

At first, I thought the main character (Bernard) would change and become more chill at some point, but no. He had social anxiety throughout and his coping mechanism was arrogance. I also liked John before he decided to use his life and position to be a raving lunatic by the woods - an understandable, attractive life path, but the implications of it are hopeless. Are you saying the answer to living in a horrifying, dystopian hellscape is to be a thespian recluse, Aldous? Is that really the most productive course of action, Al?

Is it actually a utopia?

As opposed to most “future: bad”-science fiction, most people in the world of Brave New World see their society as a utopia. Only the ragtag gang of angsty male protagonists think of it as being dystopian, which the figures of authority view as a fault of the system. If they have any negative opinion of their society, then clearly the system  of indoctrination has failed them. If only society were more tightly controlled, then it really would be a utopia. But we as the audience of course don’t see it as a utopia at all. The industrialization of human bodies makes that everybody only exists for the sake of the Economy. There are no individuals, only society as a whole, serving itself.

But if the average happiness of a member of a society is not the factor by which we determine how desirable a society is, then what is? 

Diversity? Brave New World has a diverse range of citizens, though they do look the same for the most part, because they exist in large groups of twins. The different groups are bred to be in different social classes and they are discouraged from identifying with each other. So maybe diversity among social groups is important...

Technological progress? If I remember correctly, Brave New World puts a lot of resources into the advancement of science and technology. 

Freedom? The big dystopian science fiction thing that Brave New World gleefully indulges in is *ominous music* TOTALITARIAN GOVERNMENT. In this world, you lose any ability to choose for yourself as you are being produced. Your moral framework, your priorities, your aesthetic taste are decided during your infancy. You do not learn about things you are curious about, but only the things the factory prescribes. Any decision you make after you leave the factory is so heavily decided by the way you’ve been programmed, that it can't be of your own free will however much you think it is. As Huxley himself said: “A really efficient totalitarian state would be one in which [leaders] control a population of slaves who do not have to be coerced, because they love their servitude.”

So, is the purpose of humanity freedom? Idk sure.

Eugenics

Lets start this off by saying that Aldous Huxley was a eugenicist. Here’s a few quotes to support this claim: 

“About 99,5% of the entire population of the planet are as stupid and philistine … as the great masses of the English. The important thing, it seems to me, is not to attack the 99,5% ... but to try to see that the 0,5% survives, keeps it’s quality up to the highest possible level, and, if possible, dominates the rest. The imbecility of the 99,5% is appalling - but after all what else can you expect?” - in a letter to J. Glyn Roberts in 1933

“Birth control depends on the co-operation of an entire people. It must be practiced by countless individuals, from whom it demands more intelligence and will power than most of the world's teeming illiterates possess, and (where chemical or mechanical methods of contraception are used) an expenditure of more money than most of these millions can now afford.” - excerpt from Brave New World Revisited in 1958, in a chapter all about how overpopulation is destroying average living conditions. The looming threat of overpopulation is one of the biggest arguments used in favour of eugenic policies, while the most of the problems attributed to overpopulation are actually symptoms of late stage capitalism… am I getting off topic? Anyway, Aldous had shit politics.

I think the premise of the book is largely about taking the best case scenario of full blown population control to its logical conclusion. “Best case scenario” means that he’s leaving the bigotry and enthnic cleansing out of it (yay?). So, the best case scenario is one in which humans have played god so much that individuality is no longer a thing and neither is passion. Because children are no longer created through copulation, people are discouraged from forming long lasting pair bonds. This form of eugenics eradicates the tedious variable of ♥love♥. 

Consumerism

And even with everyone being conditioned to be content all the time, they still need to B U Y  S T U F F. So, as a means of further pacifying the people, trinkets, sports and spiritual practices are offered as commodities (this doesn’t sound familiar at all). People are not supposed to use things for long amounts of time, so nothing is made to be durable and people are encouraged to use anything once before throwing it away (again, not familiar at all).

The main thing that stuck in my mind after reading this book is that children are conditioned not to enjoy nature. The baby factory puts a lot of effort in overriding our natural instinct of thinking flowers are pretty, because they aren’t profitable enough. I guess I hadn’t really thought about it being in capitalism's favour to distance people from nature as much as possible. This goes along with the fact that it's in capitalism's favour not to think of people as organic beings who are part of a larger ecosystem, because that would mean in hurting nature we also hurt ourselves.

Honestly, the consumerism aspect of this book is too real and I get a bit too despondent thinking about it for a long amount of time. Like, we live in a society where all of our base needs/desires are targeted with advertising for unfulfilling and addictive products to turn a profit for one of, like a few people who also happen to own every flat on kalverstraat and who don’t give a shit the people they’re mooching off of.

[ihavethoughtsplural]

Blood and Chocolate: An Adaptation in Name Only

Previously:  Section 0 – Introduction, Section 1 – The Book

Section 2 – Adaptation Challenges

Preface: I’m writing this section in the aftermath of the Artemis Fowl movie.

(Yikes?  Definitely yikes.)

