#Grace Upon Grace

[storehouseandfields]

The toys all over the floor. The endless socks strewn around. The trail of snack crumbs left behind. The amount of discipleship that happens in one day. The seemingly endless questions. My sleep-deprived eyes. All of it, evidence of the little people I always wanted.

E and N’s small voices needing something, needing everything, needing mama becomes the soundtrack of my day reminding me what a gift it is to be needed at all.

Their demands to ‘look’, to ‘watch this!’, to ‘follow me’—not really demands, but invitations.

The teachable moments (the ones I am just as much in need of), opportunities to unlearn old ways and mirror the heart of Jesus.

The afternoon exhaustion, the proof of my limits and the places my heart runs out, humbled in the best way to be known by a God with no limits at all.

Tomorrow I get to show up again. I don’t have to. I get to.

Was I worthy of it? This day, this life? Of course not. I couldn’t be. It is all grace.

[itsjacquieduh]

[tumblchurch]

Crumbs

Kristi and I went out for dinner, and they have these enormous pretzels, so of course, we had to have one! While there are few crumbs here, this is about as good as it will get today!  The passage from Matthew 15 is one that causes many to fuss. It may be a flaw in my personality, but I’ve never seen it as much of a problem. Until I was told it should bother me, it never did. Jesus was being…

[8bitmanna]

Verse of the Day

💛John 1:16💛

[mewtillidae]

posting a kremy every single day until new episodes of OUAW are out DAY 66

[yashley]

[athenascrows]

I genuinely don’t understand how ppl can appreciate characters normally cause this is what usually happens with me:

THEYRE SO SILLY- *explodes*

[darkficsyouneveraskedfor]

upon his grace 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, bullying, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You are called to court after the end of the civil war, but find yourself facing many challenges, expected and not. (fantasy medieval au)

Characters: king!Steve Rogers

Note: bro, Idk how I start at point A and get to fucking outer space. Also happy bday to Steverino.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

The gardens of Astra Castle are unlike any you’ve seen before. Certainly, you’ve never been to a royal castle previously. Your father’s own hold is modest, still bearing the wooden foundation, whereas the rich lords have poured mortar and built in stone. 

So, it is a great honour to be among the noble women chosen to serve the queen. Most unexpected. As a daughter of a lower house, it is rather unusual, but it comes with the newly set writ tabled at the end of the uprising. That is how your father tells it anyhow. 

King Steven is as newly crowned as he is newlywed. After a lengthy revolt against the previous king, the land has settled, and upon his victory, the new ruler promises the expansion of prosperity to all. The very precedence of his war rested on the greed of the former court and its covetous lords. 

To those who took up his mantle, he has made good his word. To the commoners, he has sent bread and ale, livestock and alms; to the nobles, he has granted titles and lands. You were of the same doubt as your father, however, you expected to be forgotten in the disarray. 

Yet, you were not. You’re there with several other ladies. A set of blond twins borne of a duke and duchess, the sole heir of a widowed countess, and several earl’s daughters such as yourself. Unlike them, you do not wear satin or silk, not muslin either. You have only the dyed linen your mother attempted to enhance with some embroidery around the cuffs and collar. 

“Marcia and Marigold,” the twins introduce themselves as you cluster together in the gardens, grooms and servants bustling around carriages and chests. “Lady Calliope,” they call out the countess’ daughter, “we met prior, yes? Your mother is near Estrela.” 

“She is,” Calliope answers in her stern manner, herself seeming a widow in her black dress. The shimmery fabric makes up for its single tone. 

“Ameri, Dorida, and... Selene,” they point to the other girls, themselves clothed in scarlet, rose, and azure respectively. “We know the earls, your fathers. They gathered at our father’s hold for the battle near Caffre.” 

The twins take turns speak so that sometimes you cannot track whose lips are moving. It is even that they trade off in the middle of sentences. You find yourself almost as lost by their words as your new surroundings. 

“And you...” The twins turn their jade eyes upon you. It is there you have found the only difference in them; they have the same heights, the same hair, the same gowns even, but there is a sliver of grey through Marcia’s green iris. “We haven’t figured who you are.” 

“My father is an earl. In Woodsdam.” 

“Woodsdam,” they echo in unison and share a look. They are perplexed. 

“A minor house,” Calliope provides. “a farmer more than a noble, if I’m not mistaken.” 

