#Dual Black Souls

[holydrakes]

Honestly the idea of Soul and Maka being dual weapon/meister duo who switches positions all the time (kind of like Patty and Liz) after the anime canon should've been pretty obvious I'm surprised it wasn't really an idea that got explored much even after all these years?

Also here's a fun thought of Soul also being able to manifest his own Black Blood armor (in the form of his usual pin-striped suit ofc) while he's being the meister (Maka will also don her black blood dress when she switches into the meister) so when they kept switching around while doing all the sick-ass scythe-twirling they can look like a couple ballroom dancers doing the tango, making all the usual comments of 'it looks like they're dancing' all the more literal like this.

[the-punforgiven]

The eternal struggle between wanting to hire the bounty hunter because hnnng sexy and huge combo/mark damage vs like, actually wanting to profit off this expedition

[yanderes-galore]

Hey there. Could you do a concept for Daemon + Rhaenyra sharing a maid darling? Thx

The funny thing is, this request was made before Season 2 came out. Now that Season 2 is out... I have more content to cover.

"He/She took the maid in the divorce...."

❗️Potential Spoilers Warning For HOTD Season 2❗️

Yandere! Daemon + Rhaenyra Sharing a Maid! Darling

Pairing: Romantic - Sharing/Rivalry

Possible Trigger Warnings: Female Darling, Obsession, Manipulation, Mentions of bedding, Mature themes (Violence and this gets a bit SPICY-), Possessive behavior, Infidelity mentioned on Daemon's part, Jealousy, Dubious relationship(s).

I like to imagine at first the two can share.

Rhaenyra and Daemon are married as the queen and prince consort of Dragonstone.

Perhaps you were originally assigned to Rhaenyra as her handmaiden, a personal servant to the queen.

For the most part that's all your job is.

You tend to her every need as part of your duties, cleaning and preparing various things for the queen.

Most of your time is spent with the queen, but naturally you end up speaking to Daemon as part of your duties.

Now, Daemon is infamous when it comes to women.

While married to Rhaenyra, Daemon is notorious for pursuing pretty little maids.

You quickly become used to Daemon's insistent attempts at courting you.

What's probably more unexpected is... Rhaenyra expressing fondness towards her own handmaiden.

Based on one particular episode in Season 2 and a popular fan theory with Alicent, imagine if Rhaenyra's 'taste in women' occurs with her handmaiden.

At the start of their marriage at Dragonstone, I can see the pair slowly courting their handmaiden together.

It starts small, perhaps Rhaenyra testing out warm embraces with you in her private chambers while Daemon often tries to corner you with honeyed words.

Only for it to escalate to Rhaenyra kissing you out of sight from anyone else... or Daemon coaxing you to join him in the royal chambers when Rhaenyra isn't around.

The two enjoy their time with you away from one another, but occasionally I can see the two sharing and pursuing you together.

Such... affections become part of your duties.

The two royals clearly have a favorite maid and often love to smother her in affection.

For a maid you are quite spoiled...

Rhaenyra often picks out dresses that signify you're their maid... like a specific outfit that stands out from the usual servant attire.

Daemon often finds jewelry or accessories in general to add to how you look.

The two cover you in draconic designs, your attire often including dual dragon embroideries.

You're decorated in blacks and reds, you're never far from either of them.

Other servants have trouble speaking to you as one of their royals end up calling for your attention.

I can see them both keeping their favorite maid in their lap, peppering her with kisses and admiring how she's theirs.

You're never allowed off Dragonstone, especially when the Dance begins.

The two share well at first, often keeping you from speaking to any other lord or lady.

You are their royal maid, their personal servant...

Not another soul needs your attention.

There isn't many problems until their relationship gets worse.

Rhaenyra has expressed in the show that she knows she can't control Daemon or his actions, even as queen.

Daemon has also expressed defiance when he went to Harrenhal.

Safe to say... their marriage between each other gets rocky.

Which means the two get temperamental and your duties get harder.

I can see them both getting exasperated with one another.

Meaning you get to deal with two very stressed royals.

Daemon gets volatile and easily irritated when this happens.

You often witness the prince snap at Rhaenyra before storming off.

After fights he has a tendency to drag you off with him... tugging you with him to have you ease his irritation.

Other times Rhaenyra calls you, sitting you down to talk or hold you close.

When Daemon goes to Harrenhal, it feels like watching the two fight for... custody.

Rhaenyra is insistent on you staying at Dragonstone.

It's a safer place compared to Harrenhal and she really doesn't need her husband spontaneously pulling her maid along with him.

Meanwhile Daemon wants to bring you along because he doesn't want to be alone.

He has duty in Harrenhal, but might go insane if he doesn't have his maid.

Safe to say... They aren't sharing anymore.

Seeing them fight over you is... intimidating.

Your job becomes much harder now that the two are unwilling to share.

It doesn't help that the two both have dragons.

Rhaenyra has Syrax, Daemon has Caraxes.

Both are fearsome dragons.

So imagine if you do end up with one royal, only for the other to eventually land on their dragon to demand you.

Daemon could be losing his mind at Harrenhal, holding onto you as if he'll lose you, only for Rhaenyra to land on Syrax and demand you back against the warnings of her council.

Or the other way around, Daemon flies Caraxes to Dragonstone to have you in his arms to ease his mind.

Due to both of them being on edge, you just hope others around you are safe.

Daemon is more willing to cut someone if they touch you.

He'd probably snap and hold a dagger or his sword to their throat, telling them to back off before scooping you into his arms again.

Rhaenyra is less threatening... but does keep a strong grip on you if someone is getting on her nerves.

As the war continues and more blood is spilled, the two royals fight more for your attention.

I don't think they'd kill one another, such an issue would cause too much trouble for The Blacks.

While Rhaenyra is unable to control Daemon's impulses, she is an important part of the war.

For the most part they comply by passing you around with one another.

Your job isn't even being a maid at this point.

You're a companion, a little pet or toy they're fighting over.

Your job is no longer to clean or draw baths, it's to be held and warm their beds like some brothel woman.

Both royals refuse to give you up completely.

They aren't really sharing... it's more like tolerating...

You are the only thing that calms them...

But as the war goes on, who knows how long before one decides they won't tolerate it anymore.

[ittybittyremy]

All the details Bells Hells know about Cyrus' death & everything surrounding it

I've been seeing people wondering/forgetting how much Dorian has told Bells Hells about the circumstances of Cyrus' death. So I've decided to go through the episodes!

A couple disclaimers before I start:

Orym shouldn't have made that comment to Dorian. Even if he didn't know all the specifics, knowing Dorian's brother died recently (and at all for that matter) should have stopped him from making that theoretical. Even if Cyrus' death had nothing to do with the gods, it would still be an inappropriate thing to say. He could've made that theoretical to anyone else in that group but he said it to the person with a recently dead family member.

Even though it would be beneficial for Dorian to tell BH (and for BH to learn/understand) everything about that day, he doesn't have to (and` shouldn't be forced to). Plus, it's very in character for Dorian not to tell them.

I don't want to see any comments saying "well it's implied," "BH should be able to connect the dots," or "BH should get the hint because of how Dorian has been acting." I'm bad at picking up hints irl so I won't fault BH for not connecting those points.

This post is about what Dorian has explicitly said (even though I did add a couple parts where he implies what happens).

This is all under the assumption that Dorian has not told BH everything off camera.

All timestamps will be based on the YouTube VOD.

I may miss a couple tidbits so sorry in advance.

Now to the actual information

Episode 93

Cyrus died (3:43:24)

Two of Dorian's best friends became the champions of the Matron of Ravens and the Spider Queen (3:43:28)

It all happened yesterday (3:43:38)

Opal is "not really" okay (3:43:45)

Cyrus died in battle "if you can call it that" (3:53:36)

Until that day he never thought real evil existed (3:53:46)

What he saw in the previous couple days does was "irredeemable" (3:53:55)

They tried to help Opal (3:54:59)

Dorian knows that there are forces enacting on the world that go "deeper than [he] imagined" (3:55:05)

Fy'ra Rai stayed with Opal (3:55:16)

Dariax is "all right" (3:55:20)

Opal is alive but corrupted (3:57:04)

Fy'ra Rai may be walking down the path as Opal (3:57:12)

Episode 94

Dorian doesn't explicitly mention it this episode but there is a moment where he hints that the prime deities may have somehow been involved.

"If you are relying on the help of the gods, champions, I can't say that I trust them anymore" (2:30:17)

Episode 102

No explicit mentions here BUT we begin to get Dorian's opinions of the gods. That's not what this post is about so I will move on

Episode 103

More of Dorian's views on the gods and we finally get another (sort of) explicit mention

"The last I conferred with a god, they cared very little about the feelings of anyone around us." That god being the Spider Queen (1:37:01)

The reason I say "sort of" is because Dorian doesn't say this is in regards to Cyrus' death (even though we the audience knows this). Orym and Fearne could've easily assumed that this was in regards to their EXU times.

Episode 109

Get an idea of what "getting dark" means. Matt describes Opal as "a humanoid shape of white hair and a black crown dripping and black oil and ichor. Opal stands dark and still" (2:19:13)

"Opal the Twice-Crowned, born a fractured, dual soul. A being of unknown potential, manipulated by cult and betrayer gods alike to walk a violent path without agency, a pawn for the gods and their whims." Raven Queen describing Opal (2:19:32)

Opal has a spider form (different from three-armed Opal) (2:49:20)

Episode 110

Dorian remind Bells Hells that Opal is now the champion of the Spider Queen (51:29)

Laudna says "hang on, because didn't, the last time you saw Opal, wasn't she trying to brutally murder you?" (52:22). I guess BH knows it was the Spider Queen? I'm a bit confused because Dorian never explicitly told them this but maybe it was an off screen thing

Dorian: "I'm not certain any information we would get from her would be particularly reliable" (52:30)

What does Bells Hells know?

As far as they know, the day before Dorian reunited with Bells Hells:

Cyrus died in a (sort of) battle.

They tried to help Opal but she is corrupted, she is still alive though

Fy'ra Rai stayed with Opal

Dariax is safe

Opal and someone else are now the champions of the Spider Queen and Matron of Ravens.

Dorian discovered real evil existed

The title "Opal the Twice-Crowned"

Opal's spider form (but different the three-armed Opal that Dorian saw)

Opal is not a reliable source of information right now

What does Bells Hells not know?

Wildmother refused to help

Matron refused to help

The Spider Queen killed Cyrus (? tbh i'm confused about this one)

Dorian came here because Opal casted mass suggestion

Dorian abandoned Dariax

Opal's memories are either gone or altered

Opal with three arms

The whole Ted thing

And much more

[animusrox]

LETTERBOXD

1.   The Batman 2.   Everything Everywhere All at Once 3.   Prey 4.   Triangle of Sadness 5.   Barbarian 6.  The Northman 7.   Bodies Bodies Bodies 8.   The Banshees of Inisherin 9.   Bones and All 10.   Avatar: The Way of Water

Grade A

11.   Turning Red 12.   The Menu 13.   Babylon 14.   Hit the Road 15.   Cow 16.   Watcher 17.   Funny Pages 18.   Mad God 19.   On the Count of Three 20.   Armageddon Time 21.   Terrifier 2 22.   Marcel the Shell with Shoes On 23.   Smile 24.   Glass Onion: A Knives Out Mystery 25.   Holy Spider 26.   Aftersun 27.   The Fabelmans 28.   Breaking 29.   Decision to Leave 30.   The Whale 31.   All Quiet on the Western Front 32.   Brian and Charles 33.   Piggy 34.   Saint Omer 35.   Thirteen Lives 36.   Men 37.   The Fallout 38.   Resurrection 39.   Causeway 40.  The Black Phone 41.   Official Competition 42.   Nope 43.  Guillermo del Toro’s Pinocchio 44.   Apollo 10½: A Space Age Childhood 45.   Till 46.   TÁR 47.   Happening 48.   A Love Song 49.   The Outfit 50.   The Innocents 51.   Jackass Forever 52.   BARDO, False Chronicle of a Handful of Truths 53.   Montana Story 54.   Three Thousand Years of Longing 55.   You Won’t Be Alone 56.   The Sadness 57.   Halloween Ends 58.   Pearl 59.   X 60.   Vesper

