#From 5 minutes crafts episode

[game-grumps-captions]

I love that Dan has two versions of the exact same shirt

[lightseoul]

16 please 👀

Congrats btw for your 2K milestone!! 🎉 WAHOO

number 16, coming right up! thank you for playing and for the congratulations, lovely <3 i hope this one makes you laugh!

(this is lightseoul's 2k milestone event ft. bakugou katsuki! to play, view the numbered list of prompts here, then simply send an ask with your chosen number and i'll whip something up!)

16. "I WANT TO GO HOME TO MY WIFE." (0.7k)

it’s probably by the tenth sigh of the night—not that anyone’s counting—that poor kaminari finally snaps.

“seriously, dude?”

bakugou, who’s seated across from him with kirishima and sero adjacent to the both of them, only lazily raises an eyebrow in question.

at that, the electric hero pouts. “at least try to pretend you’re having fun.”

a few feet ahead of them—the men collectively chose to be seated at the back of the small dive bar despite kaminari’s protests—the stand-up comedian currently doing a set cracks another joke. an undercurrent of laughter flows across the room, but none of the four contribute to that.

“sorry, denki,” sero starts, a not-so-apologetic expression plastered on his face. “i’m with bakugou on this one.”

the slim, ebony-haired man glances at the stage, “the jokes aren’t landing for me either.”

“aww, come on, you guys!” kirishima, the ever-unfailing saint that he is, pipes up with a borderline overcompensating grin. “let’s just stay for a while longer for denki, alright?”

sero shrugs in response, but turns in his seat toward the stage anyway. bakugou, on the other hand, only grumbles before reaching for his phone in his right pocket.

thumbing his password under the table, his fingers click on the messages app, then to his number one favorite contact.

for a second, he debates whether or not to shoot you a text. you were so excited to finally get started on that anime you’ve been meaning to watch, that you almost seemed like you didn’t care that he was leaving you home for the night to hang out with the guys.

biting on his lip, he absentmindedly goes through your last exchange before finally deciding fuck it.

while typing out a well-crafted message, his eyes dart between his screen to his friends then back down again, trying to seem inconspicuous.

the last thing he needs is for the bored tape hero to tease him with that annoying ass shit-eating grin of his.

reading through it one last time, bakugou finally presses the send button.

much to his delight, it doesn’t even take you a minute to reply.

(8:43 PM) baby 🧡: heey! i’m still watching—am on episode 5 now. hbu? aren’t you busy with the boys?

the smile he wasn’t aware he’s been sporting immediately drops when he’s reminded of the predicament he’s in. peering back up at the front, he has to fight the groan that threatens to bubble from his mouth when another performer goes up.

oh, well. at least you’re texting him right now.

he quickly types out his response.

(8:45 PM) me: Busy being fucking tortured. This is the worst night ever.

“yo, bro, who got you smiling like that?”

bakugou whips to glare at the culprit, who’s now wearing the very same shit-eating grin he’s just been thinking about avoiding a few moments ago.

pocketing his phone, bakugou snarls at the man. “shut the fuck up. all that doom-scrolling is rotting your fucking brain.”

“i think you getting the reference says something about you, too, bakubro,” kirishima offers from beside him.

bakugou shoots the redhead a menacing scowl, which the unbreakable hero accepts in stride.

“are you guys even listening?” comes kaminari’s whine.

“sorry, denks,” sero replies, before turning to regard the rest of the group. “i thought we agreed to stop doing these guys’ night outs? none of us are as good at planning get-togethers as mina.”

at that slightest bit of opening, bakugou takes the opportunity and moves to stand up, grabbing his wallet and car keys before inserting them in his back pocket, surprising the three men.

before any of them can say a single word, though, bakugou tries to shrug nonchalantly, muttering his simple explanation.

“what was that?” came sero’s teasing tone.

“i want to go home to my wife, idiot,” bakugou barks before he can stop himself.

at that, kaminari finally throws his hands up in defeat.

kirishima only shrugs himself, “that clicks.”

while the menace snickers. “simp.”

[alltimefail]

Agency Assignments: A comprehensive to-do list for saving Dead Boy Detectives!

I'm very easily overwhelmed, so I wanted to break down all the ways to help "Save Dead Boy Detectives" that I have seen floating around. This is meant to be something you can reference when you feel like there is so much you need and want to do to help, but don't know how or where to start.

Note: I will be updating this post as we go when necessary, so feel free to bookmark it in your browser for easy access, add it to your homepage, whatever! I'll always have a link to it in my Pinned Navigation post on my blog as well!

It is of the utmost importance that we fight as an organized, well-informed front. We need to be on the same page if we're going to save our show, so let's get into it! 💜💀🔎

➪ First and foremost, follow @savethedeadboys! They're going to be our best resource during this fight.

➪ Next, follow @deadboyagency for news and updates: they've been around since the show dropped and have been an invaluable source of information the entire time.

Now for some task breakdowns:

"One-Time" Tasks

➪ Like the header says, these things can only be done once. Once you do them, you don't have to give them any space in your mind.

Sign the petition*

Review & Rate Dead Boy Detectives on Google, IMDB, Rotten Tomatoes. Be sure on IMDB you don't just rate the show as a whole, but you also rate each individual episode! You can also "Like" the show on Google and click "Watched" which helps the show's engagement scores. (If there are other popular sites I haven't listed here, feel free to share them and rate Dead Boy Detectives highly on them!)

Notify Netflix customer service (through their online chat feature) that you're unhappy with the cancelation of Dead Boy Detectives. This is a short, 5-minute task that I wrote a guide on (with an example message) here!

"Repeat" Tasks:

➪ These tasks can become a part of your daily routine; do what works best for you! You don't have to do every single one of these tasks every day if that is overwhelming!

Share the petition* over and over again, on every one of your socials! Make everyone you love sign it!

Stream Dead Boy Detectives!* Keep it on a loop in the background on low volume as much as possible. Try to get others to stream it as well, especially if they haven't watched it before! Netflix cares about VIEWS: views save shows and I broke down the reasoning here. (Bonus: if you post over on Twitter about your rewatch, use the tag #ReviveDeadBoyDetectives)

Talk about Dead Boy Detectives!* You're probably doing that already, but just be sure that you're tagging your posts. Here on Tumblr use the "Dead Boy Detectives" tag at least (to boost our tag to trending) and anywhere that uses hashtags (Twitter, Facebook, Instagram for example) I would recommend #SaveDeadBoyDetectives and #DeadBoyDetectives as those seem to be the most commonly used tags! IMPORTANT: do not use more than 20 tags here on Tumblr! Any more than 20 and your posts might be marked as spam and hidden from the tags!