“We have vast lands and we tend to them, yes,” you assure. You expect their condescension. Your father warned you for it but he bid that you keep your chin up. The king has given him a mission of his own and so you will represent the family for the time. “We keep our people well and we fed the king’s troops when they marched." 

“Mm, sounds very... common,” Marigold grins and her sister snorts into her hand. 

“We know many lords like us, yes. They work hard amidst their vassals. It keeps the lands strong so that we may better serve the crown,” you return evenly.  

Your mother helped you prepare. She coached you to keep your manners and your spine. The latter is much more difficult as you face these ladies and their bobbles with only a ribbon in your hair and a pair of patched gloves. 

“Woodsdam? I think I rode through it once on the way to my grandfather’s summer castle,” Ameri tuts, “it was little more than a swamp.” 

“It must’ve been the spring rains, perhaps, lady,” you offer. 

“Summer house,” she enunciates, “one travels there in the summer.” 

Your cheek twitches at her barbed retort. Very well. You are not used to their sharpness. Their chittering has thus far centered on gossip and the cost of their new caps. 

“A wonder the pauper’s daughter received an invite. Are you certain you can read, lady?” Dorida snipes and looks to the twins for approval. You notice how they all tend to do so. 

“It was sent to my father, Lord Eldon,” your voice quavers. You are not so strong as your mother bid you to be.  

They cackle at your meek response, “the precious maiden of Woodsdam.” 

You put your head down as the activity all around threatens to swallow you up. You wish the ground would rent and you would fall right through. All your excitement has dissipated to a sludge in your veins. You touch your cheek as you try not to show your embarrassment. 

“The Lord of Woodsdam,” a deep voice startles you as boots approach from behind, “is that what I heard?” 

You stiffen up as the ladies before you hush and blink, almost in tandem. They curtsey as their faces wash over in shock and you turn to face the newcomer. A man in a deep blue vest over black sleeves and grey breeches. He wears belt of gold and a circlet across his brow in a similar hue. It is that which betrays his statues. 

You lower your eyes and mimic the other women, mortified to be faced with new king so informally. You would not think him wandering out in the yard. Still, he has vowed to be unlike the former leige. That he would be of the people. 

“King Steven, your majesty,” the others titter in a messy chant and you murmur your own propriety as you back away. You find yourself still to the shoulder of the king as the other ladies give no room for you to join. 

The vision of him stains your mind. He is tall, with dark blond tresses that extend past his neck, and blue eyes which put his own attire to shame. He has a jaw which looks etched in stone and a bearing which matches his rank. He is tall and broad and a finely built knight. 

“It is an honour,” Marcia says most boldly. 

“You may rise,” he allows in a breezy timbre. “I did hear my wife would receive new ladies. Young ladies.” 

“Your majesty,” the murmur rolls across each lip. 

“It is much needed. We have so many established ladies at court and yet we need to think of the future. Of the next generation,” he declares as he emphasizes his words with his large hand. You watch his garnet ring to keep from so brazenly looking him in the face. 

“Certainly, your majesty,” Marcia and Marigold chime in unision. 

“And don’t worry for there are many young lords as well,” the king laughs galely at the quip which makes the ladies, yourself included, blush. “Ah, then, Woodsdam I believe we were speaking of...” 

You blink and glance at the other ladies. They are cowed, unsure if they were overheard in their derision. You hope as much as they that they were not. It is rather unflattering. 

“My father, Lord Eldon,” you explain, “your majesty.” 

“You? You are the young lady of Woodsdam I heard so much of.” 

“You did? Er, your majesty,” you curtsey apologetically; unnecessarily. 

“Certainly, I did. Your father was a great assistance in me holding counsel with the lower lords. He is very patient. “When not about his duty, he spoke of you oft. Though what matters are more important than family?” 

“Yes, your majesty,” you can’t help a smile, “my father is a very kind man.” 

“Kind and courageous. I’m certain you’ve inherited as much,” the king praises, “and these other ladies. The twins who belong to Mawsley, the Countess of Clovers daughter, and the three earls daughters from the White Plains.” 

The ladies each bow their heads as he proclaims them by their forebearers’ titles. You watch from aside, feeling even more out-of-place. The king recites them all proudly as he extends a finger for each. 