Most of the professional reviews mention the lack of originality, the ineptitude, and the stink of franchise aspirations.  However, if you take a look at the audience reviews, you’ll notice a trend: lots of fans of the book are absolutely livid about the adaptation changes.  

To the fans of the books, I am so sorry, and I feel your pain because I’ve been there.

 An adaptation with only superficial connections to the source material?   

 An adaptation that almost seems like a deliberate insult to the book? 

An adaptation that legendarily misses the point of the original?  

I know that rage because I’ve been through it.  Blood and Chocolate fans know the pain that Artemis Fowl fans are currently experiencing.

But, why?  Why have so many beloved books been butchered in the name of film adaptation?  Let’s take a look at the process that took the 1997 Blood and Chocolate novel and turned it into the 2007 Blood and Chocolate movie.

Adaptation History: After its 1997 publication, Blood and Chocolate enjoyed some popularity and acclaim.  Unlike later YA behemoths like Twilight, The Hunger Games and Divergent, Blood and Chocolate doesn’t seem to have made an appearance on the New York Times Bestseller’s List, so it’s difficult to quantify exactly how much popularity it enjoyed.  Later that same year, MGM optioned the film rights, indicating that, at some point in the future, we could expect an adaptation. No news was heard on that front until 2004, when a screenplay appeared.  The US Copyright Office records the document as, “Blood and chocolate; motion picture project & screenplay / Screenplay written by Christopher Landon, with revisions by Jon Harmon Feldman, Leslie Libman and Larry Williams, Christopher Landon and Jeff King, with current revisions by Ehren Kruger.”  That’s one original script and six writers working on revisions – none of whom are the original author, Annette Curtis Klause.   According to a 2006-ish interview with Cynthia Leitich Smith. Klause was completely out of the loop when it came to the production, stating, “…I’m afraid that if you aren’t Anne Rice, J.K. Rowling, or Stephen King you don’t get much say in what the film companies do. The producers don’t even keep me up to date–I find my information on the Web.”

Book Challenges: Before we go any further, we need to acknowledge that any adaptation of Blood and Chocolate faced some necessary changes.  The story, as written, was never going to pass from book to movie unscathed.  Some of the major problems were:

o   The Esme Question: Esme’s relationship with Gabriel would be one of the first things on the chopping block. It was a minor detail in the book, it didn’t really impact the overall plot, and it honestly shouldn’t have been included at all.

o   The Age Differences:  No studio targeting a mainstream US audience is going to tell a love story between a 16-year-old girl and a 24-year-old man.  Filmmakers would need to adjust the age dynamics in the story, and they would probably choose to age the younger characters up.  This would enable them to skirt the complicated legalities of hiring underage actors and avoid Dawson Casting significantly older actors to play teenagers.

o   The Large Cast: The novel has a large number of named characters contributing to the plot in various ways.  An adaptation that keeps all of these characters would need to spend time establishing who they are and making them distinct from the other characters.  For reference, a list of the named characters includes: Vivian, Gabriel, Aiden, Astrid, Rafe, Esme, Rudy, Ivan, Lucien, Tomas, Bucky, Jean, Persia, Orlando, Finn, Gregory, Willem, Ulf, Quince, Kelly, Bingo, Jem, and Skull.  Including these characters and setting them up in a way that is memorable for an audience would take a LOT of screentime.  Cuts were necessary.  Roles would have to be condensed and some characters would need to be excised entirely.

o   The Rating: A strictly faithful adaptation of the novel would contain: Male and female nudity, explicit language, violence, gore, substance abuse, and sexual situations. This would likely have earned the film an “R” rating.  For those unfamiliar with the MPAA ratings, an “R”, or “Restricted” rating restricts the audience of the film so that those under 17 are required to have an accompanying parent or adult guardian to be allowed to see the film in theaters.  For a film based on a YA novel, an R rating would basically be the kiss of death – it would kill the film’s money making potential. Filmmakers would realistically have to edit the content of the source material to ensure a much more accessible – and profitable – PG-13 rating.

Film Challenges: In addition to the challenges inherited from the source material, translating the story from book to film creates a number of extra difficulties.

o   The Budget: Blood and Chocolate didn’t spawn the enthusiastic fanbase that Harry Potter or Twilight did, meaning that there was less of a “guaranteed” audience for the film.  The decade-long gap between publication and adaptation probably didn’t help matters, either.  As a result, an adaptation would entail a certain amount of risk.  Would the film have enough appeal to get non-fans into the theater?  What if they spent millions and millions of dollars on a film that only book fans wanted to see?  With no assurances of success, the adaptation’s budget would have to be restricted to what the producers considered an acceptable loss – what were they willing to lose if the film flopped?

o   The Special Effects:  In the novel, Klause goes into vivid detail while describing the bone-crunching, sinew-snapping transformations that take characters from human to wolf.  An adaptation, as a werewolf movie, would be expected to follow genre conventions and include these transformations on screen. However, this rubs up against the first point as including such transformations often comes at great costs. They had two options: practical effects or computer-generated imagery (CGI).  Rendering the transformations with practical effects would follow in the footsteps of genre classics like An American Werewolf in London and The Howling, but it could necessitate months of behind the scenes preparation and hours of painstaking makeup application.  

