#GNAW GNAW GNAW GNAW

[passwordispassword]

GBHHER;S SO GVUTEEEEEEE

[anonymocha]

hope your lesbian visibility week ends with a bang. have thisj

BITES HER BITES HER BITES HER

[unicronnomnomnomnomnomnomnomnom]

@spark-of-phoenix replied...

Can you eat with your feet if you eat your feet? or do You eat your feet as you eat with your feet?

Actions speak louder than words.

And thus, it chews on both hand and foot, because it still doesn't remember which is which. There. Covered all bases.

[kits-ships]

ooh ooh i wanna talk about this guy so bad im gonna chew on my arm

[sointuina]

feeling extremely normal about these two

[mintaii]

a little post act 1 drawing...

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[dreemurr-fever]

@lolathepeacocklord @plaguesandrainbows @funnelcloudandnettlewing @links-destiny

ⓘ You can Bite your Friends.

[thankstothe]

okey-doke 🥺

[kelin-is-writing]

HELLO???? PRO-HERO TOUYA???? I’M FOLDING SO BAD—?????

[zhelin-thames]

Tiny baby ghost

idea from Prompt for @silverblueglitter

part 2 and 3 are out Masterpost

The summoning circle glowed an eerie green, casting sharp shadows around the Justice League's meeting chamber. John Constantine, sleeves rolled up and cigarette dangling from his lips, muttered the last words of the incantation. The room held a tense silence, broken only by the faint hum of the magical energy.

When the green smoke cleared, instead of the imposing figure of the Ghost King they’d expected, a scrawny teenager in a black jumpsuit with white gloves and boots appeared, looking distinctly unimpressed.

“Seriously?!” Danny Phantom groaned, throwing up his hands. “It’s a school night!”

The room collectively blinked. Superman and Wonder Woman exchanged confused glances. Batman’s eyes narrowed behind his cowl, while the Batkids—perched around the room like chaotic gargoyles—leaned forward, intrigued.

“This… is the Ghost King?” Nightwing asked, his voice skeptical but amused.

“Ghost King?” Danny repeated, holding up a hand. “Nope. Wrong guy. Try again.”

“Clearly, this is a child,” Robin said flatly, stepping forward with his arms crossed. “Either the summoning ritual failed, or we’ve been deceived.”

“Who are you calling a child, mini-Nightmare?” Danny shot back, floating an inch off the ground to look taller. “I’m fifteen. How old are you, eight?”

“I am fourteen, you insufferable spirit,” Robin snapped, glaring daggers at him. “And you are woefully unqualified to speak to me in such a tone.”

Danny rolled his eyes. “Yeah, okay, Robin Junior. Let me know when you grow a sense of humor.”

Red Hood, perched casually on a table nearby, barked out a laugh. “I like this kid already.”

Robin scowled. “You would.”

Red Hood swung his legs off the table, standing to his full height. “Alright, Casper, if you’re not the Ghost King, why’d this ritual grab you instead?”

“That’s a great question! Wish I knew!” Danny said, throwing up his hands.

Constantine frowned, stepping closer. “You’re definitely ghostly, mate, and half-alive by the looks of you.” His sharp gaze softened just slightly. “You’re a bloody halfa.”

Danny froze, eyes darting to the swirling green barrier still holding him in the circle (not really). “I’m a ghost. And yeah, I’m alive. What’s it to you?”

Batman loomed closer, his deep voice cutting through the room. “If you’re not the Ghost King, why does this summoning work?”

“Great question! Wish I knew!” Danny threw up his arms again, his ectoplasm glowing faintly in frustration. “I don’t even know who you are, and you’ve already ruined my night! or Maybe the universe hates me. That’d explain a lot!”

“Who even made this circle?” Red Hood asked, pointing at Constantine. “Did you check it? It’s glowing green. That’s ghost vibes, man.”

“Thanks for the observation, Red Hood,” Constantine said dryly. “What gave it away, the ectoplasm or the ghost?”

“You are in no position to demand answers,” Batman growled.

“Oh my god, you’re worse than my parents,” Danny muttered.

Before Batman could respond, the air grew colder. A heavy, oppressive presence filled the room as green flames erupted in the middle of the chamber. From the flames stepped Pariah Dark, fully armored and radiating raw power, his glowing eyes zeroing in on Danny.

The League tensed, weapons at the ready, but Pariah didn’t even look at them. Instead, his expression softened in a way that could only be described as paternal as he reached out and plucked Danny out of the circle like a child grabbing a stuffed animal.

“Who dares summon my child?” Pariah rumbled, his deep voice shaking the room. He cradled Danny in one massive hand as though he were the most precious treasure in existence. Danny, for his part, just sighed and leaned against one of Pariah’s fingers.

“Dad, chill. They’re not trying to hurt me—” Danny shot a glare at Batman, “—yet.”

“‘Dad’?” Robin echoed, utterly baffled.

“They stressed him out,” Pariah continued as if Danny hadn’t spoken. “This is the third time in two weeks. Do you know how much sleep he’s lost? He has school!”

Pariah’s gaze darkened. “The third summoning this week,” he growled. “And for what? To disrupt his rest? His studies?”

“Studies?” Robin repeated incredulously. “This alleged ‘Ghost Prince’ is concerned with—”

“School,” Red Hood supplied helpfully, smirking. “That tracks. He’s just a kid.”

“I’M NOT JUST A KID!” Danny protested, his voice cracking slightly. Jason snorted.

Before anyone else could respond, Fright Knight materialized beside Pariah, his armor gleaming and his sword crackling with ghostly energy. He took one look at the summoning circle and grimaced.

