#David Lynch quote

[murakamijeva-muza]

David Lynch: The Art Life (2016)

[hanssloane]

RIP David Lynch

[captainpirateface]

[funeral]

[emiliosandozsequence]

the secret diary of laura palmer, jennifer lynch

[365filmsbyauroranocte]

Twin Peaks: Fire Walk with Me (David Lynch, 1992)

[missnormajeanes]

"You could say that Laura Palmer is Marilyn Monroe, and that Mulholland Drive is about Marilyn Monroe, too. Everything is about Marilyn Monroe."

-- David Lynch interviewed in Vanity Fair, 2017

[peligrosapopagain]

RIP David Lynch

[sicknessinmotion]

ALL OF MY DEVOTION TURNS VIOLENT; DOGS

ethel cain // @rbhvleo // mitski // laika cigarettes // ajj // silas denver melvin // cephalopodunk games // gilla band // david lynch

[asoftepiloguemylove]

i've polished this anger and now it's a knife

rubyetc.com / unknown / @/rbhvleo (tumblr) / Venetta Octavia The Burning / David Lynch The Angriest Dog in the World / Japanese Breakfast Boyish / unknown / @/jovialtorchlight (tumblr)

i. rubyetc

[ Messy drawing of two hands holding a bird. "HOLD ME, / NICELY, / I'M UNLOVELY" ]

ii. unknown

[ Black and white background image of people fighting. A man kneels down holding his head with his right hand in front of the audience. Right behind him is another man raising his fist in a punch. People lay on top of each other in the background. "WHY ARE YOU FULL OF RAGE?" ]

iii. @/rbhvleo

[ "TELL ME WHERE TO PUT THE ANGER / TELL ME WHERE TO PUT THE ANGER / TELL ME WHERE TO PUT THE ANGER" ]

iv. Venetta Octavia, The Burning

[ "You are shaking fists & trembling teeth. I know: You did not mean to be cruel. That does not eman you were kind." ]

v. David Lynch, The Angriest Dog in the World

[ Stylized drawing of a tied up dog in the backyard of a house. "The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. / ...Bound so tightly with tension and anger, he approaches the state of rigor mortis." ]

vi. Japanese Breakfast, Boyish

[ "And all of my devotion turns violent" ]

vii. unknown

[ "You are / a better knife / than you are / a person." ]

vii. @/jovialtorchlight

[ "once you understand the form kill it / once you understand the form kill it / once you understand the form kill it / once the form is dead hold it and weep / once the form is dead hold it and weep / once the form is dead hold it and weep / once the form is dead hold it and weep / once the form is dead hold it and weep / once the form is dead hold it and weep / once you have wept for the dead whatever / once you have wept for the dead whatever / once you have wept for the dead whatever / once you have wept for the dead whatever / once you have wept for the dead whatever / once you have wept for the dead whatever / HOLD THE LAST LIGHT AND MOLD IT / HOLD THE LAST LIGHT AND MOLD IT / HOLD THE LAST LIGHT AND MOLD IT / HOLD THE LAST LIGHT AND MOLD IT" ]

[sictransitgloriamvndi]

“We think that we understand the rules when we become adults, but what we really experience is the narrowing of the imagination.” - David Lynch

[pierppasolini]

Blue Velvet (1986) // dir. David Lynch

[ultrakillblast]

BLUE VELVET (1986, David Lynch)

[whatyearisthis]

R.I.P. David Lynch

[funeral]

The development of Lynch's body of work is informed by a realist's optimism that there is an exit from the linguistic labyrinth and that this exit is richly available to us [...] His use of language—and of cinematic vocabulary—suggests that, once we understand that we ourselves have created cultural forms and that they only have the meaning we give them, we are free to understand the forces in the universe that are truly larger than we are and how they connect us to a greater reality.

Martha Nochimson, The Passion of David Lynch

[noosphe-re]

What, for you, is the association of black and dreaming? Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.

David Lynch, Lynch on Lynch, edited by Chris Rodley