Click "Keep Reading” For My Full List

Grade B

61.   This Place Rules 62.   Fresh 63.   Windfall 64.   Kimi 65.   No Exit 66.   Top Gun: Maverick 67.   “Sr.” 68.   Farha 69.   The Unbearable Weight of Massive Talent 70.   Weird: The Al Yankovic Story 71.   Nitram 72.   Speak No Evil 73.   Run Sweetheart Run 74.   She Said 75.   White Noise 76.   Puss in Boots: The Last Wish 77.   V/H/S/99 78.   The Wonder 79.   Women Talking 80.   Hatching 81.   Soft & Quiet 82.   Scream 83.   To Leslie 84.   Hustle 85.   Chip ’n Dale: Rescue Rangers 86.   Dual 87.   God’s Country 88.   Emancipation 89.   Vengeance 90.   Fire of Love 91.   Bullet Train 92.   Incantation 93.   The Valet 94.   Hellraiser 95.   Christmas Bloody Christmas 96.   Significant Other 97.   Cha Cha Real Smooth 98.   Lucy and Desi 99.   Not Okay 100.   A Christmas Story Christmas 101.   Blonde 102.   Deadstream 103.   Sissy

Grade C

104.   The Bad Guys 105.   The Cursed 106.   Empire of Light 107.   A Man Called Otto 108.   Broker 109.   Black Panther: Wakanda Forever 110.   The Princess 111.   Beast 112.   After Yang 113.   RRR 114.   Fall 115.   Jackass 4.5 116.   Beavis and Butt-Head Do the Universe 117.   Doctor Strange in the Multiverse of Madness 118.   Jennifer Lopez: Halftime 119.   Lightyear 120.   The Pale Blue Eye 121.   The Woman King 122.   Violent Night 123.   God’s Creatures 124.   Ambulance 125.   Elvis 126.   You Are Not My Mother 127.   Emily the Criminal 128.   Crimes of the Future 129.   The Apology 130.   The Lost City 131.   Wendell & Wild 132.   Trainwreck: Woodstock ’99 133.   The Found Footage Phenomenon 134.   See How They Run 135.   Spiderhead 136.   Studio 666 137.   Bros 138.   Spin Me Round 139.   We’re All Going to the World’s Fair 140.   Paws of Fury: The Legend of Hank 141.   Honor Society

Grade D

142.   Thor: Love and Thunder 143.   Summering 144.   Strange World 145.   Glorious 146.   The Gray Man 147.   Devotion 148.   Clerks III 149.   The Forgiven 150.   Enola Holmes 2 151.   Father Stu 152.   Jurassic World Dominion 153.   DC League of Super-Pets 154.   She Will 155.   The Bob’s Burgers Movie 156.   Whitney Houston: I Wanna Dance with Somebody 157.   Hellbender 158.   Samaritan 159.   Day Shift 160.   Sonic the Hedgehog 2 161.   Prey for the Devil 162.   Troll 163.   Uncharted 164.  Lyle, Lyle, Crocodile 165.   Dashcam 166.   Firestarter 167.   Do Revenge 168.   Catwoman: Hunted 169.   The Munsters 170.   Amsterdam 171.   Fantastic Beasts: The Secrets of Dumbledore

Grade F

172.   Mrs. Harris Goes to Paris 173.   The Bubble 174.   Dead for a Dollar 175.   Jerry & Marge Go Large 176.   Honk for Jesus. Save Your Soul. 177.   Infinite Storm 178.   Marry Me 179.   Don’t Worry Darling 180.   Spirited 181.   Disney's Pinocchio 182.   Alice 183.   Black Adam 184.   Orphan: First Kill 185.   The Adam Project 186.   The Invitation 187.   Texas Chainsaw Massacre 188.   Ticket to Paradise 189.   The 355 190.   Umma

Bottom 10

191.   Green Lantern: Beware My Power 192.   Deep Water 193.   Where the Crawdads Sing 194.   Blacklight 195.   Mack & Rita 196.   Memory 197.   Me Time 198.   Death on the Nile 199.   Morbius 200.   Moonfall

[stealingyourbones]

Short DPXDC Prompts #996

Damian and Danny Twin AU. Damian kills his twin as a ritualistic dual. The twin falls into a lazarus pit and body seemingly vanishes. The twins' soul wakes up in a new body with white hair and glowing green eyes staring at a goth girl and a black kid with a beret who look at him in horror and shock. Danny dies in the portal. Damian’s twin now inhabits Danny’s body.

[girlkisser13]

persephone cabin headcanons

children of persephone

• they’re always conceived in the spring or summer.

• in times of conflict, their presence alone can bring hope and peace to others, and they are often called upon to soothe agitated campers.

• SOO many flowers crowns.

• their powers shift with the seasons. in spring and summer, they possess fertility abilities, excelling at gardening and nurturing plant life.

• they help the apollo and dionysus cabins put on hadestown.

• during autumn and winter, they tap into their underworld connection, enabling them to see ghosts, cause tremors in the earth, rip souls away, shadow travel short distances, and occasionally curse others.

• they can summon the opposite set of powers out of season, but doing so requires a significant amount of energy and effort.

• like their mother, they have a dual personality— kind and nurturing one moment, but stern and unyielding the next.

• they’re basically the mom friend.

• they have a deep empathy for both life and death, understanding the cycles of nature and the importance of both joy and sorrow.

• this makes them great counselors and therapists.

• they have a deep respect for animals, especially deer, as it is their mother’s sacred animal, and they may see hunting as unnecessary or cruel.

• this respect extends to all wildlife, making them strong advocates for animal rights and conservation.

• their connection to the natural world make them instinctively protective of animals, leading them to actively work against activities that harm wildlife.

• they become involved in efforts to protect endangered species or restore damaged ecosystems.

• many of them engage in activism to protect wildlife and prevent hunting, using their abilities to create safe havens for animals and advocate for laws that protect them.

cabin exterior

• the cabin is adorned with intricate floral patterns and vines that seem to bloom and twist around the structure, reflecting persephone’s domain over flowers and the seasons.

• the exterior changes with the seasons— lush and vibrant during spring and summer, with blooming flowers and greenery, and transitioning to more barren and earthy tones during fall and winter.

• the cabin is painted in shades of emerald green and gold, symbolizing persephone’s connection to nature and the wealth of the underworld.

• a winding garden path leading up to the cabin is lined with a variety of flowers and plants that bloom in different colors, guided by magical enchantments to always be in full bloom.

• the structure is made of ancient, weathered stone with carvings of persephone’s symbols— like pomegranates, flowers, and butterflies— etched into the walls.

cabin interior

• like the demeter cabin, this cabin RADIATES cottage core energy.

• the cabin’s color scheme incorporates soft, earthy tones such as shades of green, gold, and pale pink, with accents of deep black and purple representing persephone's connection to the underworld.

• the walls are covered in murals and living vines that bloom with seasonal flowers like daisies, roses, and poppies. a canopy of intertwining branches drape across the ceiling, with small blossoms that glow softly in the dark.

• large windows let in plenty of natural light during the day, giving the space a warm and inviting atmosphere. at night, lanterns made of celestial bronze are enchanted to mimic the flicker of fireflies, providing a soft, ethereal glow.

• the furniture is made from natural materials like wood and stone. chairs and beds are carved with intricate designs of flowers, vines, and pomegranates. the cushions and bedding are plush and adorned with floral patterns.

• each member has their own area adorned with their favorite flowers or plants. there is also a small altar with offerings of pomegranates, flowers, and seeds, honoring their mother.

cabin traditions

• at the beginning of each spring, they participate in a special ritual to welcome the return of spring. this involves planting new flowers and trees around the camp, blessing the fields with good growth, and crafting flower crowns to wear throughout the day. this ritual symbolizes renewal, growth, and the reawakening of nature.

• they have a sweet tradition could involve exchanging flowers among cabin members as a sign of friendship, support, or goodwill. each type of flower has its own meaning, allowing members to communicate their feelings through these natural tokens.

• they have a special garden that they tend to throughout the year. this garden is filled with flowers and plants sacred to persephone, such as poppies, lilies, and pomegranates. they spend time together planting, weeding, and caring for this garden as a way to connect with their mother and each other.

• at important camp events or ceremonies, they create and wear intricate flower crowns. these crowns are crafted for themselves or as gifts for others, symbolizing the beauty and strength of nature.

• they also have a tradition of making a special crown for any camper who has achieved something significant, honoring their accomplishment.

divider by @strangergraphics

[hermesmoly]

What's your opinion on Hermes in adaptations ? I personally think that, like with other gods, a lot of nuance is often lost.

He's usually just a fun speedy guy in modern vision and we don't really see his status as god of merchants, travels, rhetoric, theft or his role as a psychopomp. It's really a shame, honestly.

He's portrayed as a bit witty, but I'd love to see him more as a trickster god (like in Argos' story), a persuasive talker, a traveler who explores the world and his relationships to mortals and various gods alike.

(like his relationship to youthfulness, being the second youngest Olympian, at odds with Apollo before reaching an agreement, taking care of Pan then Dionysus, some interactions with his mom Maia or his chthonic coworkers, etc...)

Idk I wanted to talk about him a bit instead of complaining about Dionysus for the 100th time this week 🤣. Since Hermes is your favorite god, I thought it'd interest you 😉.

@superkooku thank you for this ask aaaahhhh!!!

Honestly, Hermes as a deity has so many layers of potential when it comes to story writing, and while he is a Certified Happy Go Lucky Extrovert^TM, there are so many aspects of him that aren't just the comedic messenger!!

I could make a list of all the aspects of Hermes I'd personally love to see more in modern media, so here we go:

Hermes' role as the god of thieves and trickery (his darker self, his suave nature, how he killed one of Hera's favorite servants so effortlessly and still remains in her good graces? His caduceus has two snakes- in a dual way representing his slyness along with his role as a protector)

Hermes' role as the god of trade and merchants (you telling me my boy won't be good at haggling prices and owning the market? I need some version of him where he owns the black market or some crazy stuff)

Hermes' role as a psychopomp (and by extension his relationship with his Uncle Hades. What is his relationship with the other chthonic gods? I love what Hades Supergiant did with Hermes/Charon but I long for more! Especially when he's very much there as Persephone's personal escort to and fro the Underworld. Thanatos should not get all the credit for reaping souls and guiding them home. )

Hermes and Maia (extroverted son, introverted mom, so many things we can explore here! How he felt growing up in that cave, his relationship with Arcas who his mother adopted!)

Hermes and Zeus (his aspect of being the god of hospitality!!) (Modern Media might never give us the Zeus-Hermes-Baucis-Philemon adventures but I am still for it always)

Hermes' mental health and depression (+ the bad side of his relationship with his mother and father) (more specifically Lucian Dialogues of the Gods 4, where Hermes states he is the most miserable god in all heaven, working every day and waiting upon Zeus' grander sons from mortal women. Now in my interpretation, Zeus wouldn't be that harsh to Hermes to make him almost like an indentured servant, but reading this dialogue you can really feel his exhaustion from the God of Trade and many other things. We can all relate to the feeling of being brushed off when you're feeling down, and I think this is the least likely aspect of Hermes to be explored since we will be putting him out of the "lucky, carefree" god persona that most put him in)

Hermes and Atlas (going back to Dialogue 4, Hermes mentions being the grandson of Atlas. I find it fascinating bc how does Hermes feel looking at his grandfather? Does he hate his grandfather for siding with Kronos? Does he resent his dad for creating this void for them to not have a relationship? Does he fear that if he steps out of line Zeus could do the same to him? Does he talk to Atlas forced to hold up the sky? Very compelling stuff)

Hermes and Hera (*holds them very tightly* they are the stepmother and stepson duo. Hera can be a certified Apollo-Artemis-Dionysus hater but has almost no hate for Hermes from what I know. There is no retaliation for Argos' death, and we all know Hera can hold a grudge! She milked him once in an obscure myth and that makes him her honorary son alongside Heracles, even appearing to bind Ixion alongside Ares, Hera's biological son. Hermes even makes an effort to deliver all of the invitations to her wedding to Zeus. Sure all of these can be explained by his messenger/servant role, but they seem to have an amicable and fun relationship that most media just writes them down as "Hera hates him" looking at you Blood of Zeus **EDIT: all of these are mostly headcanon-territory, so apologies for that!)