“Shall I eliminate the offenders, my liege?” he asked Pariah, his grip tightening on his sword.

“No!” Danny yelped, waving his hands frantically. “No eliminating, no smiting! We talked about this, remember?”

Pariah sighed, his massive shoulders slumping. “They stressed you out,” he rumbled. “They should pay.”

“They’ll be fine,” Danny muttered. “Just… let me handle it, okay?”

“‘Fine,’ he says,” Red Hood muttered. “We’re seconds away from getting blasted into the afterlife.”

Robin's hand drifted toward his sword, his eyes darting between Pariah and Fright Knight. “This is absurd. We are the Justice League. Surely, we are not so easily—”

“Shut it, kid,” Consttantine interrupted. “Unless you want to test if we’re actually ‘fine.’”

Danny groaned. “Can we not do this right now?”

Wonder Woman stepped forward, her voice calm but firm. “We summoned you because we need the Ghost King’s aid to stop a catastrophic magical event threatening the world.”

“Then why not summon him?” Danny snapped. “I’m not the king!”

“Yet the ritual brought you,” Batman said, his voice a mix of curiosity and accusation.

Pariah’s gaze darkened. “The crown does not transfer unless challenged. And none shall dare challenge my son.”

Danny squirmed in his ghost-dad’s grip. “Okay, Dad, they get it. Can you not threaten to destroy the world for five minutes?”

Pariah huffed but gently set Danny down, though he remained close, a looming shadow of protective menace.

Constantine rubbed his temples, muttering something about “bloody teenagers” and “overprotective ghost tyrants.” Meanwhile, the Batkids exchanged glances, clearly plotting something.

Danny sighed. “Look, I’ll help you guys with your big, scary magical problem, but can we make it quick? I have a chem test tomorrow.”

[mercuryflan]

“Checkmate dance”

Just them walking around after one of their adventures.

[iheartsteve0704]

trying to be normal about the fact that people think 1) señor scratchy was a gift from Rio or 2) Agatha named him señor scratchy because it reminded her of the two people she loved the most (her son and her Spanish speaking WIFE)

[resvarie]

boothilly

[lacquerheadd]

pov: you glance over during training in camp

[babycharmander]

(THE BOOK OF BILL SPOILERS!!)

Thinking about Bill’s appearance at the end of the book…

[ID: BIll when confronting the Axolotl. He is shown in white silhouette, hovering in space, hovering neutrally. Notably, he has a massive crack running through his body, splitting him into multiple pieces, some of which are coming apart. /end ID]

When confronting the Axolotl, Bill is broken. The Axolotl even notes this: "Shattered, broken, not yet dead."

(Which, side note, makes me think Bill might have been lying about having been "kicked out of Hell," if he didn't actually die in Stan's head.)

[ID: Three pictures of Bill in the Theraprism. The first one shows him holding his hand against the side of his head in a dazed expression, sitting in a chair in a white padded room between a wizard with a clock for a face and Saturn (taken directly from the painting Saturn Devouring His Son). The second is a camera recording of him wearing an orange jumpsuit and kneeling in a cell, surrounded by arts and crafts tools, holding a pair of scissors, and beaming his thoughts frantically into a book. The third shows a mugshot of him staring blankly into the camera, his own name written on coded text below him. In all three images, he has a glowing scar where the cracks were, and is in one piece. /end ID]

When he's shown in the Theraprism, we see a glowing, static-y scar where the cracks were. The scar crosses his entire body (and even crosses to the other side of his eye without affecting it!), but he's actually whole, keeping himself together.

But then...

[ID: Two pictures of Bill from the last pages of the book. In the first one he is facing forward and holding up one finger, his eye reddened, his entire form glitching, and his crack is notably worse than prior, cracking through his eye, multiple smaller pieces drifting away. In the second one he is staring blankly at the viewer, his arms hanging limply, his eye wide and blank, the crack worse than the previous image, with more pieces floating away. /end ID]

In the last few pages, we see the scar is gone and the cracks are back, and even more of him is breaking away, including parts of his eye. It's especially bad in the last image, with even more pieces of him breaking away.

Also noteworthy is that the static texture behind him seems to be the same as the blood sample the US government took from him in the 1940s. He's bleeding.

We know from context that these images are meant to be taken somewhat chronologically. After dying (or nearly dying), Bill seeks out the Axolotl, who sends him to the Theraprism. While there, he writes the journal that he's beaming to us. The staff at the Theraprism catch onto this, and allow him to write out the last few pages, meaning those last few pages are chronologically the last of Bill we see.

This means that, after the events of the show, Bill was shattered... and then, upon entering the Theraprism, started to heal, his body coming together and scars forming... but at some point afterward, he started breaking apart again.

I'd made a post previously about Bill's development, how he views himself as a monster after the Euclidian Disaster, and how he continues to act monstrous afterward (and winds up agonizingly lonely as a result). I didn't really touch on this in the post, but I feel like after inadvertently destroying his home dimension...

Bill never left the denial phase of grief.

I could be wrong on this, but I get the feeling that part of his reason for acting monstrous toward just about everybody is because he sees himself as a monster, because "this is just how I am" is easier to accept than "I really really screwed up."

Bringing this back to his shattering... It's interesting to me that after entering the Theraprism, his body is scarring, which means it is healing. But then, at the end, as he's signing off the book, he's shattered again, and looking even worse than he did when talking to the Axolotl. When talking this over with a friend, they pointed out something that struck me:

Bill does not want to heal.

Healing means having to actually think through what happened. It means having to confront his past, confront destroying his home dimension, confront the harm he caused to others, confront the fact that he did not have to be this way.

And he refuses to do that.

He refuses to heal.