(This?  This won the first Oscar for Best Makeup ever .)

CGI would be cheaper, but less satisfying for traditional horror fans (an audience the filmmakers would probably want to appeal to).

(This was... less acclaimed.)

Studio Considerations: Let’s take a minute and talk about Lakeshore Entertainment.

o   Underworld, released in September 2003 by production company Lakeshore Entertainment, was a thriller featuring supernatural creatures, a forbidden romance, secret societies, and a muted color palette.  The story was ostensibly an original creation (although the role-playing game company White Wolf alleged otherwise).  It grossed $95.7 million worldwide against a $22 million budget and spawned a franchise that is currently in its 6th installment.

o   Underworld: Evolution, released in January 2006 by production company Lakeshore Entertainment, followed its predecessor and was a thriller featuring supernatural creatures, a forbidden romance, secret societies, and a muted color palette.  It grossed $111 million worldwide against a $50 million budget.

o   The Covenant, released in September 2006 by production company Lakeshore Entertainment, was a thriller featuring supernatural creatures, a forbidden romance, a secret society, and a muted color palette.  The story was an original creation.  It grossed $37.6 million worldwide against a $20 million budget.

o   Blood and Chocolate, released in January 2007 by production company Lakeshore Entertainment, was a thriller featuring supernatural creatures, a forbidden romance, a secret society, and a muted color palette.  The story was adapted from a popular YA novel.  It grossed $6.3 million worldwide against a $15 million budget – an $8.7 million loss. Now, let’s be clear:  Blood and Chocolate started filming before the numbers for its sister productions were in.  I don’t think that the diminishing returns seen by Underworld: Evolution and The Covenant affected the budget for Blood and Chocolate – its smaller budget is likely attributable to the more restrained story.  After all, Blood and Chocolate doesn’t feature a Mustang de-and re-materializing.  

It is a comparatively low key movie.  

So why did it fail? We’re going to get elbow-deep into that autopsy, but before we do, we need to take a look at the movie itself.

Next: Section 3 – The Adaptation

[arteducation]

Powtoon: ITEC Tool Time Showcase

By Erika Folk

· Tool Name:

POWTOON

· Tool Creator/Company:

o Ilya Spitalnik, Daniel Zaturansky

· Cost:

o Basic Subscription (Free), Pro Subscription ($19/mo or $2228/year), Pro+ ($49/mo or $588/year), Agency ($89/mo or $1068/year)

· Platform (iOS, Android, Mac, PC, etc.…):

o Windows, Mac, PC, Android, iOS

· Target audience

o Teachers, students, Company: Human Resources, Internal Communication (employees), Marketing

· Features

o Allows users to make professional-grade videos and animations.

· Details: PowToon allows users, with easy to follow guides and access to a variety of assets and resources, even at the basic level, to make videos and animations to present information. You can use the PowerPoint extension to recreate your PowerPoints into videos. You can also use the Adobe extension to incorporate Photoshop aspects into your work as well.

· Usability

o The basic form of PowToon is quite easy to use, only requiring an email or simple login in information. All the individual needs are access to some form of Wi-Fi or internet source. Once the account is made, the video-making can begin through the use of tutorials to walk you through the process.

· Aesthetics

o PowToon is an organized tool, breaking down the aspects of its site by the workspace, the different resources for different clients, the prices, other resources for the site itself, and so forth. The color scheme of the website itself is white and a bold blue to help it stand out. The font is clean and forward, and everything is easy to read and follow along with.

· Technical issues/concerns

o Some technical issues that may arise would be having a device that is stable enough to be able to work on creating the video properly. Different devices and applications may present the screen differently which may change the aspects of what tools are easily presented. The saving process may also be different compared to other video editing programs so some users may find saving their work to their account and on their desktop difficult.

· Value

o I do think that this website is worth the money is that they yearly plans are not only saving you between nearly seventy to eighty percent sale off versus the month pay out but with the plans, you immediately gain access to more resources. With the different per package, you get increased storage, more access, unlimited premium exports, you get the opportunity to build your characters with certain packages and you even gain third party seller rights, something to which can be proved beneficial in the chance that others may want to use your assets.

· Emotional Reaction

o I was quite shocked to come across this tool because of its easy usage and guidelines along with its accessibility. I always felt as though animating videos and creating them were so difficult to do. It also felt like there was nobody to teach me how to use it. With PowToon however, it is so much easier to understand and take part in and be a part of the experience of making those fun, memorable infographics a lot of my teachers and professors like to share with us.