Hermes and Perseus and his role as helper of heroes (his canon bf... people out there shipping Perseus and Medusa when HERMES IS RIGHT. THERE! Perseus is called a beloved of Hermes and I'm sad that people are erasing that in their Perseus retellings. Gifts seem to be a love language for Hermes since he gives him his sandals, sword AND invisibility helm free of charge)

Hermes and Ares / Mercury and Mars (sorry I'm biased the Ares stan in me is coming out forgive me I think Hermes and Ares as a symbiotic relationship is something that can be explored more. The Jar Myth where Hermes saves Ares lets into some of the vulnerabilities Ares has, Lucian Dialogue #1 and the differences with how they view Zeus, war vs diplomacy, both being athletic gods, both being lovers of dogs, and many other things I can pitch for the secret Ares/Hermes fans out there)

Hermes and Dionysus (more modern media of Hermes taking care of his little bro-bro!! To be best buds in the future, that's just so endearing and sweet and we need more interactions between them. Their duality is similar to Ares/Hermes, with the additional madness factor. How would Hermes react to Dionysus' darkest side as his guardian and brother? Also, Hermes would definitely shake up Dionysus' parties. Would they murder together? Maybe. Definitely.)

[lorei-writes]

Amberian Demonology AU Headcanons feat. Ikemen OC Community ~3.95k

Thank you for allowing me to write your OCs! When I asked to see who'd trust me, I never expected so many replies >///< I hope that the little something I've come up with is a fun surprise... I'd say you can think about it as of a Dark Fairytale AU as well >:)

Amberian folklore introduces a hierarchy of supernatural beings. At the bottom of it are dushki, generally kind-hearted spirits of little power who co-exist with humans in symbiosis, often for their own safety. Then, there are s’lna dusha – this class consists of spirits of various powers, but unlimited freedom. They can and generally do exist independently of any other beings, although there exists a substantial disparity in level of might between them. At the top of the hierarchy exist minor gods and goddesses, idit. They are the most powerful among all of the spirits, however, they lack freedom. Each of them has a duty which completely binds them. Their lives are not their own to live for as long as it remains unfulfilled. They are not worshipped; rather, they are the expression of the laws binding the universe and introducing the order to it.

The introduction of monotheistic fate to Amber did not fully erase the old beliefs; rather, it turned them into superstition and beings of lesser importance, placing the God-Father as the only true deity, the maker and the architect of all order.

Dragini – Melinda @dododrawsstuff

Find her at the crossroads, sitting alone on a stone or staring at the sign with unseeing eyes. Which way should she choose? Dragini does not know. Hopefully, the coming of the next traveller will bring the end to her struggle… Until then, until that yet unseen person arrives, she will bless those who meet her on their journeys.

A kind protector spirit – meeting a dragini is a sure sign that a traveller will reach their destination safely.

The Dragini are no stranger to homesickness and at times, will appear before the lonesome souls who long to return home. They can take them there, or gift them a piece of it – although it may be realised in a rather unexpected form.

Some of the legends claim that draginins are born from spirits of women who died away from home and were not granted a proper burial. Often accident or war victims.

A polyglot, although her preferred language seems not to be of this world. Only few are humoured and have a conversation with her, and even fewer can recount it. It is alleged that they’re the ones to escort a dragini back where she belongs.

Generally seen wearing outfits from faraway lands, a different one each time she is spotted.

Glodomer – Oliver @evansnoir

He lurks in the corners of barns, in mice nests, in the buzzing of flies. He lives in every ear of wheat, rocked by winds as in a cradle, and dutifully observes the human hands. Dare not disrespect him – to waste food is a sin. A punishment will await those who fail to understand as much.

The Glodomer is a powerful spirit of dual nature – usually a gentle observer, he is capable of calling various plagues upon a region if he so desires.

He lives among the smallest of beings, just barely out of the sight of human eyes. His stealth allows him to come close without being noticed, which he uses to satiate his bottomless curiosity. A glodomer can bring hunger, but he is also hungry and craves to expand his knowledge.

However, glodomers not an omnibenevolent dusha – do not disrespect them or those they rule over. A glodomer is the king of all that lives despite being invisible, including the sick air. With one uttered curse, he can poison an entire village. It is said that he can be appeased with a hefty offering of freshly butchered beef.

Very few people have seen him, but the legend says he can be found napping in black hollyhocks.

Usually portrayed as an androgynous man around the size of a walnut.

Le’shni – Maeve @keithsandwich

Whenever you cut down an elden oak tree, place an offering at the stump. Spare no expense. The feast must be lavish – ready your goat milk, and cheese, and the freshly brewed beer. Raise your cups and praise Le’shni, and leave some bread for her as well. It is only due to her generosity that you are able to celebrate. Do not take it for granted.

A spirit protector of the forests.

The Le’shni are the force of nature personified, they arethe life and soul of the forest they inhabits. A le’shni cannot ever leave it, for their existence is tightly interwoven. She is its mother.

She takes on the appearance of a woman and wields the human speech. However, be not deceived – the aura of gentle helplessness is but a deception. To protect what is dearest to her, a le’shni will cast away all pretence of humanity.

It is believed that for every cut down tree one must hold a feast to appease the local Le’shni and help her replenish her strength. The alternative offerings include a pot of berries or a mug of warm tea, planting a bush or a tree, or… leaving a child alone in the forest at night, to give the le’shni some solace as she mourns her lost offspring.

Lay-la-lay – Beatrice @bicayaya

Lay la luli lalalala lay, sleep, my sun, stay asleep, may kind people live within your dreams, the rain is pelting right outside, lay la luli lalala, lay-la-lay…

A household spirit, the bringer of many blessings.

Fairy-like in appearance, female or feminine, with butterfly wings and usually light hair.

It is believed that lay-la-lays are minor nature spirits who, in their kindness, have chosen to watch over the children. They arrive at human houses soon after a baby is born to ward off any beings who’d like to consume their vitality. However, it temporarily severs the spirit’s connection with nature. As such, a domestic lay-la-lay depends on their hosts for sustenance.

Good parents – and by extension, hosts – will offer their lay-la-lay a saucer of milk or heavy cream, a slice of bread, and something sweet to go with it (depending on the season: berries, or a spoonful of jam or honey). If they fail to do so, she may have to move out.

A well-fed lay-la-lay may choose to remain with her family well after the child comes of age. Humans lose the ability to see them with age; in that case, a feline companion must be obtained, to ensure that the lay-la-lay does not feel lonely and will continue on blessing the household.

Each lay-la-lay possesses a pleasant voice. Her melodies are thought to heal and to be particularly effective against colic.

Rusla – Leyla @violettduchess

Beware of the sudden cold and the mist that follows. One must retreat indoors [once it starts], however, were that not possible… he shall say “Our Father” until he reaches safety, spitting over his left shoulder at the end of every last verse. If that too fails and one begins to hear music, he shall confess his sins while waiting for Rusla to pass her judgement. The innocent will be found safely asleep on the shore. The bodies of the guilty will float at sea until currents carry them into the shallows. [As believed in northern Amber.]

A minor deity, the paragon of justice watching over the coastal regions of northern Amber.

Rusla takes on a form of a naked young woman with long, flowing hair, always surrounded by mist. Whoever hears her call falls into a trance and follows her into the sea, where she draws the crimson thread from their heart to appraise its purity. Only the innocent need not fear – Rusla will call upon the waves to deliver them to the shore.

The legend says a man has once avoided Rusla’s judgement by stuffing his ears with flax tow and wax. He followed her to the sea of his own will and they both disappeared for precisely a year. Not a word had left his lips since.

Epoha – Iris @yarnnerdally

Tic-tac, tic-tac, tic-tac, the spinning wheel turns. Epoha’s hands are gentle and dexterous as they pull at the roving. She’s done it for all eternity, and for all eternity she shall continue, the patient mother of all time.

A minor deity, responsible for the cycles of time.

A young woman or a mother, sometimes described as pregnant, usually portrayed by a spinning wheel or with a spindle in her hand; less often – with weaving tablets.

Epoha rarely appears of her own volition, however, it is believed that she can be invited over for dinner. To do that, one must prepare a feast of sweets. Anything less than twenty eggs for a sponge cake is insufficient. Cream and pudding, kutia, and poppyseed roulades… Once everything is ready, the shutters must be parted. A cloaked woman should arrive within the next hour.

One may dine with Epoha and ask her questions about his future. She is a compassionate deity and will answer them truthfully, but only until the first moths arrive, lured inside by the light.

She disappears at the sight of the insects, together with the food that has been so thoughtfully prepared for her. Worry not if not much information has been obtained – she may spin the thread more favourably still, thankful for the refreshing meal.

Zorana & Nichna – Viva & Esther @lorei-writes

[…] And so it would be known as the equinox, for the day split as they were born. Zorana, that dedicated to the red glow of morning skies, and Nichna, that weaving silver constellations on the night sky. Together they are locked in an eternal game, passing the sun and the moon between each other so that they do not ever get lost. [As told in the story of the Father’s creation of the world.]

Minor deities, recognised in the entirety of Amber. Their other names include: Porana & Nechna, J’sna & C’mna, Zorja & Stra.

Twins, usually depicted as naked women throwing the sun and the moon between each other as if the celestial bodies were balls. Their eyes are said to be as dark as the starless nights, spun light the hair over their heads.

Although none have ever seen them, it is commonly believed that every new moon the twins come to the Krasnawe Oka lakes, where the sky and the ground meet as one. Their laughter carries over the water as they play, more human than divine, yet undeniably unreal.

It is believed that it is the only time the moon or the sun – or either of the celestial sisters – could be stolen. To have a chance of succeeding at that, however, one must brave the marsh in the dark, without the guidance of any light. Cursed be those who fail.

Banialuka – Katsuko @the12thnightproject

Hear not a word in a crowd unless you know which mouth bore it. Discord and venom all but fly over the instigator’s heads; there is one even above them, however. Do not trust the talking birds.

A shapeshifting spirit that can take on a form of any flying bird, although cases of small rodents have also been reported.

The Banialukas are seen as rather self-serving, although nobody knows their true intentions. Free as the wind itself, they fly above cities and towns, instigating mischief wherever they go. A master manipulator and an adept liar, a banialuka capable of mimicking any voice she has heard – and using that for her own purposes.

According to the legends, she traverses the world in search of treasure, to then return to her castle-nest in faraway mountains. It is said to be built entirely of twigs, dawn and hard, cold stone. Only those willing to brave the steep slopes it oversees can hope to browse through its treasury.

Be careful, however. A banialuka’s tongue is sharp, but it is hardly the only weapon in her arsenal.

When in human form, she usually assumes the appearance of a mildly eccentric-looking woman. What gives her true identity away are the brightly coloured streaks in her hair – some claim they resemble rooster’s tail feathers.

Skrzyp – Romarin @ikeprinces-stuff

Come to the moorlands at dawn to find the common horsetail. Break its stem thrice, each time with an audible creek, and throw it over your right shoulder. Clap your hands three times and bow as deeply as if the most renowned violinist stood before you. If the heathers hum, the skrzyp has arrived. Otherwise, try another day. [As believed in the central regions of Amber.]

A lonesome spirit that is believed to spend the majority of her life in the form of a cricket. However, she can take up the appearance of a young woman in an intricately embroidered (sometimes with emerald-looking insect wings) gown, usually with long hair let loose down her back.

The Skrzyp are virtuosos of music. She can play nearly any instrument, however, she is most adept at the art of violin – the notes she conjures have arcane properties, and so, many seek her in hopes of hearing her song for their own benefit. Some also hope to become her apprentice… Or to convince her to grant them her gift.

However, everything comes at a price. It is believed one can make a request of a skrzyp, but only if they pass her trial. Those who play even one false note will be turned into escargots.

Gon – Aino @dicenete

They ride on the nights of the full moon, the bellowing of a splendid war horn the signal for their arrival. Close the shutters. Close the doors. Do not let any passing visitors into your house, however innocent they may seem… It is the hunt, and the sinners are the hunted. Hide until they pass.

Gon is one of the minor deities at the head of the hunt, infamous for the duality of her nature – usually a warrior, she can appear as an innocent woman to lure her prey out of its hiding.