Create art, edits for TikTok, fics, gif sets, doodles, crafts, analysis posts, and so on for Dead Boy Detectives.* Having fun is important, too! This is an extension of the "Talk about Dead Boy Detectives" point, but it needs to be stated - don't remove the joy from the fight. If a drawing of our boys or a smutty fic with your favorite trickster cat king is what you can bring to the fight on any given day, that is a perfectly valuable contribution! It's not all emails and hashtags.

Daily request a show through Netflix. Bonus if you're signed in! (I do 3-5 times a day)

Send Emails advocating for Dead Boy Detectives (Email list & Email Template). You can do this as much as you want or just one time.

Send Snail-mail (physical letters) to Netflix advocating for Dead Boy Detectives. I also send a copy of my letters to Warner Bros. Studios. Again, you can do this one time or multiple times. There are dates set aside for "mass" mail sending as well, so check out info on that here!

Interact with articles posted about Dead Boy Detectives. Read them, share them, comment on them, thank the writer for writing them, etc. We want lots of press about the cancellation, and supporting journalists and publications will make them want to write about Dead Boy Detectives more.

NOTE: Anything marked with a * means it's extremely important; if you can only do a few things, these tasks are the ones that you should focus on first. Remember to take care of yourself. This is a marathon, not a sprint, so don't burn yourself out!

WE WILL SAVE THIS SHOW.

Say that to yourself as many times as it takes for you to believe it. We're doing this to get justice for the writers, the actors, for ourselves, and assert to these companies that diverse, queer stories are not disposable one-offs; they deserve to be told in full!

Hugs and Handshakes to you all - whatever will suffice. 💜 Always feel free to reach out if you have any questions, whether that be through private message or my ask box. I'm not going anywhere!

- V

[writingquestionsanswered]

Do you have any advice for writing with adhd? I can craft these elaborate storyline in my head, but the minute I try to write any of them down I get bored. (Or is that just regular writer block?) It's really discouraging, because I feel like my mind is moving faster then my head, and any time I try to bring any of my ideas to life it just disipates.

Writing with ADHD: 5 Game Changers for Me

Here are some things that have been game changers for me as a writer with ADHD: [Edit: everyone's ADHD is different. This is just what works for me. It may not work for you...]

Planning: It's different for everyone with ADHD, but for me it's essential to spend time planning my story before I start writing. I like to flesh out as much as possible concerning plot, timeline, setting, world, characters and arcs, subplots, and themes.

Summary, Outline, and Scene List: Three items that are critical for me to have in hand before I sit down to write are a beginning to end summary of the story detailing all plot events as far as I know, an outline loosely based on the story structure template/s that feel right for the story (for example, I may use elements of Save the Cat! and some elements of of the Six-Stage Plot Structure), which helps me navigate my plot and hit the relevant plot points. And finally, I need a detailed scene list/timeline combo which lists chapter, scene, date/time, POV character, location, and a one to two sentence summary of what happens in the scene, including the character's goal in the scene, the scene's conflict, and the scene's resolution or how it carries into a later scene.

Gamifying: When I'm struggling with a particular time period or project, it can help me to gamify things. You can do this using a game board strategy, the Yahtzee Method, making a list of bench marks that serve as "levels," race against yourself by trying to bet the previous day's goal, etc. The key to gamifying is to set reasonable benchmarks and give yourself periodic rewards. Rewards can be anything from buying yourself a boba, watching a favorite TV show episode, an hour of playing your favorite game, or going to a movie. Some people like to go to the dollar store and buy a lot of small fun things and use those as rewards. Whatever works for you! Sometimes, turning it into a game with tangible progress and rewards can keep you motivated.

Setting Up a Routine: Although I have my general daily routine, I am without a doubt more productive when I can stick to a more specific routine that includes writing time. For me that works out to writing early in the day before other distractions start ramping up. When I put on my music, sit down with some coffee and a snack, and pull up my manuscript, my brain knows it's time to get to work. That doesn't always mean the work happens, but it's much more likely I'll get something done.

Minimizing Distractions: Anything that can be a distraction when I write is problematic. For that reason, I only listen to music without words and advertising. I turn off my phone or leave it in the other room. If possible, I try to use placeholders for things I need to look up. If I absolutely have to look something up and I get distracted by headlines, interesting articles or videos, or other things, I bookmark them in a special folder and immediately close the window. That way, I know I can go back to them later (I almost never do...) And, for me, as much as I love Scrivener and the ability to organize by chapter, have quick access to character profiles and photos, toggle between scene cards and my story... it's just too distracting for me. I'll sit down to write a chapter, then decide I need to re-do my scene cards, or cast characters, or do mood boards for every location in my story.

For that reason, writing in Word works best [for me] It's simple and there's nothing to distract me. Any story references I might need while writing, such as character profiles and photos, mood boards and aesthetics, setting inspiration photos, etc. are all organized in a special folder, categorized into sub-folders, so I can go straight to the required reference.

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[plantsjustwannahavefun]

I used to think that the reason I wasn't satisfied with Izzy's death was because I was too attached to his perspective as a character and couldn't focus on the big picture of the season and the main Gentlebeard relationship enough. I mean, I was still convinced that his death and the way it was carried out was a shit writing decision, but everyone else outside the Izzy Canyon circles seemed fine with it, so I was starting to think that maybe they were right.

So I looked back on the rest of the season and rewatched the finale... And realised something that I'd been trying to ignore because it was too painful to admit. A huge part of why Izzy's death hit so hard (in a bad way, not that delicious masochistic pain of having a beloved character die a good, narratively satisfying death) was because throughout this season he was the only character who actually had a satisfying arc and development. Practically no one else did. I didn't actually care for Gentlebeard this season, not the way I cared in S1. From episode 1 to 8 and a half, Izzy's arc was crafted with more care, kindness, subtlety and narrative weight than the main Gentlebeard arc which, in comparison, felt like a string of choppy beads badly tied together in an approximate shape of an arc, but collapsed as soon as you looked at it too closely.

