#phillip jeffries

[rosesandpeonys]

[olipeaksforever]

some eighties album covers i redesigned with characters from twin peaks/david lynch stuff

[christhebrit2]

[yeahiwasintheshit]

[vertigoartgore]

Twin Peaks/Twin Peaks: Fire Walk with Me/Twin Peaks: The Return commission by Mike & Laura Allred.

[sonjackcarl]

[zombimanos]

It's Phillip Jefferies day.

[sadiepinesma]

It's getting to be time for my annual TP rewatch

[littlestsnicket]

wonderfulxstrange exchange time! thank you @countdowntotwinpeaks for organizing this!

here is my fic for @bluerosering

title: I just got your number

word count: 1.1k

phillip jeffries & lucy moran; found footage

[also on ao3]

Due, one assumes, though I can find no record of the initial warrant, to the proximity to Unguin Air Force Base and the newly constructed Listening Post Alpha, the phone line at the Twin Peaks Sheriff Station was tapped in 1983. Coincidentally, this date roughly coincides with the graduation from junior college of one young Lucy Moran. Can you guess where she entered the workforce? 

What follows is a collection of conversations pertinent to our ongoing effort to make sense of the events on and leading up to October 2nd, 2016. I pity the person who initially transcribed these conversations. She—presumably—had the patience of a saint. The problems a small town calls into the non-emergency police line and Lucy’s endless attempts to explain the phone system to her colleagues have a certain quaint charm, but I was endlessly grateful these files were digitized and searchable.

-TP

February 28th, 1989

LUCY MORAN: Twin Peaks Sheriff Station.

(Static)

LUCY: I don’t want to hang up on you, especially if it’s a long distance call. You can tell by the quality of the sound. It goes open and airy. One time my sister traveled all the way to New York City and she forgot her toothbrush so naturally she had to call me and—

(Series of mechanical clunks.)

LUCY: I don’t understand what that’s supposed to mean. I can’t help you if you don’t use words. I’m going to h—“

UNIDENTIFIED MALE WITH SOUTHERN DRAWL: Cooper.

LUCY: I’m sorry, Agent Cooper isn’t here right now. He—

UNIDENTIFIED MALE: Cooper.

LUCY: Could you tell me who you are?

UNIDENTIFIED MALE: COOPER.

LUCY: You’re not Agent Cooper. You sound nothing like Agent Cooper!

UNIDENTIFIED MALE: The owls are not what they seem.

(Call ends.)

March 10th, 1989

LUCY: Twin Peaks Sheriff Station, Lucy Moran speaking.

UNIDENTIFIED MALE: I’m not gonna talk about Judy.

LUCY: Lucy, not Judy. And you’re talking to me. It would be rude to talk about me, and I’m not sure how that would even work.

UNIDENTIFIED MALE: It’s dangerous.

LUCY: What’s dangerous? Wait, I recognize your voice. You called here before talking nonsense the night Agent Cooper was shot.

UNIDENTIFIED MALE: I just got your number. 

LUCY: You’ve called here before!

UNIDENTIFIED MALE: Maybe I will.

LUCY: You’re scaring me. I’m hanging up now.

(Call ends.)

March 17th, 1989

LUCY: Twin Peaks Sheriff St—

UNIDENTIFIED MALE: I need to speak to Garland Briggs. 

LUCY: This is the sheriff’s station, Major Briggs—

UNIDENTIFIED MALE: I need to speak to Garland Briggs.

LUCY: I can’t transfer your call anyway if you won’t tell me who you are.

UNIDENTIFIED MALE: You haven’t asked.

LUCY: I did. I remember you. I asked you the first time you called here and you wouldn’t tell me.

(Silence)

LUCY: If you're still insisting that hasn’t happened I’m hanging up right now. I have important things to deal with. Growing a whole baby and still having to decide who the father will be is very stressful. 

UNIDENTIFIED MALE: My apologies, ma’am. I was unaware of your predicament. My name is Phillip Jeffries.

LUCY: I don’t know a Phillip Jeffries.

PHILLIP JEFFRIES: I advise you keep it that way.

LUCY: You should stop calling then. 

JEFFRIES: I need to speak to Major Garland Briggs. 

LUCY: I can’t help you. He’s not here.

JEFFRIES: You’re a tough cookie, Lucy Brennan.

LUCY: Moran. It’s Lucy Moran.

(Call ends.)

July 15th, 2002

LUCY: Twin Peaks Sheriff Station.

PHILLIP JEFFRIES: There was a man in Columbia. He was too close.

LUCY: Mr. Jeffries?

JEFFRIES: That wasn’t how it was supposed to go, but it was better than letting things lie. Albert won’t understand.

LUCY: Who are you? Why are you telling me this?

JEFFRIES: I’m Phillip Jeffries, the one and only. Unless there is another. Unnatural. Not occurring in nature. Another.

LUCY: I know your name. I think you’re lonely, but that’s no excuse to talk nonsense.

JEFFRIES: Not nonsense, ma’am. But my perspective lacks context and your perspective lacks context. There are things that cannot be explained, only experienced and communicated obliquely to those who already know.  

(Silence.)