She leads the party of spirits together with her lover and his twin brother, the deities of the cycle of rebirth.

It is believed that the hunt targets those who have sinned and have shown no remorse nor will to change their ways. As such, they will be followed through the nation, from woods to the ballrooms of the royal castle. No place will be safe and their torment will know no end until they are hunted and their souls are handed over to the deities of rebirth, to be reshaped and forced to start over in their new lives.

Commonly pictured as either riding an enormous warhorse with a crossbow on her back, or as dancing gracefully in a ballroom, dressed in the finest of velvets.

Didko – Sigfrit @wordycheeseblob

Young men should be especially cautious when they notice a mysterious woman sitting alone in an inn. Do not tell her a word of any weight until you look into her eyes and hold her gaze – if the briefly change colour or shimmer unnaturally, it is not a woman you are talking to, but a didko. Do not talk to her.

A spirit commonly found traversing the roads and lounging in the inns, among other places where information can be found. It is uncertain what she does with the acquired knowledge, however, it is known it will bring forth mischief. By the end of the torment, the matter will be resolved favourably… for the person the didko sides with.

Didkos are infamous for their charming personalities and adaptability. Some believe them to be living false mirrors that reflect precisely that which one longs to be.

Observant and highly adept at reading people, didkos are susceptible to bribery. Offer her a night of blissful gluttony to win her favour… Be careful, however, as your tongue may unravel, thus revealing many more secrets than you have originally intended to.

Commonly seen among merchants and pilgrims, especially during the Lent.

Brzdęk – Ciel @floydsteeth

If you hear the metallic jangle of coins out in the middle of nowhere, you ought to stop. Any horse you may have with you will not take a step forward – you, however, should follow the sound. Those quick enough will be rewarded with finding the brzdęk’s liar, where all sorts of treasures are kept. Catch the little spirit before they enter it to demand a hefty ransom. [As believed in eastern-most regions of Amber.]

A lesser spirit commonly found living on the steppe.

Brzdęks tend to share their liars with mice – in exchange for protection, the rodents provide the spirits with food and company. The bottommost chamber of their nest thus becomes the brzdęk’s treasury, filled with precious stones, cut glass, coins, and other marvels big and small.

Their aversion towards horses is infamous – a brzdęk will go to any lengths to prevent the animal from coming anywhere near them. Usually that means casting spells and preparing enchanted rings, however, traps may also be employed.

Commonly depicted while riding on tops of mice and rats… or flying on magpies’ backs. The elder brzdęks may have special saddles made for them as well.

It is believed that they are born out of magpie eggs hatched by hens that are yet to have their own chicks.

Ohenna – Ava @writingwhimsey

Burn dried grass from wild flower fields to summon her; Ohanna will dance in the bonfires, her body made of flames. Hold her fiery gaze and utter the name of your enemy five times. If you can withstand her scorching breath, you will have your revenge; however, if you falter but once, you will known Ohenna’s wrath. She is the just anger. Do not think you can deceive her. [As believed in the mountains of south-western Amber.]

A minor deity, the embodiment of rightful anger.

Ohenna is not somebody you can stumble into – her existence is tied strictly to the fire. Unless she’s been summoned to talk, she dwells in each flame equally, silently watching over the world through them. She’s the executor, the one to deliver justice to those who have been otherwise wronged and forgotten.

Her will is stronger than iron that she smelts. Ohenna’s judgement is absolute.

One is advised to pick his words carefully while pleading with Ohanna, for she is known for her intelligence and strong feelings.

It is believed any summer or fall fires are Ohanna’s war dance. Many young men gather to witness it, although few manage to follow her movements.

Bza – Yara @fang-and-feather

If you see forget-me-nots growing by the side of an abandoned house, wipe the soles of your shoes clean upon entering it. One shall never be too certain that a bza does not inhabit it. Do not be rude to her – it is those spirits that prevent the decay.

A timid spirit that generally prefers solitude. Can be found dwelling in abandoned buildings or old houses, less often – in attics, among drying herbs, or in hospital wards.

Despite keeping to themselves, bzas are rather friendly and helpful spirits. They maintain properties and prevent the decay and rot from seeping inside – they keep the space clean and adorned in fresh flowers. It is believed that their presence soothes plants.

One is considered fortunate if he manages to invite a bza to live at his house. To do that, he must press three dozens of pansy flowers and then sew them into a garland. Once hanged above the entryway, it will signal that bzas are welcome in the house; however, it is only an invitation. It is only the spirit’s good will if she accepts it.

Appears as a semi-translucent woman with, at times, vividly coloured hair. She invites the smell of fresh herbs, mint, irises, or – often – jasmine.

Deshen’na – Caroline @coral-relevium

Find her in every drop of rain, from a warm spring mizzle to a summer thunderstorm. Look closely – she passes through the fields in her long gown, dark against the surrounding greenery. One ought not to talk with Deshen’na, however, just meeting her gaze is enough to ward off a draught from one’s crop for the following months. [As believed in north-eastern regions of Amber.]

A minor deity, commonly associated with the coming of rain and mourning. (The latter is not the case in north-eastern regions of Amber, which are often stricken with droughts. There she becomes a sign of impending good fortune and everlasting love.)

It is believed that the rain is the tears Deshen’na shed while mourning the death of her husband. Her duty is to walk the land and nourish it with her grief, in a loving memory of the deity of deceit.

A few men believe that draughts haunt north-eastern Amber as it is Deshen’na’s last stop during her pilgrimage to her husband’s grave, where they can briefly reunite once every year. It is said he has tricked even the death itself.

Pale, generally seen in intricate black gowns, giving her the appearance of a noblewoman.

Ne’zvana – Adria @eternallyfrustratedwriter

Do not say her true name lest you wish to summon her; one who does so willingly shall be cursed out, for it is only chaos that follows her. One ought not to even think of her nor picture her in his mind.

An infamous spirit, commonly considered to be the bringer of misfortune or broadly understood chaos.

A ne’zvana is hardly welcomed anywhere, however, it does not mean she lives in solitude. Rather, she hides her existence from those around her. It is said that a person followed by bad luck or otherwise surrounded by unusual events may be haunted, possessed, or in fact be a ne’zvana.

It is believed that a ne’zvana is born when a child grows too moody. Chastising them is one of the few instances when the ne’zvana get brought up.

Due to the fear of summoning her, her original name was used so rarely it has since fallen into complete obscurity. Similarly, hardly any records of her appearance remain, although many believe her to take on a form of a traveller or an insect, such as a bee.

It is said that a ne’zvana can be recognised by her smile. The exact specifics of how, however, are unclear.

Kania – Marigold @violettduchess

Be careful while in the forest – a batting of powerful wings above your head and a high-pitched screeching are no things to be ignored. Stand still whenever you hear them and take three deep breaths. If no voice comes, you are safe to go on as you were. However, if a stranger woman extends her greetings, you must leave immediately. Do not answer Kania unless you consider yourself the master of riddles.

A shapeshifter spirit inhabiting Amber, generally taking on the appearance of a kite (bird) or a scholarly woman with thin-wire-rimmed glasses.

Kania is a voracious spirit that enjoys toying with her prey. That being said, she is also honest and stays true to her word – as per the agreement from days gone by, she can target only those who acknowledge her presence.

Once that is done, one is given another chance to save his life. He must answer three riddles correctly. Achieving that is said to gain the respect of the spirit who then releases her prey.

It is believed that Kania’s appetite is directly connected with her hunger for knowledge. Feasting on humans during the day, she sneaks into noblemen’s libraries and church archives at night to indulge in the consumption of knowledge.

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@sh0jun @queengiuliettafirstlady

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[lu-dao-writes]

— 𝐀 𝐁𝐫𝐞𝐚𝐭𝐡 𝐎𝐟 𝐋𝐢𝐟𝐞 (𝘼𝙡𝙥𝙝𝙖!𝘾𝙝𝙤𝙨𝙤 𝙆𝙖𝙢𝙤)

꒰ྀི ᥫ᭡ 𝙎𝙮𝙣𝙤𝙥𝙨𝙞𝙨 Despite being semi aware of his and his siblings existence, that’s all he knows. Choso not only has to navigate being fully alive, but he has to understand his role as the older brother, and understand his role as an alpha.

𝙒𝙖𝙧𝙣𝙞𝙣𝙜(𝙨) Omegaverse/ABO dynamics, SPOILERS, scenting, nesting, Kenjaku and him being a questionable dad, Mahito being… himself really, mentions of sex/ heats and ruts, mentions of porn watching, gn!reader, reader is Gojo’s sibling (you decide if biological or not), reader’s dynamic is not specified but hinted you’re either an alpha or omega, angst, bittersweet ending, vague threat alluding to sa not made by Choso but Kenjaku, grief.

𝘼/𝙉 It’s finally here (on my tumblr anyway lol)! This is more of a character study for Choso that I wanted to do, and because I also wanted to do an omegaverse piece. Reader and Choso interact later down the line, and the last bit is just the Reader’s perspective. Not too confident with the last bit but I’m ready to be done lol. Idk if I should have the minors dni warning cause there’s nothing super explicit here, but I’d say this is probably for a mature audience? I’ll be lenient but I’d rather not see a 13 year old like this🤣. But I hope y’all enjoy this! Also thank you for your patience!𓍢ִ໋🌷͙֒ ꒱ྀི

꒰ྀི𝙒𝘾: 5,232 ꒱ྀི

꒰ྀི 𝙏𝙖𝙜(𝙨) 🏷️ ꒱ྀི @staygoldsquatchling02

THE first breath of life is usually a special, momentous moment.

Sometimes it’s the start of a miserable existence where a soul must struggle before finding the sweet taste of… Whatever it is.

But for Chōsō, it’s more disorienting than anything, and the main thing on his mind is his family.

Chōsō and the rest of his siblings have been aware of each other, almost as if they’re connected by a mind link, but there’s no words to be said nor heard. It’s just a faint thrumming, almost like the thin strands of a spider's web being plucked.

The death painting cared not for anything else outside of his siblings.

That is until he had to when he took his first official breath.

Chōsō awakens to two people in front of him; two men with various smiles plastered on their faces. One a mild smile with slight interest in his eyes with ink black hair cascaded down past his shoulders, a scar across his forehead and dressed in some traditional getup.

And the other has giddy, dual colored eyes seemingly bright with.. Something that makes him feel a bit uncomfortable. He’s got dull blue hair and stitches in various spots on his body.

After briefly studying their appearance, scents infiltrate his nose. A wave of multiple things and so overwhelmingly strong that it makes his skin itch and belly clench.

On one hand there’s a mix of spicy, and smoky with hints of sweetness, and on the other hand it’s sour and bittersweet.

Chōsō covers his nose before becoming slightly infatuated with his new appendage. Too pale skin with a few bulging veins. He wiggles his fingers before a voice finally speaks up.

“You’re finally awake, Chōsō,” the dark haired man speaks, his voice giving Chōsō the feeling like something creeps up his spine, but he’s not sure if it’s a pleasant feeling or something dreadful.

Chōsō blinks at him cluelessly, purple eyes mirroring each other as they look at one another, but eventually Chōsō can see a hint of delight in the others eyes, but his face remains composed.

The man with the stitches giggles, the sound being higher pitched compared to the ink haired man.

Chōsō looks at the other with a bit of confusion.

“Ignore him, but I’ll cut to the chase. Your name is Chōsō and you are the oldest of 9 siblings.”

Chōsō finds himself nodding, being aware of this knowledge, but he does not interrupt him.

“Behind you are Esō and Kechizu.”

Chōsō whips his head around, his heart swelling as he watches the vessels slowly morph until they’re at their final shape.

His beloved younger brothers…

The reasons for him to strive to be the best role model and pave the right path for them and them alone, no matter the mistakes he’s bound to make.

His responsibility…

“You are responsible for them and each other,” the man continued from behind him.

The man with dual colored eyes wanders closer, crouching down near Esō and Kechizu. He reaches out and pokes at them carelessly, the action infuriating Chōsō to a high degree. He acts before he could comprehend what he's doing, his hand smacking the other’s away and a rancorous snarl spilling from within his throat, startling himself. His eyes are wide and he touches his throat, the pad of his middle, ring, and index fingers pressing at his Adam’s apple.

The man that was prodding at his brothers only cackles. “Oh, he didn’t like that!”