Yes, we all know this season suffered for being 2 episodes too short, but I don't think that's all there is to it. This is starting to feel like GoT season 8 all over again. Would it have been better if it wasn't so rushed? Maybe. Or maybe it would have been even worse because this season just didn't seem to know what to do with itself or the characters. The themes and symbolism are all over the place and completely inconsistent. Ed and Stede's characters are practically back at the same place they left in S1. All they did was bounce off the walls back and forth with no real growth. As soon as they took a step towards fixing their relationship or growing as people, they either tool three steps back or it just got dropped. Stede letting fame get to his head? Interesting and realistic development. And how was it resolved? It wasn't. Stede and Ed being whim prone? I'm glad they brought it up. And then they just fell for another whim and it was presented as a satisfying ending.

Ed went from the Kraken, to taking the first steps towards being Ed, then suddenly all the way to being Ed by way of a Night of Magical Healing Sex that he he didn't actually want to happen because he wasn't ready. And then all of a sudden he pivoted to abandoning Stede and piracy and becoming a fisherman... for 5 min. And then back to Blackbeard again because two fishermen were mean to him for 5 minutes. And then abandoning it again to open an inn. How was any of this even remotely coherent or satisfying? They didn't even have a single conversation about any of it. Ed had more proper closure and communication with Izzy during his dying scene than with Stede and the rest of the crew put together. Izzy's arc got sacrificed to do the heavy lifting for Ed's arc and became nothing more than a shortcut to speed run his character growth. Except it didn't even lead anywhere. "Ed, they're your family, they love you" no they don't, he didn't even have a single positive conversation with any of them except Fang. Of course this could have been the point, and Ed could have seen Izzy's death, his own discovery of found family and his dying words as a pretext to repair his relationship with the crew. But he just left them and stayed with Stede instead.

Sure, you could say this was only the second act of the story, and S3 will resolve everything. But the second act is still meant to move the story and the characters forward in some way. Yes, of course if we get S3, I imagine Stede and Ed's life as innkeepers won't exactly be idyllic. But the problem is that the conflicts they'd have will only be a rehash and repeat of the same conflicts they've already have, or were supposed to have, this season. Multiple times, even. We already know that Ed is simply unable to live with himself no matter what life he chooses. The title of S1 was literally "wherever you go, there you are". We already know Stede's love isn't enough to fix him. We already know their goals in life are completely opposite. Maybe they could have shown Stede realising, after his humiliating in S7, that piracy wasn't all it was cracked up to be or he isn't suited for it, and that's why he chose to leave it behind and open an inn, but that's not the explanation we were given. It was just another whim. They literally didn't learn anything this season. They had two baby conversations in E4 and E5 and didn't take anything from it, just kept doing the complete opposite of anything. "We're both prone to whims, let's take things slow" became "let's take things extremely fast by moving in together permanently and becoming entrepreneurs". They never talked about the actual, deepseated, longstanding trauma issues they needed to resolve before they could even begin to have a proper relationship. They literally got a heavy-handed glimpse in what their life would become if they just stuck together without addressing their own personal issues, and chose to do that very thing. It that's what S3 is going to address, then why were Anne and Mary part of this season instead of the next one?

I remember everyone saying they wanted Ed and Stede to reunite as quickly as possible in S2, and I get why. They have great chemistry together. The season is about them. But for it to work, spending more time apart is exactly what they needed. They needed to learn how to live with themselves and others, first. Romantic love alone can't fix you as a person. You have to fix yourself first. Community can help (as with Izzy's case), but you still have to put in the work. In retrospect, I'm glad that Izzy didn't get a love interest this season - because he wasn't ready yet, and had to learn how to have normal relationships and friendships with other people before attempting an intimate romantic relationship, lest he ended up falling head first unit another toxic mutually dependent relationship. That's what Stede and Ed should have tried too. Instead the show just ended up using Izzy's death as a quick surgical fix, robbing Ed of his agency and having to do the hard work repairing himself and his relationships with other people. There's a sad irony in getting exactly one character's arc just this, and then using it as a sacrificial lamb to patch over the main character's arc.

[teeny-tiny-revenge]

It's home cinema manufacturing time! 🏴‍☠️ Gonna put my pirate show on my shelf! (I'm doing an Arts and Crafts Project and I'm making it everyone's problem.)

After seeing how much they cost, I abandoned the idea of getting a Blu-ray writer for now. For the time being, good old DVDs is what it's going to be! My TV is old and not very big, so DVD resolution is gonna be fine.

It's been ages since I last burned a DVD. For the full experience, I'm gonna create nice menus and pretty sleeves for the boxes. Graphic design is my passion! Um.

Well. First needed to find a program to do stuff with. I'm a Linux guy, so I'm using Devede. (Which is free, btw. In case someone else wants to do a low cost spot of putting pirate show on the shelf.)

DVDs fit a maximum of 120 minutes of video. So, four episodes, I thought. But after a quick attempt, the program refused to do more than three (maybe because of the menu also taking up space, and four episodes cutting pretty close to the 120 min mark?). Anyway, three episodes per disc it is. It's a pretty nice runtime for watching the entire disc, IMO. An hour and a half, and then you can return to reality to realise you should probably eat something, or go to bed because it's midnight.

OFMD with its current two seasons has a total of eighteen episodes, which is divisible by three. You get the following setup:

Disc 1: Pilot, A Damned Man, The Gentleman Pirate - That's pretty good, Stede's introduction to piracy all on one disc!

Disc 2: Discomfort in a Married State, The Best Revenge is Dressing Well, The Art of Fuckery - All bangers. Great to watch together, our boys meet and shenanigans happen!

Disc 3: This is Happening, We Gull Way Back, Act of Grace - Many romantic moments, lots of great scenes, shit hits the fan at the end there. Alright!

Disc 4: Wherever you go, there you are, Impossible Birds, Red Flags - ... Pain and angst! What have I done!?! The disc of horrors. Gotta make sure to have tissues at hand when I watch this. But hey, it also has messy bun Ed! Small mercies.

Disc 5: The Innkeeper, Fun and Games, The Curse of the Seafaring Life. - Another disc with all winners. I love all these episodes so much! (You can watch this disc to recover from the trauma of the previous one!) But seriously, this one slaps.

Disc 6: Calypso's Birthday, Man on Fire, Mermen - Great combination again. Season finale! Love and excitement!

... Honestly, except for the psychological damage of putting all the most painful episodes together, this is coming out pretty cool. Says a lot about how good the show is. I actually really love all the episodes (yes even the painful angsty episodes of massive depression). Thinking about this little project really reminded me how much I love this entire show.

So, we got a tracklist, now menus, then we can burn this stuff!