· Recommendations for educational usage

o I would recommend this outlet to teachers and students being that many businesses use this when it comes to human resourcing and animation. I feel it should be first introduced to the teachers, not only as a way of learning themselves how to make their videos to present their information in a new and exciting way with their visuals but also learn it that way when it is the students time to use it, they can help the students learn how to use it if they are having difficulty following along with them. This tool can be used, from my perspective as an art teacher, a news outlet and experience for students to use as video making/ editing/ animation is a genre of art in its own and I would like for my students to have that opportunity to be able to see if maybe that is the outlet for them to express.

· ASSURE

· A — Analyze learners-->

o This tool can help in analyzing one’s ability to retain visual and auditory information through a series of digital media presentations. This can also help analyze students via the different styles and methods to which they create their content and then see how the students are understanding the program, liking the process, see where they do and don’t understand, having ease and difficulties.

· S — State standards & objectives-->

o This tool has the capability of meeting learning objectives in the art classroom as it is not only able to be used as a method of interaction and presentation of their activities and information, but it can also help students develop their skills and create their presentations to show what they have learned from the standards through creative visuals.

· S — Select strategies, technology, media & materials-->

o PowToon allows students to interact with the new forms of learning materials as well as an artistic digital platform for the students to be able to try with and experiment with. They also get the opportunity to learn about other platforms such as PowerPoint and Photoshop to add to their repertoire of digital skills that they can then use towards presenting information in their other classes.

· U — Utilize technology, media & materials-->

O Students can no only have a new way of having information presented to teachers in a more personalized matter as we, the educators, can begin to make our content and personalize it towards the broader learning capacity of the classrooms. The students also can then take that interest in that personalized learning experience and put it into the won work that they can then use to re-install the information.

· R — Require learner participation-->

o Powtoon has the chance to increase learner participation because the information and animations can be personalized to the students and the classroom for easier understandability.

· E — Evaluate & revise-->

o I believe that this tool can be highly meaningful in revising instruction because of that personalization in expressing information as well as personal student expression. The art classroom has many mediums to which the children use to learn as the curriculum changes and grows more advanced and requiring the students to learn more skills, I feel as though this multi-dimensional outlet can help to make instruction meaningful and easier to retain.

[atamascolily]

lily liveblogs “terminator: dark fate”, part one

In which I write two thousand words about the first two minutes, which is why it takes me four hours to watch a two-hour film.

The DVD says R rated for "Violence throughout". God I hope so.

3 dvd trailers just to get to the menu. thank goodness for fast forward. You can't skip them entirely, but you can skip to two seconds before they're over.

Also I can't help but note that one of the trailers is for Gemini Man, a movie about old!Will Smith battling a digitally de-aged!Will Smih, and I cannot help but admire the irony given how de-aginging software will be used in the film I am trying to see. Another trailer is for the Top Gun sequel. More irony.

the dvd menu is just the first thirty seconds of the theme with random movie clips, which just cuts out as soon as it gets good. not a fan.

grainy video footage of Sarah Connor from T2 with her v/o recounting her vision of nuclear holocaust to Silbermann AS THE COMPANY LOGOS FLASH ON SCREEN, this is (probably) not meant to be symbolic of the destructive influence of capitalism BUT OH MY GOD THE IRONY

Ocean waves on a beach, exposing a human skull. Then slow zoom out to reveal more bones. Old!Sarah narrates the story for those of us just tuning in. Terminators rising from the ocean while HK planes hover above. They see a little girl hiding beside a downed helicopter and aim at her--

--cut to the same (?) beach in Guatemala, 1998. Old!Sarah says "That future never happened because I stopped it," and we see her sitting by the beach in a bar, watching teenage John chat up a girl.

The CGI looks good here. John's face is fuzzy and at a distance, but it works in context, and t2-era!Sarah looks great. I wouldn't guess it was CGI if I didn't know it was CGI here. And this, my friends, is the future of filmmaking right here, and I have a lot of thoughts and feels about it, but that's a rant for another time. Let's just say that it's HIGHLY IRONIC that the people who basically invented Photoshop so they could make T2 are using this face-altering business on real actors, making them effectively shapeshifters just like the Terminators in this franchise. (Iirc, in T2, the CGI was used mainly for the shifting BETWEEN the faces of real actors--not on the actors themselves.)

And then young(er)!Arnold strolls in as John turns, and you can SEE him freeze as he RECOGNIZES the T-800, but doesn't have time to react--and the T-800 fires.

Sarah pulls a gun out of her pants and fires straight into his back. If she'd been facing in the other direction, she would have seen the T-800 and started firing right away, but she didn't. And I bet the T-800 deliberately set it up that way because he knew--whether Skynet told him or not--that Sarah was a threat.

She tries to grab the gun away from the T800 and it doesn't work. He pulls her head back and tosses her away. He could have killed her, but he doesn't. I don't know why. (PLOT!) Maybe because it's not his mission. Anyway, Sarah is like three feet away from her son, down on the ground, as he's shot in front of her. It's her worst nightmare come true, just when she thought everything was okay.

The scan from the T-800's perspective as he registers TARGET TERMINATED is pretty cool. And then he drops the gun and walks away, and Sarah is left with the dead body of her son.