“Mahito, I suggest not testing him too much. He’s an alpha that doesn’t know how to control himself, and I certainly won’t help if you get hurt because you couldn’t stop running your mouth,” the other man warns, not sounding concerned in the slightest.

The unserious man, Mahito, scoffs. “Oh please, Getō, I’m not scared of some untrained alpha mutt.”

Chōsō is left even more confused, but he’s not insulted, instead he focuses on hovering over his brothers, not wanting Mahito to touch them again.

Now that he’s more present, he can tell who’s smell is who. Mahito’s is the one that smells sour and bittersweet, while Getō is the smoky, sweet and spicy one. It’s still overwhelming to smell them both, the urge to snap at both of them was strong, but he was not going to break composure again unless necessary.

Esō and Kechizu’s scents were slowly coming to life, their scents not being bothersome to Chōsō.

Esō smells faintly of something soft, floral, and sweet, but underneath that it’s death.

And Kechizu’s scent is earthy, metallic, and also smells of death underneath it all, but his scent is not as strong as everyone else’s.

They’re perfect in his eyes.

Chōsō holds their hands as they wake up, his gaze almost blank but there’s a touch of softness there in those dark purple eyes of his.

“Hello younger brothers,” he greets, his voice dull while his hands hold theirs tenderly.

“You’re Esō,” he directs to his brother who looks like an unearthly human.

He then looks to his other brother who looks less human. “And you’re Kechizu.”

Esō and Kechizu smile at him and wrap their arms around him, their scents meshing together and onto each other’s skin like a semi permanent tattoo.

Seeing their smile, and feeling their warmth… Chōsō wants to make sure he keeps them safe and happy.

Mahito scoffs and Chōsō is alerted.

“Chōsō is the only one that looks good. How come the other two look so gross?”

Another cord of uncontrollable anger surges through him, but he restrains himself enough that only a small growl leaves his throat, purple eyes glaring pins and needles into Mahito who looks like he couldn’t care less.

Esō’s scent suddenly grows foul, permeating through the room and alerting everyone.

It further pisses Chōsō off but before he could lose the little amount of control he has, Getō cuts in calmly.

“Where are my manners? I’m Getō Suguru, and I’m sure you heard me address him as Mahito. Before we let the three settle in I have more to discuss with you.”

Chōsō noticed while Getō was talking that he had a way to command his attention even though Chōsō was far more focused on making sure his brothers were okay, especially Esō.

Getō goes on to talk about his plans for the world and wants them to join in his cause. Chōsō frankly does not care, as long as he and his siblings can live peacefully in this “new world”.

“We’ll join under one condition,” Chōsō declared once Getō was finished with his speech.

Said man’s smile grows an inch. “Go on and name your condition.”

Chōsō speaks firmly, never once wavering as he and Getō stare each other in the eyes. “As long as my brothers, as well as our other siblings, can live peacefully in the end of all of this, we’ll cooperate.”

Getō looks like he expected nothing less from the ill looking man. “I don’t see anything wrong with that.”

Seeming that it seems to be a deal, he nods before speaking again. “Now then, what is with you calling me an alpha?”

“Ah yes! I will give you books on your biologies and as well as get you and Esō the proper medications you’ll need.”

Mahito gags, toying with his hair. “Those pesky suppressants. Who even needs those when they end up becoming a problem later?”

Chōsō’s eyes fly open with alarm, his purple orbs darting over to Getō and narrowing slightly, silently demanding an explanation.

Getō waves off his gaze, still having that carefree expression of his. “That’s years and years down the line.” Then he suddenly pins Chōsō with a knowing stare, looking a little arrogant now. “Esō is an omega and without them he could get hurt. You wouldn’t want that now would you?”

Chōsō swallows and only gives him a stiff nod, the terms still lost on him, but if the medication can keep Esō stable for now, that’s all he needs to know. He’ll figure out another solution later when he’s more knowledgeable.

Getō then guides the three beings into a room and inside there’s a large bed, small wooden desks beside the bed, light fixtures, a tv, empty bookshelf, a standing mirror, and a fuzzy couch. On the bed there’s a pile of random articles of clothing and some shoes that the siblings wander over to.

“This will be your living space, when you’re able to go outside feel free to buy anything to liven the place up more,” Getō advises, remaining at the doorway. “I’ll let you three get dressed and I’ll be back shortly.”

The siblings don’t acknowledge him, focused on finding the right pieces of clothing for themselves.

And Chōsō finally runs into his first problem as an older brother. When Esō was trying his first set of clothes on, he was absolutely horrified when he saw what was on his back. His scent soured and stunk up the room, drowning Chōsō and Kechizu.

Esō moves away from the standing mirror, keeping his back away from his brothers, his eyes slightly welling up. “I look disgusting!” he gasps, a million thoughts and scenarios passing through his eyes and it makes Chōsō panic and clam up. He wants to help him immediately, but when he takes a step towards him, he’s lost on what to even say.

“Esō don’t be so harsh on yourself. Kechizu nor I even batted an eye on what’s on your back. You’re not disgusting,” Chōsō explains to him, his voice blunt but with a twinge of gentleness.

Esō's expression softens but he looks off to the side, his attention elsewhere again. He shakes his head and moves to the pile of clothes again. “Please.. Don’t look at my back.”

“But-.”

“I don’t want to talk about this anymore. Please, Ani…”

Chōsō wants to push, but hearing the pleading in Esō’s voice makes him reluctantly sigh and let it go. He only wants to make his brothers happy, and if Esō doesn’t want to talk about it, fine. He’ll have to trust that whenever Esō’s ready he’ll come talk to him.

“I don’t think I want to wear any of these,” Kechizu chimes in before the silence could swallow them. “It’s not like I’ll be able to walk out in public anyways,” he adds with a shrug and tossing the shirt in his hand, not having a care in the world about that fact.

Chōsō hopes that Kechizu keeps that attitude because he doesn’t even know how to help Esō with his current situation.

“That’s fine,” Chōsō murmurs, admiring some boots that were on the bed.

Once dressed to their liking, Esō’s smell had gradually turned back to normal, easing the other two.

“Are you both comfortable?” Chōsō checks in.

“We’re fine!” Esō replies while Kechizu nods with a smile. “Are you?”

Chōsō nods with a hum. “I want you both to have the bed. The couch will be fine with me.”

They tried to argue and insist that he could also take the bed with them, but Chōsō insisted that he already took a liking to the couch anyways. Since the younger siblings knew there was no way to change Chōsō’s mind, they give up, settling down onto the bed.

“What do you think of all of this?” Esō eventually asks.

“All I care about is my family,” Chōsō answers without hesitation. “We live for each other, and as your older brother I’ll do my best to keep you both happy and safe.”

‘I will set a good example for them like I’m meant to. Even if I stumble along the way..’

“And we’ll keep you safe and happy!” Kechizu declares with Esō nodding with his arms crossed.

“That won’t be necessary but I appreciate it,” he says softly, lips curling up slightly. “Your happiness makes me happy.”

Suddenly there’s a knock at the door before it opens, revealing Getō with books and a bag of medicine in hand like he promised. “Here you all go,” he says, handing them off to Chōsō.

Chōsō stares at the book that was on top: “Alpha Biology 101 For Dummies.”

“Whenever you three are ready the rest of us will be out here,” he says before gliding away once more.

As Chōsō learns to grasp what life is now for him and his brothers, he soon learns the meaning of what are alphas, betas, and omegas.

Kechizu is a beta. People with this dynamic don’t have to take suppressants like alphas and omega have to to regulate sexual urges. Their scent is not as overpowering, and… Well… In simple terms they’re basic.

Not his words.

Now onto omegas. Omegas were highly sought after, spoken of like they’re prized treasures. They have heats that occur and are said to be “submissive” and the “caregivers” of society. Lot of the texts in the books he was given speak of omegas being frail and are made to be infantilized. It was weird, and it made him feel dread in the pit of his gut as he thought of either of his brothers being treated that way.

Chōsō was conflicted about what was being told to him from the books, and his own analysis from being around his brothers, Mahito, and omegas outside the hideout.

Mahito and Esō were not submissive. While Esō is sensitive that does not mean that he’s submissive. He’s clever and likes to dominate the room and anyone that tries to walk over him. Just as long as no one speaks or gazes upon the face on his back he’s fine.

Mahito… He’s playful, sadistic, and dominates the room, especially those he considers inferior. He’s anything but fragile and doesn’t need protection. The world is his playground and he doesn’t care who gets hurt or what gets broken by him.

Chōsō knows there’s not a caring bone in his body.

If anything.. Kechizu, despite being a beta, had what the textbook would describe as “omegan behavior”…

Even while he people watched he could see that what was said in the textbook was so… Wrong. Outdated.

It all just seems to be one big insult to omegas while only slightly uplifting them.

But Chōsō takes the basics so that he’s got a foot to stand on when taking care of Esō's and his omegan needs. And of course he made mistakes along the way, and at first he’s hard on himself when it comes to forgiveness.

Esō likes to nest with minimalistic things, even though he’s somewhat forced too since the brothers don’t have much to begin with. Esō also isn’t a perfectionist when it comes to his nest. He just wants one or two items that belong to his brothers and somewhere comfortable. He’s not big on constant need of physical touch, something he snapped at Chōsō for when he tried to coddle him a little too much. He does however like to wear bracelets that have Chōsō and Kechizu’s scent on them. It’s something he never likes to take off unless they need to be rescented. Those bracelets keep him happy just as much as being in his brother’s presence.

But finally onto alphas…

Alphas seemingly have too much power. They’re viewed as dominant, aggressive, and almost as gods, and the superior beings of the world. Like omegas they have heats, but they’re called ruts.

But once again, Chōsō goes off what he sees amongst Getō, Jōgo, himself, and people outside.

Chōsō has yet to really lose his senses, unless it comes to his family. But he’s not possessive of anything, outwardly aggressive, and he doesn’t even look like a typical alpha, something Jōgo mumbled about once with Mahito also agreeing halfheartedly.

Chōsō also doesn’t bother to assert himself when it comes to Jōgo or Getō.

Jōgo every now and then tries it, but Getō asserts himself elegantly without doing much effort, and he mocks Jōgo when he fails.

There’s also a big aspect on sexual urges and he himself hasn’t crossed that path and neither has his brothers.

Even when he accidentally walked in on Mahito cackling about the porn he was watching- although the obscene noises startled him- it overall did nothing to him.

Briefly he does wonder if something is wrong with him, but in the end he doesn’t care enough. He appreciates that he doesn’t have to deal with it because it’ll just get in his way.

Chōsō believes he has a decent understanding of all the dynamics, but he has no interest in telling anyone how they should behave. It’s not his place and he sees no point in it.

People watching has helped, but soon it starts to take a toll on him. Looking at the humans… He has no hatred towards them, but looking at them constantly reminds him how his other siblings will not be welcomed. Only he can walk around without much problem, and that sucks.

So eventually he stops going out so much, keeping himself at the hideout and leaving only when necessary.

He just hopes that following Getō’s plans doesn't come to bite him in the ass later…

But unfortunately the universe isn’t so kind to him. While playing a silly little board game with the other residents, Chōsō feels like his heart was being gripped so tight while simultaneously being slowly torn apart and beating rapidly, his mind flashing with images. He ignores Mahito’s whining and barely even moved to respond to Getō when he asked if he was okay.

“Both… Both of my brothers just died,” he says, his voice heavy. His scent is sour and oozing from him, causing Mahito to complain more before he’s distracted by something Getō says.

Chōsō breaks through the static when he feels Getō’s hand on his shoulder, gazing at him with a slight look of sympathy. The game board was already cleared up and everyone else was gone, leaving them alone.

“Let’s go retrieve their bodies,” Getō orders lightly.

Chōsō blinks at him, a little stunned he’s willing to even do that for him. He just nods, his throat thick with saliva. Or maybe it’s bile.

As they walk together Getō never once walks ahead, just remains at Chōsō’s side. His scent wraps around him as if to comfort him, and he still doesn’t know what to make of it, but it does keep him grounded and… It feels nice.

But surely he’s not trying to act like a father to him. Getō’s not soft either.

Chōsō pushes it aside for now the moment he sees his dead brothers laid up next to one another. That’s when the tears suddenly came.

