#GOOD ENOUGH SEND POST

[emilianadarling]

New/Updated ‘Warrior’ Cover Art - Chapter 4: Family

At long last! This latest retroactive chapter cover art has taken me longer than I anticipated, mostly due to a persistent injury/ailment I’ve been grappling with over the past month since we posted the final chapter. (Though I did share an in-progress preview pic a little while back.) Mild expectation spoilers for that chapter ahead!

Technically, Chapter 4 was the second time I ever posted cover art alongside a chapter of ‘warrior’, though making the cover art chapter-specific didn’t come until later. At the time, I figured I’d make a new ‘warrior’ cover every few chapters for the fic writ large. That changed around Ch 6, and it’s been a neat process to go back and fill in the gaps, or to focus in on the actual chapter contents in a more zoomed-in way.  For comparison, here’s the original cover art posted with the chapter:

With the new/updated/chapter-specific cover art, I wanted to narrow in on what ended up being one of the most memorable/thematic scenes in that particular section of the story: the holocall with Han and Chewie in Leia’s chambers. (A scene that, perhaps interestingly, wasn’t in the original early 2/3 draft of the fic, but was instead added in because I NEEDED it to exist so bad before it felt like the story could proceed to its conclusion. 

Visually, Din is reduced to being seen through a screen -- much like he is in the chapter, when Luke spies in on him and Grogu by way of security footage, hearts in his eyes and utterly uncaring of the fact that Din wouldn’t appreciate the invasion of privacy. A Mandalorian conceptualized as tamed in some base sense -- but also, somehow, taming.

I honestly fucking love how the picture of the twins turned out. Both originals are drawn by Phil Noto, and holy fuck can that man draw these two in a way that just. SPEAKS TO ME. (Here are both originals.) In particular, it feels wonderful to be able to ‘see’ Leia from this universe; I’m so wildly grateful at the fantastic base art to work from. 

Thanks to @universeinorbit​ for their continued incredible beta skills (including ART beta skills, incredible job recolouring/resketching Leia’s clothes so that she’s consistent with how she’s dressed in the chapter), and to @lovey-dovey-and-sad​ for her great feedback during the cover art creation process. Big thanks also to all readers, commenters, and supporters of the story -- it truly means the world!

[danandfuckingjonlmao]

dnp are so much worse than we could ever be. they bully us for being like omg they touched and then sit there screaming and giggling and kicking their feet because omg dan helped phil sort his fringe out in 2015 that’s soooo sweet!1!!1!!!!! 😭😭😭 omg did you see how they communicated without words?? 😱 they are so in tune with each other they have such a powerful connection 🥹🥰😆 so cute how dan was looking out for phil soulmate shit fr 🥺 let’s watch it again 😝😍🤣😵🤭🫨 like shut the fuck up?? fucking phannies?? you’re so embarrassing??

[merry-death]

on my second watch of the new hbomberguy video (I was not totally sober when I watched it last night) and I just remembered where I know James Somerton from. A few months ago I ended a friendship because she kept talking about how excited she was to play the hp game, and at first she genuinely didn't know how bad r*wling was, but even after I explained and sent tons of resources so she could see for herself, she still eventually said something along the lines of "oh well, I still don't think it's bad enough to stop me from buying the game". Then she sent me James Somerton's video about why he was still going to buy and play the game and said "His thoughts are basically mine". I had never watched his videos, but I was immediately suspicious of him for being able to lay out the clear transphobia and antisemitism but still justify purchasing the game. And now, I guess we know that his thoughts weren't even his. And no wonder he was fine still giving r*wling money, he's also fine misgendering trans people if it means he can be more misogynistic

EDIT: so i decided to fact-check myself since it's been several months since that conversation, but he does say he "probably" won't spend more money on the franchise even though he totally understands and supports people who want to.

And in a turn of events shocking no one, aside from that conclusion that he thinks it's fine to still support hp, the vast majority of that same video was also plagiarized:

EDIT 2: I've seen some people in the notes saying he even plagiarized the transphobia, so I'm going to clarify this. Most of the video was about all of the transphobic, antisemitic, or otherwise awful shit r*wling has done. That is the content that Somerton seems to have plagiarized from Katelyn Burns.

The only part of the video that doesn't appear to have been stolen is the conclusion, which is where he said it's understandable and fine for people to still financially support the franchise. So he did not plagiarize the transphobia, he plagiarized the proof of transphobia and then added in his opinion that it's still cool to give your money to transphobes if not doing that makes you sad

[itsnotmourn]

OH MY GOD ITS CARMEN AND RICHARD

[itsscottiesstark]

Still can't believe that Crowley begged Aziraphale to stay, kissed him, heard those three dreadful words and then waited till the last second for Aziraphale to change his mind ONLY TO GET IN HIS CAR AND HEAR A NIGHTINGALE SANG IN BERKELEY SQUARE I am unwell.