"I saved three billion lives," Old!Sarah says, "but I couldn't save my son. A machine took him from me, and I was terminated."

WHAM.

CUT TO OPENING TITLE AND THEME.

Okay, so this is a controversial opening, and a lot of people hated it, but I am personally okay with it. Partially, it's because I am not emotionally attached to John Connor the same way I am attached to Sarah, or even Kyle. John Connor may be the savior of humanity in the Terminator mythos up until now, but he's also a macguffin in T1 (and arguably in T2 as well). He's not an independent agent, and his actions/decisions don't drive the plot in the same way that Sarah's do. John's story after a certain point in any timeline is very difficult to write well. Case in point: movies that are ostensibly about John Connor--T3 and Terminator: Salvation--are also the ones that "everybody" thinks are terrible, and Sarah is not present. I don’t think this is a coincidence.

People SAY they want a John Connor-centered movie, and maybe it's possible to do a better job that T3/Salvation/etc, but I think it would be very challenging--and I don't think it would be a Terminator movie at all. It would be a sci-fi action/horror featuring humanity vs. intelligent killer robots, but that's a different beast from a Terminator film--which is very much a commentary on contemporary human/machine interactions and therefore NEEDS an oblivious society as backdrop for its metaphors to work. A war movie in which the Terminators are no longer secret is... not as effective.

But anyway, put yourself in the writers' shoes and imagine you want to make another Terminator movie after T2. You want Sarah Connor to be in it. What do you do to make it new and different, while still working within the established formula? More to the point--remembering the unofficial motto of this franchise, after all--what do you do to make Sarah Connor suffer?

And the answer is exactly what the filmmakers did: they took away her son. They took away the REASON she was originally targeted for termination, the REASON her life was turned upside down, the REASON everybody she ever loved was murdered by killer robots from the future. They took away everything she'd worked for, and turned it to dust in an instant. And, you know, they killed YET ANOTHER PERSON she loved. Her last connection to Kyle, even.

(ngl, if I'd been writing this movie, I would have done the exact same thing FOR EXACTLY THOSE REASONS)

Also, can I just take a moment to point out how RARE it is that a male character dies to further a female character's story arc? This happens ALL THE GODDAMN TIME with male heroes and their wives/girlfriends/family members no one bats an eye, but kill off John Connor and suddenly everybody is pissed. I can't help but notice the double standard here.

Look, I know what it's like when someone kills off your favorite character. Really, I do. It sucks. It sucks a lot. (See: Avengers: Endgame and the Star Wars sequel trilogy.) But at the same time, I can't help but notice that a great deal of the people upset about John Connor's death are cishet white males--in many cases, the same people who in other contexts are fine with somebody (usually a woman) dying to "raise the stakes" and make the story "personal" and "dramatic" or even "realistic".

There are a lot of people who gushed  about The Last Jedi, calling it "subversive" and "brilliant" specifically for upending everything we knew about Luke and "making our old heroes fallible" (and therefore human). In the case of The Last Jedi, I can't help but notice that Luke's character--and Han and Leia's and everybody else in the movie--is shafted in favor of Kylo Ren, who is depicted as an attractive cishet white dude. I suspect this is not a coincidence.

I'm curious how much overlap there is between those who HATED Terminator: Dark Fate for killing off John, and those who LOVED TLJ, which has a similarly bleak premise and “subversion” of previous story beats. I wonder if the difference between the two films is that it doesn't matter to a lot of  cishet white dudes how screwed up everything else gets as long as the character they personally identify with the most/view as "the hero"--Kylo Ren--triumphs.

As far as I can tell, the attitude for some fans is that it’s fine if Sarah Connor suffers, but John is sacred and inviolate. He cannot be touched. He is essential, the lynchpin of the franchise, the one character who makes a Terminator movie work, the one around whom everything revolves. Without him, everything is pointless.

And I wonder if this is the same group who personally identifies with John--one, because they grew up with him, but two, because they look like him. I suspect a lot of people latched on to the idea of John Connor as the savior, because it meant--on some level--that THEY could also be the savior. And they are mad at having that character--and that promise--snatched away from them, and re-invest that energy in anyone else, let alone someone who looks different from them.

(AKA "It's all 'subverting expectations' and 'brilliance' until it's your self-insert/favorite character getting shafted," and then it gets ugly.)

Also, I note that John's death isn't heroic AT ALL. He dies in the exact same way the Terminator in T1 kills the other Sarah Connors. It's quick, efficient, and over in seconds. I suspect this hurts people more than if he'd died some other way. In a way, this scene is probably one of the most "realistic" in the entire movie. But I'm not sure people want "realism" in their movies, no matter how much they say they do.

(and does it say something about audience priorities that this kid getting shot at point-blank range is more upsetting and controversial than ALL OF THE OTHER DEATHS in this movie combined? Like, yes, I know  context matters, everybody else who dies in this movie is an adult (I think?), and we have a lot emotionally invested in John from previous movies, but... I mean, yes, I know, the background characters weren't framed as the saviors of humanity, but does that mean they don't also deserve empathy and respect and grief from us? And I can’t help but note that real-life children getting shot in a similar fashion doesn’t seem to engender the same amount of strong feelings on a massive scale, at least in the US.)  

