#HE REALLY SAID GENDER

[bacchuschucklefuck]

one thing I really really appreciate abt riz gukgak as a character is that he is un-self-aware to the max. he inhabits his body so completely. the arc that would usually be run as "I'm different and unable to connect with my friends in this way that everyone seems to be able to do and so something's wrong with me and I don't like myself" when it comes to riz is actually like no! I have literally no problems or praises for myself personally. I don't stand outside of my own self and judge it. it's phrased as "other people will eventually find someone more important to them than you" rather than centering it on his self-perception. he doesn't know why he doesn't have the best social life on earth even though he's not afraid at all to talk to other people. every time he sees himself in someone else's actions or behaviour he gets startled by it. his latest epilogue is realizing seemingly for the first time that he's not just an agent of causes but an actual character. he's my hero and I want to be him when I grow up

[homoerotikos]

help! I've serve Cunt and Yaaaaaasssss <33

[mothman4life]

gotta say i am very pleasantly surprised the barbie movie didn’t have barbie and ken end up together as a resolution to their conflict both as aro rep and support of the idea that women don’t owe men relationships

[sonknuxadow]

unfortunately we will have to put shadow down for being transphobic to sonic during the twitter takeover. sad ! well theres other hedgehogs

[shardkn1ght]

Every Leo i ever draw is Gender Fluid. Hueso is literally bones, so gender fluidity is not really an issue.

Might make some lil drawings of Leo trying the skirts and dresses on 👀

Leo in her lil skirts

[ddruxyart]

At this point the bully has become the bullied but he keeps coming back for more??

[ineffectualbookseller]

The way Azirphale is underestimated and practically infantalized by heaven is so closely tied to his femininity and I think we should talk about it more because I just want to shout about how relatable the way he's treated in his workplace is as a woman working in a traditionally male field

It's in all the little niggling comments from your boss about personal things that hold no bearing on your work

and the assumption that what you're doing must be simple if it was assigned to you

your work is trivialized

and you get these the placating smiles when you're told plans and proposals are rejected and passed over

or when your complaints are dismissed

and you get more of the same from upper management

it all feels so frustrating and draining but you're at work so all you can do is take a breathe put on that mask and move on with your day

It is all so deteimental to your emotional well being and textually, so much of this is tied to Aziraphale's softness, his gayness - his femininity

The thing about working in an environment and gives you this feeling - of being simultaneously destrought watching your belief in yourself get chipped away but also just so irate becuase you know you don't deserve it - is how it builds. It sinks under your skin and feeds into this indignant dejection until you can have a moment of release - but Azirphale doesn't get to bitch about it over drinks with friends, he doesn't get a lunch break where he can go for a walk and listen to an angry scandi death metal playlist, he doesn't even get the chance to cry about it in the bathroom for 5 minutes before confronting it again

(And I talked a little bit about it in the tags of this beautiful photoset but this all comes into play whenever Crowley dismisses his plans or calls him an idiot. These are purely emotional reactions; I really don't think Crowley means much by it - he respects Aziraphale's opinion and genuinely thinks he's brilliant - but Crowley is so quick to use this terminology when Aziraphale is making a decision Crowley thinks is wrong and he doesn't know how much this hurts Aziraphale. Just like Aziraphale doesn't understand the true impact the Fall had on Crowley, Crowley doesn't understand the ways heaven has been tearing away at Aziraphale's self worth)

Aziraphale has been facing this constant drip of denigration since before the beginning of time and has never released the pressure valve. At this point, he's a bomb waiting to go off

[marisatomay]

can’t send anymore tweets today i’m gonna kill nyself i just saw a tweet where hugh grant said that tom cruise’s “topless” 2002 vanity fair photoshoot was “not manly” and i can’t even send it to people in dm’s elon you will pay for this

[read-write-thrive]

the dead boy detective agency main four are a polycule on various points of the aromantic/asexual spectrum (in addition to their various sexualities), with the various side characters playing the roles of parental figures or talking stages. thank you for coming to my ted talk

[grassbreads]

Man, genuinely there's little that excites me more than encountering queerness in fiction where I wasn't expecting it. I'm gonna be thinking about Kikuhiko/Yakumo from SGRS for so long.

Even setting aside the subtext of his feelings for Sukeroku, the narrative around his relationship to gender norms and his own expression is so fascinating. Guy who grows up steeped in rigid 40s gender roles and actively tries to enforce them, yet only truly feels like himself when he's acting on stage as a woman. Guy who says his life would have been better if he were born a woman and then refuses to elaborate.

[mega-banette]

The thing with Cleon and Masai though is that even though Cleon is clearly shown to be some sort of successor to Cyrus in her ideals, Masai doesn’t worship her in the same way he did Cyrus (like he literally called her the ‘streets Jesus’)

Which could just be because he just hasn’t known her long enough, but also Cleon literally inspired him enough to continue believing in a dream that he didn’t think existed outside of one person, which you would think would allow him to just transfer his idolisation. But instead it seems to make him realise that the idolisation almost wasn’t necessary

Like seeing Cleon continuing to believe in Cyrus while literally fighting for her life probably makes him realise that she and Cyrus were one and the same. People (just people) who want to work for a better future. It probably makes him realise for the first time that he too can fight for this dream. Because peace doesn’t depend on people worshipping Cyrus, but rather being inspired by her.

I think this is why he sees Cleon as an equal and perhaps why he sings alongside her in ‘Somewhere in the City’ because he doesn’t need to hear someone else tell him what he believes in anymore, he knows that everyone who believes in Cyrus needs to speak up to build a better future.