Tears continuously drip down his pale cheeks, never ceasing even as he tries to swipe them away. He falls to his knees and hugs their bloodied bodies into him, sobbing and begging for their forgiveness for not being there and saving them.

He felt their fear and it was sickening. He felt everything up until they took their last breaths.

Chōsō whimpers that he’ll avenge them. He’ll slaughter Yūji Itadori and Nobara Kugisaki for what they’ve done.

Getō watches with a soft expression, his lips quirked just slightly with wicked twinkle in his eyes. He reaches over to lightly ruffle Chōsō’s head, comforting him and letting him grieve.

After properly burying his brothers, Chōsō started caring less and less about the plain, the only thing truly fueling him being revenge.

So during the fight with Gojō Satoru in the Shibuya subway he hardly put much effort into it, letting Jōgo and Hanami take the lead and do the heavy lifting.

From Getō, Chōsō has been made aware just how strong he is, and Chōsō has no wish to die by his hands. His quarrel is not with him and he doesn’t want Gojō to be in his way.

Especially not when he’s so close to his brothers’ killers.

Just when Chōsō can find himself falling asleep due to sheer boredom and from his legitimate lack of sleep, a sudden scent wafts in the air and punches him straight in the lungs, his pupils slowly widening. There’s a sudden electricity running through his veins and he’s become alert, head swiveling around.

It’s a scent so alluring and it floats around the subway, slowly becoming stronger, and standing out amongst the gore and sour rot. It comes closer until his head is snapped to the side, a foot quite literally snapping him out of it.

Chōsō grunts as he crashes to the ground, and when he looks at his attacker he’s once again stupefied.

“This right here is Gojō Satoru’s sibling. A special grade just like him. Do be careful if you happen to cross paths,” Getō warns before slipping the photo back into his pocket.

Chōsō only grunts, his disinterested eyes moving off to the side.

The air around them is almost electric and soon enough the light overhead bursts, but neither flinch.

Chōsō assumes it’s the youngest Gojō’s technique, but he’s not certain, nor does he dwell on it for long, his brain becoming inebriated from the scent.

Neither move and the once fierce expression on the other’s face slowly morphs into one of trepidation, scent souring and causing him such great discomfort that he lets out a timorous whine he couldn’t withhold.

Chōsō’s skin suddenly becomes hot, tingling all throughout his limbs, and something stirs to life deep within himself.

Those pretty eyes still have him locked in place before they’re gone within a blink of an eye.

“Satoru!”

The ever thinning bit of control he has is snapping thread by thread, and he’s down to the last few strings.

“Y/N, for once just listen to me and get the hell out of here! Go warn the others, I’ll be fine!”

Dark purple eyes watch as Gojō Y/N struggles for a moment before unwillingly turning tail to leave the scene, effortlessly blasting away any trouble that stood in the way. Chōsō was surprised that Getō even allowed it to happen.

But that’s beside the point. The moment the younger Gojō disappeared, Chōsō felt like everything was going to collapse around him, his mind struggling to stay coherent and rational, his scent unknowingly stinking up the room.

Find Gojō Y/N and cage the sorcerer in his arms.

‘Follow the scent, take Gojō Y/N, keep safe. Don’t let Y/N die like I let my brothers die.’

Despite wanting to give chase, the small, single strand of sanity left in him told him not to do such a thing. He’d be what he’d criticized other Alphas for. He may be half curse but he’s no insatiable animal.

“Woah,” he heard Mahito remark. “Looks like we’ve got a problem. Chōsō seems to have finally hit his rut! Talk about bad timing!”

‘Rut? This is what a rut feels like..?’

“Is that so?” Getō croons, with a wicked look of delight. He studies Chōsō’s panting figure before taking a peek back at a shaken Satoru.

“Pfft, it was all because of Gojō Y/N! That’s hilarious! Are you a masochist, Chōsō since you’re getting all excited from a kick to the face? Priceless!” Mahito giggles.

Chōsō can see Satoru begin to struggle even more despite it being futile, he’s bound up so tight and soon going to be swallowed into the prison realm. He’s snarling furiously and his feet even manage to crack a few tiles underneath him, but Chōsō can tell from his panting there’s a bit of panic.

For a moment Chōsō can get him. His family is possibly in danger and he can do nothing but struggle.

He’s mildly offended though since the last thing he wants to do is hurt the ones he’s drawn to. But he understands so he doesn’t take it to heart.

Chōsō’s attention soon goes back to Getō who throws his head back, laughter spilling his lips. “Oh, this is unexpected!”

The laughter only pisses Satoru off and excites Mahito. And meanwhile Chōsō is left with anticipation along with the others.

After his fit of laughter Getō hums with amusement and turns to look at Chōsō, smiling oh so sweetly with an evil twinkle in his eyes. “Well, go on then, Chōsō.”

Chōsō blinks, hearing his own ragged breathing and the permission granted from Getō.

“Go on and hunt Y/N down if you wish. It’s a shame I couldn’t capture them both, but this can work just as well if you capture—.”

“Don’t you fucking dare!” Satoru practically howls, nearly foaming at the mouth.

But Getō ignores him, still staring daggers into Chōsō’s eyes. “Go, Chōsō. Take what’s yours.”

Chōsō feels disgust bubbling in his gut at his words, feeling that the ravenette meant something more sinister when he told him that. But he takes this chance and runs, wanting to find the person that triggered his rut and hope the ache goes away. He also hopes he can keep himself together.

You sprint like you never have before, the wind smacking your face and your lungs beginning to burn. Your heartbeat is like thunderous drums and the air doesn’t seem breathable to you.

That scent.

The scent of elderberries, a pinch of spice, and a touch of blood…

It’s imprinted in your mind no matter how much you try to forget it.

There’s just no way that he’s your fated one.

The universe truly likes to play wicked games…

What’s worse is that it seems like your meeting has brought upon his rut. You just hope to god that your cycle won’t come about from this.

You always take your medication, never missing a beat, but when alphas and omegas typically meet their fated pair or pairs it sometimes doesn’t matter, a cycle may or may not occur.

The best case for you obviously is that if you do hit your cycle, it comes after the battle. If you’re still alive anyways..

So you keep your fingers crossed and push it aside, trying to find the nearest group around.

And thankfully it’s Nanami’s you run into.

Just as you’re about to break the news you’re swiftly cut off by Yūji bellowing out that your brother has been sealed from atop a building.

It makes your chest ache at the news.

“Yeah… S’what I wanted to say,” you pant.

“There’s still hope since we have you here,” Nanami soothes while striding up to you, keeping calm and collected as he typically did.

“There’s just one more problem..”

“And that is?”

“I… I ran into an alpha who’s in a rut,” you explain, leaving out the crucial detail so as to not embarrass yourself. “And he may or may not be coming after me. I didn’t stop to check because Satoru really wanted me out of there,” you continue before gasping, a familiar face appearing in your mind.

“Oh shit! Kento, I just remembered! Suguru— no .. Someone wearing his face is the one behind this.”

Nanami’s eyes widen just a tad and a heavy sigh leaves him. Ino and Megumi both also become alarmed in various degrees.

“That truly is a problem for us all… Here.” The blond alpha rubs his wrist glands against the ones at your neck, dousing you in his comforting scent and slowly muting out yours.

Megumi even comes over and rubs his and your wrists together, not saying a word and not meeting your appreciative stare.

Meanwhile, Yūji is still yodeling.

“Thanks, Gumi. Go ahead and get Yuji,” you tell him softly, ruffling the young alpha’s spiky hair.

The teenager only nods before heading off to get to his friend.

Ino comes over and slings an arm around you for support and to subtly put his own scent on you while Nanami’s nose twitches a few times.

“Your scent should be muted enough, and I’m sure blood and sweat will cover it even more so you should be okay.”

“Thanks, you guys didn’t have to,” you murmur with a weak smile, anxiety still nipping at your heels.

“What did he look like,” asks the blond as you three head up to meet Yuji.

“Dude looks like he’s on death’s doorstep. Like sickly pale looking, dark bags under his eyes, cute spiky space buns, and he’s wearing mostly white and got a purple vest.”

He hums. “Noted. Try to stay with someone if you can.”

You nod. Simple enough but not completely possible.

And as expected you were practically everywhere in Shibuya as the battle ensued, curses swarming the city and people that’s still within the veil being in danger.

You do your best to keep everyone safe, especially the kids, but when the ground underneath you suddenly gets sliced along with a street sign, you throw yourself down the subway where Yūji went not too long ago, slaughtering curses that stood in your way

The underground transit is in complete disarray. Broken glass, walls dented and crumblings, electrical wiring exposed and popping, and blood splattered almost everywhere like it was some art project and the blood is red paint.

Suddenly a wall that connected from the bathroom crumbles away slightly, revealing a bit of pink hair peeking from the other side.

Your feet are already moving, Yūji’s name nearly falling from your lips as dread grips you tight and unforgivingly.

And there’s that smell again, only this time it’s ten times stronger…

Right as you get inside you see the man from before standing over Yūji’s body seemingly about to deliver the killing blow.

Fated person or not, no one was going to hurt the people you care about.

So with your technique you manipulate the water spurting out from the pipes and use it to lock onto the man’s throat, and with an aggravated cry you swing him around and throw him through the wall he made Yuji hit, feeling an immense amount of satisfaction from the pained cry he made.

With him being spat out on the other side seemingly laid out for now and away from Yūji, you rush to cradle the young omega’s bloodied body, fretting over him and trying to figure out how to deal with his shoulder.

You don’t have much to help him and you snap at Sukana to do something, but the bastard for once doesn’t have anything smart to say, the boy still unconscious and bleeding. You pick him up and rush out of the bathroom when a voice stops you in your tracks.

“W-Wait… Please don’t… Don’t go…”

A mixture of anger, stress, and touch of guilt form a cocktail in your gut at his wheezing, panic filled voice.

You hear him dragging his body desperately amongst the rubble to try and get to you.

“You must got a few loose screws in that head of yours,” you spit, turning to look at him.

“N-No, please I—! I had no idea he’s my brother!” he coughs, his pale lips stained with blood.

Your stiffen, your grip on the wounded boy tightening slightly. Either he’s really lost it , or… No, he’s definitely lost it.

“Please I—.”

“ I can’t help you ,” you force out. “Especially when you’re currently the enemy .” And with that, you force your feet to move, leaving him behind.

And Chōsō only watches you with a helpless expression, tears stinging his eyes and a pained noise leaving him as he gives up…

[kinardsevan]

BuckTommy/911 fic masterlist

as promised, here is your master list for everything I've written so far (and will continue to update as it changes):

(Divide added because this is getting kinda long now)

UPDATE: UNDER CONSTRUCTION - (this list is getting fairly long, so it may grow in to separate pages as I work on it in the coming days/weeks)

The Song Lyric Series:

Just as the title suggests, these have mostly been lyrically driven. The intention is for them to remain looser than a story, but so far it's been the same plot. (subject to change)

what if there's a little boy that needs a safe place :

Chapters: 1 Rating: M Warnings: n/a

“I’m sorry Evan,” Tommy stated genuinely as he watched Evan drop his towel and then redress. “I honestly don’t know what to say.” Evan huffed, unable to hold all the feelings in any longer. Everything felt so tight—his chest, his throat, his stomach. He couldn’t keep it all buried inside against Tommy’s lack of an answer. OR. The one in which Evan is not okay with a drunk rando flirting with his very beasty, very sexy boyfriend and it leads to professions of love.

they all led me to him (he's one of the good ones:

“I might’ve mentioned fucking you properly earlier this evening,” Tommy says, and even in the midst of wanting the older man to tear his body apart, Evan knows that this moment is as serious for Tommy as it was for Evan earlier. “Yeah,” Buck rasps, unable to stop himself from grinding his hips against Tommy. “Please do so.” “I’m not going to,” Tommy replies softly. OR. Tommy wants Evan to understand just how in love with him he is. Chapters: 1 Rating: E Warnings: n/a

i'll be here (and you can lay by my side) :

Chapters: 2/? Rating: E Warnings: graphic depictions of violence

When Tommy has to look back on this weekend in the years that come to pass, he won’t have the words to express how things went from so right, to so wrong. He’ll struggle to even find a way to comprehend the trauma inflicted by having his soul shredded right in front of his face and absolutely unable to prevent it. And at its worst, he won’t even have words to explain it all. OR. part 3.