“Allow me myself to extend a welcome to Astra. When you are sorted, my wife shall receive you all and have you acquainted with the grounds. I hope you enjoy them, we’ve had the gardeners at work day and night,” he pronounces, “for now, I must be off, for a king has many obligations and not so much time.” 

He bows and turns on his heel, marching off with his shoulder straight and head high. He walks as a soldier does, not some lord. You’ve seen the difference before, more recently in the aftermath of battle. A soldier is more akin to a farmer, much as your father, whereas a Lord tends to keep his steps tight. 

“Wow, oh my,” Dorida fans herself, “he is rather handsome.” 

“Oh yes,” Marcia and Marigold say, the latter forging ahead, “we met him at our father’s castle. He is ever so charming.” 

“Hm, and the queen would love to hear it, I’m certain,” Calliope intones brusquely. 

“The queen is not here,” Ameri sneers, “so what does it matter? Besides, is it so wrong to state a truth?” 

“He is very elegant,” Selene agrees. 

“Much too kind, as well,” Marigold snips, “Woodsdam? He speaks as if it more than some paltry farmhouse.” 

“You’d never even heard of it,” Calliope remarks. 

“And how had you, hm? You seem the bookish type. Perhaps you should leave the maps to the men. What good will a river or road do for a widow’s welp?” 

“Needn’t be cruel,” Calliope rebuffs. 

“Pity if this is the lot they send,” Marcia shakes her head as the sisters share another cryptic look. 

You keep to yourself. That is all you can do. It is better to watch and learn than to leap and land wherever you might. Your mother always said so and she was your best teacher. 

“Right, there must be some maid who might show us to our rooms,” Marigold stands on her toes and waves at each passing servant. “I tire of the sunlight and boorish company.” 

👑

You have two trunks awaiting you in your chambers. Not as the other ladies who had at least a dozen each. Less humble than your lunger are the rooms themselves.

There is an antechamber hung with tapestries showing wildlife and flora, a table set for two and cushioned bench by the window. The bedroom is draped in similar hangings with a four-post bed and a grand hearth. A desk, another bench, a woven carpet, and fine accouterments on square tables. And a closet for the commode as well and a pot in the far corner of the bedchamber. 

If only your mother and father could see this. They would be just as amazed. You can’t help but admire all of it. To touch the curtains as you approach the window and stare off at the afternoon sky. The gardens are a medley of hues; petals and thorns; leaves and dirt. It’s all so wonderful, you can still hardly believe it. 

Seems those other ladies can’t either. You can’t help but think of their words anon. They said so outrightly what you doubted inwardly. You don’t belong here. It must be so clear to them. 

You lean on the ledge and peer down into the garden pathways. It is almost a labyrinth with how intricately they’ve laid out the hedges. You lower yourself down to your elbows and cross your arms as you sigh. 

Your eyes are drawn from the swaying roses to the dark speck that appears below. You squint at first. From the second floor, it is harder to discern. It is the glimmer of gold in his hair and the defined gait that gives away the king. For an instant, you believe you might be dreaming. 

He walks along one path and to the next. There is another with him. A man with darker hair and a stauncher figure. They speak and stop just as they enter a circled walkway centered by a large vase of flowers. The other man talks, though you can hear neither, and the king rubs his chin. 

You should turn away. They might think you an eavesdropper. Oh, too late! You don’t dare move as the king tilts his head. You wouldn’t want to pique his attention. You cannot tell if he has spotted you. Not until he raises a hand and waves. The other man stops and looks to follow the gesture. 

You stand up straight but before you can flee in horror, you recall yourself. It is improper to turn your back to the king. You lift your hand and return the wave. He dips his head and turns to clap his companion’s shoulder, pointing him onward. 

Oh, you hope he is not unhappy. If you pray, perhaps he will not have recognised you. You needn’t an enemy of the king as well. 

[everythingwasalreadypicked]

Jason: How are we from the same family?

Octavian: We're not.

Jason: Your parents fostered me.

Octavian, who cried for hours at their execution: I do not consider those traitors as my parents.

*****

Annabeth Chase, miles away: My morally questionable older brother senses are tingling. Do you think it's Luke, Percy?

[poppitron360]

One thing that would’ve made the Jason/Piper arc SO much more interesting was if they actually explored the fact that they are probably one of the first Greco-Roman couples in several centuries.