I did the menu backgrounds in GIMP. Realised I have a big folder full of screenshots I took myself, screenshots someone else took and posted on Tumblr, official promo pics for the show, and I have no idea anymore where most of them are from, because I named the files according to what's on them. Which is useful for when you want to find pics (Need a picture of cursed suit Stede? I have files named that, easy peasy!), but not so great if you wanted to give credit to whoever took a given pic you used. (It's probably @sherlockig or @ofmd-ann or @blakbonnet. Please feel credited, your beautiful screens and gifs brighten my day, and some of them are now probably part of my DVD menus. Shrunk down and cropped, but, yeah.)

I originally wanted to structure my menus as having the title of an episode, then some pics from it, then the next episode, then pics from that, and so forth, but I couldn't convince the program to give me the necessary padding between the menu items, so I ended up just putting the episode images below the menu. Still like it.

Anyway, DVD menus can also play sound! Behold a crappy video of my beautiful creation (provided entirely for sound):

It plays Gnossienne N°5!

More crappy pics of my other disc menus:

Gonna make them some nice sleeves next. Some day. Gotta make sure they all work properly first. So. I'll be on my sofa, watching my DVDs. With menus! (Edit: here are!)

[absolutelybatty]

I don't have a good way to list these, so here's some Sally Face head canons I have with no intentional connections. Also, it's not all scientifically sound since it's based on a videogame about ghosts.

Sal

Sal's mask is partially for holding/mimicking the shape of his eye socket to cradle his glass eye correctly. His doctors did a good job at reconstructing his skull, but his age added some difficulties.

Sal has partial dentures

Gremlins is his comfort movie

The tear duct near his glass eye isn't functional, so he can only cry out of one eye

He has the neatest handwriting of the group

He pulls at his hair when he's anxious

He regularly has to get new hairbands since Gizmo likes to play with them.

Larry

Keanu Reeves is his celebrity crush, and only Ash, Sal, and Todd know

He has a bad knee after falling out of his treehouse a few years before Sal moved in

His wallet is usually empty, but he thinks the chain is cool so he wears it anyway

Sal used to tease him for how much he'd watch Robert when he moved in their senior year. He thought Rob was insanely cool and had no guts to talk to him about music until Sal introduced them

His favorite videogame franchise is Zelda and he's played all the mainline games, renting them to play before he buys any.

He knows a little bit of guitar and bass but doesn't have his own and knows it's best not to borrow Sal's too often

Ash

After episode 5, Ash suffers partial hearing loss in her left ear from the lightning

The "power arm" isn't a constant thing and only glows when it's in its powered state, usually just leaving her arm heavily scarred

She enjoys handy crafts, like sewing, and makes "little dudes" out of old laundry and frabic scraps.

She purchased Sal and Larry their own helmets when she started riding her bike most places (unfortunately, Sal was the only one who got to try his helmet, and only the one time)

Ash doesn't believe in them, but she enjoys using tarot cards and used to do it for the others. Chug seems to believe in them, but the rest are skeptical and/or just enjoy the prospect of it.

Todd

He procrastinates getting ready in the morning. During highschool, this translated to waiting until the last 5 minutes before he had to leave to get dressed.

He used to dislike coffee, but Neil made him some, and he discovered it was just the fact his parents drank instant.

Despite the similar look, his glasses between The Bologna Incident and The Trial are not the same pair. He lost the first pair while in the sub basement of Addison and had to get a new pair.

He regularly falls asleep at his desk. It is not intentional, but he does.

He's the main driver of their friend group, since Ash left Nockfell, Sal prefers not to drive, and Larry got his license suspended.

His vehicle is a white van that is a decommissioned news truck. He mostly got it to cannibalize parts from the broadcasting equipment but thinks it's cool regardless.

[silviakundera]

Oooh I like duke su from the show but the one from the novel sounds so much more interesting tbh I love a morally grey character with his own goals who doesn't give a f*ck what the lead is trying to do but has their own agenda and it's a much slower burn. Though with how Chinese dramas operate these days it's no wonder they made him like the FL and start helping her extremely early I don't think they know or even can with how netizens are write anything else.

Though I too love novel Su guogong, I think we're in a real quandary for the adaption.

The censors won't let him be characterized as black as the novel version AND be allowed to survive (see: Eternal Brotherhood where we can have a main character who is a dark schemer with blood on his hands that adores his wife -- only because he's doomed, doomed, doomed!) Boooooo!!! I do not agree that this softening was required for this work nor Story of Kunning Palace. Grr!!

But the change to make the FL and ML interact much more and work together in the 1st half, rather than him observing coldly and uncaring about her life or death -- imo that's a quandary about different mediums and how the audience reacts to them.

I wrote a lil meta post previously about the live action adaption of MDZS and why imo the production was forced to change the WWX and LWJ backstory. Once they decided on a linear storyline, imo the otp had to eventually be friends in his first life with a mutually acknowledged bond. The audience simply CANNOT be asked to wade through 20+ hours of episodes before LWJ as love interest isn't repeatedly rejecting the protagonist. 25 episodes and weeks in real-time of him being only cold & standoffish is too much for most viewers. When consuming the novel, the reader both won't have that stretched out real time delay until the couple are on the same page. And it won't take them 20 hours of reading to get there.

Things hit different for a crafted romance on page than performed live on screen for a 40-50 episode drama.

I can still see the adaption's struggle with this. Su suogong is truly a minor character in the novel and frankly not an active participant in most of the problem > scheme > resolution sub-arcs. He has this whole other full life of his own separate interests happening..... somewhere else. The novel mostly leaves his weekly activities as a black box, an obscured mystery. Drama boy is out there somewhere moving his chess pieces & murdering people for power but the reader often just sees glimpses of him ominously sipping his tea & ordering his minions around. In order raise him to a main, the drama is forced to make him involve himself in the play much earlier - to give him a reason to be on screen that is fully tied in with the main plot & its themes. He has to care about FL by the 9th hour in, and want to support her.... or give up ML status to Ye Shijie. 🤷

We can see the strain of this as 3 episodes may happen and all the screenwriter can do is have Su guogong show up for 5 minutes just to flirt a little and remind viewers he's alive 😂😂 but that's what you gotta do with 40 episodes tbh. I can't disgree that this is a more enjoyable viewing experience.

[absolutebl]

Hi!!! Your posts are always amazing and I have so many bookmarked because you create the best little collections. Anyway, I am in a big BL rut right now and I can't seem to get into anything. Any fast-paced, recs that can bring me out of my slump? Thanks so so much :)

Oooo, fast paced is pretty subjective lemme think...