[dracothedeatheatingcupcake-ao3]

And that’s a wrap for Comic Con 2024! Ha, it was a lot of fun, but I really enjoyed dressing up as Mondo today! I even had a couple people recognize him! And a few others just liked the hair, one of whom asked how long it took me to get my hair like that, which tells me that at least it looks natural enough for people to mistake it as my actual hair, ha.

Overall, Comic Con was cool! On Thursday, I attended a live podcast recording for Braving the Elements, which is an Avatar the Last Airbender podcast hosted by Janet Varney and Dante Bosco (the voices of Korra and Zuko, respectively), and I actually got a trivia question right and I should (hopefully…) get an email from them soon to get a prize for answering the question right. If not… oh well. At least I’ll be featured briefly on the podcast answering trivia correctly, even though I usually suck at trivia, ha.

The rest of the days were a bit more meh, but I still had fun. I won a Pokeball ornament from a Hallmark panel, since I knew how many Squirtles were in the Squirtle Squad, aha. Which leaves my trivia score 2 for 2 at the moment.😅 I also got a free shirt and scarf for the upcoming Yakuza live action show, which was neat. I’ve never played Yakuza, but my brother has, so I was able to give him the shirt at least.

Still, while Comic Con was fun, I’m definitely glad it’s over so I can go home and clean up from my frantic cosplay creating the last several weeks, oof.

Also! On the first day I dressed at Taka, but since I was by myself I only have the one photo my dad was able to quickly take of me before he had to drive off and a quick selfie I took in the car.

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[sammy8d257]

CW - BIG VENTING:

I'm not going to lie

I'm scared and I'm sad

I had no doubts that even if Kamala won, shit was still going to be bad

but this is infinitely more terrifying

I'm scared for me, my family, my friends, literally everyone that this fucking piece of shit criminal and his actual neo-nazi vp hate and want wiped from this planet.

But I'll tell you right now

More than anything I'm feeling mad

Realistically, its going to take more than just me being angry to actually get things to change

But I'll be damned if I don't do anything in my power to make sure that the people I care about stay alive

And you better fuckin' believe I'm not going to let some moldy piece of cheese out live me

I'm living for JOY and SPITE now

[froglover7789]

luke and hans friendship is so fun to me and i wish it was explored a little more in canon. like they absolutely yap about their mutual fear of leia and argue about ships and han teaches luke sabaac and luke teaches han some awful tatooinian game that is like horrifying (still workshopping this part) and they go drinking and are stupid and i wish we got to see more of that.

like anh they were so fun.... yap city.... and in esb they cared about each other but also gave each other shit like true friends... i wouldve liked to see that return more post hans carbonite incident bc lets face it. he would give luke so much shit for being a jedi

[sparrowmoth]

Thinking about Jesper and Nina as the last of the Crows. Thinking about Wylan, when he dies, and Inej and Kaz have gone already, and Jesper can't contain his grief. He throws himself at Nina, because she has power over the dead, doesn't she? That isn't how it works. But he isn't listening. He begs and pleads for her to bring Wylan back, to try at least—but she won't. She won't, no matter if he hates her for it, because all she can think of is the sight of Matthias and how wrong it was. How wrong to have tried to hold him back, to hold him to her.

She holds Jesper through the night as he sobs into her shoulder. She holds him tight even as he curses her. The both of them know he doesn't really mean it. They only have each other now...

But it isn't only them there.

Someone else is in the room, unseen, and he whispers into Nina's ear. Not her ear, exactly. More so her mind, but he sounds so present if she just closes her eyes. She wishes she could share this through more than translation, so Jesper would be sure... he's okay, he's okay.

He's somewhere else, but he's okay. And he loves you so much, Jes.

Her eyes are full of tears. She keeps them closed as not to let them fall. She whispers Wylan's words to Jesper. She feels him stilling in her arms and keeps on whispering until the words stop and she can't sense him anymore. He had to go, but he'll be waiting. He had to go, but you have time left. Don't rush to him. You'll have forever. It's just for now, so just be patient... you'll have forever. He'll be there waiting.

[ordowrites]

I want it to be known the C for Cum point on the Wanderer post gave me like the most intense brainrot- Like now I just have the mental image of trans Wanderer with like an intense breeding kink and equally as intense baby fever and like he keeps trying to breed his partner but he can't because he has no dick and no fertile cum so dude is just going through the most intense "I would knock you up if I could" type shit-

Like bro is just going through the nightmare of every lesbian and trans-man that just wants bio-kids and that is going to live in my head rent free for the next month because honestly I fucking feel that so hard bro-

oh my god anon, i feel you on this. it has to be a common thing amongst us XD

BUT this has inspired me so-

cw: breeding kink, afab reader, notsfw, use of toys, biting.

trans!wanderer is ago~

You'd seen him watching families come and go on the streets each day, a thin frown on his beautiful face - you think he looks envious most of the time and always considered asking if he wants to have children (but never quite doing so because you know you'll get a snappy response in return).