Anyway, Sarah fails. Terribly. Irrevocably. In the only way that matters. She fails, and her son dies, and she falls right back down in the abyss she thought she'd managed to crawl out of. And I think that is also hard for a lot of people to watch, because we're so used to seeing her WIN through sheer grit, determination, and stubborness. We assumed she always would. But she can’t, not if there’s going to be another movie... 

(another other implication of Sarah's short-lived combat with the T-800 is that it doesn't matter how much of a badass she is, NO 100% HUMAN BEING can go head-to-head with a Terminator directly and WIN. If Sarah Connor can't do it, NOBODY ELSE COULD HAVE DONE IT BETTER THAN SHE DID.)

(and also there's the realization that if Sarah hadn't destroyed the reprogrammed Terminator at the end of T2--the only being who COULD have saved John in that moment--her son might still be alive. That's gotta hurt.)

Anyway, we're two minutes in and I find this plot twist more compelling than 90% of the entire Star Wars sequel trilogy, and 100% more consistent in terms of previously established character arcs. Obvs. ymmv, but I think it goes back to the franchise's horror roots, where everybody except Sarah dies, and it also shows very clearly that we are entering a Very Dark Timeline as we shift to the title card.

I'm honestly impressed the writers had the chutzpah to go through with this and REALLY kill John for good. Though I also see why they didn't advertise it in the trailers....

Before I move on, I want to repeat what Sarah said at the end of this scene, because it’s so gut-wrenching for me: “A machine took him from me, and I was terminated."

I emphasize that last clause because this is how Sarah sees it. It’s not just John who died that day--she believes that SHE did, too. Ever since she was 19 years old, Sarah Connor’s life has been defined as “John Connor’s mother” and she’s built up her whole identity around keeping him alive no matter what. Now John is dead, and she... cannot be that person any more. So who, then, is she?

For better or worse, Sarah Connor is now a free agent. She is liberated both from her role in the future as the mythic mother figure, and any lingering obligations she has to patriarchy. From now on, there is no fate (for her, if not humanity) but what she makes for herself. It’s an awful, ironic twist, and I think it was a valid choice for the franchise to make. As long as John Connor is alive, everybody else will always be in his shadow--up to, and including, Sarah. 

Without him, we’re in new territory. Which will look a lot like the old territory because humans are sadly predictable, but different all the same.

[karmanticmoved]

1-85 uwu

j esus okay

1. describe yourself.

uh,, emotional ig, dumbass, quiet, exhausted all of the time, v queer, healthy mix of feminine and masculine, insecure, and not tha t great tbh. kinda a pussy ass b itch

2. if you could go anywhere for a week all expenses paid where would it be?

idrk. maybe somewhere like a hella nice beach in another country, maybe somewhere in europe. i like travelling but i hate the travel to get there and have no money so i havent put thought into it. maybe hawaii or somewhere like that.

3. do you have siblings?

the one thats still alive is my half brother

4. what is your favorite constellation, why?

orion maybe bc i don't know a lot but i can see that one from my bedroom window even in the city n idk. its comforting. or scorpius cause i'm a scorpio

5. favorite color.

yellow, pink, or blue.

6. what kind of music do you listen to?

almost anything. whatever catches my interest.

7. favorite flower. (you can name as many as you want cause flowers are awesome)

forgot what i said last time but those

yellow carnations i think?

8. if you could do magic, what is the first spell you would learn?

maybe smth to put myself to sleep immediately bc f uCk

9. favorite childhood memory.

my summer camp memories are pretty great. also memories of my dad and i going fishing are good.

10. have you ever been cheated on?

i mean in theory i couldve been bc online relationships but no. n im polyam and have identified as such for a majority of my relationships so no.

11. if you could describe your perfect room, what would it be?

big but not too big, yknow? like big enough that it can be filled and have room to walk around and lay on the ground or whatever but not Empty. and a pretty big bed to stretch out on, n a closet in the room. multiple windows w blackout curtains so theres light but it can be blocked out. n fluffy rugs or carpeting but preferably rugs in case smth spills so we can get it out of at least Remove the rug. and probably a cat tree thing in corner for dipper. n a computer desk and actual lights that light up the whole room. but probably,, fairy lights too bc full lights too bright. and i kinda want a pink room but blue or yellow work also. a nd pride flags on the walls + posters and various other stuff bc plain walls are boring. and tons n tons of b ooks too.