Imma got with the narrative sense of the word pacing (rather than just an in-your-face fast-moving plot, although that too,) so: good tension, craft, and narrative. Here's my pulls - I went broad and into the well, in case you had seen some recent stuff.

10 Fast-Paced BLs to Pull You Out of a Slump

(I'm assuming you have seen KinnPorsche)

I did a quick pitch for each cause I'm drunk so maybe they're funny, all spelling errors are my own and the result of growing up in 3 different English speaking nations and 2 non-English ones.

Someone wanted more elevator pitches a while ago, here ya go!

Our Dating Sim - nerds in love, reunion, deadlines, gaming, teasing, pining tiny idiots, ADORABLE

2. Semantic Error - you cannot be a BL fan and not have watched this, the ultimate enemies to lovers, also the prettiest

3. To My Star - neurotic actor (actual puppy), grumpy chef, sparks, cooking lessons, LOVE!

4. We Best Love - defines fast paced in romance, literally when asked why his character fell in love so fast Yu said, "well I only had one 20 minute episode." Yet... we BELIEVED IT.

5. HIStory 2: Crossing the Line - it's a perfect sports romance, don't bother me with trifles

6. Not Me - also how do you say antidisestablishmentarianism in Thai? + hot boys kissing who probably shouldn't be and convoluted soap opera identical twins plot... someone at GMMTV thought it made sense, we just here for the tattoos and the the Pride scene

7. The Eighth Sense - who let Korea be this angsty? SO MUCH TENSION.

8. Unintentional Love Story - omg the plot, forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the eyes EMOTING at us in PAIN

9. HIStory 3: Trapped - hot cop falls in love with hotter mafia boss he is chasing for MURDER (bonus weirdly domesticated switch-blade wielding hit-man obsessed with geeky police tech support - COME ON)

10. Long Time No See - assassins, cat fishing, either side of a turf war, HOT sex scenes then even hotter beating the shit out of each other and kissing while COVERED IN BLOOD (this came from KOREA?)

There.

All kinds of flavors.

One of them just HAS to work!

If not, you could go for shorts. Try Strongberry:

(source)

[valc0]

Hannibal rewatch and Baldur's Gate 3 ramblings

I recently re-watched the first season of Hannibal after almost 8 years and since I’m now deep into another fandom (BG3) I analyzed some of the themes of the show and how parts of it could tie in with the story of the game, particularly when it comes to the Dark Urge.

I’m also doing a review because why the hell not. I divided the text into sections for convenience, so if you want to read only the review or are exclusively interested in my speculating ramblings on BG3 you can easily do that.

It’s a long one so let’s start.

REVIEW

THIS REVIEW IS NOT SPOILER FREE AND WILL GO INTO GREAT DETAILS ABOUT THE TWISTS AND PLOT POINTS OF THE SHOW.

If you didn’t watch it and you like thriller/crime/horror please do yourself a favor and watch this show now!

I’ll start by saying season one, to me, is almost perfection. It’s 13 very well crafted and acted episodes and almost none feel like filler (almost but we’ll get to it). The crime of the week structure is integrated with the horizontal themes of the season seamlessly and the story avoids exploring too many parallel plots, making the theming very cohesive.

I remember watching this show for the first time and finishing season 1 in about 2 to 3 days, but I’d never think the same would’ve happened a second time. The first 5 episodes had me in a clutch from the start. Every character is fleshed out and extremely well written, the acting is impeccable, the writing is phenomenal and the visual, even when getting symbolic, never seem gratuitous or nonsensical in their use of analogies and dream-like visions.

The photography is also phenomenal, with great use of contrast that makes the image and scene clear even though it's set in the dark or at night.

If I had to rate the season I think I’d definitely give it a 9/10, and the 9 is only because of two small things that I figured I’d get out of the way first:

(I must remember whoever is reading this that these are my opinions, they don’t mean to offend anyone else differing opinion. You’ll see what I mean in a second.)

Alana Bloom x Will Graham is forced, comes out of nowhere, and makes Will act out of character most of the times.

I’m not getting into ship-fighting, this is not about shipping, I like Hannigram but I have no dog in this fight so this is totally not about it. Episode 8 is great, it has one of the best kills in the whole season and Will deteriorating stability makes for great lines and visuals, other than a lot of tension since he can no longer be predictable and ends up disrupting Hannibal plans.

And though I could attribute the way he acts towards Alana as something he does because of this deteriorating mental state, it doesn’t really feel like it. He seems very present during those scenes and acts weirdly romantic for the reclusive stray-collector, whose primary hobby is fishing and who’s been plagued by visions of death in the past episodes.

I would have rather see them to grow more of a non-romantric connection that may or may not have become romantic in later seasons. It all seems a bit rushed imo.

I also know they are setting up the Alana x Will x Hannibal. Which I’ll be honest I don’t remember liking the first time I watched it...but we’ll see.

2. Episodes 9 and 11 slow the show and kind of drag the pace.

Episodes 9. The totem of bodies is a very striking and memorable visual, but the crime in itself is very bland and the killer only gets a 5 minute scene towards the end which is anticlimactic and kinda too much tell with too little show. It’s honestly a shame because the murders in the previous episodes were very well crafted and paced. This one, not so much. I understand the need to connect the themes of “legacy” and “family” with Abigail’s actions but I feel like there could have been better ways to do that in previous episodes.

Episodes 11. I loved the whole Chesapeake Ripper fake-out, but I’ll be honest I don’t think I needed a whole other episode of Abel Gideon’s story. Didn’t really care for the plot of this and the pace was a little too slow. Good things about this episode are the ending with Hannibal at his most manipulative, and the fact that it starts Chilton’s comedic chain of misfortunes– which cracked me up the first time I watched the show because come on!! this guy is awful and can’t catch a break, you love to see it.

Now that the “bad” is out of the way let’s talk about the good, which is honestly everything else.

Episode 1

Banger of a pilot. Everything for the rest of the show is set up in only 42 minutes if you can believe that. Characters are fleshed out, themes are placed, conflicts are started. By the end of the episode all you want is MORE. I have very little else to say other than the pacing of this one should honestly be studied, a lot of modern series would need the lesson imo.

Episode 2

Interesting case with a lot of great scenes that reinforce the characters and their relationships. You get a first glance at how campy? the show can be, which is honestly something I love, I’m kinda tired of the “realistic to the point of boredom” trend I’ve been seeing lately. Freddie Lounds is properly introduced as the disrupting force she is and we get a jumpscare that made me curse. Sorry, did I forget to mention I’m watching Hannibal and I cannot stand horror? Lmao

Episode 3

LOVE this episode, the way this show makes you feel powerless as you watch the events unfold knowing full well what is happening and who is responsible...amazing! I love Abigail’s character and the very innocent and pristine way she is portrayed when you know later on the truth will come out is chilling.