Like imagine the shit that Jason- the Perfect Golden-Boy Praetor- would’ve gotten at CJ for dating a Graecus. He was expected to be a good soldier, and uphold Roman values. And it would’ve been a great accessory to his arc of feeling separated from Camp Jupiter and his Romanness.

And that’s a ship that’s canon, and it’s not talked about at all.

But you know what would’ve made it better? You know what the pressure of living up to the expectations of being in a certain type of couple to uphold a standard of life is a PERFECT METAPHOR FOR?

Queerness. Jason being in a relationship with a Greek being frowned upon by the Romans being a metaphor for being in a same-sex relationship would’ve fit so well. ESPECIALLY considering actual history and how Roman society viewed the very fruitiness of the Greeks, and thought they were superior than them because of it (that’s probably an oversimplification, but still).

My point, as always, is Valgrace should’ve been canon.

[aroaceleovaldez]

i know a lot of people talk about the Cupid Scene as not being great as Nico's coming out story (which i think is a complex matter but that's a rant for another day), but I personally find it way more compelling if it's just not Nico's coming out story at all - it's the beginning of Jason's.

Because it doesn't really work or make sense to be Nico's, right? It's not Nico's pov. Nico doesn't have a POV at all in this book. And in House of Hades, the Cupid Scene is one of the first major things Nico gets to do right out of the box jar. Why introduce a character, have him be outed as gay, lead the crew around, and then leave to go travel with someone else all in one book where he's not even a POV? It's also contrary to the way Nico generally functions as a character - he's either exposition, dues ex machina, or damsel in distress. He's kind of a damsel here, but ultimately he doesn't need anyone else to save him - or even be there. He handles it on his own. Jason is mostly just a witness.

But, if you view the Cupid Scene as being about Jason, it narratively fits a lot more; Jason at this point is dating Piper, and they're three books deep into their relationship. TLH they start dating and are relatively happy with it and where they are. SoN is a skip but we know they're happily dating during that time, and then Mark of Athena we get a slight shift. Jason and Piper see Percy and Annabeth and go "Oh! They're perfect. Their relationship is perfect. We could be happier if we were more like them." Piper and Jason are also both characters who go through an identity turmoil in general - particularly about how both of them want to be perceived by others and who they are as people. The things they identify with - their parents, their heritages, etc etc. Their orientations. Piper's get more focus earlier in HoO, and Jason gets more later.

The Cupid Scene is from Jason's POV, in a book where he is beginning to struggle with his identity and what people expect from him - particularly him not feeling like he perfectly fits with "either camp." He's too "Greek" to be "Roman" but too "Roman" to be "Greek." He's not quite one or the other. He doesn't meet the expectations either has for him. (This is bi-coding, if you couldn't tell. Just replace "Greek" and "Roman" with "Straight" and "Gay.") It starts with Cupid addressing Jason first, before Nico, very directly - asking him if he's so sure he's happy in his relationship? Does he really think it's perfect? Even Favonius very pointedly asks him if he really forget that guys can date guys? Do you have some internalized bias around that, Jason? Hm? Heck, they're both specifically in their Roman forms, not Greek. Why would they appear in their Roman forms if they're there for a Greek demigod? And very notably, they have this exchange:

(remember what I said about the bi-coding with Jason's Greek/Roman identity crisis? I don't think it's coincidence that this so pointedly comes up during the Cupid scene.)

Favonius' introduction to the Cupid scene sets up Nico's portion of it, but Cupid almost exclusively speaks to Jason for the first half of it. Then Nico steps in. He diverts the conversation away from Jason and focuses the attention onto him. Nico's the one Cupid wants, he insists, not Jason. He's the target, not Jason. This is very in line with Nico's character - practically one of his core character traits is he trusts and starts caring about people very quickly, probably quicker than he should or even wants to, and will put himself in harm's way to prevent others from being hurt. The Cupid Scene isn't the start of Nico's coming out story - Nico already knows he's gay. He has no internal doubts about that. He's known it for awhile. He's just in the closet. And he starts coming out of his own free will in the next book, first to Reyna and Coach. The Cupid Scene is Nico recognizing that Favonius and Cupid are pushing Jason for something he's not ready for and hasn't figured out yet, but something Nico has and just hasn't said out loud yet. The Cupid Scene is Nico taking the proverbial bullet/literal arrow for Jason (Jason consistently describes the arrows as whizzing by him before striking near Nico, interestingly) and being outed so Jason isn't. And that presents Jason with the path to begin questioning his identity further. (Jason also then directly compares Cupid to Aphrodite, specifically her Greek form, which also ties into Jason's greek/roman stuff.)