[third-king-of-salmonids]

HAPPY PRIDE MONTH TO THIS QUORA USER IN PARTICULAR

[dreamsy990]

ive posted a ton of art recently i should get one self indulgent drawing

[xurkitreeking]

gender is like pokemon. most people only know charizard and pikachu and when i say i like the ultra beasts my mum doesn't know what that is

[hypogryffin]

i cant believe i wasn't following u b4,,,,,ive just been silently scrolling through your blog for like a solid YEAR and just haven't even noticed????? n e ways what are tha thoughts on literally anyone in p4 being trans bc i live for that 🎤

the way my brain decided that this was asking for pronoun headcanons and did not reread to make sure that was what you were asking before drawing all of this…... well anyways

[prince-liest]

Ok so I know you haven't officially trans anyone's gender in any of your Hazbin fics, but I lowkey get really trans vibes from Alastor in most of your fics?

Idk, it's a little hard go explain but what really tipped me off was his... distaste? Disfavor? Aversion? To his "male body" in one of the 666 fics. (I think the line was something akin to "the male body being what it is" in reference to Alastor getting hard fairly quickly).

There's honestly a lot of interesting things to speculate in relation to how Alastor views his body. Especially with his relationship with touch, and how he initiates touch and how he actively dislikes it (depending on the person).

Not to mention his feelings regarding his non-human features. How he doesn't inherently dislike them for being what they are, or rather, that they're "abnormal", but more so that they're not what they're "supposed to be", and not "what he was before" (though I do think that his dislike of his deer features is linked to his dislike of how he died, being viewed as something so easy to be put down - an animal).

Which also relates to how dressed Alastor constantly is. How he shields away his body using clothing, a customizable thing that he takes great pride in making sure is up to his standards (notice how when his coat is damaged he immediately goes to get it fixed, even though the ends of his coat is already damaged. He seems to have very complex opinions on how, exactly, his coat is supposed to be damaged)

I do think that Alastor's preference to being so dressed is linked to his dislike of vulnerability, but I also think it's a very trans(tm) move, lol.

(And I also do think that his dislike of vulnerability is tied to his transness, kinda in a weird "chicken and egg" scenario.)

I find it really interesting how Alastor's true feelings are revealed by his shadow, a being that can transform to look different, is mostly hidden, and is internally mysterious. Idk, it's just very trans(tm) to me!

I also think that Alastor's transness is linked to how he views masculinity, how he seems to automatically like woman, while automatically disliking man. How this is also tied to his parents. I've noticed in your fics (and could be completely wrong about) that Alastor seems to relate femininity (and his mother) with "safety" (how he compares the gentle touch in your last fic with feeling like his mother and his like of jambalaya).

I'm not sure if I would say that Alastor is a trans woman, but I also wouldn't say he isn't. Overall I think he has a very complex view of gender, but it's definitely something he doesn't put a lot into. Which relates to him not knowing what asexuality is.

I have a lot more Alastor trans thoughts, but this ask is already getting pretty long so I'm just gonna cut it off here. I hope I made sense, and that you're comfortable with me speculating on a character you've written about gender. (Totally valid if you're not though! If so, then please disregard this ask!)

I'll take "asks that made me realize I'm out here accidentally writing a character as nonbinary" for 300, please! Please prepare yourself for the mistake of letting me have a keyboard and talk about gender after 9pm, so sorry to literally everybody else.

You're gonna get a real fuckin' kick out of the first bit of the next 666 that I'm gonna post tomorrow. ;) It's definitely the point where I finally acknowledged to myself that I have a strong urge to inject some genderfuckery into Alastor in the form of him continuing to use his thing with Vox to explore his own relationship with, like, existing in his own body, and then also threw those feelings all over Angel Dust like a fistful of glitter while I was at it.

Like you said, I wouldn't say that I've ended up writing him as a trans woman, but I think I have seen him from the start as a character who is not exactly cis in a wibbly-wobbly way I have not previously defined but that I think I would perhaps characterize as "gender: monster condescending to play at humanity."

I don't think he eschews masculinity entirely, for what it's worth. He definitely strikes me as a person who aligns himself with the image of a smiling gentleman (if a hellish one) as the proper way for a person like him to be, and for whom that is an important, comfortable, and satisfying part of both his identity and how he relates to both his female friends and to men. However, he also strikes me as someone for whom that part of his identity is what he shows the world on purpose, presented as he would like it to be seen, rather than as something that reflects his bodily preferences. To put it another way, if he'd been AFAB, I think he would put just as much into his presentation, just in the direction of femininity, and it wouldn't make him any more or less comfortable with himself.

You're right in that I've definitely written him with a faint distaste for the mundane physical reality of his body, and a lot of this comes through in how he alternates between short moments of fascination with what new things his body is doing as he explores it and decides whether or not he likes it, and his much longer moments of utter disregard for the same thing. It also extends to the rest of his mundane humanity, though: his physical limits, his adrenaline-rush of fear, etc. He values the coat, the cane, the reality-bending static, the smile - but whatever he sees in the mirror when he gets undressed or whatever doesn't function to his purposes, he can take or leave.

I see Alastor as someone who defines himself first and foremost as the radio demon: not a person, but a monster and an enigma. A voice and a personality. Everything else is more or less incidental, and he would prefer to keep it set aside, thank you. The occasional dysphoria isn't just about his sex, it's about the humanity of his body as a whole.