Episode 4

I remember how grim I found this episode the first time and the feeling returned the second time around. Hated the killer with every fiber of my being and the fact that she kinda looks like Catherine Tate made me die a little. Also the scene of Hannibal making himself a family through gaslighting and creative use of drugs and lies was amazing.

Episode 5

I loved this crime and the way the episode paces the killings. The angel symbology was great, I’m a sucker for catholic and religious themes tied into vicious crimes. The series also introduces Bella, Jack’s wife, which I’ll be honest I don’t remember having a good ending...I don't remember exactly how, but I know I will cry.

Episode 6

Favorite episode by far, the tension in the flashback scene is palpable and when you see Miriam looking at the sketch with the silhouette of Hannibal pacing towards her in the background AAAHGGG- RUN Miriam OMG! This is the episode where you realize how absolutely scary Hannibal’s physicality can be. Mads Mikkelsen is 1,83 (5ft 11) but he feels like a giant in those scenes, like you can do shit about it.

Episode 7

The episode’s case is a botched transplant one and it’s just okay, nothing too spectacular, but the way this series makes me hungry should be concerning, since I just watched Hannibal kill and butcher people who slightly wronged him to make a feast out of them. I’m sorry, whoever is directing the shooting of the food is doing a good job, okay?

Episode 8

My second favorite episode yay! I love this kill because it’s so over the top. Also the visual of a person played like a cello is haunting just as much as the sound they decided to give it. “He had to open you up to get a decent sound out of you.” okay Will go off?!?! A bit sad they took this murder from Hannibal since I believe it was his in the books, but the end fight was worth it (though when Tobias started swinging his impromptu cello string weapon I did cackle because omfg calm down)

Episode 9

See section above

Episode 10

I shat myself watching this episode with all the horror vibes I’m dying please, I’m watching this through my fingers like a baby. I did love this episode though, and the final twist of Hannibal going to such lengths to be sure he leaves NO ONE behind is terrifying. Dr. Sutcliffe even agreed with him and didn’t show signs of wanting to betray or rat him out, and yet in the big scheme Hannibal still found it better to kill him. Scary stuff.

Episode 11

See section above

Episode 12-13

Putting these together because they are the finale and are closely linked to each other. There is no real “crime of the week”, though Georgia Madchen dies at the start of episode 12 and Abigail...dies at the start of episode 13. Will continuously declining psyche is very well portrayed, you really feel powerless with him as his brain keeps betraying him over and over at the worse possible times. Also Hannibal fake-empathy is so uncomfortable to me...knowing the lengths he’d go to manipulate the situation after seeing all the “behind the scenes” is chilling. All in all it’s a good finale though it really doesn’t feel like one. By the end Will managed to see Hannibal’s true colors, but I don’t think he’ll fully understand what he’s fighting against until he actually sees Hannibal in action, so it does feel inconclusive in a way. We do get Hannibal funny naked fursona is all its glory though so, big happy for me!

Now let’s get in my current fixation and tie in some of the themes of Hannibal with Baldur’s Gate 3. YAY!

BALDUR’S GATE 3 – Dark Urges, Bad Dreams and Worse Influences

Let’s get something out of the way first.

The Dark Urge is a very flexible and versatile character which is mostly – if not completely– shaped by the player. We get to decide if they refuse the Urge, with the bittersweet realization they still took all those lives and will have to deal with that guilt. OR we could make them machines of slaughter and death, embracing their father’s plan for them to be the killer they were made to become.

There are other variations of this and from what I’ve seen many Durges have very different characteristics depending on how the player interpreted and played the game.

This to say, all of the following dissertations on BG3 and the themes of Hannibal are my personal view of MY Durge or the way I see the character in general, which is extremely personal and could crash with someone else’s interpretation or headcanon. Keep that in mind while reading, if you see me using absolutes or if I forget an “imo” at the end of a sentence, remember this is ALL In my opinion, none of this is to be considered as a general and all-encompassing statement for every Durge out there.

That said, you’ll be surprised to know in my interpretation the Dark Urge isn’t Hannibal, what’s funny is that the Dark Urge isn’t Will either.

Durge is both characters at the same time, and depending where they are in their journey, this may change.

In the case of Will, towards the end of the series you get a more “start of the game” Durge. The memory loss, the confusing thoughts, the haunting dreams and then this weird hellish creature (Sceleritas Fel) guiding them. By this point Durge is still a victim of their circumstances, they can’t really grasp who or what they are and their mind is in complete shambles.

I can see a Resist!Durge in this scenario, someone completely horrified by their actions starting to question who they are, what they did, and if they can ever change. This point in the game isn’t spelled out as much, the narrator often refers to it but the real extent of psychological damage a Resist!Durge must face is left completely to the player’s interpretation, that’s why I think Will is such a great starting point to understand and visualize the character of Durge from a distant POV.

With Hannibal you get a more pre-tadpole pre-Orin-meddling Durge. Someone who knows what they’re doing and how to get what they want. I personally never saw my own Durge as this calculating, something in the feral way the Urge gets to the character in game made Hannibal a tad too composed to fully be an inspiration for Durge, but I’ve also seen other people Durges as cool and collected killers, and the comparison in that case works really well.

Another interesting characteristic of Hannibal we can see in Durge is the twisted way he thinks in relation to others. Hannibal calls himself Will’s friend, and I believe he’s genuine in his affection since the way he helps Will is in done in earnest.

This helping though, it’s monstrous in all sense. Hannibal lies, literally gaslights Will, meddles with his head and denies him medical help. He manipulates him into killing, only to watch what unfolds simply because he needs someone who understands him. By dragging Will deeper into his world and making him a killer, Hannibal cultivates what he perceives as Will’s true nature and potential, making the man a suitable friend for himself.

It speaks to Hannibal narcissism that he would consider helping someone as making them more like him. But then again that’s also why Hannibal is so drawn towards Will, because he thinks differently and he IS different from him. He doesn’t have the same amount of interest or even respect for someone like Tobias, who’s probably the most Hannibal-like killer we get to see in season 1.

He needs the challenge, he needs to feel in control. And ultimately, though not in an usual sense, Hannibal needs a friend. He is lonely.