And I don't think it's coincidence that Jason and Nico mirror each other so much, and that their arcs in HoH are so intertwined. The Cupid Scene functionally, on a meta level, establishes an explicitly queer character to parallel Jason and for him to bounce off of during his own arc. (And, also on a meta level, establishes to the audience to be sympathetic to queer struggles, with Jason's arc then proceeding to be a queer-coded struggle.) Jason is presented as having this strange level of isolation from how others perceive him in a positive way/the expectations people have of him that wraps around to something akin to Nico's ostracization as being an outsider and atypical demigod in general. Nico is a rouge - he explicitly expresses how he feels like he doesn't fit in at either camp (something he expresses explicitly during the Cupid Scene, mirroring Jason's simultaneous questioning his own place at Camp Jupiter) and a core part of his character is that he does function outside the rules and expectations of both camps. He operates on an entirely different realm to them. If the camps are an expectation of normative concepts of acceptable relationships, Nico is outside of that. And he recognizes that he operates outside of that and will never fully fit into the mold either expect of him, and he recognizes he doesn't need to fit in, even if he theoretically could force himself to fit that mold. Jason, meanwhile, is still locked within those boundaries, and grappling with this idea of how he can exist between them.

Nico hands Jason a goblet of poison and says "how much do you trust me?" and it's Nico challenging Jason to take his own advice about trusting others about their identities, and almost immediately after that Jason gives up his praetor title to Frank. Jason's Greek/Roman arc is directly tied to Nico and the Cupid scene. BoO ends with Jason asking Nico to stay at CHB so they can hang out that summer. By TOA, we learn that Nico has started dating and is staying at CHB (is exploring the niche of expected and socially accepted relationships) while Jason has broken up with Piper and is living away from both camps (rejecting hetero/allonormative expectations), still struggling with his own identity. They functionally swap places. And that's fascinating.

Anyways i think about Jason's bi-coding a lot.

[lilislegacy]

i really don’t know how to make this reach the right audience but david and hook sometimes low-key give me jason and percy vibes. like just… just a little 🤏

cause percy is the hot bad boy son of poseidon (pirate) who often just says what comes to his mind, and jason is the perfect stereotypical son of zeus (prince charming) who always appears to have his shit together. and they dislike each other at first, but end up becoming very good friends, basically family, who trust each other a great deal, have the funniest dynamic, and fight many battles together

[fluffylord]

TWELFTH DOCTOR | TWICE UPON A TIME

[demigods-posts]

I've seen a lot of discourse about Virginia Kull's portrayal of Sally Jackson in the Percy Jackson and the Olympians TV series, and I'd like to say that I loved her. Don't get me wrong. I love Sally from the original book series, and I, too, would fight the God of War on her behalf. But something that I enjoyed about Virginia's portrayal of Sally that we don't get in the books is the character depth. We don't hear much of Sally's backstory in the TV series, apart from a couple of flashbacks with younger Percy and that scene with Poseidon (Toby Stephens). However, those scenes do an excellent job of showing us that alongside being Percy's mother, Sally is also a young woman who fell in love with a man she could not be with and is enduring the natural consequences of having Percy. She struggles to communicate with him when she's frustrated, gets teary-eyed when she lies to him to prolong the inevitable, and actively sacrifices her happiness to ensure his safety. Virginia Kull's portrayal of Sally Jackson reinforces the character's humanity, imperfections, and determination, and it's everything to me.

[signed-sapphire]

Idk *throws some doodles of AU!Ashas in concept art poses at you*

RWTS AU— Rewrite the Stars AU by @gracebethartacc

TFS AU— The Fallen Star AU by me

KOW AU— Kingdom of Wishes AU by @annymation, design by @uva124 and soon to be illustrated by @emillyverse

TGWWUOS AU idk if that’s the official name— The Girl Who Wished Upon A Star AU by @mythartist21

Closeups under cut 👍

[saccharinerose]

In a conversation the topic of childhood comes up and the human part of the Fontaine cast (Wrio, Clorinde, Navia) is hit by 3 consecutive mental sucker punches when Furina, Neuvilllette and Sigewinne all reveal one after another that they have Never Been Children