Perhaps, you've entertained the thought of a family with him - biological children are off the table for you both but adoption isn't a bad thought. Or hell, maybe finding out how his creator made him and mimicking that if he wants.

Whatever would make him happy.

Baby fever hits him pretty hard on the bad days - those are the days he'll shove you onto the bed, all but rip your clothes off - fingers working at your cunt until you're begging for mercy. He knows all of your spots to make you cum quickly, easier to make you ready for whatever strap on or toy he's picked out for your quivering hole.

His breath is always hot at your hear, needy moans escaping his pretty lips as he shoves himself against you.

"Imagine," he'd groan and growl against your ear, nipping at your earlobe. His movements are erratic, desperate - he's close himself and you're already a mess of your own slick, the fake semen from the dildo, and his. He always makes a mess of you. "You round and plump with my babies, my children. Mine." He bites at your breasts, focusing particularly on making you keen and whimper, sensitive buds perked and ready.

You cannot mistake the need in those violet hues, the desperation - and you sure as shit wish you could give him what you wanted.

The thought makes you clench around the toy, makes him cum - squirt - himself. There's bruises on your wrists from where he'd grabbed you, bite marks on your chest and neck, claw marks along his back and shoulders.

He'd cage you in for a few minutes - breathing hard as you kiss his face in a sloppier, wet manner as you stroke his hair that feels too real to belong to a puppet. You'd quietly assure him that you love him so so much and he'd only grunt in response.

It would be an immaculate conception, you think. Wouldn't it? You're tired, but he's hoisting your legs up on his shoulders. It's never a one time deal - not with him, never with the Wanderer. When he does something, he makes sure he does it multiple times. Until you're both exhausted, until he's satiated and content. The Wanderer never sings you praises, but he certainly does whenever the baby fever strikes him.

So, every time, all you can do is spread your legs wider, wrap your arms around his shoulders, and pull him close.

[joseigamer]

I finally found the source for the interview between Satomi Tadashi and Kazuma Kaneko (main writer and artist) where they literally call Tatsuya and Jun gay - (”homo” - english loan word). It’s from the Innocent Sin World artbook (pub. in 2000). Here is the translation, and here is a link to the artbook. It’s on page 32. It’s not like this is anything new, but I feel like it’s important to have the original text onhand when sharing stuff like this! Translation under the cut for ease of access/archival purposes:

— What do you think Jun thinks of Lisa and Tatsuya’s relationship? SATOMI: I think he wants Lisa to be a bit more gentle with Tatsuya. KANEKO: She’s really got a jealous nature, doesn’t she? “Shaddup, woman.” Didn’t everyone expect Jun to say that? And then he’d say “Tatsuya, hold my hand a little bit tighter please.” SATOMI: Well, everyone is free to think what they like about that. *laugh* Personally, I don’t think he’s necessarily gay. KANEKO: Jun isn’t gay…but he likes Tatsuya, right? SATOMI: He likes him. If Tatsuya asked, “Do you like me?” Jun would say, “I like you!” KANEKO: Tatsuya would ask “Do you like me”? SATOMI: I think he’d ask like that. KANEKO: I think he’d say something like “What do you think of me?” And then Jun would say, “I like you!” SATOMI: If Jun said something like that, he would turn his back and seem happy. KANEKO: Who would? SATOMI: Tatsuya would. KANEKO: Tatsuya would turn his back and say, “You do?” happily? Well then, he’s gay, isn’t he! SATOMI: *laugh* …that’s why I said that everyone can think as they like about that issue. KANEKO: Well, I don’t know much about that field, anyway. I’ll have to do a little more homework. Hey, does Jun have thick hair? SATOMI: It’s not thick. KANEKO: And Tatsuya’s hair isn’t thick either? SATOMI: Right. So even if it gets tangled together, they’ll be okay. (NOTE: This refers to old, old literary references in which two people slept together in the same bed, so close together that their hair got tangled together.) KANEKO: What, so they really are gay. I see, so they’re gay, huh…Well, then Jun’s probably thought of assassinating Lisa? By setting some sort of trap for her…

[credit to chthonian.net for the translation]

[ganondoodle]

i often really do feel like an .. unwanted part of the fandom, i dont draw beautiful landscapes, i have unpopular but strong opinions im constantly annoying about and rarely change, dont like/dont draw the pretty young popular twinks and hot gurls to fanboi over nor do i turn characters into one, the opposite moreso, draw only one ship no ones heard of really, got little energy to interact with the few people that are nice to me and send me asks so it probably looks like im ignoring everyone and unfortunately but still rarely get so stressed i get overwhelmed and emotional about pehaps seemingly minor things and spiral almost into a breakdown feeling super embarrassed about it afterwards but the damage is already done and i look like a freak or agressive weirdo

[sainz100]

November 2018 | 📸 by Cristiano Barni

[zer0point5ive]

i just know adam (saw 2004)’s myspace was crazy