JEFFRIES: I am alone. No one visits me here. Not unless they want something I won’t tell them. Not the people who visit me. 

LUCY: Where are you? Can you leave?

(Mechanical clunking that sounds eerily like a laugh)

JEFFRIES: Room 8.

LUCY: That’s not very helpful.

JEFFRIES: Liberation through Hearing during the Intermediate State

LUCY: Oh, I know that one. I read a book about Tibet because Agent Cooper—that’s not a place. It’s a meditation, I think.

JEFFRIES: You’re right.

LUCY: How can you be in a meditation?

JEFFRIES: I am in all places and no places, accessible only at times of completion. I am where Agent Cooper is yet inaccessible to him. You know Agent Cooper.

LUCY: Yes, but Agent Cooper went missing.

JEFFRIES: Agent Cooper is not missing. He’s lost. But he may find himself. I must prepare for that eventuality.

LUCY: You’re not going to hurt him are you?

JEFFRIES: I’m not gonna do anything to him. Nothing he hasn’t agreed to. (Mechanical clunking.) We had a plan but it’s going wrong. Dweller on the threshold. The fractured self. Unnatural. But we mustn’t lose hope, Lucy Brennan.

LUCY: I am Lucy Brennan. You said that last time when I wasn’t yet. How did you know that would happen?

JEFFRIES: Last time. Time. Now that’s a loaded word. 

LUCY: You’re a very frustrating person to talk to, Mr. Jeffries.

JEFFRIES: It’s my nature now. There are only words for a fraction of the things I want to say.

(Silence.)

JEFFRIES: Beware of Duplicates. Not occurring in nature.

(Call ends.)

September 25th, 2016

LUCY: Twin Peaks Sheriff Station.

JEFFRIES: The pieces wobble but all is not lost. The tipping point will be here soon.

LUCY: Can you stick them to something so they don’t fall over?

(Mechanical clunking.)

JEFFRIES: There’s nothing sticky enough to make this certain. I do my best to keep them steady.

LUCY: (tentatively) Can I help? Usually, I’d get you donuts and coffee but I don’t think I can bring donuts to a place that’s all places and no places.

JEFFRIES: That’s kind of you, Lucy Brennan. He didn’t come through all the way, but his shadow self was not strong enough to stop him completely. Only he can fix it. But we must have everything in place should he succeed. There is a role for you to play, but it would be wrong of me to extract an obligation. Keep your eyes open. You may see something unnatural. When you do, act.

LUCY: I don’t understand.

JEFFRIES: I think you will. 

(Call ends.)

October 2nd, 2016

LUCY (audibly shaken): Twin Peaks Sheriff Station, Lucy speaking.

JEFFRIES: Tell me what happened.

LUCY: I shot him!

JEFFRIES: That’s good. 

LUCY: You’re not going to ask who?

JEFFRIES: I know who. I have one more journey to facilitate. Then my time is done. 

(Mechanical clunking.)

LUCY: Is that a good thing?

JEFFRIES: I think so. Wish me luck. Wish us all luck. 

LUCY: Good luck, Mr. Jeffries 

(Call ends.)

[llois-lane]

dbo so desperate for a role they gave him phillip jeffries

[bangarangbowie]

happy phillip jeffries day

[olipeaksforever]

WHAT'S WITH THIS JUDY DISSING MY GIRL???????????????

[just-another-weird-artist]

Director Gordon Cole and the Evanescent Phillip Jeffries, traditional art version

My silly digital painting app crashed and I lost the file for this one, so, despairing of modern technology, I went back to my sketch book. I still have to finish it though.

Probably I'll turn it into a watercolor/gouache illustration when I have the time. Probably not in the near future: exam season is upon me.

[laughingpinecone]

2159w, complete, general audiences, no archive warnings apply Fandom: Twin Peaks (TV 1990) Relationships: Lucy Moran & Phillip Jeffries Characters: Lucy Moran, Phillip Jeffries Additional Tags: Phone Calls & Telephones, ominous whooshing, Connections, Developing Friendships, Non-Linear Narrative, Phil characterization drawing from his two entire lines in TSHOTP, Implied Teapots Summary:

[REDACTED] times Lucy Brennan [REDACTED] and [STRONG INTERFERENCE, LIKE WIND AGAINST WAVES]

My wonderfulxstrange work for the amazing @dye-ann! I think Twin Peaks' assorted receptionists and metaphysical messengers should unionize. 

[herearethelegends]

I've Just Seen a Face...

It's been over a year since Agent Chet Desmond disappeared, and Sam Stanley seems to be the only one still looking for him.

Can a certain case lead him closer to finding his elusive partner?

Okay, here it is: my first fic. Twin Peaks: Fire Walk with Me, set roughly a year after the Teresa Banks investigation. I put a lot of love into this one, and I hope it carries through! And for added incentive, I put links to two of my Twin Peaks playlists among the notes, so there you go.

Let's rock!

[thetwinpeaksblog]

Craig Miller from "Wrapped in Plastic" created this artwork titled "Family Portrait." He paired X-Files Agents Scully and Mulder with Gordon Cole’s team from Twin Peaks: Fire Walk With Me including Albert Rosenfield, Dale Cooper and Phillip Jeffries.