12. favorite animal.

river otter

13. what was the last photo you took of?

cat

14. do you believe in soul mates?

i'm not sure. i do kinda think there are people who you will like. really really click with and who become so important in your life that they're like. apart of u yknow? but i don't think that anyone as an individual needs to keep those people in their life forever. they arent destined to stay with them, and they shouldnt force that relationship (platonic, familial, romantic, or whatever) even if they were close for years and years. screw destiny. youll have people you care about, and sometimes you have to break that bond to save yourself, and thats okay. there will be other people who can and will be just as important. that got kinda off topic skbsks. i don't think theres really like Destiny soulmates. but there could be like. soulmates in the sense of for however long we're together, we're soul bonded. even if its not forever. does that even make se nse skbsns

15. do you hang toilet paper over or under?

over is the one thats socially acceptable right

16. your go to place to eat & your favorite thing to get there.

idk theres a place near a movie theater closeish to my house and its a nice little cafe and i dont eat there bc i dont eat much in general but i get their bubble tea and i love. raspberry bubble tea w rose popping bubbles. its comfort drink.

17. do you believe everything happens for a reason?

no. sometimes shit happens for no reason, and its bullshit, but you can't reverse it, so you gotta figure out how to move on from it.

18. guilty pressures?

im assuming thats meant to be pleasures

umm,, idrk. i don't know what exactly i like that would count as a guilty pleasure so,,

19. favorite mythical creature, why?

merpeople are s o cool i fuckin. love funky aquatic pals hell yeah. maybe im just Water babey but. they're rad. dragons are also hella cool bc like dragons???? theyre scaly and prett y and can breathe fire or have wings and kill u?? also like selkies bc again. water. but i used to hear a lot of stories abt them and theyre so nea t

20. something most people don’t know about you.

i have the potential to be a huge asshole and also kinda Wish to fuckin murder someone sometimes but. i act nice most of the time anyway.

not murder murder but i can get angr y enough that i just wanna Stab smth

21. where did you grow up, what was it like?

grew up kinda near the edge of the city, still in it but not like the main city area. in western washington. it was kinda rly boring, i used to spend a lot more time outside or just by myself playing with leaves or toys or whatever. when i had friends i played make believe w them even when outside of school. so yeah. boring id say.

22. do you believe aliens exist?

sure.

23. what was your last google search?

other than names for some actors n stuff, i was looking up various star wars things

24. what did your last relationship teach you?

the one that like. ended? i guess thatd be. be careful with your own feelings and try to figure them out before jumping into anything, and also don't try to force smth that in reality isnt really working.

25. would you relocate for love?

honestly yeah

26. do you hold grudges or forgive easy?

both. it just depends on how badly i or someone i care about was hurt by it. more likely to hold a grudge if a friend was hurt by someone d eep enough to leave a lasting impact or if they don't get a genuine apology i will be 🔫🔫. or if the person keeps hurting them. even if that person is also my friend.

27. favorite book.

favorite graphic novel is bloom by kevin panetta

favorite books in general are autoboyography, more happy than not, and what if its us. all gay. i know. its okay. im a kinnie.

28. do you consider yourself an extrovert or introvert?

introvert by far

29. have you ever kept a journal, do you now?

i tried once. i probably will have to once i go see a therapist, or at least one for my Bad Thoughts

30. top 5 favorite movies.

in no particular order

little shop of horrors, love simon, coco, it (2017 and 1990), and shazam! ig? maybe others but i definitely Forgot all the shit ive watched

31. do you believe that everything happens for a reason?

no

32. what is your greatest fear?

definitely gotta be all of the people i love hating me and abandoning me or secretly hating me and then leaving me without saying anything. and the worst part is im always afraid its gonna happen babeyy

33. favorite alcoholic beverage.

im baby

34. most embarrassing thing you’ve done.

im embarrassed by my own existence. i don't remember the Most embarrassing thing

35. do you believe in ghosts?

not until i have proof that i can actually trust and believe in

36. what is the best and worst part of your personality?

idk ig im nice. but im also. very easily set off on certain emotions especially the bad ones which sucks like especially jealousy bc i dont wanna!! feel jealous!! tho i think that ties into my greatest fear bc my brain immediately tells me im useless to everyone and they hate me. but. sometimes i get jealous and then feel bad for that and then hate myself for all of it. bc my friends deserve to hang out w other people and care about other people im just fucking stupid babey !!

37. should you split the dinner bill?

i rly don't get why you wouldnt tbh like if u both wanna be there u should both pay. but if one person gonna pay it should be the person that asked.

38. are you a good liar?

most of the time. when it comes to my mental health i can either lie great or im literally breaking down in front of the person so

39. what keeps you up at night?

depressing thoughts. anxiety about everything. wishing i could cuddle and fall asleep w jay. sometimes i just cant sleep bc im too restless.

40. would you rather go without your phone or music?

music. i need my phone to text my friends and i Need my friends

41. do you believe in god?

what god would let the world get to the point its at. what god would allow people to do such fucked up shit.

no. i don't.

42. how do you relax when frustrated?

cry, take a nap, take a shower, listen to music, cuddle dipper

43. what’s something that offends you?

when people go "oh yeah i support gay rights but im still gonna eat at chick fil a bc its good" like i get so fucking. pissed off by that. youre not gonna fucking s ta rv e without their goddamn chicken. i know a bi person who goes there and says its okay bc they dont Directly Give Their money to Specifically anti gay organisations but im just. ugh. fucking pissed bc there are other places to get food just avoid the one place for fucks sake. their food is good it doesnt matter. its like saying yeah pewdiepie is a bad person and nazi and a racist asshole but his videos r funni haha so im gonna watch him anyway

44. favorite food

i hate myself whenever i eat food

45. if you were on a 10 hour flight and could sit and talk to any person the entire time, who would it be?