This works a lot for Durge in the sense that they may or may not corrupt people around them. As a player we get the choice and power to influence how companions act and react, and this kind of duality of “I like them, I want to help them” and “I want to make them like me” is a good motivation to give a Durge who may, for example, ascent Astarion, or turn Shadowheart more towards Shar, or give Gale a power complex (more so than he already has) ect.

BONUS! And then came Durgetash

In episode 1 Hannibal visits Will and brings him breakfast. While they chat in a honestly beautifully lit scene, this exchange happens.

Hannibal: You know, Will, I think Uncle Jack sees you as a fragile little teacup. The finest china, used only for special guests. Will: How do you see me? Hannibal: The mongoose I want under the house when the snakes slither by.

Did I mention I love Durgetash? Did I mention I go completely feral over unhealthy dynamics and specifically this kind of dynamic?

“The mongoose I want under the house when the snakes slither by.” is an amazing line for Gortash because I do believe the reason he wanted Durge to side with him was that Durge was extremely good at being undetected, and even more so skilled at killing the right target at the right time.

I love the idea of Gortash using Durge as a shield/weapon, and Durge using Gortash to economically sustain and socially shield Bhaal’s cult. I love to think their relationship was born because they were useful to each other and that in this completely selfish ecosystem they somehow found company.

Because I’m sure Durge pushed back. I’m sure they realized they were being used and didn’t like it one bit, and Gortash kept Durge around even though they may pose a threat, for the same reason Hannibal keeps running circles around Will. Gortash needs a challenge. Being head of Bane’s cult means that other than his God, no one else is above him, and I think a man who’s been fighting his whole life to gain control would feel a bit lost when this control is automatically given to him without a fight.

In the same way I think Durge would yearn for something more, something different than what they’re stuck with, which is a dying cult forced to hide beneath the city, and a jealous and over-zealous sister who I’m sure tries to kill them once a week. I think they would get pulled in by the promises Gortash would make. To rule together, above ground, for once not having to hide, getting back the power Durge feels like belongs to them.

The similarities I found between these characters are way more than these but I think I’ll have to make a part 2 of this once I’m done re-watching season 2. I’m aware the series has been out for a while and I’m sure people already made way more interesting and in-depth analysis. I still hope you liked my little morning ramble that turned in a full on essay on the subject.

Thank you for reading!

[game-grumps-captions]

[lol-jackles]

I understand producers wanting a no risk lead and Jared earned that credibility and reputation. I don’t disagree with everything you said about Jared.

But I’m still surprised that Jensen didn’t earn the same reputation being co-lead and surprised he has not been given the opportunity to lead or co- lead again on another show. He seemed to have built a strong reputation with directors and producers and execs in the industry so shouldn’t he be on that same short list? I just don’t get what jensen is missing that jared or max theriot, Tom Ellis or Justin Hartley seems to have. What is that “x” factor?

The work he did on Smallville, Spn, Big Sky and The Boys, why didn’t that earn him points to have studio execs ensure he stays employed and part of a show?

Even in an industry that 97% are unemployed, Jensen seems to be a standout actor that gets constantly overlooked. Why?

Jensen was going to be a lead in Greg Bertlanti's unnamed project, but then Zaslav happened. But you ask a very good question on why the networks' bean counters don't have him on a Short List.

First, my wild guess is while Jensen's scene stealing talent improves the episode he's in, it's not the same as having screen presence to create a story, which is a must for lead actors to carry a show. For example, Jared's two-minute screentime in "The End" was not scene stealing, he became Lucifer for the sake of the story and left a memorable impact on the viewers' impression.

Think of every time spin-offs were created to capitalize on the scene stealers’ popularity, only for the scene stealers “special-ness” to evaporate into the ether when they have to carry the show by themselves.  Rebel Wilson had her own tv show called Super Fun Night. but it failed because fans expected to see the whacky side kick persona, but instead got a Rebel Wilson playing a normal woman who is sometimes socially awkward.

Second, Jensen has a bit of a branding problem.  If an actor doesn't understand what their brand is, then how do you expect casting directors to see it as well?  

Actors make the mistake of trying to please every customer by changing who they are and not understanding that getting hired starts with choosing a brand for themselves and sticking to it.  Say you own an Italian restaurant and I come in and say, “Oh, gosh! You know what? I want Mexican food.” And then you say, Okay, we’re cooking Mexican food now.”   This is what a lot of actors do.

I used to joke that Jensen was like an active from the show The Dollhouse. Actives are neutral human husks until they're downloaded a personality to carry out a specific mission.  You don't know what the true nature of an active unless you're willing to watch several episodes to look for clue crumbs to their innate personalities.  

I tell young aspiring actors on how to discover their brand by pretending to write a profile for an online dating site.  People usually don't write descriptive sentences but use adjectives: funny, athletic, intense, quirky, great smile, etc.  To help them along, ask their trusted friends and family members to make a list of 5 qualities that pop into their heads.  Then use the impression that appear over and over again because now you know that is you, your essence.

Too many times actors wait for an agent or manager to show up and tell them who they are. Or they ask me, “what do you think I am?". Actors have to decide for themselves and figure out their acting “singularity”  -- that exclusive combination of attitudes and behaviors that make them an original even when they're typecasted. Some people describe Jensen as a version of Dean-lite, but that doesn't make Jensen an original then.

Third, Jensen is not a natural born-leader. Most of us aren't, but like acting, you can constantly work on the craft. Leaders are supposed to protect their team, but Jensen was still soft-bashing Jessica Alba twenty years later. I don't care if Jessicca was a bitch, a real man is not supposed to betray a woman’s confidence. He can still talk about the difficulties of working with Jessica while respecting the position she was in and up against. In contrast, Jared immediately defended his female co-stars when it was popular to dunk of them: the Olsen twins, Paris Hilton, and Snookie.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[charaznablescanontoyota]

I'm curious about what never quite made it on screen - did you have any characters, train cars, or scenes you really had hoped made it into the show but didn't get their 5 minutes in the spotlight for whatever reason?