Multi-Chapter Stories

your arson's match, my somber smile (the love of my life): Chapters: 4/? Rating: n/a (subject to change) Warnings: graphic depictions of violence

In that moment, the nanosecond in which he had crystal clarity, only one thing mattered to him. As his feet finally slipped out from under him, just before the warped metal came swinging down at another angle, he looked Bobby in the eyes. “Tell Tommy I love him.” And then the world was black.

guilty as sin (i choose you and me, religiously): Chapters: 1/2 Rating: T Warnings: n/a

Buck and Tommy's first kiss, as told through Tommy's POV.

Never Til Now (Rolling Up The Welcome Mat) Chapters: 5/? Rating: M (for themes) Warnings: n/a

"Maybe there’s something about tangibility, about holding the real thing versus just the idea of it, but it cracks something open in him that hasn’t existed in a long time. Because all of a sudden, he can’t imagine not having this. Not getting to see Evan like this, every day. And it’s barely been thirty seconds." - In March 2025, with plans to propose, Tommy realizes Evan wants kids. the problem is, Tommy doesn't. In November of the same year, in a happenstance exchange, he meets their baby girl. (OR, we take a trip through a dual timeline in which the idea and reality of having kids drives Evan and Tommy apart, and then brings them back together.)

The Devil Doesn't Bargain Chapters: 12/? Rating: E Warnings: Rape/Non-con, Self-harm, Suicidality (discussed and attempted), PTSD, Anxiety, ALL THE TRIGGER WARNINGS

Tommy Kinard lived a whole life before he walked into Evan Buckley's life, and it's not one that he's offered up much of so far. Until Evan starts asking questions. Trigger warnings for sexual assault, abuse, and so forth.

you're the only one (who ever gave a damn) Chapters 2/2 Rating: M (for themes and mild sexual content) Warnings: Rape/Non-con

“I um… I don’t know,” he admits softly. “C’mon, Tommy,” Eddie replies. “No, not like that,” Tommy says, looking back up at Eddie. “Not like I don’t have a real excuse. I don’t know like…like I really don’t know, Eddie. I was drunk. I remember being at the bar with you and the other guys, and joking about you and Evan sparring the next time we were going to train, and then…” He pauses, shakes his head. “Nothing. I woke up in a house I didn’t recognize.” Eddie stares at him, coffee cup in hand and mouth slack, and Tommy waits for the judgment to come. He’s fully prepared for Eddie to tell him what a dick he his for going home with some other guy and having drunken sex. But Eddie doesn’t speak. Eventually, he’s quiet so long that it makes Tommy uncomfortable. “Look, I know you’re over there judging me-..” Eddie blinks a few times, shaking out of his reverie as he lowers his coffee mug to the counter. “Tommy, man, that’s not cheating,” he states matter-of-factly.

a set of empty bones chapters: 9/? rating: E warnings: rape/non-con, graphic depictions of violence

“You’re not even paying attention right now,” he growls. “Look, Eddie,” Evan tries, lifting his hands up in surrender. Eddie’s eyes trail from his eyes down to his lips, his chest, and then back up at him, and Evan doesn’t like the way it feels. Something about the entire moment feels uncomfortable to him. Eddie sets the bowl on the counter and puts his hands on Evan’s ribs, pushing him back towards the fridge. “Eddie, man, what’re you doing,” Evan stammers nervously. BTHB: "you can scream all you want", lacerations, betrayal

Minis:

the rhythm of your heartbeat: Evan has night-terrors. Tommy has to contend with them.

you are the reason: post 709 buck/bobby conversation in which Buck makes it to Tommy's.

Connecting: 709 deleted scene. Evan is getting dressed before the medal ceremony, and Tommy's pretty sure he's going to make them late.

oceans deep, rivers wide: Evan has a realization after a work incident. Tommy concurs. burn it to the ground: Tommy knew the first time he kissed Evan Buckley he was burning his whole life to the ground.

for a thousand years (and a thousand more): In which Tommy tells Evan what it was like falling in love with him. 30 Day Fluff Challenge: Concept list found here

Prompt Minis: here

Others/Oneshots:

something stronger than me (i can hardly stand up, i can hardly breathe): Chapters: 1/1 Rating: E (for language) Warnings: graphic depictions of violence, TW: Self-harm, TW: Suicidal ideation

It had been years since he’d been down this low. At least, that’s how he’d been presenting it to others. But in the darkness of his apartment, where his boyfriend couldn’t see his legs because their schedules were conveniently not aligning ever since Gerrard’s arrival…his thighs were coated in fresh wounds.

The Saboteur: Chapters: 1/1 Rating: M (for language) Warnings: TW: homophobic language, TW: harrassment

Five times Tommy Kinard is faced with having to file a complaint against Vincent Gerrard, following his reinstatement at the 118.

take me to the other side Chapters: 1/1 Rating: E (for themes) Warnings: n/a

“So what’s on your mind,” Tommy asks him. “Are you imagining a specific scene? Or a particular want you’re thinking about?” “Not a scene, necessarily,” Evan says, twiddling his thumbs. He’s struggling to piece together the words in the right way to convey what he’s actually wanting. “Okay,” Tommy says, accepting his answer. When Evan doesn’t speak again right away, Tommy prompts him. “I want…?” Evan gulps. “I want…I-i want you to t-t-tie me up."

you're the only one (in the dark, i see) Chapters: 1/1 Ratings: T (for language) Warnings: n/a

He closes the door behind Tommy, his hand still resting on the handle for a beat as he stares at Tommy’s back. He wants answers, and if this is his last chance to get them, then God damn it, Evan’s going to get them. - Tommy breaks up with Evan after Gerrard's return to the 118. Evan is not okay with this decision.

BuckTommy Week 2024

Day 1, Date Night: Rating: General

clay wheels and no ghosting: Tommy and Evan attempt ceramics and talk about things.

Day 2, Emergency: Rating: M (suggestive language)

Under the Weather: Evan and Tommy fall ill

Day 3, Bad Weather Days Rating: M (Graphic Depictions of Violence) Chapters: 2/2 its hurting (but it ain't dead) : Tommy is pissed. No one called him to ask him if he was cool with this idea, and it really doesn’t matter to him in the moment that they didn’t actually have to. It was Evan. They had allowed his boyfriend to put himself in the line of fire without bothering to even ask if that was something he was alright with. He wasn’t even forewarned; just showed up to a scene where they’d been asked to send extra support in plain clothes. But if he’d known…oh, if he’d known…

[charseraph]

The River Jordan and Sweetpea are electric engines on the first railway on Mars.

River Jordan was the first one built, being the product of a collaboration between the nations who established the colony.

Sweetpea was donated by a coronal aerospace guild and assembled onsite. Her parts were imported and her blueprints were crownmade, so her visage is coronal.

Visage and the nature of living transport

Engines take the image of their creators. Their faces are not organic, and are more like a vessel for helpful senses and communication tools.

They come alive soon after they are built, once out of eyeshot for any moment. Attempts to stare at a new engine to see it stir are foiled somehow (blinks, saccades, CCTV malfunction, momentary lapse in attention). Not all engines come alive, as their animacy is often (but not always) decided by the intent of the builder.

Living engines can assess their circumstances and make judgements based on them. They are useful in volatile situations as an expert second opinion on conduct and design, and are capable of sensing external and internal problems quickly.

In calmer periods, they may not get adequate stimulation, and their personalities may interfere with their efficiency. For this reason, railways have their preferences when they build and purchase engines.

The facial material ends at the surface of the machine and is inscrutable in composition—the material appears to be made of itself, and is unusable for any other purpose besides as an engine’s interface with the world. If damaged, the material heals. If removed, it disappears. The conceptual self-referentiality of engines’ faces, souls, and senses deter scrutiny.

Living machines exist as a fact of the universe. Their animacy is cloaked in an analysis-averting antimeme.

Human Engines

Engines designed and built by humans possess dual-pinhole pupils that dilate into an elliptical shape, granting them a broad field of view and tolerance of rapid changes in light levels (such as in going in and out of tunnels). Deep set zygomata allow them to look directly to their sides, and with the dual-pinhole setup, they maintain some depth perception in monocular sight. Their pupil shapes are hidden by their black irises, which absorb glare. They can see clearly to their front and sides, but can’t see up or down very well. A tapetum lucidum retroreflects incoming light back through their retinas, granting them vision in darkness. The nictitating membranes and long eyelashes protect the eyes from dust.

The chemicals engines are capable of detecting are relevant to their purpose, e.g. distinguishing coal, gasoline, diesel, and wood fires from their smoke but not being able to distinguish or detect food smells. Similar to how cats, obligate carnivores, have lost their ability to taste sugar due to its absence in their diet, but can taste ATP for its presence in meat—engines can parse environmental and industrial scents, but will have wildly varied responses to food and fragrant compounds, often being unable to notice them.

To investigate an aroma, they slightly lower their bottom lip to take air into their vomeronasal organ located behind the upper incisors.

Engines do not require oxygen, but if debris enters the nasal passage, human engines will sneeze to:

Ensure their voice resonates properly,

Keep their olfactory facilities clean, and

Indicate to engineers that particle buildup may have occurred in other places, such as the boiler tubes for steam engines.

Crown Engines

Just as the tongue is the only colored object on a human engine’s face for distinguishability, so are the teeth on coronal engines. The positions of the upper and lower jaw indicate tone, functioning in communication similarly to eyebrows.

Coronal engine eyes consist of an armored cornea surrounded by a cuticle and muscular eyelid. The cornea moves with the help of the embedded eyestalk supporting it. The cuticle is lubricated with an oil-based film and is less susceptible to irritation than the aqueous solution on human engine eyes. The undersides of the eyelids and surface of the cornea are covered in setae, preventing chafing and reducing airflow on the cornea. The hairs catch debris and are combed out by the lids with a puckering motion.

To make up for unenhanced vision by human engine standards, coronal engine hearing is advanced, allowing the listener to pinpoint sound sources through triangulation of the four inner ears. Coronal engines, too, channel sound through their incisors and into their internal ears via the acoustic windows at the hinge of each jaw.

Coronal engines achieve their sense of industrial smell through the gustatory papillae that line their choana and pharynx. They supplement their olfaction by introducing cool air behind the heat pits inside their nares.

Coronal engines’ thermoception is more efficient than living crowns, as coronal engines’ faces do not produce heat nearly proportional to their mass.

Conversely, the tines heat up significantly hotter than the crown average for unambiguity in temperature tones. The origin of the tine thermal energy appears to be redirected from excess produced by the machinery, or from the face’s temperature directly.

Extramodal senses

Engines are capable of listening from within their cabs with greater acuity than mere conduction of sound through the body would suggest. Other unsubstantiated sensory abilities include:

Discernment of water/fuel quality within the framework of taste though intake alone

Somatosensory awareness in the entire body, not just the face

[occasionalsnippets]

Do you have any new fic recs?