@destinedformuchmore or @pinaplelee

46. when do you feel the most confident?

never? but ig i feel confident when working on tech construction during theater tech. as long as i know what im doing.

47. what do you do in your free time?

sleep. draw. cry. play video games. talk to my friends.

48. is there anyone who has completely lost your respect

matpat did for being a dick abt neopronouns and making a transphobic joke and only apologizing when a cis person told him to. not when hundreds of trans people did. and also other jokes that are inherently offensive to various groups. a n d for making extremely not Child friendly jokes in his videos which are very much targeted towards kids. say what you will about the target audience, there are a lot of children who watch them. please stop making creepy nsfw jokes if you won't even swear, sir.

49. have you ever broken someone’s heart?

i guess so yeah. but she also broke mine first.

50. did/do you play sports in school?

i did. i don't anymore bc highschool sports are bullshit but. basketball, ultimate, and soccer.

51. when are you happiest?

talkin 2 jay prolly

52. coffee or tea?

tea

53. what is one possession you own you wouldn’t want to live without?

my binder. or my stuffed cat puppet thing ive had since i was 7

54. what is the first thing you notice about a person?

their general emotions, mostly. like if theyre in a good mood or if theyre bored or distracted or whatever. or if they seem interested in actually talking to me

55. what is your favorite season, why?

fall. my birthday, the atmosphere is nice, it's pretty, its hoodie weather.

56. what makes you laugh?

stupid little comments or jokes my friends make tend to make me laugh a lot harder than i should but jabdn

57. are you a clean or messy person?

a mix. i Cannot have some things messy or i will ksjqkd. Die but i don't make my bed too often bc its ha rd when its against 3 walls.

58. what is important for a successful relationship?

communication communication communicati

talk about ur goddamn problems n keep talking to each other.

59. what was your upcoming like?

if thats supposed to be upbringing

idk, very relaxed. pretty easygoing and kinda boring.

60. favorite holiday?

any holiday in december rly. i don't celebrate a Lot but the atmosphere and others celebrating is nice to see. i kinda wish my parents did more to embrace the jewish part in our family blike. whatever. christmas is fun.

61. what is the first thing you’d do if you won the lottery?

give half of it to my parents. and then probably use it for plane ticket

62. what’s the best pizza topping combination?

hawaiian pizza. pinapple n canadian bacon ty

63. favorite outdoor activity.

frisbee

64. how are you? honestly.

not great. i want highschool to end.

65. would you rather go camping in the woods or stay at a beach resort?

idk. camping is fun but if i get to stay at the resort for free i would rly love 2 stay at a resort tbh ive never done that

66. what is the most beautiful thing in nature?

waterfalls. or rivers or just. water in nature. and very green forests. aNd snow.

67. favorite type of candy?

none

68. if your life was a book, what would be the title?

i can and will do arson, an autobiography

69. what movie quotes do you use of a regular bases?

i quote john mulaney and whatever my obsessions are pretty regularly

70. what was cool when you were young but not cool now?

silly bandz. pokemon cards. these weird unicorn figures i collected

71. what’s the craziest conversation you have ever eves dropped on?

im mostly the one having the weird conversations

72. what’s the most interesting documentary you’ve ever watched?

i watched one about dogs and cats and their evolution which was lit

73. what’s the worst hairstyle you’ve had?

when i let the lady just go fuckin ham on my hair bc i was watching spirit that horse movie and didnt wanna stop so it was. rly bad bangs and hella short in back but not the sides

74. what do you like to cook?

whatever im hungry for. i don't have the energy to cook a lot

75. what’s the coolest animal you’ve seen in the wild?

really pretty tropical fish

76. what’s the funniest tv show you’ve ever seen?

idk. i rly like schitts creek its pretty amusing

77. do you usually follow your heart or your head?

heart at first but my head if things get bad

78. what is your favorite quote?

"i have a splitting headache and i think i'm dying. how are you?"

or a character just saying "try harder" when another failed to do smth.

this is supposed to be deep or whatever but im in a Mood

79. what’s the weirdest crush you have ever had?

once had a crush on a character in a minecraft parody lmao

80. what’s your love language?

sending shit that makes me think of them. n just. making tons of stuff for them both online and irl like bracelets.

81. do you ever feel alone?

oh yeah. all the time. im not but it feels like i am which sucks

82. ever been bullied?

yeah

83. are you usually early or late?

late bc of my parents rip

84. what kind of art do you enjoy most?

drawing, or writing. also theater.

85. what do you wish you knew more about?

i just wish i could remember everything ive learned more about. i know a lot i just forget all.

id like to know more about forensics tho