genuinely only a couple things either got scrapped in favor of stuff i/other players were more interested in or never got shown because they were a "i don't think the players will go this way, but just in case, if they do". the only stuff i can think off off the top of my head is stuff i've talked about in various places but just to collect it all together:

the fruits basket subplot i talked about over here

the characters some of us ALMOST played on the baseball away team (i almost played mr. spender from paranatural instead of winry, riley almost played madoka instead of luffy)

if some characters had ended up stuck in the pods during the casino steward fight they would've just gone to the caboose and seen everything in there in episode 12, which was something i was 100% prepared to happen. and then it didn't lol

teen millions knives was almost an apex member in the ruined city (i actually told the players he'd be there) and then wasn't because i didn't want to manage 5 npcs in combat

we briefly talked as a group about the party returning to the arts and crafts or fall festival car (due to train car shuffle) for downtime after the ruined city but i ended up throwing them the karaoke car instead

the casino was originally going to be "an episode where we break format and just play skull (card game)" bc i wanted the party to play a bluffing card game as sort of a character study. and then the casino uhhh expanded in size, scope, and plot relevance lol. and then we did a poker episode that was basically the original concept so everyone got the best of both worlds

oh actually here's one i don't think even the cast knows. i was originally going to put an abandoned roped off lounge with a piano in the casino car because riley at one point asked me for an opportunity for shadow to sadly play the piano. and then i think i forgot due to all the other shit that happened during casino pt 1

[sophfandoms53]

Finished the Knuckles Show and uhhhhhhhhhh it’s certainly a show.

There’s good stuff buried in every episode especially where Knuckles is concerned. They set up a very interesting arc for him and just didn’t really explore much with it. After the first episode Knuckles is shoved to the side CONSTANTLY and is made the B plot more often than he should be as the TITULAR character.

Every criticism that said Wade takes over the show is correct.

After episode 1, Wade takes over every A plot and Knuckles is only ever in the B plot that has either minimal time focused on him or he’s just straight up not around (episode 4 is the worst offender here but it’s an issue from eps2-6). They actively write Knuckles out of the plot constantly and it’s very frustrating.

If you like Wade and enjoy his personal journey about his family then this’ll be fine. I, for one, thought it was interesting on its own but 100% it has no reason to be here in a SONIC MOVIE KNUCKLES spin off show. This is not Knuckles’ show. It’s Wade’s and that’s the biggest let down.

Knuckles IS there but that’s it, he’s just THERE.

And it sucks because Movie!Knuckles himself is very well crafted and very entertaining and engaging to watch. The show is at its strongest when it’s about Knuckles and spending time with him. Episode 1 is the only episode that it feels like what it was advertised as - the Knuckles show.

Sonic, Tails, and Maddie only show up for the first episode and never come back. Which is wild because part of the plot is Maddie has grounded Knuckles and he sneaks out but there’s never any consequences shown once he gets home nor do we see how anyone reacted once they noticed Knuckles is gone. These three are just abandoned after episode 1.

Tails has like 6 or 7 lines, my boy deserves sm better LMAOO

A big highlight, however, I LOVED Sonic in this one episode. The way you can see and FEEL how he’s grown from movie to movie and in this first episode is very well done. He’s truly becoming the Sonic I know and when he and Knuckles had their conversation on the roof where he tries to help Knuckles see the beauty in Green Hills, his home - that entire scene was PURE Sonic’s golden heart on display. He does still have his jokes that remind you Ben Schwartz is his actor and that he’s a silly kid but he IS still Sonic at his core and I loved that. It made me very sad we didn’t get to see more of him but I appreciated seeing Sonic handled this way. It makes me very eager to see how movie 3 goes about him considering everything Shadow brings to the table and how different of a threat he’s gonna be for Sonic.

Episode 2 is alright but GOOD LORD episodes 3-5 are such a waste of time. There’s good sprinkled in them in isolation but as full blown episodes, a waste. You can skip most of what’s happened and be fine.

The big climax fight in the finale just HAPPENS. The plot armor literally comes bursting through the wall and yanks Knuckles out of the plot for way too long and we only get TRUE and INCREDIBLE Movie Knuckles action (his fire fists which were insane btw) in the last 5 minutes and it only lasted like 2 of those 5 minutes.

Overall, it’s not entirely unwatchable but it’s not worth a majority of people’s time. You don’t need this for movie 3 so if you wanna skip it - I’d recommend that. If you really watch though, I’d only say watch the first episode and the finale and just google the context for what’s in between bc eps 2-5 are total slogs after a while.

If you like silly dumb fun - this is the show for you. But it’s not the show many Sonic fans may have wanted or expected.

I’m not angry or anything like many people have been. It’s not worth getting angry over. I’m moreso just disappointed because I can see a good show about Knuckles hidden in there. They just opted to give more time into Wade for whatever reason.

Just an overall let down imo.

Knuckles deserved better❤️

[unearthlytraveller]

Babylon 5 Rewatch: Season 1, Episode 13: Signs and Portents

Yes, late again, due to family visits again. It's a bank holiday weekend here, so TKO will come today or tomorrow and then I'll be back on schedule.

This epiode is named after the first season; so you'd think it would be important. And it is! The return of GuerraFirst appearance of Morden and the Shadows; a really obvious shot of Delenn's completely unimportant craft project; end of the Raiders subplot; and the first appearance of David Corwin, played by Joshua Cox.

Despite its pivotal role in the story, I remembered this episode as being weak. Some of what I remember still holds true; Ladira overacting, and that conversation at the start where Londo gets The Eye is not very well written. ("This is not a prop! Now let me exposit for a minute stuff the person I'm talking to already knows!). On the other hand, Ed Wasser gets Morden right out of the gate, and each of his scenes works. Andreas Katsulas nails his scenes as usual; Peter Jurasik is on top form. The first appearance of the Shadows remains a powerful scene: the appear from nowhere, something nothing else we have seen can do, and just annihilate the episode's main boss.

Speaking of the raiders, let's talk about them. JMS has admitted that the Raiders were just a cheap way to get no-consequence action into the early episodes. You can really see that in, say, Believers. But we still see them used to support our main characters. We have Ivanova's eagerness to fight, both in her repeated reluctance to break off pursuit, and that glorious little "Surprise!" in the final battle. We also see Sinclair again showing his tactical chops; figuring out the diversion, deploying his forces around B5, and setting up an almost completely one-sided battle.

Indeed, I'm not sure if we get to see a space battle again in the show where the tactics are so well displayed. There will certainly be better battles, more emotional and impactful. But smarter? I can't think of anything, at least.

Some random thoughts to finish off.

Is this the last time we see the magic triangle? I can't remember if it shows up in Points of Departure in season 2, but I think otherwise it vanishes from the show.

Once again, Sinclair lets a hostage taker go. At least this time he planned to capture him as soon as he left the station.

It's kind of laughable that the raider's plan to smuggle his hostages through customs was to hide his gun behind his jacket! A legacy of the security customs of the 90s, I guess.

Earthgov supports unisex bathrooms.