Uhh no notes for this time because i'm busy but fic rec part 2 :)

again mix of stuff, gen, romance, x reader, etc etc. some of the crossovers are in random sections b/c i can't be bothered to have a whole separate thing for each crossover

check back in like 2 years maybe for another list

Mashle

Mashig! [Quotev]

Easton’s Prefect Trio and a Round of Old Maid [AO3]

KNY

Determination [Quotev]

Candid [Quotev]

beware the dust devil. [AO3]

The life and times of Kibutsuji Muzan, Bored Immortal Guy [AO3]

the awakening of the demon king [AO3]

BNHA

An Unexpected Training Trip [AO3] [Naruto crossover]

The Future's Keeper [Quotev]

Record of Ragnorak

Ganymede [Quotev]

Obey Me

The Idiot [Quotev]

One Piece

World-Seeing Eyes [Quotev]

Black Butler

my soul, you know it aches for you [Quotev]

DC

Hush, little baby, don't say a word [AO3]

The Art of Mortal Quests [AO3] [Percy Jackson Crossover]

what goes around [AO3]

Ain't No Compass, Ain't No Map [AO3]

DP x DC

Unable to Forward [AO3]

The Peacock Chronicles [AO3]

Putting the Joy in Joyride [AO3]

Dead Man Walking [AO3]

If You Give a Bat a Burger [AO3]

Danny the Intern [AO3]

Wait, I'm a what? [AO3

Ghost in the Morgue [AO3]

Bus to Nowhere [AO3]

DC x Marvel

Untangling the Web [AO3]

Help Me, I Don't Feel Like Myself Anymore [AO3]

Spider and Bat Friends [AO3]

Dark Matter [AO3]

Undertale

Ghost Hunting With Skeletons [AO3]

Help, I've Fallen Into a Surveillance State and I Can't Get Up! [AO3]

Turn The Page [AO3]

with you here between [AO3]

bon courage [AO3]

JJBA

passione speedrun any percent (world record) [AO3]

Naruto

Healthy Coping Mechanisms [AO3]

Last Resort [AO3] [DC crossover]

complete disarray [AO3]

Morpheme [AO3]

JJK

limited vision [AO3]

obito and jjk is occupying my brain and in this essay i will [AO3] [Naruto crossover]

TWST

Team Building Exercises [AO3]

You Will Understand Now That Yours Is Unique in All the World [AO3]

Isekai as the Side Character Destined for Intoxication [AO3]

the seven habits of highly unfortunate souls: a transmigrator’s guide to the coral sea [AO3]

Debut or Die

I must debut (or die) [AO3]

RESET [AO3]

Vacation [AO3]

Date or Die! [AO3]

Shokugeki no Soma

and only the bitterness remains. [AO3]

SVSSS

The Cultivating Force [AO3] [Star Wars crossover]

Misinformation [AO3]

Master of Dual Cultivation [AO3]

Scum Villain's White Lotus Halo [AO3]

how to avoid love for dummies [AO3]

ORV

bet i made you look [AO3]

The Reborn Villainess Can't Possibly Be This Cute! [AO3]

One Kim Dokja to Rule them All [AO3]

you got me starstruck [AO3]

“You are loved,” said Yoo Jonghyuk. “This is a threat,” said Yoo Jonghyuk. [AO3]

TCF

black dragons and white crowns [AO3]

THE GOD'S SYSTEM [AO3]

What Lies ahead [AO3]

Amaranthine [AO3]

Treasure of the (Vampire) Duke's Family?! [AO3]

The Distress of the Middleman [AO3]

everybody talks [AO3]

0% Love [AO3]

Genshin Impact

𝑐ℎ𝑎𝑙𝑘 𝑎𝑛𝑑 𝑔𝑜𝑙𝑑 [AO3]

Bleach

living, not breathing [AO3]

The Fourth Seat [AO3]

Indelible Stains [AO3]

半个花瓣 || Petal Fragment [AO3]

Nothing but the Truth [AO3]

Chilled Peaches [AO3]

Not exactly pushing daisies [AO3]

Bait and Switch [AO3]

The Unfought [AO3]

Sight [AO3]

Swinging Pendulum [AO3]

KnB

Ball Is Life, But You Still Need To Pay Rent [AO3]

Tokyo Revengers

all for one [AO3]

if trouble must come (let it come) [AO3]

Marbled Elbows [AO3]

Original

Chain Me Up, Darling [Quotev]

Anomalous [Quotev]

[approximateknowledge]

Oh yeah I'd love to hear what you have to say about Kirito and Kuroyukihime

*cracks knuckles*

ok so kuroyukihime's *backstory* has been a hotly debated mess since day one, right? and for a long time people assumed she was kirito and asuna's daughter

except this became less and less likely as the story went on, and then *volume 23* came out

which is where we learn this:

*OH*

she's artificial

she's an experiment

and crucially her mind is in fact, an artificial soul that got overwritten onto the brain of the artificially grown baby (who for some reason got the same birth(?)day as asuna, which also seems to be relevant)

ok so we have a character who's kinda similar to kirito personality-wise, and whose combat avatar is like the platonic ideal of a dual-wielder. she *is* the blades when she's fighting, and the moves she uses literally have the same names as the sao techniques used by kirito (including some exclusive dual-wielding ones). note that the sao incident is mostly classified and also happened over 2 decades ago at this point

now let's go even further back: the alicization arc;

-it *starts* with kirito's second childhood in rulid, in the underworld. the entire premise hinges on the fact that *souls can in fact be reverted back in age and memories can be sealed away*

-it *ends* with kirito erasing all their memories from the 200 accelerated years they were stuck in the underworld, except no, *the star king fluctlight copy of their soul still exists*; and it still exists up to the latest volume of sao but nobody knows where it went

so let's add all of that up shall we!

we have here a character who had her brain overwritten by an artificial fluctlight of unknown origin at birth, with the caveat that fluctlights can be age-reverted and memory-sealed (basic necessity otherwise the alicization arc couldn't have happened, the tech is canonically not only present but over a decade old at kuroyukihime's birth), all the while a certain fluctlight copy of kirito is missing, and it's just the specific one who happens to have 2 subjective centuries of experience with both acceleration and incarnation

also add to this that the name "kuroyuki"(<hime is a title) and the name "kirito" have the *exact* same relation to the respective character's legal names

kuroba sayuki vs kirigaya kazuto; literally just the first kanji of the family name and the last kanji of the given name, they both thought of this independently

so yeah, kuroyukihime is a fluctlight copy of star king and im not kidding

(her avatar is called black lotus btw. you know, really hammering in the reincarnation theme)

^that's a kirito-isotope

it all adds up

this is a genuine theory, im not doing a bit

[anxiety-elemental-kay]

Vash's Dual Powers in Trigun Stampede

Or: Christ on a cracker episode eleven really was that fucked up holy shit

Here’s that essay about Stampede Vash’s powers I mentioned a while back. This is another where I yell about Trigun and gender and worry I’m spouting shit that was obvious to everyone, but you’re getting the essay anyway.

Content warnings include discussion of sexual assault, pregnancy, and forced pregnancy. I’ll be talking about episode eleven a lot so. Yeah.

The first time we see Vash manifest his powers is the same time Knives and Conrad do: when he creates a black hole in his arm. We see it absorb the corpses of the people Knives just killed, and we can see from Vash’s panicked expression he has no control over it. Knives then cuts his arm off because his brother just manifested an entire black hole like right there.

(It’s worth noting that the music track for this scene is called ‘Drain Gate’, and another track using Vash’s theme is called ‘Plant of Drain’. In the episode twelve stinger the Pieces of Earth fleet reference using something called a ‘drain gate’, which might be related to FTL travel. I have no conclusions for this point, just that this powers seem to have greater implications than just ‘black hole’ in Stampede.)

So far this is stuff the manga has more or less covered before. Vash’s power specifically was creating black holes. In TriMax we see July and its citizens consumed by a black hole. For Stampede though, Orange gave Vash a secondary power: fertility.

And I do mean fertility and not virility; the capacity to become pregnant versus the capacity to impregnate someone else. At the start of episode eleven, Knives penetrating Vash is pretty obviously phallic. His knives are the literal mechanism by which he seizes control of and violates Vash’s mind and body. On the other hand, when Vash sprouts roots which connect to the other plants in the tank, it doesn’t read as phallic to me.

They look like umbilical cords.

Each root connects to the plants’ stomachs, and aside from a brief red flash this doesn’t appear to cause them any pain or distress, contrary to Vash flailing away from his brother’s blades. We see energy move down the roots from Vash to the plants, and when they unfurl to reveal their pregnancies the roots remain connected at their navels. They look surprised and afraid. Those pregnancies are, almost literally, also his.

For all of Conrad’s technobabble about the plant core and souls and whatever, Vash’s powers seem to boil down to this: he can send things to the higher plane by creating a black hole, and he can take from the plane by manifesting with his, or others’, bodies.

I think this interpretation is reinforced by a series of three shots after Knives says “Happy birthday Vash". The pussy portal opens behind Vash (with a goopy sound effect), we cut to outside the tower to see the purple flowers blooming on the roots, and cut again to inside the tank where the plants unfurl to reveal they’ve become massively pregnant. Portal, flower, pregnancy. It’s all about biological reproduction.

And then Knives goes into the pussy portal and finds an inter dimensional ovum, which he then also penetrates with his blades, explicitly to impregnate all the other plants.

Like.

Studio Orange looked at the Fifth Moon chapter in the original Trigun manga and said “You are like little baby. Watch this.” and then made an episode which made me spend the rest of the day somewhere dark and quiet when I first watched it because holy shit.

(It shouldn’t go unsaid Vash and Knives are canonically trans in Stampede, it’s in the text even if it’s not what Orange was thinking of! Vash is surrounded by yonic imagery and Knives has no dong I don’t know what else to tell you.) (edit: okay so maybe not CANON canon but i'd still argue it's an easy interpretation to make)

There’s always been a dichotomy at the heart of Vash as a character: a desire for peace versus the necessity of violence. A living weapon trying to live and love among humans who constantly reject him. Avoiding hurting others while physically capable of great and terrible destruction.

When Vash regains control he transforms the growths he was forced to make into a MacGuffin that’s easy for the twins to fight over. He transforms what he was forced to create into a bomb, because there didn’t seem to be any other way for him to neutralize the mass. (I assume this because Vash seemed to have immediate and almost perfect control of his powers in episode twelve, and it would be strange for ‘make a bomb’ to be his first choice for dealing with the roots.) Vash has been forced to create something that poses a danger to himself and everyone around him.

Vash was a weapon, even in creating life, from the roots growing to choke all of JuLai, to the pregnant plants, to the nuke cube obliterating the largest human city on the planet.

Forced creation is no different from destruction. Reproduction is not beautiful or honorable when unwilling.

(This is my essay so I’ll allow myself another aside: episode eleven is a good demonstration of why I tend to prefer genre above more realistic stories. Here, like in the manga, we see a metaphorical rape scene stripped of anything that could be (intentionally) titillating, leaving only the victim’s fear and pain. I feel like only in this kind of metaphor can sex be stripped away from assault, and instead put the focus on the emotions of the scene.)

Vash having fertility as a power is (one of many) things that fascinate me about Trigun Stampede. I’m an afab nonbinary person, I’ve always been afraid of getting pregnant, and I’ve never wanted kids. Sexual assault is something I’m deeply afraid of, and I would genuinely rather die than give birth. It’s all tied up in my feelings about my gender and my body and how it’s perceived by others. Vash is pretty much experiencing my literal worst nightmare.

All this circles back to what might be my favorite topic when it comes to analyzing Trigun: how it depicts masculinity.

There’s a lot about masculinity in Trigun that I think is genuinely radical to some degree, and whether it’s something Orange intended to add or if it’s just easier to do a queer interpretation of this version of the story isn’t a question I’m interested in. I’m gonna rub my gay trans little hands all this anime and you can’t stop me!

Stampede doesn’t depict fertility and masculinity as opposites or even incompatible. Vash and his body isn’t made repulsive because he has this power, in fact when he regains control he gets a color change and a sick new hairstyle. Vash possessing this power isn’t depicted as that different from the black hole, it’s just a thing he can do, but here it’s being taken advantage of by his brother. The disgust and horror isn’t from the metaphor of a man becoming pregnant, it’s because he was violated by someone who claims to love him and want to protect him.

For contrast, imagine a similar scene, in which a masculine character is surrounded by feminine/pregnancy imagery, and consider how it would likely be framed in most other mainstream media. Those of you who don’t live under rocks might even think of some examples! Typically in media, men seen anywhere in proximity to femininity are mocked and humiliated.

Vash’s masculinity, his identity, his personhood, are ultimately disconnected from his capacity to reproduce, and by what means his body is or is not capable of making babies. He regained agency because Meryl called out to him, and she called out because he inspired her, and she was inspired because he was out making human connections with people, trying so hard to do the right thing even when he failed. His powers are a part of him, but not what ultimately make Vash truly powerful.

I’m curious to see if/how Studio Orange will continue with this theme going forward. So much of Vash’s character is about contradiction, and in this way they’re making some of those themes even more literal. More contrast-y.

To wrap this up, here’s one more thing I’m curious about: what will become of the Independents who will be born from this? The pregnant plants escaped with Conrad and his flying saucer lab. Assuming any children survive, and considering how much the twins grew in only a year, they could have a role in the future story. What will they be like? How will their origin shape the people they become? How much will Knives control (or fail to control) his children? What will they think of humanity, of Knives, of Vash, of themselves?